Peanut butter, window shutters flutter.
Yellow sunbeams, dusty TV, and
apathy. I lick the sweet
labor—blistered hands and twelve-hour
shifts—and I swallow, add some jam and
strawberries. Far away, exploited kids
and I don't give a ****.
I want peanut butter, pleasure, and
suffering plantations salty with
sweat and skinny families. I want
viscous apathy, yellow tragedy:
a burnt PB and J offering.

You are not the first to stand here,
shifting your weight from heel to toe,
listening for something that won’t answer.

This was someone’s altar once—
iron-veined and humming,
burning red under the weight of hands
that bent it to their will,
knuckles split and salted,
prayers exhaled through gritted teeth.

They worked like men who had no choice,
backs arched into the shape of tomorrow,
sleeves rolled past their elbows,
skin browned with the kind of sweat
that never washes off,
that seeps into the ground
like blood, like proof.

You were born too late to know them,
but their bones remember you.

You carry their names in pieces:
a slanted initial in your passport,
a jawline that sharpens the same way,
a craving for salt, for silence,
for anything that lingers—
but never long enough.

Time has worn them down
to a Sunday ghost,
a muttered grace before supper,
a name no one says right,
a thing you promise to remember
but never write down.

The rails are rusting,
but still they hold.
The ties are rotting,
but still they grip the earth.
The past is splintering,
but still it snags your skin.

You wonder if their hands ever ached
the way yours do,
or if the ache was different—
deeper, heavier,
rooted in something you can’t name.

You wonder if they knew
they were building a road
no one would walk back down.

And you wonder if they’d still have done it,
knowing they would fade into dust
long before you came looking,

long before you ever thought to ask,
before the rust reached the marrow,
before their prayers turned to silence,
before you let their stories slip
like sand through your teeth.

The carrot and the thread are still
my calves and hooves, motionless
chewing on a bitter pill
eyes take in the stillness

A slight neigh to sigh a sigh
the usual sounds and usual grunts
the clicking tongue, a pitch too high
pavement castanet-ing
under screaming sun

The carrot and the thread begin to sway
my calves and hooves, they shake
chewing on spit and year-old hay
eyes that want to take

A step and a clack, forward I move
A step and a clack, the carrot too

I didn’t go out last night, like I was supposed to. Sunday during Labor day weekend, and it’s a return to the long grind on Tuesday for my field. So many unknowns will collapse into certainty in one day, which will impact the rest of my year and beyond. So it goes.

I was supposed to go drink at the bar, an old friend is back off the wagon it seems. Yet, my buddy didn’t let me know it was going down until they were already at the bar. I spent most the day at my parents’ in the countryside and just got home. I was already on my second drink alone, and I sensed they were already farther along than me. Do I really want to drive 15 minutes to nurse 3 beers for 3 hours so I can drive back home? My stomach felt upset, so that was the deciding factor for me.

I let down Chuck Palahniuk in that quote where he says writers need to get out into the world, because nothing happens at home. Yet, I felt like I let myself down all summer by not hunkering down and completing all the esoteric music projects I envisioned. I was too tired to mess with my cables, mics, and computers, so I just picked up my acoustic and played. Sweet ethereal major 7th inversion chords and long forgotten riffs. A couple hours went by.  I played the blues riff from “The Last Time” by the Rolling Stones better than I remember. I hit those chords so rhythmically and started to sing. I always thought I did good with **** Jagger’s vocals. I even remembered the second verse. I was right in the middle of it, when I hear my screen door open and some quick slaps on the door. My little dog comes barreling down from upstairs, barking. I look at the clock on the stove. It’s 9:36. I guess some people still need to work on Labor Day. Nevertheless, the city noise ordinance protects me ‘till 10.

I go to my front door and it’s a black abyss, save for a street light showing no one across the street in its feeble glow. I go to my side door, and my driveway and neighbor’s house is equally forlorn. I check the door on the other side of my house, off the bathroom. ****, I left it open to just the screen door. Surely nobody came into my backyard to mess with this door, but maybe it did let too much noise out. Was it the agoraphobic old lady on this side that came to my door? I never even spoke to her before.

Whoever it was, why didn’t they stay to talk to me? I would give you my phone number to make it easier on you if it ever happens again. I checked in the morning again. No note, no nothing. My mind is spinning with unknowns. Was it someone thinking this was the coke dealer’s house next door? Was it kids, checking if my car was unlocked, but then decided on an impromptu prank when they heard my song? Paranoid, I carried my Shillelagh with me the rest of the night.

I caved in, and got quieter. Switched to a tiny guitar tuned in open D, and stopped singing. I still hope they heard me faintly in defiance. I came up with a cool riff and recorded it in my loop pedal. There was a bit of feedback getting it all set up, and I hope they heard that too.



I’m too dense to take hints. Talk to me like a human being, and maybe next time I’ll know it’s you and what you are looking for.

I hate mowing the lawn,
hate the way it sends chinch bugs
flying to the stars after the rain.

In my dreams, however,  I have lots of land,
and delight in sculpting neat parallel rows
with my tractor- over and over, on and on,

aerating the start of warrens and burrows
for rabbits and woodchucks to finish their
tunnels, for deer to graze my flowers, weeds.

In the morning the milkweed blossoms,
bringing supping butterflies. At night,
the fireflies rise painting the darkness.

When the grass grows high and it’s time
to mow again, I will close my  eyes,
and feel the biting bugs and buzzing flies

mating dreamscapes in the coming dusk.

I was so scared that my hair turned gray.
All because I wore white after Labor Day.
I was scared that I **** nearly died of fright.
People became violent and I was forced to fight.
People were enraged just because I decided to wear white.
They kicked and punched me and some would even bite.
People kicked my *** on a regular basis and I had quite a scare.
I was so frightened that I constantly had to change underwear.
I got my share of bruises, broken bones and cuts.
An elderly woman even shoved her foot up my ****.
When it was all over, I was amazed that somebody didn't have to call my next of kin.
If I live to be a hundred, I swear that I'll never wear white after Labor Day again.