i just want to die.

Just look at me now.
All gift wrapped, and such
Do you like what you see?
Cause I don’t, very much.

                    As the lying won’t cease
                    And my truth is horrific,
                    You don't want to ask me
                    To be more specific. . .

So I’ll say goodbye
And tell you to go;
Don’t look for a truth
You won’t want to know.

I've committed quantum suicide
to exist in a coherent superposition.

© Matthew Harlovic

When I was six, my grandmother enrolled me in ballet class.

     This choice was the first of many attempts to negate my tomboyish nature. Perhaps, she’d hoped that instead of collecting insects and cutting apart Barbie dolls, the pirouettes and glitzy attire might spin me. I was spun, eventually, but that had nothing to do with dance.

     Blame it on my peers; blame it on the tutus. Truth be told, my time was generally spent out of sight; but I got my kicks sneaking a reptiles home, playing with dinosaurs - never dolls, or - of course - taming earwigs. Alone.

     I don’t remember the classes, or the other little girls. In fact, the sole (no pun intended) impression left behind by those dance classes was why they'd end.
It was to be my first recital. The whole class had been coaxed into flashy leotards and uncomfortable tights. We’d been instructed to skip in a single file line onto the stage, which catalyzed my predicament, as I hadn’t a clue about the routine.

     As the girl preceding me danced into view, I floundered in terror – my turn had arrived. I fumbled along in her wake, passing the curtain and reaching the stage.

     The stage!

     An arena of ruthless lights, unveiling my anonymity. I faltered in terror, registering the audience registering me. How vast the auditorium looked against my tiny body! Betrayed by those blinding stage lights, I cowered at the mercy of the whole world.

     The instructor, a faceless female, was showing whose boss as girls began skipping around me.

    And yet, there I stood. Petrified that moving forward negated any hope of escape. My proximity to the curtain merited two options... the bright side of the curtains, which would soon claim everyone else in the vicinity, or the dark. I engaged in a mental game of Tug-a-war that lasted all of about half a second.

     The dark curtains won.

     So, dodging around the obnoxious ballerinas, I descended back into safety. It mattered not where I went, as long as I put distance between myself and the audience. Distance between myself, and detection.

     At some point, I discovered a backstage crevice, in which darkness sheathed me. For, even at five, I understood dark and safety to be synonyms.

     So, I crawled inside, and I hid.

     I don’t remember who went seeking. Nor, do I know who found me. Nobody is a possibility; it was an “Ollie, Ollie, Oxen Free” forfeit, perhaps. A rule that defeats the point of its own game. For at six, I was young enough to obey that “come out, come out, wherever you are” nonsense. But, such rules were dropkicked long ago.

     For, your existence – dear hide-and-seek – all but defines me. This game, that darkness, possesses my psyche.

     Some days, I ponder the uncertainty of memories. Vexed, for where memory dies, illusions are born. Illusions romanticizing reality – a reality in which I never came out, lost and unfound, a reality in which I’ll never come out, out, wherever I am. Hidden beneath the darkness.

     For, in truth, I have been hiding ever since.