you’re a shy hiss
her voice echoes, whispers through the
stringy hair of green overgrown grass
I’m not the sister you knew all those years ago
the gods have been dangerous to me
in the city of root rot in between the cashmere sweaters
you stole from heaven, from shopping windows
the harvest is unfinished, as the gladiolas bow in prayers
for the follies underneath my petticoat
you wanted the birds to sing but now they scream
for the arrival of summer in the veins I consider
abused blue but have always been crimson sugar
I want to reach out and hold your hand
but it’s foreign now, the youth like creeping vines
that we clung to have vanished
leaving residuals of a wasteland that we once considered
home, manicured to remind you the letters you
threw out of your mouth from the roofs of
sunset apartments
the drugs you hid in the eye sockets of boys
that would eventually be murdered in ally streets
in downtown LA  
adulthood didn’t come in a red box
it came as mother death, knocking her meaty hand
on the door, uninvited and unintentional
as she rubs her temples with the bones of
the misguided
I’m grown don’t you know, you exclaim
I know the difference between the red rose
and the sick serpent underneath it
sure the children would think you crazy before
but when you talk about the rats always clawing
at night at the ceiling of your mouth
you know to laugh, you know that the wallpaper isn’t
shifting for everyone but it’s the gift of
knowing that there’s always two sides of things
that keeps you grounded
in the ever shifting quicksand of this moderate
temperature room for the easy living

It’s no longer burn the witch
it’s drown the ******
purity only attainable when it’s served
as a death dessert, martyr Mary
do you understand TV dinners
made the housewife go extinct
or berserk, I think that’s how it goes
catching their heads in ovens as protest
but listening came in through the door
as a catcall, festering on ottoman chairs
smoking that new cigarette with a cautionary
tale at bedtime
the ends  being ground, like the beef
that we’re all guilty of starting between
sighs, or the coffee beans blistered
trying to come up with an excuse as to why
high heels won’t break that man’s spine,
and it won’t in that new suit he’s so possessive of
because he paid for it with the sweat of his back
as the gaggle of his fellow businessmen
scuffle over who gets to lick the perspiration
that earned him that respect, that bought
the privilege of feeling like a man that stands out
from the wolves in offices, waiting at midnight
for the froth to begin to foam and to
claw at reasons why the bed is always empty
when he’s everything everyone wants to be
and I think you begin to sympathize,
I think you begin to understand why
balancing a ballpoint pen between your
forefinger and thumb is equally as
drinking the cup half full
the modern man with his chiseled teeth
and overt way of speaking throws
up at the American Dream, standing
naked in the glory of publicity fame
there’s too much lights, the makeup
is too intense
the crown of jezebels
Belongs to the hardworking man
with the unkempt lawn, and the
natural features of a god
it’s no longer burn the witch
it’s freeze the *****
while they stand flirting
with the boondocks trapping
fireflies and weak Christians
in their hair
and will you listen to me now?
as the hordes of provoked
believers stand in crowded
bars and in your own home
******* themselves mentally
as they chew and spit
into each other’s mouth
what they’ve always wanted to hear
and the pleasure comes from
not knowing and not wanting to know
and will you touch me now?
that the fantasy is created in your own image
and will you worship me now?
that I agree with these shackles
telling me that they were always meant to be there
that ******* is next to holiness
and will you accept me now?
that the book has been rewritten
and the villain is not you nor me
but the refrigerator with the lizard
that tempted humankind and
banished them from ever entering paradise again
and will you **** me now?
that comedy is only worth in whoever
has the longest tongue

