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Morissa Schwartz Jul 2014
1

I sit in the back of Dad’s car, bopping my head to The Beatles’ Revolution and hum quietly while reading over my notes for today’s math test.

2

Lunch with Val, Eugene, Michelle, Kayla, Chris, and Nick, talking about our favorite movie, Forrest Gump, until Val interrupts with how nervous she is about applying to high school.  We finish lunch in silence.

3

Let f(x) = -2X2 + 4X + 6…That is the question that has plagued me all day.  On my math test, I made the answer positive instead of negative, the minor mistake that will cost me my A.

4

On this beautiful, unseasonably warm afternoon, I am glad to be outside reading my favorite Matheson stories on the wooden cutout in the giant oak by the dining room window, but worries that I may not be accepted to The Academy interrupt my leisure.

5

For Christmas, my friends and I exchange gifts.  Val gives me a stuffed flamingo. I put right it right next to the unicorn on the lace covered brown bench that oversees my room.

6

We have received your application for admission testing to The Academy for Allied Health and Biomedical Sciences. Your test will be on January 28, 2008.

7

In gym class, Val holds her hand as if she is in pain, but she refuses to show it to anyone, not even me, her best friend.

8

Val has a circular scar on her hand that looks like a burn mark.  She insists that she is just clumsy and she fell.

9

This kid next to me at The Academy admission testing is breathing so loudly I can’t concentrate.

10



I glide my paintbrush through the orange paint and onto the canvas.  I don’t know what I’m painting, but I know I need to paint.

11

Math class is miserable.  Not only did I get an 86 on the test that I thought I aced, but Val started crying hysterically, until Ms. Endolf sent her to the school counselor.

12

Michelle and Kayla are mad at Val for acting so strangely.  They refuse to speak to our friend.  I refuse to join their charade.  I know she’s acting strangely for a reason.

13

I come home to find my mother crying…happy tears.  She tells me that I passed my admission test with a proud ear-to-ear grin on her face. The next step in the admission process is an interview with The Academy on March 1.

14

I bead a few bracelets before going to sleep.  I feel guilty, like I should be studying or preparing for my interview, but I just don’t want to.

15

Val pulls me into the coat cubby during homeroom, the dark circles under her eyes barely visible from the faint light in the  dimly lit room.  She tells me how her father has abused her and her sisters this past year and swears me to secrecy

16

How can I help my best friend and her sisters? Can I help my best friend and her sisters?  Can I help my best friend?

17

I go to the veteran’s home where I’d been volunteering for a while and see my favorite veteran, Ray.  He tells me not to get old.

18

“Why do you want to go to The Academy?”  Ms. Ferris, my Academy interviewer, asks.  I stare at her blankly for a moment before responding.

19

When Val comes to school with more bruises, I break my promise and tell my parents.

20

I slowly open my report card to reveal a B in math…my first B ever.  I take a puff of my inhaler.

21

The old home phone rings; I assume it will be the Academy with an admission decision. “Help me, Morissa!”  Val screams into the phone.  I gesture to my mother who grabs the car keys, as we race to the door.

22

Spring break.  My family and I go to Hershey Park in Pennsylvania to celebrate my being one of forty students admitted to The Academy.

23

DYFS goes to Val’s house after her older sister tries to commit suicide by overdosing on pain pills.

24

Lunch is so quiet with Eugene, Michelle, Kayla, Chris, and Nick.

25

I got an 84 on my math test today.  I smile.

26

Val returns to school but sits at a different lunch table.  She has no more bruises, but her eyes are still red.

27

My gown flows as I march down the church aisle to receive my certificate of completion from St. John Vianney.

28

I stare at the screen of the my new HP computer as I scratch the back of the $15 iTunes card my grandparents gifted to me. As I begin to type in OKGO’s Here It Goes Again, as the first song I purchase, I change my mind and type in The Beatles’ Revolution.

29

I relax outside alternating between reading Stephen King and beading on my twirling chair as I now do every relaxing summer day.

30

Went to the shore.  Won a giant yellow bee stuffed animal.  I am the skeeball champion!

31

This is so embarrassing.  I don’t know how to open my locker.  In all my years of private school, home school, and Catholic school, I’ve never had a locker until entering The Academy.  Mrs. Bow laughs as she teaches me how to operate a locker.

32

Holding a brain is a lot different than I thought it would be.  It is mushier and lighter than I imagined.

33

“Ever see Forrest Gump?” my new friend, Ruchir, asks at lunch, as I mush the jelly on my sandwich.

34

I walk down the street pulling my ****-tzu and Maltese in my wagon.  Lester almost jumps out when he sees a terrier twice his size, but I catch him just in time.  It is the scariest moment I have had in a long time.

35

At the veteran’s home, I see Ray and tell him how much I love The Academy.  He smiles and asks if I’d like to sing with him.

36

The phone rings.  It’s my new friend Shannon.  She needs help with our Biomedical Sciences homework.

37

I spend Columbus Day at The Carpet Maven, my parent’s carpet store.  St. John Vianney never gave days off for “made up holidays.”

38

Solve for x in the equation Ln(x)=8…I haven’t been able to get that problem out of my head all day.  That is the problem that earned me the Best in Class Award on my first marking period report card.

39

It’s Sunday.  I walk down Main Street to pick up bagels for my family.  The smiley, bright-eyed girl behind the counter at the bagel shop is Val.  She is a student at Mother Superior High School. She asks if my unicorn is being nice to my flamingo.

40

I look at the flamingo and unicorn on my bench.  They’re fine. I’m okay.  Everybody ‘s alright.   Everything’s good.
This poem reflects the struggles of transitioning from middle school to high school.
by
Alexander K Opicho

(Eldoret, Kenya;aopicho@yahoo.com)

When I grow up I will seek permission
From my parents, my mother before my father
To travel to Russia the European land of dystopia
that has never known democracy in any tincture
I will beckon the tsar of Russia to open for me
Their classical cipher that Bogy visoky tsa dalyko
I will ask the daughters of Russia to oblivionize my dark skin
***** skin and make love to me the real pre-democratic love
Love that calls for ambers that will claw the fire of revolution,
I will ask my love from the land of Siberia to show me cradle of Rand
The European manger on which Ayn Rand was born during the Leninist census
I will exhume her umbilical cord plus the placenta to link me up
To her dystopian mind that germinated the vice
For shrugging the atlas for we the living ones,
In a full dint of my ***** libido I will ask her
With my African temerarious manner I will bother her
To show me the bronze statues of Alexander Pushkin
I hear it is at ******* of the city of Moscow; Petersburg
I will talk to my brother Pushkin, my fellow African born in Ethiopia
In the family of Godunov only taken to Europe in a slave raid
Ask the Frenchman Henri Troyat who stood with his ***** erected
As he watched an Ethiopian father fertilizing an Ethiopian mother
And child who was born was Dystopian Alexander Pushkin,
I will carry his remains; the bones, the skull and the skeleton in oily
Sisal threads made bag on my broad African shoulders back to Africa
I will re-bury him in the city of Omurate in southern Ethiopia at the buttocks
Of the fish venting beautiful summer waters of Lake Turkana,
I will ask Alexander Pushkin when in a sag on my back to sing for me
His famous poems in praise of thighs of women;

(I loved you: and, it may be, from my soul
The former love has never gone away,
But let it not recall to you my dole;
I wish not sadden you in any way.

I loved you silently, without hope, fully,
In diffidence, in jealousy, in pain;
I loved you so tenderly and truly,
As let you else be loved by any man.
I loved you because of your smooth thighs
They put my heart on fire like amber in gasoline)

I will leave the bronze statue of Alexander Pushkin in Moscow
For Lenin to look at, he will assign Mayakovski to guard it
Day and night as he sings for it the cacotopian
Poems of a slap in the face of public taste;

(I know the power of words, I know words' tocsin.
They're not the kind applauded by the boxes.
From words like these coffins burst from the earth
and on their own four oaken legs stride forth.
It happens they reject you, unpublished, unprinted.
But saddle-girths tightening words gallop ahead.
See how the centuries ring and trains crawl
to lick poetry's calloused hands.
I know the power of words. Seeming trifles that fall
like petals beneath the heel-taps of dance.
But man with his soul, his lips, his bones.)

I will come along to African city of Omurate
With the pedagogue of the thespic poet
The teacher of the poets, the teacher who taught
Alexander Sergeyvich Pushkin; I know his name
The name is Nikolai Vasileyvitch Gogol
I will caution him to carry only two books
From which he will teach the re-Africanized Pushkin
The first book is the Cloak and second book will be
The voluminous dead souls that have two sharp children of Russian dystopia;
The cactopia of Nosdrezv in his sadistic cult of betrayal
And utopia of Chichikov in his paranoid ownership of dead souls
Of the Russian peasants, muzhiks and serfs,
I will caution him not to carry the government inspector incognito
We don’t want the inspector general in the African city of Omurate
He will leave it behind for Lenin to read because he needs to know
What is to be done.
I don’t like the extreme badness of owning the dead souls
Let me run away to the city of Paris, where romance and poetry
Are utopian commanders of the dystopian orchestra
In which Victor Marie Hugo is haunted by
The ghost of Jean Val Jean; Le Miserable,
I will implore Hugo to take me to the Corsican Island
And chant for me one **** song of the French revolution;


       (  take heed of this small child of earth;
He is great; he hath in him God most high.
Children before their fleshly birth
Are lights alive in the blue sky.
  
In our light bitter world of wrong
They come; God gives us them awhile.
His speech is in their stammering tongue,
And his forgiveness in their smile.
  
Their sweet light rests upon our eyes.
Alas! their right to joy is plain.
If they are hungry Paradise
Weeps, and, if cold, Heaven thrills with pain.
  
The want that saps their sinless flower
Speaks judgment on sin's ministers.
Man holds an angel in his power.
Ah! deep in Heaven what thunder stirs,
  
When God seeks out these tender things
Whom in the shadow where we sleep
He sends us clothed about with wings,
And finds them ragged babes that we)

 From the Corsican I won’t go back to Paris
Because Napoleon Bonaparte and the proletariat
Has already taken over the municipal of Paris
I will dodge this city and maneuver my ways
Through Alsace and Lorraine
The Miginko islands of Europe
And cross the boundaries in to bundeslander
Into Germany, I will go to Berlin and beg the Gestapo
The State police not to shoot me as I climb the Berlin wall
I will balance dramatically on the top of Berlin wall
Like Eshu the Nigerian god of fate
With East Germany on my right; Die ossie
And West Germany on my left; Die wessie
Then like Jesus balancing and walking
On the waters of Lake Galilee
I will balance on Berlin wall
And call one of my faithful followers from Germany
The strong hearted Friedrich von Schiller
To climb the Berlin wall with me
So that we can sing his dystopic Cassandra as a duet
We shall sing and balance on the wall of Berlin
Schiller’s beauteous song of Cassandra;

(Mirth the halls of Troy was filling,
Ere its lofty ramparts fell;
From the golden lute so thrilling
Hymns of joy were heard to swell.
From the sad and tearful slaughter
All had laid their arms aside,
For Pelides Priam's daughter
Claimed then as his own fair bride.

