oral transmission
Modulate - Cognate- Division
Cosmic - tuned in like Cognitive Transmission

This is my mission, to

Get up out the scene Live wild as a child
Dread my head, Hear cries like the Roar  I lionize
Deviant be me, othered for free
as the Nomos creates Signifier, Signified
somewhat like a homeless child stigmatized
caught outside our commercial enterprise

but

With enterprise, there enters lies,
Never earthbound my star ship seems to Actualize
Melodically.

So let me lyrically **** your path so you can shift past the cuts
Neva drinking the wine of wrath, made sour by sour patch cats blasted by vats OF GRAFFITI splats.

Culture slipping like gangsters simply sipping at the purple incision
instead we walk Holy like the cotton we missin

Tattoo my Secrets onto skin parchment ,
thats Ink advice ---:  People Lost in Duality, man thats just thinkin twice
Surrender and self-Sacrifice be the admission price
to see Kali singing blood mantras dancing through

Dreams of Ink darshan doorways
Tantric like Siva Approaches his consort for foreplay

My face is like a thundercloud, smiles formed outta cloud highs
Now my 3rd eye, washed in blood saw how Snakes stitch DNA
up and winding
and lemme tell you bro,
its some Nauesous stuff

Transcendent reality,
ego death till its fallacy,
recognize perfection
of life in the galaxy

So I toss out my ID, puff puff, its high ME
don't be Stuck like Ego grinding, Just saving souls don’t mind we,
go Indigo like Love in the margins, Golden souls attempting to live in holy gardens, ==========

We forget though

Neither death or immortality existed in the time before time,  of day or night no sign

There was Darkness hidden by Darkness , all was water but got started quick, by the sharpness of a god spark

kick crash hit, life spit out covered in emptiness

This was it, started from the bottom, rise in the power of heat,
dance tap ta dis beat Aware tapas generates so much heat Indiscreet
in abyss

But then desire became the fire, middle ground never higher than the smoke trails of the world's creation,
Spittin om proir flash forward funeral flames tamed by Tandava siva purifier

So this poet seeks in the heart of wisdom found in the bond of existence to non-existence
Knowledge that  I’m a livewire with a high resistance
I Complete my **** Through high persistence,

Eventually though,
the Fog rolls in again , agnosia forget the Cosmic condition
till then We soulfeed lyrics in-between kissing.

letter to elana

for the poet elana bell

~

in a different cafe,
on a Manhattan streetscape where once, years earlier,
violence was the purview of West Side Story gangs,
ruling their internecine non-intersectionality territorial blood lines supremely

nowadays, violence replaced by the frenetic
noises of Lincoln Center theater goers,
student dancers, actors, musicians and poets joining the throng
of those who sup and run,
all hearing their own frantic
curtain calling, saying, announcing,
music dance voices words require your obeisance,
needy for a mutual worshipping reassurance fiat that:

life can be made transcendent
if even for just 90 minutes or 120 pages,
or a 3 minute poem reading

this city of millions requires billions of poems that spoon stirred  
and yet, almost always fail, to squeeze, all of the human essence that is in its ultimate source, clarifying nyc tap water,
containing the storied remnants of a hackable continuous,
single human stanza cell osmosis - a blockchain like no other

two poets sit side by side each in their own lapsed dreams,
she, a published poet of prize and rank, ^
he, a rank amateur whose only prize is his unpublished anonymity,
poetry, is his just a nightly soul cleansing,
an imported remnant of his Marrano piyyutim ancestry

one turns to the other,
in the inexplicable daily crazy miracle
of city fashionistas

in a city where stealing a parking spot, or the
forced squeezing creation of a subway seat space
where physics proves none exists,
are oft the roots of slashing and stabbings faithfully reported
on the 11 o’clock news,  
and trust and/or other encouraging words
are seldom heard and even less demonstrated,
the make-no-eye-contact of Camus’s L’Etranger anomie is the
normative, paranormal, paralysis cloak of we city separatists

“Can you watch over my electronics and stuff?”

Sure says the grayed and grizzled,
an all life long veteran of nyc,
judged to be trustworthy
based on a few seconds of being upsized and downsized,
a car wash (exterior only) perusal
despite a
“no direction home, like a compete unknown, a rolling stone,”  
this signage, yellow star permanently chest-affixed,
conveniently ignored, as it seems impossible
thieves don’t look like me,
don’t likely in their possess,
a distinguished head of gray hair (yeah, sure)

a thank you reward of (or did I imagine it) a lean-in,
a momentary head on a shoulder,
the chit chat now grows earned and earnest,
she confesses her cardinal poetry profession,
eliciting an ‘Oh Boy’ utterance from the poet
of a thousand names
and a thousand textual emendations

a fastidious nyc boundary is brief crossed for one short meal,
till the end when time sensitized IMRL intrudes and
the showtime calls out,
if not now, when? if not me, then who?

I read her poetry later in the praying supine first position of
three AM, and laugh with delight, at the contrast and no compare,
the styles clash and tho the stories told
are both writ in the aleph bet script,
there ends the Ven diagram overlap and
into the night’s coming of a Elvisian blue suede coverlet,
we both disappear, and if not for this recording,
history says, you old man confused, never happened,
just an imaginary poetry ink blot dream breaching...

~

postface:
another poetry book is no longer homeless,
comes to shelter upon my shelf, close to Angelou, far from Whitman,
now all the book’s nooks eyes collectively
reassessing the new old-owner, parsing his syntax,
undecided if his readership is worthy of them,
concluding that all these books are the
man’s owned roughened stones,
to be placed by human hands on the
serpentine curvature of his literary tombstone,
and until all stones fully read,
they all agree,
will they and he
be fully freed,
smoothing his legacy’s edges

Ah, doth swayeth the grass around the heavily-watered grounds, and even lilies are even busy in their pondering thoughts. Dim poetry is lighting up my insides, but still-canst not I, proceed on to my poetic writings, for I am committed to my dear dissertation-shamefully! Cannot even I enjoy watery sweets in front of my decent romantic candlelight-o, how destructible this serious nexus is!

