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today, bob delahunty, was asked along to that HDU, to try and here the stories

of these many people who have been arguing about who is god, you see, there

is always, debates on who is more powerful that jesus, and who is jesus, and

when bob arrived, all the HDU, are arguing religious topics at each other till

their ears bleed, and bob didn’t know which way to turn, so, what bob did

is take them aside, first was ben teckerdid, who says his god, and bob said what makes

you god, buddy, ben said, well, i help people after i get drunk with them, my gift of the mandrunk

is to overdo helping people, and i end up here all the time, to reform everyone here, to

get this fucken place, closed down, then bob said, why that does make you GOD, ben

no, your just a crazy person, who likes to help, but you are not medicated right, in doing your deeds,

well, it passes the god test, but ben you are not the almighty one, and ben told bob to SHUT UP, singing

i know god is the devil, but the devil is bob

god is the devil and the devil is bob

god is the devil and the devil is bob

ben the devil and bobby poo

bob told ben to sit down and brought richard smith in, who believes he is the real jesus, and bob

was intrigued, why are you the real jesus, and richard said, because i can feel everyones pain

if you hit anyone, i feel it, and if i worked in a homeless shelter, i will get everyone inspired

cause, i am the real jesus, bob sat there laughing hitting himself with a rubber band, and richard

said, it doesn’t work like that, you see bob, i turned water into wine, i told moses to walk on water

i enjoy drinking wine, but i am a filthy little ****, i am jesus, cause, on inspection days in my flat

i can clean all day, to past the test, ooooh, i must be jesus, and bob said, ok, you have my vote

and richard said no bob, i am jesus christ, and not just to get out of here, either, I AM JESUS

and richard left saying, did you understand, as he left singing

god is the devil, and the devil is bob

god is the devil and the devil is bob

god is the devil and the devil is bob

GOD, THE DEVIL, AND ****** BOB

the next patient also thought he was jesus, he was also the devil and god, because to him

he was religion, he lived for 323 years, and all his stories were written in his tent, but bob

thought straight away, WHAT A NUTJOB, he isn’t religion, he’s a clot, and his name was barney

and he lived near fred, and a woman named betty as his wife, and they worked on a dinosaur

and bob said, this guy has flipped his ****** marbles, that was a television show in thew 1970s

and barney said in his defense, no, it actually was the truth, barney helped fred, i helped fred

i am barney, and bob said, you are a shitzophrenic patient in the HDU, i don’t want to upset you

but the flintstones, never was real, in the way you explained it, ben and richard had better views

that you, buddy, and barney told bob to *******, and went away singing

god is the devil and the devil is bob, and barney is religion

god is the devil and the devil is bob and barney is religion

god is the devil and the devil is bob and barney, oh barney oh barney is religion

flintstones existed bobby delahunty

bob saw his last patient who said he was jesus christ and the devil, he saves people

but he also condemns people, ya know, puts people right all the time, bob thought

i don’t mess with you, mr, and he said he was jack flynn, i am 23, and i live and work

in a ****** neighbourhood, i never get any help from doctors and psych crews

and my only solace are my beliefs and writing them down on my computer

and i can save a lot of people, with the stories i wrote, buddy, ya know

bob asked, i understand that, but both jesus and the devil, and jack said

ummmmm, i am jesus, and there is no devil, good things happen bad things happen

the devil doesn’t control, and yeah, I, JESUS, MUST FORFILL MY DUTY TO PROTECT THE WORLD FROM VIOLENCE

IN ANY SHAPE OR FORM, bob said, interesting, ok, and bob went away making sure

that each of these dellusionists take their medications cause even if they are, their crimes were wrong, ok

but, remember, they have a right to their beliefs, and bob went away singing

god is the devil, and the devil is bob

god is the devil and the devil is bob

god is the devil and the devil is bob

GOD THE DEVIL AND BOB

bob went off thinking

god is the devil and the devil is bob

god is the devil and the devil is bob

god is the devil and the devil is bob

GOD THE DEVIL AND BOB
god is the devil and the devil is bob

god is the devil and the devil is bob

god is the devil and the devil is bob

GOD THE DEVIL AND BOB


today bob delahunty visits 3 ladies who preaches god to stop their sons from drinking

the first lady, really gets offended if her son turns off god, mind you, she lets him have

his own beliefs, but in saying that, when he makes jokes about religion, she gets really offended

and says, you should believe in god, god is the powerful being, god is the almighty saviour and

god will be there for you at every turn, and bob came in, and told this lady, that there are

possibilities that god is a myth, and you need your son to have his own beliefs and the lady

got offended for what bob said, and told bob, that god is up there looking over each of us

and i am trying to show my son, that god isn’t powerful, as such, but is a blessing to have

him watch over us, and bob said, you need to understand, religion is a touchy subject ya see

and the lady said your the devil, and she went away singing

god is the devil and the devil is bob

god is the devil and the devil is bob

god is the devil and the devil is bob

GOD THE DEVIL AND BOB

the second lady keeps her 15 year old daughter locked up in the basement because she didn’t trust

the evil spirits around her, you see she hung around these two prostitutes, because they are terribly

nice to her, and her mother didn’t like what she is doing, so she bought these iron chains, to tie the devil

right out of her, and bob said, this is wrong, we must  explain to this lady, that god will not condone this

and the lady said in her defines, my daughter hangs with devil people, and bob said, no, you are the devil

i am not saying what she is doing is rightt, but you make them sound good, and chaining your daughter

in your basement is definatlely the wrong solution for you to do, and the lady said to bob, i want my daughter

to understand what she is doing is wrong, she is disobeying gods commands, and until she understands

i have no excuse but to keep her chained in my basement, and bob hit her with a wooden spoon, not enough

to ****, just enough to rescue her daughter from her clutches, and after 2 hours, she got to her feet and said

where is my daughter, and bob said, i rescued her from you, and you need to understand that this was wrong

and the lady mumbled to herself saying

god is the devil and the devil is bob

god is the devil and the devil is bob

god is the devil and the devil is bob

GOD THE DEVIL AND BOB


The third lady was a little old lady who loves knitting, but she has really bogus beliefs, you see to her anyone

who drinks, was the devil, and if her son went out drinking, she would get cranky with him, no matter what

age he was, you see she claims the devil was giving her the impression that her son is committing crimes

and behaving like a hooligan, and when her son, tries to speak up for himself, she goes QUIET, we need

our almighty GOD, to save you from the devil’s clutches and her son called bob in, because they can’t keep

going on like this, and bob came in to talk to the old lady, asking her, what makes you think that he is worshipping

the devil, you see it’s possible that he is out having a good time at the club drinking with mates, and the lady said

i was raised to think drinking was the work of the devil and when i think of what young people get up to now, no

i am doing the right thing, protecting my son from the evil drunks, no son of mine is parading around on the streets

like a hooligan and bob said, yeah but, i think he is being a man, to enjoy a few beers with family and the lady said

i don’t care, drinking is the work of the devil, and there is no doubt about it, and bob told her, you must understand

your son, and she said i don’t need to understand him, as she walked away singing

god is the devil and the devil is bob

god is the devil and the devil is bob

god is the devil and the devil is bob

your the devil, bob, don’t deny it, buddy

god is the devil and the devil is bob

god is the devil and the devil is bob

god is the devil and the devil is bob

GOD THE DEVIL AND THE ALMIGHTY BOB, to save everyone from delusions forever
you see bob delahunty, one da7y developed this website, where he takes people on quests

to find out whether or not really exists, and first stop was jerusealum, where he spoke to a rabbi,

and bob asked the question does GOD exist, and the rabbi said, i can be your saviour where

whenever you need any answers, i can show you, ok,

after that, bob went to the BUDDHIST temple in taibet, and the buddhist nuns said, god is just

a couple of easy answers, we need people to understand that the answer is to mend every blade of grass

and bob left thinking mmmmm interesting, and the muslims said, god, there is no god, but there is mohammad,

and he is the same, as this GOD, and bob went away singing

god is the devil and the devil is bob

god is the devil and the devil is bob

god is the devil and the devil is bob

GOD, THE DEVIL, ANNNND BOB

the next part of bobs quest was going over to the catholic church and after 12 minutes of hearing the boring catholic morals

bob went over to the priest, how many children have you ****** today, and priest got offended in what bob asked, and through

bob outside, with the tune going, god is the devil and the devil is bob

god is the devil and the devil is bob

god is the devil and the devil is bob

GOD, THE DEVIL, AND BOB

bob was kicked out of every religious place in the world, so he decided to gather some religious freaks, to form his own religion

going out on the underground to meet different religious people on the street, first was wendy sweeeeet lips who was a ****** by night

nun and helper of the poor by day, and she was nice to bob, ands bob said, i can get a decent **** out of this pretty lady, time and time again

and when the nun was asked to leave the catholic church despite her keeping the ****** bit to herself, she decided to join BOB,  religion

by a man named bob, bob had this philosophy, no ugly wannabes, just **** legs and pretty faces

bob asked the ******-nun, do you think GOD exists, and they said, we don’t hate any religion, but, we hate catholics, because, their morals

are against our good work here, we don’t have a GOD, policy here, we are the face of the devil, but the devil brings happiness,

you know to angry *** crazed men, aren’t they needed to wipe off the angry look, and bob went away, who cares, and sang his song

god is the devil, and the devil is bob

god is the devil, and the devil is bob

god is the devil and the devil is bob

GOD THE DEVIL, WHO IS BOB

and bob said, who cares if i’m the devil

i don’t look at the symbol of jesus nailed to a cross being a symbol of peace

jesus exixts, but the way he is killed is the REAL DEVIL

BECAUSE, all together now


god is the devil, and the devil is bob

god is the devil, and the devil is bob

god is the devil, and the devil is bob

GOD, THE DEVIL, AND BOB
guy scutellaro Oct 2019
The rain ****** through a darkening sky.

The man's eyes grow bright and he smiles. Softly, he whispers, " Man, you're the biggest, whitest, what hell are you anyway?"

The pup sits up and Jack Delleto caresses her neck, but much to the mutt's chagrin the man stands up and walks away.

Jack has his hand on the door about to go into the bar. The pup issues an interrogatory, "Woof?"

The rain turns to snow.

The man's eyes grow bright and he smiles, "My grandma used to say that when it snows the angels are sweeping heaven. I'll be back for you, Snowflake."

Jack shivers. His smile fading, the night jumps back into his eyes.

Snowflake chuffs once, twice.

The man is gone.



The room would have been a cold, dark place except the bodies who sit on the barstools or stand on the ***** linoleum floor produce heat. The cigarette smoke burns his eyes. Jack Delleto looks down the length of the bar to the boarded shut fire place and although the faces are shadows, he knows them all.

The old man who always sits at the second barstool from the dart board is sitting at the second bar stool. His fist clenched tightly around the beer mug, he stares at his own reflection in the mirror.

The aging barmaid, who often weeps from her apartment window on a hot summer night or a cold winter evening, is coming on to a man half her age. She is going to slip her arm around his bicep at any moment.

"Yeah," Jack smiles, "there she goes."

Jack Delleto knows where the regulars sit night after night clutching the bar with desperation, the wood rail is worn smooth.

In the mirror that runs the length of the bar Jack Delleto sees himself with clarity. Brown hair and brown eyes. Just an ordinary 29 year old man.

"Old Fred is right," he thinks to himself, "If you stare at shadows long enough, they stare back." Jack smiles and the red head returns his smile crossing her long legs that protrude beneath a too short skirt.

The bartender recognizes the man smiling at the redhead.

"Well,  Jack Delleto, Dell, I heard you were dead. " The six foot, two hundred pound bartender tells him as Dell is walking over to the bar.

"Who told you that?"

"Crazy George, while he was swinging from the wagon wheel lamp." Bob O'Malley says as he points to the wagon wheel lamp hanging from the ceiling.

"George, I heard, HE was dead."

The bartender reaches over the bar resting the palms of his big hands on the edge of the bar and flashes a smile of white, uneven teeth. Bob extends his hand. "Where the hell have you been?"

They shake hands.

Dell looks up at the Irishman. "I ve been at Harry's Bar in Venice drinking ****** Marys with Elvis and Ernest."

Bob O'Malley grins, puts two shot glasses on the bar, and reaches under the bar to grab a bottle of bourbon. After filling the glasses with Wild Turkey, he hands one glass to Dell. They touch glasses and throw down the shots.

"Gobble, gobble," O Malley smiles.


The front door of the bar swings open and a cold wind drifts through the bar. Paul Keater takes off his Giants baseball cap and with the back of his hand wipes the snow off of his face.

"Keater," Bob O'Malley calls to the Blackman standing in the doorway.

Keater freezes, his eyes moving side to side in short, quick movements. He points a long slim finger at O'Malley, "I don't owe you any money," Paul Keater shouts.

The people sitting the barstools do not turn to look.

"You're always pulling that **** on me." Keater rushes to the bar, "I PPPAID YOU."

As Delleto watches Keater arguing with O'Malley, the anger grows into the loathing Dell feels for Keater. The sauve, sophisticated Paul Keater living in a room above the bar. The man is disgusting. His belly hangs pregnant over his belt. His jeans have fallen exposing the crack of his ***, and Keater just doesn't give a ****. And that ragged, faded, baseball cap, ****, he never takes it off.

When Keater glances down, he realizes he is standing next to Jack Delleto. Usually, Paul Keater would have at least considered punching Delleto in his face. "The **** wasn't any good," Paul feining anger tells O'Malley. "Everybody said it was, ****."

The bartender finishes rinsing a glass in the soapy sink water and then places it on a towel. "*******."

Keater slides the Giant baseball cap back and forth across his flat forehead. "**** it," he turns and storms out of the bar.

"Can I get a beer?" Dell asks but O"Malley is already reaching into the beer box. Twisting the cap off, he puts it on the bar. "It's not that Keater owes me a few bucks, "he tells Dell, "if I didn't cut him off he'd do the stuff until he died." Bob grabs a towel and dries his hands.

"But the smartest rats always get out of the maze first," Jack tells Bob.


Cigarette butts, candy wrappers, and losing lottery tickets litter the linoleum floor. Jack Delleto grabs the bottle of beer off the bar and crosses the specter of unfilled wishes.

In the adjacent room he sits at a table next to the pinball machine to watch a disfigured man with an anorexic women shoot pool. Sometimes he listens to them talk, whisper, laugh. Sometimes he just stares at the wall.

"We have a winner, "the pinball machine announces, "come ride the ferris wheel."



"I'm part Indian. "

Jack looks up from his beer. The Indian has straight black hair that hangs a few inches above her shoulders, a thin face, a cigarette dangling from her too red lips.

"My Mom was one third Souix, " the drunken women tells Jack Delleto.