There are two types of secrets
the ones sworn under oath never to tell anyone
whispered in crowded hallways
and while getting cold water from the corner store
and the ones you weren’t supposed to hear
the ones tossed in the dark, the ones forbidden
under the fingernail sensitive
top of the tongue scalding, threatening to
taser your skin with the weight, the electricity
that these words hold suspended in thick air
every Sunday evening I would listen to the
perfect consonants through the wall
the sacred sermon my mother and father would ritualize
the stories from before child, B.C
it would start with a question, so daintily pressed through
gleaming teeth
and he would bellow triumphantly about the hero within him
the time he intervened between two bloodied men with
pulpy faces touching with the grace of dancing gods  
his fists gracefully gliding between a pool of face
and can’t we calm down, and can’t we breathe the hot asphalt
of the day, the gravel of car exhaust ******* out
our sweat, I think you can
and these men with missing teeth and missing souls
would spit but their heads would level and my
heart would soar up through the ceiling, flutter right out
through
but these fairy tales were also horror stories
about the time the man was a boy and his father would
chase after him with a crowbar never to return home,
running barefoot through the hot concrete of the streets
causing blisters to appear like water balloons
popping them like the lungs that burst that day
but nothing but tears exploded out of them
and I thought I understood
the legend of the damsel in distress
my mother waiting by the door, waiting for the burns to fade from
her skin, waiting for the roof to cave in like the feelings
she promised she would swallow with cough medicine
and funerals are only birthday parties when you’re surrounded
by death, oh to be young
but then the secrets started to venture out of the confines of
my home, spilling out of my bed to become
real stories I told myself at school when I didn’t have
a Band-Aid for the scorching burn of sitting all alone
so I started living them, as I sat huddled in the bathroom
envisioning a toy cowboy stranded in the middle of the
bathtub, repeatedly soaked to make his clothes almost sun
bleached and his smile submerged, blotting, erasing
teaching myself that there’s no such thing as free will
when decisions are made for you
and this toy cowboy with his gun perched politely on his hand
Ready to deal some bullets or a handshake,
I never knew which but it didn’t matter
when there wasn’t conversation exchanged and
I wondered if he tried to escape when I wasn’t looking
did he feel like a goldfish in a bowl
his reality distorted, the glass too thick to realize
there was more than loneliness, more than
constant drowning, that being cold wasn’t a
state of being
no I don’t think so
that was the big secret you see
listening when one has nothing to say
you pick things up like lost puppies
or thumb tacks left on the floor
or you lose them like bobby pins and self-made money
my memories, my worst enemy
coming to an empty house at age 13
no home-made meal like pressing my face against
the carpet, being stealthy quiet
until I heard sound downstairs
the neighbors, the clatter of dishes being distributed
around the dining room table
laughter and television news about the ****** of a
teenager being shot outside his front yard
and this was my bread and butter
screaming of kids wrestling about who gets the
bigger piece of cake
the movement of chairs, the kissing of feet
walking from one room to the other
and although these mumbles didn’t tell their story
it told mine
the living room turning from bruised peach
to melancholy blue, solitude buzzing
through the creme brulee walls of my parents
studio apartment,
the tapping of a faucet, the slight erratic breathing
of a pipe leaking gas nearby but I survived
there are two types of secrets told
the ones you’re supposed to listen to
and the ones you forgot you knew

Beginning with the swagger of my palm to the squeezing sensation in my ribcage
I realize that the modern woman is alone among everyone else
from the creative orthopedic doctor whose joints resemble that of an
air craft plane your father designed in 1953
to the zany business owner that counts their own steps and
watches the calorie intake of the television dribble
there’s a bit of resentment on her polished fingernails as
she watches feminist prose on stage of a bar with no name
and she drinks cordially, the same intake that a midnight taxi driver
takes to keep his sanity, just enough to recognize street signs
and forget people’s faces
she sits in her dining room table and admires the lump in her throat
never feeling at home with dinner guests so she invents
party games that freefall off her legs into the carpet
that used to belong to a woman with no legs and a smoker’s mouth
but she doesn’t know this because she got it for three dollars
from her neighbor who isn’t alive anymore
and the blood stains of the old woman’s breath have long
disappeared and it’s appealing, yes very appealing
the modern woman is alone among everyone else
that comes foremost, thus the shy boys become isolated women
and the cycle of who is who begins to spin but the laundry won’t stop
piling in a corner of a room
and as soon as it stops the clothes drip from gender to gender  
between the tiles of the convenience store, between the
local gas station where men sit in their pickup trucks staring
at the spit on the ground and wondering whose mouth
it regurgitated from
and the lights become more fluorescent, more menacing  
so the solitary companions start coming later and later
until the sun sets and the lights are off and the only way to
know if another heart is beating is by crawling on the floor
hoping to find a pulse instead of an unsteady table, or a broken
chair or window howling but one acclimates to such conditions
while the modern woman is most intellectual of all
there’s a primitiveness, a strange longing to look behind her
to continue with watchful eyes darting long glances at the past
and sighing with relief that this is now and the future looks down with
convincing not conniving glares but still she falls into the
pit of her own stomach and memorizes the world upside down
the words jostle about,  the approaches of curious hands
become welcoming and the universe that once was an oyster
melts into a pearl with a sharp edge, a tooth made
out of pretty godforsaken, the speculated
creation of something eternally ****** will always be ******
but you don’t have to agree with it, there’s no reason to
shimmy into a container of shouts when you could
easily assimilate into a vat of unknowness, to
belong to something so you don’t have to be anything
yes indeed the modern woman stands alone in these dark ages
but the swagger has been reduced to a soft calamity, the
squeezing sensations in my rib cage have been swallowed to a
slow pull, grasp, released clench of a heart

The house smelled of vacant parking lot gasoline
it always had that odor, the one where things are very seldom touched
and the flies build their nests atop the sweaty ceilings
my  footsteps were perfectly carved into that carpet, like snow angels

when we had first moved in the floor was a soft white
with time, it bared resemblance of an old man who hadn’t shaved in two
days and wore the same tweed jacket every day
coming home was like a war kissing a forest fire,
those days the air felt colder
the television spit into the raw eyes of a man who called himself a father
this could have meant something had it been years later
and it would have been important had it happened twenty years before

