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Sam Feb 2018
Silk fabrics, spin words like a black widow.
Observing shapes on the crest through a cracked window. 
Faded kinfolk percolate a vicious cycle.
Concede the title, passed from an image spiteful.
Hooded silhouettes cast a shadow in dystopia,
cityscape a gallow the skies hold a rope for ya.
Urban paradigm, tantamount to euthanasia.
Soured fruits bear the hallmarks of human nature.
Twisted labyrinth, apertures soak mundane fragments
innate patterns, ways learned through a stained malice.
Same chalice bequeathed, from a father deceased,
drowned in his sleep under smeared linen sheets.
In the belly of the beast, waves echoed familiar,
another soul torn in this concrete perimeter.
Hiro Rousenfelt Feb 2018
It was a fictionary universe
So dull I consider as curse
Non-aesthetic beauty it burst
Ligneous plants dying by the thirst

But 1914 happened
Where darkness was awakened
The people became a burden
Thy trust in this world was loosened

The fiction thought became a reality
Where money's slowly eating the society
Whom they thought gold as a deity
And power as the Holy Trinity
Aaron LaLux Dec 2017
This City’s,
got so much electricity,
I don’t even have to turn the lights on,
to feel like the lights are on,

in a constant state of Neon Dawn,
in a nauseous state of Beyond Numb,
it's obnoxious how Far We've Come,
at the same time how Dumb We've Become,

being put to sleep consistently,
by the constant sound of electrical hums,

how come,
we willingly put ourselves here,
in these cities in these boxes,
locked in our own insecurities & fears,

how come,
we willingly put ourselves here,
specifically right here & now at 33 Ultimo,
an Old Soul braving The New Frontier,

how come,
we willingly put ourselves here,
specifically right here & now at 33 Ultimo,
that’s not a joke that’s the address here,

33 Ultimo,

a building,
built by tax evading Chinese,
hiding their money from their own country,
but I guess we all hide something...

∆ LaLux ∆

excerpt from The Sydney Sessions;
available worldwide for FREE here: www.scribd.com/document/367036005

And available worldwide for purchase here:www.amazon.com/dp/1981605932/
Black Jewelz Dec 2017
It is the 23rd century,
The other rebels are showcased in the penitentiary
In the city’s center street
To gratify the remnants of the sensory.

They’re beheld through double-paned hybrid walls of palladium, aluminum oxide and diamond;
In each cell their own reflection’s seen

Endlessly.

There is no blue sky, no scent of trees;
The cells’ sounds rebound and resound

To promote censoring.

It all began in the 21st century;
Now, ancient relics are kept in a technological cemetery,
Guarded by a sophisticated sentry.

Unbound knowledge damaged our brains,
Progress became our shackle and chains.
We—humanity—became dependent like a candle and flame
And gradually, drastically, society managed to change.
All who resisted were banished in shame,
Then our history was lost; I’m lucky to even know my family name.

I am the last rebel.
I know of tambourines, timbre and treble.
I know of beauty that once made men tremble.
I know of the past gods;

Before we made the last devil.

Now we are the drones.
We mass-produced their bodies, now we are the clones.
Now they think, speak and feel for us—we are just bones.
We built our father’s house upon these rocks:

We are the stones.

If any should read this before the ripples of time dwindle,
I’ll be plain: we surrendered human expression to digital signals and symbols.
We once made music from thimbles and cymbals,
Praised the Lord on the timbrels,
Shouted aloud atop the shingles.
It was all so profound, because it was so simple.
Eventually what the experts, geniuses and pros found
Was a way to hose down

A waterfall.

Now, propriety is: No psaltry, poetry or piety.
The cemetery holds the devices which ushered the end of society.
But I have seen them;
I devised a scheme to sneak in silently
And study the history privately.

I was stunned. Stricken, as with fear,
And for the first time in years
My eyes leaked with tears.

If I could talk to them,
If I could ask a question,
If I could somehow call,
I’d ask why—just why did you allow it all?!
How could you not foresee the downfall?!
Why did not some societal siren sound off?

Speaking of sirens...
Oh, no...
They’ve found my lair...
See, this is why I’ve found fault!

Now I am a rebel—a renegade—forced to live like a groundhog

Simply because I seek to enlighten and warn all,
Like one who foresaw
The siege of Warsaw.

If this is ever found, preserve my last words:
LONG LIVE THE REVOLUTION

Signed,

The Last Outlaw

Reed Jobs X
Sriva Nov 2017
Dream forever
And quietly
Slip into
Eternity
the bliss of
Every
Waking moment

Taking time
To be frozen
Let the sun be
Set and silent
Over the fields
Unrepentant

The clocks run in reverse
To chase
The image of a world
In inverse
Re-animation
While we're Left behind
With The remnants
Of A future
Civilization

The flame that doesn't burn
Mocks
The ones
Who never learn
To be free
And only then
We're allowed to see
Beyond
The chains
Of possibility
Linkuya Nov 2017
I wandered through this topaz valley,
Steep walls surrounding me flat and high,
Totally alone as I walked down this alley,
Below these hooded skeletons standing silently by.

Each skeleton stood two hundred yards in the air,
Dark ravens silently flying from their empty eyes,
Gazing too long at them was something I did not dare,
I kept my eyes downtrodden, far from the suffocating amber skies.

Tears filled my eyes as I slowly fell to my knees,
This world of pestilence and shadows filling my mind,
I swiftly shut my moist eyes as my heart began to freeze,
Only to open them in an inhuman location, cold and confined.

I stood atop a stone pillar, thousands of yards above ground,
Hundereds of circular obelisks as far as the eye could see,
I noticed modest fires lit in their centers as I glanced around,
And one in the center of my pillar, left there for me.

Dark souls circled around the sweltering flames,
Hunched over figures, both seen and unseen,
Holding hands so tightly I thought they were chained,
I crept towards them, hoping not to intervene.

They turned to me with peculiar smiles on their faces,
Without a word, they silently began to beguile,
Taciturnly demonstrating the evils of this world,
Until I finally concluded, yes, let me stay by these flames a while.
Panda Boy Oct 2017
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sad and true
Nikhil Krishna Oct 2017
We ask our lord today
“We ask our lord today”
To forgive those we lost
“To forgive those we lost”

Why? Why ask forgiveness
For those who sought to destroy
Render our world fictitious
Burned our world like Troy

They promised us utopia
Left us with dystopia
Burning rage sparks our collective will
Render unto the gallant dead
They merrily rushed to the battlefield

We ask our lord today
“We ask our lord today”
To forgive the sins of the unborn
“To forgive the sins of the unborn”

Help! Help those in need
Will our children see the deed?
Passed on to us by virtue
Now we pass it on to you

Bone heaps and dallied dead
Fragrance spoilt roses
Left for a faceless grave
Dystopian hellscape

We ask our lord today
“We ask our lord today”
To guide our hands from strife
“To guide our hands from strife”
Prevent us from repeating
What our ancestors failed preventing
Yuka Oiwa Jul 2012
We've carved a whole in this Earth
and lined it with lead,
put up our walls of wires and thoughts
till we trick ourselves into thinking that this cold depression
is the world all around.
We see the life beyond
yet our gaze is distant
our blood kin forgotten
in new ties forged from iron and gold.

We've carved a whole in this Earth
and now it's filled,
the billions huddled in the orb of metal.
Can we find balance or will we just roll away?
Fall down the hill of reality
and circle lost in infinity?
2010
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