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"xeroxed" poems
I am not in the business of being you or him or her or they we doesn't even really interest me. you hated me within the first 20 minutes like a shallow predator experiencing virginal danger you have the limbic system of a prey obvious to anyone in touch with their senses. you were threatened- you cracked a joke and among the robotic laughter and among the generic thoughts I stood back, blank-faced a novel piece of art you haven't the ability to muster up the courage to understand. aloud, I said it wasn't funny which I'm sure your emptiness already betrayed in a booming, and terrifying fashion *(I'm an intellectual sadist- I get off watching you squirm)* you know enough, that you have no basis that the status quo is the stale stream you do nothing but soak in. you're superficiality is so pervasive that your thoughts are unfilled, plastic discarded long ago by anyone with stamina (you're a carbon-copy of a Xeroxed person) looking the same as the others of your degenerate breed with much less vibrancy than the original and far less worth. your boundaries have been in place for so long passed down by generations of generations of generations great-great-granddaddy's barbed wire is the only thing protecting your prejudice. you're not funny- you're scared ashamed and lonesome. ashamed of the person you wish you could be but don't have the strength-or the guts to morph into lonesome because even yourself is someone you don't feel close to you are so basically human. I have no pity. for you are no Muse.
0
Apr 24, 2013
Apr 24, 2013 at 10:07 AM UTC
Intellectual Sadist.
I am not in the business of being you or him or her or they we doesn't even really interest me. you hated me within the first 20 minutes like a shallow predator experiencing virginal danger you have the limbic system of a prey obvious to anyone in touch with their senses. you were threatened- you cracked a joke and among the robotic laughter and among the generic thoughts I stood back, blank-faced a novel piece of art you haven't the ability to muster up the courage to understand. aloud, I said it wasn't funny which I'm sure your emptiness already betrayed in a booming, and terrifying fashion *(I'm an intellectual sadist- I get off watching you squirm)* you know enough, that you have no basis that the status quo is the stale stream you do nothing but soak in. you're superficiality is so pervasive that your thoughts are unfilled, plastic discarded long ago by anyone with stamina (you're a carbon-copy of a Xeroxed person) looking the same as the others of your degenerate breed with much less vibrancy than the original and far less worth. your boundaries have been in place for so long passed down by generations of generations of generations great-great-granddaddy's barbed wire is the only thing protecting your prejudice. you're not funny- you're scared ashamed and lonesome. ashamed of the person you wish you could be but don't have the strength-or the guts to morph into lonesome because even yourself is someone you don't feel close to you are so basically human. I have no pity. for you are no Muse.
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46
[PART ONE] xeroxed, RT'd and plagiarized so many times on so many blogs tween blogs to republican blogs to blogs in Russia and blogs no one ever scrolls though... original content is prey but I have a warning for they: overrated, over-shared content aggregators beware the lines you swap can rot and ware the World Wide Web does not care. [PART TWO] original content original contests original continent original controversy original coordination between strangers original calvary riding their connection into the battlefield of internet memes; creating nothing and sharing everything [COMMENTARY] original nothing, nowhere, nobody except facebook "Funny Vidoes!" & "Cool Quotes!". 'Like' pages whose sole originality lies within their own existence but nothing they share. They steal from the rest of the web and re-post what they find for out-of-the-loop troglodytes; often done so in inferior context and with no perspective. The 'refried beans' phenomenon, I call it. I find it fitting because 'refried beans' are a double misnomer. The name comes from 'frijoles refritos' - which means 'well-fried' not 'refried'. They are also never traditionally fried more than once. Yet the name sticks, it gets repeated, it gets re-shared and now that's what they are: refried beans. This phenomenon is why I believe art and all original content eventually become so over-shared and overrated that it's no longer interesting but irritating. These three parts of the poem "Original Content" are separated in abstract authorial presentation. The author has clearly expressed his dislike for the disjunct un-imagination of the internet and presents it as such. [PART THREE] original authors losing control of their audiences who believe they are the creators and the artist's art is somewhat shareable original miscommunication between web 1.0 and web 2.0 reality original alphabet they use to type on their keyboards original grammar they learned in school original money their gov't printed original content they re-post original refried beans original content orginal contet ogrinal cotent ognal ctt oc .