Laurel branches with them bearing,
Troop on troop in bright array
To the temples were repairing,
Owning Thymbrius' sovereign sway.
Through the streets, with frantic measure,
Danced the bacchanal mad round,
And, amid the radiant pleasure,
Only one sad breast was found.

Joyless in the midst of gladness,
None to heed her, none to love,
Roamed Cassandra, plunged in sadness,
To Apollo's laurel grove.
To its dark and deep recesses
Swift the sorrowing priestess hied,
And from off her flowing tresses
Tore the sacred band, and cried:

"All around with joy is beaming,
Ev'ry heart is happy now,
And my sire is fondly dreaming,
Wreathed with flowers my sister's brow
I alone am doomed to wailing,
That sweet vision flies from me;
In my mind, these walls assailing,
Fierce destruction I can see."

"Though a torch I see all-glowing,
Yet 'tis not in *****'s hand;
Smoke across the skies is blowing,
Yet 'tis from no votive brand.
Yonder see I feasts entrancing,
But in my prophetic soul,
Hear I now the God advancing,
Who will steep in tears the bowl!"

"And they blame my lamentation,
And they laugh my grief to scorn;
To the haunts of desolation
I must bear my woes forlorn.
All who happy are, now shun me,
And my tears with laughter see;
Heavy lies thy hand upon me,
Cruel Pythian deity!"

"Thy divine decrees foretelling,
Wherefore hast thou thrown me here,
Where the ever-blind are dwelling,
With a mind, alas, too clear?
Wherefore hast thou power thus given,
What must needs occur to know?
Wrought must be the will of Heaven--
Onward come the hour of woe!"

"When impending fate strikes terror,
Why remove the covering?
Life we have alone in error,
Knowledge with it death must bring.
Take away this prescience tearful,
Take this sight of woe from me;
Of thy truths, alas! how fearful
'Tis the mouthpiece frail to be!"

"Veil my mind once more in slumbers
Let me heedlessly rejoice;
Never have I sung glad numbers
Since I've been thy chosen voice.
Knowledge of the future giving,
Thou hast stolen the present day,
Stolen the moment's joyous living,--
Take thy false gift, then, away!"

"Ne'er with bridal train around me,
Have I wreathed my radiant brow,
Since to serve thy fane I bound me--
Bound me with a solemn vow.
Evermore in grief I languish--
All my youth in tears was spent;
And with thoughts of bitter anguish
My too-feeling heart is rent."

"Joyously my friends are playing,
All around are blest and glad,
In the paths of pleasure straying,--
My poor heart alone is sad.
Spring in vain unfolds each treasure,
Filling all the earth with bliss;
Who in life can e'er take pleasure,
When is seen its dark abyss?"

"With her heart in vision burning,
Truly blest is Polyxene,
As a bride to clasp him yearning.
Him, the noblest, best Hellene!
And her breast with rapture swelling,
All its bliss can scarcely know;
E'en the Gods in heavenly dwelling
Envying not, when dreaming so."

"He to whom my heart is plighted
Stood before my ravished eye,
And his look, by passion lighted,
Toward me turned imploringly.
With the loved one, oh, how gladly
Homeward would I take my flight
But a Stygian shadow sadly
Steps between us every night."

"Cruel Proserpine is sending
All her spectres pale to me;
Ever on my steps attending
Those dread shadowy forms I see.
Though I seek, in mirth and laughter
Refuge from that ghastly train,
Still I see them hastening after,--
Ne'er shall I know joy again."

"And I see the death-steel glancing,
And the eye of ****** glare;
On, with hasty strides advancing,
Terror haunts me everywhere.
Vain I seek alleviation;--
Knowing, seeing, suffering all,
I must wait the consummation,
In a foreign land must fall."

While her solemn words are ringing,
Hark! a dull and wailing tone
From the temple's gate upspringing,--
Dead lies Thetis' mighty son!
Eris shakes her snake-locks hated,
Swiftly flies each deity,
And o'er Ilion's walls ill-fated
Thunder-clouds loom heavily!)

When the Gestapoes get impatient
We shall not climb down to walk on earth
Because by this time  of utopia
Thespis and Muse the gods of poetry
Would have given us the wings to fly
To fly high over England, I and schiller
We shall not land any where in London
Nor perch to any of the English tree
Wales, Scotland, Ireland and Thales
We shall not land there in these lands
The waters of river Thames we shall not drink
We shall fly higher over England
The queen of England we shall not commune
For she is my lender; has lend me the language
English language in which I am chanting
My dystopic songs, poor me! What a cacotopia!
If she takes her language away from
I will remain poetically dead
In the Universe of art and culture
I will form a huge palimpsest of African poetry
Friedrich son of schiller please understand me
Let us not land in England lest I loose
My borrowed tools of worker back to the owner,
But instead let us fly higher in to the azure
The zenith of the sky where the eagles never dare
And call the English bard
through  our high shrilled eagle’s contralto
William Shakespeare to come up
In the English sky; to our treat of poetic blitzkrieg
Please dear schiller we shall tell the bard of London
To come up with his three Luftwaffe
These will be; the deer he stole from the rich farmer
Once when he was a lad in the rural house of john the father,
Second in order is the Hamlet the price of Denmark
Thirdly is  his beautiful song of the **** of lucrece,
We shall ask the bard to return back the deer to the owner
Three of ourselves shall enjoy together dystopia in Hamlet
And ask Shakespeare to sing for us his song
In which he saw a man **** Lucrece; the **** of Lucrece;

( From the besieged Ardea all in post,
Borne by the trustless wings of false desire,
Lust-breathed Tarquin leaves the Roman host,
And to Collatium bears the lightless fire
Which, in pale embers hid, lurks to aspire
  And girdle with embracing flames the waist
  Of Collatine's fair love, Lucrece the chaste.

Haply that name of chaste unhapp'ly set
This bateless edge on his keen appetite;
When Collatine unwisely did not let
To praise the clear unmatched red and white
Which triumph'd in that sky of his delight,
  Where mortal stars, as bright as heaven's beauties,
  With pure aspects did him peculiar duties.

For he the night before, in Tarquin's tent,
Unlock'd the treasure of his happy state;
What priceless wealth the heavens had him lent
In the possession of his beauteous mate;
Reckoning his fortune at such high-proud rate,
  That kings might be espoused to more fame,
  But king nor peer to such a peerless dame.

O happiness enjoy'd but of a few!
And, if possess'd, as soon decay'd and done
As is the morning's silver-melting dew
Against the golden splendour of the sun!
An expir'd date, cancell'd ere well begun:
  Honour and beauty, in the owner's arms,
  Are weakly fortress'd from a world of harms.

Beauty itself doth of itself persuade
The eyes of men without an orator;
What needeth then apologies be made,
To set forth that which is so singular?
Or why is Collatine the publisher
  Of that rich jewel he should keep unknown
  From thievish ears, because it is his own?

Perchance his boast of Lucrece' sovereignty
Suggested this proud issue of a king;
For by our ears our hearts oft tainted be:
Perchance that envy of so rich a thing,
Braving compare, disdainfully did sting
  His high-pitch'd thoughts, that meaner men should vaunt
  That golden hap which their superiors want)

  
I and Schiller we shall be the audience
When Shakespeare will echo
The enemies of beauty as
It is weakly protected in the arms of Othello.

I and Schiller we don’t know places in Greece
But Shakespeare’s mother comes from Greece
And Shakespeare’s wife comes from Athens
Shakespeare thus knows Greece like Pericles,
We shall not land anywhere on the way
But straight we shall be let
By Shakespeare to Greece
Into the inner chamber of calypso
Lest the Cyclopes eat us whole meal
We want to redeem Homer from the
Love detention camp of calypso
Where he has dallied nine years in the wilderness
Wilderness of love without reaching home
I will ask Homer to introduce me
To Muse, Clio and Thespis
The three spiritualities of poetry
That gave Homer powers to graft the epics
Of Iliad and Odyssey centerpieces of Greece dystopia
I will ask Homer to chant and sing for us the epical
Songs of love, Grecian cradle of utopia
Where Cyclopes thrive on heavyweight cacotopia
Please dear Homer kindly sing for us;
(Thus through the livelong day to the going down of the sun we
feasted our fill on meat and drink, but when the sun went down and
it came on dark, we camped upon the beach. When the child of
morning, rosy-fingered Dawn, appeared, I bade my men on board and
loose the hawsers. Then they took their places and smote the grey
sea with their oars; so we sailed on with sorrow in our hearts, but
glad to have escaped death though we had lost our comrades)
                                  
From Greece to Africa the short route  is via India
The sub continent of India where humanity
Flocks like the oceans of women and men
The land in which Romesh Tulsi
Grafted Ramayana and Mahabharata
The handbook of slavery and caste prejudice
The land in which Gujarat Indian tongue
In the cheeks of Rabidranathe Tagore
Was awarded a Poetical honour
By Alfred Nobel minus any Nemesis
From the land of Scandinavia,
I will implore Tagore to sing for me
The poem which made Nobel to give him a prize
I will ask Tagore to sing in English
The cacotopia and utopia that made India
An oversized dystopia that man has ever seen,
Tagore sing please Tagore sing for me your beggarly heat;

(When the heart is hard and parched up,
come upon me with a shower of mercy.

When grace is lost from life,
come with a burst of song.

When tumultuous work raises its din on all sides shutting me out from
beyond, come to me, my lord of silence, with thy peace and rest.

When my beggarly heart sits crouched, shut up in a corner,
break open the door, my king, and come with the ceremony of a king.

When desire blinds the mind with delusion and dust, O thou holy one,
thou wakeful, come with thy light and thy thunder)



The heart of beggar must be
A hard heart for it to glorify in the art of begging,

I don’t like begging
This is knot my heart suffered
From my childhood experience
I saw my mother
Paul d'Aubin Dec 2014
«Joli val de Luchon»

Joli Luchon aux ardoises effilées,
dans ta vallée aux eaux si réputées,
tes allées d’Etigny bordées par les tilleuls
et les eaux de La Pique
ou les truites se rient
des pêcheurs du dimanche

Joli Luchon au val bien encaissé,
tes Thermes sulfureuses
aux eaux réparatrices,
ont fait de ton séjour
un lieu propre à guérir
dans un cadre rieur, aimant de nos plaisirs.

Joli Luchon aux allées d'Etigny,
Toujours les promeneurs vinrent sous tes tilleuls,
se reposer un peu et montrer leurs atours
parfois avec l'appui de Cupidon
ces fiers estivants par l'air revivifié
passaient leurs nuits dans des lits de velours
avec de jolies dames, amusées et séduites.

