Dust motes and sweat stains
Faded graffiti over rusted steel plates
Advertising everything, from politicians to a massage parlor,
The engine roars disgruntled, in smoky rancor.

I stepped on your feet, said I was sorry
Tell me mister, could you tell I was lying?
Pushing through the rush-hour crowd
I finally found my footing and was proud.

Well, there’s something to be said for low expectations
A word of praise for cranky co-passengers.
Not that the polite ones aren’t fun,
When they smile and roll their eyes like they’re so done.

And it’s not that I’d ever expect sincerity,
At 10 on a rainy Tuesday morning
I’m not a nihilist, or even much of a cynic by default
But at 10am, I take nice with a bucket of salt.  

I put on my headphones, crank the volume up to max,
Sway to the shrill screeching of pirated tracks
I’m sorry, did you say something? I can’t really tell.
It’s not you’re uninteresting, it’s just that this song is swell.

And maybe I could’ve made more of an effort
Gotten to know your name, exchanged toffees and emotional support
Maybe you’d have told me your story, if my ears were free
Maybe we could’ve found something worth a keep.

But you see, mister, it’s not you it’s me
At 10 on a Tuesday morning, I’m not the best company.
I hope, tomorrow, you’ll find a co-passenger worth your time,
As for me, facelessness suits me just fine.

I WAS born on the prairie and the milk of its wheat, the red of its clover, the eyes of its women, gave me a song and a slogan.

Here the water went down, the icebergs slid with gravel, the gaps and the valleys hissed, and the black loam came, and the yellow sandy loam.
Here between the sheds of the Rocky Mountains and the Appalachians, here now a morning star fixes a fire sign over the timber claims and cow pastures, the corn belt, the cotton belt, the cattle ranches.
Here the gray geese go five hundred miles and back with a wind under their wings honking the cry for a new home.
Here I know I will hanker after nothing so much as one more sunrise or a sky moon of fire doubled to a river moon of water.

The prairie sings to me in the forenoon and I know in the night I rest easy in the prairie arms, on the prairie heart..    .    .
        After the sunburn of the day
        handling a pitchfork at a hayrack,
        after the eggs and biscuit and coffee,
        the pearl-gray haystacks
        in the gloaming
        are cool prayers
        to the harvest hands.

In the city among the walls the overland passenger train is choked and the pistons hiss and the wheels curse.
On the prairie the overland flits on phantom wheels and the sky and the soil between them muffle the pistons and cheer the wheels..    .    .
I am here when the cities are gone.
I am here before the cities come.
I nourished the lonely men on horses.
I will keep the laughing men who ride iron.
I am dust of men.

The running water babbled to the deer, the cottontail, the gopher.
You came in wagons, making streets and schools,
Kin of the ax and rifle, kin of the plow and horse,
Singing Yankee Doodle, Old Dan Tucker, Turkey in the Straw,
You in the coonskin cap at a log house door hearing a lone wolf howl,
You at a sod house door reading the blizzards and chinooks let loose from Medicine Hat,
I am dust of your dust, as I am brother and mother
To the copper faces, the worker in flint and clay,
The singing women and their sons a thousand years ago
Marching single file the timber and the plain.

I hold the dust of these amid changing stars.
I last while old wars are fought, while peace broods mother-like,
While new wars arise and the fresh killings of young men.
I fed the boys who went to France in great dark days.
Appomattox is a beautiful word to me and so is Valley Forge and the Marne and Verdun,
I who have seen the red births and the red deaths
Of sons and daughters, I take peace or war, I say nothing and wait.

Have you seen a red sunset drip over one of my cornfields, the shore of night stars, the wave lines of dawn up a wheat valley?
Have you heard my threshing crews yelling in the chaff of a strawpile and the running wheat of the wagonboards, my cornhuskers, my harvest hands hauling crops, singing dreams of women, worlds, horizons?.    .    .
        Rivers cut a path on flat lands.
        The mountains stand up.
        The salt oceans press in
        And push on the coast lines.
        The sun, the wind, bring rain
        And I know what the rainbow writes across the east or west in a half-circle:
        A love-letter pledge to come again..    .    .
      Towns on the Soo Line,
      Towns on the Big Muddy,
      Laugh at each other for cubs
      And tease as children.

