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"bluegrass" poems
The city makes my heart beat change To a speed I can't endure I start to sweat and I can't breathe To me there only is one cure I have to leave the city life Leave the commotion far behind I've got to hit the country For that is where I'll find I have got a hillbilly heart It's beats in banjo time I have got a hillbilly heart Out here, I feel just fine City roads, and shopping malls Get me riled and confused I go home feeling ***** I go home feeling used I've got to get away from here Or I will lose my mind I've got to hit the country For that is where I'll find I have got a hillbilly heart It's beats in banjo time I have got a hillbilly heart Out here, I feel just fine I have got a hillbilly heart It's here that I belong I have got a hillbilly heart And it sings a bluegrass song I have got a hillbilly heart And it sings a bluegrass song
0
Jul 11, 2015
Jul 11, 2015 at 6:35 PM UTC
hillbilly heart
I returned home 
on Palm Sunday
 to find knockout roses 
behind my brick mailbox
 parading their first blossoms of spring. I found candytuft
 faded to green,
 safeguarding scattered sprinkles of white
 for me to view one more day. Fallen pink petals from dogwood trees
 fluttered through a whimsical ballet 
to entertain me on a ballroom floor 
of Kentucky bluegrass. Dogwoods, azalea, and periwinkle are different. Something happened 
while I was away, while I snapped photographs 
of starfish captured by the sand
 when evening tide 
quickly rolled out to sea. 
Blossoms opened
 as other petals faded and fell.
 Fresh blossoms flowered
 and youthful buds now greet the sun. Did you care that I was gone
 in the midst of your glory 
to savor other beauties different joys -- did you even miss me?
0
Jul 15, 2015
Jul 15, 2015 at 9:36 AM UTC
Did You Miss Me?
You’ve got your ragtime, got the blues Got country, rock, dubstep, each a different hue Hip-hop, rap, Americana, funk Disco, electronica, they all go bump Indie, groove, folk and heavy metal Screamo, emo, punk, they’re for the rebels Pop, classical, tribal, thrash Dark wave, bluegrass, techno, acid Garage, roots, acoustic, dance Alternative, jazz, ******** trance Afrobeat, christian, reggae, jam Honkey-tonk, surf, ska, big-band Ambient, industrial, club, tin pan alley But who’s ever heard of plow music?
0
Jul 18, 2012
Jul 18, 2012 at 10:51 PM UTC
Plow Music
I thought I might be a musician Mom couldn’t afford my lessons My eyesight wasn’t great I couldn’t read notes fast enough Practicing annoyed the family I only managed last chair, 2nd violins               But still I got to play in High School concerts In shiny dresses with glitter in my hair               However I haven’t held a violin in years I loaned mine to a Bluegrass band The leader died - and it was gone ≈≈≈≈≈≈≈≈ I thought I might become a dancer But my fingers can not touch the floor I couldn’t kick much higher than my waist Choreography was hard for me to learn I had the stamina if not the skill My partner wanted someone else                 But still I danced on stage in a college play And Morris Danced at the Old Globe Theatre                 However I’ve forgotten how to keep the beat And all the dance floor moves I made I’m too self conscious now to try ≈≈≈≈≈≈≈≈ I fancied I could be a singer I knew the words to all the songs And I could keep the melody in tune But I had a voice with no vibrato And the quality was thin My range was very limited               But still I sang Blueberry Hill at a talent show In a black lame’ dress and surprised a few               However I couldn’t get the hang of harmony And found I fit best in a choir My family wouldn’t hear my solos ≈≈≈≈≈≈≈≈ I thought that I was born an actress I practically got that one right I had a lead in an Ibsen play And toured the state with Macbeth But Hollywood was one big casting couch And I could see no way around it           But still I got to be on TV  shows Winning games and merchandise           However I sold the Firebird Convertible I won I needed rent money more than a car And rules allow you only three shows in a lifetime ≈≈≈≈≈≈≈≈ I always thought I was a poet I started young and never stopped But family ignored and scoffed Then I got trapped inside my mirror And only wrote when all was beak Somebody said my stuff was dreary           But still I stumbled on the HP website And found a group who like the words I write           However When I read the others’ writes I realize how limited my skills And fight the need to run away and hide.     ∞ It seems I dabbled in all the arts
