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"wayside" poems
I couldn’t be around you without feeling as if my world was crashing down. Twice I walked away but you kept holding onto me. Your love dominating, controlling, and reckless. For us both ‘WE’ became an addiction.   Our physical connection creating a real emotional entanglement.   The intimacy escalated not with your love and respect rather with your insatiable ****** desires and deceit. You came closer to me than anyone ever had. To say that we were totally engaged, consumed with each other would gravely understate what you did not only to my body, but also to my soul. It was a crazy love. When your presence met mine. I’d forgotten the meaning of peace of mind. Self-respect had flown away, integrity fallen by the wayside. I didn’t know who I was with you. I didn’t know who I was without you. Yet, I couldn’t leave… Even though deep in my unconscious I knew 'WE' were wrong. My addiction wouldn’t let me go, your addiction wouldn't let me go. And I stayed… Your behavior came so close to crushing my spirit, my will to live. In your compulsion to protect your deception you abandoned me, my life hanging on by a thread, I could not sleep or eat, I could not breathe. It was like being in a coma that I was fighting to survive. With intensive professional help I was forced out of the coma. I survived. Now I see I stayed, not because I loved you I stayed because I didn’t love me. Passion kept me bound. Truth be told, to be totally honest I stayed out of fear, fear of missing the passion. But now I know I’d rather be alone… than shackled by the anguish and drama you swore was love. As the synapses of my brain reconnect, the evidence of controlling emotional abuse, of possessive manipulation, overwhelms my mind and body. I see now I wasn’t built, wasn’t ready to understand your type of love. I can’t deal, can’t bear, don’t deserve, your emotional betrayal and abuse. I have kept your secret for you to tell. A secret I will never betray. Now no longer together locked in by your silence, perpetuating the manipulation, forever destined in your secret, your abuse continues.
0
Mar 13, 2013
Mar 13, 2013 at 2:23 PM UTC
Pain of Abuse - Bound in your Secret
I couldn’t be around you without feeling as if my world was crashing down. Twice I walked away but you kept holding onto me. Your love dominating, controlling, and reckless. For us both ‘WE’ became an addiction.   Our physical connection creating a real emotional entanglement.   The intimacy escalated not with your love and respect rather with your insatiable ****** desires and deceit. You came closer to me than anyone ever had. To say that we were totally engaged, consumed with each other would gravely understate what you did not only to my body, but also to my soul. It was a crazy love. When your presence met mine. I’d forgotten the meaning of peace of mind. Self-respect had flown away, integrity fallen by the wayside. I didn’t know who I was with you. I didn’t know who I was without you. Yet, I couldn’t leave… Even though deep in my unconscious I knew 'WE' were wrong. My addiction wouldn’t let me go, your addiction wouldn't let me go. And I stayed… Your behavior came so close to crushing my spirit, my will to live. In your compulsion to protect your deception you abandoned me, my life hanging on by a thread, I could not sleep or eat, I could not breathe. It was like being in a coma that I was fighting to survive. With intensive professional help I was forced out of the coma. I survived. Now I see I stayed, not because I loved you I stayed because I didn’t love me. Passion kept me bound. Truth be told, to be totally honest I stayed out of fear, fear of missing the passion. But now I know I’d rather be alone… than shackled by the anguish and drama you swore was love. As the synapses of my brain reconnect, the evidence of controlling emotional abuse, of possessive manipulation, overwhelms my mind and body. I see now I wasn’t built, wasn’t ready to understand your type of love. I can’t deal, can’t bear, don’t deserve, your emotional betrayal and abuse. I have kept your secret for you to tell. A secret I will never betray. Now no longer together locked in by your silence, perpetuating the manipulation, forever destined in your secret, your abuse continues.
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61
Friends, there are many(I think, I hope). So, to be fair, I will respond with this. "Stricly an Opinion" October 20, 2014   8:40a.m. On August 28, 2013, strictly as a novice, and not having posted anything, anywhere, I posted my first two pieces of "literary art" on the HP site. I had previously searched other similar sites until finally deciding on posting with HP. I'm glad I did.  Why? Not knowing what to expect, I threw "1894", and "Folklore and Fairy Tales" into the "mixing bowl". Pradip and Sally were the first to comment, and I will never forget the encouragement their words gave me. Never! Quite often, I go back and re-read them, particularly when I get a little discouraged when the "writers block" syndrome decides to attack. Thank you both, so very, very much! But that is the core of the HP Family. There is an aura, a special atmosphere of cohesiveness among its contributors, willing to offer(in most cases) constructive criticism without being cynical, and always encouraging each other. Making friends whom we may never see, whose hands we may never shake, but a friendship none the less, that is spread throughout the globe, with the thoughts that will always be there. It is a feeling I did not sense with other sites. One thing is for certain. We never know what our readers are going to like/dislike on any given day. When we post a piece, of what we may think is the work of "pure genius" could go by the wayside in seconds. On the other end of the spectrum, what we believe is not so great, could trend in minutes. We will keep trying. Richard Riddle copyright: October 20, 2014
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Jan 12, 2016
Jan 12, 2016 at 12:19 PM UTC
My HP Friends - Response to Eliot York
Friends, there are many(I think, I hope). So, to be fair, I will respond with this. "Stricly an Opinion" October 20, 2014   8:40a.m. On August 28, 2013, strictly as a novice, and not having posted anything, anywhere, I posted my first two pieces of "literary art" on the HP site. I had previously searched other similar sites until finally deciding on posting with HP. I'm glad I did.  Why? Not knowing what to expect, I threw "1894", and "Folklore and Fairy Tales" into the "mixing bowl". Pradip and Sally were the first to comment, and I will never forget the encouragement their words gave me. Never! Quite often, I go back and re-read them, particularly when I get a little discouraged when the "writers block" syndrome decides to attack. Thank you both, so very, very much! But that is the core of the HP Family. There is an aura, a special atmosphere of cohesiveness among its contributors, willing to offer(in most cases) constructive criticism without being cynical, and always encouraging each other. Making friends whom we may never see, whose hands we may never shake, but a friendship none the less, that is spread throughout the globe, with the thoughts that will always be there. It is a feeling I did not sense with other sites. One thing is for certain. We never know what our readers are going to like/dislike on any given day. When we post a piece, of what we may think is the work of "pure genius" could go by the wayside in seconds. On the other end of the spectrum, what we believe is not so great, could trend in minutes. We will keep trying. Richard Riddle copyright: October 20, 2014
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10
How do you gauge democracy, when democracy has been corrupted? How do you know what is just and what is right, when the system itself has fallen apart and the original idea has been completely lost. Lost to the wayside for a quick profit.