I will say with confidence that in those days the earth was colder
specifically numb in those people whose hearts are like plastic containers full of
marbles, however, the world could seem like a refrigerator at times
to a 15 year old girl with the eyes of caramels
You could say that the poetry started with the dead houseplants
or the mother that secretly smoked cigarettes inside the laundry room
but the beginning starts with finding cherry trees in the
mouths of two twin girls that lived across the street, the
one with the lawn intestines spilling from their front porch

there is no one in the universe like you, that holds true especially
with people who play with guns and the boy that was born with fins
but, there is a difference with identical twins
Siamese children who lick each others’ spoons
and never have the correct name assigned to them
spending all of eternity looking in the mirror
******* telepathically, and who can blame them
                                                    
2

Pe­ppermints.
All of my memories have the taste of peppermint being
rolled around the tongue on an afternoon
and my mind waters.
I am especially reminded of this when I walk up the subway one night  
and the shadows seem liquefied and I could be anywhere but instead I am
in a city where no one makes eye contact and
my jacket still has the tag as it bites into my skin
I can hear the clatter of my shoes on stark concrete, the wobbly way I never grew into my own shoes
as a man approaches, jogging quickly carrying with him a suitcase
I notice he has a slight misstep to his walking and suddenly he sprints into a jog  
rushing, he slams into my elbow throwing me off balance
and the smell of peppermint is stronger now, resilient,
powerfully filling my head like nicotine  
as he violently slips his hand into my pocket
darts quickly back  and starts running ahead, never  looking back not once
Within seconds he is gone
I don’t realize what has happened, afraid that someone somewhere
in the dark distance, inside a car with tinted windows is watching me
observing my movements, wondering if I will call out to someone
My mouth is dry as I feel into my pocket and realize there is a note inside
it is a metallic sheet of paper with an address inviting me to paradise  
in the back of the card, there is nothing but  a meticulously engraved
spider, sinister in its appearance and yet reminding me that I am no longer a child.

Suddenly I remember; it’s Valentine’s Day.
3

In those days the screams of crickets were louder, much heavier.
Like the dew couldn’t stop them from rubbing their legs against their backs.
As if summer was an aphrodisiac for the mentally suave and the utterly alive.
Such convictions never last, I was an insect that year
an everlasting metamorphoses slowly molding my body
an eternal cocoon coating my veins and never shedding
these nuances of growing up, despite all this I was still a child wrapped
in a blanket that didn’t cover my feet anymore.
My mother used to go down to the basement on a regular basis,
I called it the swamp because it always made me feel as though I was
trudging through quicksand in a valley down below, separate from our own house
but that place was heaven to her I realized, the carbon monoxide clouding her head
the grassy windows, the way the clothes shrank in on themselves, like lungs but
never actually breathing, just inhaling
I don’t think she ever knew anyone was watching her, but I always was.
I would wake up at exactly the time my father left for work, or what we believed was work
and I would take my red binoculars and glide through the living room causing friction
with every step I took, passing the rooms of my older siblings down to hell
opening the door carefully, I would walk down two steps and stay there motionless
pressing my eyes into the glasses and staring
These endeavors proved futile, and once I had the ability to leave the house I never
looked back with nostalgia, never missed the coughs or the curled fists
but in those moments, I felt  time move slower, I could have stayed down there
a shameless spy, a trustworthy confidante
But life had better things for me than looking in on death, thought it more
suitable to touch horror than to always be catching glimpses of something
As boring as suicide

There was a day when things didn’t match the rest
I can blame this on naïve intuit or the childish way I chose to see things
It was Saturday and it was the 14th of February
Normally, my father was home by noon but today it was different
the air was stale, there was no movement in the house
It was beautiful outside and the only rarity was that there was a
taxi car parked outside our neighbor’s house
I stood up, poised as ever in the middle of the hallway
Had I looked deeper outside I would have noticed a strange man
next to the taxi car looking into our house, nodding his head with the
Rhythms of the grandfather clock, but I didn’t and who was I to know
As I gripped my binoculars walking into the place I knew so well
I didn’t know what I was to expect, there was an uncertainty
Behind the door that I felt what I had never felt before and have never felt since that day
However the long pause was it didn’t stop me from opening the door
walking down two steps and peering into my treasured binoculars
I didn’t know who I was supposed to find