Omaha and Kansas City, Minneapolis and St. Paul, sisters in a house together, throwing slang, growing up.
Towns in the Ozarks, Dakota wheat towns, Wichita, Peoria, Buffalo, sisters throwing slang, growing up..    .    .
Out of prairie-brown grass crossed with a streamer of wigwam smoke-out of a smoke pillar, a blue promise-out of wild ducks woven in greens and purples-
Here I saw a city rise and say to the peoples round world: Listen, I am strong, I know what I want.
Out of log houses and stumps-canoes stripped from tree-sides-flatboats coaxed with an ax from the timber claims-in the years when the red and the white men met-the houses and streets rose.

A thousand red men cried and went away to new places for corn and women: a million white men came and put up skyscrapers, threw out rails and wires, feelers to the salt sea: now the smokestacks bite the skyline with stub teeth.

In an early year the call of a wild duck woven in greens and purples: now the riveter's chatter, the police patrol, the song-whistle of the steamboat.

To a man across a thousand years I offer a handshake.
I say to him: Brother, make the story short, for the stretch of a thousand years is short..    .    .
What brothers these in the dark?
What eaves of skyscrapers against a smoke moon?
These chimneys shaking on the lumber shanties
When the coal boats plow by on the river-
The hunched shoulders of the grain elevators-
The flame sprockets of the sheet steel mills
And the men in the rolling mills with their shirts off
Playing their flesh arms against the twisting wrists of steel:
        what brothers these
        in the dark
        of a thousand years?.    .    .
A headlight searches a snowstorm.
A funnel of white light shoots from over the pilot of the Pioneer Limited crossing Wisconsin.

In the morning hours, in the dawn,
The sun puts out the stars of the sky
And the headlight of the Limited train.

The fireman waves his hand to a country school teacher on a bobsled.
A boy, yellow hair, red scarf and mittens, on the bobsled, in his lunch box a pork chop sandwich and a V of gooseberry pie.

The horses fathom a snow to their knees.
Snow hats are on the rolling prairie hills.
The Mississippi bluffs wear snow hats..    .    .
Keep your hogs on changing corn and mashes of grain,
    O farmerman.
    Cram their insides till they waddle on short legs
    Under the drums of bellies, hams of fat.
    **** your hogs with a knife slit under the ear.
    Hack them with cleavers.
    Hang them with hooks in the hind legs..    .    .
A wagonload of radishes on a summer morning.
Sprinkles of dew on the crimson-purple *****.
The farmer on the seat dangles the reins on the rumps of dapple-gray horses.
The farmer's daughter with a basket of eggs dreams of a new hat to wear to the county fair..    .    .
On the left-and right-hand side of the road,
        Marching corn-
I saw it knee high weeks ago-now it is head high-tassels of red silk creep at the ends of the ears..    .    .
I am the prairie, mother of men, waiting.
They are mine, the threshing crews eating beefsteak, the farmboys driving steers to the railroad cattle pens.
They are mine, the crowds of people at a Fourth of July basket picnic, listening to a lawyer read the Declaration of Independence, watching the pinwheels and Roman candles at night, the young men and women two by two hunting the bypaths and kissing bridges.
They are mine, the horses looking over a fence in the frost of late October saying good-morning to the horses hauling wagons of rutabaga to market.
They are mine, the old zigzag rail fences, the new barb wire..    .    .
The cornhuskers wear leather on their hands.
There is no let-up to the wind.
Blue bandannas are knotted at the ruddy chins.

Falltime and winter apples take on the smolder of the five-o'clock November sunset: falltime, leaves, bonfires, stubble, the old things go, and the earth is grizzled.
The land and the people hold memories, even among the anthills and the angleworms, among the toads and woodroaches-among gravestone writings rubbed out by the rain-they keep old things that never grow old.

The frost loosens corn husks.
The Sun, the rain, the wind
        loosen corn husks.
The men and women are helpers.
They are all cornhuskers together.
I see them late in the western evening
        in a smoke-red dust..    .    .
The phantom of a yellow rooster flaunting a scarlet comb, on top of a dung pile crying hallelujah to the streaks of daylight,
The phantom of an old hunting dog nosing in the underbrush for muskrats, barking at a **** in a treetop at midnight, chewing a bone, chasing his tail round a corncrib,
The phantom of an old workhorse taking the steel point of a plow across a forty-acre field in spring, hitched to a harrow in summer, hitched to a wagon among cornshocks in fall,
These phantoms come into the talk and wonder of people on the front porch of a farmhouse late summer nights.
"The shapes that are gone are here," said an old man with a cob pipe in his teeth one night in Kansas with a hot wind on the alfalfa..    .    .
Look at six eggs
In a mockingbird's nest.