 Looking for the one that fit me And finding they all needed alteration And I never had the proper needle   ∞   Still, a moment in the sun Is better than a lifetime in the shade I had a taste of everything Though the banquet was not mine. ljm
0
Jul 8, 2017
Jul 8, 2017 at 12:24 PM UTC
ADOLESCENT ASPIRATIONS ALL GROWN UP
I thought I might be a musician Mom couldn’t afford my lessons My eyesight wasn’t great I couldn’t read notes fast enough Practicing annoyed the family I only managed last chair, 2nd violins               But still I got to play in High School concerts In shiny dresses with glitter in my hair               However I haven’t held a violin in years I loaned mine to a Bluegrass band The leader died - and it was gone ≈≈≈≈≈≈≈≈ I thought I might become a dancer But my fingers can not touch the floor I couldn’t kick much higher than my waist Choreography was hard for me to learn I had the stamina if not the skill My partner wanted someone else                 But still I danced on stage in a college play And Morris Danced at the Old Globe Theatre                 However I’ve forgotten how to keep the beat And all the dance floor moves I made I’m too self conscious now to try ≈≈≈≈≈≈≈≈ I fancied I could be a singer I knew the words to all the songs And I could keep the melody in tune But I had a voice with no vibrato And the quality was thin My range was very limited               But still I sang Blueberry Hill at a talent show In a black lame’ dress and surprised a few               However I couldn’t get the hang of harmony And found I fit best in a choir My family wouldn’t hear my solos ≈≈≈≈≈≈≈≈ I thought that I was born an actress I practically got that one right I had a lead in an Ibsen play And toured the state with Macbeth But Hollywood was one big casting couch And I could see no way around it           But still I got to be on TV  shows Winning games and merchandise           However I sold the Firebird Convertible I won I needed rent money more than a car And rules allow you only three shows in a lifetime ≈≈≈≈≈≈≈≈ I always thought I was a poet I started young and never stopped But family ignored and scoffed Then I got trapped inside my mirror And only wrote when all was beak Somebody said my stuff was dreary           But still I stumbled on the HP website And found a group who like the words I write           However When I read the others’ writes I realize how limited my skills And fight the need to run away and hide.     ∞ It seems I dabbled in all the arts
 Looking for the one that fit me And finding they all needed alteration And I never had the proper needle   ∞   Still, a moment in the sun Is better than a lifetime in the shade I had a taste of everything Though the banquet was not mine. ljm
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80
The Man in Black The Silver Fox Brad Paisley shows That Country Rocks Western's gone But Country's not Remember those Who time's forgot From Red Georgia Clay To the Tennessee Hills From Kentucky Blue Grass I still get the chills When the music goes through me It's a feeling so strong That can only be born From an old country song Loretta Lynn Dottie West Patsy Cline They were the best Old time country Tennessee tunes Mountain Bluegrass My favorite tunes From Red Georgia Clay To the Tennessee Hills From Kentucky Blue Grass I still get the chills When the music goes through me It's a feeling so strong That can only be born From an old country song The singers change The tunes do not They still sing the music That others forgot Williams and Jones Acuff and Dickens Old Buck and Roy Still Pickin' and grinnin From Red Georgia Clay To the Tennessee Hills From Kentucky Blue Grass I still get the chills When the music goes through me It's a feeling so strong That can only be born From an old country song
0
Aug 26, 2012
Aug 26, 2012 at 11:19 AM UTC
An Old Country Song
I walk out the back door and see a doe rise from bluegrass as two bucks follow her into the timber, she looks back and flags her tail at the sound of of my breath.