The Indian exhales smoke from her petite nose waiting for a come on from the man with the sad face. And he just stares, stares at the wall.

Her bushy eyebrows come together forming a delicate frown.

Jack turns to watch a brunette shoot pool. The woman leans over the pool table about to shoot the nine ball into the side pocket. It is an easy shot.

The brunette looks across the pool table at Jack Delleto, "What the **** are you starin at?" She jams the pool stick and miscues. The cue ball runs along the rail and taps the eight ball into the corner pocket. "AH ****," she says.

And Jack smiles.

The Indian thinks Jack is smiling at her, so she sits down.

"In the shadows I couldn't see your eyes," he tells her, "but when you leaned forward to light that cigarette, you have the prettiest green eyes."

She smiles.

" I'm Kathleen," her eyes sparkling like broken glass in an alley.

Delleto tries to speak.

"I don't want to know your name," she tells Jack Delleto, the smile disappearing from her face. "I just want to talk for a few minutes like we're friends," she takes a drag off the cigarette, exhales the smoke across the room.

Jack recognizes the look on her face. Bad dreams.

"I'll be your friend," he tells her.

"We're not going to have ***." The Indian slowly grinds out the cigarette into the ashtray, looks up at the man with the sad face.

I met my older sister in Baltimore yesterday. Hadn't seen her since I was nine, since Mom died. I wanted to know why Dad put me in foster homes. Why? I had so many questions and you know what?
I didn't ask one."

Jack is finishing his beer.

"Maybe if you knew the reasons, now, it wouldn't matter anyway."

The man with the black eye just doesn't get it. She lived with them long enough. Long enough to love them.

She stands up, stares at Jack Delleto.

And walks away.


It's the fat blondes turn to shoot pool. She leans her great body ever so gently across the green felt of the pool table, shoots and misses. When she tries to raise herself up off the pool table, the tip of the pool cue hits the Miller Lite sign above the pool table sending the lamb rocking violently back and forth. In flashes of light like the frames from and old Chaplin movie the sad and grotesque appear and disappear.

"What the **** are you starin at?" The skinny brunette asks.

Jack pretends to think for a moment. "An unhappy childhood."

Suddenly, she stands up, looking like death wearing a Harley Davidson T-shirt.

"Dove sta amore?" Jack Delleto wonders.

Death is angry, steps closer.

"Must be that time of the month, huh," Jack grins.

With her two tiny fists clenched tightly at her side, the brunette stares down into Delleto's eyes. Suddenly, she punches Jack in the eye.

Jack stands up bringing his forearm up to protect his face. At the same time Death steps closer. His forearm catches her under the chin. The bony ***** goes down.

Women rush from the shadows. They pull Jack to the ***** floor, punch and kick him.

In the blinking of the Miller Light Jack Delleto exclaims," I'm being smother by fat lesbians in soft satin pants."  But then someone is pulling the women off of him.

The Miller Lite gently rocks and then it stops.

Jack stands up, shakes his head and smiles.

"Nice punch Dell," Bob O' Malley says, "I saw from the bar."

Jack hits the dust off of his pants, grabs the beer bottle off of the table, takes a swallow. Smiling, he says, "I box a little."

"I can tell by your black eye." O'Malley puts his hand on his friends shoulder. "Come on I'll buy you a shot. What caused this spontaneous expression of love?"

"They thought I was a ******."


2 a.m.

Jack Delleto walks out the door of the bar into the wind swept gloom. The gray desolation of boarded shut downtown is gone.

The rain has finally turn to snow.

His eyes follow the blue rope from the parking meter pole to its frayed end in the plowed hill of snow at the corner of Cookman Avenue.

The dog, Snowflake, dead, Jack thinks.


The snow covers everything. It covers the abandon cars and the abandon buildings, the sidewalk and its cracks. The city, Delleto imagines, is and adjectiveless word, a book of white pages. He steps off the curb into the gutter and the street is empty for as far as he can see. He starts walking.

Jack disappears into empty pages.


Chapter 2


Paul Keater has a room above Wagon Wheel Bar where the loud rock music shakes the rats in the walls til 2a.m. The vibrations travel through the concrete floor, up the bed posts, and into the matress.

Slowly Paul's eyes open. Who the hell is he fooling. Even without the loud music, he would not be able to sleep, anyway.

Soft red neon from the Wagon Wheel Bar sign blinks into his room.

Paul Keater sits up, sighs, resigns himself to another sleepless night, swings his legs off the bed. His x-wife. He thinks about her frequently. He went to a phycologist because he loved her.

Dump the *****, the doctor said.

"I paid him eighty bucks and all he had to say was dump the *****." He laughs, shakes his head.

Paul thinks about *******, looks around the tiny room, and spots a clear plastic case containing the baseball cards he had collected when he was a boy.

He walks to the dresser and puts on his Giant's baseball cap. Paul sits down on the wooden chair by the sink. Turns on the lamp. The card on top is ***** Mays. Holding it in his hand, it is perfect. The edges are not worn like the other cards.

It was his tenth birthday and his dad had taken him to his first baseball game and his father had bought the card from a dealer.

Oblivious to the loud rock music filtering into his room, he stares at the card.

Fondly, he remembers.

Dad.


                                     *     

It arrives unobtrusively. His heart begins to race faster.
Jack Delleto rolls away from the cracked wall. He sits up and drops his legs off the bed.

Jack Delleto thinks about mountains.

When he cannot sleep he thinks about climbing up through the fog that makes the day obscure, passing where the stunted spruce and fir tees are twisted by the wind, into cold brilliant light. Once as he climbed through the fog he saw his shadow stretching a half a mile across a cloud and the world was small. Far down to the east laid cliffs and gullies, glaciated mountains and to the west were the plains and cities of everyday life.

The army coat is draped over the back of the chair. In the pocket is his notebook. Jack stands and takes the notebook from the pocket. When he sits in the wooden chair he opens the book and slides the pen from the binder.

When he finishes his story he makes the end into the beginning.



                                           Chapter 3


"I want a captain in a truck." The 10 year old boy with the brown hair tells his mom. "I want it NOW."

His blonde haired mom wearing the gold diamond bracelet nods her head at Jack Delleto. Jack looks up at the clock on the wall. It is only 9a.m. After four years of college Jack has a part time job at K.B. Toy store. "We're all out of them," he tells her for the second time.

"Honey," Blondie tells her boy, "they're all out of them."

"YOU PROMISED."

"How about a sargeant in a jeep?

"OK, but I want a missile firing truck , too."

Delleto turns to the display case behind the counter. Briefly, he studies his black eye in the display case mirror and then begins searching the four shelves and twenty rows of 3 inch plastic toys. He finds the truck. His head is aching. He finds the truck and puts it on the counter in front of the boy.

"Sorry, we're all out of the sargeant," Jack tells the pretty lady. The aching in his head just won't go away.

"Mommy, mommy, I want an ATTACK HELIOCOPTER, MOMMMEEE, I WANTAH TTTAAANNNK..."

Jack Delleto leans over the counter resting his elbows on the glass top. The boy is staring at the man with the black eye, at his bruised, unshaven face.

"Well, we haven't got any, GODDAMED TANKS. How about a , KICKINTHE ***."

Finally the boy and his mother are quiet.

"My husband will have you fired."

She grabs the boy by the hand. Turns to rush out of the store.

Jack mutters something.

"MMOOOMEEE,  what does..."

"Oh, shut the hell up," the pretty lady tells her son


                              
     

The assistant manager takes a deep drag on her cigarette, exhales, and crosses her arms to hold the cigarette in front of her. Susan looks down at Jack sitting on the stool behind the counter. He stands up. "Did you tell some lady to blow you?" She crushes the cigarette out in the ashtray on the shelf below the counter. "Maybe you don't need this job but I do."

"Sue, there's no smoking in the mall."

"Jack, you look tired," the cubby teenager tells him, "and your eye. Another black eye."

"I was attacked by five women."

'Oh, I see, in your dreams maybe. I see, it's one of those male fantasies I'm always reading about in Cosmo. You re not boxing again, are you Dell?" Sue likes to call him Dell.

"I go down to the gym to work out. Felix says I've got something."

"Yeah, a black eye." Susan laughs, opens the big vanilla envelope, and hands Jack his check.

She turns and takes a pair of sunglasses from the display stand. "You 're scaring the children, Dell ." Susan steps closer looks into Dell's brown eyes and the slips the sunglasses on his face. "Why don't you go to lunch."

                                        
     

It's noon and the mall is crowded at the food court area. Jack gets a 20oz cup of coffee, finds a table and sits down.

"Go over and talk to him. " Susan says. Jack turns his head , looks back, sees the Indian walking towards his table.

"Hello, Kathrine," says Jack Delleto.

"My names not Kathrine, it's Kathleen."

Jack pulls the chair away from the table, "Have a seat Kate."

Her eyebrows form that delicate frown. "My names Kathleen." As soon as she sits down she takes a cigarette from the pack sticking out of her pocketbook. "I had to leave. I told the baby sitter I'd only be gone an hour. Anyway you weren't much help."

"So why did you come over to talk to me?"

"You were alone, always alone."

"You've seen me there before?"

"Yeah, sitting by the pin ball machine staring at the wall, and sometimes, you'd take out your little blue note pad and write in it.
"What are you writing? Are you goin to write about me..."

"How many kids do you have?"

"Just one. A boy, and believe me one is enough. He'll be four in June," Kathleen smiles but then she remembers and abruptly the smile disappears from her face. "Sometimes I see Anthony's father in the mall and I ask him if he'd like to meet his son, but he doesn't.

Kathleen draws the cigarette smoke deep into her lungs, tilts her head back, and blows the smoke towards the skylight. Suddenly caught in the sunlight the smoke becomes a gray cloud. " I didn't want to marry him anyway, I don't know why he thought that."

She hears the scars as Delleto talks, something sad about the man, something like old newspapers blowing across a deserted street. She hears the scars and knows never, never ask where the scars came from.


                              
     

As Jack walks towards the bank to cash his check, he glances out the front entrance to the mall. It is a bright, cold day and the snowplows are finishing up the parking lot plowing the snow into big white hills. That is the fate of the big white pup plowed to the corner of Cookman and Main buried deep in ***** snow. At that street corner when the school is over the children will play on the hill never realizing what lay beneath there feet.

The snow must melt; spring is inevitable.

His pup will be back.



                                           Chapter 4


The 19 year old light heavyweight leans his muscular body forward to rest his gloved hands on the tope rope of the ring. He bows his head waiting to regain his breath as his lungs fight to force air deep into his chest. Bill Wain has finished boxing 4 rounds with Red.

Harry the trainer, gently pulls the untied boxing gloves from Red's hands. "Good fight, he says, patting Red on the back as the fighter climbs through the ropes and heads to the showers. Harry hands the sweat soaked gloves to Felix who puts one glove under his arm while he loosens the laces on the other 12ounce glove. He makes the sleeve wider.

"Do you want the head gear?" Felix asks.

Jack Delleto shakes his head and pushes his taped hand deep into the glove.

The old man takes the other glove from under his arm, pulls the laces out, and holds it open. Without turning his head to look at him, Felix tells Harry, "Make sure Bill doesn't cool down. Tell him to shadow box. Harry walks over to Bill and Bill starts shadow boxing.

Jack pushes his hand into the glove. "Make a fist." Jack does. Felix pulls the laces and ties it into a bow.

Felix looks intently into Delleto's eyes. "How does that feel?"

"About right."

"You look tired."

"I am a little."

"Are you sick or is it a woman."

"I'm not sick."

A big smile forms across the face of the former welterweight champion of Nevada. The face of the 68 year old Blackman is lined and cracked like the old boxing gloves that Jack is wearing but his tall body is youthful and athletic in appearance. Above Felix's eyebrows Jack sees the effect of 20 years as a professional fighter. He sees the thick scar tissue and the thin white lines where the old man's skin has been stitched and restitched many times. As he gives instructions to Jack, Felix's brown eyes seem to be staring at something distant and Jack wonders if Felix has chased around the ring one time too often his dream.

"And get off first. Don't stop punching until he goes down. You've got it kid and not every fighter does."

Jack and Felix start walking over to the ring.

"What is it I've got?" Jack Deletto wonders.

Felix puts his foot on the fourth strand of the rings rope and with his hand pulls up the top strand and as Jack steps into the ring, "You've got, HEART."

In the opposite corner Bill Wain waits.

"Will he be alright?" Harry asks.

"Bill's tired, " Felix replies, then he tries to explain. "It's not about money. I'm almost 70 and I want to go out a winner." Felix pauses and the offers, he can hit hard with either hand."

"Yeah, but at best he's a small middleweight and he only moves in one direction, straight ahead."

"Harry, I love the guy," Felix puts his hand on Harry's shoulder, he's like Tyson at the end of his career. He'd fight you to the death but he's not fighting to win anymore."

Harry puts his hands in his pocket and stares at the floor. "Do you want me to tell him to go easy." Harry looks up at Felix waiting for an answer.

"I'm tired of sweeping dirt from behind the boxes of wax beans and tuna fish. I'm sick of collecting shopping carts in the rain. A half way decent white heavyweight can make a lot of money. It's stupid for a fighter to practice holding back. Bill's a winner. Jack'll be alright."

Felix hands the pocket watch to Harry so he can time the rounds.

Bill Wain comes out of his corner circling left.

Jack rushes straight ahead.

Felix winks at Jack Delleto and whispers, "The Jack of hearts."



                                           Chapter 5


The front door of the Wagon Wheel bar explodes open to Ziggy Pop's, "YOU'VE GOT A LUST FOR LIFE." Jack Delleto steps over the curb and vanishes into the dark doorway.

"HEY, JACK, JACK DELLETO," The lanky bartender shouts over the din.

Delleto makes his way through the crowd over to bar. How the hell have you been Snake?" Jack asks.

"Just great," says Snake. "You're lookin pretty ****** good for a dead man."

"Who told you that? Crazy George?"

The bartender points across the room to where a man in a pin stripe suit is swinging to and fro from a wagon wheel lamp attached to the ceiling.

"Yeah, I thought so. Haven't seen Crazy George in a year and he's been telling everyone I'm dead. I'm gonna have to have a long talk with that man."

Snake hands Jack a shot of tequila. The men touch glasses and throw down the shots.

How's the other George? Dell asks.

"AA."

"How's Tommy? You see him anymore?"

"Rehab."

"What about Robbie?"

Snake refills the glasses. "He's livin in a nudist colony in Florida, he has two wives and 6 children."


Jack looks across the room and sees Bob O'Malley trying to adjust the rose in the lapel of his tuxedo. Satisfied it won't fall out O'Malley looks up at the man swinging from the lamp. "Quick, name man's three greatest inventions."