Listen to six mockingbirds
Flinging follies of O-be-joyful
Over the marshes and uplands.

Look at songs
Hidden in eggs..    .    .
When the morning sun is on the trumpet-vine blossoms, sing at the kitchen pans: Shout All Over God's Heaven.
When the rain slants on the potato hills and the sun plays a silver shaft on the last shower, sing to the bush at the backyard fence: Mighty Lak a Rose.
When the icy sleet pounds on the storm windows and the house lifts to a great breath, sing for the outside hills: The Ole Sheep Done Know the Road, the Young Lambs Must Find the Way..    .    .
Spring slips back with a girl face calling always: "Any new songs for me? Any new songs?"

O prairie girl, be lonely, singing, dreaming, waiting-your lover comes-your child comes-the years creep with toes of April rain on new-turned sod.
O prairie girl, whoever leaves you only crimson poppies to talk with, whoever puts a good-by kiss on your lips and never comes back-
There is a song deep as the falltime redhaws, long as the layer of black loam we go to, the shine of the morning star over the corn belt, the wave line of dawn up a wheat valley..    .    .
O prairie mother, I am one of your boys.
I have loved the prairie as a man with a heart shot full of pain over love.
Here I know I will hanker after nothing so much as one more sunrise or a sky moon of fire doubled to a river moon of water..    .    .
I speak of new cities and new people.
I tell you the past is a bucket of ashes.
I tell you yesterday is a wind gone down,
  a sun dropped in the west.
I tell you there is nothing in the world
  only an ocean of to-morrows,
  a sky of to-morrows.

I am a brother of the cornhuskers who say
  at sundown:
        To-morrow is a day.

It’s kind of funny how you can go from walking around with nothing but lint in you pocket and being totally stoked, to walking around with a pocket full of keys and being totally bummed.
It starts out simply and seductively. I’ll just get this car so I can snowboard more. Wrong. Anything that let’s you snowboard more is a scam. It won’t let you snowboard more because you ride every day and a car can’t add days to the week.
“I’ll just get this little night job so I can buy gas,” you hear yourself saying. There’s another key. Then your job starts making you miss sleep, so you can’t snowboard as hard or as long as you used to. And you need stuff to wear to work. You need a place to change and store your stuff. Now you have an address, that’s another key. Soon you have to get a day job because you’re not making enough money at night. The keys start adding up.
Now that you have a job, girls know you’re not a total loss and you end up with a girlfriend. She wants you to hang with her once in a while instead of going boarding all the time. First, she gives you the key to her heart, and then the key to her apartment. That’s two more. You can’t give her the key to your heart because snowboarding put a combination lock on it and only your snowboard knows the number.
Now you have a bunch of keys in your pocket. They’re high-maintenance items. You have to take care of them. They’re weighing you down. Snowboarding is slowly slipping away, and you don’t even notice.
One day, cruising to your full-time office job that you had to get a few years back to make payments on all your keys, you drive past a guy on the corner with his thumb out and a snowboard under his arm. While speeding by you start thinking about the guy you just passed. He looked like you used to—snowboard and nothing else. As you pull into the parking lot at work, you can’t get the hitchhiker out of your head. Your mind keeps wandering back. Pulling all the keys out of you pocket and jingling them, you think about what you really want from life.
Running back to your car, you reverse out of the parking lot and squeal a Rockford in the middle of the four-lane highway. You’ve got to get away from your keys. You begin throwing them out the window as you blow down the highway. First to go is the key to the door at work. Then you backhand your girlfriend’s apartment key out the passenger window. Flick, there goes the key to the storage unit, then the key to her car. Flick, flick, flick. You feel better each time a key flies out the window and goes bouncing down the pavement at 100 mph. You don’t even slow down for the tollbooth, paying instead with the tossed key to your office and the executive washroom.
You only have two keys left. You unlock your house, run in, grab your snowboard, and dash out of the house. You leave the key to your house sitting in the lock to the front door. Whoever finds the house open can take it, and all your stuff. You don’t need it anymore. You jump back into the car and start burning rubber through all four gears back to the highway where you saw the hitcher.
He’s still there. You slam on the brakes. When he opens the car door, you look into his eyes. It’s you. It’s the life you left behind when you sold out.

