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Play it slow-
not for romance,
but because the strings are blistered,
and every note splits the sky
with fire.

Stroll through the panic,
it’s routine:
duct tape on the windows,
radio on low,
a list of missing birds
tacked to the wall
like fallen saints.

You said you'd carry me,
but the world’s gone grey,
and the olive tree’s
just smoke now.

There’s no audience left.
Just wind
and its thousand-watt warning.

Still, your spine curves to the rhythm
like a fever dream from Babylon,
hips like warning sirens,
ankles sunk in ash.

I want to understand
what we ruined,
but only at a pace I can stand,
only with eyes closed.

There was a time
we dressed like lovers.
Now it’s mylar blankets
and filtered masks.

We knew the promise;
we broke it anyway,
above it,
beneath it,
inside it.

Someone keeps whispering
about children,
as if hope still blooms
in poisoned soil.

Play it slow,
with bare hands if you must.
But don’t pretend this isn’t a requiem.
Don’t dress it up in velvet or vows.
Just let the music float
and burn,
like everything else.
SoCal climate: golden skies, ash in your lungs, beauty on fire.
Insults thrown as easily as tableware,
And I catch every single one.
I never learned to duck, dodge, or weave-
Plates fall and shatter,
Ceramic cuts my skin.

I stopped trying to get out,
Accepting the pain,
Because I believed I let it begin.

But pain never asks permission.
It just makes itself at home.
Living with it is hard-
But no one tells you
How hard it is
Once you kick it out.

Plates no longer fly.
There are no holes in the walls.
Nothing lurks around the corners,
But still,
Your heart races in the dark.

Safety is an illusion
You can barely see.
Healing is so daunting
When you're attached to pain
You shouldn't be.
I didn’t notice the damage until I began the repairs-
patching holes, sweeping quiet shards,
still cleaning messes long after the breaking stopped.
Why do I feel for them?

Is it because
they remind me
of me—
these bacteria?
They move slowly.
They hide out.
Build small.
Stay unnoticed.

They’ve been with me
longer than I’ve known.
And they don’t have an intent
to ****.
They just wanted a home.
That I might die
was never their goal.
It’s just a fallout.

But me?
I have intent to ****.
Every day I wake up
and take pills
like they were warheads.
The pill has no motive to **** either.
No ammo does.
It is always the man behind.
The pill—
It is just a chemical configuration
that doesn’t know why it dissolves.

I take note of the dynamic.
The one without intent dies.
The one with, decides.
I pop the pill.
Then it's the germ versus the pill.
Germ survives, I die.
Pill survives, I live.

Wonder where else I have seen this.

Nations— vetoed into silence?
Children— bullied into submission?
Friends— who were docile, forgotten?
Me— or someone like me—
who took a call.

It is strange to feel
unspoken companionship
with microbes that ****?
Will it feel strange
when they’re gone?

I think about that.
Like how people trying to quit
miss their cigarettes.
Not just the nicotine—
the mateyness with the stick—
Here just now. Then gone.

Will I feel that?
A weird kind of postpartum?
Not grief, exactly.
But absence.
Silence where something lived.
Once.

I think illness does this to people.
Brings delirious thoughts, that is.
Imagine befriending or mourning bacteria
or weighing up their intent
in your right minds. Eh.

Why did they choose me though?
Because, I too am quiet, like them?
It angers me to think.
Then I feel a tired, grudging respect for them,
as if finally learning self-respect.

They, the bacilli, have no malice.
They don’t even know I exist.
They don’t feel guilt.
Or regret.
They just are.

But I have to end them.
Each day.
Like heartbreak.

I wonder if they could speak,
what would they say?

Maybe nothing.

Maybe like monks in the hills,
they’d bow and whisper,
“We only came to live.”

And I would say back,
quietly,
almost ashamed,

“So did I.”
I wrote this in recognition of the sometimes inevitable necessity to eliminate one life form so that another can go on. The illness in question isn't named because the dilemma isn’t about diagnosis. It’s about intent. About the strange position of having to end something that never meant harm. Of being the only one at the table with a mind, and a choice, and the unbearable clarity of consequence.
The poem tries to sit with this discomfort: that sometimes, survival means killing without hate. That the enemy may not even know you exist. That war can be fought not with weapons, but with a glass of water and a pill. And that even in such silence, there can be a murmur. A bit like grief.
Hunger growls, and I listen.
I will be the one that lasts.
Out of sight, no sound given.
You will be the one I catch.

Wind howls; I am missing.
Sky is watching my advance.
Muscles tighten, knees stiffen.
Nightly creatures all in trance.

Screams muffled, blurry vision.
Searing pain — you collapse,
Giving in to intuition.
Knife digging deep and fast.

Two are one in coalition.
Hunger finally satisfied.
A dance in shadow, where hunger and instinct converge—nothing more, nothing less.
Zywa 4d
When your life is tough,

you do need a tough language:


poetic language.
Autobiography "Why Be Happy When You Could Be Normal?" (2011, Jeanette Winterson; normal means: heterosexual), chapter 4, The Trouble With A Book . . .

Collection "Inwardings"
I read a book about men and anger —
and it clawed into my chest like guilt with teeth.
Not just the loud eruptions,
but the quiet fires I never noticed burning,
the way I smoldered
while pretending I wasn’t heat.