Joli Luchon au val bien encaissé,
entouré de pins verts
surplombé par les neiges de Superbagnères
quand les froidures viennent
enneiger tes sommets,
ton air vivifiant appelle un vin chaud.

Paul Arrighi
Mike Bergeron Sep 2012
There was a house fire on my street last night …well… not exactly my street, but on a little, sketchy, dead-end strip of asphalt, sidewalks, weeds, and garbage that juts into my block two houses down. It was on that street. Rosewood Court, population: 12, adjusted population: 11, characterized by anonymity and boarded windows, peppered with the swift movements of fat street rats. I’ve never been that close to a real, high-energy, make-sure-to-spray-down-your-roof-with-a-hose-so-it-doesn’t-catch­ fire before. It was the least of my expectations for the evening, though I didn’t expect a crate of Peruvian bananas to fall off a cargo plane either, punching through the ceiling, littering the parking lot with damaged fruit and shingles, tearing paintings and shelves and studs from the third floor walls, and crashing into our kitchen, shattering dishes and cabinets and appliances. Since that never happened, and since neither the former nor the latter situation even crossed my mind, I’ll stick with “least of my expectations,” and bundle up with it inside that inadequate phrase whatever else may have happened that I wouldn’t have expected.



I had been reading in my living room, absently petting the long calico fur of my roommate’s cat Dory. She’s in heat, and does her best to make sure everyone knows it, parading around, *** in the air, an opera of low trilling and loud meows and deep purring. As a consequence of a steady tide of feline hormones, she’s been excessively good humored, showering me with affection, instead of her usual indifference, punctuated by occasional, self-serving shin rubs when she’s hungry. I saw the lights before I heard the trucks or the shouts of firemen or the panicked wail of sirens, spitting their warning into the night in A or A minor, but probably neither, I’m no musician. Besides, Congratulations was playing loud, flowing through the speakers in the corners of the room, connected to the record player via the receiver with the broken volume control, travelling as excited electrons down stretches of wire that are, realistically, too short, and always pull out. The song was filling the space between the speakers and the space between my ears with musings on Brian Eno, so the auditory signal that should have informed me of the trouble that was afoot was blocked out. I saw the lights, the alternating reds and whites that filled my living room, drawing shifting patterns on my walls, ceiling, floor, furniture, and shelves of books, dragging me towards the door leading outside, through the cluttered bike room, past the sleeping, black lump of oblivious fur that is usually my boisterous male kitten, and out into the bedlam I  had previously been ignorant to. I could see the smoke, it was white then gray then white, all the while lending an acrid taste to the air, but I couldn’t see where it was issuing from. The wind was blowing the smoke toward my apartment, away from Empire Mills. I tried to count the firetrucks, but there were so many. I counted six on Wilmarth Ave, one of which was the awkward-looking, heavy-duty special hazards truck. In my part of the city, the post-industrial third-wave ***** river valley, you never know if the grease fire that started with homefries in a frying pan in an old woman’s kitchen will escalate into a full-blown mill fire, the century-old wood floors so saturated with oil and kerosene and ****** and manufacturing chemicals and ghosts and god knows what other flammable **** that it lights up like a fifth of July leftover sparkler, burning and melting the hand of the community that fed it for so many decades, leaving scars that are displayed on the local news for a week and are forgotten in a few years’ time.



The night was windy, and the day had been dry, so precautions were abundant, and I counted two more trucks on Fones Ave. One had the biggest ladder I’ve ever seen. It was parked on the corner of Fones and Wilmarth, directly across from the entrance into the forgotten dead-end where the forgotten house was burning, and the ladder was lifting into the air. By now my two roommates had come outside too, to stand on our rickety, wooden staircase, and Jeff said he could see flames in the windows of one of the three abandoned houses on Rosewood, through the third floor holes where windows once were, where boards of plywood were deemed unnecessary.



“Ay! Daddy!”



My neighbor John called up to us. He serves as the eyes and ears and certainly the mouth of our block, always in everyone’s business, without being too intrusive, always aware of what’s going down and who’s involved. He proceeded to tell us the lowdown on the blaze as far as he knew it, that there were two more firetrucks and an ambulance down Rosewood, that the front and back doors to the house were blocked by something from inside, that those somethings were very heavy, that someone was screaming inside, that the fire was growing.



Val had gone inside to get his jacket, because despite the floodlights from the trucks imitating sunlight, the wind and the low temperature and the thought of a person burning alive made the night chilly. Val thought we should go around the block, to see if we could get a better view, to satisfy our congenital need to witness disaster, to see the passenger car flip over the Jersey barrier, to watch the videos of Jihadist beheadings, to stand in line to look at painted corpses in velvet, underlit parlors, and sit in silence while their family members cry. We walked down the stairs, into full floodlight, and there were first responders and police and fully equipped firefighters moving in all directions. We watched two firemen attempting to open an old, rusty fire hydrant, and it could’ve been inexperience, the stress of the situation, the condition of the hydrant, or just poor luck, but rather than opening as it was supposed to the hydrant burst open, sending the cap flying into the side of a firetruck, the water crashing into the younger of the two men’s face and torso, knocking him back on his ***. While he coughed out surprised air and water and a flood of expletives, his partner got the situation under control and got the hose attached. We turned and walked away from the fire, and as we approached the turn we’d take to cut through the rundown parking lot that would bring us to the other side of the block, two firemen hurried past, one leading the other, carrying between them a stretcher full of machines for monitoring and a shitload of wires and tubing. It was the stiff board-like kind, with handles on each end, the kind of stretcher you might expect to see circus clowns carry out, when it’s time to save their fallen, pie-faced cohort. I wondered why they were using this archaic form of patient transportation, and not one of the padded, electrical ones on wheels. We pushed past the crowd that had begun forming, walked past the Laundromat, the 7Eleven, the carwash, and took a left onto the street on the other side of the parking lot, parallel to Wilmarth. There were several older men standing on the sidewalk, facing the fire, hands either in pockets or bringing a cigarette to and from a frowning mouth. They were standing in the ideal place to witness the action, with an unobstructed view of the top two floors of the burning house, its upper windows glowing orange with internal light and vomiting putrid smoke.  We could taste the burning wires, the rugs, the insulation, the asbestos, the black mold, the trash, and the smell was so strong I had to cover my mouth with my shirt, though it provided little relief. We said hello, they grunted the same, and we all stood, watching, thinking about what we were seeing, not wanting to see what we were thinking.

Two firefighters were on the roof by this point, they were yelling to each other and to the others on the ground, but we couldn’t hear what they were saying because of the sirens from all the emergency vehicles that were arriving.  It seemed to me they sent every firetruck in the city, as well as more than a dozen police cars and a slew of ambulances, all of them arriving from every direction. I guess they expected the fire to get really out of hand, but we could already see the orange glow withdrawing into the dark of the house, steam and smoke rippling out of the stretched, wooden mouths of the rotted window frames. In a gruff, habitual smoker’s voice, we heard

                                      “Chopper called the fire depahtment

We was over at the vet’s home

                He says he saw flames in the windas

                                                                                                                                                We all thought he was shittin’ us

We couldn’t see nothin’.”

A man between fifty-five to sixty-five years old was speaking, no hair on his shiny, tanned head, old tattoos etched in bluish gray on his hands, arms, and neck, menthol smoke rising from between timeworn fingers. He brought the cigarette to his lips, drew a hearty chest full of smoke, and as he let it out he repeated

                                                “Yea, chopper called em’

Says he saw flames.”

The men on the roof were just silhouettes, backlit by the dazzling brightness of the lights on the other side.  The figure to the left of the roof pulled something large up into view, and we knew instantly by the cord pull and the sound that it was a chainsaw. He began cutting directly into the roof. I wasn’t sure what he was doing, wondered if he was scared of falling into the fire, assumed he probably was, but had at least done this before, tried to figure out if he was doing it to gain entry or release pressure or whatever. The man to the right was hacking away at the roof with an axe. It was surreal to watch, to see two men transformed from public servants into fingers of destruction, the pinkie and ring finger fighting the powerful thumb of the controlled chemical reaction eating the air below them, to watch the dark figures shrouded in ethereal light and smoke and sawdust and what must’ve been unbearable heat from below, to be viewing everything with my own home, my belongings, still visible, to know it could easily have gone up in flames as well.

I should’ve brought my jacket. I remember complaining about it, about how the wind was passing through my skin like a window screen, chilling my blood, in sharp contrast to the heat that was morphing and rippling the air above the house as it disappeared as smoke and gas up into the atmosphere from the inside out.

Ten minutes later, or maybe five, or maybe one, the men on the roof were still working diligently cutting and chopping, but we could no longer see any signs of flames, and there were figures moving around in the house, visible in the windows of the upper floors, despite the smoke. Figuring the action must be reaching its end, we decided to walk back to our apartment. We saw Ken’s brown pickup truck parked next to the Laundromat, unable to reach our parking lot due to all the emergency vehicles and people clogging our street. We came around the corner and saw the other two members of the Infamous Summers standing next to our building with the rest of the crowd that had gathered. Dosin told us the fire was out, and that they had pulled someone from inside the gutted house, but no ambulance had left yet, and his normally smiling face was flat and somber, and the beaten guitar case slung over his shoulder, and his messed up hair, and the red in his cheeks from the cold air, and the way he was moving rocks around with the toe of his shoe made him look like a lost child, chasing a dream far from home but finding a nightmare in its place, instead of the professional who never loses his cool or his direction.

The crowd all began talking at once, so I turned around, towards the dead end and the group of firefighters and EMTs that were emerging. Their faces were stoic, not a single expression on all but one of those faces, a young EMT, probably a Basic, or a Cardiac, or neither, but no older than twenty, who was silently weeping, the tears cutting tracks through the soot on his cheeks, his eyes empty of emotion, his lips drawn tight and still. Four of them were each holding a corner of the maroon stretcher that took two to carry when I first saw it, full of equipment. They did not rush, they did not appear to be tending to a person barely holding onto life, they were just carrying the weight. As they got close gasps and cries of horror or disgust or both issued from the crowd, some turned away, some expressions didn’t change, some eyes closed and others stayed fixed on what they came to see. One woman vomited, right there on the sidewalk, splashing the shoes of those near her with the partially digested remains of her EBT dinner. I felt my own stomach start to turn, but I didn’t look away. I couldn’t.

                                                                                It was like I was seven again,

                                in the alleyway running along the side of the junior high school I lived near and would eventually attend,

looking in silent horror at what three eighth graders from my neighborhood were doing.

It was about eight in the evening of a rainy,

late summer day,

and I was walking home with my older brother,

cutting through the alley like we always did.

The three older boys were standing over a small dog,

a terrier of some sort.