Infidelity Is Fatal
A short story
With a twist
By
Jude Kyrie

Henry knew she was cheating on him.
No specific proof but he got that bitter feeling in his gut,
you know the kind that's always right.
Little things bothered him.
Like Meg not getting home until 6:45 when she finished work at 5 pm.
What was happening with the missing hour
that she should have been home.
Probably ******* some lover somewhere.
She always said oh I called in at the Mall
or ran into Betty her best friend
and stopped at Louie's Bar
for a glass of chablis.

The other thing was the phone calls.
She would put the phone down as soon as he came in the room.
Redial gave no answer at all but that was just a signal
he had read about lovers morse code
Let it ring three times to answer
or wait for the second and third call.
Yes for sure she was ******* someone.

No wonder Meg was stunning at thirty-five
her figure was great she spoke softly and was kind.
The first to offer her help to any worthy cause.
Decorated the church at Christmas and Easter.
She was a beautiful woman.
And some ***** was trying to take her away from him.

The final straw was the trip to LA she said she had to go there
for a meeting but LA was not in her territory.
Henry forbade her to go
but she got angry for the first time in twelve years of marriage
and told him to mind his own ******* business.
Jesus, she never swore.
For sure her lover would be with her
making a patsy of Henry with
Meg moaning ******* in the hotel bed

Then the doozy
he found the gold cufflinks with a small diamond in.|
He knew they were not for him
he never wore cufflinks in his life except on his wedding day.
He did not even own a shirt with a folded french cuff.
Yep, it was a gift for lover boy.

The phone rang it was seven o'clock it was Meg.
Hi Honey, I am going to be really late
I was at the mall and met the Bryants
we are going for a drink want to join us.

He had herNo I am meeting up with David
Evans for a poker game I will be late too he lied.
He knew for certain she was with lover boy at some ****** hotel
He probably had her down to her Bra and ******* right now.
The rage screamed in henry's chest.

The phone rang again
It was actually David Evans his best buddy.
He told him the full story about Meg
and her lover leaving out no detail
David felt he was losing it
Look, Henry.
Megs loves you she's as straight as an arrow,
You are just worrying about nothing.
Meg would never ever cheat on you buddy.
Then he told him about the cuff links
They were hidden in her ***** draw.
He had found them in his search for evidence.
He said silly they are probably a Christmas present for you.
No way, said Henry.
No way. I don't use Cufflinks.

David was worried Henry sounded like he had lost the plot
Look, Henry, I am coming over let's set up a game of pool
Get your good scotch out Buddy.

Henry put the receiver in its cradle|>
Then he went to the desk in his Den
in the locked drawer he pulled out a smith and wesson.45
And slid in in his belt.
It took him three hotels to find her
Her BMW that he bought her
was parked in the back of the carpark
Meg was in it as was a man was in the passenger seat.
He crept closer it Sam Bryant
Megs best friends husband

He was a homely fat **** with a big gut.
What the **** could she see in that loser?

He must have a **** like a ******* horse thought Henry.
But he tapped on the window with his gun
Meg saw him a shocked look on her face Henry what are you doing?.
Don't pretend you don't know you cheating ***** he yelled.
Put the gun down Henry for god's sake.
They ran away to the hotel bar and henry followed them in
He caught up to them and pulled his gun out pointing it a Sam's head
What the **** do you cheat on me with this fat ***** for?
I had a dog that was not as ugly as him
and I shaved its ***
and made it walk backward cried, Henry.
What do you mean said, Meg?
You think Sam and Me are having an affair, Henry?
She almost laughed.
But she was cool really cool.
It"s obvious, the ******* cufflinks.|
They are for you at Christmas.
you been in my drawers again Henry?

Well, Sam, you get ready to pay for your sins he said.
he lifted the gun into sam's face.
A woman screamed from the door
Henry, please don't hurt my husband, we got kids.
It was Betty sams wife.

I told you we were going for drinks henry said Meg
Put the gun down.
I even asked you to join us remember?