0
Jul 24, 2012
Jul 24, 2012 at 1:17 AM UTC
Gauge Democracy
I always assume that kids know how to be kids. I'm sure we weren't taught the skills, were we? No-one pointed to a tree and said, "See that?  Climb it." And if Craig or Chris or Jamie pointed a finger and said, "Bang!", no referee had to discreetly whisper "You're supposed to fall down now." But something as natural as breathing is falling by the wayside. These small humans aren't kids - not like we were. Company is a chore for them, screen-seeking solipsists, and I worry for their future, constantly. If my six-year-old self were to appear amongst them he would stand, baffled, full of useless power Like Spiderman on the Norfolk Broads.
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Feb 12, 2011
Feb 12, 2011 at 5:13 AM UTC
Spiderman
I hear a wind whispering from the hills It comes down tickling the woodland rills From far is heard the frightened murmur of leaves As it pounces on them like wayside thieves It shakes the branches of flowering trees And their weak petals drop like confetti in the breeze Over hills and trees it loves to skip and stray Always in motion, never inclined to stay It moves unhampered over streams and field With no resistance to its might, they simply yield Like a child, it romps over the sloppy meadows In its gentle touch, dances the gleeful flowers It skillfully pleats the blue chiffon of the ocean Sometimes curling waves in electric motion Over the sea it runs puffing up the sails And over the sky heaping clouds in bales Sometimes it steals furtively like a lover And disappears kissing our cheeks under cover Often it comes capering with a lilt and a swing We feel delighted when we hear its merry song Like a nomad, the wind roams from place to place, Hiding its mysterious presence from our glance From an unknown hide out it comes like a spirit But always making us feel its vigorous might! At times it gains force and roars like a beast Felling trees and wreaking havoc with its twist In rampage, it sweeps the sea and the ground Triggering sparks of fear and horror all around
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Oct 27, 2017
Oct 27, 2017 at 9:43 AM UTC
Invisible Presence
Someone I once loved Ran his finger across my chest and traced The outline of my moles and said "They look like an anchor! When you connect the dots, they are the shape Of an anchor! You are an anchor. It all makes sense now. You are going to be okay." At the time it was like some big epiphany for him, Like he was telling me something about myself That I never knew when really, I always knew It was just Something I didn't want To admit. It is something I have been running away from for a long time now, thinking I could be an anchor for someone else Because then THEY could be my problem, my project, My ocean So then that way I could leave myself, fallen by the wayside To wither away, slowly, subtly, Secretly disappearing. I am attracted to people who are made of glass, People who shatter easily, who shatter willingly, Who are reckless and brilliant, beautiful and dangerous People who I unconsciously think I can save. I can only save myself. I can only be my own anchor. I am nowhere near strong enough To be with someone again I am so terribly fragile, I break my own heart So easily. Too willingly. All I want is to keep realizing things like this, To admit my mistakes and learn from them, not Repeat them. To hold on to the people who keep me on the ground, The people who actually love me, who don't put me on Some pedestal where I am liable To float away. Because if I'm not careful and let myself Float away again, I may never come back.
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Dec 25, 2012
Dec 25, 2012 at 5:18 AM UTC
anchor
There was once a parable, an earthly story portraying a message that would be told in reference of our life: A sower goes out to sow some seeds. However, there were some seeds fell on the wayside, and were swallowed up by the birds. Yet, some seeds fell next to the ricks, but there was not enough earth to keep the growth of the plant- so, when the sun came out the seeds were scorched from the earth with minimum growth, but without the roots to carry on its growth process. Yet, some seeds were placed in the thorns; so, those seeds were choked by its death. The last sower was able to find good land, where seeds would grow to a hundred fold. There is a mission: When God asks us to plant seeds, we are asked to have the oil with us. Without the right concentration, there are concerns of thorns who can choke you up. Because the thorns are sharp and dangerous, only God has the power to devour or to destroy them. A thorn is stubborn, and will continue to process threats of no promise, but the cuts it can process. Some thorns can be hidden, while a red rose blooms beautifully on the branches of a rose bush, there is no reason to believe- the thorn bush wants you to grab the beautiful rose to dig into your skin the anger it holds for you. Hence we have the earth to produce God's mission, but without the oil and concentration, there are only rocks that will go nowhere. Yes, unless you plan to move the rocks out of the way, those things will always remain. Only God has the power to remove the blockages out of our lives to make success in His mission, not our own. Rocks also causes pain. They are heavy, stubborn to move, and are often in the way. When dealing with rocks, their mission is to block the truth blind us for which what is said is to be hypocritical to the naked eye. However, what the rocks do not know, they may block our message from reaping, but God can remove that rock, placing them where they will work better. The rocks are the most stubborn for sending a message when the rock says, "Here I am try to move me," however, if you remove a rock from its place, they too have a purpose, and knocks the whole scenario outta-kilta. The situation is that while seeds could grow, they die off very quickly without roots. The question is: Does it take a brain surgeon to help us decide where to plant seeds? Do we need to express the dangers of rocks and thorns? Where do we lay our hearts? Is our hearts in the thorns, being tangled and sliced- or is our hearts being crushed by rocks? Is our oil being dripped by the holding back of thorns, or are the rocks dying the oil up? Our hearts need to sow where there is promise.