They had duct taped its mouth shut and its legs together,

but we could still hear its terrified whines through its clenched teeth.

One of the boys had cut off the dog’s tail.

He had it in one hand,

and was still holding the pocket knife in the other.

None of them were smiling,

or talking,

nor did they take notice of Andrew and I.

There was a garden bag standing up next to them that looked pretty full,

and there was a small pile of leaves on the ground next to it.

In slow motion I watched,

horrified,

as one of the boys,

Brian Jones-Hartlett,

picked up the shaking animal,

put it in the bag,

covered it with the leaves from the ground,

and with wide,

shining eyes,

set the bag

on fire

with a long-necked

candle

lighter.

It was too much for me then. I couldn’t control my nausea. I threw up and sat down while my head swam.

I couldn’t understand. I forgot my brother and the fact that he was older, that he should stop this,

Stop them,

There’s a dog in there,

You’re older, I’m sick,

Why can’t I stop them?

It was like
Gaffer Oct 2015
She was having a party
A divorce party
He wasn’t invited
They came prepared
Balloons, rozettes, banners
More people than were at the wedding
Val was very popular
He listened intently
Something about Val, his soulmate
The loud girl with the big heart
He would miss that
The music played on till dawn
He was waiting in the street for the taxi to arrive
She was saying goodbye to the final few
He caught her eye
Sounded like a great night
Yeah, you know me
So how does it feel to be a single woman
Don’t know yet
How long you away for
Three, four months
Gives a call when you get back, we’ll go for a drink
Yeah, that would be nice
Taxi’s here, be seeing you Val
Tony
Yeah
Love you
Love you too Val.
So Val, now I guess,
it's Val Donican for you.
You've given up the goat, and now
you're walking taller than all of us.  
You're guitar strings are silent,
yet my heart strings still ring for you,  
but no amount of cod liver oil
can bring you back.
So Val, rock on.
Josephine Lnd May 2013
An empty ******* tank, but with full throttle
been running on idle on top gear,
now the engine has seized up and I
am forced to surrender every morning
to the fact
that I have to eat pills not to go into myself,
go into a corner and go under

and even though I’m on the maximum dose
there are still days when I can’t
get outside the door
just laying down, sinking through the couch, back down
to a state I don’t want to allow
but I have no other choice but to keep breathing
as if I were on ten thousand meters altitude

and I have no other choice but to surrender to
the fact that I can’t handle myself,
that I wouldn’t get up without
these forty milligrams a day
yet still I stand there with my sword drawn behind my back
can’t let the guard down unto the enemy that is reality

and now they say I have a bipolarity they
want to medicate, stabilize
my moods
I have a flawed brain, I have a flawed history
been making too many bad choices, involved myself
in too many ****** up people and got stuck
as if I didn’t have any other choice
when really I just could have opened my eyes
and see my own part of the story
  that I’ve always been looking for someone more broken than
what I’ve been,
to take care of, in stupid attempts
to drown out my own weakness

it’s as if I’ve always wanted to find excuses
for feeling the way I do, being the way I am,
that I don’t function at all
  never wanted to realize that it was in me
the fault lied
  always on the hunt for someone who could destroy me anew
so I didn’t have to see that I was already annihilated
by myself,
so I didn’t have to see that there were no hangman,
that I stood there with the axe in my own hands
and blood on my shoes

//

en tom jävla tank, men med gasen i botten
har kört på tomgång på högsta växeln,
nu har motorn skurit och jag
är tvungen att kapitulera varenda morgon
inför det faktum
att jag måste knapra piller för att inte gå in i mig själv,
gå in i ett hörn och gå under

och trots att jag ligger på maxdos
så finns det fortfarande dagar då jag inte klarar av
att ta mig utanför dörren
bara ligger, sjunker igenom soffan, ner tillbaka
till ett tillstånd jag inte vill tillåta,
men jag har inget annat val än att fortsätta andas
som om jag befann mig på tiotusenmeters höjd

jag har inget annat val än att kapitulera inför
det faktum att jag inte klarar av mig själv,
att jag inte skulle idas resa mig upp utan
dessa fyrti milligram om dagen
  ändå står jag där med svärdet draget bakom ryggen
kan inte släppa ner garden inför den fiende som är verkligheten

och nu säger de att jag har en bipolaritet
som de vill medicinera, stabilisera
mina stämningar
jag har fel på hjärnan, det är fel på min historia
har gjort för många dåliga val, har involverat mig
i för många fuckade människor och fastnat där
som om jag inte hade något annat val
när jag egentligen bara kunnat öppna ögonen
och se min egen roll i det hela
  att jag ständigt sökt någon trasigare än
vad jag själv varit,
att ta hand om, i korkade försök
att överrösta min egen svaghet

det är som att jag alltid velat hitta ursäkter
för att jag mår som jag mår, är som jag är,
att jag inte fungerar alls
har aldrig velat inse att det var hos mig
felet låg,
ständigt på jakt efter nån som kunnat förgöra mig på nytt
så jag slapp se att jag redan var tillintetgjord
av mig själv,
så jag slapp se att det inte fanns någon bödel,
att jag stod med yxan i min egen hand
och blod på mina skor
JoJo Pantoja Feb 2016
I came here for a vacation
i didnt expect to meet you.
But now you got my attention,
And id like to get to know you.
You’re pretty
you’re fun
and you’re kind.
I dont know if ur gay or straight but the way you act got my attention.
And i guess i could say,
i like you.
You helped me in San Juan when i was walking way up front, u didnt know u helped me cuz u thought i was sleepy since it was 3am.
You didnt know that when you placed ur hand on my back then held my hand,
it helped me & snapped me out of what was happening inside me.
Iv liked u since i met you that night.
I like how fun you are.
I liked when u played beer pong & when u danced at thw party we went to.
And for some reason when you blew me a friendly kiss last night as u said hi,
it made me warm inside,
made me happy.
i know you see me as just a friend
& i see u the same way but also as a crush…
I hope we hang a lil more before i leave.
you’re fun to be around.
So can i get to know you?
& you can get to know me too :)
fred erbert May 2015
And i loved you more than the  stars in the skys, the moon on rise and the sun on the sit, you were the greatest to ever take a step, i lovedd more than romeo loved juliett  i love you
Chapter XXI
Hegira to Patmos

They dropped their moorings from Cala Cogone early, when the tide seemed to be separated from the waters like a head distanced from its body. On a lavish and romantic day they went to Genoa, to continue the logistics of the trip to Piacenza. During the trip Etréstles was stretched out in the bow under a Sun that seemed to be fearsome as it was a digestive task that would make him ingest his own dream, which perhaps he aspired to be more than a journey. While he slept, at the helm Etréstles dressed in a black robe and the comrades also sleeping with dreams that they painted with sign gestures on their faces.

Dream of Etréstles: "With the memory off-center ..., I was still in Izzana, dancing by the clouds on gray tulles of the layers of the sky that tried to stop being a Kingdom without a Crown and Sword". They glimpsed the stones melting and turning into gauze juxtaposed to the aerosolites that unfolded from the Sorcery, landing on the hands and heads of Vernarth and Himself. As he continued his dreamy journey, he dialogued with the auxiliary legate of his own dream. “He tells her that he sees them beyond where their liturgies collide. They cross eroding the vanished and itinerant reason”. He gets up and takes the moorings of the ship and ties them to his neck. Then everyone cooperates to walk along the edge of the ship, which all moved barefoot. This is how I would wake up!

Vernarth tries to wake him up, shakes him, but doesn't wake up. And when he tried to avoid him from sleep, he saw that he had the moorings around his neck, along with two Unicorns who were escorting him and were looking towards infinity, auspicious that Genoa was already coming in front of their horns. The others began to wake up and ate reclining, almost as if without any desire to get up from the deck full of self-sliding linen, which allowed everyone to pass their own meals, including those that were semi-consumed rolling on the deck. Etréstles,  transferred the dream to Vernarth, once he went to his bedroom to rest before they touched the roadstead at the foot of the homonymous promontory, 36 km from Genoa.  Portofino, close to the hydro form of the Portofino Regional Natural Park.  Being able to find different entrance doors through S. Rocco, Portofino Vetta and Nozaregoino  that led you to paths with different levels of accessibility and landscape. On the route of the path that traveled from Northwest to Southwest on the same promontory, he received the full beauty of the Mediterranean vegetation, with its beautiful pines, bluish and clean waters of the Mediterranean, which filled his lungs and especially his stem, which silenced of peace to those who accompany you through this interesting and beautiful Natural Park with deep blue eyes.
Vernarth is wrapped with two layers of linen and stands in between eclipsing each of the Unicorns. They pass her horn through her pectoral, as if wanting to insinuate affection. But her propitiated gesture was to crown her with the Power of her phalanx, the impetus in Gaugamela, an Onyx Crown, to lighten the burden of sleep and wake up before reaching the shores of Genoa.
Calling in Genoa, they all descend in a separate part and say goodbye from afar, gesturing with their hands. Their ramblings revealed multi-level radiographs of the resolved aura that invited them to an enclave hostel, to re-enter the world of their daily chores. The Unicorns who would return back to Sardinia stayed on the ship that was in the blue bay. They positioned themselves at the bow one and at the stern the other, to lighten the sails and return to Izzana.

Vernarth and Etréstles walked with their bags, letting go of their feet towards La Via ** Settembre, they travel in an east-west direction, next to Corso Italia, the promenade that runs along the promenade, which is one of the favorite places to reform the destination of Piacenza. From this road they moved near the adjacent carriage station to the Caruggio neighborhood in Sottoripa. Here they entered an inn to eat and drink liqueurs made from natural herbal recipes and sweet citrus, some fish with bread, sauce and Genovés sourdough. to satisfy their hunger.
They had dinner and opened the exit to the terminal. Before, they went to the Ponte Monumentale where the church dedicated to Santa Rita is, called Iglesia de la Consolación, whose entrance, at the level of the old streets, is slightly lower than the current street. They pass a porch and enter. "Almost like a grand cloister sensation they perceived during their stay, as if centuries had passed, but which never ended in the wanderings of any secular period. It was the impression once entered and soaked on this road, which still remains active. From this original cloister, the invocation of images on the sides placed towards the church towards Via ** Settembre, as well as the closed portal in the market access plaza on Via Galata, recur, while the other two sides are they completed attractions to admire when the eastern market in Genoa appeared before them ”.