The door opened again two policemen with revolvers drawn
pointing at henry one shouted drop the weapon NOW!
Henry turned to face them
his gun pointed in their direction.
Then six shots from the police revolvers
blasted Henry into eternity.
He lay dead upon the floor.
mEg knelt by his body weeping.

The funeral went by quietly
only a few people attended.
Henry was regarded a bad news in this town.

It turned out the gun in Henry's hand
could not have fired anyway.
The firing pin was removed

A month later

The gossip column in the local rag had a story

Meg Williams and David Evans
Are pleased to announce their marriage
At the St Jude’s Church of Salvation.
Ms.Williams is an investment adviser
and widow of Henry Williams.
The wedding is on Saturday the 9th of February
The couple will be honeymooning in LA
Where the bride said they shared
their first romantic moments together

The only hole in Meg's story was fixed later.
She placed the shirt with french cuffs in her closet.
Wrapped in pretty Christmas paper with a note.
To Henry with all my love.
Meg

It was not needed
But God knows who Henry had blabbed
the cuff links story too.
Better to be safe than sorry
Smiled Meg
As she dropped the firing pin
of a Smith and Wesson .45 revolver
Into the drain twenty miles from her home.

The End

Hurry now, it’s leaving soon
Car door slams, gravel underfoot
And from the boot
Grandmas lil helper is lifted
Oh! Where did it go?
Wind twists scarf to snake
Released from frames captivity
I stoop and tug
Under your foot, Gran
She shuffles,
Ties it firmly around tiny shoulders
Bright colour against delicate skin
Paper thin, both,
One for beauty, one to hold the blood in
And may it hold the blood in,
Just a little longer...

The train awaits,
Monstrous,
Steele stark against surrounding bush.
Matt has a sausage,
Mum bothers about tickets,
Both fuss and fizzle,
I press lips firmly together
Deciding then and there
Never to let entertainment turn to stress;
It’s more than it’s worth.

We’re to be in the engine room,
The rest will be left behind -
As something faulty.
Matt lifts Gran up;
She’s tiny,
She’s flying,
She’s in.
And then we’re all in.
Crammed.
We stare longingly through grimy glass
At empty carriages
Can’t we be in there? It’s all a bit stuffy.

There’s a fire along the track
But we don’t go any further.
The smoke streams out over forest.
And jerking and bumping,
Dipping along,
We reverse back to whence we started.
Petrol fumes and smoke fill our tiny cocoon
Here, let me help you*
Passenger to passenger,
Fellow human,
Compassionate eyes.
Gran has a seat;
She sways while we lurch.

Deep within
Railroad country
I make believe
I know something
Of the girl
Of the Plannies;
That sacred connection
To land and sky,
To Native country,
To Golden Macrocarpa

I stare over hills of tree ferns,
Kawakawa, Wheki, Punga
And, knowing no other,
I feel this land
Majestically
My own.

YOU!

Tall and lean and impossibly handsome
and Corporate

In your magnificent pinstriped business suit
and perfectly tied silk tie
and your hundred dollar haircut
your privileged male feet hidden
inside impeccably polished black
English dress shoes

Staring at me through your
designer sunglasses

Haughty, confident, insolent
Stepping out of your Porsche
before you enter your office building

So smooth, clean, assured and perfect
Maybe you are 35 years old, maybe 40
the world is yours


Transformation
I have news for you
The tables are turned

YOU have been the one in power.
The one in control.
So proud, so arrogant, so confident

Starting at me, a total stranger
Just part of your usual day
I am just an object to you
I am an OBJECT to you!

Your beautiful smooth shaven
face turns...
but wait...

Wait! No more

NO MORE!

The world has turned upside
down

Now YOU are the OBJECT

I have the POWER to make things happen

NOW LISTEN TO ME

You have a new future

LISTEN. OBEY
Quit your important executive job
Leave your successful corporate career

That's right – now
QUIT!
Call from your Iphone
Don't enter the
building
Tell them you’re quitting

You are stunned and repelled and horrified
You resist and argue
You refuse and try to leave
Your pride and anger rise
But there is no escaping your destiny

Your power is gone
You are helpless to resist

Forget your MBA
Forget you ever went to a university
Slide the business school ring off your
long male finger

Give me the keys to that Porsche
And take your Rolex,
your gold wristwatch,
off your
wrist
You won't be needing a watch
I will tell you the time
We will sell your watch

Get those fancy, expensive,
polished handmade shoes off
Your pampered, privileged male feet
Yes, your black dress socks too

YOU, barefoot on the sidewalk!