"Alcohol, tobacco, and the wheel," Crazy George shoots back.

O'Malley smiles and then jumps up on the top of the bar and although he is over six feet and weighs two hundred pounds, he has the dexterity and grace of a ballerina as he pirouttes around and jumps over the shot glasses and beer bottles that litter the bar.

Wedding guests lean back in their chairs as strangers fearful of his gyrations ****** their drinks off the bar. Bob fakes a slip as he prances along but he is always in control and never falters. Forty three year old Bob O'Malley is Jim Brown who dodges danger to score the winning touch down.

When Bob reaches the end of the bar he jumps to the floor, pulls two aluminum lids from the beer box, and with one in each hand he smacks them together like cymbals.

Some guests clap. The bemused just stare.

In the back of the room sitting at the wedding table the father of the bride leans over, whispers into the ear of his crying wife, "If I had a gun I'd shoot Bob."

The bride raises a glass of champagne into the smoke filled air and Bob takes a bow but then heads towards the kitchen at the other end of the room.

" Hey, Bob," Jack Delleto shouts to the groom.

O'Malley stops under the wagon wheel lamp and turns as Delleto steps into the  circle of light cast onto the floor.

"Congratulations, I know Theresa and you are goin to be happy. I mean that." Delleto offers his hand and they shake hands.

"Thanks, Mr. Cool."

Jack takes off the sunglasses.

"TWO black eyes. Your nose is bleeding. What happened?"

Dell takes the handkerchief from his back pocket, wipes the blood dripping down his face. "It's broken."

"What happened?" O'Malley asks again.

"Bill Wain."

"He turned pro."

"Yeah, but he's nothing special. Hell, he couldn't even knock me down."

O'Malley shakes his head. "Put the sunglasses back on, you look like a friggin raccoon."

Dell smiles. The blood running down his lips."Thersa's beautiful, Bob, you're a lucky guy."

"Thanks Dell." O'Malley puts his hand on Dell's shoulder and sqeezes affectionately. Bob looks across the room at Theresa. "Yeah, she is beautiful." Theresa mother has stopped crying. Her father just stares at the wall.

O'Malley looks away from his bride and passed the archway that divides the poolroom from the bar and into the corner. With the lamp light above his head gleaming in his eyes Bob seems to see a ghost fleeting in the far distant, dark corner. Slowly, a peculiar half smile forms uneven, white, tombstone teeth.  A pensive smile.

Curious, Dell turns his head to look into the darkness of the poolroom, too.

At night in July the moths were everywhere. When Dell was a boy he would sit on his porch and try to count them. The moths appeared as faint splashes of whiteness scattered throughout the night, odd circles of white that moved haphazardly, forward and then sideways, sometimes up and down.

Sometimes the patches of moths flew higher and higher and Dell imagined the lights those creatures were seeking were the stars themselves; Orion, the Big Dipper and even the milky hue of the Milkyway.

One night as the moths pursued starlight he saw shadows dropping one by one from the tops of the trees. The swallows were soundless and when he caught a glimpse of sudden darkness, blacker than the night, the shadows erased the dreamer and its dream.

His imagination gave definition to form. There was a sound to the shadows of the swallows in his thoughts, the melody and the song played over and over. Perhaps he saw his reflection in the night. Perhaps there are shadows where nothing exists to cast them.

"Do you hear them, Bob?"

"Hear what?" Bob asks.

"All of them."

"All of what?"

"Nothin," Delleto candidly tells his friend, "Nothin."

O'Malley doesn't understand but it does not matter. The two men have shared the same corner of darkness.

Bob calls to Paul Keater. Keater smiles broadly, slides the brim of his Giant baseball cap to the side of his forehead. The two men disappear through the swinging kitchen door.


                                          Chapter 6


"Hello Kate." Jack Delleto says and sits down. She has a blue bow in her hair and make up on.

"My names Kathleen."

She fondles the whiskey glass in her slim fingers. "Hello, Dell, Sue thinks Dell is such a **** name. Kathleen takes a last drag on her cigarette, rubs it out in the ashtray, looks up at him, "What should I call you?"

"How about, Darlin?"

"Hello, Jack, DARLIN," her soft, deep voice whispers. Kathleen crosses her legs and the black dress rides up to the middle of her thigh.

Jack glances at the milky white flesh between the blue ***** hose and the hem of her dress. Kate is drunk and Dell does not care. He leans closer, "Do you wanna dance?"

"But no one else is dancing."

"Well, we can go down to the beach, take a walk along the sand."

"It's twenty degrees out there."

"I'll keep you warm."

"All right, lets dance."

Jack stands up takes her by the hand. As Kathleen rises Jack draws her close to him. Her ******* flatten against his chest. He feels her heart thumping.

The Elvis impersonator that almost played Las Vegas; the hairdresser that wanted to be a race car driver; the insurance salesman with a Porche and a wife.  Her men talked about what they owned or what they could do.

And Kathleen was impressed.

But Dell wasn't like them. Dell never talked about himself. Did he have a dream? Was there something he wanted more than anything?

Kathleen had never meant anyone quite like Dell.

She rests her head on his shoulder. "What do you what more than anything? What do you dream about at night?"

"Nothing."

"Come on," she says," what do you want more than anything? Tell me your dreams."

Jack smiles, "Just to make it through another day."  He smiles that sad smile that she saw the first time they met. "Tell me what you want."

Kate lifts her head off of his shoulder and looks into his eyes."I don't want to be on welfare the rest of my life and I want to be able to send my son to college." She rests her cheek against his, "I've lived in foster homes all my life and every time I knew one day I'd have to leave, what I want most is a home. Do you know the difference between a house and a home?"

"No."

Her voice is a roaring whisper in his ear, "LOVE."

The song comes to an end and they leave the circle of light and sit down. Kate takes a cigarette from the pack.

Dell strikes a match. The flame flickering in her eyes. "Maybe someday you'll have your home."

"Do you want me to?"

"Yeah."

Kate blows out the match.


                                  
     


"Can you take me home?" Kate asks slurring her words.

Kathleen and Jack walk over to where the bride and groom are standing near the big glass refrigerator door with Paul Keater. When Paul realizes he is standing next to Jack Delleto he rocks back and forth on the heals of his worn shoes, slides his Giants baseball cap back and forth across his forehead and walks away.

O'Malley bends down and kisses Kathleen on the cheek and turns to shake hands with Dell. "Good luck," says Dell. Kathleen embraces the bride.

Outside the bar the sun is setting behind the boarded shut Delleto store.

"That was my Dad's store, " Jack tells Kate and then Jack whispers to to himself as he reads the graffiti spray painted on the front wall.
"TELL YOUR DREAMS TO ME, TELL ME YOU LOVE ME, IF YOU LOVE ME, TELL ALL YOUR DREAMS TO ME."


                                         Chapter 7


An old man comes shuffling down the street, "Hello Mr. Martin, " Jack says, "How are you?"

"I'm an old man Jack, how could I be," and then he smiles, "ah, I can't complain. How are you?"

"Still alive and well."

"Who is this pretty young lady?"

"This Kate."

Joesph Martin takes Kathleen by the arm and  gently squeezes, "Hello Kate, such a pretty women, ah, if I was only sixty," and the old man smiles.

Kathleen forces a smile.

The thick eyeglasses that Mr. Martin wears magnifys his eyes as he looks from Kathleen to Jack, "Have fun now because when you are dead you are going to be dead a long, long time."

"How long?  Delleto inquires.

The old man smirks and waves as he continues up the street to the door leading to the rooms above the bar. He turns to face the door. The small window is broken and the shards of glass catch the twilight.

Joesph Martin turns back looking at the man and young woman who are about to get into the car. He is not certain what he wants to say to them. Perhaps he wants to tell them that it ***** being an old man and the upstairs hallway always smells of ****.

Joesph Martin wants to tell someone that although Anna died seven years ago his love endures and he misses her everyday. Joesph recalls that Plato in Tamaeus believed that the soul is a stranger to the Earth and has fallen into matter because of sin.

A faint smile appears on the wrinkled face of the old man as he heeds the resignation he hears in his own thoughts.

Jack waves to Mr. Martin.  Joesph waves back. The mustang drives off.

Earth, O island Earth.


                                               Chapter 8


Joseph pushes open the door and goes into the hallway. The fragments of glass scattered across the foyer crunch and clink under his shoes. The cold wind blowing through the broken window touches his warm neck. He shivers and walks up the stairs. There is only enough light to see the wall and his own warm breathing. There is just enough light like when he has awaken from a  bad dream, enough to remember who he is and to separate the horror of what is real from the horror of what is dreamt.

The old man continues climbing the stairs following the familiar shadow of the wall cast onto the stairs. If he crosses the vague line of shadow and light he will disappear like a brown trout in the deepest hole in a creek.

By the time he reaches the second floor he is out of breath. Joseph pauses and with the handkerchief he has taken from his back pocket he wipes the fog from the lenses of his eyeglasses and the sweat from his forehead.

A couple of doors are standing open and the old man looks cautiously into each room as he hurries passed. One forty watt bulb hangs from a frayed wire in the center of the hallway. The wiring is old and the bulb in the white porcelain socket flickers like the blinking of an eye or the fearful beating of the heart of an old man.

When he opens the door to his room it sags on ruined hinges.

Joesph searches with his hand for the light switch.  Several seconds linger. Can't find it.

Finds it and quickly pushes the door shut. He sits down on the bed, doesn't take his coat off, reaches for the radio. It is gone.

Joseph looks around the room. A small dresser, the sink with a mirror above it. He takes off his coat and above the mirror hangs the coat on the nail he has put there.

Hard soled boots echo hollowly off the hallway walls. The echoes are overlapping and he can not determine if the footsteps are leaving or approaching.

The crow bar is under his pillow.

He grabs it. Holds it until there is silence.

He lays back on the bed. Another night without sleep. Joseph rolls onto his side and faces the wall.

Earth, O island Earth.



                                           Chapter 9


Tangled in the tree tops a rising moon hangs above the roofs of identical Cape Cod houses.

Jack pulls the red mustang behind a station wagon. Kathleen is looking at Dell. His face is a faint shadow on the other side of the car. "Do you want to come up?" she asks.

Kathleen steps out of the car, breathes the cold air deep into her lungs. It is fresh and sweet. Jack comes around the side of the car just as she knew he would. He takes her into his arms and kisses her and they walk beneath the old oak tree and the roots have raised and crack the sidewalk and in the spring tiny blue flowers will bloom. The flowers remind Jack of the columbines that bloom in high mountain meadows above treeline heralding a brief season of sun and warmth.

"Did you win?" Kathleen asks as she fits the key into the upstairs apartment door. The door swings open into the kitchen.

Dell, standing in the doorway looking like the Jack of Hearts. "It doesn't matter."

"You lost?"

"Yeah."

Crossing the room she takes off her coat and places it on the back of the kitchen chair. When Kate leans across the kitchen table to turn on the radio the mini dress rides up her thigh, tugs tightly around her buttocks.

The radio plays softly.

Jack stands and as Kathleen turns he slips his arms around her waist and she is staring into his eyes like a cat into a fire. His body gently presses against the table and when he lifts her onto the table her legs wrap around his waist.

Kathleen sighs.

Jack kisses her. Her lips are cold like the rain. His hand reaches. There is a faint click. The room slips into darkness. It is Eddie Money on the radio, now, with Ronnie Spectre singing the back up vocals. Eddie belts out, "TAKE ME HOME TONIGHT, I WON"T LET YOU LEAVE TIL..."

When Jack withdraws from the kiss her eyes are shining like diamonds in moonlight.

The buttons of her dress are unfastened.  Her arms circle his neck and pull him to her *******. "Don't Jack. You mustn't. I just want a friend." His hands slide up her thighs. "I'll be your friend, " says Jack.

"*** always ruins every thing," Her voice is a roaring whisper in his ear. He pulls her to the edge of the table as Ronnie sings, "O DARLIN, O MY DARLIN, WON'T YOU BE MY LITTLE BAABBBY NOOWWW."


They are sitting on a couch in the room that atone time had been a sun porch.

Now that they have gotten *** out of the way, maybe they can talk. Sliding her hands around his face she pulls him closer.

"Jack, what do you dream about? You know what I mean, tell your dreams to me."

"How did you get those little round scars on your arm," Jack wonders. "Up and down, hear and there."

"Do you really want to know?" There is anger in her voice and Jack does not understand.

"Why, yeah."

"My foster mom always wanted me to be clean and if I didn't I got hit with the belt. I tried to keep my face clean but it didn't do any good.

He was the worst, though, dad. He'd burn me with his cigarette. That's how I got these ****** scars. And when I knew he was coming home I'd get sick to my stomach and when I heard his key in the door, I'd wet myself.

But that wasn't the worst of it.

When they didn't beat me or burn me they ignored me, like I didn't exist, like I wasn't even there."



                                             Chapter 10



All the windows in the apartment are open. The cool breeze flows through her brown hair. "You're getting too serious, Jack, and I don't want to need you."

"That's because I care for you."

The rain pounds the roof.

Jack Delleto sits down on the bed, caresses her shoulder. "I hate the rain. Come on, give me a smile. "Kathleen pulls away and faces the wall.

"Well I don't need anyone."

"People need people."

There is silence, then, "I only care about my son and Father Anthony."

"What is it with you and the priest?" You named your son Anthony is that because he's the father."

"Your an *******. Get out of here. I don't love you." And then, "I've been hurt by people and you'll get over it."

The lingering silence. Jack gets up from the bed, stares at her dark form facing the wall. "Isn't this how it always ends for you?"

The room is quiet and grows hot. When the silence numbs his racing heart, he goes into the kitchen, opens the front door and walks down the steps into the cold rain.


"Anthony," Kathleen calls to her son to come to her from the other bedroom and he climbs into the bed and she holds him close. The ghost of relationships past haunt her and although they are all sad, she has she clings to them.


On the sidewalk below the apartment window Jack stops. He thinks he hears his name being called but whatever he has heard is carried off by the wind. He continues up the  dark street to his Harley.

High in reachless branches of the old oak tree a mockingbird is singing. The leaves twist in the wind and  the singing goes on and on.



                                            
     



The ringing phone.

"Who the hell is this?" The clock on the dresser says 5a.m.

"Jack, I'm scared."

"Kate?"

"Someone broke into my apartment."

"Is he still there?"

"No, He ran out the door when I screamed."

"I'll be right over."



                                         Chapter11


"How hot is it?" Kathleen asks.

The bar is empty except for O'Malley, Keater, a man and a woman.

"98.6,"Says Jack. The sweat rolls down his cheeks.

"Let's go to the boardwalk."

"When it's hot like this, it's hot all over."

"We could go on the rides."

"I've got the next pool game, then we'll go."

"It's my birthday."