0
Sep 22, 2016
Sep 22, 2016 at 6:28 AM UTC
Through the eyes of a 88 year-old woman: Deer and Crow
We bounced a blue ball, It broke a blue glass. We banged on blue drums and called it bluegrass
0
Dec 15, 2016
Dec 15, 2016 at 1:01 AM UTC
True Blue
My foggy mouth tries to hide behind rain-smacked glass. She says goodbye with complacent stares and with the sudden flash of an umbrella. The red of her dress doesn't belong in my life. Each of her strides carry my resentment and weariness, alongside the melting grey of the Seattle skyline. So, I don't yell for her or imagine our lives, as the windshield wipers sweep her image, out of sight, but not out of my head. I return home, the half I was for decades. The tread of my shoe mashing bluegrass, digging up seeds and insect carcass, with every step. Storm-soaked magazine subscriptions lay on the porch, and her name is tattooed on every one. The dog lays on the carpet, ears and eyes perking up at me. And he knows he's truly alone, because I'll depend on him. Eggshell kitchen cabinets are jammed with her: Vermilion, saffron, and burgundy glasses hold half-empty hangings of golden flat draft, keeping her day-old, dried saliva smothered on the edges, like transparent ocean waves dying on a glass coast and buried in the bottom of the sun-pierced vortex. What I couldn't realize is that the cup was me: marked in so many ways, letting decaying memories burrow and stay.
0
Jul 5, 2015
Jul 5, 2015 at 12:19 PM UTC
The Melting Grey of the Seattle Skyline
Independent Grammy Ameripolitan Billboard CMA Triple Play Indigenous K-Love Fan Austin YouTube Loudwire MTV Video GMA Dove iHeartRadio Canadian Country Stellar BBC Music Magazine Americana Blues Tennessee Songwriters Association Soribada Best K-Music Texas Country APRA Western Heritage Texas Sounds Academy of Country Music Wine Country Carolina Teen Choice Pulitzer Prize Latin American Unsigned Alternative Press International Western People's Choice American Tejano ASCAP Country Soul Train Soribada Best K-Music Texas Country American Songwriting Branson Terry Nashville Industry International Bluegrass
0
Sep 24, 2018
Sep 24, 2018 at 6:27 PM UTC
And the award for the best poem about the excessive amount of music award shows goes to...
Something about being 151 miles from home walking around barefoot all day in Golden Gate Park, San Francisco, California wearing a vest and some black cotton pants, drinking good Cabernet and lots of water, eating homemade pasta salad and chicken sandwiches, in the early-Autumn Summer-esque temperatures, the third day of the 2013 Hardly Strictly Bluegrass Festival, witnessing Gogol Bordello and The Devil Makes Three, with my great Friends, and also Roomates, Abdul and his Wife, and their friend and her 20 month old Son makes me feel sort of ... ***** Funny how that works; Unprotected feet on very Public grounds Unprotected feet on verily treded grounds; Going barefoot is nice, though. (Except the ******* sidewalks, incidentally. Even the streets are nicer to walk on barefoot. Even pineneedles! I am disappointed, San Francisco! I thought you were on the side of the hippies!) If anything was learned from the Sixties, it's that unprotected anything in San Francisco is easily a hazard. - Now, that was a ******* amazing day. Now; to the shower and then directly the **** to bed! Away!
0
Oct 7, 2013
Oct 7, 2013 at 2:39 AM UTC
Hardly Strictly
We’re all just dancing. That’s life, an infinite and cosmic dance. The sound waves that the world produces wanders from polka to jazz all the way over the Appalachian mountains to finger picking bluegrass. Yes, life is simply a dance But dancing is not simple. What is the goal? To feel good! But for who to feel good? Is it enough that my endorphins rise To the rhythm of experience? No. To dance alone is beautiful, But not enough. So the point of the dance: To feel good! I and you and her and them and all. But how? Cause that is important. Well, first you have to hear the music Then you have to listen to the music Then you have to feel the music Then you can live the music We’re all in this beautiful dancehall I believe it’s called, The Universe And the music is soft So we have to listen close And we have to get close Cause we wanna get each other high But we have to watch out for each other’s toes Happiness for the individual is only possible When everyone is dancing to the same tempo The song can be different But the tempo must be the same Everyone moves in syncopation Toes are in tact and souls are in communion And there it is The cosmic dance To get my high I get you high And to get us high We get the neighbors high And it can be a beautiful cycle Just, when your neighbor steps on your toes Pretend you don’t notice Life is a dance Dancing is fun.