0
Nov 15, 2014
Nov 15, 2014 at 4:24 PM UTC
The Sower
There was once a parable, an earthly story portraying a message that would be told in reference of our life: A sower goes out to sow some seeds. However, there were some seeds fell on the wayside, and were swallowed up by the birds. Yet, some seeds fell next to the ricks, but there was not enough earth to keep the growth of the plant- so, when the sun came out the seeds were scorched from the earth with minimum growth, but without the roots to carry on its growth process. Yet, some seeds were placed in the thorns; so, those seeds were choked by its death. The last sower was able to find good land, where seeds would grow to a hundred fold. There is a mission: When God asks us to plant seeds, we are asked to have the oil with us. Without the right concentration, there are concerns of thorns who can choke you up. Because the thorns are sharp and dangerous, only God has the power to devour or to destroy them. A thorn is stubborn, and will continue to process threats of no promise, but the cuts it can process. Some thorns can be hidden, while a red rose blooms beautifully on the branches of a rose bush, there is no reason to believe- the thorn bush wants you to grab the beautiful rose to dig into your skin the anger it holds for you. Hence we have the earth to produce God's mission, but without the oil and concentration, there are only rocks that will go nowhere. Yes, unless you plan to move the rocks out of the way, those things will always remain. Only God has the power to remove the blockages out of our lives to make success in His mission, not our own. Rocks also causes pain. They are heavy, stubborn to move, and are often in the way. When dealing with rocks, their mission is to block the truth blind us for which what is said is to be hypocritical to the naked eye. However, what the rocks do not know, they may block our message from reaping, but God can remove that rock, placing them where they will work better. The rocks are the most stubborn for sending a message when the rock says, "Here I am try to move me," however, if you remove a rock from its place, they too have a purpose, and knocks the whole scenario outta-kilta. The situation is that while seeds could grow, they die off very quickly without roots. The question is: Does it take a brain surgeon to help us decide where to plant seeds? Do we need to express the dangers of rocks and thorns? Where do we lay our hearts? Is our hearts in the thorns, being tangled and sliced- or is our hearts being crushed by rocks? Is our oil being dripped by the holding back of thorns, or are the rocks dying the oil up? Our hearts need to sow where there is promise.
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77
"A patient man bides his time," Theodore tells the man in the mirror Tomorrow, all the levees will break And all the fables will be told Of distant Decembers and forgotten fathers Livelihoods will be threatened And remorse will fall by the wayside He watches as icicles on the awning Melt away into puddles on the ground "Warmer every day," he thinks to himself He hangs up his scarf and overcoat The way a simple man, with complex demons, is wont to do And as his wants devolve into needs And as all his anchors deteriorate to rust Her smile unnerves a once-settled man To think of the quality of glove necessary To hold onto the wagon in this day and age So Theodore pulls the door to, Leaving Chopin's "Horseman" to gallop in peace And in pieces He watches her from across the courtyard "Such sweet bliss in her footsteps," he sighs And it seems to him as if the snow dissipates Just from the warmth in her steady gait Just from the radiation behind her brown eyes He slides open the dresser drawer A haven for scattered trinkets, odds, and ends A place of respite for the weary souvenir There, amidst all the corroded memories Lies a corroded pistol, unspoken and unburnished "And a lonely man drinks his wine," Theodore says, as intrepidly as he is capable For there is a time when fathers stop teaching A time when mothers stop singing And a place where the sins stop searching A last breath is deeply inhaled But never again will find its escape With a thud that echoes to Seymour Street Theodore crumples to the cold wooden floor, A simple man, finally free of complex demons
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Jan 25, 2023
Jan 25, 2023 at 1:19 PM UTC
Levees (Theodore's Tale)
"A patient man bides his time," Theodore tells the man in the mirror Tomorrow, all the levees will break And all the fables will be told Of distant Decembers and forgotten fathers Livelihoods will be threatened And remorse will fall by the wayside He watches as icicles on the awning Melt away into puddles on the ground "Warmer every day," he thinks to himself He hangs up his scarf and overcoat The way a simple man, with complex demons, is wont to do And as his wants devolve into needs And as all his anchors deteriorate to rust Her smile unnerves a once-settled man To think of the quality of glove necessary To hold onto the wagon in this day and age So Theodore pulls the door to, Leaving Chopin's "Horseman" to gallop in peace And in pieces He watches her from across the courtyard "Such sweet bliss in her footsteps," he sighs And it seems to him as if the snow dissipates Just from the warmth in her steady gait Just from the radiation behind her brown eyes He slides open the dresser drawer A haven for scattered trinkets, odds, and ends A place of respite for the weary souvenir There, amidst all the corroded memories Lies a corroded pistol, unspoken and unburnished "And a lonely man drinks his wine," Theodore says, as intrepidly as he is capable For there is a time when fathers stop teaching A time when mothers stop singing And a place where the sins stop searching A last breath is deeply inhaled But never again will find its escape With a thud that echoes to Seymour Street Theodore crumples to the cold wooden floor, A simple man, finally free of complex demons
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40
Though I am sorely weary, I will not slow down on my journey. Many miles lie behind me and I have just a few more to go. The battle has been difficult, but the end is finally near. Many good friends have fallen by the wayside but cowardice will not stain their memories. As I see the coming horizon, I feel the weight of my burdens in my soul. I have carried many crosses and have lifted up many when they have fallen down. Now at the end of my weariness, I hear the warmth of laughter, at a grand table I see a empty chair. Though my body is growing feeble, my spirit is given renewed strength. Through all of my toil and suffering, I have finally completed my journey on the long road home.
