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I opened my mouth to speak, and a throatful of datura glistened on my lips, lavish and ripe,
Thrashing through me, the silken flowers coiled viciously within my windpipe,

My neck was wrung with nightshade, flesh clawed with rashes,
Swollen blotches left my skin blooming and glassy with supple gashes,

Apologies from a verdant jaw trickled out of me like a botanic river,
Yet belladonna still churned in my gut and shrilled within my liver,

Violent coughs racked my body in waves of efflorescence,
And my capillaries burst with burgeoning buds of opalescence,

Ripping my pores apart, petals tore gaping holes in my teeth,
The oral garden of poison flowered like coral fluttering in a fertile reef,
So I looked at myself in the gilded vanity, bruised and young,
Reaching into the reflection, I plucked out my own tongue.
This poem is a metaphor I've made about oversharing. The poisonous nightshade represents words of a rant coming out in full flow, and the rashes and pain are basically supposed to represent regret and internal pain caused by telling others about personal experiences or feelings. This regret finally builds up into the plucking of the tongue, the catalyst representing a voluntary suppression speech. I'd love to hear what you think of it so dont be afraid to leave a comment and give feedback!
A seraphic grand piano, besmirched with blood and fervent,
Scattered across old alabaster keys, Ichor stains scores of parchment.

Stewed passion runs wildly across the docile tempo,
Mellifluous effervescence lingers in the gored vestiges of a crescendo.

Memories of artistic vigour shrivel and regress,
Our blissful felicity of mellifluence, slaughtered by organic evanesce.
The poem I have written is a metaphor for art (of any kind), and specifically about how much effort and passion goes into curating pieces of music, literature etc. and how easily/quickly we as people discard and forget the works of others or our own once we find something we deem better. (P.S The blood on the piano is meant to show the sheer effort put into the previously performed song, due to the very fervent and fast motions of the composer it caused their fingers to bleed and leave stains the piano. Also I've tried to use structure in my poem in order to make the piece mildly resemble the keys of a piano so I'm sorry if its hard to pick up on)
The amethyst of her eyes writhed with maggots, laden in bile,
Spilling from the crystal in macerating clumps, thick and vile.

Squelching across her pupils, clouding her sclarea, they thrashed vehemently,
Glazing her cherubic face in the pulsing sludge of larvae beneath a peach tree.

The creatures tore apart her pores, crawling out, parasites moulding her skin,
Leaving a mottled rot gilding her features in divine black sin.
Up for interpretation but I originally wrote this piece as a metaphor for the corruption of childhood innocence and loss of naiveite. But feel free to read as you please, I'd love to hear what you think of it! <3
Zelda 2d
Hush, Love

I think I loved you in every universe,
Every timeline,
Every fragment of creativity,
In every self-proclaimed artist's mind.
I think this love exists outside of time.

It's tragic—
Hurricanes on Jupiter,
Tripping us up, ripping us apart.
If we get too close,
We'll get it right eventually.
Until then,
Close your eyes.

Hush, Love.

You and I
Were never states at war,
Only states of chaos—
CHAOS,
chaos.

I had that dream again—
Mesopotamia, 722 BCE.
Between the politics and the bathhouse.

Your kindness, my cold, cold heart.
I broke all your chains.
I know the cost is my beheading.
We'll escape in the middle of the night.

Hush, Love.

You and I
Were never states at war,
Only states of chaos—
CHAOS,
chaos.

The world
Views it as black and white
You're turning red, blue... translucent,
Between the politics and the internet.

Your kindness, my cold, cold heart.
I broke all your codes.
I know the cost is my cancellation.
We'll stay up until the dawn breaks.

Hush, Love.

You and I
Were never states at war,
Only states of chaos—
CHAOS,
chaos

I know we could lose everything
If we get too close
In every universe, every timeline
But I won't lose you
And you won't lose me

It's tragic—
Hurricanes on Jupiter.
So close your eyes,
Gliding on fragments of...
Stardust

Hush, Love.

We will never be states of war
Our love exists outside of time.
It's—
Beautiful.
Golden.
Chaos.