What is literature to a convict?
with his name erased from his shirt, his memory
sitting in a warm chair
his only poetry is the girls he sees from across the glass
with jargon hanging from their sweaters
hem untied, tongue tied
“I want to live in a hotel” he tells his social worker
“all the way on the last floor at the very end of the hallway
I want the privacy in every suburban bedroom to be a joke
and I’ll laugh so ******* loud”
this prisoner has never killed a man
but his gums always bleed, like boiled beets
what is lost to a convict?
nothing, if you’ve searched long enough for it
“I don’t read, I have the best works inside my head
not memorized by pleasure, but by force
like a bullet to my knee, like a birthmark
not small enough to hide.”
“baby, I used to be a free man sometime”
and he was. He was free but he was also alone
a felon in his own right, grew a mustache
when he was only 15 and lonely
Walking alone one night he stumbled upon neon signs
upon god’s fruit, not everything is dressed in flowers
but a woman with caramel legs doesn’t need such luxuries
under dim lights, under smooth songs
this man found heaven to be boring
but the malaise in the gates of paradise
made candy melt down tight skin
“so this is fair. to be accompanied by hell
I could almost buy you a drink” he tells her
he tells her
he tells her
he tells her again
she smiles
this is not indulging
this is business
she used to write those words
on cigarette wrappers
until she could say it in her sleep
no love for poor men
and why does he wear a suit with a stain on it?
What a fool, she thinks
but this suit
this calamity of an accessory
was worn by that man’s
best friend
before, before the world turned cruel
before he knew what the difference
was between justice and closure
“sit down, tell me your bravery
spill it as easy as your skirt,
***** it as quick as the
dirt that’s been thrown on your face
you’re more than just
lemonade on a summer night”
but she swings her hair
and she asks for more
than a mortal man can offer
she wants the world
she wants the money he doesn’t have
and she calls him a thief
and she calls him a liar
and he’s left in a room
some bodies are nothing more than consolations
“I wanted more than a taste of life”
so he searches for her
but he gets lost in yellow taxi cabs
can’t decide whether he
should be in a hospital
or a cemetery
but he goes to a cathedral and
speaks with a priest
he beckons, he screams
he rips his hair off his head
in clumps they fall into his faded jeans
he clamors about the ****** he’s never committed
about how he just wants to be a famous writer
or a composer everyone cries to
he wants god to give him a bruise
he grabs the priests’ collar and kisses him violently
as the priest gasps for air, clutching nothing
all he wanted was a little peace, a little passion
why can’t you understand? None of this is carnal
none of this was made for the intention to be ****
he was sick of feeling ***** without ever being unclean in
the first place
and as he sat on the curb of that church, that solitary step
after being hurled by meaty altar boys
he wanders once more  
his crooked feet knocking posters and people
with closed eyes
until he reads the paper, until the obituary has her name
but it’s not her name he recognized
But her picture, the brutality of the night being exposed in daylight
he sees it everywhere, in the subway’s screens,
in the dry mouths of old men
there’s his ******, the one he’d been looking for all along
not committed by him
but a ****** nonetheless
set a flame for unforgiving service, for
inexplicable excess of satisfaction
set on fire like Salem witches
he wants to hold her hand one more time
it’s not the absence, but the obsolete
revenge, a platter served medium rare
what is vengeance to a convict?
an eye for an eye, a soul for a soul
he can smell the **** in everyone he crosses
he taps his foot in the downstairs
of the neon signs where he smells
nothing but sugar
and as they whisper in the dark
of the man responsible,
of the sentenced ready for his execution
he can almost taste him, running in shadows
and riding in comfort
Until he finds him at the bottom of a hotel
with his tie sloppily tied around his neck
and his eyes bearing the wicked semblance of a vulture
he goes upstairs
all the way to the top floor at the end of the corridor
and as he walks he can feel his steps amounting to something
this is what he was born to do, since birth these
were the footsteps he was told to follow
the death he was meant to document
savagely prepared for him to feast
he taps his shoulder after this ******, this sadist
has opened the door, ajar
clean and astute, clean cut
our inmate throws him into the
blow of hardwood floors, lamps flying
make his eyes go wild
his spit falling into the carnivore’s mouth,
he asks what is solitude to a slaughter
he trembles, he’s alive in this moment
wiping his mouth with the sleeve of his suit
digs his fingernails into the whites of
this ****** body and he cackles,
he’s a raven, ravenous
he’s a ghost ******* nothing but hot metal
grinding his teeth, blood flows out of sockets
the shrieking echoes, pain splinters the walls
but nothing is heard because no one is there
this is love, this is the romance he
always wanted
gouging the egg yolk out of another man’s eyes
our hero cries a primal cry
and repeats her name over and over again
like a prayer told too late at a sermon
and as he drown this poor man, who is
no vulture anymore, but a wet parakeet
he recites the words he had written into a paper napkin as a child
and if the first apocalypse ends the world in flames
the last Armageddon will end in a deluge
he watches the criminal’s head swells
drunken with happy fervor, he celebrates
by resisting arrest
what is literature to a convict?
his life told in verse
the catharsis this sad existence could never offer him
until it did
and he smiles
a scam to end all scams