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Water on the way
Passing hands
Watch the liquid sway

Spitting stories from the skies
Look down with your yellow eye
Brave

Grows steeled in its covet
Of the crown
Shoving night away

Keep pushing little lies
Emancipate them with your yellow eye
Saved

Salts in shades
Shake devotion from the stars
Thick tar turns to martyrs
As a moment turns to day

Stained glass peers
Bring tears to your yellow eye
Slave

Another slender figure
In the mirror
Cries to stay
Modeling composure
As it struggles for some closure
Disclosing on the altar
That it falters when it prays

Black mold in the corner
Blindfold to your yellow eye
Grave
Azara Feb 12
The night was veiled in silken mist, where moonlight bled like lips once kissed.
A ghostly pearl in shadows spun, a silent watcher, pale and numb.

Through the fog, its whispers weaved, a silver hymn the dark conceived.
Soft as sorrow, cold as sin, it traced the earth, yet breathed within.

The wind, a phantom, slow and white, brushed through bones with cruel delight. A porcelain touch—so light, so thin, yet laced with whispers luring in.

And in the woods of emerald deep, where darkness curled and secrets sleep, the trees stood still, their voices low, like specters carved in velvet woe.

A night of beauty, sharp as blades, where moonlight kissed, yet love decayed.
For all that haunts, for all that calls, is both the lure—and the fall.

But never did I know, beneath the glow,
If this night, so haunting, was friend or foe.
For in the world, the darkest things,
Are not the night, but what mankind brings.

I never felt the vampire's breath,
Nor the chill of its icy death.
For all that haunts and pulls you near,
Is not the beauty, but the fear.
"The night whispered no threats, the wind carried no malice—yet I was warned to fear them. But the coldest touch I ever knew was never the winter air, but the world’s quiet, creeping dread."
Kushal Jan 12
Beneath the willow that wept at the lake's edge,
I sat nestled between the soft 'V' of branches that rose only to fall.
The wind kept a soothing sway that ever so gently left ripples in the moon's reflection.
With a book and pen in hand, I wrote the next lines to a story.

Along came a woman.
Her hair as silver as a blade, and her skin as pale as porcelain.
She descended to her knees with the grace of a queen,
Cupping her hands to sip from the lake.

I glared in awe, as if seeing a spirit from a folk tale.
What beauty, what grace... and yet, here she was.
She leaned back, falling to the grass, with her eyes finally resting on me.

Not a flinch.

She gazed back at me...
The same wonder in her eyes
As I held for her.
Even the simplest things can be beautiful to the ones who find beauty in existence.
hoshi Jan 9
you were the moon, silver and serene,
orbiting my star in the vast unseen,
ww danced in celestial reverie,
two souls entwined in eternity.

ethereal nights, where time stood still,
we wove our dreams with tender skill,
each word, a constellation we cast,
a universe of moments too perfect to last.

but i, the shadow, the lingering storm,
brought chaos to your tranquil form,
a poison i didnt know i poured,
a wound i didnt know you bore.

now you are gone, a phantom glow,
an echo of light i’ll never know,
and ii remain, a relic, forlorn,
a keeper of memories, hollow and worn.

i wander through friendships, faces anew,
they laugh, they love, they call my name,
vut in their warmth, ifeel the same
empty, hollow, a vessel unwhole,
a drifting star with a fractured soul.

perhaps i was cruel, the toxin, the bane,
the weight in your heart, the cause of your pain.
was iever good, or just a façade?
a tempest cloaked in a smile’s charade?

i am trapped in the past, unable to flee,
bound by the chains of what used to be.
the memories cling, they whisper and weep,
their voices haunting the silence i keep.

iwish i could turn back the celestial tide,
to the nights where you stood by my side,
to hold the time, to freeze its flow,
to never let the fractures grow.

but you have flown to brighter spheres,
where pain dissolves, and love adheres.
i hope you’ve found a kinder sun,
a softer light to call you home.

now for me, i drift in the endless night,
a lonely star, dimmed of its light,
hoping one day, the cosmos will see,
the better person i just long to be.
i’m sorry.
datura Dec 2024
Dutch white lace draped over the ivory long table in a seraphic quilting,
A Gawain teacup, embellished with gossamer Eustoma, sat, awaiting,

Diaphanous beads of the chandelier glistened above the lone, ceramic plate in quietude,
A tender marigold light gorged the room, as a sweet ambrosia replaced the solitude,

The Lush curtains lapped, picking up dusks gentle zephyr from behind me,
Opened oak and a soft wheeling dusting away my momentary reverie.

Trays of glimmering cloches, were carefully escorted into the room,
All adorned with silken pink ribbons, delicate as spring bloom.

I pulled out the cotton sewn chair, settling atop its the feathered doily pillow,
And rested upon the cushion, the double doors shut with a slam and a billow.

Before me, sat one of the decorated cloches, sliver like a frozen over nebulous,
I removed the reflective veil with the careful touch of folding an origami pond lotus.