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Dec 29, 2015
Dec 29, 2015 at 5:55 AM UTC
The Long Road Home
Contemptuous of his home beyond The village and the village pond, A large-souled Frog who spurned each byeway, Hopped along the imperial highway. Nor grunting pig nor barking dog Could disconcert so great a frog. The morning dew was lingering yet His sides to cool, his tongue to wet; The night dew when the night should come A travelled frog would send him home. Not so, alas! the wayside grass Sees him no more:--not so, alas! A broadwheeled waggon unawares Ran him down, his joys, his cares. From dying choke one feeble croak The Frog's perpetual silence broke: "Ye buoyant Frogs, ye great and small, Even I am mortal after all. My road to Fame turns out a wry way: I perish on this hideous highway,- Oh for my old familiar byeway!" The choking Frog sobbed and was gone: The waggoner strode whistling on. Unconscious of the carnage done, Whistling that waggoner strode on, Whistling (it may have happened so) "A Froggy would a-wooing go:" A hypothetic frog trolled he Obtuse to a reality. O rich and poor, O great and small, Such oversights beset us all: The mangled frog abides incog, The uninteresting actual frog; The hypothetic frog alone Is the one frog we dwell upon.
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3.7k
The Frog
I hate the distortion of what we are right now I hate not knowing who we are and where we're going as a whole as a tribe of lost souls but I can't dwell in the dream that we're all meant for something greater this is all we're given, so why pretend there's anything better? You're not abstract you're not hyper intelligent and I would rather deliver a gory blow to your face than endure another profound hypothesis I just want to feel something physical for my skin hunger to be satisfied I just want to improve something miserable for my existence to go to the wayside it's not there we're all here so let's go outside, please and get some ******* fresh air
0
Jun 5, 2011
Jun 5, 2011 at 8:00 AM UTC
verb
five years ago, June 2018, I, poet Sir Humbug, wrote:that the job of the artist was to be luminous and dangerous <> *the job of the artist is to be luminous and dangerous luminous to others by being dangerous to themselves when the words are ripped from the chest, atmosphere disbursed by the body’s projectile messes, starburst fireworks, luminous and dangerous, luminating the shared night, laminating your truths, in poems disguised and so the job, our work, begins* <> five years on, somethings have changed, indeed, the dangers of being luminous, clarifying and exposing, the requisite badge of courage, need-be more desperately earned the work is more risky, as the rules of now are none, and the risk of good taste, thoughtful caring, exposing you innards outwardly, so easy to demean and sadly that titillates the iliterati like a fire-working fireflies flashing, their in-concert of ligh attracts the oohs and aahs but too, the restless for glory, opinionated blowhard, whose critical boundaries of ill will are boundless yet, write on, right on to be where courage be the sticking point! your verbs must be pointy, your direction true, adjectives of modest innovation, craft harder, then harder again, for the work must be honest in a manner most delicate now is the time of subtlety - if one must bang pots to be heard, that you to are but a noisemaker, a loser, an addition to those lost in the din quiet passion, thoughtful insight to inside, to the tender parts, will rule the day and the blow smokers will rue the day, as their pretenses chafe and flail wayside, and your words, be like sightings of new lands where you take us utterly beholden, willing explorers to places most wonderfully luminous and dangerous!
0
Jul 10, 2023
Jul 10, 2023 at 11:25 PM UTC
5 years later, the artist returns to his first job: being luminous and dangerous
five years ago, June 2018, I, poet Sir Humbug, wrote:that the job of the artist was to be luminous and dangerous <> *the job of the artist is to be luminous and dangerous luminous to others by being dangerous to themselves when the words are ripped from the chest, atmosphere disbursed by the body’s projectile messes, starburst fireworks, luminous and dangerous, luminating the shared night, laminating your truths, in poems disguised and so the job, our work, begins* <> five years on, somethings have changed, indeed, the dangers of being luminous, clarifying and exposing, the requisite badge of courage, need-be more desperately earned the work is more risky, as the rules of now are none, and the risk of good taste, thoughtful caring, exposing you innards outwardly, so easy to demean and sadly that titillates the iliterati like a fire-working fireflies flashing, their in-concert of ligh attracts the oohs and aahs but too, the restless for glory, opinionated blowhard, whose critical boundaries of ill will are boundless yet, write on, right on to be where courage be the sticking point! your verbs must be pointy, your direction true, adjectives of modest innovation, craft harder, then harder again, for the work must be honest in a manner most delicate now is the time of subtlety - if one must bang pots to be heard, that you to are but a noisemaker, a loser, an addition to those lost in the din quiet passion, thoughtful insight to inside, to the tender parts, will rule the day and the blow smokers will rue the day, as their pretenses chafe and flail wayside, and your words, be like sightings of new lands where you take us utterly beholden, willing explorers to places most wonderfully luminous and dangerous!
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74
Once upon a time there was a person He was walking along He met the full burning moon Rolling slowly twoards him Crushing the stones and houses by the wayside. She shut his eyes from the glare. He drew his dagger And stabbed and stabbed and stabbed. The cry that quit the moon's wounds Circled the earth. The moon shrank, like a punctured airship, Shrank, shrank, smaller, smaller, Till it was nothing But a silk handkerchief, torn, And wet as tears. The person picked it up. He walked on Into moonless night Carrying his strange trophy.
