They cheered for them—
moms with cameras, dads with proud eyes—
I stood alone,
four medals in my hands,
three gold, one silver,
like they meant something.

I ran fast today.
I always do.
People say it’s talent.
My stepmom says
it’s because I like running from my problems.
She laughs when she says it.

She doesn’t know—
I run
because when I run,
the pain stays behind
for a while.

No blades.
No pills.
Just breath and burning legs
and the sound of my heart
trying to beat louder than the thoughts.

I crossed every line first
but still came last
in the only race that mattered—
the one where someone waits
at the end.

Sometimes I wonder
what it would feel like
to look into the crowd
and see someone who looks like love.
To have someone call my name
like it meant home.
I wish I had that kind of family—
the kind you don’t have to earn.

She only smokes when she’s spiraling or performing.
Usually both.
Says she loves a dramatic flourish—
exhales like a closing line,
laughs like a scratched record.

You’ll meet her at a party that’s already ending.
She'll kiss you like she’s trying to delete her own mouth,
like you’re just the eraser.
She'll leave before sunrise
because she hates how the light arrives slowly,
and can’t stand watching the world wake up
and not call her back.

If you ask what she’s looking for,
she’ll point at the exit sign and say,
“Something with the same glow.”
You’ll think she’s flirting,
but she’s actually just listening hard
for the next excuse to leave.

If you ask for her number,
she’ll give you a poem,
one with no punctuation
and a key taped to the back.
Not to her place.
To your undoing.

She tells stories like she’s double-daring
the past to contradict her.
Someone once told her
she seems like the kind of girl
who disappears mid-sentence.
She said,
“Only when the sentence forgets I started it.”

She collects promises like matchbooks:
already scorched,
still reeking of places
that almost got her to stay.

At dinner parties,
she compliments your cutlery
then slices the conversation open.
Asks what you hate most about your mother
before the bread hits the table.

You’ll want to know her real name.
She’ll say something like,
“It’s carved into a tree somewhere,”
before you realize
you’ve already said it in your sleep.

And when you find the poem she gave you
weeks later,
crumpled in your coat pocket,
you’ll swear you hear her laugh
when you read the last line out loud:
“Don’t follow. I haunt better when I’m alone.”

She’s the reason
someone, somewhere,
is learning the difference
between being worshipped
and being watched.

And when she finally leaves—
because she always does—
you’ll swear you still smell
ozone, orange blossom,
and the beginning of a very pretty ruin.

She leaves you rearranged—
not broken,
just fluent in a dead dialect
that only speaks in warning signs.

You’ll start writing things
you don’t remember feeling
and calling it healing.
But it’s just possession.
The poem wasn’t for you.
It was the door.

She doesn’t burn bridges.
She just convinces them to jump.

She never really leaves.
She just sets the room on fire
and watches who runs toward the smoke.

(And if she ever comes back—
and she will—
don’t blink.
She’s made of edits,
and she notices cuts.)

In the flow of my words, I found love.
Through these fogged eyes, I saw you.
Through this hated heart, I saw yours.
It was ever so radiant, so genuine, and so divine.
It lit up my world; from the darkness, I awoke.

I was butterflies when you saw flies.
I was lost when I saw you smile.
I ate up my words when they made you cry.
I was ready to eat myself whole
If it meant making you mine.

Then everything choked.
The world lost its color.
I lost the voice I never had.
Your silence made the dead of night recur.
I lost the only song that kept my heart astir.

In this flow of words, I found guilt.
I found heartbreak, and I found everything bleak—
Everything that I was never meant to build.
So I silenced the voice of my cries
That hummed when they saw the gold in your eyes.

In these days of melancholy,
My world feels dull, lifeless, and blue.
My mind races to the days when we talked,
So effortlessly, so full of vigor and hearts glued.
Now I see only the emptiness
And the coldness of a smoke-choked heart

But even in the quiet, you linger near,
A ghost of love I hold sincere.

Do you hear each unspoken cry for help
Between my mundane repetitions? The scream,
Hoarse and tired, a frequency that nobody but me
Can hear, trapped between each normal word
And laugh that scrapes my lungs raw

Do you hear the pain that’s trapped under
Every slam of plates or creak of doors? Do you feel
The trembling of my fingers as I reach out to you
And the coldness of my body as you hug me tight -
Not even there, a hollow thing

A ghost wanders beneath my skin, searching for solace
Or maybe vengeance, or an explanation why -
She doesn’t understand that this world
Holds no such thing as justice
Nothing as divine walks this Earth, nothing like hope
Except the memory of you

And every word unspoken hangs hazy beneath my skin,
A poison slowly seeping in my heart, turning it to
Something sluggish, barely beating

Oh, how I wish you’d make me feel alive again.