Painted over in a mellow coddle of buttercream, was a layered strawberry cake,
Smiling flash at the saccharine smell, I cut into it, only to hear a trickling sibilance like a snake,

Once warm light had begun to frantically holler and splash around the room in a bleary dim haze,
Like a lagoon's catharsis, the chandelier rung out and submerged the dining hall in a flickering glaze,

During the jolting flashes, I raise the fork to my lips,
The cutlery quivering slightly under the padding of my fingertips,

Cradled by my tongue, the sponge decompounded bitterly in my jaw,
I couldn't place it, but it just tasted so overwhelmingly metallic and raw,

Shadows and honey glows, rebounding, back and fourth, playing like hungry hounds,
Staining the walls like crushed stars, over and over like a vehement clever without bounds,

As the night fed, and the chandelier flickered, I kept gulfing coppery forkfuls of food,
Sludge in my throat, wet and warm liquid slathered my gums, thickened and crude,

The rhythmic pulsing of the room, betrothed to the flavour swelling inside me,
It's taste fossilised between my gums, still, I parted my lips, welcoming it, voluntarily,

I don't know how long had passed, but the lights convulsions ceased,
Leaving the ripe gleam of the chandelier quiet and leashed,

Now before me, I could see the latter of my impulsive, gluttonous panic,
Sprawled like a burning body, a bloodied matter of fondant was slumped over the ceramic,

Like a gored lambs underbelly the feast was rich with innards and breathing with blackened bile,
Trickling down, wallowing on my chin was a stewed crimson trail, dying a patchy smile,

So I just sat there, a cup spilled at my side, spewing a tristful poison,
In quiet reflection, just me, me and the vestige of what I have done.
Hi, I've written this poem as sort of an allegory for stress eating or over indulging. But you can interpret it how you please, I'd especially love feedback because this has been one of my hardest projects and longest poetry projects, thank you for reading  <3
datura Dec 2024
A seraphic grand piano, besmirched with blood and fervent,
Scattered across old alabaster keys, Ichor stains scores of parchment.

Stewed passion runs wildly across the docile tempo,
Mellifluous effervescence lingers in the gored vestiges of a crescendo.

Memories of artistic vigour shrivel and regress,
Our blissful felicity of mellifluence, slaughtered by organic evanesce.
The poem I have written is a metaphor for art (of any kind), and specifically about how much effort and passion goes into curating pieces of music, literature etc. and how easily/quickly we as people discard and forget the works of others or our own once we find something we deem better. (P.S The blood on the piano is meant to show the sheer effort put into the previously performed song, due to the very fervent and fast motions of the composer it caused their fingers to bleed and leave stains the piano. Also I've tried to use structure in my poem in order to make the piece mildly resemble the keys of a piano so I'm sorry if its hard to pick up on)
datura Dec 2024
The amethyst of her eyes writhed with maggots, laden in bile,
Spilling from the crystal in macerating clumps, thick and vile.

Squelching across her pupils, clouding her sclarea, they thrashed vehemently,
Glazing her cherubic face in the pulsing sludge of larvae beneath a peach tree.

The creatures tore apart her pores, crawling out, parasites moulding her skin,
Leaving a mottled rot gilding her features in divine black sin.
Up for interpretation but I originally wrote this piece as a metaphor for the corruption of childhood innocence and loss of naiveite. But feel free to read as you please, I'd love to hear what you think of it! <3
Zelda Dec 2024
Hush, Love

I think I loved you in every universe,
Every timeline,
Every fragment of creativity,
In every self-proclaimed artist's mind.
I think this love exists outside of time.

It's tragic—
Hurricanes on Jupiter,
Tripping us up, ripping us apart.
If we get too close,
We'll get it right eventually.
Until then,
Close your eyes.

Hush, Love.

You and I
Were never states at war,
Only states of chaos—
CHAOS,
chaos.

I had that dream again—
Mesopotamia, 722 BCE.
Between the politics and the bathhouse.

Your kindness, my cold, cold heart.
I broke all your chains.
I know the cost is my beheading.
We'll escape in the middle of the night.

Hush, Love.

You and I
Were never states at war,
Only states of chaos—
CHAOS,
chaos.

The world
Views it as black and white
You're turning red, blue... translucent,
Between the politics and the internet.

Your kindness, my cold, cold heart.
I broke all your codes.
I know the cost is my cancellation.
We'll stay up until the dawn breaks.

Hush, Love.

You and I
Were never states at war,
Only states of chaos—
CHAOS,
chaos

I know we could lose everything
If we get too close
In every universe, every timeline
But I won't lose you
And you won't lose me

It's tragic—
Hurricanes on Jupiter.
So close your eyes,
Gliding on fragments of...
Stardust

Hush, Love.

We will never be states of war
Our love exists outside of time.
It's—
Beautiful.
Golden.
Chaos.

Ok, dear
Dec 18, 2024
datura Dec 2024
A sagging Gladius wallows inside me, limply,
It's rotting in its own wretched flaccidity,

I see others around me nurturing bounds of fruitful irises,
Some even mother sycamore, burgeoning with vigour, effortless as chaste kisses,

Tender fertilizer blots my chin in a bloodied marling,
I ingest the stolen soil, even when I feel the white sting of my innards' snarling,

So I'll inject myself with litres upon litres of putrid compost,
Only for my gladius to continuing shrivelling within my innermost,

It's stem-deep in nutrients, and is none the less decayed,
Atop the valley, even in the passing June, it stays, wilted withered and frayed,

Now, all I'm left with is the curdle of wetland moss festering in my blood,
Weighted with this fetidity, I let my gladius go, dead, in peace and clotted mud.
Feel free to interpret as you please, however my poem is originally written is about your potential/inspiration dying and no matter what you try to do to keep it alive (Basically its about Burnout). Even when you attempt to steal ("I ingest the stolen soil") and use other elements of another's work, you still feel uninspired and are not driven to be creative at all even when people around you seem to have the ability to do it so easily.
datura Dec 2024
Baby's breath kisses the merlot tide of disease,
A brindled sea holds the white orchid of blanched dittany's.

Moonflowers scintillate with each cradle of dusk,
While Stars marl the sky, veiling over in cosmic musk.

During quietude, swans tread the ichor in a pearlesque flotilla,
The poison ripples beneath them as they thread between silk lilies and ivory scilla.

The gore strewn water continues to fester with pulsating, ripe, bile,
Despite all, the huddle of infancy will remain ever fertile.
This piece is a metaphor for beauty coexisting amidst evil and corruption, feel free to comment I'd love to hear what you think of it
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