it is one thing
to follow her into the dark

it is another thing
to borrow her fragmented words
and hold her in one hand
and a scale in another
and call it justice

but, by God
(whichever one you’d like to cite today
the kind one, the cruel one, and so on),

it is a whole different thing
to seize her by the neck
and rip the words from her throat
and twist them into cotton *****
and dip them into holy water
and force them back into her mouth
until she can no longer breathe
and no longer live and no longer exist
without drowning in a sense of helplessness
because we, the people, will always remember exactly how
you took your greed and shoved it into her mouth
and down her throat, until you stifled the cries of
‘my body, my choice’ with a book of myths and a man’s voice
weren’t you supposed to be our voice?
what was this all for? was the money so loud that
you could not hear the echoes of pro-choice?
our rage—will it be worth those thirty silver coins?

~
Desert pond,
       idle sun.

Salt, shadow,
       and the revealing light of midday.

She traipses from
the safety of the car
        to the danger at the water's edge.

One hand shielding her eyes,
the other,
        her over-exposures.

Discomfited by a lack
         of self-confidence.

Loving the water,
         hating her thighs.
~

The poet dreams romantic
of unearthly beautiful women
and he mocks the ordinary people

He's bluffing he will reveal
the women's secret
their fondest heart's desire

In the end he promises
loyalty to an old woman
whose words laugh at him

"Women want to be the boss
of their husband and their lover
not allow them a life of their own"

like in the land of Meagrebeast
where this truth is lied
by women who are jealous

and who defend their husbands
so they don't have to go to bed
with their wrong

Away with the vice

squad-patriarchy: I am --


Boss Of My Belly!

~
Imagine a box
In shadow
Of utter regalia
Iris, dressed as a waterfall
She comes scattered

Imagine an eyelid illusionist
Praying for more palettes
Enters steelbook cathedrals
To a ministry of colour

For the street outside
Cannot offer as
Interesting a hue
As those fascinating within
The pigment of her imagination

It's compelling artistry
Like oil on canvas
A slight of hand
Smoke and mirrors

Her skilled fingers
Kohl mining
For soft medley
And the new liminality
Above the spectator's eye
~

sordid scripture,
warring woman,
both menace and coquettish innocence
—barricaded.

statues,
fountains,
and restraining orders,
filling the garden:
decorations of
sunlight on a clock,
and a view into tomorrow,

revealing the "texture" of her skin
within the realm of her navel,
as soft as lace,
as smooth as
the surface of a pond.

before diving in
gives an otherworldly radiance,
her shape and smile
compared to everyday realities
are solemn in the extreme,  
the dawn threatens
to break in the east.

her voice,
(a lungfully deep, sensuous purr),
is so distinctive,
come what may,
this could be happiness:

sullen, waylaid and capricious,
her urban sexuality hidden
in the attic of revolution,
suffused with the dreamlike, hazy glow
of colored lights and tinsel.

desire is like Christmas
—it always promises
more than it delivers.

Why do we distort beauty?
Beauty can be power, but it can also be a burden
I never understood, but now I do

When we are not bestowed with it,
We cage it by any and all means possible
We mock those who lack it and hate those who have it

Green monsters rise in us
We blur the pure with cold blacks and angry reds
We blame them while we try to be them
I suppose jealousy is a fickle thing

In the stories of old, they say one is blessed with beauty
To gain the admirable attention of others,
How it must feel to be dotted on

But then comes the curse
Of having too much attention
Of getting the wrong attention
Of being objectified and not respected
Of being catcalled in the streets and attempting to ignore crass comments and rude remarks.

Like the attention
Don't like the attention
To be called beautiful is such a nice thing
Until it's not.