Leave the shoes right there on the
sidewalk, in front of your former
office building.
Empty and crying for their former owner
Put your expensive socks inside the shoes
and drop the briefcase too

Now get back into the Porsche
you used to own
Yes, in your bare feet
Your naked size tens
No - NOT the driver's seat
Get in the passenger side
I am driving

I'm taking you to your own home
as my Trophy

How many times
have you
had a woman in your passenger seat?
You behind the wheel,
smiling your proud smile
your perfect white teeth gleaming
Straightening your necktie as
your bragged about your corporate successes
You and your car the proud conquerors
Your handmade black leather shoes pressing the pedal
of male power and privilege

Now you - just a passenger!
along for the ride in your own car
the rich carpet of your Porsche
under the smooth soles of your naked privileged feet

We will marry
and you will clean and cook and look very beautiful

Now your LIFE LESSONS:
Dumb down your smug, expensively high-class male executive
SPEECH.
More slang. Much less education in your voice
Don’t talk – just listen to ME

And you have to wipe off
That arrogant male grin
like you own the world.

Destroy that haughty attitude
of conquest - so much a part of you until today

Replace it with humble respect
And attitude of submission and obedience

Give me those sunglasses
You can't wear them anymore
Look at me
with submissive adoration in your clear, blue
Male eyes

No need to make decisions now
I will take care of that

I will **** your ambition
Your self-assertion
Your independent thinking

We'll take apart your self-confidence
and throw the pieces in the trash
All of your initiative and desire to succeed
will be replaced
by the desire to make me happy

I will change your powerful upper class name
You will take MY last name now
Your identity will disappear
What is your first name? William?
You are Billy boy from now

Your male executive image and power clothes
No longer have
Any place
In your new existence
We'll pick up some nice tight cheap jeans and
some nice tight undershirts for your
new look - the one I choose

I want you tougher, grizzled
Blue collarized
Working class male
You’re too clean, too smooth, too perfect
We’ll fix that...

And your clean-cut corporate haircut is
now forbidden
I hate it. Too perfect

Grow out your golden brown hair into
A scraggly ponytail
a beard too...
Put some dirt under those clean fingernails
Calluses on those smooth clean palms
An earring in your male ear

And no more SUITS!
I hate suits
symbols of white male power and authority
and no more ties
******* symbols of oppression
your neck and long male
throat will be open and exposed
for the world to see

No, that pinstriped suit you're wearing
that you had made for yourself in London
and the silk tie
and the starched white shirt
will all be sold to a second hand clothing shop

The monograms taken off your
cufflinks before they are sold
Your golf clubs – sold
Your tennis rackets and
sports equipment - sold

Your credit cards in my name
Your condo is now ours
Your Porsche is now mine
You will drive my beat-up old Ford

All of your fancy clothes will be sold off
That will be tomorrow



You're gonne be barefoot in my kitchen
You won't be needing shoes anymore
on your privileged, pampered male feet

Sometime you board the wrong train
And you reach a destination, not in the itinerary
Unfamiliar passenger, whom you thought you, knew
But slowly, as the journey begins, you get lost
In the language, you usually do not speak
Unable to decipher, the inner feelings, you feel alien
Sometimes the parallel tracks look familiar
Maybe, they will lead you to your preferred destination
You so wish for the parallel journey
Willing to board the train on that track
Wishing to talk to the driver, about your feelings
If he could just bring the train to a halt
The train coming to a jolting stop
You may have to get off midway and board another train
Your train of thoughts has led you to the train
This will take you to the destination you have dreamt
With the right passenger the journey will be a breeze*





© Amitav (Radiance)

My frail glass bones shattered with the windows.
We walk on yellow striped tightropes and dance
with impossibility until his grasp becomes to tight.
I fell into a river of metal droplets wheels rolling as
Mr. Impossibility connected two infinities.
Glass fingers tapped on a glowing glass screen.
Metal clashed, my scream was lost with sirens into a
echo of blue and red lights.
There was a silence that pulled me into the casket that
sat open in the passenger seat.