"I bought you flowers."

"Yeah, carnations."

Laughing, Paul Keater slides the brim of his baseball cap back and forth across his forehead.

Jack starts for Keater, Katheen steps in front of Jack, puts her hands on his shoulders. She looks into his eyes.

"What is it with you , two? But as always you'll say nothing, nothing." As Jack tries to speak she walks over to the bar and sits on the barstool.

"It's my birthday," she tells O'Malley.

When Bob turns from the horse races on he T.V., he notices her long legs and the short skirt. "Hey, happy birthday, Kate, Jack Daniels?"

"Fine."

Filling the glasses O'Malley hands one to Kathleen, "You look great," he tells her.

"Jack doesn't think so. Thanks, at least someone thinks so."

"Hope Jack won't mind," and he leans over the bar and kisses her.

Kathleen looks over her shoulder at Delleto. Jack is playing pool with a woman wearing a black tight halter top. The woman comes over to Jack, stands close, smiles, and Jack smiles back.

The boyfriend stares angrily at Jack.

When Kathleen turns back O'Malley is filling her shot glass.

Jack wins that game, too.



                                                 Chapter 12



"Daddy,"the little girl with her hands folded in her lap is looking up at her father. "When will the ride stop? I want to go on."

"Soon, Darling, "her father assures her.

"I don't think it will ever stop."

"The ride always stops, Sweetie." Daddy takes her by the hand, gently squeezes.


When the carousel begins to slow down but has not quite stopped Kathleen steps onto the platform, grabs the brass support pole. The momentum of the machine grabs her with a **** onto the ride, into a white horse with big blue eyes. Dropping her cigarette she takes hold of the pole that goes through the center of the horse. She struggles to put her foot in the stirrup, finds it, and throws her leg over the horse. The carousel music begins to play. With a tremble and a jolt, the ride starts.

Sitting on the pony has made her skirt ride well up her legs. The ticket man is staring at her but she is too drunk to care. She hands him the ticket, gives him the finger.

The ticket man goes over to the little girl and her father who are sitting in a golden chariot pulled by to black horses.

"Ooooh, Daddy, I love this."

"So do I," The father smiles and strokes his daughters hair.

The heat makes the dizziness grow and as the ride picks up speed she sees two of everything. There are two rows of pin ball machines, eight flashing signs, six prize machines. All the red, blue and green lights from the ride blend together like when a car drives at night down a rain soaked street.

Kathleen feels the impulse to *****.

"Can we go on again?" The little girl asks.

"But the ride isn't over, yet."


Kathleen concentrates on the rain soaked street and the dizziness and nausea lessens. She perceives the images as a montage like the elements that make up a painting or a life. She has become accustom to the machine and its movement. The circling ride creates a cooling breeze that becomes a tranquil, flowing waterfall.

The ponies in front are always becoming the ponies in the back and the ponies in back are becoming the ponies in the front. Around and around. All the ponies galloping. Settling back into the saddle she rides the pony into the ever present waterfall.

You can lose all sense of the clock staring into the waterfall of blue, red and green. Kathleen leans forward to embrace the ride for a long as it lasts.

Just as suddenly as it started, the ride slowystops, the music stops playing.

Coming down off the pony she does not wait for the ride to stop, stumbles off the platform and out the  Casino amusement park door."****, *******," she yells careening into the railing almost falling into Wesley Lake.

She staggers a few steps, sits down on the grass by the curb, hears the carousel music playing and knows the ride is beginning again, and all the her dreams crawls into her like a dying animal from its hidden place.

And it all comes up from her throat taking her breath away. A distant yet familiar wind so she lies down on the grass facing the  street of broken buildings filled with broken people. From the empting lot of scattered thoughts the mockingbird is singing and the images shoot off into a darkening landscape, exploding, illuminating for a brief moment, only to grow dimmer, light and warmth fading into cold and darkness.




                                      
     

"Your girlfriend is flirting with me," Jack Delleto tells the man. "It's my game."

The man stands up, takes a pool stick from the rack, as he comes towards Jack Delleto the man turns the pool stick around holding the heavy part with two hands.

There is an explosion of light inside his head, Delleto sees two spinning lizards playing trumpets, 3 dwarfs with purple hair running to and fro, intuitively he knows he has to get up off the floor, and when he does he catches the bigger man with a left hook, throws the overhand right. The man stumbles back.

His girlfriend in the tight black halter top is jumping up and down, screaming at, screaming at Jack Delleto to stop, but Jack does not. Stepping forward, a left hook to the midsection, hook to the head, spins right, throws the overhand right.

The man does down.

Jack wins.



                                                  CHAPTE­R 13

"It's too much," and Jack looks up from the two lines of white powder at Bob O'Malley. "I'll never be able to fall asleep and I hate not being able to sleep."

" Here," Bob takes a big white pill from his shirt pocket.

Jack drops the pill into his shirt pocket and says, "No more." He hands the rolled up dollar bill to Bob who bends over the powder.

"Tom sold the house so you're upstairs? O Malley asks, and like a magician the two lines of white powder disappear. Straightening up, he looks at Dell, "I know you 're hurting Dell , I'm sorry, I'm sad about Kate, too."

Jack becomes quiet, walks through the darkened room over to the bar. Leaning over the bar he grabs two shot glasses and a bottle of Wild Turkey, walks back into the poolroom. He puts the shot glasses on top of the pin ball machine. "We have a winner, "the pin ball machine announces. Dell fills the glasses.

"Felix came in the other day, he's taken it hard. Bill Wain knock down four times in the sixth round, lost consciousness in the dressing room, and died at the hospital," Bob tells him.

"What's the longest you went without sleep? Jack asks.

"Oooohhh, five, six days, who knows, after awhile you loose all track of the clock."

They take the shots and throw them down.

"I wonder if animals dream," Jack wants to know. "I wonder if dogs dream."

"Sure they do, " O'Malley asures him, nodding his head up and down, "dogs, cats, squirrels, birds."

"Probably not insects."

"Why not? Sure they do, june bugs, fleas, even moths, it's all biochemical, dreams are biochemical, mix the right combination of certain chemicals, electric impulses, and you'll produce love and dreams."

                                          
     

Jack Delleto goes into the room, studies it. The light from the unshaded lamp on the night stand casts a huge shadow of him onto the adjacent wall. Not much to the room, a sink with a mirror above it next to a dresser, a bed against the wall, a wooden chair in front of a narrow window.

The rain pounds the roof.

The apprehension grows. The panic turns into anger. Jack rushes the white wall, meets his shadow, explodes with a left hook. He throws the right uppercut, the over hand right, three left hooks. He punches the wall and his knucles bleed. He punches and kicks the blood stained wall.

At last he is exhausted, collapses into the chair in front of the open window. Fist sized holes in the plaster revel the bones of the building. The room has been punched and kicked without mercy.

The austere room has won.

The yellow note pad, he needs the yellow note pad, finds it, takes the pencil from the binder but no words will come so he writes, "insomnia, the absence of dream." He reaches for the lamp on the night stand, finds it, and turns off the light. Red and blue, blue and red, the neon from the Wagon Wheel Bar sign blinks soft neon into his room. The sign seems to pulsate to the cadence of the rock music coming from the bar.

Taking the big white pill from his shirt pocket, he swallows it, leans back into the chair watching the shadows of rain bleed down the wall. The darkness intensifys. Jack slides into the night.



                                           Chapter 14


The rain turns to snow.

With each step he takes the pain throbs in his arm and shoulder socket. His raw throat aches from the drafts of cold air he is ******* through his gaping mouth and although his legs ache he does not turn to look back. Jack must keep punching holes with his ice axe, probing the snow to avoid a fall into an abyss.

The pole of the ice axe falls effortlessly into the snow, "**** it, another one."

Moonlight coats the glacier in an irridecent glow and the mountain looms over him. It is four in the mourning and Jack knows he needs to be high on the mountain before the  mourning sun softens the snow. He moves carefully, quietly, humbly to avoid a fall into a crevasse. When he reaches the top of the couloir the wind begins to howl.

"DA DA DUN, DA DA DUN, HEY PURPLE HAZE ALL AROUND  MY BRAIN..."

Jack thinks the song is in his head but the electric guitar notes float down through the huge blocks of ice that litter the glacier and there standing on the arête is Jimi, his long dexterous fingers flying over the guitar strings at 741 mph.

"Wait a minute, " Jack wonders, stopping dead in his tracks. The sun is hitting the distant wind blown peaks. "Ah, what the hell," and Jack jumps in strumming his ice axe like an air guitar, singing, shouting, "LATELY THINGS DON'T SEEM THE SAME, IS THIS A DREAM,  WHATEVER IT IS THAT GIRL PUT A SPELL ON MEEEE, PURRPPLLE HAZZEEE."


                                        
     


Slowly the door moans open.

"Jack, are you awake?" her voice startles him.

"Yeah, I'm awake."

"What's the matter, can't sleep?"

Jack sifts position on the chair. "Oh, I can sleep all right." He recognizes the voice of the shadow. "I want to climb to a high mountain through ice and snow and never be found."

"A heart that's empty hurts, I miss you Jack Delleto."

"I'm glad someone does, I miss you ,too."

There is silence for several minutes and the voice comes out of the darkness again.

"Jack, you forgot something that night."

"What?" The dark shape moves towards him. When it is in front of him, Jack stands, slips his arms around her waist.

"You didn't kiss me goodbye."

Her lips are soft and warm. Her arms tighten around his neck and the warmth of her body comes to him through the cold night.

"Jack, what's the matter?" She raises her head to look at him, "Why, you're crying."

"Yeah, I'm crying."

"Don't cry Darlin," her lips are soft against his ear. "I can't bare to see you unhappy, if you love me, tell me you love me."

"I love you, I do," he whispers softly.

"Hold me, Jack, hold me tighter."

"I'll never let you go." He tries to hug the shadow.


                                          
      *


The dread grows into an explosion of consciousness. Suddenly, he sits up ******* in the cold drafts of air coming into the room from the open window. Jack Delleto gets up off the chair and walks over to the sink. He turns on the cold water and bending forward splashes water onto his face. Water dripping, he leans against the sink, staring into the mirror, into his eyes that lately seem alien to him.



                                            Chapter 15


Someone approaches, Jacks turns, looks out the open door, sees Joesph Martin go shuffling by wearing a faded bathrobe and one red slipper. Jack hears Martin 's door slam shut and the for thirty seconds the old man screams, "AAHHH, AAAHHH, AAAHH."
Then the building is silent and Jack listens to his own labored breathing.

A glance at the clock. It is a few minutes to 7 a.m. Jack hurries from his room into the hallway.  They pass each other on the stairs. The big man is coming up the stairs and Jack is going down to see O'Malley.

Jack has committed a trespass.

When the big man reaches the top of the stairs, the red exit light flickers like a votive candle above his head. The man slides the brim of his Giants baseball cap back and forth across his forehead, he turns and looks down, "Hello, Jack, brother. Dad loved you, too, you know." An instant later the sound of a door closing echoes down the hallway steps.


Jack Delleto is standing in the doorway at the bottom of the steps looking out onto the wet, bright street.

"Hey, Jack, man it's good to see you, glad to see you're still alive."

Jack turns, looks over his shoulder, "Felix, how the hell are you?"
The two men shake hands, then embrace momentarily.

"Ah, things don't get any better and they don't get any worse," shrugs the old man and then he smiles but his brown eyes are dull and Jack can smell the cheap wine on the breath of the old boxer. "When are comin back? Man, you've got something, Kid, and we're going places."

"Yeah, Felix, I'll be coming back."  Jack extends his hand. The old fighter smiles and they shake hands. Suddenly, Felix takes off down Main Street towards Foodtown as if he has some important place to go.

Jack is curious. He sees the rope when he starts walking towards the Wagon Wheel Bar. One end of the rope is tied around the parking meter pole. The rest of the rope extends across the sidewalk disappearing into the entrance to the bar. The rattling of a chain catches his attention and when the huge white head of the dog pops out of the doorway Jack is startled. He stops dead in his tracks and as he spins around to run, he slips falling to the wet pavement.

The big, white mutt growls, woofs once and comes charging down the sidewalk at him. The rope is quickly growing shorter, stretches till it meets it end, tightens, and then snaps. Now, unimpeded by the tension of the rope the mutt comes charging down the sidewalk at Delleto. Jack's body grows tense anticipating the attack. He tries to stand up, makes it to his knees just as the dog bowls into him knocking him to the cement. The huge mutt has him pinned down, goes for his face.

And begins licking him.

Jack Delleto struggles to his knees, hugs her tightly to him. Looking over her shoulder, across Main Street to the graffiti painted on the boarded shut Delleto Market...

                               FANTASY WILL SET YOU FREE

                                                 The End

To Tommy, Crazy George and Snake, we all enjoyed a little madness for awhile.


"Conversations With a Dead Dog..."
Bunhead17 Nov 2013
"Every man gotta right to decide his own destiny."
-Bob Marley


"Facts on facts, and things on things: that's alot of ******' *******. Hear me! there is no truth but the one truth, an' that is the truth of Jah Rastafarian."
-Bob Marley

"I don't stand for the black man's side, I don' t stand for the white man's side. I stand for God's side."
-Bob Marley

"in the abundance of water, the fool is thirsty."
-Bob Marley

"the harder the battle the sweet of jah victory."
-Bob Marley

"open your eyes & look within, are you satisfied with the life you´reliving."
-Bob Marley

"in this great future you can't forget your past."
-Bob Marley

"If you get down and quarrel everyday, you're saying prayers to the devil, I say."
-Bob Marley

"Just can't live that negative way...make way for the positive day!"
-Bob Marley

"Life and Jah are one in the same. Jah is the gift of existence. I am in some way eternal, I will never be
duplicated. The singularity of every man and woman is Jah's gift. What we struggle to make of it is our sole gift to Jah. The process of what that struggle becomes, in time, the Truth."
-Bob Marley

"Life is one big road with lots of signs. So when you riding through the ruts, don't complicate your mind. Flee from hate, mischief and jealousy. Don't bury your thoughts, put your vision to reality . Wake Up and Live!"
-Bob Marley

"People want to listen to a message, word from Jah. This could be passed through me or anybody. I am not a leader. Messenger. The words of the songs, not the person, is what attracts people."
-Bob Marley

"Until the philosophy which hold one race superior and another inferior is finally discredited and
abandoned...WAR! So that is prophecy, and everyone know that is truth. And it came out of the mouth of Rastafarian."
-Bob Marley

"The first thing you must know about me is that I always stand what I stand for. Good? The second thing you must know about yourself listening to me is that words are tricky. So when you know what me a stand for, when i explain something to you, you must never try to look upon it in a different way from what i stand for."