Was I the villain in our ruin?
Is that why I wake up with her face aching behind my eyes?
Why I weeped this morning
from dreaming of her warmth beside me?

Yes, I shouted.
Yes, I shut down.
Yes, I swallowed rage until it poisoned everything we tried to build.
But didn't she light matches too?

She pulled away —
a distance I could feel, even when her skin was close.
Was it all a plan?
was she really “just waiting" to be rid of me?

I wanted forever.
Now all I have is this loop —
the smoking remnants of what was,
what might have been,
what may never come again.

I walk to breathe.
I walk to scream in silence.
I walk to stop myself from picking up the bottle.
From spiraling back into shame’s embrace.

What does it mean when two broken people call each other home?
Was it love? Survival?
Or history?
A scar we made sacred
as she paid the price.
I moved it off the porch today,
where sun falls hard and wide.
The *** is cracked, the roots are weak.
Still, something waits inside.

The blooms were bruised, a weathered pink,
like lips that lost their say.
Still, one had cupped the morning rain
and hadn’t looked away.

My back cried out. I crouched and worked,
Hard knuckles in the dirt.
I cut the dead, I turned the soil,
poured water where it hurt.

I set it by the cedar rail,
where shade and heat align.
Still stiff. Still sore. You’re gone. That holds.
It’s standing. So am I.
lisagrace Jul 19
The girl was only 7,
When he came into the picture
Bribery by way of sweets
"Now I have her,"
He must have thought,
This was no mere caper
She wonders, now,
if he meant it like that.
But at 7, sugar meant yes

By age 10 her father had left
Gone to another land,
Fortune upon his lips
She cried for days,
She felt alone -
Bereft

The girl was only 11,
when she first thought
"What if I went?"
When even escaping
to magic-filled hardcovers
could not ease her descent

School bullies were not all
That pulled her
Towards the yawning void,
On eggshells she walked
Around him,
Being careful not to flip
His switch
He'll twitch -
See red
It filled her with dread
Better to stay tight lipped -
Better to be
His pet

12 to 14
A good girl
She must be -
But with the exception
Of fake notes
to skip P.E
Her nose buried in books,
Sitting in the nook
Of her mind,
Still dazzled by magic
Adventure
And love,
A soirée
with the feykind

She is 17. Not quite a girl,
He sees this -
A pat on the ***
The not-quite-girl whirls back
"I'm not comfortable with that, "
He looks at her then,
And almost....scoffs
"What? It's just a ****."

Her spine stiffens—
She does not laugh.

And even before this -
Hands on her waist
A hand, resting on her collarbone
Fingers tucked underneath
The collar of her shirt
She moves it away -
He moves it back
There are fingers on her sternum now,
Nearly touching her breast

And then he touched her *******

She was 20. Not a girl anymore
Well, barely.
Legally speaking, she was
Though,
She still felt like the girl
With everything
that had happened;
The tears,
The fear,
The manipulation,
The disrespect,
And apology
After apathetic apology,
She felt stunted
Broken
Her mind, filled with the echoes of
"Cannot" and "Will not."
Biting words, not shouted but sown,
percolated through her every silence.

She had said the words,
not knowing why
Regret blossomed instantaneously
She had given him permission…
but why would he bite?

23 years of age
She works, and she plays
Oh, she plays!
Controller in hand
The Sims is the plan -
A boring play-style, really,
Fulfilling her what if's
Of marital bliss,
What a twist
Cascades of pixelated children
"I think I'll name her
Quellcrist."

They met in her family's
Restaurant kitchen
She, an apprentice chef
She, an absolute gem
She, who would become
The squish

Kindness and honesty
Go such a long way,
It's a pity
It did not happen sooner
The first time
She called her a friend,
She had beamed -
Her eyes truly did
sparkle that day
The decision was made:
This is her person
No spell so emphatic,
No truth quite as static
Because friendship
Truly is magic

24 and a few more
The woman has grown -
Even flown,
In her new normal
Gatherings of friends
Music and dancing
A strange, drunken costume party
At last!
A soirée in the real -
A gentle joy she dared to steal

The woman and the girl
are one in the same
She finds joy in wall rainbows
And loves the rain
She makes crockery
Imprinted with dinosaurs,
She likes shopping at thrift stores
For clothing that screams whimsy -
Beaded necklaces,
dark velvet
And cute embroidery
Videogames
With quests primeval,
And moral threads
That aren’t so medieval
They whisper,
“There’s more to the journey
than simply good vs evil.”

The void still exists
That gaping abyss
Cold as glass,
But weightless -
It does not pull now
She can stare all she likes now
It's all but a fascinating sight
There is no question
Whether to stay,
Or to go
11 was such a long time ago

28 is here
He is still there -
Not far,
But not near
He calls and whistles
Down the street
But she's slipped her collar
There will be no retreat
She is no pet
A stray, one would say
An escapee
From his menagerie

The "favourite" she may have been,
But she had simply
Survived the regime
Note: This poem explores themes of childhood trauma, emotional abuse, and ****** assault. It follows a personal journey through memory, pain, and eventual healing. Please read with care.
I am ready to enter the next stage in my life, where fighting means letting go and allowing things to flow, and life isn't just about survival.
Where change doesn't signify failure, and life opens to me, and I receive it, without fear.
I'm uncertain where this destination will lead me, one thing is for sure, it won't be here...

-Rhia Clay
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