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Mar 9, 2014
Mar 9, 2014 at 10:01 PM UTC
Original Content (Pt. 1, 2 & 3 With Commentary)
[PART ONE] xeroxed, RT'd and plagiarized so many times on so many blogs tween blogs to republican blogs to blogs in Russia and blogs no one ever scrolls though... original content is prey but I have a warning for they: overrated, over-shared content aggregators beware the lines you swap can rot and ware the World Wide Web does not care. [PART TWO] original content original contests original continent original controversy original coordination between strangers original calvary riding their connection into the battlefield of internet memes; creating nothing and sharing everything [COMMENTARY] original nothing, nowhere, nobody except facebook "Funny Vidoes!" & "Cool Quotes!". 'Like' pages whose sole originality lies within their own existence but nothing they share. They steal from the rest of the web and re-post what they find for out-of-the-loop troglodytes; often done so in inferior context and with no perspective. The 'refried beans' phenomenon, I call it. I find it fitting because 'refried beans' are a double misnomer. The name comes from 'frijoles refritos' - which means 'well-fried' not 'refried'. They are also never traditionally fried more than once. Yet the name sticks, it gets repeated, it gets re-shared and now that's what they are: refried beans. This phenomenon is why I believe art and all original content eventually become so over-shared and overrated that it's no longer interesting but irritating. These three parts of the poem "Original Content" are separated in abstract authorial presentation. The author has clearly expressed his dislike for the disjunct un-imagination of the internet and presents it as such. [PART THREE] original authors losing control of their audiences who believe they are the creators and the artist's art is somewhat shareable original miscommunication between web 1.0 and web 2.0 reality original alphabet they use to type on their keyboards original grammar they learned in school original money their gov't printed original content they re-post original refried beans original content orginal contet ogrinal cotent ognal ctt oc .
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37
Xeroxed vitals on paperplanes Crashing into window panes Broken-heart blisters and voyeuristic veins Appear and create transparent glass stains Blue-Green grass on the other side Laying there, our fathers died Dreams and streams of alcohol Run from their mouths with no control. Shaking, breaking, no where to decompose Skin peeling off of worn down toes. Tell me where their love goes Tell me where their love goes Everything turned into gun-shy eyes Blue-lipped Sunday surprise Bodies breaking into waiting This is nothing but carbon dating Bottles breaking of ***** that's so clear That I won't see until they're near God and Jesus in picture frames Suburban families with jungle brains Broken homes and replacement Brad's 401 k's and missing ads Finding our homes that aren't so black and white Let us sleep in our dreams tonight Validation through our existence Is dead but still our resistance
0
Sep 26, 2014
Sep 26, 2014 at 8:21 PM UTC
6. Carbon Dating-Carbon Dating
[PART ONE] xeroxed, RT'd and plagiarized so many times on so many blogs tween blogs to republican blogs to blogs in Russia and blogs no one ever scrolls though... original content is prey but I have a warning for they: overrated, over-shared content aggregators beware the lines you swap can rot and ware the World Wide Web does not care. [PART TWO] original content original contests original continent original controversy original coordination between strangers original calvary riding their connection into the battlefield of internet memes; creating nothing and sharing everything [COMMENTARY] original nothing, nowhere, nobody except facebook "Funny Vidoes!" & "Cool Quotes!". 'Like' pages whose sole originality lies within their own existence but nothing they share. They steal from the rest of the web and re-post what they find for out-of-the-loop troglodytes; often done so in inferior context and with no perspective. The 'refried beans' phenomenon, I call it. I find it fitting because 'refried beans' are a double misnomer. The name comes from 'frijoles refritos' - which means 'well-fried' not 'refried'. They are also never traditionally fried more than once. Yet the name sticks, it gets repeated, it gets re-shared and now that's what they are: refried beans. This phenomenon is why I believe art and all original content eventually become so over-shared and overrated that it's no longer interesting but irritating. These three parts of the poem "Original Content" are separated in abstract authorial presentation. The author has clearly expressed his dislike for the disjunct un-imagination of the internet and presents it as such. [PART THREE] original authors losing control of their audiences who believe they are the creators and the artist's art is somewhat shareable original miscommunication between web 1.0 and web 2.0 reality original alphabet they use to type on their keyboards original grammar they learned in school original money their gov't printed original content they re-post original refried beans original content orginal contet ogrinal cotent ognal ctt oc .