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3.2k
Earth-Moon
A sign we are, without meaning Without pain we are and have nearly Lost our language in foreign lands, For when the heavens quarrel Over humans and moons proceed In force, the sea Speaks out and rivers must find Their way. But there is One, Without doubt, who Can change this any day. He needs No law. The rustle of leaf and then the sway of oaks Besides glaciers. Not everything Is in the power of the gods. Mortals would sooner Reach toward the abyss. With them The echo turns. Though the time Be long, truth Will come to pass. But what we love? We see sunshine On the floor and motes of dust And the shadows of our native woods and smoke Blooms from rooftops, at peace beside Turrets' ancient crowns; for the signs Of day are good if a god has scarred The soul in response. Snow like lilies of the valley, Signifying a site Of nobility, half gleams With the green of the Alpine meadow Where, talking of a wayside cross Commemorating the dead, A traveler climbs in a rage, Sharing distant premonitions with The other, but what is this? By the figtree My Achilles died And Ajax lies By the grottoes of the sea, By streams, with Scamandros as neighbor. In the persisting tradition of Salamis, Great Ajax died Of the roar in his temples And on foreign soil, unlike Patroclos, dead in king's armor. And many Others also died. On Kithairon Lay Eleutherai, city of Mnemosyne. And when God cast off his cloak, the darkness came to cut Her lock of hair. For the gods grow Indignant if a man Not gather himself to save His soul, yet he has no choice; like- Wise, mourning is in error. Friedrich Holderlin translated by Richard Sieburth
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Jan 28, 2015
Jan 28, 2015 at 3:56 PM UTC
"Mnemosyne"
A sign we are, without meaning Without pain we are and have nearly Lost our language in foreign lands, For when the heavens quarrel Over humans and moons proceed In force, the sea Speaks out and rivers must find Their way. But there is One, Without doubt, who Can change this any day. He needs No law. The rustle of leaf and then the sway of oaks Besides glaciers. Not everything Is in the power of the gods. Mortals would sooner Reach toward the abyss. With them The echo turns. Though the time Be long, truth Will come to pass. But what we love? We see sunshine On the floor and motes of dust And the shadows of our native woods and smoke Blooms from rooftops, at peace beside Turrets' ancient crowns; for the signs Of day are good if a god has scarred The soul in response. Snow like lilies of the valley, Signifying a site Of nobility, half gleams With the green of the Alpine meadow Where, talking of a wayside cross Commemorating the dead, A traveler climbs in a rage, Sharing distant premonitions with The other, but what is this? By the figtree My Achilles died And Ajax lies By the grottoes of the sea, By streams, with Scamandros as neighbor. In the persisting tradition of Salamis, Great Ajax died Of the roar in his temples And on foreign soil, unlike Patroclos, dead in king's armor. And many Others also died. On Kithairon Lay Eleutherai, city of Mnemosyne. And when God cast off his cloak, the darkness came to cut Her lock of hair. For the gods grow Indignant if a man Not gather himself to save His soul, yet he has no choice; like- Wise, mourning is in error. Friedrich Holderlin translated by Richard Sieburth
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53
On that bright day his mind was unusually calm He stopped by the beggar to offer him some alms Feeling at peace with himself without a trace of qualm He took a deep breath, with life he was coming to term. Goodness he pondered was quite an achievable feat A small spark that made him offer the old man a seat Each familiar face he smiled at such easy was to greet Inside him he grew healthier being good was great benefit. Why men suffer jealousy fight for one-upmanship Instead of trading for goodness most precious human keep Just not burn to earn his food comfort and restful sleep But live in shining goodness make life a rewarding trip. Being good with one’s own kind he felt wouldn’t do Other lives around him must kindly be treated too A crumb of bread for the street dog on its head a little pat Pints of milk and a little care for the weak and ailing cat. As he walked the road thoughts like these lighted up his face He found waiting on wayside many things begging goodness Determined he would reach them all do them a little good He sprinted along in a sprightly gait his mind in deep brood. Back home when she opened the door he gave her a broad smile She glowered a little askance for he hadn’t done it a while *What brings you this sheepish smile what for the elation? Don’t even think you can ever make on me a good impression!*
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Dec 6, 2013
Dec 6, 2013 at 2:45 AM UTC
Goodness
I found a dimpled spider, fat and white, On a white heal-all, holding up a moth Like a white piece of rigid satin cloth— Assorted characters of death and blight Mixed ready to begin the morning right, Like the ingredients of a witches’ broth— A snow-drop spider, a flower like a froth, And dead wings carried like a paper kite. What had that flower to do with being white, The wayside blue and innocent heal-all? What brought the kindred spider to that height, Then steered the white moth thither in the night? What but design of darkness to appall?— If design govern in a thing so small.
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3k
Design
I posted this poem  a few days after I joined HP.  As  is oft the case, poems you are especially proud of, fall to the wayside, under the onslaught of the constant waterfall of new submissions.  With the usual exception of Ms. Lori C., one of the two unofficial High Priestesses of HP, in my estimation, this one, was pretty much overlooked.  Despite some comical jaunts of late re bras and beds, real inspiration has escaped me ever nice I penned "Sittin' On The Dock Of The Bay (Razor Blades, Pills, & Shotguns" last week.  So, with your hoped for solicitude, I resubmit it, hoping it finds a wider audience and dedicate it to those of you who I number as friends (you know who you are!), despite the fact that our only shared embraces have been techno~electronic, and yet the quality of your kindness is beyond measure. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ The Numerical Quality of Friendship The quality of friendship is non-quantitative. Yet, I ask you to number it, and me, this way. With tape measure, determine that: The length of my arm's embrace will always be longer than long enough, and when distance magnifies sorrow's gains, my shoulders measure wide enough to pillow your wearied head. The depth of my pocket is finite for by definition, a pocket is but an open doored, three walled shelter. My pocket of shelter is forever open, forever deep, and forever is infinite. Trust that when bowed and bent, upon my shoulders climb and together we will be tall enough to touch the season's new fruit upon the tree of life, and with one tongue, taste the unimaginable! Do u think that mercury can measure the warmth of my tears when love sears my heart, or the heat of thy skin when it heals and cauterizes wounds salted by the mistreatment, by the bitters of the weak ones, who rejoice when they scald others? Size me up. What is my volume? What are the boundaries that length X depth X height state must limit my capacity to cherish, to heal, and even to forgive those who deserve no forgiveness? If you measure me well and proper, if I meet the standards that qualify me to be called friend, then friend me here, friend me now, friend me for the qualities I posses, and number us a unity among the few who are truly blessed by a quality of friendship that cannot be measured, for there is no scientific instrument that can quantify limitless. March 2012