When they entered, the masks were passed over the bones of their faces, indulgent towards both faces of the visitors, under a freshness of gravitational atmospheric fragrance, perhaps from the connected baptismal font or the lateral nave or the three naves separated by square pillars illuminating them. This is where Vernarth places his right hand on his forehead and his mouth, as a sign of catechesis detached from The Vault, the central nave and the counter-facade that were painted in fresco in 1874 by Giuseppe Isola, after reading about the intertextual verifying thus Vernarth. (Visioni dell'Apocalisse, Gloria di Nostra Signora della Consolazione and Giuditta rientra trionfante in Betulia), while Etréstles frenziedly admitted the frescoes through the side aisles that are the work of Giovanni Quinzio at an angle close to him. Observing everything, he was already indoctrinating to reprint new vigor to enter Piacenza triumphantly and head to the Region of Patmos. Giuseppe Isola's fresco was the great motive that struck his reason for being where he was to continue the threads upon threads of his lineage as the great Commander of the troops of Gaugamela and his Phalanges. Here is the church in its first tune with the duty of limitlessness before its steps to dominions that will make it recover their powers, from where they were first seen dressing in the clothes of an innocent child.


In the apse, there was the choir singing baroque pieces, and followed by elaborate wooden stalls from the 17th century. In the Altars on the left, on the Fifth Altar, Etréstles, captures a simultaneous vision. From that moment when it was the disappearance of this Santa Maria della Pace church, which could have been one structure on top of the other, perhaps in ruins but if the columns could go further from where their originals are born. Until then both had separated from each other, and they would meet again here in the apse, where they never lose sight of each other again, to turn towards the exit that required them to leave the sacred precinct. In the terminal, a grayish float awaited them, with silver trim on the edges of the structure, at the top of the front roof it said "Where you must never go and be". It was just the transport of an allegorical float. They were theatrical traveling artists, who had places available for travelers to Piacenza. The one that they just approached to move to the home, where they had to register at their own will and rejoin this excellent session "Parapsychological Regression".The Trebbia valley, a few kilometers from Piacenza. Vernarth noted that a shaft of the chariot made a strange sound. To which he notified the driver, telling him what he caught on the rear axle of the carriage. They go down to inspect all; not being able to detect anything that it would suppose would be an anomaly of filming of the instrumental east. Etréstles sees that some steeds were grazing on some meadows and he tells them all. Vernarth warns him and immediately heads to them. It reaches only a sorrel that was running its tongue over its hoof. The others flee. Vernarth approaches, and notices that he had a wound in his left hoof, noticing that in the center there was a strip of Green color, He takes his leg, and examines it. He takes out his dagger and begins to remove the stake that was inserted into his damaged leg. The others were gone, restarting the trip to Piacenza. Etréstles managed to climb a steed, and followed him - The float remained without them supposedly to arrive safely at Piacenza. But at 5 km, before reaching the city they are struck by a lightning bolt from a sudden storm. What misdirects his route - the passengers were left intact, only fatally suffered the loss of the driver. (It was verified by Vernarth when he arrived at his home in Piacenza).   As  Vernarth rode fast in the storm, trying to catch up with the carriage. Stress them towards the same to reach their brother. They rode propagating the pastures that passed near the forests of Val Trebbia. When the storm intensified instantly, it was wise to take refuge and wait for the flood to decrease. They were always close to each other. Etréstles about 18 km from Vernarth, they did not know it, but the horses sensed each other. They already distinguished, that they were close to each other, but it was necessary to take care of the horse, and have to check its hoof again. He checks it and notices that it had a green stripe in the four parts, like a pigment already placed concentrically in the middle of each hoof.


Ellipses Gaugamela - Final War
Vernarth bids farewells farewell. Once the Achaemenides are surrendered, he prepares to review them. Walk with Alikanto across the ****** plain. Reviewing his five hundred dead and three thousand wounded, he goes to recirculate in the footsteps of the attack, manages to see lead as a sentinel gathered wounded horses, but not serious. He approaches him and says Khaire; asking what unit they came from. He tells them of the Hosts of the command of Hefestion. The sentinel tells him, that he was enraptured by the fact before his eyes to see that all the horses of the line of Hefestion, Alexander the Great and Vernarth, to fascinate him that they had a green stripe on his left hoof. Wedge riders are formed, lining up the stable, towards the court of the guards and Macedonian monarchs. She dismounts from Alikanto and checks the chestnut trees, managing to insinuate that it could be Medea's ploy of the smiling charm towards her Hetairoi dancers, whose elite had bracelets on each leg on each chestnut. Also with the offensive weapon, they acted as the Macedonian's personal guard. Vernarth recalled that, before starting the offensive, with his blessed Xifos he inflicted light wounds on the left foot of his Phalanges in the act of "overtaking them before being stained by the enemy"

Vernarth says: Here is the cavalry that has received so much praise for «hammer» in the strategies, because it crushed the enemy units retained by the «anvil» or the «phalanx» that I had to command and lead the charge, intoning the riders. And even more the circumcisions that he gave them before entering combat. With the Hetairoi I was organizing squadrons of 200 to 300 soldiers, while they were checking the chestnut trees. In the campaign, they would ride the best horses, ******* or on the blanket, they were awarded the best weapons available. Each carried his long throwing spear Xyston, accompanied by a Kopis sword, for hand-to-hand combat, which in the interlude would defend his flax and bronze breastplate, with respective protective armbands and helmet, before lightly tackling his aggression . The horses were also partially protected, but not their hooves! I gave them the final instruction by decree to take them to the altarpieces and attend to them, so that they check their left hoof.Thus giving signs of great concern about the green stripe on each of its left hooves. Sentinel Hetairoi, with some of his servants, gather the animals and transport them where they have been ordered to tend and examine them. As the designs collapse over the night in gloomy litanies, Medea bursts into a great green outfit saying:

Medea: Vernarth, rancid are on my memory the potions and designs of those who want to talk about me or offer me in their lust.Where the zeal of anxiety deceives the wishful arms that welcome the victorious pleasure. Hooves are my skeptics and famous decisions, because I am weak in will but not in character. Green is the pouring of my converted powers into the veins of the horses. They were carriers in their eloquent ferocity. Instead of blood, I had sap from the magic vessels that I transferred to them so as not to doubt the doubts. Their object is that a green band was encased in their hooves as a sign of the Hipnos promontory through their Son Clovis, to plunge all the forests of the raging underworld, towards the heart of each "Valiant Hetairoi".


Outside ellipsis / near Piacenza
Vernarth and Etréstles in a post-storm clearing, a soft breeze greets them and they meet again, they greet Khaire! And together they reroute to the empty pastures, which would gradually begin to venture them through the farthest forests of the Val Trebbia. On some brown plains with poor colors that visited him falling as they faded on his mirage. From this unusual crossroads they will supremely perceive the closeness of Piacenza in their breathing.
Now they are in the vicinity of the Cimitero de Piaceza. Then they will have to go home on the Via Giovanni Codagnello, on the calendar of January 2020. The Parapsychological Regression continues.


Piacenza Cemetery, January 20, 2020
Vernarth and Etréstles entered the necropolis long before sunset. They were carrying a cake to celebrate Vernarth's birthday. Night Patrol joined the visit. In particular, they followed a night watch service that was active, trusting their guide Piacenza or the surrounding area, with 3 internal night patrol passages 365 days a year, for the rest of lives beyond all material life, perhaps turned into marble statues.
They hired a special service dedicated to the approved service for 2 people .; They were active during the caretaker's office opening hours (the same opening hours as the cemetery). With this service they overcame difficulties to walk after so much traveling. They leave the green-hoofed horses, now turned into statues. They request authorization from the entrance cemetery offices, to honor their belonging and to please those who visit them on their behalf. In Genoa, after having passed through the exterior without entering, they were ecstatic with the Staglieno Cemetery in Genoa (the most monumental in Italy).But if they enter the Piacenza, where the sanitary monumentality passed through the real function of such an enclosure in the contingency. It was commented by the neighboring offices that the migration of corpses from Bergamos were moved to Modena, Acqui Terme, Domodossola, Parma, Piacenza to carry out the respective ceremonies. Due to the great Viral Pandemic that decimated a great majority of Italian citizens in these areas. Vernarth became aware of the current reality, saw how a gravedigger conversed with the crowds, there was a nurse, a doctor and a prodigal man who concentrated on uploading moods to those who were there, almost like a caster, to relieve them of this transitory despite humanity.
They continue past the pyramidal pines, to the central pavilion. They sit on the edge of some flagstones, and take the cake to celebrate their birthday. They sing a hymn and they both enjoy it lovingly. Etréstles saw that he had a little cream left on his nose and cheekbone, running his hand to remove it. In the instant, the guard calls them; it was time to go because it was time to close the compound. They say goodbye with a monumental hug paying tribute to their brother!


Etréstles says: Honors Vernarth, for your immeasurable Valor! It is a great contribution that we divide our work and commitments. From here I go to the Messolonghi Cemetery. I will only wait for the crescent moon to meet the Charioteer, then leave with him and my beloved Drestnia. My Xifos Sword in my right hand and the head that I cut off in my left hand, in Gaugamela before that rugged fate! Khaire, My honors Commander Etréstles!. It remains in the shadow of some pyramidal pine trees of this sublime night, and then they distance themselves. Vernarth leaves the compound heading towards his house relatively close to the cemetery, on the Via Giovanni Codagnello.


Final session in Vía Codagnello, Piacenza:
Vernarth enters opens the door and everyone is waiting for him. Huge groups of friends, work colleagues, family, their pets, and especially the Parapsychologist, who had commanded this whole great session. They all approach her and in the instant, Vernarth awakes abruptly from the parapsychological session. They stabilize it and check your vital signs. There were many days of this odyssey. His awakening was mediatic, since they were attentive to him to question him and confess everything, but he was clear that his purpose would lead him to the confines of Patmos along with Raeder and Petrobus. It remained only to wait for the tenuity of a simple immortal warrior to assist in the services of John the Evangelist. The parapsychologist says you have to wake up, you can no longer be AND stay here in this temporary tube!
Once he has refused to wake up, he takes the itinerary to return to Macedonia. The visibly worn and stunned parapsychologist demands that he give up and obey his command. The effort was unproductive, only letting himself be carried by the grip of his right hand, taking his other with great vigor to remove it from shamelessness, from whom he does not suppress his pride to who still remains wounded by the swords that bleed his soul in Gaugamela. "Everyone is amazed and resigned !, pointing out that he must have always been in the surroundings of his beloved Macedonia, cutting the bursts of succulent insolence on the same temperate cliffs, where some variation of the sounds of the wind would make him saddle his Alikanto to acclaim the gods who came looking for him ”

Vernarth is engulfed in ambivalence, almost celebrating his birthday and waking up from his parapsychological journey. Both will take place, but the session will continue irrevocably. After a few days close to the first day of the crescent moon, he greeted him from a privileged place on his house Etréstles de Kalavrita who was with the Charioteer in his car and Drestnia, they went in that masterful car to join the chores of the Koumetrium Messolonghi (Editorial Palibrio - USA) .So returning to Messolonghi, to meet his disciples and essences of the foundation of his naturalness.