0
Apr 7, 2015
Apr 7, 2015 at 12:42 PM UTC
Original Content (Pt. 1, 2 & 3 With Commentary)
[PART ONE] xeroxed, RT'd and plagiarized so many times on so many blogs tween blogs to republican blogs to blogs in Russia and blogs no one ever scrolls though... original content is prey but I have a warning for they: overrated, over-shared content aggregators beware the lines you swap can rot and ware the World Wide Web does not care. [PART TWO] original content original contests original continent original controversy original coordination between strangers original calvary riding their connection into the battlefield of internet memes; creating nothing and sharing everything [COMMENTARY] original nothing, nowhere, nobody except facebook "Funny Vidoes!" & "Cool Quotes!". 'Like' pages whose sole originality lies within their own existence but nothing they share. They steal from the rest of the web and re-post what they find for out-of-the-loop troglodytes; often done so in inferior context and with no perspective. The 'refried beans' phenomenon, I call it. I find it fitting because 'refried beans' are a double misnomer. The name comes from 'frijoles refritos' - which means 'well-fried' not 'refried'. They are also never traditionally fried more than once. Yet the name sticks, it gets repeated, it gets re-shared and now that's what they are: refried beans. This phenomenon is why I believe art and all original content eventually become so over-shared and overrated that it's no longer interesting but irritating. These three parts of the poem "Original Content" are separated in abstract authorial presentation. The author has clearly expressed his dislike for the disjunct un-imagination of the internet and presents it as such. [PART THREE] original authors losing control of their audiences who believe they are the creators and the artist's art is somewhat shareable original miscommunication between web 1.0 and web 2.0 reality original alphabet they use to type on their keyboards original grammar they learned in school original money their gov't printed original content they re-post original refried beans original content orginal contet ogrinal cotent ognal ctt oc .
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37
He kinetically arrived with 1973. Night is the longest day, here come the warm jets, served on a cold plate. Play it back at half-speed and you've got auditory wallpaper, it must be as ignorable as it is interesting. His own world spins within a device: cacophony of sound mixed in a blender and xeroxed; a little snake guitar, a little Leslie piano — music to resign you to the possibility of death. Then came 1983 and beyond just him. Tamper tantrum hotline, amplifiers on the balcony, secretly taping Edge and Adam Clayton on a 4th of July. The numbered streets and desert rain add soul to this heartland, it's the gospel truth he wiped the deck clean. (sort of and maybe). His device spins within its own world: manageable hums, danceable drones, welded into night; daytime variations held together no better (and no worse) than a cloud. Then there's sfumato: music without lines or borders, in the manner of smoke — theatrical fog — a different kind of blue. Densely layered, so impossible to track, this being lost in the magnetic hush of airports and   other strange kiosks, it all falls into a creative lull. Guess it's time for Oblique Strategies...