0
Feb 26, 2013
Feb 26, 2013 at 8:47 PM UTC
The Dance
the soft grass tickles my bare feet as I walk across the bluegrass and I realize that it may be a bit sterotypical for a girl like me a sundress wearing sweet tea drinking southern girl like me to tell you that Kentucky is not a place i want to leave but heres the thing I've got all my teeth a pretty full vocabulary and a 28 on my ACT and here in Kentucky, we're hobbits, not hillbillies we're more than just a basketball team and maybe in the dictionary, its Daniel Boon and geography and home of the KY Derby but hell we've got Johnny Depp and George Clooney and the beautiful mountains and trees in Eastern Kentucky and we have culture and cuisine, and so many things that if you still think I'm stereotypical, then maybe I dare you to see what youre missing.
0
Jun 21, 2012
Jun 21, 2012 at 9:34 AM UTC
MY kentucky home
daffodils sprinkle their magic fairy dust along tufts of whispering bluegrass. her laugh skips across the rocky driveway, as she watches her best friend balance on a skateboard. panting spotted dogs lap cool water from their brightly colored bowls as they lounge on the wrap-around porch. next-door-neighbors splash into their pools, the scent of grilled hotdogs and charred hamburgers wafting across the aquamarine sky. children with floaties splash at their parents, tiny mouths bursting into sun-soaked smiles. sunscreen-toting mothers drag beach towels embroidered with superheroes and princesses to dry off their young ones. warm-bodied babies cry on bouncing knees as storm clouds gather across the stainless steel skies. little girls squeal and parents scoop their plates filled with food into the house, as lightning sings in the afternoon.
0
Sep 27, 2010
Sep 27, 2010 at 6:47 PM UTC
summer tumultuation
YES, the Dead speak to us. This town belongs to the Dead, to the Dead and to the Wilderness. Back of the clamps on a fireproof door they hold the papers of the Dead in a house here And when two living men fall out, when one says the Dead spoke a Yes, and the other says the Dead spoke a No, they go then together to this house. They loosen the clamps and haul at the hasps and try their keys and curse at the locks and the combination numbers. For the teeth of the rats are barred and the tongues of the moths are outlawed and the sun and the air of wind is not wanted. They open a box where a sheet of paper shivers, in a dusty corner shivers with the dry inkdrops of the Dead, the signed names. Here the ink testifies, here we find the say-so, here we learn the layout, now we know where the cities and farms belong. Dead white men and dead red men tested each other with shot and knives: they twisted each others' necks: land was yours if you took and kept it. How are the heads the rain seeps in, the rain-washed knuckles in sod and gumbo? Where the sheets of paper shiver, Back of the hasps and handles, Back of the fireproof clamps, They read what the fingers scribbled, who the land belongs to now-it is herein provided, it is hereby stipulated-the land and all appurtenances thereto and all deposits of oil and gold and coal and silver, and all pockets and repositories of gravel and diamonds, dung and permanganese, and all clover and bumblebees, all bluegrass, johnny-jump-ups, grassroots, springs of running water or rivers or lakes or high spreading trees or hazel bushes or sumach or thorn-apple branches or high in the air the bird nest with spotted blue eggs shaken in the roaming wind of the treetops- So it is scrawled here, "I direct and devise So and so and such and such," And this is the last word. There is nothing more to it. In a shanty out in the Wilderness, ghosts of to-morrow sit, waiting to come and go, to do their job. They will go into the house of the Dead and take the shivering sheets of paper and make a bonfire and dance a deadman's dance over the hissing crisp. In a slang their own the dancers out of the Wilderness will write a paper for the living to read and sign: The dead need peace, the dead need sleep, let the dead have peace and sleep, let the papers of the Dead who fix the lives of the Living, let them be a hissing crisp and ashes, let the young men and the young women forever understand we are through and no longer take the say-so of the Dead; Let the dead have honor from us with our thoughts of them and our thoughts of land and all appurtenances thereto and all deposits of oil and gold and coal and silver, and all pockets and repositories of gravel and diamonds, dung and permanganese, and all clover and bumblebees, all bluegrass, johnny-jump-ups, grassroots, springs of running water or rivers or lakes or high spreading trees or hazel bushes or sumach or thornapple branches or high in the air the bird nest with spotted blue eggs shaken in the roaming wind of the treetops.