He rubbed his weary eyes...
What trickery could this be?
Was it a signboard draped in disguise
Or the reflection of light off a tree?

Seconds ticked as he drew closer.
The lady materialised to rule out prior suspicions.
His fingers wrestled over the rusty brake lever,
Wheels squealed their futile objections.

The lady wore a face he could barely see...
She had long tresses that bore an alluring fragrance.
Her beauty tipped the scales allowing him bravery,
Unafraid he asked, "Miss, may I be of assistance?"

Her voice seemed to ride the subtle night breeze,
Coating his ears like sugar laden candy.
Soft and demure... Yet laced with a hint of tease,
She had said, "I'm stranded in the dark as you can see..."

"What luck!", he thought, seizing the opportunity
He removed his sack to make space for her.
His heart raced being in the damsel's good company,
The lady slid herself onto the rack before they both rode together.

As he pedalled hard, he felt a tap on his shoulder.
Her voice came again, a tender little whisper,
*"I live rather close... Not far off from here...
A little over the hill... Just over yonder..."

i lie facedown on the train tracks.
the gravel presses symbols into my skin,
but none of them translate.

home is a concept with too many rooms.
i sharpened my alibi
on my mother’s brittle bones
until it fit into a quieter mouth.
she didn't flinch.

the sun unthreads me one fiber at a time.
nothing resists.
blink
blink
blink
each time, the world returns
slightly rearranged—
trees on the ceiling,
windows in my stomach.

i found a way out,
but it only leads back here.
the platform loops
in the shape of an open jaw.
i circled it three times,
then laid down between its metal teeth—
the world doesn’t bite anymore.
it just holds me.

small, warm,
still breathing.
regret nests in the hinge of my jaw.
i keep it clenched, and
it doesn’t protest.
it flicks the lights off
when the rail begins to sing.
it knows the schedule better than i do.

the daylight plucks at my ribs like harp strings.
each note sounds like a name i was never meant to hold.
i buried the moon weeks ago.
she made it difficult to leave.
if you’re still listening—
the train is already halfway through me.

today,
i let the mouth stay open.
maybe the scream will crawl back in.
maybe it never left.

Forever ago
I looked you in the eye
And made a promise --
A stupid, stupid vow --
That I'd be your Bonnie
If you'd be my Clyde.

You smiled at me --
Crooked, imperfect
Utterly charming --
And asked me to lend you a light.
A lighter passed between our hands
Before a tiny flame illuminated our faces in the dark
A silent 'I do.'

From that night on
I've had things that other girls
Only possess in their wildest dreams
And, even then
Wouldn't dare say they desired.

I ride shotgun by default
In a ******* car
Much too fancy to legally be yours.
Gifts come in the form
Of beat-up leather articles
That you once wore
Though the lingering shadow of smoke
Is hardly enough
To mask the hint of drugstore perfume.
Sometimes
If you're feeling especially charitable
These offerings are accompanied by the more traditional heart shaped box --
Filled with bullets, of course--
Or a single deep red rose.
For some reason
Every flower you pick
Seems to have many more thorns
Than most of the ones I've known before.

What you seem to consider the best gift of all, however
Is your presence.
I suppose you think it works both ways
When you parade around town
Arm slung around my shoulders or waist
Smiling like I'm some pricey badge
Your signature accessory.
Your performance draws attention, of course --
Awe-stricken once-overs
Envious double takes
Lingering looks that make overzealous Average Joes
Trip over their own feet.
As far as my own feelings go
The envious rush I used to get from the lust-filled eyes of other women
Has long since faded
But the crawling feeling of some depraved pervert's eyes flitting from you to me
And your proud smile, devoid of any visible love
Continue to make my stomach twist itself into painful knots.

What all those adventure-hungry good girls don't know
Is that I haven't felt as powerful as they do in their dreams
In a very long time.
What those green-eyed Plain Janes won't understand
Is that I am little more than arm candy
Your passenger-seat second-in-command
Posed like some special edition, leather-donning Barbie doll
Instructed to sit still
Hold the gun
Look pretty.
They don't realize
That the ache that comes with loving you
Feels absolutely nothing like the feeling described
In the lovelorn writings they post to their blogs.
There's nothing beautiful about it
No reward for staying up all night
Chest aching
Sobbing into a limp pillow in some random hotel room
Trying my best to keep you from hearing it.
As much as I hate to admit it
Nothing you do for me
Makes it worth it.