-Bob Marley



"Emancipate yourself from mental slavery, none but ourselves can free our mind..."
-Bob Marley

"The good times of today, are the sad thoughts of tomorrow."
-Bob Marley

"You can fool some people sometimes, but you can't fool all the people
all the time."
-Bob Marley

"Don't gain the world and lose your soul, wisdom is better than silver or gold..."
-Bob Marley

"Rise O fallen fighters, rise and take your stance again, He who fight and run away, Live to fight another day"
-Bob Marley

"The power of philosophy floats through my head, Light like a feather, Heavy as Led"
-Bob Marley
that dread lock wearin' Rastafarian always sayin' something good! gotta love him! :D
Bunhead17 Nov 2013
Overcome the devils with a thing called love.
- Bob Marley

Judge not, before you judge yourself. Judge not, if you’re not ready for judgement.
- Bob Marley

Live for yourself and you will live in vain. Live for others and you will live again.
- Bob Marley

The biggest coward is a man who awakens a woman’s love with no intention of loving her.
- Bob Marley

The greatness of a man is not in how much wealth he acquires, but in his integrity and his ability to affect those around him positively.
- Bob Marley

I, only have one ambition, you know? I only have one thing I really like to see happen. I like to see mankind live together – black, white, Chinese, everyone – that’s all.
- Bob Marley

Though the road’s been rocky, it sure feels good to me.
- Bob Marley

When asked how he could perform 2 days after being shot: The people who were trying to make this world worse are not taking the day off. Why should I? Light up the darkness.
- Bob Marley

Every man gotta right to decide his own destiny.
- Bob Marley

Some people feel the rain. Others just get wet.
- Bob Marley

My future is righteousness.
- Bob Marley

Truth is, everybody is going to hurt you; you just gotta find the ones worth suffering for.
- Bob Marley

Love the life you live. Live the life you love.
- Bob Marley

One good thing about music — when it hits you, you feel no pain.
- Bob Marley

Who are you to judge the life I live?. I know I’m not perfect and I don’t live to be. But before you start pointing fingers, make sure your hands are clean.
- Bob Marley

The good times of today are the sad thoughts of tomorrow.
- Bob Marley

Love would never leave us alone.
- Bob Marley

When the race gets hard to run, it means you just can’t take the pace.
- Bob Marley

Don’t forget your history, nor your destiny.
- Bob Marley

Don’t worry about a thing, every little thing is gonna be alright.
- Bob Marley
I love Bob Marley... he only wanted to change the world!!! (random)>Fun Fact:Bob Marley's dad was white and he's mom was black!!! :D lol
god is the devil and the devil is bob

god is the devil and the devil is bob

god is the devil and the devil is bob

you see god triumphs all over poor bob

you see today bob was going to the local bowling alley to reform the messiah, you see

this person believes he is the messiah, and his mate brian was annoying the pants off him

by every time he got a strike, brian copies TV, saying, yes, there is a GOD, about 100 times

and drove the messiah nuts, saying why are you saying this, then brian got another strike

and said it again, yes, there is a god, and the next miss, brian will say 100 times , no there isn’t a god

brian never offended the messiah, but he said, yes there is a god, or no there isn’t a god about 100 times

and at the end when brian got 182 as his bowling score, brian yelled out, yes, there is a god up there

and when someone got the same score, he said, there is no god, it still drove the messiah nuts

and bob delahunty said, why are you saying he drives you nuts, he is a family person, you can

learn a lot from brian, and brian sang we are the champions, the messiah left going

god is the devil, and the devil is bob

god is the devil and the devil is bob

god is the devil and the devil is bob

GOD THE DEVIL AND THE MIGHTY BOB

bob delahunty wanted to understand the messiah, so he made brian and the messiah go to a ACT Brumbies game

and brian filled with the simpsons lines in his head, went go brumbies, go brumbies, and when they dropped the ball

brian yelled out we stink we stink we stink, and it happened again, the brumbies ran up the field with brian saying

go brumbies go brumbies go brumbies go, and they dropped the ball, and brian said we stink we stink we stink

and the messiah, who has bionic hearing said, the two islanders behind us, said, why does he keep doing that

and brian said, he was copying frankie j holden on TV, or trying to be the GOOFY homer simpson, which to brian’s

opinion is cool, it was the messiah that has the problem, and the messiah walked away saying

god is the devil and the devil is brian

god is the devil and the devil is brian

god is the devil and the devil is brian

god the devil and annoying old brian

and then bob delahunty decided to follow brian and the messiah around, and it seemed brian had a point

every time the messiah had problems, he would yell out, GOD DOESN’T WANT ME TO HAVE ******* FUN EVER IN MY LIFE

and the messiah would say that again and again, saying god doesn’t want me to that or this or every fucken thing

you see, the messiah wanted to live with some old soccer mates, better than brian because he was a total ******, and brian

said, i am not a ******, i am trying to be nice to you, allowing to go to the coast together, and to the movies

and you still say, and making me say god doesn’t want me to have fun ever in my life, and bob gave brian the messiahs drug to

help him beat the ****** in him, and stop that silly thing to say of god doesn’t want me to do that, it forced brian’s best school mate

ripping into brian’s head after hearing he is a buddhist, saying sit there, buddha doesn’t want you to go on the computer

and i told that voice, buddha wants me to join the next generation, which is better than being a ******, saying, if i eat a banana

god will punnish my family, and force people into rioting with one another, brian knows they wanna party, and bob told the

messiah, the way to make you better dear child, is split this friendship, ok, so the messiah walked away singing

god is the devil and the devil is bob

god is the devil and the devil is god

god is the devil and the devil is god

GOD THE DEVIL AND MY MATE OLD CHUM BOB

god is the devil and the devil is god

god is the devil and the devil is god

god is the devil and the devil is bob

god the devil and BUDDHA AND THE JEWS, makes bobs day really complete
Merrily swinging on briar and ****,
  Near to the nest of his little dame,
Over the mountain-side or mead,
  Robert of Lincoln is telling his name.
        Bob-o'-link, bob-o'-link,
        Spink, spank, spink,
Snug and safe is that nest of ours,
Hidden among the summer flowers.
        Chee, chee, chee.

Robert of Lincoln is gayly dressed,
  Wearing a bright, black wedding-coat;
White are his shoulders, and white his crest,
  Hear him call in his merry note,
        Bob-o'-link, bob-o'-link,
        Spink, spank, spink,
Look what a nice, new coat is mine;
Sure there was never a bird so fine.
        Chee, chee, chee.

Robert of Lincoln's Quaker wife,
  Pretty and quiet, with plain brown wings,
Passing at home a patient life,
  Broods in the grass while her husband sings:
        Bob-o'-link, bob-o'-link,
        Spink, spank, spink,
Brood, kind creature, you need not fear
Thieves and robbers while I am here.
        Chee, chee, chee.

Modest and shy as a nun is she;
  One weak chirp is her only note;
Braggart, and prince of braggarts is he,
  Pouring boasts from his little throat,
        Bob-o'-link, bob-o'-link,
        Spink, spank, spink,
Never was I afraid of man,
Catch me, cowardly knaves, if you can.
        Chee, chee, chee.

Six white eggs on a bed of hay,
  Flecked with purple, a pretty sight:
There as the mother sits all day,
  Robert is singing with all his might,
    Bob-o'-link, bob-o'-link,
    Spink, spank, spink,
Nice good wife, that never goes out,
Keeping house while I frolic about.
    Chee, chee, chee.

Soon as the little ones chip the shell,
  Six wide mouths are open for food;
Robert of Lincoln bestirs him well,
  Gathering seeds for the hungry brood:
    Bob-o'-link, bob-o'-link,
    Spink, spank, spink,
This new life is likely to be
Hard for a gay young fellow like me.
    Chee, chee, chee.

Robert of Lincoln at length is made
  Sober with work, and silent with care,
Off is his holiday garment laid,
  Half forgotten that merry air:
    Bob-o'-link, bob-o'-link,
    Spink, spank, spink,
Nobody knows but my mate and I,
Where our nest and our nestlings lie,
    Chee, chee, chee.

Summer wanes; the children are grown;
  Fun and frolic no more he knows,
Robert of Lincoln's a humdrum drone;
  Off he flies, and we sing as he goes,
        Bob-o'-link, bob-o'-link,
        Spink, spank, spink,
When you can pipe that merry old strain,
Robert of Lincoln, come back again.
        Chee, chee, chee.
GOD THE DEVIL AND BOB at easter


today it’s good friday and bob delahunty was going to church to have a

hot cross bun feast, and a hungry poor buddhist was going into the church

and asked bob, why do the christians like to eat over easter, what is it all about

and bob said, it’s a time where families, forget about their differences and share

a big celebration, with hot cross buns today after their service and then on easter

they will host family get togethers, where the kids are forced to hunt for eggs

that the parents hid in the garden, it is a very good day, and the buddhist man said

why can’t christians be nice to each other every day, like us buddhists ands bob said,

well, i guess your right, but life hands us problems to fix, like divorce and family quarrels

and battles that can’t be resolved, you see we are always away from loved ones and easter

is a way to keep updated on where our loved ones are, and then the buddhist asked bob

why can’t they scype every night and then bob said, buddy, no person really wants to do that,

actually, it is great to give families fun at easter, like sending kids on easter hunts, how radical dude

and have great hot cross bun morning teas, where we all can feast, yeah, if we did these things every day

we would get so fat, and kids will be so greedy, and we need every city in the land to pop

open the champagne corks, saying HAPPY EASTER DUDES, AND TO ALL A HAPPY FEASTING

you see easter if you add an f, could mean, the annual feaster, but we took the f away to make you feel great

and then the buddhist said, ok but what if you were fasting in a remote country and you had to knock

back the hot cross buns and easter eggs and bob said ok, yeah, if your fasting you must say no, i am on a diet

and the buddhist said, what if you went to a nightclub and got heavily ******, from vodkas and rums etc etc

and get too drunk on easter saturday, are you still expected to roll up to family get togethers on easter sunday

and bob said yes, then the buddhist said, how do you cope, HOW THE **** DO YOU COPE

this is how, you sing

god is the devil and the devil is grog

god is the devil and the devil is grog

god is the devil and the devil is grog

especially round easter time where drinking may send you back and forwards to the sink spewing

and the buddhist asked bob one thing, before he went to tiabet, he asked, is there really such thing as a devil

because every night i drink a whole bottle of wine by myself and bob said, well if the devil was grog i think

i am the devil, cause, grog is my cup of tea

and the buddhist went home and bob left saying this one word, misbehave, everyone who drinks grog misbehaves

and there is nothing wrong with that, bob said happy easter and went back to the devil’s hideout and the buddhist blessed him

saying, the devil, there is no such thing
David Rusiecki Aug 2014
Bob had a kid, Bob had a wife, Bob had a job and Bob had a life

Bob was always happy, Bob was never sad, sometimes Bob got angry, but it was always just a fad

There he was. Bob. The perfect guy, never did drugs and never got high, never made a person cry

But one day....

A vending machine fell across Bob's chest.. Bob was paralyzed, a vegetable. He layed in the hospital, hooked up to a machine.. keeping him alive.

He watched as his friends and family debated over shutting off the machine that Bob was attached to, and **** him. He watched his own mother give the "ok" to the doctor.. he watched the doctor shut off the machine.

Bob was a model human.. he never got to hug his kids goodbye, he never got to tell his wife he loved her one last time.

Bob died a horrible, sad, lonely, painful, torturous death.

THERE IS NO GOD.
I write comedy poems...  some are sad......   enjoy
god is the devil and the devil is bob

god is the devil and the devil is bob

god is the devil and the devil is bob

GOD THE DEVIL AND BOB

today, bob was trying to help 3 people who looks up and around

and the first man tom’s case, it was the fascination with neon lights

this made his head spin around and around, and it wasn’t the usual

headspinning that every adult faces from time to time, it was psychotic

this really bugged tom, and bob said, could this be god annoying you

and tom said, dunno mate and went away singing

god is the devil and the devil is the force moving my head cosmically

god is the devil and the devil is the force moving my head cosmically

god is the devil and the devil is the force moving my head cosmically

GOD THE DEVIL AND BOB WHO IS THE FORCE

The 2nd bloke was harry and when he looked up, it was more weird than tom’s

you see he would look up at the sky saying, take me now, almighty GOD

and bob said have you thought about being positive rather than talking about death

and harry said, shut up, life isn’t working for me, how i would hope, so shut up

if you tell me to live my fucken life, I CAN’T STAND YA

and harry went away singing

god is the devil and death sounds nice

god is the devil and death sounds nice

god is the devil and death sounds nice

GOD THE DEVIL AND THE MIGHTY DEATH TONES

and our final bloke was brian, who was told, he has a looking up disorder, which was so queer

he could have a brain tumor, and brian’s mate suggested that brian goes to have a brainscan

to see if there is any abnormalities in his brain , which could be causing the look ups

and like tom, it was a fascination with neon signs, brian wanted a medication to get rid of the look ups

so he can PARTY, and get rid of this crazy person lookup disorder and bob said it could be the buddhist

god (buddha)or it could be athena working on brian’s brain, it could be the dreaded force, where you are forced

to show abnormalities in the brain, brian went away saying perhaps that is true, and sang

god is the devil and the devil is the look ups

god is the devil and the devil is the look ups

god is the devil and the devil is the look ups

god the devil, and bob,

the almighty bob delahunty
Simon Soane Nov 2021
The blood had fell
for many a year,
the bodies never ceased to drop,
and every person shed a tear.

In the awful years of The Great War.

Bob joined up in January 1918
as he had turned the age he had to go,
him and his friends went to enlist
as English pavements filled with snow.

In the awful years of The Great War.

Fred was from a near-by town,
went down to enroll with fear in his tum,
he didn't really want to sign up,
as he'd miss his Cat, his Dad, his Mum.

In the awful years of The Great War.

Fred and Bob had a torrid time
in that drowning stinking mud,
and met when they were deployed together
after The Battle Of Belleau Wood.

In the awful years of The Great War.

They clapped eyes on each other in a trench
and their hearts simultaneously began to flutter,
wonder stirred in their souls,
words of love they wished to utter.

In the awful years of The Great War.

They were both drenched in horror,
shrouded in a bombed out trance,
but began to feel some ease
with every stolen glance.

In the awful years of The Great War.

They talked in down hours,
how they'd eventually leave Hell, sit hand in hand, try to forget what they had seen,
full of peace and calm,
in a field of summer green.

In the awful years of The Great War.

When no-one else was looking
they'd try and dull the machine gun hiss
and find a tiny space
for a fleeting enamoured kiss.

In the awful years of The Great War.

Inevitably they got *****,
talked about what fleshy designs they could be,
Bob said, "I'm up for owt!"
Fred replies, "oh, perhaps you could *** on me!"

