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Nickolas J McKee Jan 2021
I don’t know what you do to me,
But it makes everything clear.
They tell me not to talk to you,
Yet I always find you near.
When we break away it’s our pain,
Forcing us to come apart.
Then we find ourselves once more so,
Rebuilding a loving art.
I say this now to know you’re mine,
For it is safe to say too.
I am yours never to let go,
Hearts fond always to pursue.
What is this you’re doing to me,
I can always hear your tear?
For I will always hear you...
Cece Dec 2020
once there was a man.
he wandered twisting caverns
without a thought,
swaying as he walked.

he came upon a button
on the rotting ground
and stooped low to pick it up,
holding it between careless fingers.

then there was a man with a button.
his ambling gait aimless
among crumbling walls of dirt,
and ceilings of the same.

he came upon a needle,
rusted but neatly threaded,
squatting to look and struggling
to grab it between nonexistent nails.

then there was a man with a button
and a neatly threaded needle,
turning endless corners
with a hand brushing along every wall.

he came upon a soft, dark shirt
and bent to pick it up,
noticing that, upon inspection,
it was missing a button.

then there was a man with a button and
a neatly threaded needle, wearing a dark shirt.
his eyes scanned the rotting ground,
holding the needle and button in a tense hand.

he came upon a pair of linen pants,
midnight black and tailored well.
he stepped into them, tucked in his shirt,
and continued on his meandering way.

then there was a man with a button
and a neatly threaded needle in one hand,
wearing a dark shirt tucked into tailored pants
stumbling through dank tunnels.

he came upon a pair of shined onyx shoes
and put them on without pomp,
leaning against the crumbling walls
to lift each foot into a shoe.

then there was a man with a button
and a neatly threaded needle in one hand,
wearing a dark shirt tucked into tailored pants,
dragging shined shoes through never-ending passages.

he came upon a suit jacket,
noticing that the pockets bulged with a pair of gloves
as he knelt to don it. he slipped the
gloves onto shaking hands.

once there was a man dressed for a funeral,
a man who was under the impression that
he had no occasion to attend in such attire,
a man who continued to wander infinite caverns.

he came upon a chamber
with sobered steps and saw a fitting sight.
A casket lay in the center of the room,
surrounded by wilted roses on the rotting floor.

then there was a man dressed for a funeral
who looked to his left and beheld
a veiled woman in spectacular mourning dress,
whose cold hands reached to hold his own.

her delicate fingers came upon the button
and neatly threaded needle. she surveyed
his garb and found the spot where his shirt
was missing a closure.

then there was a man dressed for a funeral
who, legs shaking, allowed a veiled woman
to expertly sew the button back onto his shirt.
a voice came from behind the veil:

"pay your respects."

his legs seemed to move without his say
to the center of the room.
he watched as his arms, no longer his own,
lifted the ebony lid to reveal

a beautiful cream silk lining,
bright against the Stygian casket,
gently cradling a man dressed for a funeral
with a mismatched button sewn to his shirt.
inspired by the kind of poetry that i call gothic funeral poetry (that's not its actual name) that i love so much
Tasha Dec 2020
Angels cry in torment
Twisting and swirling through the thick black clouds
They curl their wings around the
Uncaring gravestones, crying for sanctuary
From their impassive god.
I watch as the reaper leans a hand across my bleeding eyes
And leads me away from the fury of wings
Beating across hollow bones-
As hollow as their halos.
Ave Maria Dec 2020
Shards of broken glass across the floor
Mirrors smoking up, my reflection paling as I try my hardest to hold onto my own frail skin
A nightmare I did not expect to greet, a fate that I cannot fleet from
Precious black petals from roses falling to the ground, the twisted thorns painfully surrounding my poor heart
Rain heavily pouring from the sky as the angels cry with anguish
Darling, I have lost you for now, but not forever..
At least that’s what I tell myself
Broken as I ever could feel, I slowly lower my shaking body to the ground
I feel so cold, so empty
Ravenously longing for your sweet, warming embrace
The long curtains swaying quickly as the wind blows violently
The sweet but haunting melodic church bells ringing again and again, reminding me this is all truly and painfully real
Tortured by this grief I shall be, forevermore
Until we meet again.
Was inspired by an Evanescence song and put this poem together.
Matilda Nov 2020
Where is the Messiah?

Are you there God?