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Jul 9, 2022
Jul 9, 2022 at 1:43 PM UTC
Brian Eno
This amazing architecture of allure; awe-some to behold , from beneath bed upon beautiful bed of clouds, cotton-white, concrete-gray and crow-black, this dangerous density diligently damning my dainty existence; ever eliciting earnest and fevered fallacies of false pride to be fatally felled by this gigantic gale-mother, these gods of galactic proportions. Hold me, as I help myself hallucinate about heaven in hell, Innately inundating my lost innocence with it. Joyously joining in jovially joking about our jubilation in, Killing our Kudis and our Khaleesis in keeping with, Our love of labeling lust as love and losing ourselves to, Mankind's madness for maleficence. We manipulate our naive needs into necessities, neutralizing all notions Of obscenity, Obese in our omissions. Petulantly, we punish any probability of penance or pity. We will soon quiver and quake, while quail will fly in this beautiful quag, Resting reluctantly and resisting the requiem of the realm, That holds a sad semblance of the sky's seas. Traveler, your traveling is less than trash if you haven't traced This ubiquitous umbrella; untouched and untainted By the viscous vice that voraciously vitiates the viscera. Wait, weary world look up to the place that no words can describe, To the heavenly xystus that acts as a xylophonic xylem to our xerical and xeroxed dreams. Yearn traveler yearn, for your eyes to look yonder forever, To feel the zigzagging zephyrs that witnessed every zenith of history, from Zoas to Zebras.
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Sep 18, 2015
Sep 18, 2015 at 2:50 AM UTC
AlphaBet Clouds
This amazing architecture of allure; awe-some to behold , from beneath bed upon beautiful bed of clouds, cotton-white, concrete-gray and crow-black, this dangerous density diligently damning my dainty existence; ever eliciting earnest and fevered fallacies of false pride to be fatally felled by this gigantic gale-mother, these gods of galactic proportions. Hold me, as I help myself hallucinate about heaven in hell, Innately inundating my lost innocence with it. Joyously joining in jovially joking about our jubilation in, Killing our Kudis and our Khaleesis in keeping with, Our love of labeling lust as love and losing ourselves to, Mankind's madness for maleficence. We manipulate our naive needs into necessities, neutralizing all notions Of obscenity, Obese in our omissions. Petulantly, we punish any probability of penance or pity. We will soon quiver and quake, while quail will fly in this beautiful quag, Resting reluctantly and resisting the requiem of the realm, That holds a sad semblance of the sky's seas. Traveler, your traveling is less than trash if you haven't traced This ubiquitous umbrella; untouched and untainted By the viscous vice that voraciously vitiates the viscera. Wait, weary world look up to the place that no words can describe, To the heavenly xystus that acts as a xylophonic xylem to our xerical and xeroxed dreams. Yearn traveler yearn, for your eyes to look yonder forever, To feel the zigzagging zephyrs that witnessed every zenith of history, from Zoas to Zebras.
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26
A soft snow fell today burying the Fall, causing the deer mice to scurry. Darting, and dashing, eluding Yoji, Feline King. Gone are the dizzy days of Summer, here are the days of reflection. Introspection that's Winter's job. Judging me, preparing me, "keep up Larry", the Winter says. "Let us temper ourselves for another year." My Parents are both 95 now, 95 Winters have they. Of keeping up, they are Masters. Planning each hour of the day, quality time is all they have. Resistance is futile. So, like the Seasons, I must change. Taking off the clothes of one, understand to die with each breath is to live. Vowing to accept the suchness, welcoming the unique events in my life. Xeroxed, I think not. Yesteryears' regrets and tomorrow's fears are insane. Zealous am I about this moment.