0
2k
Yes, the Dead Speak to Us
YES, the Dead speak to us. This town belongs to the Dead, to the Dead and to the Wilderness. Back of the clamps on a fireproof door they hold the papers of the Dead in a house here And when two living men fall out, when one says the Dead spoke a Yes, and the other says the Dead spoke a No, they go then together to this house. They loosen the clamps and haul at the hasps and try their keys and curse at the locks and the combination numbers. For the teeth of the rats are barred and the tongues of the moths are outlawed and the sun and the air of wind is not wanted. They open a box where a sheet of paper shivers, in a dusty corner shivers with the dry inkdrops of the Dead, the signed names. Here the ink testifies, here we find the say-so, here we learn the layout, now we know where the cities and farms belong. Dead white men and dead red men tested each other with shot and knives: they twisted each others' necks: land was yours if you took and kept it. How are the heads the rain seeps in, the rain-washed knuckles in sod and gumbo? Where the sheets of paper shiver, Back of the hasps and handles, Back of the fireproof clamps, They read what the fingers scribbled, who the land belongs to now-it is herein provided, it is hereby stipulated-the land and all appurtenances thereto and all deposits of oil and gold and coal and silver, and all pockets and repositories of gravel and diamonds, dung and permanganese, and all clover and bumblebees, all bluegrass, johnny-jump-ups, grassroots, springs of running water or rivers or lakes or high spreading trees or hazel bushes or sumach or thorn-apple branches or high in the air the bird nest with spotted blue eggs shaken in the roaming wind of the treetops- So it is scrawled here, "I direct and devise So and so and such and such," And this is the last word. There is nothing more to it. In a shanty out in the Wilderness, ghosts of to-morrow sit, waiting to come and go, to do their job. They will go into the house of the Dead and take the shivering sheets of paper and make a bonfire and dance a deadman's dance over the hissing crisp. In a slang their own the dancers out of the Wilderness will write a paper for the living to read and sign: The dead need peace, the dead need sleep, let the dead have peace and sleep, let the papers of the Dead who fix the lives of the Living, let them be a hissing crisp and ashes, let the young men and the young women forever understand we are through and no longer take the say-so of the Dead; Let the dead have honor from us with our thoughts of them and our thoughts of land and all appurtenances thereto and all deposits of oil and gold and coal and silver, and all pockets and repositories of gravel and diamonds, dung and permanganese, and all clover and bumblebees, all bluegrass, johnny-jump-ups, grassroots, springs of running water or rivers or lakes or high spreading trees or hazel bushes or sumach or thornapple branches or high in the air the bird nest with spotted blue eggs shaken in the roaming wind of the treetops.
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32
They stood across the battlefield Facing against each other these days When the guns silenced they'd meet One wore blue and one wore gray The two men shared coffee and smokes Talked about family and life as soldiers Laughing at some crude little jokes And what they'd do when the war was over Every conversation ended the same way They'd look at each other and say 'I'll see you in hell Johnny Reb' 'I'll see you in hell Billy Yank' They both knew that someday soon Their paths may cross through the haze And see each other across the way Through that ****** and deadly space So far luck has been their lady Seemed like the war will last an eternity Both longed for home and their family Born brothers but now they're enemies They both remembered it the same way They'd look at each other and say 'I'll see you in hell Johnny Reb' 'I'll see you in hell Billy Yank' Every battle could be a very tough time Back home for their dear mother She always just asked herself why? What if her only children killed each other? She was all alone in bluegrass Kentucky Shielded herself from the news of war Always praying for them to be lucky Her poor heart just couldn't take it anymore Her final words were written in ink As she mumbled the words to say 'I'll see you in heaven Johnny Reb' 'I'll see you in heaven Billy Yank' Cannons boomed from a nearby hill Bullets whistled like hornets overhead The ground was red from blood that spilled One can't walk without stepping on the dead The smoke cleared as the sun fell away Two wounded men lay beside each other One wore blue and one wore gray Morality wounded they held one another The brothers struggled for a final breath They looked at each other to say 'I'll see you at home Johnny Reb' 'I'll see you at home Billy Yank' © 2020  Michael Messinger(All rights reserved)