It’s me, your pariah.


I’ve become something of a liar,

a mystifier, a cad, a fraud:

Where is the Messiah?


To deliver from brimstone and fire?

Against the one wielding the iron rod?

It’s me your pariah,


son of the dawn, prince of the nebula

the gates of Judecca have thawed.

Where is the Messiah?


I’ll take silver, like Judas and Delilah

their feet are swift; to shed blood.  

It's me, your pariah.


Your ***** for hire,

Oh, how I await the flood.

Where is the Messiah?

It’s me your pariah.
Please Critique! I would love to improve!
Nickolas J McKee Nov 2020
Under the full moon,
You made me breath in,
Where turned,
Taken away.
Under it too soon,
The chastening of your soul,
Enraptures my lust,
Past lost love for you.
For where are you,
Upon shapeshifters,
Wrenching, drenching,
Confused of their souls?
Where am I too,
Clawing,...clenching,...
Under the full moon...
Nolan Willett Oct 2020
Tallies on the wall.  
Doors that rearrange,  
In strange, entropic ways.
That dissemble and confuse  
To keep two locked in the halls;
The lights flicker, periodically-
They spot shadows on their peripheral-
Likewise in intervals.
They seem to speak,
But only mockingly.
They did not choose this fate;
The house chose them.
Some must be condemned-
Like Minos and the Minotaur-
For a terrible hunger to abate.
Another tally in the frame.
They’ve been this way earlier,
Though their recollection’s getting murkier,
While hands reach from plaster,
Reaching to claim.
They must learn to love the maze
The freedom in being confined;
At least their goal is defined-
After all, once you enter, you may never leave,
And are doomed to tread the lengthways.

Outside cars pass and children play pretend
By a for sale home overgrown,
Inconspicuous, yet locally it is well-known:
You never get too close
To the house that never ends.
Will you love me still
when my flesh has fallen to rot?
Will you love me
when decay has taken my form,
and fed my flesh
to a grave full of worms?
Or should I slow the
gangrenous bubbling of my skin?
Will you love the ivory perfection
of my bones, sweet one,
so like the grasping branches
of a dead tree...?
Will you still lie by my side,
our flesh rotting together,
the roots of a tree twining through
our ribcages?
Will you still love me,
love me dead?
Matt Martin-Hall Oct 2020
Huddled grazing at the feet of drunken Gods,
imbibed by crimson blasphemes and the lust of lies.
Smeared unto the grasses- a darkened hue.
onward weighs the pleasantry that binds.

The tight flog of a screamless whip.
Chaotic lore into peasant skin it rends.
A stench rising from cadavers - a carrion feast.
As a Ravens coups spur the ilk of ill portents.

Ominous lures of the slivered silver moon-
echo flashes upon sable black feathers.
Speaking in glints against rising wings agape,
the unraveled conscience of a God unfettered.

To the slaughter willfully go the droves
of cancered thought and blinded eye.
From whose spoil will feed the starv'ed flock
whose flagellation still yield no cries.

A Gods stature at which fullest they stand
is only dwarfed by the encroaching universe, avast-
whose very stars are the moon bound Ravens sprawl
pocking the scape against which the ****** dispatched.

Cyclical onslaught of the sacrifices come-
Inescapable fate beats the drum.

And so eclipse the ravens - o’er the moon!
their ****** return to the banquet strewn.
A modified sonnet much more akin to my Gothic and Victorian proclivities. Also, who doesn't love a band of maddened/drunken Gods and the slaughter?
Jennifer Oct 2020
dark’s peering into day,
wonder when the dew’ll lay;
time’s slowed as skies turn static,
least the hours are less erratic.
orange lamps glow
outside a misted window;
earthy rain’s falling hard
but fire’s lit and sky is starred.
sometimes mist deceives the eyes:
seen silent figures’ quick demise.
ocean spits over the pier,
almost as grey as the Wear;
lighthouse shines it’s steely beam,
illuminating the horizon’s seam.
heaven’s sealed with wrought dull iron,
far away seems unearthly Zion;
harvest moon’s not as vague:
illuminating an eight-legged plague.
crows spectate above and below,
you’d be surprised what they know;
change leers at every bend,
nostalgia seems an only friend.
the veil is thinner than before,
perhaps open is another door;
harvest season’s coming to an end,
fields of Elysium this way wend.
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