In the awful years of The Great War.

Bob chucked, "ha ha, I'm up for that,
anything to please you that is in my power!'
Fred responded, "great my love,
I'll look forward to a *******!"

In the awful years of The Great War.

Fred and Bob continued their covert romance
and anticipated the day when Fred would get a jet of Bob's yellow
but then one became their leader
was the most terrible fellow.

In the awful years of The Great War.

He waltzed in and stated with arrogance,

'I'm now in charge of you, you ghastly bunch of ****!"
He was the most frightful man:
Major Barthomley Pitt.

In the awful years of The Great War.

Despite never seeing combat
Pitt did pontificate, "deserters he would shoot,
cowards would go up against the wall
and the scared get the gun boot."

In the awful years of The Great War.

But what Pitt hated most
was "men who go up other mens' rears,
I ******* hate those sodomites,
I ******* hate those queers!"

In the awful years of The Great War.

Pitt continued that he'd "rooted out sin
whether it be meek or mild
and I have filled with bullets
those who enjoy copulation like Oscar Wilde!"

In the awful years of The Great War.

In the middle of this diatribe a shell exploded,
the debris torn into Bob's arm,
and a mustard gas cloud appeared
before anyone could raise the alarm.

In the awful years of The Great War.

Fred had got a lung full,
Pitt cowering started to look for his own cover,
but both Bob with only one upper limb working started to think about his lover.

In the awful years of The Great War.

Bob ****** on a hanky as he knew ammonia
could relieve the toxic gas and stop a man from being dead,
and in a desperate lunge in the front of Pitt
placed the sodden rag on the face of Fred.

In the awful years of The Great War.

Just a minute ago Pitt was shouting,
off on one of his vile anti ****** rants
but just 60 seconds later a puff was giving another puff in front of him
a pair of hard ons in their pants.

In the awful years of The Great War.

Bob and Fred were rushed to field hospital
and of that abomination of war did get away,
and were both still bedridden
when on the 11/11/11 was declared Armistice Day.

No more awful years of The Great War.

After it had ended Bob and Fred moved to  separate houses in a village,
Bob's inheritance made this dream,
and they would go deep in the woods
and be their serene supreme

No more awful years of The Great War.

They would laugh about how they had made it,
their glee made the sun more brightly beam,
on this peaceful blue calming day
Bob and Fred found their field of green.

A happily ever after The Great War.
Arlo Disarray Jun 2015
Bob went to work
Bob stained his shirt
Bob got upset
Bob's shirt was wet

Bob walked alone
Bob wandered home
Bob's cupboard opened
Bob grabbed his lotion

Bob cooked his meal
Bob couldn't feel
Bob went to bed
Bob feels dead
A satire on poetry about every day life.
god is the devil and the devil is bob

god is the devil and the devil is bob

god is the devil and the devil is bob

GOD THE DEVIL AND MY MATE BOB


today, bob delahunty, was befriended by an muslim terrorist, who is planning to place bombs

in every rich place of business, you see, he uses religious powers, to force people to close up

plant the bomb and the next day, with everyone in it, the building blows up, not everyone dies

but there were a lot of casualties, including the president who was there, for a press release

you see the building was FOX NEWS, and the terrorist said, he is ******* up the country with

his right wing crap, and bob went up to him and said, you are in the wrong here, fella

and the terrorist went away saying

god is the devil and the devil is bob

god is the devil and the devil is bob

god is the devil and the devil is bob

GOD THE DEVIL AND THE AKLIMIGHTY BOB

the next problem was the assassination of the lord mayor jim ryde, who really ****** this terrorist off

a lot, but the only way to stop jim, is to get inside, his car, and plant a powerful bomb, to rip jim ryde’s head

right off, and then, at 4.30 pm on the way to parliament house, the car blew up but jim got out alive

which made this terrorist mad and walked around saying

god is the devil, we must **** jim ryde,

god is the devil, we must **** jim ryde

god is the devil, we must **** jim ryde

because that is what i wanna do, oh yeah

so the terrorist organised a time to terrorise jim ryde’s favourite coffee spot, making sure he is aware

that jim was inside, and he hired three hit men to terrorise the coffee shop and they will take as long

as it takes, to **** the lord mayor, and the hit men broke the rules of what the terrorist wanted, but took

a risk, and the terrorist was outside, not happy, but made the stabbing right in the chest, he was dead in minutes

and the police fired shots at the terrorist who was named abduland the hit men, and killed them within minutes, and the police sang

i killed the devil cause the devil is abdul

i killed the devil cause the devil is abdul

i killed the devil cause the devil is abdul

the devil is the great abdul

god is the devil and the devil is abdul

god is the devil and the devil is abdul

god is the devil and the devil is abdult

THE DEVIL IS YOUR EVILSIDE, AND THAT IS THAT
Mitchell Duran Apr 2014
IX
After drinks, the two of us walk down Columbus street looking for a back alley ******* Hanes knows about. It's 4pm - far past buffet hours - but happy hour is about to begin and that's what we're looking for. Hanes tells me the last time he was there, one of the dancers snuck up behind him while he was at the ATM and pressed the highest possible number on the screen, something like $500. He didn't have to spend it, but somehow, he did. He left there with a sharp distrust but newfound respect for the stripping world. Everyone's got to get there's somehow.
"Ten dollar cover to get in," the bouncer tells us.
"Good God," I mutter, "It's only four o'clock and you're charging us ten dollars?" I feel the gin tickling the back of my throat, bringing a tingling feeling of authority and righteousness. I know I'm wrong, I know I've overstepped by bounds and have no say in how much they think they should charge two men with no women at four o'clock in the afternoon...but I battle anyways. I must.
"Policy my friend," the bouncer returns, shaking his head in understanding, "I'll get in guys in for five."
"That'll work," Hanes says quickly, handing him a ten and brushing past him.
I pat him on the shoulder as we walk in, "You've done a good thing. A grand thing. A respectable thing." I'm drunk and anything that comes out of my mouth I think to be genius. How far I've gone into the rabbit hole is of no importance to me now. The only things that matters is that I'm there and that eventually, somehow, I'll get out.
I follow Hanes to the bar and put down twenty dollars to whatever he orders. Two Budweiser's. Seven dollars with tip. Pretty good. That excites me. There's something invigorating about cheap drinks in a place one would think to get shafted in. I tip an extra dollar and get eleven back. Hanes nods to an open table by the corner of the stage where there's no one but a single asian man and a plate of hot wings. A pint of ice water sits in front of him and he's all smiles. I don't know why Hanes thinks it's a good idea to party with this gentlemen, but I realize I've never actually understood ever what Hanes thinks is a good idea, so I follow suit. It turns out the asian man is a very fine man on his lunch break from the bank. He's had a very long day he says.
"The boss," he explains, "Is not a nice man. Selfish. Fat. White."
"Ah," I say, ******* back on the beer, "Never good." I watch a girl named Twinkle wrap her thighs around the stainless steel pole and twirl. Her hair is the color of fools gold and her eyes tell me she's been doing this a very long time. I ask the asian man his name.
"Bob," he says, biting into a wing, "You want one?" he asks Hanes.
Hanes waves it off and Bob offers me one. "Thank you, sir," I say.
"Call me Bob."
"Righty right," picking up wing, "Thank you Bob."
"They are very spicy, so watch yourself."
"I will."
Twinkle crawls over to us, her **** hanging from her chest, drooping slightly like honey would if you spooned it out of its jar. She wears a silver cross that dangles with her ****, reflecting the dark neon red and blue lights flashing, wavering above her. She can't be more than 25. I feel myself slipping into feelings of wonder and love, but know that is the trick of the club and how they get you to spend money. Quickly, I paint her in reality: a white t-shirt, some blue jeans, and old sneakers - she is painting her room. She looks lovelier doing this, grounded in something perhaps she loves, maybe even a passion.
She crawls up to me and turns around, thrusting her *** in my face. She bounces it up and down with the rhythm of the music, the heavy bass. I watch her tight flesh roll slightly like tanned waves of the ocean. Glitter floats from her skin as I get a whiff of strong perfume: rose petals and dry white wine. I like her taste and throw her a couple dollars. She bounces her *** a few more times, slower this time for me, then turns around to pick up the ones with her teeth. She is good and knows this.
"Wanna' dance?" she asks, winking at me.
"I would love one, but I promised myself I wouldn't," I say.
"And why's that?" She's dangling her legs over the side of the stage. Her knee caps are red and swollen from crawling on the hard wooden floor. I think they should give these girls knee pads or something, but realize that would really take away from the sexiness of it all. They would like naked electricians or plumbers for christ's sake.
"My father told me never to get a lap dance on an empty stomach."
"Your father," she smiles, "Is a very a smart and funny man."
"Wouldn't want all that blood rushing from my head to down there without any food in me."
She nods, "Could be very dangerous. You're funny. Let me know how you feel after you eat...I gotta' get back on."
"Will do," I tell her, leaving a few more dollars on the edge of the stage. I bend them into V's and place them upside down. She sees this and proceeds to bend over, picking them up one by one, showing me everything. She is snake charmer the way she moves her body, making one think it's all for them. I can see now why this place is so dangerous. She saunters off back up-stage, rocking her hips and her *** back and forth like she were trying to put a baby asleep in their cradle. She is very good and knows it.
"That was interesting," Hanes says. He picks up one of Bob's wings. Bob smiles and motions for us to take more.
"I got the endless deal!" he shouts. The music's gotten louder. "Only cost me $10! I got a beer with it too."
"That's a good deal!" Hanes shout back, "Thanks!"
He takes a couple more and places them on a napkin he got from somewhere. Bob motions for me to take a couple, so I do. The sauce is so hot it seems like its stinging my skin from the outside. My eyes even start to water. For a second, everything around me gets that watery sheen where all mixes together and nothing is hard lined. The hard and heavy bass mixes with my vision. In front of me, a blurred body hangs upside down from a golden holy pole. The image stirs some biblical images in my head, like an angel flying down to Earth or even Jesus being crucified, but upside, naked, and a woman. I put down the wings and furiously rub the sauce on my pant legs. If I were to get any of that poison into my eyes, I would be finished, I thought. Blinking hard three or four times, I let the tears stream down my face. Bob sees this and hands me a clean napkin from his table.
"I know," he says, "It is truly beautiful. Don't be afraid of your emotions. Express yourself. It's ok to cry."
"You're crying?!" Hanes laughs, "Why the hell you crying?"
"I'm not! This ****** sauce is so hot it's making my eyes water."
"These women are so beautiful, you're crying!" Hanes throws his head back, laughing. "I've never heard that one before. They'll give you a free lap dance for sure if you tell them that."
"Maybe the cook will," I say, wiping the tears from my eyes with Bob's clean napkin, "There. Back to normal."
"You OK?" Bob asks me? "You good."
"I'm good," I say.
A new dancer comes out on-stage. Bob seems to know her because he puts all of his wings on the table beside him and rubs any sauce that dripped off. He straightens his thin black tie and subtly smells both of his armpits. He definitely knows this one. She's a thick looking asian girl with a smooth, innocent face. Her hair is long, smooth, and black and it reflects the neon pinks and greens whirling above her. Bob leans over.
"She my favorite," he says.
"I can see that."
"Don't tell her nothing though."
"Why?" I smile.
"I don't want her to think I'm a creep."
"You're not a creep, Bob."
"Then what am I?" He asks, furrowing his brow.
"An admirer."
Have you heard a bobwhite calling-
bob-bob -white in the morning
Perched on a cedar stump crying bobwhite-
with all his bob-bob -white might & glory ..
Stair-stepping from fieldstone to bob-white-
broomsage , gliding neath the bob-bob-white-
pines for fun , a dusty bath in the noonday sun ..
A bobwhite in the felled corn
A bob-bobwhite in the rabbit tobacco
Bobwhite-bobwhite on top of the cow lick -
Bob -bob -white from the 'maters
Bobwhite from some-bob- bob place along the bob-bob 'crick' ...
Copyright December 18 , 2021 by Randolph L Wilson * All Rights Reserved
vincent j kelly Feb 2016
I BE MISSING YA BOB MARLEY

I be miss'en ya voice Bob Marley ya songs roll'en round in me head
ya see I've learned to feel the rain and not just to get wet
and waiting in line is a waste of time cause tomorrow ya could be dead
yea- I be miss'en ya voice Bob Marley ya words roll'en round in me head

trouble I not be want'en (mun)/ just some peace and harmony
to live and love the life I want / and (to) be happy to be me
I hear ya words every night and day they be taken me far away
to islands still uncharted (mun) or to a place called yesterday


I be miss'en ya voice Bob Marley ya songs roll'en round in me head
ya see I've learned to feel the rain and not just to get wet
and waiting in line is a waste of time cause tomorrow ya could be dead
yea- I be miss'en ya voice Bob Marley ya words roll'en round in me head

I hear the tides roll into shore / feel the sun upon my face
while I listen to ya music mun / and my dreams fall into place
people feel deh will get hurt / so don't allow themselves to feel
might as well be blind my friend / cause the sun you'll never see
  
I be miss'en ya voice Bob Marley ya songs roll'en round in me head
ya see I've learned to feel the rain and not just to get wet
and waiting in line is a waste of time cause tomorrow ya could be dead
yea- I be miss'en ya voice Bob Marley ya words roll'en round in me head

the paper say you be famous man / what more could one man wish
ya laughed and smiled and then replied / I don't need no more than this (diss)  
leave everything be as it be / don't disturb old mother earth
you be leaven here someday (my friend)  / with no more than at birth

I be miss'en ya voice Bob Marley ya songs roll'en round in me head
ya see I've learned to feel the rain and not just to get wet
and waiting in line is a waste of time cause tomorrow ya could be dead
yea- I be miss'en ya voice Bob Marley ya words roll'en round in me head

so live each day now the best you can / you never know when it will end
don't pain your days and nights away / in a world of where or when
just drink some *** and sing a song / cause tomorrows round the bend
talk with those ya do not know / for some day they may be friends
                      
                               by vjkelly...(c)2016 from the song of the same name
                                                            ­        by vjkelly
a fella who is in a band mentioned to me he always wanted to write a song about Bob Marley...said I'll write the word you put it to music and sing it.
Ben May 2013
The Morning After Part I
What the hell have I done? It feels like my temples are about to explode and the early morning light burns my eyes. My shirt is missing and I’m curled up on my Lovesac. I glance to the left to see Alice is sprawled out on my air mattress. She looks drained, even while asleep, and I think that I probably look a lot worse. Last night… What happened last night? It’s all just a jumble, my memories out of order. It’s a flash of colors, sounds, feelings and sensations, a blur in my mind. It feels like a tilt-a-whirl of sensory overload and I kind of want to puke. Then, like a dam breaking, fragments of memories flood my mind in a sickening torrent, too much, too much. ****. It’s starting to come back and that’s not even remotely helping, just making it worse. I feel even more confused and all I can think is What Happened…?