0
Jan 15, 2020
Jan 15, 2020 at 9:22 PM UTC
Johnny Reb and Billy Yank
They stood across the battlefield Facing against each other these days When the guns silenced they'd meet One wore blue and one wore gray The two men shared coffee and smokes Talked about family and life as soldiers Laughing at some crude little jokes And what they'd do when the war was over Every conversation ended the same way They'd look at each other and say 'I'll see you in hell Johnny Reb' 'I'll see you in hell Billy Yank' They both knew that someday soon Their paths may cross through the haze And see each other across the way Through that ****** and deadly space So far luck has been their lady Seemed like the war will last an eternity Both longed for home and their family Born brothers but now they're enemies They both remembered it the same way They'd look at each other and say 'I'll see you in hell Johnny Reb' 'I'll see you in hell Billy Yank' Every battle could be a very tough time Back home for their dear mother She always just asked herself why? What if her only children killed each other? She was all alone in bluegrass Kentucky Shielded herself from the news of war Always praying for them to be lucky Her poor heart just couldn't take it anymore Her final words were written in ink As she mumbled the words to say 'I'll see you in heaven Johnny Reb' 'I'll see you in heaven Billy Yank' Cannons boomed from a nearby hill Bullets whistled like hornets overhead The ground was red from blood that spilled One can't walk without stepping on the dead The smoke cleared as the sun fell away Two wounded men lay beside each other One wore blue and one wore gray Morality wounded they held one another The brothers struggled for a final breath They looked at each other to say 'I'll see you at home Johnny Reb' 'I'll see you at home Billy Yank' © 2020  Michael Messinger(All rights reserved)
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49
If hip-hop is the night club of music, The place where everyone wants to be, Then, metal, you are the abandoned trainyard, The gritty reality of close friends, Bonding over empty cans. Bluegrass might be a picnic, With blankets in the park. And rap might be the ghetto, Urban streets, Perpetual fear. However, you have a different touch. Sure, phat dubstep beats sound great, When blasted by waves of bass. But what of the feeling, From uncountable bass pedal strikes. Creating a wall of hard-pressed consistency. And when the bass drum stops, You know you'll hear a well-practiced, Well-executed, Well-written fill. From the snare, to the toms, To the chinas and splashes. 32nd notes all around. And if punk is a bunch of teens, Landing one out of twelve tricks, At the local skate park. If reggae is a house party, The place your parents don't want you, But where you feel happy. Then metal is where you feel REAL. A darkened elementary school, Yours for the weekend, Reminding you where you came from. Years and years of practice, All leading up to a perfectly nailed arpeggio. You don't even hear the pick as it sweeps, String to string. You only hear notes and scales, Arranged just so. Pure dedication, Displayed by the clean solos, And harmonies, Which fall back into downtuned chugging, Rhythms, Simply rhythms, True unison, The brotherhood dynamic, Of a lesser-liked genre. And the sounds of the world, Are the way you go to school, To work and home again, And silence, Is nights spent alone, Silence is the absence of passion, Silence is suicide, Death. Metal, you are my resonance. My threshold. And the words, Repeated throughout my mind, Are not shrill notes on the treble-clef. They are not auto-tuned, worthless. The words I feel, The words I live, Are the common words and phrases, That no one can understand, The deep grating and churning, Of vocal chords that learn not to ring, But to shout. To scream. To growl, like the guttural and primordial calls. Of our wild side. This growling echoes, From throat to mind. Metal is my flag, My skin, My pyre.