They all seem to forget
That it was Bonnie
Running from one man who didn't love her
Falling into the arms of another
Already broken
Hoping he might be able to mend a piece or two.
They don't realize
That it was Bonnie
Who **** near got her leg burned off
Because Clyde flipped the car.
The fault was completely his
And yet
She was the one who took the brunt of the damage
Being reduced to having Clyde carry her around
For the rest of their numbered days.
They don't stop to think that this is anything other than 'romantic'
How unfair it is that the world allowed him to ruin her
That maybe --
Just maybe --
She didn't want to be a weapon for him to carry
But a self-firing rifle.
Something intimidating
Unpredictable
Never dependent
On some hotshot
That everybody believes that she was in love with.
The idea never occurs to them
That maybe
When the two of them went down in that infamous hail of bullets
Maybe she wasn't enveloped in warm thoughts of going out in a blaze of glory
But anger
That she didn't get away with it this time
And never would again.


I understand now
That
For all intent and purposes
Bonnie and Clyde are a concept that should have been left behind
Way back in the 30s.
There is no passion
In dying --
On the inside or the outside --
Next to someone everyone thinks that you love.
There is no love
In your arm around me
Squeezing the humanity out of me
Like a man-shaped boa constrictor.
There is no glamour
In sitting loyally by your side
Gripping my seat until my knuckles are white
As you drive your own getaway car
Laughing to yourself
Without ever chancing a glance at me.
There is no beauty
In being wrapped in a jacket
That smells like another woman
No satisfaction
In mechanically handing you a brand new lighter
So you can light another cigarette
To prematurely age your beautiful, James Dean number one-million-and-one face.
I feel no affection now
Watching you smoke up like the nicotine glutton burnout that you are
And I will feel only contempt if --
Heaven forbid --
I ever die by your side.
You exhale
And turn to look at me with sleepy, empty eyes
Letting the remains of your cigarette flicker out
Just like the novelty of having you around did.

Why I resent those girls now --
The ones with those eyes, so hungry and green with envy --
Is that, when we first met
I was just another one of them.
So pampered
So inanely bored
Such a 'hopeless romantic'
That I promptly decided to follow you the ends of the Earth
To every grimy hotel
Even to our demise in the desert, if you wanted me to.
It took me forever to realize I deserved better
And, by then
It was all too late.

While I despise those girls who stare at us now
Swooning, like they're so jealous of the position I'm in
My heart also aches for them --
A bit like the way you make it ache.
Though there's passion in this ache
That being the fact
That my heart is screaming
Telling them to run
Run while they still can
Run before someone like you
Finds them.

For all intent and purposes
There absolutely should not be
A 21st century Bonnie and Clyde.
These should be the days
Of girls spitting their own fire
And boys fighting their own battles.
This should be a generation
Of people learning to find solace in themselves
And reliance taking an unceremonious dive
Off a very steep cliff.
There should be no more green-eyed girls
And James Dean boys
Making each other miserable
And calling it beautiful.
This is the point where we should let Bonnie and Clyde rest in peace
Along with Romeo and Juliet
Annabel Lee
Homer Barron
And every other tragic antihero
Who died at the hands of love.

Forever ago
I made a promise --
A stupid, stupid vow --
That I'd be your Bonnie
If you'd be my Clyde.
Now
What seems like centuries later
I close my eyes
And try to fly somewhere else
In my dreams.
My last thought
Before I drift off
Is that --
Maybe someday --
They'll write poems about us.

It was aboard the Amtrak Crescent train to Atlanta and New Orleans
Railing tracks being a vacation to not look back
There were stops the train made
But as night had fallen needing no shade
I was sitting in coach folks, suddenly the train made an immediate stop
A passenger on the train wanted this be a “Death Knot”
Immediately the conductor ran through the train
The train remained still for a while
There was no one walking idle
The passenger wanted to commit suicide and jump off
Another Conductor saw the passengers and avoided the attempt
The passenger wanted the situation  to be “Passenger leaps to his Death”
But life was for him to live
Death wasn’t make a call
The passenger was subdued in stall
The train proceeded on
I don’t know how, but the train was on schedule and arrived where it belonged
Fate that could have come too late
It simply wasn’t the passenger’s time fitting the slate.