Ok! Let’s Party!
a three am party a trip edge
a witching hour emprise time to begin
a black and white strip of paper so thin
it looked so harmless, inconspicuous, even then
five hits for me, four hits for you,
placed under our tongues, we expectantly raise
eyes round the dark room for a white rabbits maze
or floating cat ears and Cheshire grin
the seconds pass, then minutes do spin
nothing
nothing
nothing shifts or shapes, bends or breaks
we wander to seats, choose movie to play
Scott Pilgrim Vs. The World comes to life on screen in a blaze
and…

Trip # Cats Everywhere
“WE ARE *** BOB-OMB 1 2 3 4 - !”
cats are crawling slinking stalking
their eyes are glowing growing pulsing
and bodies moving sinuously serpentine
flowing round the corners of my eyes
fleeing from sight like shadowy wraiths
insubstantial  sensory stimulation
hallucination

Trip # ****** Coma
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...

ringing blue lightning flashes razor sharp quick
cutting my mind in jaw breaking half
gasping for air I lunge forward hard
and break into silence, stillness, calm.
you have to remember to breathe
when things get fuzzy or funny or anytime now
otherwise sanity slips like water through fingers
or like rabbits down tunnels
on time to lost minds and messy motor control
****** coma, giddy, ecstatic, inescapable, unrelenting

Trip # I’m Melting
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...

I have to **** but the whole world is breathing
standing and swaying every step an adventure
entranced by the swirly dripping dropping walls
i barely stay balanced though trousers do fall
relief, ahhh, glance down what the ****!?
maniacal laughter rings through the room
I’m melting I’m melting in big drops and small
being pulled ever downward but never disappearing
warm like candle wax, thick and viscous
I’m leaving a trail of me on the floor

Trip # Music
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...

complex strains of sounds by vibrations
subtly influence the mood in the room
emotions experienced changing by song
upbeat pulse lively down tempo drops dangerous
I can feel the sound envelope my soul
Alice enraptured marries the music
sitting on moment to swaying the next
pressed up against me, blink, appears on by wall
(don’t drink and drive, take acid and teleport)
this controlling cacophony swells then settles
an ocean unseen deciding the trip

Trip # Alone
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...

Alice embarks on adventure to leave
a trip to the restroom a momentous maze
breathe deep and hold, keep it together
I slip from this plane to a place so strange
the chair is moving and so is her hat
were they ever just objects or always alive
pink and white fur slithers up in answer
caressing my arms sensual depraved
the laughter returns ever occurring involuntary
in fast rolling eyes at madness do gaze
I cavort around with fluffy new friends
tumbling and squirming wiggly worming
the fun never ends the fun never ends
“are you ok?” – Alice inquires
back after minutes turned hours
“is this how it feels to know you’re insane”

Trip # ******
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...

the blurry lights shimmer in colorful haze
I swim towards the surface lost in a daze
“hush now hush now you’re ok”
“how long was I out for” a question…a phrase
“ten minutes this time” “it felt like days”
harder to come back, feels like I’m drowning in rain
blood mixes clear with needle in vein
and fading to black and fading to grey
the blurry lights shimmer in colorful haze
I swim towards the surface lost in a daze
“hush now hush now you’re ok”
“how long was I out for” a question…a phrase
“ten minutes this time” “it felt like days”
harder to come back, feels like I’m drowning in rain
blood mixes clear with needle in vein
and fading to black and fading to grey
the blurry lights shimmer in colorful haze
I swim towards the surface lost in a daze
“hush now hush now you’re ok”
“how long was I out for” a question…a phrase
“ten minutes this time” “it felt like days”
harder to come back, feels like I’m drowning in rain
blood mixes clear with needle in vein
and fading to black and fading to grey
“I haven’t slept in eight days”
a half muttered phrase
“what are you saying, it’s been 10 minutes”
alice mouths back with questioning gaze
fade to black

Trip # Telepathic
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...
“mhm yeah like what like yeah what”
“mhm like yeah like what oh what like yeah”
“mhm yeah like what oh **** like what huh oh what”
“mhm yeah like what oh yeah like what mhm ****”
mhm yeah **** like what oh mhm yeah what”
“wait what?”
“****”


Trip # Blue Gum Matrix
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...

bubbles bubbles popping in pink
filling my mouth with cotton clouds
sugary sweet deliciously soft
seducing my mind into boiling blue bliss
I don’t notice the binary program lurking through unconscious thought
uploading software for changing perception
the transition to fiction so seamless like silk
I’ve jacked into the system with every chew
it’s twothousandwhatever in metrohive Tokyo
the future is different yet still feels the same
Alice sits solitary in darkened apartment
with wires like web strung throughout the room
all tracing with tracers glowing in ambience a glistening path
to electrical heaven, a desktop computer
my visual sensors are booting and loading
with mechanical perfection clarity arrives
a robot, I robot, created as A.D.E.M.
(Artificially Developed Emotional eMulator)
or A **** Excellent Machine (self-titled)
I sit up and blink as synapses fire
electrical currents carried on nanobig wires
I go move towards alice and watch binary code scroll
plugged into the network a direct hacker helper
this job’s objectives flash ‘fore my face
“we’ve got a big heist, security’s tight”
the scene’s fading out, cameras pan to the night

Trip # In Which I See the Future
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...

Alice and I curl up as one
excessive I know on this excessive night
but excessively is as excessively done, the social norm
it’s experience together and not alone
that draws us closer to breathe in unison
a chance to express feeling in this
uncharted sensory undertaking
together hearts beat in arrhythmic understanding
a feeling of pleasure creeps down my spine
and spreads out in ripples turning to waves
crashing and breaking on the sweet shore of…
alone in the bathroom I reflect on actions
for minutes and hours and finally days
I watch myself age and age and go grey
tormented by thoughts of actions and actions
guilt like creeping mold consumes my visage
decrepit and wasted I stumble from chambers
to find five am clock arms right in my face…

The Morning After Part II**
****.
lysergic acid diethylamide.... an adventure every time
brandon nagley Aug 2015
The truth is, everyone is going to hurt you. You just got to find the ones worth suffering for.”
― Bob Marley

“Who are you to judge the life I live?
I know I'm not perfect
-and I don't live to be-
but before you start pointing fingers...
make sure you hands are clean!”
― Bob Marley

Don't Gain The World & Lose Your Soul, Wisdom Is Better Than Silver Or Gold.”
― Bob Marley

Don't worry about a thing, every little thing is gonna be alright”
― Bob Marley

“I don't stand for black man's side, I don't stand for white man's side, I stand for God's side.”
― Bob Marley... ( love this one!!!!!!!!!) Such truth!!!!!


“Emancipate yourselves from mental slavery.
None but ourselves can free our minds.”
― Bob Marley

When one door is closed, don't you know that many more are open”
― Bob Marley

“Judge not unless you judge yourself”
― Bob Marley........ Love it..
Tag Williams Apr 2011
Sunday, Jim would walk in the Park.
When he was young Mom and Dad would come too, but each
Sunday, Jim would walk in the Park.
Sometimes on Saturdays or Tuesdays they would go, but
Sunday, Jim would walk in the Park.
Sometimes through the rain,
sometimes through the snow,
sometimes through the fog, and
especially through the sunshine, each
Sunday, Jim would walk in the park.
When Jim was 12, his parents allowed Jim
to adopt a puppy from the Animal Shelter.
Jim named named the Puppy Al. Each
Sunday, Jim and Al would walk in the Park
Soon after Jim's parents stopped walking in the park
because Jim felt he was too old to walk with Mom and Dad . Each
Sunday, Jim and Al would walk in the Park and
Jim would think about his Mom and Dad and
carry them in his heart
Jim and Al got older and went off to College in Boston. Each
Sunday Jim and Al would walk in the Park.

One Sunday Jim met Sara in the Park, from then on each
Sunday, Jim, Al, Sara and Sara's dog Charlotte would walk in the Park.
Soon Jim and Sara graduated from College and found jobs and each
Sunday, Jim Al, Sara, and Charlotte would walk in the Park.
Soon Jim and Sara had a baby girl they named Emily, and each
Sunday, Jim, Al, Sara, Emily and Charlotte would walk in the Park.
But one year as Al got older he was unable to make the walk any more
and soon he passed away. But each
Sunday, Jim, Sara, Emily and Charlotte would walk in the park and carry the memories of Al and Mom and Dad in their hearts. And soon, Jim and Sara had another child that they named Bob. Each
Sunday, Jim, Sara, Emily, Charlotte and of course Bob would walk in the Park
And because dogs don't live as long as humans Charlotte too got older and and soon she too passed away. But each
Sunday, Jim, Sara, Emily and Bob would walk in the park
and carry the memories of Al, Charlotte Mom and Dad with them
in their hearts.And the years passed, Emily and Bob got older, but each
Sunday, Jim and Sara and sometimes Emily and Bob would walk in the park.

Then Emily left and went to College and soon after Bob did too, but each
Sunday, Jim and Sara would walk in the park and talk of Bob and Emily
and sometimes of Al and Charlotte and Jim's parents and Sara's parents."
Then Sara passed, Cancer, inoperable stage four, Still
Sunday, Jim would walk in the Park and think about Sara and Bob and Emily and and Al and Charlotte, some
Sunday's Jim would get a little tear, other Sunday's a little smile as he remembered the good times and the bad.


Copyright 2010 Michael Lee Williams.
Bob
the other day we were in a
bookstore in the mall
and my woman said, "look, there's
Bob!"

"I don't know him," I said.

"we had dinner with him
not too long ago," she said.

"all right," I said, "let's get
out of here."

Bob was a clerk in the store
and his back was to us.

my woman yelled, "hello, Bob!"

Bob turned and smiled, waved.
my woman waved back.
I nodded at Bob, a very
delicate blushing fellow.
(Bob, that is.)

outside my woman asked, "don't you remember him?"

"no."

"he came over with Ella. re- member Ella?"

"no."

my woman remembers everything.

I don't understand it, although
I suppose it's polite
to remember names and faces
I just can't do it
I don't want to carry all those
Bobs and Ellas and Jacks and Marions
and Darlenes around in my mind. eating and
drinking with them is difficult en- ough.
to attempt to recall them at will
is an affront to my well-
being.

that they remember me is
bad enough.
la vez que a bob chambers lo vieron estaba
poniendo lento el día
dura la vista claro el corazón
le dieron una cama de rosas que fue a tirar al mar

entonces
del costado se le alzaban como especies de oleajes
carnes que se soñaban alas a bob chambers y no pasaron de su piel
en esta edad tan carestía

¿ah caramba!
¡ah bob chambers dos en su vehículo terrestre!
olvidados yacen ahora bajo sus capas de volar quedándose
y tanta pena apenas se soporta

pero qué hacer
bob esperaba al viento sur
"madre vieja tengo en casa" decía
y chambers vivía vuelto al sur con la mesa puesta

nunca se pusieron de acuerdo sobre este punto cardinal
así ocurrió lo que se supo:
tirando a un lado y a otro bob chambers se rompió
la soledad o perros se comieron su agujero central

todo el pueblo lo vio
a bob partir a chambers estallar en la mañana lenta
nunca hubo espectáculo igual y todos aplaudieron
y todos aplaudieron

menos la amiga que lloraba por bob
el que dejó el amor para mañana
menos la amiga que lloraba por chambers
el que dejó el amor para la noche

lavaron a la amiga con rosas y limón
le dejaron los pies en agua fría
y nadie habla de bob chambers
se la pasan desarmándolo tristes como señores

bob chambers no protesta
viaja por la muerte montado en un burrito
con la mejilla cerca de la luna tan alta
y una almohadita para el sol
Quinn Revire Mar 2020
Bob
Bob is happy
Bob is sad
Bob is angry
Bob is mad
Bob has emotions you see
Bob likes the fog
Bob likes frogs
Please be kind to bob
And he’ll do the same
Be nice to bob please
Alex Nov 2017
Bob
Bob is my darkest shadow and only friend.
Bob is sometimes a bully that when I'm in bed at night sits on my chest making me feel as if im suffocating.
Bob makes me think things which --give it time-- I will believe.
Bob is the reason that I push people away and lie my *** off so even the most stubborn ones will leave.
Bob is also the reason I have one hand on my stomach clutching at the skin as if somehow that will make my stomach stop twisting and closing in on itself. The other hand on my mouth trying to muffle the sounds of my sobbing and the gasps as I run out of air and start choking on my tears.
Bob is my depression.
Bob is in no way my friend. But I can't get rid of Bob.
I finally got the courage to read this to my mom cuz this explains what I'm feeling n what's going on in my head and she changed the subject cuz she felt uncomfortable. Sooo now I post it. Poetry is my self harm and you guys are the endorphins.
Bob is cool,
Bob has a pool.
Bob has a house,
Bob owns a mouse.
Bob is you, Bob is me,
Bob is everywhere we see.
BILLYtheKidster Jul 2010
I often wondered what thoughts were running through his head
as he stared out the window chained to the floor by his bed
watching the gallows being built that would soon seal his fate.
Was he planning at that very moment his last great escape?
Did he know then that his hanging would never come to be?  
Did he know then that before nightfall once again he'd be free?
What ever his thoughts he was interrupted rudely
by Deputy Bob Ollinger, one of his guards while in custody.
"Word has it you said that if we ever met again you'd **** me on the spot.
Well here I am Kid. Now's your chance. Show me what you've got.
It's a shame that you'll hang in another week or two,
because I'd love to be the one who gets to **** you.
I've got 16 silver dimes in each barrel of my shotgun.
I'd love to try them out on you, but I can't unless you run.
If I free you from those chains will you run for the door?
Oh by the way Kid, your Ma was one sweet ******* *****.
I'll **** you before you hang Kid. That's a sure bet."
"Be careful Bob," said the Kid, "I'm not hung yet."
" Bob thrusted his shotgun hard into Billy's gut.
The Kid looked up at him in pain and said, "Now what?"
"Don't do it Bob," Bell said angrily, "or you'll be the one who'll hang for sure
for killing a man in cold blood who was chained helplessly to the floor.
It's time for the other prisoners to be escorted across the street to be fed.
The Kid's not going anywhere. He's chained to the floor by his bed.
Anyway, I took the prisoners last so now it's your turn.
Go and have yourself a beer and I'll stay here and guard the Kid until you return.
Bob Ollinger placed his shotgun into the gun rack.
Before he left he said to Billy, "I'll see you when I get back."
No one can say for sure if the above dialog ever truly took place.
One thing's for sure. Ollinger tormented Billy at a merciless endless pace.
They were arch enemies who fought against each other during the Lincoln County War.
Ollinger was in the posse that killed John Tunstall, Billy's employer, friend and mentor.
"I have to use the privy Bell," Billy said to the deputy.
Bell kept his rifle trained on Billy as he tossed him the key.
Billy unlocked the chains that kept him bound to the floor.
Still in handcuffs and leg irons, Bell escorted Billy out the door.
Billy entered the outhouse closing the door behind him.
"Let's not take too long in there Kid," Bell said with a humorous grin.
While in the outhouse Billy managed to slip one of his hands out of his handcuff.
"You fall in there Kid," Bell laughed, "You've been in there long enough."
"I'm coming out now Bell," Billy said opening the door.
"Sorry I took so long Bell. I must have ate something bad for sure."
Deputy Bell then escorted Billy back to the jail cell.
Once inside, Billy spun around and smacked hard Deputy James Bell.
Bell lost his balance, dropped his rifle and was momentarily stunned.
"Hands Up Bell!," the Kid yelled. In his hand was a gun.
"Please don't do it Bell," Billy pleaded, but Bell tried to run.
The Kid had no choice but to do what had to be done.
He shot and killed Bell, then went for Ollinger's shotgun.
The Kid never found pleasure in killing, but Ollinger was indeed the exception.
Knowing that Ollinger heard the gunfire, Billy stood by the window
and waited for Ollinger to appear in the street down below.
One senior named Godfrey saw Bell fall dead down the stairs.
The moment probably gave Godfrey a few more grey hairs.
Ollinger ran out into the street as Godfrey screamed, "The Kid's killed Bell!"
Ollinger looked up into both barrels of his own shotgun and whispered,
"Now he's killed me as well."
"Hello Bob!," Billy called out with a song in his heart just prior to blowing Bob Ollinger apart.
He blasted both barrels into Ollinger's chest and face.
Pieces of old Bob lay scattered all over the place.
Billy smashed his shotgun in two, threw it at him but missed.
"You'll never rifle me again," he screamed, "you *******!"
On the balcony he addressed the crowd whose jaws hung agape.
"I don't want to hurt anyone, but I'll **** anybody who tries to prevent my escape."
In the office he found a sledge hammer and smashed the chains of his leg irons free.
He told Godfrey to fetch him a fast horse immediately.
As he walked down the stairs, he came upon Bell's lifeless body
and many eye witnesses admit
that The Kid looked upon him and said most remorsefully,
"I'm sorry I killed you Bell, but couldn't help it."
As Billy mounted the horse the chains of his leg irons startled the beast.
The horse reared up and threw Billy down onto the street.
He was at this point his most vulnerable laying down on the ground.
The crowd could have overtaken him easily, but none made a move or a sound.
Once again Billy mounted the horse and fled with the sound of his leg iron chains ringing.
Many say that as he rode out of Lincoln County that they heard the Kid singing.
Billy had escaped danger so many other times in his past,
but this was his greatest escape ever. It would also be his last.
Terry O'Leary Sep 2013
NOTE TO THE READER – Once Apun a Time