0
Jul 24, 2010
Jul 24, 2010 at 7:51 AM UTC
Ode to Metal
If hip-hop is the night club of music, The place where everyone wants to be, Then, metal, you are the abandoned trainyard, The gritty reality of close friends, Bonding over empty cans. Bluegrass might be a picnic, With blankets in the park. And rap might be the ghetto, Urban streets, Perpetual fear. However, you have a different touch. Sure, phat dubstep beats sound great, When blasted by waves of bass. But what of the feeling, From uncountable bass pedal strikes. Creating a wall of hard-pressed consistency. And when the bass drum stops, You know you'll hear a well-practiced, Well-executed, Well-written fill. From the snare, to the toms, To the chinas and splashes. 32nd notes all around. And if punk is a bunch of teens, Landing one out of twelve tricks, At the local skate park. If reggae is a house party, The place your parents don't want you, But where you feel happy. Then metal is where you feel REAL. A darkened elementary school, Yours for the weekend, Reminding you where you came from. Years and years of practice, All leading up to a perfectly nailed arpeggio. You don't even hear the pick as it sweeps, String to string. You only hear notes and scales, Arranged just so. Pure dedication, Displayed by the clean solos, And harmonies, Which fall back into downtuned chugging, Rhythms, Simply rhythms, True unison, The brotherhood dynamic, Of a lesser-liked genre. And the sounds of the world, Are the way you go to school, To work and home again, And silence, Is nights spent alone, Silence is the absence of passion, Silence is suicide, Death. Metal, you are my resonance. My threshold. And the words, Repeated throughout my mind, Are not shrill notes on the treble-clef. They are not auto-tuned, worthless. The words I feel, The words I live, Are the common words and phrases, That no one can understand, The deep grating and churning, Of vocal chords that learn not to ring, But to shout. To scream. To growl, like the guttural and primordial calls. Of our wild side. This growling echoes, From throat to mind. Metal is my flag, My skin, My pyre.
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77
two summers ago, I found myself under a cabbage leaf curled beneath the sun. circled in slumber, like there was never an end to anything. then, I grew wings and left my warmth for speed sacrificing my calm breeze for cold storms and windy nights. on my flight home, I sit through red lights and look for tear tracks on the faces of strangers kissing their cheeks with my eyes and pretending I can see the salt. because there is hope left in loss, my friends. sometimes, you just have to let the best things fall. (how do you think storks still fly?) so, I spend rush hour untying the cloth diapers from my ankles and when the highway pulls my hills away from me, I send them flying out the window like dead birds knowing I will never see the seeds fertilized through their bones praying God thinks this is a gesture of my good will. let us all pray that God notices our empty hands when we give up the deepest now for an uncertain future. Personally, I am praying for a cardboard-box collection of home movies documenting the growth of all the people I left, of all the places thrown behind me like stale cigarette smoke, the homes I have broken with my ever moving feet, my restless guilty wings. I will project the shaky film all over my internals until my gut is soaked with light and the last shocked thought of my quickly fading mind will be of the things I could have seen, the memories I would have made if I had not gone away so much. If I had just stayed. but the wind is a vicious thing, especially the updrafts especially the hot breath under wings which gradually convinced me that my home was a cold dead thing that there was no life left in my town that the only world worth seeing was far far away. I have burned the eyes of bluegrass Beethovens dying slowly on a stage just to prove that I never needed a quiet place. that I was above all the country songs and overalls and camouflage, but we all need to hide sometimes. even from ourselves.
0
Aug 2, 2013
Aug 2, 2013 at 11:39 AM UTC
Guilty Wings
two summers ago, I found myself under a cabbage leaf curled beneath the sun. circled in slumber, like there was never an end to anything. then, I grew wings and left my warmth for speed sacrificing my calm breeze for cold storms and windy nights. on my flight home, I sit through red lights and look for tear tracks on the faces of strangers kissing their cheeks with my eyes and pretending I can see the salt. because there is hope left in loss, my friends. sometimes, you just have to let the best things fall. (how do you think storks still fly?) so, I spend rush hour untying the cloth diapers from my ankles and when the highway pulls my hills away from me, I send them flying out the window like dead birds knowing I will never see the seeds fertilized through their bones praying God thinks this is a gesture of my good will. let us all pray that God notices our empty hands when we give up the deepest now for an uncertain future. Personally, I am praying for a cardboard-box collection of home movies documenting the growth of all the people I left, of all the places thrown behind me like stale cigarette smoke, the homes I have broken with my ever moving feet, my restless guilty wings. I will project the shaky film all over my internals until my gut is soaked with light and the last shocked thought of my quickly fading mind will be of the things I could have seen, the memories I would have made if I had not gone away so much. If I had just stayed. but the wind is a vicious thing, especially the updrafts especially the hot breath under wings which gradually convinced me that my home was a cold dead thing that there was no life left in my town that the only world worth seeing was far far away. I have burned the eyes of bluegrass Beethovens dying slowly on a stage just to prove that I never needed a quiet place. that I was above all the country songs and overalls and camouflage, but we all need to hide sometimes. even from ourselves.