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Aug 10, 2013
Aug 10, 2013 at 3:21 PM UTC
Resubmitting For Your Consideration: The Numerical Quality of Friendship
I posted this poem  a few days after I joined HP.  As  is oft the case, poems you are especially proud of, fall to the wayside, under the onslaught of the constant waterfall of new submissions.  With the usual exception of Ms. Lori C., one of the two unofficial High Priestesses of HP, in my estimation, this one, was pretty much overlooked.  Despite some comical jaunts of late re bras and beds, real inspiration has escaped me ever nice I penned "Sittin' On The Dock Of The Bay (Razor Blades, Pills, & Shotguns" last week.  So, with your hoped for solicitude, I resubmit it, hoping it finds a wider audience and dedicate it to those of you who I number as friends (you know who you are!), despite the fact that our only shared embraces have been techno~electronic, and yet the quality of your kindness is beyond measure. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ The Numerical Quality of Friendship The quality of friendship is non-quantitative. Yet, I ask you to number it, and me, this way. With tape measure, determine that: The length of my arm's embrace will always be longer than long enough, and when distance magnifies sorrow's gains, my shoulders measure wide enough to pillow your wearied head. The depth of my pocket is finite for by definition, a pocket is but an open doored, three walled shelter. My pocket of shelter is forever open, forever deep, and forever is infinite. Trust that when bowed and bent, upon my shoulders climb and together we will be tall enough to touch the season's new fruit upon the tree of life, and with one tongue, taste the unimaginable! Do u think that mercury can measure the warmth of my tears when love sears my heart, or the heat of thy skin when it heals and cauterizes wounds salted by the mistreatment, by the bitters of the weak ones, who rejoice when they scald others? Size me up. What is my volume? What are the boundaries that length X depth X height state must limit my capacity to cherish, to heal, and even to forgive those who deserve no forgiveness? If you measure me well and proper, if I meet the standards that qualify me to be called friend, then friend me here, friend me now, friend me for the qualities I posses, and number us a unity among the few who are truly blessed by a quality of friendship that cannot be measured, for there is no scientific instrument that can quantify limitless. March 2012
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38
I was a hair late. Those mere hours were enough for her to put me on the back burner, And move someone else to the front. I was left wanting, waiting, and waning. Yes, we will exchange pleasantries, And even embrace on occasion. But the embraces will be nothing more than reminders of how platonic I am, Or how pathetic I've become. The wayside by which I stand cannot be overcome by merely remaining hopeful. Yet, the time for action has passed. Though I still pine like the ghost of Neruda.
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Sep 18, 2016
Sep 18, 2016 at 9:46 PM UTC
Back Burner
well then shepherd in the mess why does that sharpened cowl of wheat surround those sweet yams in the satchel, some scene of loosening transgressions, no pear ripening itself one dull, and one unfulfilling afternoon, rolls down over its branch of sister and brother father and mother Bartletts from the stem, only to make its way into the bottom of that stretched out tawny hide. Where by the wayside every other nobody can see straight inside when a hand moves in, sweeps its fist and then goes deeply down into that can of rotten novelties we all hate, but you feel keeps us in suspense. I wonder will it ever end? Bells busting from the insides of their guts, another candy shock, up and bounces, popcorn kernels, roasted almond slivers, and some preceding green vegetable posted on the 8th St. Diner marquee display on 9th, another advertisement fighting at the sore, devoured hunger for that silhouette following closely behind the moistened wells where my brush dabs lightly into the cup before the gouache and paint mixture begin to dry, that is where I wait and wonder why? Why? Pained with hunger but besmirched with fright, skin sweaty, knotted like muslin yards growing weak against the coil. So humbling were the groans that nearly a decade crossed swiftly across his face, only five or ten minutes had passed before another twenty years flowed into the vast matrix of the rivers of blue sweat marked by estuaries, creeks, and streams across the brow, down the cheeks, and ultimately across the neck, lazing down into the chest, before settling its heavy panic soaking in the guts. Where a heavy glass brick has been vitrifying in the sun, never have two people seen the steamy and piping-hot quarry go from its conviviality and festivity of life, into this shriveled up tree having found its way into the prairie where giant winds bend its branches and enormous thunderstorms nearly strangle it with its own roots. Frisked by sin and pangs of nostalgia in which a thousand thoughts intersplice the whorls imprinted upon our brains.
0
Dec 11, 2018
Dec 11, 2018 at 6:57 PM UTC
1oz of Frozen
well then shepherd in the mess why does that sharpened cowl of wheat surround those sweet yams in the satchel, some scene of loosening transgressions, no pear ripening itself one dull, and one unfulfilling afternoon, rolls down over its branch of sister and brother father and mother Bartletts from the stem, only to make its way into the bottom of that stretched out tawny hide. Where by the wayside every other nobody can see straight inside when a hand moves in, sweeps its fist and then goes deeply down into that can of rotten novelties we all hate, but you feel keeps us in suspense. I wonder will it ever end? Bells busting from the insides of their guts, another candy shock, up and bounces, popcorn kernels, roasted almond slivers, and some preceding green vegetable posted on the 8th St. Diner marquee display on 9th, another advertisement fighting at the sore, devoured hunger for that silhouette following closely behind the moistened wells where my brush dabs lightly into the cup before the gouache and paint mixture begin to dry, that is where I wait and wonder why? Why? Pained with hunger but besmirched with fright, skin sweaty, knotted like muslin yards growing weak against the coil. So humbling were the groans that nearly a decade crossed swiftly across his face, only five or ten minutes had passed before another twenty years flowed into the vast matrix of the rivers of blue sweat marked by estuaries, creeks, and streams across the brow, down the cheeks, and ultimately across the neck, lazing down into the chest, before settling its heavy panic soaking in the guts. Where a heavy glass brick has been vitrifying in the sun, never have two people seen the steamy and piping-hot quarry go from its conviviality and festivity of life, into this shriveled up tree having found its way into the prairie where giant winds bend its branches and enormous thunderstorms nearly strangle it with its own roots. Frisked by sin and pangs of nostalgia in which a thousand thoughts intersplice the whorls imprinted upon our brains.