She waltzed in wearing lavender -

not the bruised blue hue of dried buds,

but the soft, delicate shade that makes you forget

poison can be pastel

and alive.

The cerulean seas of her eyes

surveyed me with a crocodilian smirk

an undertow ready to clench and drag

for its own amusement

She smiled like silk,

shiny, delicate, costly

as she handed me a cedar latched spice box.

Inside

red cords, scissors

pressed flowers so fragile they'd shatter

with a whisper

and a single letter sprinkled

with cayenne

sealed with red lipstick

too heavy to open.

"Time doesn't belong to you," She whispered

like it was a flirtation

like my hours were hers

to unwrap

to discard

She kissed my questioning forehead

soft, sealing, dismissive,

answered nothing

just reached for my hands

with perfectly manicured cold fingers

I gasped awake

my mouth full of cinnamon

dry and hot

a goodbye I didn't choose caught in my throat

that I prayed I'd never have to speak.

She's reappeared now and again

in the corners of mirrors,

fond of the elevator's reflective surround

and the hammered copper coffee jar

that stays open like a lifeline.

always twirling her ashen ringlets

waiting? warning?

When I glimpse her, I open the lace covered windows

and let the sun reclaim the shadows -

until even her perfume forgets my name.

On a cold November evening, she met herself
Her reflection was shivering; confident,
Her lips cold; her smile warm
On a cold November evening, she saw herself

Her eyes sparkled with humor in time with the gentle dance of the snow,
Each snowflake a waltz reflecting her mood
And she asked herself, how did you get here, me?
How did you escape your cage?

And she answered, oh darling, I never did.
The cage simply outgrew me, and the iron bars scraped my arms
I hurt myself no longer, but I still hurt
And yet it was all worth it, to see that look in your eyes

On a cold November evening, she walked away
Those iron bars so far from her hopeful face -
A cage so big she didn’t understand how she could ever leave
And yet the phantom pain on her arms was a promise
That this wasn’t forever.

You let her send me away.
Packaged like a problem,
stamped and shipped to stone walls and strangers.
She smiled while sealing the box—
said I’d “thrive” there.

You nodded like a marionette.
String for a spine.
Silence for a mouth.

I was eleven.
She was already calling me a burden,
a shadow,
a stain on her perfect white tiles.
She called her children light.
She called me that girl
Like I was mould on the corners of your name.
You let her bleach the love out of you.
Now all you wear is her voice,
and it doesn’t fit right, Daddy.

You used to tuck me in with your rough hands,
tell me stories in a whisper only I could hear.
Now you only whisper to her,
when I walk in the room
And she slices me apart with those sugar-coated teeth.
She cuts me with compliments,
leaves me bleeding in apologies.
And still—
You nod.
You nod like a broken clock,
ticking to her every word.

Your house is full of sunshine now,
but it burns me.
Her kids gets smiles,
presents stacked like towers,
laughter as loud as fireworks.
I get a one-word text on my birthday.
Happy.

She breaks me, Daddy.
She breaks me with a voice that drips syrup
when she’s sweet to them
and acid when she speaks to me.
Her eyes scan me like a mess she forgot to clean.
And you—
You just stand there.
Are you made of wax now?

She hates me for breathing.
You hate me for reminding you I exist.
Boarding school is her win.
Her exile.

You said it was “for my future.”
But I know it’s because I didn’t fit her furniture.
Because I looked too much like your past.

And I swear—
Everytime I come home,
your love is like a museum exhibit.
Do not touch.
Do not ask.
Do not remember.
But I remember, Daddy.
I remember when I was the light in your eyes.
Before she turned them to mirrors.
That only reflects what she wants to see.

So go ahead.
Tuck her kids in.  
Call them angels.
Give her the keys to your spine.
Build your kingdom of pretty lies.
But know this—
One day, I’ll stop knocking.
I’ll stop writing.
I’ll become the ghost
You were too weak to hold on to.
And when I leave for good,
You won’t even notice the silence.

Daddy,
you let her **** me with words,
and you held the knife.

My stomach does that thing—
you know, when the ghost
rests a hand there.
Not a hit.
Just a hush,
and fingernails.

Like it never left.
Like I’m the one
who forgot to feed it.

It’s always at dawn.
Or mid-laugh.
Or in line at the dollar store—
buying nail polish I’ll chew off by Tuesday
and an eyelash curler,
just in case he sees me
from across a decade.

Then you paraglide in—
a salesman who knew I’d be home.
And the floor remembers
what I worked so hard to forget.

And I gasp—like I tripped.
But I didn’t.
I remembered.

I remembered
the ghost
you left me to raise alone.

Like:
“Hi. Just passing through.
Don’t stress on my behalf.”

I nod.
And I don’t.
I keep chewing the same nail.
My eyelashes are curled.
My stomach still does that thing.

You know the one.