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I wrote this poem with oil, vinegar, and fine foods. My pen did not. I drew this picture with eyelashes, mustaches, and tears. My paintbrush did not. I thought this thought with lip balm, pine trees, and mosquitoes. My brain did not. I do not dream with REM but with caterpillars and manure. Oh, Jack Kerouac, take me to bed and ease my itching. Listen to that bluegrass play... Fall asleep...
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Jul 8, 2013
Jul 8, 2013 at 3:08 PM UTC
Dozing Away
I'm singing a song from back in the old day I'm singing the song of today 'Cuz time never changes with nothing unrevealed No matter what they say, time is grey I live in a society just as all the other ones I live in the cultures of today, Cuz time never changes  with nothing old or new No matter what they say, time is grey I'm calling on a God, the one from forever ago I'm calling on the God of today 'Cus God never changes, (while) traditions have their phases No matter what they say, time is grey I'm fighting a war that was fought many years before I'm fighting the war of today 'Cuz war never changes, just a day with different faces No matter what they say, time is grey I'm dying a death, no surprise we'll all forget I'm dying the death of today 'Cuz death never changes, with us stands be still No matter what they say, time  is grey I'm singing a song from back in the old day I'm singing the song of today 'Cuz time never changes with nothing unrevealed No matter what they say, time is grey
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Jul 20, 2015
Jul 20, 2015 at 1:54 AM UTC
Time is Gray (bluegrass lyrics)
Bluegrass sprouts a brow, When Kentucky’s one crow left; Feign drawl and bourbon.
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Jul 8, 2015
Jul 8, 2015 at 10:30 AM UTC
Arlo - Fragment
poets possess dreamy romantic hearts with notions enough to stitch a quilt of love to blanket the world poets possessed of cracking wit and sharp tongue, by darksome reveal, spur us on towards a bold new frontier poet's possession immeasurable wealth, freely distributed. the mighty pen sways hearts and minds. treasures inherent, readily bestowed. poet's possessor the world own's her heart and she, the world's through words, none new arranged fresh for you: delight and beguile, awaken again the senses, as morning dew strewn on Kentucky bluegrass or creep up behind and steal a kiss, bringing pure bliss to dry, parched lips or rush and attack, leave you flat on your back, wind knocked from your chest, in a state of unrest words own her heart, they always have, right from the start --bruised orange
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Oct 3, 2011
Oct 3, 2011 at 11:59 PM UTC
poets possess, possessed, possession, possessor
like a hot-wheel guided by a holy hand above, he makes impossible feats as if the car creates the road, his free hand is just as busy making fanatic gestures to guide scrambled linguistics or it rests out the window seeking a courtship with the wind clasping the door handle, wide-eyed the passenger rides safely adjacent to Fear, but at every turn Momentum carries Fear deep into the heart where its is pumped via veins, icing the body with awe inspiring visions. Visions controlled by the last true American Driver. He drives like only a thief can, poised by paranoia, pure thrill achieved only through the drive, race or getaway. in a past life, Neal was a great Outlaw outrunning potbelly sheriffs to plump on the saddle to rival the great horsemen of their day he’d chase trains down, taming and taunting them with speed and skill. or perhaps he was a horse himself. a terrific thoroughbred bluegrass fed. tritting trotting his way to a Triple Crown. trainers fed him Benzedrine to gage the beast. they feared he would run through the finish line and straight across the country like a maniacal madman looking for the last true road
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Mar 12, 2013
Mar 12, 2013 at 9:22 PM UTC
Ode to Neal Cassady
Mysterious , Tennessee nighttime wind , what fables do you bring on a cool Spring eve .. Tales of Mountain 'lore , of whispering rivers and moonlit hollers , black Bear antics and coonskin chapeaux , pristine valleys and hillside shanties , Memphis Riverboats and Elvis Presley .. Cascading brooks , foggy morning dales and Bluegrass pickers , Dulcimers , twisting highways and Nashville Telecasters ..
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May 5, 2016
May 5, 2016 at 8:52 PM UTC
Tennessee Wind ...