Hegira to Patmos
On a gray day in July 1820. Piacenza slept under the ambush of the revolution, in Italy there was a situation similar to that of another European nation. Vernarth was preparing his last details with the parapsychologist, to undertake his Hegira to Patmos, since he was a revolutionary and this was of great motivation to emigrate from this constant stage of Wars and sociopolitical processes. Manage to be a participant in this revolt in the Piedmont area. Its ideological axes were liberalism and nationalism. Given that the most affected countries were those of southern Europe (episodes from other areas, such as Germany or France, were much less important), with Spain as epicenter of a movement that extended to Italy and Portugal, and on the other hand Greece; It has been called the Mediterranean cycle as opposed to the Atlantic cycle that had preceded it in the previous generation (the first liberal revolutions or bourgeois revolutions, produced on both sides of the ocean: the Independence of the United States -1776- and the French Revolution -1789- ). As compromised great principalities of much of Europe were banned, it participates in great dissolution of collisions and invasions that involved it. In this way he would liberate his Homeland, especially his province of Piacenza.

Although the "Kingdom of Italy" as such did not exist, there were two great kingdoms that participated in the Revolutions of 1820: the Kingdom of Naples and the Kingdom of Piedmont. However, most of the revolutionary movements were driven by secret societies, such as coal. The Kingdom of Piedmont was also one of the most affected, since it was at the epicenter of Italian nationalism. It was controlled by Víctor Manuel I, member of the House of Savoy and defender of the Old Regime. The monarch had only been on the throne for 6 years, since he returned to Turin in 1814 due to the defeat of Napoleon. Since his return, various factions within the country advocated for a unification of all the Italian kingdoms. The unstable situation of its neighbor, the Kingdom of Naples, caused the carbonarians within Piedmont to revolt in March 1821.

Conclusive Hegira ellipsis to Patmos:
After this great conflict, he orders his parapsychologist to resume his final session in Patmos; he begins the procedure for the era that he had to trespass anachronistically, returning to the era of the Macedonian Empire. The parapsychologist asks him time, place, dates, clothing, customs, and manages to meet his request. He enters the portal, and in the backwaters of Messolonghi he meets Raeder and Petrobus. They were close to this heroic land, Messolonghi in the Gulf of Patras, the capital of Aetolia-Acarnania. Nothing less than in the land of his Brother Etréstles "Koumeterium Messolonghi".


"They all approach the vicinity, pray three times to heaven, and manage to be abducted to the underworld of Messolonghi. When they were snooping through the catacombs, they make out the surroundings of a luminous vault, thus distinguishing a woman passing by with others. It was the beautiful nymph Eurydice inaugurating The Constitution of a new Government”.
Eurydice and the gravediggers worked for the new government to be instituted. They were reviewing the last ground plans that converged on the tenth cemetery.
Eurydice ...: with the absence of Etréstles and Drestnia we will make her awakening continue, whose awakening phase closely relates to her wife.
Grave ...: Where do we start?
Eurydice ...: by the southwestern statue of Ashurbanipal, to pay tribute to Botsaris. Then, we will go up to receive the cordoned off tomb of Bramante and Ghiberti, so that the latter can advise us regarding the work to be erected.
They climb the northeast pavilion to the foundations of a mausoleum. They approach the slab of Ghiberti, who was loosening his fingers, sitting on the shore of a Pyramid-shaped cypress. Bramante vanished into the gray beams of light...

Ghiberti ...: I already know your mission. I am summoned to the Council on the day of the sailors' return. To start, they went to the mines to look for precious stones, stones to build Markos Botsaris.
Eurydice ...: Good! Well, in nine moons and nine suns they will return from the coasts of Morocco, the last docking point, so that they can then return. At the moment they are already warned.
Just back, there was a Lover with her right hand holding her chin.

Inamorada In Love ...: Five centuries ago I awaited my awakening, my lover promised to return ... with these verses...:
"I want to be different,
I want to take you my love...
and tell you that by missing you
there is no greater sadness than not seeing you ...
Forgive me for not coming back...
before my absence caused your death,
Wait for me ... I'm going to tell you ... how I miss you
Along with my immortality of feeling...!  How I miss you...!!

... He still tells me this, but from here, under the embankment of the cemetery I feel that he is far away and I can do nothing. Also, I have it in my memory and one day we will meet here. The Enamorada continues to sit and watch armies of soldiers being thrown into graves, their bodies severed. As she continues; ... there is more life here than on the surface, and the trenches replace the concave wombs, as vessels! As everything here lives, even the flowing and hallucinatory invocations are perceived from the Poets, Alchemists and Astronomers. They make the invisible go in a formidable adventure to the site of their magical hallucinations.
Eurydice ...: Stay on your stone, with your chiffon dress; here you will see the arrival of Etréstles. He will bring news from other lands to answer you. Now dispense if we delay, sadness will fall on the other beings who are being buried and transhumated. The Enamorada remained on the stone with her knees resting on her chest. Eurydice and her assistants went to their rooms. "
All this they manage to witness, and then go in search of Etréstles on the same tenth cemetery floor. Raeder and Petrobus were laughing and at the same time they were impressed, as if wanting to remember him when they have to leave directly from Messolonghi to Patmos, towards the Dodecanese region. In the meantime Vernarth was searching for his brother in all the nearby areas of the catacombs flashing penetrating light, unable to find him. He arrives at the ninth cemetery and is fascinated by a feminine image that would seem like a phantasmagorical chimera ..., it was Drestnia moistening some ferns on some crypts making gestures to see them already grown, even if they had just been planted...!

They approach her intimacy and ask her greetings, Drestnia answers them abstractedly that Etréstles traveled to Patmos to applaud the maiden ceremonies that would be wed in the spring in the nearby meadows. Being able to settle in The Monastery of Zoodochos Pigi, and who later went to the hills of Castelli, as it has been known that everything has been celebrated on a hill that many hundreds of years ago has sheltered our historical fragrances in the unity of the ethereal until the present. Such ruins among some works as well as the Temple of Apollo that will continue to survive with its prevailing mystery not revealed.
Etréstles gives them their congratulations and wraps his arms around Drestnia. They evacuate the cemetery, remaining abstracted in the internal darkness of the catacombs with fewer lights than a feasible twilight of darkness, as if immediately leaving Etréstles to be with him in the spring, shedding light on herself taking them to the Castelli hills, which they would figure in the sweetened exaltation of the pollinations of the nymphs on the maternal and ****** maidens.

They go out and spread their impulses over the promontory of the Koumeterium of Messolonghi with Raeder and Petrobus on Raeder's shoulders. Vernarth invoked the north with her staff where Alikanto would appear with her hooves with greenish stripes.

Raeder says:  Let's go. On those warm currents to follow we will not unite you Vernarth. Smiling, the fantastic boy danced, forming figures that enlivened him to hold on to the legs of Petrobus. They both stared at Vernarth and raised high above the warm clouds. Beneath the Messolonghi miniature, she had Vernarth's sights on them; she was putting reins and her Hoplite tunic, to mount Alikanto. He looks around and makes a big sign to Raeder to follow him to where he was, they suspend themselves and manage to go back to the highest mass of misty airs that would take them against the clock towards Patmos to meet Saint John and Etréstles.
HEGIRA TO PATMOS  /  COPYRIGHT
Mateuš Conrad Jun 2016
the moon is near white after being lowly yellow
for a spell, some random is acting out
a werewolf incantation on a windowsill
air-drumming - honestly, i thought that air-drumming
would always be more entertaining than
that ******* of air-guitar - you get the groove man,
you improvise your own rhythm, you
rip the ******* heart out and tell it to be rhythmic
to your own choosing - but no, you had to get the
elongated imaginary ***** out fiddle it like
a flute you'd never blow into - makes sense,
entertainment comes dirt cheap these these in Las Vegas,
the sombreros are out and the jig misters of
forgotten jazz are playing a speedy version of
Miles Davies' kind of glued blue - oddly enough
i liked the abstract corn-on-the-cob *******' brew,
don't ask me why i think what i think, certain music
just makes me think - but in the case of the doors' L.A. woman?
nope, no clue, i get the spontaneity jitters all over me
like goosebumps at a horror movie screening -
i start singing, i start air-drumming,, July 3, 1971 in Paris
never happened - they still put make-up on the cemetery
bust while the Spanish leave a joint (which some
*** probably picks up, smokes it and giggles)
but the point is, i can hum the bass-line, the guitar solos do not
deviate that much from the rhythm, they're more tweaks
than solos, accents, when guitar and vocals combine,
the vocals give cue to the guitar to do a sly elevation from
the rhythm, jazz rock, man, that's what the doors invented,
jazz rock, never heard that before, it's not prog rock
with too much elaboration on either drums or guitar,
guitars of Mahler or Penderecki can hide in the dungeons,
i mean slick ****, so many years on and i'm reinventing
the ****** thing, it's not even psychedelic rock,
fair enough Manzarek playing the cowboy harpsichord
of the saloon with some odd drinking buddy (like me)
flipping the score pages and pouring liquor into his gob,
but all the instruments get a chance to breathe,
the vocals aren't exactly Meat Loaf and thank **** for that,
it's like clicking your fingers or whistling -
i can hum the bass line, i can air-drum the beat,
the guitar solos compliment the rhythm / rhyme -
jazzy rock, it's a fluid composition...
by the way... please, someone tell me that Val Kilmer
isn't playing the position of defensive midfielder for
Grzegorz Krychowiak... a doppelgänger if i ever saw one;
i must be ******, i'm seeing double; uh.
Tommy N Dec 2010
Elegy to Val’s Husband

I knew she was not a rose
was never sharp enough, and she didn’t believe
in snapdragons. She grew tomatoes.

She said
How pretty they would be,
touching the stems
how tall,
but I don’t know if he will get to see them.

I wish she would grow morning glories
and sleep through the night.
Written 2010 as an exercise for the MFA program at Columbia College Chicago
jimmy tee Mar 2013
‘…. and now, here’s Rick with the latest Market news…’

‘Val, trading was very brisk today, with a number of influences
that set the market off to some defined trends and statements.
Of course, the Human Virtue Exchange always seems to rely
on the volatility that resides ‘between the ears’ as noted
by the veteran brokers on the floor, but the sharp ranges
of prices offered versus profit taking has set the bar
very high in the relative value of Basic Human Virtue.