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1
In early, or late spring the daffodils appear, to enchant us stems are firm, while holding clusters of bloom. they enhance our views...our spirits, arraying our horizons, with fresh hope fresh perspectives never giving space to doom. daffodils are offered, not singly, but in bunches, just like the way a mother gives herself, never just a piece, she  reaches out with her hand when in fact, she has offered her whole body always...with open arms. Most times, she wears lively colors of white, yellow, gold, and green, whatever the season, whatever circumstances she may face her smile, her warmth, are the most colorful parts of her being There is a lilt in her eyes, in her actions...in her songs...in her words in her dance...as she does her chores such a miracle, all these graces, she offers On a sunny and windy day a mother is like those dancing daffodils on the hills and wayside staying strong enough, while swaying...to the winds of life not to fall down...or be blown away, she may be silenced by frustration and worries but never surrenders to ensuing hardships just choosing to be quiet...seeming dormant. She is both a bulb...and an all-season root crop, stuffed with needed energy quiet underneath when the cold season comes but never dead...never fallen always gathering, saving strength, for when a storm in life comes not one to mope...but one to ease ...like a healing balm. A mother is a rare kind of a daffodil one that gleams with bright lights, and bold colors all year round...through all kinds of weather. Sally Copyright May 8, 2016 Rosalia Rosario A. Bayan
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May 7, 2016
May 7, 2016 at 8:27 PM UTC
DAFFODILS
In early, or late spring the daffodils appear, to enchant us stems are firm, while holding clusters of bloom. they enhance our views...our spirits, arraying our horizons, with fresh hope fresh perspectives never giving space to doom. daffodils are offered, not singly, but in bunches, just like the way a mother gives herself, never just a piece, she  reaches out with her hand when in fact, she has offered her whole body always...with open arms. Most times, she wears lively colors of white, yellow, gold, and green, whatever the season, whatever circumstances she may face her smile, her warmth, are the most colorful parts of her being There is a lilt in her eyes, in her actions...in her songs...in her words in her dance...as she does her chores such a miracle, all these graces, she offers On a sunny and windy day a mother is like those dancing daffodils on the hills and wayside staying strong enough, while swaying...to the winds of life not to fall down...or be blown away, she may be silenced by frustration and worries but never surrenders to ensuing hardships just choosing to be quiet...seeming dormant. She is both a bulb...and an all-season root crop, stuffed with needed energy quiet underneath when the cold season comes but never dead...never fallen always gathering, saving strength, for when a storm in life comes not one to mope...but one to ease ...like a healing balm. A mother is a rare kind of a daffodil one that gleams with bright lights, and bold colors all year round...through all kinds of weather. Sally Copyright May 8, 2016 Rosalia Rosario A. Bayan
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50
- A person must judge another by their character. Ignorance and bias media make issues out of race. If you are a person that does not understand any movement, then most likely you have never stood up for anything in your life. It is sad that divisions are at play between people when we are all the same. We are humans. Your *** race, or theology does not matter. What does matter is the fact that people come from different backgrounds. That is the only difference between people. You do not choose your parents. You do not choose your upbringing. A child that is handed everything will not understand the life a child has that only knows struggle. If you do not understand socioeconomic disparity and the reasons why they are in place, you will not understand injustice on a institutional level. When you see other races talking about ideologies such as "white privilege" it is completely justified because there are situations that a white man may not face ever in his lifetime, but a minority is aware of and taught at an early age because they will certainly come across it. The beauty of this country is being able to have an opinion without the fear of consequence, but understand that basic "Rights" are a fallacy. A right can be taken away. That in and of itself is a privilege. There is too much complacency within this generation and ones before it. You must have convictions. You must have beliefs that are not only based around religious faith, but the act of altruism. Does a person need to label something to reach a level a comfortability? No, not at all. That is a common misinterpretation of ignorance, when it is plainly a way to state that knowing what something is does not have to be explained. I'm not sure if some think education stops when schooling is finished, but it's not. And as much as people want to talk about this country and others falling to the wayside, it is because of inaction and not being able to unify and have empathy for others. Your life is your own, but to secure a future and continue progression we must all stand together and not be presumptuous, but rather be protective of community and critical thinking. There are too many losers in the system, and they aren't minorities, they're people not properly educated. You can't erase history as easy as you can erase atrocities that aren't just. Don't put your trust in your government, but your neighbors. But that doesn't mean that you should also exclude social programs that are needed as much as oxygen. This is the life you are given, and it is you decision to stand up or sit down. And if you do stand up, do it for the right reason: valuing life. If this message does not resonate with you, we have nothing in common, and that's fine, but don't talk about current events or social problems that are beyond your comprehension. - Charlie
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Jul 8, 2016
Jul 8, 2016 at 6:42 PM UTC
*Not A Poem* (Thoughts on current events).