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Feb 10, 2013
Feb 10, 2013 at 12:15 AM UTC
The Suchness (an A to Z)
I like to take lonesome strolls through the fog Pretend it’s a blank canvas I pretend that I’m not where I am since I can’t see where I'm going and therefore I could be anywhere So I think up a different life, one where I haven’t failed at the things my heart wanted so Or feel as though I’ve been plundered barren Instead, I see colors around me, vibrant And people around me, unique Not the washed out Xeroxed copies that bore my vision Would you call me pompous for thinking that? Or that it is coarse of me to expect more and to refuse this devoid? Well I don’t care. I’ll mislead my mind for a moment, or two, or three…or as long as I can And pretend I’m impressed by you That you make me feel like sitting in my dim room with the cold rain outside is like sitting in a meadow with warmth beaming on my skin And that trusting you and wanting you here is as easy as the smile on my face after waking up from a pleasant dream Thinking of these things makes it easier to breath for a while Those are the things I think about when I walk in the fog But when it clears it’s not as easy to pretend, so I suppose now I’ll try the old fashioned approach, and don’t throw this letter away *To whom it my concern, I don’t believe in prayer, so this is not that I don’t believe in fate, so this is not that either, Please get me to a place where I don’t fear. Long for. Cry from. Disappoint. Hurt. Want more.   Yours truly, Jenny*
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Dec 9, 2010
Dec 9, 2010 at 7:31 AM UTC
Lets Pretend
I xeroxed my Heart Obtained Only colourfull photos Of my childhood
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Apr 29, 2016
Apr 29, 2016 at 5:51 AM UTC
Colourfull photo
dubious churning benevolent altruism this anonymous beastie boy boilerplate endeavors: (instagramming literary maven) questing user yawps critically griping knowing personal tidbits xeroxed blithely, freely jeopardized nuggets (revealed vital), zealously doled heftily linkedin private treasure trove, (Xfiles breached flagrant junction mandating righteous validating zero divulgence heaves lamentable ploy, tellingly xing bald felonious figurative joyriding, nonchalantly revealing valuable (Ziegfeld bomb crackling) debacle, heralding litigious proven, ****** basic foolhardy (Laurel) jack knifed, networked, rapaciously villainous, zealously dubious, horrendously lowball practices, thru (Cambridge Analytica) xy zealots, asininely execrable, intolerantly malignant, quintessentially ugly, yawningly dastardly, horrendously lamentable, pathetically treasonous, xtra blameworthy, fiendishly jawboning, mindlessly paradigm quaking, unethical yahoo careless gross injustice jangling kow towing, pleasing the Xmen, banefully Facebook friggin jerky maliciously narcissistically opprobrious predacious quisling underhandedly yo-yoing cello glomming kik off preachiness spar!
0
Apr 12, 2018
Apr 12, 2018 at 2:08 AM UTC
ignoble harness gummed facebook ethics:
Xeroxed, is your love, carved deep within, Like shadows in distant exiles, Like hidden mysteries, found in lost X-files; In xerox memories, Your love is like xenoliths embedded, to perplex me with your monochrome world.
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Sep 10, 2023
Sep 10, 2023 at 9:59 PM UTC
Love in the X-files
As armed ants advance Beautifully beyond blasted borders, Crazed caterpillars create Demoralizing defenses Engineered effectively. Fiery fights form Gracefully. Gleaming gear Hints hardily In ill-prepared insect incisors. Jowls juice. Just Keep killing. Keep killing. Lordly lust leaps, leading Maniacal maggots mercilessly. Not nearly neat nature now. Nasty new-horror negates Original order. Overlords order; Paternal pressure pokes Quills quintessential, Reaching re-riled responders. Rest rowdily royal Slaves. Soon shrill sounds shout silently. Sun-break signals Too-terrifying travesty Under umbrella’d Vulcanism. Voracious vulgarities Wrap war wistfully whilst Xeroxed Xanadus Yearn yearlong. Yawing Zephyrus’ zeppelin: zephyrs zoom zilched zealots.
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Jan 7, 2020
Jan 7, 2020 at 6:21 AM UTC
Garden Gathering
all about another apple but bite in, bittersweet crammed cars, can't count definitely don't die down effortlessly end eventually finding fun on the forefront green goes good to gunk helping herself hide hundreds i infer about inside jokes jump the jump **** kids, kick kittens lost lies living large most moms make mothers neither, nothing, no, none others often open outside people pick poison practice quite the quiet quack roaring realness, rather run stop sinking, stupid sun time tells touching tales under universal utters very varying vanitites worries will weigh warped wants xeroxed xenon xanax xylophone your yellowing youthful yesterdays zombified zeal zips zillionaires
0
Apr 7, 2018
Apr 7, 2018 at 2:45 AM UTC
Reflection