Ok, dear
Dec 18, 2024
A sagging Gladius wallows inside me, limply,
It's rotting in its own wretched flaccidity,

I see others around me nurturing bounds of fruitful irises,
Some even mother sycamore, burgeoning with vigour, effortless as chaste kisses,

Tender fertilizer blots my chin in a bloodied marling,
I ingest the stolen soil, even when I feel the white sting of my innards' snarling,

So I'll inject myself with litres upon litres of putrid compost,
Only for my gladius to continuing shrivelling within my innermost,

It's stem-deep in nutrients, and is none the less decayed,
Atop the valley, even in the passing June, it stays, wilted withered and frayed,

Now, all I'm left with is the curdle of wetland moss festering in my blood,
Weighted with this fetidity, I let my gladius go, dead, in peace and clotted mud.
Feel free to interpret as you please, however my poem is originally written is about your potential/inspiration dying and no matter what you try to do to keep it alive (Basically its about Burnout). Even when you attempt to steal ("I ingest the stolen soil") and use other elements of another's work, you still feel uninspired and are not driven to be creative at all even when people around you seem to have the ability to do it so easily.
Disassociating in the ebony mirage,
I called your name, knee deep in that tender visage,

You didn't answer, so I sung to the fireflies at my windowsill,
I kept crooning, but I knew they never really cared for my fill,

Serenading until my throat was limp and hoarse,
I left it bruised indigo with mellifluous force,

By both the luminescent bugs and the Empyrean sky,
My ballad was left, bound and dry.
An allegory for loneliness, and being unable to make new connections. The fireflies in this instance being potential friends or lovers but fireflies die young, they don't last very long, neither do connections made in disparity.
Beneath the greenest earth lies my silence—words emptied and conversed within my stubborn mind. Foreseeing the foreseeable still made its way, despite my bad luck, and even if I could not reach for the two-way telephone, fearing I’d submerge myself into the deep hole of my grief, I’d still jumble the twenty-six letters and turn them into, “God, I hope he’s safe out there.”

Must I forsake the alphabets, just so you’ll reach out and yearn the same way I do?

Must I shake and tremble within the graveyard of my memories, in labored breaths, while my sorrowful ghost follows you in silence?

The world spoke of its benevolence between the once familiar you, where I found a home. But then, it was nothing—such profoundly ethereal grief that I am intolerably stuck within. Above it all were the dreams and laughter we used to create in the muffled whispers of the night. In a song I am listening to, I would lose myself just to hear it again.

Such hope I have, overcoming the sea in comfort and safety. Such discipline, to not dwell too much on the relinquishment of my deep loss—the once home I found, where on the second floor of nostalgia, I once saw you overlooking the port.

You taught me so much grief. I am now good at writing your name in four letters—beautiful, but futile.
grief is the receipt we once loved. I’m still thankful I was able to love deeply and I was able to overcome such loss. even if it means, we no longer know the person we used to love wholeheartedly.

I was able to write such piece because of this song called, “A House In Nebraska” by Ethel Cain.
Baby's breath kisses the merlot tide of disease,
A brindled sea holds the white orchid of blanched dittany's.

Moonflowers scintillate with each cradle of dusk,
While Stars marl the sky, veiling over in cosmic musk.

During quietude, swans tread the ichor in a pearlesque flotilla,
The poison ripples beneath them as they thread between silk lilies and ivory scilla.

The gore strewn water continues to fester with pulsating, ripe, bile,
Despite all, the huddle of infancy will remain ever fertile.
This piece is a metaphor for beauty coexisting amidst evil and corruption, feel free to comment I'd love to hear what you think of it
Dripping with wild rafflesia, our home's halls reek,
As she walks, the stench interlaces with her, thick, fetid and bleak,

She reaches the dead-end, bringing the corpse lily to her lips,
I lurch an arm, but she's too far from my fingertips,

Now all I can do is watch as her teeth slowly, slowly, gnaw,
I'm there while her skin wrinkles like lapping sewage at shore,

Petals seep from her mouth in ****** clumps, gathering at the fold,
The dulcet caress of chewed flora blot her chin like gilded mould,

Her coughing tethers to the tantalizing ticks of the kitchen clock,
With no choice but to watch on, I stay until the final tock.
This piece is written is a metaphor for realizing you are probably going to outlive a person you love in your life and bare witness to their death. The consumption of the parasitical flower vocalises death and the speaker tries to knock it out the others hand, only to fail as death is not preventable. The speaker, after realising this, accepts it and stays, watching as the inevitable plays out
Zoe taylor Dec 12
I felt the sting of nightshade bubble up inside me,
Once more, I cough up the bloodied Solanaceae.

Purged into my lap, budding with flesh,
Pallid petals ripe with Persian plum mottle, gored and fresh.

Racking my body in waves of herbaceous excruciation,
Crawling up my throat, clawing in botanical mutilation.

Lain out on the creased stone,
My macabre of a garden is blotted with the watercolour of my own.

Weary from retching, I stare at my withering ***** with distain,
I shrivel internally at the burden of mopping each and every stewed stain.

But I know I must clean the mess I've forged,
Because its nobody apart from me, who impulsively gorged.
This poem I have written is an allegory for impulsive anger. The act of vomiting nightshade is a metaphor for lashing out, the flowers used as a substitute for harmful words and the dread of cleaning is the regret for the harm the intentionally caused by the outburst. Feel free to interpret as you please and comment on the poem if you enjoyed reading <3
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