Now to the numbers: Courage [WHOME], Patience [PP],
and former market darling Perseverance [GULP],
all varied widely today on news from Washington that
their value was doomed to fall in the light of the expected growth
of Persistence [IAM] which history has shown to be a marked drag
on just about everything. Outside of the self –efficacy bazaar,
old standbys  Ambition [HVY], Curiosity [WDF], Industry [HAHA] and Temperance [BFD],
continued their free fall into uncharted areas of cost and return.
Some analysts feel these virtues could be a real bargain in the future
despite their history of poor performance. Could a comeback not seen
since collapse of the Protestant Hypocrisy Era  be in the works? We’ll see as the lack of movement in the Kindness-Generosity-Forgiveness-Compassion Index [FARAWAY]  
leads many to believe that the end of Politeness [UPYRS],
Un-pretentiousness [ME-ME], Self Control [NWAY] and Sportsmanship [LONGONE], may lead to a complete miss-understanding between casual market players and devotees to the cause. The ratios cannot lie.
But without a doubt, today’s big winner was  Self Respect [YUP]
which jumped and amazing 40 points before active trading ceased at the bell. So people feel real good about themselves for reasons
that cannot be explained by the Ego File Indicator alone; this causes this reporter to predict that Naval Gazing [MOM] remains a ‘Hot to Trot’ stock fund
and the Vanity market is always a good bet.
Now, here’s Carl with
today’s Human Emotion Exchange report……’
Enya Costa Nov 2013
I have longed for this year since fourth grade
When I learned what a val-e-dic-tor-ian was
And realized I wanted to be one.

I have longed for this year since I was fifteen
And wanted to leave home
Go out and explore the bigger world
Free of parents and noisy siblings.

I have longed for this year since my first college tour
And I saw the hubbub
The libraries, the labs, the dorms, the giant sweatshirts
And noticed how small and quiet my high school was.

We picked out caps and gowns
Red
We lead the pep rallies now
The loudest yet
We're taking physics, and calculus, and the SATs
Feeling scholarly
We picked out how our names appear on our diplomas
First M. Last
We have our licenses
Drive to school
We fill out college applications endlessly
And endlessly...
We picked our prom theme
Great Gatsby
We're getting lazy very quickly
Senioritis

Graduation keeps us going
Graduation is the goal
Graduation is the light at the end of the tunnel
Graduation in June
Graduation in red polyester
Graduation in the sun
Graduation is the end

But wait.
Hold up.
Stop.
Stop.
STOP!

Seven more months with you?
You, who I've stared at for four years?
You, whose smiles make my day?
You, whose face I look for in crowds?
You, who are the most amazing person I've ever met?
You, who I haven't even asked out?
You, who have no idea who I feel?
You, who might by some miracle possibly feel the same way?
You, who I'll regret never making a move with for the rest of my life?
You?
Seven. Months.?

HOLD UP SENIOR YEAR SLOW DOWN GRADUATION THERE'S A BOY.
Nienke Aug 2015
rusteloosheid
en vastgeroest verdriet
niemand ziet
het lam tussen de wolven
maar ver komt het niet
waar komt het vandaan
en waar is het geboren
of zit dat tussen haar oren
als er weer eens niemand is
het aftuigen van zelf
nog hopen op meer
lichamelijk zeer
een druppel wanhoop
gemengd met wantrouwen
en al gauw, de wanemmer verzoop
in eigen tranen
dan stromen het doet
en blijft stromen voor goed
rusteloosheid
diep in de nacht
wanneer er niemand op je wacht
behalve de ster achter de wolken
geen woorden maar daden
ja dat zal het zijn
maar het tegenbewijs valt klein
woorden onhoorbaar
een jongen die lacht
het vertrouwen ontkracht
een laatste afscheidsgroet
valt niet helemaal goed
als de duisternis nabij
zoals mijn geboorte
alleen en vrij
later zeer zelfstandig
maar nog geen procent als de rest
verpest
verpest
waarom ben ik zo anders
wat is er mis met mij, zo vrij
iedereen een ander perspectief
en ik begrijp het maar niet
ook al noemen ze mij lief
de wereld redden
met iedereen erin
heeft opeens weinig zin
als het verboden blijkt te zijn
slechts een eenzijdig spel
ach, het lam weet het nu wel
tevergeefs
rennend in de ochtendzon
verscholen in een wolkenbed
de eerste straal licht
uit het zicht
uit het zicht van de wolven
waar anders heen
springend over steentjes
met sterke beentjes
alleen in de grote wei
waarin de stilte zo groot
haar hart stilletjes vergroot
zo ook de klap van pijn
de enorme val
zo jong al
de verhouding van zwaarte
en het verdragen
aan de andere kant het extreem behagen
dat is toch geen rechte lijn
maar slechts twee woorden mochten er zijn
in steen gekerfd, beroerd gepolijst
blijdschap en depressie
maar niets er tussen in
want dat had toch geen zin
voor iemand met sensitieve uitersten
bestaat geen middenin
toch levende in een wereld van het midden
zoek balans, het middelpunt
en *** men het haar ook gunt
ze was nu eenmaal als lam geboren
en niet als schaap..  (noch rund)

blind als een mol
gravend in de grond
het was haar eigen graf
waar ze uiteindelijk op stond
omringd door de vertrouwde pijn
vroeg zich af wel van haar te zijn
met borstkas gespleten door twee
het lam kreeg heimwee
stond half dood op
wachtend op één
met hart nog langzaam trekkend
lekkend
de geur van aarde in vacht
wie had deze terugkomst ooit verwacht
en het worden van schaap
in wolfskleren
wilde zich immers niet bezeren
want moe het al was
met steen gevulde buik
de val nu slechts een kras
en wist niet eens meer wat de val was
de doorn(en) uit verleden
gestoken in vers vlees
al genoeg geleden
dus besloot nu gewoon ook wolvin
je bent een wolf, meisje
je bent een wolfmeisje
met het schaap
bloedend
nog ergens binnenin
Sonnet.

C'est un trou de verdure où chante une rivière,
Accrochant follement aux herbes des haillons
D'argent ; où le soleil, de la montagne fière,
Luit : c'est un petit val qui mousse de rayons.

Un soldat jeune, bouche ouverte, tête nue,
Et la nuque baignant dans le frais cresson bleu,
Dort ; il est étendu dans l'herbe, sous la nue,
Pâle dans son lit vert où la lumière pleut.

Les pieds dans les glaïeuls, il dort. Souriant comme
Sourirait un enfant malade, il fait un somme :
Nature, berce-le chaudement : il a froid.

Les parfums ne font pas frissonner sa narine ;
Il dort dans le soleil, la main sur sa poitrine,
Tranquille. Il a deux trous rouges au côté droit.
Adriaan Harms Oct 2014
In my droom wereld...

Daar, in die verte, is n bed vir as ek moeg raak.
n Berg wat ek gebruik as n kuns muur.
En n oop veld vol rose.

Bo my, die blou lug met reen druppels wat val, maar wat nie nat maak nie.
My gedagtes wat rond sweef.
musiek wat gehoor word maar nie gesien word nie.
En dan, jy.

n Bed vir my en jou.
Jou naam op die berg met klippe, gevorm soos harte, gepak.
n Oop veld rose wat jou emosie kleur wys.

Reen druppels wat val, wys my jou trane.
My gedagtes wat vir jou wys *** spesiaal jy is vir my.
Musiek om als te laat kalmeer.
En jy, vir my om lief te he, sonder om te stres oor wat jy sal **** of se as jy weet jy is die een wat ek wil he.
My kinderjare was
Soetsappige drome
En ek het weggesluimer
Agter suiwer onskuld,
Met ń krag van geloof
Wat my oortuig het dat
My God ook jou God is...

Dat elke pad ń onnodige
Veiligheidsgordel verg
Dat elke beursie ń oneindigheid van R20
Note besit het en dat
Elke graf leeg was na die derde dag

Dit was deur die verskillende stadia van bogenoemde
Uiltjies knip wat my
Tot die meerderheids
Besef van addolosensie gebring het.
Selfs al het ek teen ń
Eksponensiële spoed
Ń volwasse begrip ontwikkel
,Was my redenasie oor die
Hiernamaals nog vaag
Met slaap in die oog

Eers toe daar een
langs my Val
En tien aan my sy
Het die drakoniese deun
Van die doodswek my
Uit my snoesige slaap geruk.

Met elke groef wat nuwe
Paaie teer vir my trane,
Elke silwer randjie wat
Lostrek van die donker wolke
En op my hoof kom rus
Soos die koue staal
Van ń koningin se swaard
Wat my inlyf in die
Sidderende realiteit van grootword en lewe

Nou is die droom verby
Nou staan ek op
En vrees om plat te val...
Ek oes en saai
Met ń bekommernis of my ploeg iets sal maai...
Nou word paaie ń lang gebed
Ter beskerming van my hart
Wat ek so maklik uitdeel
En beursies ń kommoditeit
Wat skree van die honger
Soos die mense van ń land
Wat al sy geloof verloor het...

Nou brand die sand my voete
En die seesout droog my vel...
Nou word wraak ń amp
En liefde ń kombinasie
Van gifte en giwwe
, maar ek sal nooit weet
Wanneer is dit wat nie...

Nou word lewe ń gebed.
Ek het ophou my
Kinder rympies sê,
Nou bid ek pynlik swaar
En hoop dat God
Nog genade vir my en
vir jou Sal hê

Amen
Adriaan Harms Oct 2014
Terwyl jy hom ignoreer,
Trek iemand anders sy aandag.

Die liefde val weg.
Die hartseer raak minder.
Gevoel van alleen wees is nie meer sleg.

Ja jy voel beter,
Maar ook maak dit seerder.

Jy verloor hom.
Hy verloor jou.

Se my, waar is dit wat gebou was?
Of was dit ook net n las?

Ek weet, jy weet nie wat ek se nie,
Maar nou hoef ek nie weer by jou aan te le nie.
louis rams Sep 2014
The missus bought a Paperback
  ...at Val Village, Saturday,
  I had a look inside her bag;
  ....T'was "Fifty Shades of Grey".

  Well I just left her to it,
  And at ten I went to bed.
  An hour later she appeared;
  The sight filled me with dread…..

  In her left she held a rope;
  And in her right a whip!
  She threw them down upon the floor,
  And then began to strip.

  Well fifty years or so ago;
  I might have had a peek;
  But Mabel hasn't weathered well;
  She's eighty four next week!!

  Watching Mabel bump and grind;
  Could not have been much grimmer.
  And things then went from bad to worse;
  She toppled off her Zimmer!

  She struggled back upon her feet;
  A couple minutes later;
  She put her teeth back in and said
  .....I am the dominater !!

  Now if you knew our Mabel,
  You'd see just why I spluttered,
  I'd spent two months in traction
  For the last complaint I'd uttered.

  She stood there **** and naked
  Bent forward just a bit
  I went to hold her, sensual like
  and stood on her left ***!

  Mabel screamed, her teeth shot out;
  My god what had I done!?
  She moaned and groaned then shouted out:
  "Step on the other one"!!