This yarn is a flossy fabric woven of several earlier warped works, lightly laced together, adorned with fur-ther braided tails of human frailty. The looms were loosed, purling frantically this febrile fable...

Some pearls may be found wanting – unwanted or unwonted – piled or hanging loose, dangling free within a fuzzy flight of fancy...

The threads of this untethered tissue may be fastened, or be forgotten, or else be stranded by the readers and left unravelling in the knotted corners of their minds...

'twill be perchance that some may  laugh or loll in loopy stitches, else be torn or ripped apart, while others might just simply say “ ’tis made of hole cloth”, “sew what” or “cant seam to get the needle point”...,

yes, a proper disentanglement may take you for a spin on twisted twines of any strings you feel might need attaching or detaching…

picking knits, some may think that
    such strange things ‘have Never happened in our Land’,
    such quaint things ‘could Never happen in our Land’’,
    such murky things ‘will Never happen in our Land’’…

and this may all be true, if credence be dis-carded…

such is that gooey gossamer which vails the human mind...

and thus was born the teasing title of this fabricated Fantasy...

                                NEVER LAND

An ancient man named Peter Pan, disguised but from the past,
with feathered cap and tunic wrap and sabre’s sailed his last.
Though fully grown, on dust he’s flown and perched upon a mast
atop the Walls around the sprawls, unvisited and vast -
and all the while with bitter smile he’s watching us aghast.

As day begins, a spindle spins, it weaves a wanton web;
like puckered prunes, like midday moons, like yesterday’s celebs,
we scrape and *****, we seldom hope - he watches while we ebb:

    The ***** grinder preaches fine on Sunday afternoons -
    he quotes from books but overlooks the Secrets Carved in Runes:
    “You’ve tried and toyed, but can’t avoid or shun the pale monsoons,
    it’s sink or swim as echoed dim in swinging door saloons”.
    The laughingstocks are flinging rocks at ball-and-chained baboons.

    While ghetto boys are looting toys preparing for their doom
    and Mademoiselles are weaving shells on tapestries with looms,
    Cathedral cats and rafter rats are peering in the room,
    where ragged strangers stoop for change, for coppers in the gloom,
    whose thoughts are more upon the doors of crypts in Christmas bloom,
    and gold doubloons and silver spoons that tempt beyond the tomb.

    Mid *** shots from vacant lots, that strike and ricochet
    a painted girl with flaxen curl (named Wendy)’s on her way
    to tantalise with half-clad thighs, to trick again today;
    and indiscreet upon the street she gives her pride away
    to any guy who’s passing by with time and cash to pay.
    (In concert halls beyond the Walls, unjaded girls ballet,
    with flowered thoughts of Camelot and dreams of cabarets.)

    Though rip-off shops and crooked cops are paid not once but thrice,
    the painted girl with flaxen curl is paring down her price
    and loosely tempts cold hands unkempt to touch the merchandise.
    A crazy guy cries “where am I”, a ****** titters twice,
    and double quick a lunatic affects a fight with lice.

    The alleyways within the maze are paved with rats and mice.
    Evangelists with moneyed fists collect the sacrifice
    from losers scorned and rubes reborn, and promise paradise,
    while in the back they cook some crack, inhale, and roll the dice.

    A *** called Boe has stubbed his toe, he’s stumbled in the gutter;
    with broken neck, he looks a wreck, the sparrows all aflutter,
    the passers-by, they close an eye, and turn their heads and mutter:
    “Let’s pray for rains to wash the lanes, to clear away the clutter.”
    A river slows neath mountain snows, and leaves begin to shudder.

    The jungle teems, a siren screams, the air is filled with ****.
    The Reverent Priest and nuns unleash the Holy Shibboleth.
    And Righteous Jane who is insane, as well as Sister Beth,
    while telling tales to no avail of everlasting death,
    at least imbrue Hagg Avenue with whisky on their breath.

    The Reverent Priest combats the Beast, they’re kneeling down to prey,
    to fight the truth with fang and tooth, to toil for yesterday,
    to etch their mark within the dark, to paint their résumé
    on shrouds and sheets which then completes the devil’s dossier.

    Old Dan, he’s drunk and in a funk, all mired in the mud.
    A Monk begins to wash Dan’s sins, and asks “How are you, Bud?”
    “I’m feeling pain and crying rain and flailing in the flood
    and no god’s there inclined to care I’m always coughing blood.”
    The Monk, he turns, Dan’s words he spurns and lets the bible thud.

    Well, Banjo Boy, he will annoy with jangled rhymes that fray:
    “The clanging bells of carousels lead blind men’s minds astray
    to rings of gold they’ll never hold in fingers made of clay.
    But crest and crown will crumble down, when withered roots decay.”

    A pregnant lass with eyes of glass has never learned to cope.
    Once set adrift her fall was swift, she slid a slipp’ry ***** -
    she casts the Curse, the Holy Verse, and shoots a shot of dope,
    then stalks discreet Asylum Street her daily horoscope -
    the stray was struck by random truck which was her only hope.

    So Banjo Boy, with little joy, he strums her life entire:
    “The wayward waif was never safe; her stars were dark and dire.
    Born midst the rues and avenues where lack and want aspire
    where no one heeds the childish needs that little ones require;
    where faith survives in tempest lives, a swirl within the briar,
    Infinity grinds as time unwinds, until the winds expire.
    Her last caprice? The final peace that no one could deny her -
    whipped by the flood, stray beads of blood cling, splattered on the spire;
    though beads of sweat are cool and wet, cold clotted blood is dryer.”

    Though broken there, she’s fled the snare with dying thoughts serene.
    And now she’s dead, the rumours spread: her age? a sweet 16,
    with child, *****, her soul dyed red, her body so unclean.
    A place is sought where she can rot, avoiding churchyard scenes,
    in limey pits, as well befits, behind forbidding screens;
    and all the while a dirge is styled on tattered tambourines
    which echo through the human zoo in valleys of the Queens.

    Without rejoice, in hissing voice, near soil that’s seldom trod
    “In pious role, God bless my soul”, was mouthed with mitred nod,
    neath scarlet trim with black, and grim, behind a robed facade -
    “She’ll burn in hell and sulphur smell”, spat Priest and man of god.

    Well, angels sweet with cloven feet, they sing in girl’s attire,
    but Banjo Boy, he’s playing coy while chanting in the choir:
    “The clueless search within the church to find what they desire,
    but near the nave or gravelled grave, there is no Rectifier.”
    And when he’s through, without ado, he stacks some stones nearby her.

The eyes behind the head inclined reflect a universe
of shanty towns and kings in crowns and parties in a hearse,
of heaping mounds of coffee grounds and pennies in a purse,
of heart attacks in shoddy shacks, of motion in reverse,
of reasons why pale kids must die, quite trite and curtly terse,
of puppet people at the steeple, kneeling down averse,
of ****** tones and megaphones with empty words and worse,
of life’s begin’ in utter sin and other things perverse,
of lewd taboos and residues contained within the Curse,
while poets blind, in gallows’ rind, carve epitaphs in verse.

    A sodden dreg with wooden leg is dancing for a dime
    to sacred psalms and other balms, all ticking with the time.
    He’s 22, he’s almost through, he’s melted in his prime,
    his bane is firm, the canker worm dissolves his brain to slime.
    With slanted scales and twisted jails, his life’s his only crime.

    A beggar clump beside a dump has pencil box in hand.
    With sightless eyes upon the skies he’s lying there unmanned,
    with no relief and bitter grief too dark to understand.
    The backyard blight is hid from sight, it’s covered up and bland,
    and Robin Hood and Brother Hood lie buried in the sand.

    While all night queens carve figurines in gelatine and jade,
    behind a door and on the floor a deal is finally made;
    the painted girl with flaxen curl has plied again her trade
    and now the care within her stare has turned a darker shade.
    Her lack of guile and parting smile are cutting like a blade.

    Some boys with cheek play hide and seek within a house condemned,
    their faces gaunt reflecting want that’s hard to comprehend.
    With no excuse an old recluse is waiting to descend.
    His eyes despair behind the stare, he’s never had a friend
    to talk about his hidden doubt of how the world will end -
    to die alone on empty throne and other Fates impend.

    And soon the boys chase phantom joys and, presto when they’re gone,
    the old recluse, with nimble noose and ****** features drawn,
    no longer waits upon the Fates but yawns his final yawn
    - like Tinker Bell, he spins a spell, in fairy dust chiffon -
    with twisted brow, he’s tranquil now, he’s floating like a swan
    and as he fades from life’s charades, the night awaits the dawn.

    A boomerang with ebon fang is soaring through the air
    to pierce and breach the heart of each and then is called despair.
    And as it grows it will oppose and fester everywhere.
    And yet the crop that’s at the top will still be unaware.

    A lad is stopped by roving cops, who shoot in disregard.
    His face is black, he’s on his back, a breeze is breathing hard,
    he bleeds and dies, his mama cries, the screaming sky is scarred,
    the sheriff and his squad at hand are laughing in the yard.

    Now Railroad Bob’s done lost his job, he’s got no place for working,
    His wife, she cries with desperate eyes, their baby’s head’s a’ jerking.
    The union man don’t give a ****, Big Brother lies a’ lurking,
    the boss’ in cabs are picking scabs, they count their money, smirking.

    Bob walks the streets and begs for eats or little jobs for trying
    “the answer’s no, you ought to know, no use for you applying,
    and don’t be sad, it aint that bad, it’s soon your time for dying.”
    The air is thick, his baby’s sick, the cries are multiplying.

    Bob’s wife’s in town, she’s broken down, she’s ranting with a fury,
    their baby coughs, the doctor scoffs, the snow flies all a’ flurry.
    Hard work’s the sin that’s done them in, they skirmish, scrimp and scurry,
    and midnight dreams abound with screams. Bob knows he needs to hurry.
    It’s getting late, Bob’s tempting fate, his choices cruel and blurry;
    he chooses gas, they breathe their last, there’s no more cause to worry.

    Per protocols near ivied walls arrayed in sage festoons,
    the Countess quips, while giving tips, to crimson caped buffoons:
    “To rise from mass to upper class, like twirly bird tycoons,
    you stretch the treat you always eat, with tiny tablespoons”

    A learned leach begins to teach (with songs upon a liar):
    “Within the thrall of Satan’s call to yield to dim desire
    lie wicked lies that tantalize the flesh and blood Vampire;
    abiding souls with self-control in everyday Hellfire
    will rest assured, when once interred, in afterlife’s Empire”.
    These words reweave the make believe, while slugs in salt expire,
    baptised in tears and rampant fears, all mirrored in the mire.

    It’s getting hot on private yachts, though far from desert plains -
    “Well, come to think, we’ll have a drink”, Sir Captain Hook ordains.
    Beyond the blame and pit of shame, outside the Walled domains,
    they pet their pups and raise their cups, take sips of pale champagnes
    to touch the tips of languid lips with pearls of purple rains.

    Well, Gypsy Guy would rather die than hunker down in chains,
    be ridden south with bit in mouth, or heed the hold of reins.
    The ruling lot are in a spot, the boss man he complains:
    “The gypsies’ soul, I can’t control, my patience wears and wanes;
    they will not cede to common greed, which conquers far domains
    and furtive spies and news that lies have barely baked their brains.
    But in the court of last resort the final fix remains:
    in boxcar bins with violins we’ll freight them out in trains
    and in the bogs, they’ll die like dogs, and everybody gains
    (should one ask why, a quick reply: ‘It’s that which God ordains!’)”

    Arrayed in shawls with crystal *****, and gazing at the moons,
    wiled women tease with melodies and spooky loony tunes
    while making toasts to holey ghosts on rainy day lagoons:
    “Well, here’s to you and others too, embedded in the dunes,

— The End —