- A person must judge another by their character. Ignorance and bias media make issues out of race. If you are a person that does not understand any movement, then most likely you have never stood up for anything in your life. It is sad that divisions are at play between people when we are all the same. We are humans. Your *** race, or theology does not matter. What does matter is the fact that people come from different backgrounds. That is the only difference between people. You do not choose your parents. You do not choose your upbringing. A child that is handed everything will not understand the life a child has that only knows struggle. If you do not understand socioeconomic disparity and the reasons why they are in place, you will not understand injustice on a institutional level. When you see other races talking about ideologies such as "white privilege" it is completely justified because there are situations that a white man may not face ever in his lifetime, but a minority is aware of and taught at an early age because they will certainly come across it. The beauty of this country is being able to have an opinion without the fear of consequence, but understand that basic "Rights" are a fallacy. A right can be taken away. That in and of itself is a privilege. There is too much complacency within this generation and ones before it. You must have convictions. You must have beliefs that are not only based around religious faith, but the act of altruism. Does a person need to label something to reach a level a comfortability? No, not at all. That is a common misinterpretation of ignorance, when it is plainly a way to state that knowing what something is does not have to be explained. I'm not sure if some think education stops when schooling is finished, but it's not. And as much as people want to talk about this country and others falling to the wayside, it is because of inaction and not being able to unify and have empathy for others. Your life is your own, but to secure a future and continue progression we must all stand together and not be presumptuous, but rather be protective of community and critical thinking. There are too many losers in the system, and they aren't minorities, they're people not properly educated. You can't erase history as easy as you can erase atrocities that aren't just. Don't put your trust in your government, but your neighbors. But that doesn't mean that you should also exclude social programs that are needed as much as oxygen. This is the life you are given, and it is you decision to stand up or sit down. And if you do stand up, do it for the right reason: valuing life. If this message does not resonate with you, we have nothing in common, and that's fine, but don't talk about current events or social problems that are beyond your comprehension. - Charlie
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2
—Brook and road Were fellow-travellers in this gloomy Pass, And with them did we journey several hours At a slow step. The immeasurable height Of woods decaying, never to be decayed, The stationary blasts of waterfalls, And in the narrow rent, at every turn, Winds thwarting winds bewildered and forlorn, The torrents shooting from the clear blue sky, The rocks that muttered close upon our ears, Black drizzling crags that spake by the wayside As if a voice were in them, the sick sight And giddy prospect of the raving stream, The unfettered clouds and region of the heavens, Tumult and peace, the darkness and the light— Were all like workings of one mind, the features Of the same face, blossoms upon one tree, Characters of the great Apocalypse, The types and symbols of Eternity, Of first and last, and midst, and without end.
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2.5k
The Simplon Pass
IN THE POOL OF THE LOST MAIDEN SONG                 1 Down in the shrouded wood a wanderer walks And dreams the dreamers story he has lived. Sidled by the stream that sheds blue waters By the beds, trailing the rail of loves unknown Kiss and a voice that conjures truest bliss, Down in the drink where sweet Ophelia sleeps; In the pool of the lost maiden song. And the dreamer, he is dreaming . . . Hair, that ropes the stoic man upon his mount. Hair, making souls’ lost ending breath a shout, And hair that weighs the wind, teaches it to sing; Hair, wending whirlpools waving fools to dive in.                 2 Lost at land’s end the sea lions, washed-up, wail And buzzards coast where eagles flail, rip tides Assail and chop the collected bones they drop; It is a chalky bone-yard break, golden escarpments Wake and a seamen’s salty sermons shake; Where gathering ghosts glom and chide steeping, In the pool of the lost maiden song. And the seeker, he is seeking . . . Eyes that turn the sands and are mirrors, Eyes that taught the books of Alexandria, Eyes that shook the flesh and are seers, Eyes that lit the pyres, burned true believers.                 3 Deep in the dark wood the waters rush, hush, Cramp, crew and creep, melodiously tread, Trammel, and burn as furies in keeping true The melting moon, the onerous owl, fluttering Things, muttering wings, cones in darkness Flings and filmy time flicks by the wayside; In the pool of the lost maiden song. And the lover, he is longing . . . Love, lithe and lyric, he sees your sweeping shapes. Peace, parsed and pained he hears the voicing gape. Blind, bliss’d and shamed he wears the votive drapes. Hungered, thirsted and gone; seeks your pearly gate.                 4 Out in the forest maze the jarring sun seeps And swirls, only to roust the traveler onward Where soon he must meet the faces in the grotto Down in destroyed lands by the seas’ unreasoning Chime, deep in the dark whine of the shining mermaids, Where the doomed cry, round the navel of the world, In the pool of the lost maiden song. And the doomed, they are crying . . . ****** beauty bade us, in a star crossed chrysalis, Made us, choose a desert’s winter of loneliness. Heed our fate and leave this valley torn of bliss; The many millions of locust fall in ripest fields.”
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Mar 14, 2013
Mar 14, 2013 at 1:26 PM UTC
In the Pool of the Lost Maiden Song
IN THE POOL OF THE LOST MAIDEN SONG                 1 Down in the shrouded wood a wanderer walks And dreams the dreamers story he has lived. Sidled by the stream that sheds blue waters By the beds, trailing the rail of loves unknown Kiss and a voice that conjures truest bliss, Down in the drink where sweet Ophelia sleeps; In the pool of the lost maiden song. And the dreamer, he is dreaming . . . Hair, that ropes the stoic man upon his mount. Hair, making souls’ lost ending breath a shout, And hair that weighs the wind, teaches it to sing; Hair, wending whirlpools waving fools to dive in.                 2 Lost at land’s end the sea lions, washed-up, wail And buzzards coast where eagles flail, rip tides Assail and chop the collected bones they drop; It is a chalky bone-yard break, golden escarpments Wake and a seamen’s salty sermons shake; Where gathering ghosts glom and chide steeping, In the pool of the lost maiden song. And the seeker, he is seeking . . . Eyes that turn the sands and are mirrors, Eyes that taught the books of Alexandria, Eyes that shook the flesh and are seers, Eyes that lit the pyres, burned true believers.                 3 Deep in the dark wood the waters rush, hush, Cramp, crew and creep, melodiously tread, Trammel, and burn as furies in keeping true The melting moon, the onerous owl, fluttering Things, muttering wings, cones in darkness Flings and filmy time flicks by the wayside; In the pool of the lost maiden song. And the lover, he is longing . . . Love, lithe and lyric, he sees your sweeping shapes. Peace, parsed and pained he hears the voicing gape. Blind, bliss’d and shamed he wears the votive drapes. Hungered, thirsted and gone; seeks your pearly gate.                 4 Out in the forest maze the jarring sun seeps And swirls, only to roust the traveler onward Where soon he must meet the faces in the grotto Down in destroyed lands by the seas’ unreasoning Chime, deep in the dark whine of the shining mermaids, Where the doomed cry, round the navel of the world, In the pool of the lost maiden song. And the doomed, they are crying . . . ****** beauty bade us, in a star crossed chrysalis, Made us, choose a desert’s winter of loneliness. Heed our fate and leave this valley torn of bliss; The many millions of locust fall in ripest fields.”
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