  Well readers, I can't tell no more;
  About what occurred that day.
  Suffice to say my jet black hair,
  Turned fifty shades of Grey.
Luke Swanepoel Oct 2017
reëndruppel, reëndruppel
val van die hemels
reëndruppel, teerdruppel
my hart vir vergifnis bedel

reëndruppel, veerdruppel
op my hart val sag
reëndruppel, meerdruppel
'n storm in jou mag

reëndruppel, keerdruppel
wag, hy kom nou
reëndruppel, leerdruppel
'n brood gebak, steeds rou
This poem is in my native language, Afrikaans, unique to South Africa, and just translating it won't do you any good.
lucy winters Jul 2015
ek het iemand nodig om namens my te bid, te pleit
my gebede val soos ouds op dowe ore ongehoor
ek voel oud en alleen uit gesmyt
ek het nou op gehou pm te glo ek kan toor
ek het ver geval en seer gekry
ek het op gegee op my
my kop en my lyf probeer mekaar so ver moontlik vermy
weereens het ek myself verloor
ek is te moeg om op te staan om weer te begin soek
ek is bang vir die kry, die kruis verhoor
ek voel teen gekant en vervloek
ek is niks nie anyways
Ek het 'n iemand tattoo op my skouer wat vir my bid,  want ek kan nie altyd en vader weet ek het dit altyd nodig
Hannah Rose Sep 2016
validate me,
make me feel
like I am worth something.
I cannot seem to
find my own value.
I need others to
spoon feed me
likes and comments,
just so I can say-
I did well.
mandy rigby May 2014
Say goodnight,
with tmazi-pan.
Cos I'm dosed up,
on val- I -am.

Need one thing,
to make me dream.
A real good,
benzo diaza-pene.

Can't find this.
Can't find that.
Don't know where,
my head is at?

Lost my cash.
Lost my keys.
Can someone ******,
tell me please


Where I live.
And who I am.
Cos I'm messed up,
on val-I-am

(c) mandyrigby and P Skez 21/01/2014
RainbowBlessings Nov 2014
I Love Pie & You Sweetie Pie!


I Love Pie & You Sweetie Pie



Love pumpkin pie its so good
Awe taste just like it should

Love lemon pie with a
touch of ****
Love it deep down in my
heart

I love jello pie it's
so sweet
The way it wiggles
it's so neat!

Love pie of banana cream
And chocolate is my dream

I love blueberry too
It's so good & blue

I love BlackBerry too awe
so sweet and black
Pick em right off the vines
and put em in a sack

I love apple pie topped
with cheese
Oh and make that a scoop
of val ice cream please

Oh and also the Apple Dutch
Oh how I love it so much!

Custard Boston and
Zesty Lime,
Whip Cream Humble and
Rhubarb all the time!

Quick Set Frozen Cream
Pie and Oreo Cookie Crust
Sweet Tatter and Velvet
Turtle Now that's a must!

But my favorite pie
of all is true
That's my favorite pie
"Sweetie Pie" it's you!


WrittenBy:BarbieKirk
11-24-14 5:09am

www.allpoetry.com/RainbowBlessings





© Barbie Kirk . All rights reserved, 16 hours ago
www.allpoetry.com/RainbowBlessings
Carl Hoek Feb 2016
bye bye valentine
you said i was the puppy that everyone wants to touch
but
i wont let them
you were the one with perfect posture
and it makes us all want it
you were the one with all the "**** me"
in you
and you sacrifice it all for yourself
like a feral dog or cat
him as a self reliant fool
me as the everyone else
my sense of possession
my harmless diseases
themselves apparent in waning gibbous moonlight

the mildly pretty one who says
can i get in there?
of course you can
but here in this empty place
even though you're gorgeous ( everyone forgets about beauty and feeling)
even when your that
you're still that
and there might not have conscious

as she sat next to me everyday
i didn't say a word
not because i was afraid of what she could say
but because i knew what she couldn't say


and to think of the parched mind as supplement to my heart beating
take all you need to drown your to your hearts content
the mildew we sprinkled on pretty days
mold inside the walls threatening to bring the health department in
and shut the place down

insect wings wetted by spit flying from your mouth
from talking too much
we're here up in the big blue silver lining waiting for you to come home
waiting for the hammer to come down

we know each other now
and even our sleepless nights are punctuated by thoughts and dreams of each other
happy v-day
See him grow older. See him laugh as he crawls...
No way out...
No one to answer his call...
Fear Consumes his soul...a bite it takes every day.
He feels lost..
Alone....Never needing to be..
Trying to signal those who he wishes to have near
Another unheard signal..
Will he die?
Wil he fall to evil?
Or shall he destroy himself doing ****** acts?
Stunts.. Just Like … Evil Cornea Val?
anthony Brady Mar 2018
C'est un trou de verdure, où chante une riviere
Accrochant follement aux herbes des haillons
D'argent, où le soleil, de la montagne fière,
Luit:  c'est un petit val qui mousse de rayons.
Un soldat jeune, bouche ouverte, tête nue
Et la nuque baignant dans le frais cresson bleu,
Dort; il est étendu dans 1'herbe, sous la nue,
Pâle dans son lit vert où la lumiere pleut.
Les pieds dans les glaïeuls, il dort.  Souriant comme
Sourirait un enfant malade, il fait un somme.
Nature, berce-le chaudement:  il a froid!
Les parfums ne font pas frissonner sa narine;
II dort dans le soleil, la main stir sa poitrine,
Tranquille. Il a deux trous rouges au côté droit.

Arthur Rimbaud,  Oeuvres

translation:

THE VALLEY SLEEPER

It's a green vale where a river runs
clawing madly at silver herbs that toss
shade, while from proud mountain the sun's
rays fall on a crater foaming with moss.

A young soldier, mouth open, head bare,
neck nape bathed in blue water cress
sleeps; white faced, of clouds unaware
and in green bed, the light's caress.

Feet in gladioli, smiling, dozing, still
as a sick child smiles, he is taking a rest.
His nostrils uncloyed by scents,
he sleeps in the sun, hand on chest,
In his right side are two red rents.

TOBIAS
**** jy die **** van yster-gordyn wat val en die aarde omhels ten laaste sy afwaartse versnelling.

Dit maak seer mamma...

Gewere word neergelê as ń universiële teken van hoop en vrede , maar verlang na ń lid van die geledere.

Dit maak seer mamma...

Ons was almal naïef; in ons drome was daar plek vir twee,
Ń eindelose see waar ons kon wegvaar van die ontbindinde spoke van gister, waar ons ons hande in soutwater-poele kon was iewers langs die kus van versoening...

Dit maak seer...

Niemand sou kon raai dat die jare se snellertrek en loopgraaf grawwe jou eens sagte vel kon magnetiseer nie... *** kon ek voorsien dat jy ń bietjie van die geweld gaan steel het om vir jouself te hou nie. *** sou ek weet dat jou vingers jeuk sonder die dooie staal wat dit streel nie...

Een skoot
Twee skote
Drie skote
Ń eenman vuurpelaton reën op my neer en dring deur my ope arms...
Jy het nog altyd ń plek in my hart gehad, maar nou het jy dit beset met lood en alle onskuld uitgerook met brandende kruit...

Dit maak seer...

Dele van jou hang nog swaar op al die plekke wat saakmaak en seermaak en trek my af grond toe...

Eina...

Liefde ek het altyd geweet ons het mekaar se ruë gehad... ek hey net nie geweet jy was besig om ń rooi kruis vir jou fissier op myne te verf nie...

Dit maak seer mamma...
Koebaai
Anna Brown Sep 2014
I can see the glue hole a minuscule thing
Helping me stay dry, I  thought you didn't know I've been drowning
Green trees, green moss, green tent
I miss waking every morning to pad my feet across the moist earth,
Off to search for something each day
Nostalgic, longing, yearning once again
I should've realized this would happen, it always happens
I miss even the prunes my hands became each day from the metal dishes
Japan, Montreal, France, Sri Lanka, Czech, Wales, Toronto, Iran, Mexico
Diverse languages, diverse people
I want to lay on the ***** sand of the lake or throw myself into the poisonous water and delight in your phrases
I don't need to understand them
I like the feeling of being gone, of being surrounded, of being free
But mostly of warm water on a happily drunk body
Take me back
Dig silwer linte dans na die maan
in wolkpluime wat na die strerre toe maan
ek is weer hartseer
weer stukkend
gebreek
daarom nog 'n siggaret toestaan
an my mense bestaan

ek beaam my met die kwale
van 'n ongebonde wereld
wat pleit om liefde en genade
wat soene soek in suikersoet
wat drome droom so swart soos roet
wat binne die lyne bly
en so ook verlossing by hul neuse in lei

want meisies is net slette
as hulle saam die verkere perd saal
of die slippie laat val
na hul vir die aborsies betaal

en seuns is net moffies
as hul sukkel om 'n rugby bal te vang
vergeet van die agsteman wat gretig
na die flank se balle verlang

vloek en laster bring God se toorn
werk an jou eie vokken balk en los my doring
dalk is jou masker meer heel
as die van my...
maar met elke krakie...
is ek darem 'n krakie meer vry
- as jy
want my fyn porselein is nou skerwe op die vloer
als wat goed is in die lewe;
saam met die suur melk uitgemoer
al my heuningtee en moerkoffie staan nietig in my kas
, ek hunker na n glasie brandewyn
om die herrinneringe mee weg te was.

Want Vader al val 'n duisend aan my sy
en tien duisend hier langs my
vlieg Eros se pyle net die heeltyd verby.
Ek is moeg vir alleen wees
moeg vir bang wees
vir koue voete
koue hande en
'n hart wat altyd koud sal wees.

waars die liefde en genade
waarvan ons in ******
en die Bybel lees.

Waars my stukkie hemel.
Waars my engelkoor.
Is dit ook tussen my suur melk...
of het ek dit deur bottervingers verloor?
Ottis Blades Jan 2014
Lizard King, on the bar, from rooftops
and over your legacy you took a swirling a ****
drunk on blood with a treacherous witch high off acid.
Grabbing your junk and exposing your genitals onstage
passing out, failing the test of life and yet making the grade.
You became and overweight bearded *******
weary and heavy like your poetic incoherent rambles
with a voice like Sinatra when you really wanted to,
like your average intoxicated uncle when you gave less of a ****
in the studio, recording frustrations while getting *******.
Opening the doors to the eyes of delusion and distortion
the crystal ship sailed without causing so much confusion
as to who you are, who you were and who you aspired to be
the next great American wordsmith,
“Light My Fire” is a fine tune, please sing it for me,
without cussing me out, calling me a sellout and everything in between.
Breaking through to the other side of madness
wheels falling off riding by your roadhouse blues
some might say Val Kilmer made an even better you
a mirror image of the decimated natives of your youth.
Abruptly moved to France to be the next Pepe Le Pew
but instead took a ****** bath to the afterlife.
Some loved your talent, others thought you made a prettier corpse
so tonight I’ll toast your legacy of leather pants
frat boy good looks, ******* rants, Raiders on the Storm
and checking out right after Hendrix you inconsiderate ******.
I still love you though, with my heart crossed
dearly dearest quintessential *******,
Jim Morrison.

— The End —