Ah, and the temperatures' slender fits are but a new sensation to this melancholy surroundings. How my souls desire to be liberated-from this arduous work, and be staggered into the bifurcating melodies of the winds. O, but again-these final words are somehow required, how blatantly ungenerous! What a fine doomed environment the greenery out there hath duly changed into. White-dark stretches of tremor loom over every bald bush's horizon. O-what a dreadful, dreadful pic of sovereign menace! Not at all lyrical; much less gorgeous! Even the ultimate touches of serendipity have been broomed out of their localised regions. Broomed forcibly; that their weight and multitudes of collars whitened-and their innocent stomachs pulled systematically out. Ah, how dire-dire-dire; how perseveringly unbearable! A dawn at dusk, then-is a normal occurence and thus needeth t' be solitarily accepted. No more grains of sensitivity are left bare. Not even one-oh, no more! A tumultous slumber hinders everything, with a sense of original perplexity t'at haunts, and harms any of it t'at dares to pass by. O, what a disgrace t'at is secretly housed by t'is febrile nature! And o, t'is what happeneth when poets are left onto t'eir unstable hills of talents, with such a wild lagoon of inspirations about! Roam, roam as we doth-along the parked cars, all unread-and dolefully left untouched, like a moonlit baby straightening his face on top of the earth's liar *****. Ah, I knoweth t'is misery. A misery t'at is not only textual, but also virginal; but what I comprehendeth not is the unfairness of the preceding remark itself-if all miseries were crudely virginal, then wouldst it be unworthy of perceiving some others as personal? O, how t'is new confusion puzzles me, and vexes me all too badly! Beads of sweat are beginning to form on my humorous palms, with lines unabashed-and pictorial aggressions too unforgiving too resist. Ah, quiver doth I-as I am, now! O, thee-oh, mindful joyfulness and delight, descend once more onto me-and maketh my work once again thine-ah, and thy only, own vengeful blossom! And breathe onto my minds thy very own terrific seizure; maketh all the luring bright days no more an impediment and a cure; to every lavish thought clear-but hungrily unsure! Ah, as I knoweth it wouldst work-for thy seizure on my hand is gentle, ratifying, and safely classical. How I loveth thy little grasps-and shall always do! Like a moonlight, which had been carried along the stars' compulsive backs-until it truly screamed, while the bountiful morning retreated, and mounted its back. Mounted its back so that it could not see. Invasive are the stars-as thou knoweth, adorned with elaborations t'at humanity, and even the sincerest of gravities shall turn out. Ah, so 'tis how the moon's poor sailing soul is-like a chirping bird-trembled along the snowy night, but knocked back onto abysmal conclusions, soon as sunshine startled him and brought him back anew, to the pale hordes of mischievous, shadowy roses. Ah, all these routines are similar-but unsure, like thoughts circling-within a paper so impure. And when tragic love is bound, like the one I am having with 'im; everything shall crawl-and seem dearer than they seem; for nothing canst bind a heart which falls in love, until it darkeneth the rosiness of its own cheeks, and destroys its own kiss. Like how he hath impaired my heart; but I shall be a stone once more; abysses of my deliciously destroyed sapphire shall revive within the glades of my hand; and my massive tremors shall ever be concluded. O, love, o notion that I may not hate; bestow on my thy aberrant power-and free my tormented soul-o, my poor tormented soul, from the possible eternal slumber without tasting such a joy of thine once more! I am now trapped within a triangle I hated; I am no more of my precious self-my sublimity hath gone; hath attempted at disentangling himself so piercingly from me. I am no more terrific; I smell not like my own virginity-and much less, an ideal lady-t'at everyone shall so hysterically shout at, and pray for, ah, I hath been disinherited by the world.

Ah, shall I be a matter to your tasty thoughts, my love? For to thee I might hath been tentative, and not at all compulsory; I hath been disowned even, by my own poetry; my varied fate hath ignored and strayed me about. Ah, love, which danger shall I hate-and avoid? But should I, should I diverge from t'is homogeneous edge I so dreamily preached about? And canst thou but lecture me once more-on the distinctness between love and hate-in the foregoing-and the sometimes illusory truth of our inimical future? And for the love of this foreignness didst I revert to my first dreaded poetry-for the sake of t'is first sweetly-honeyed world. For the time being, it is perhaps unrighteous to think of thee; thou who firstly wert so sweet; thou who wert but too persuasive-and too magnanimous for every maiden's heart to bear. Thou who shone on me like an eternal fire-ah, sweet, but doth thou remember not-t'at thou art thyself immortal? Thou art but a disaster to any living creature-who has flesh and breath; for they diverge from life when time comes, and be defiled like a rusty old parish over one fretful stormy night. Ah, and here I present another confusion; should I reject my own faith therefrom? Ah, like the reader hath perhaps recognised, I am not an interactive poet; for I am egotistic and self-isolating. Ah, yet-I demand, sometimes, their possibly harshest criticism; to be fit into my undeniable authenticity and my other private authorial conventions. I admireth myself in my writing as much as I resolutely admireth thee; but shall we come, ever, into terms? Ah, thee, whose eyes are too crucial for my consciousness to look at. Ah, and yet-thou hath caused me simply far-too-adequate mounds of distress; their power tower over me, standing as a cold barrier between me and my own immaculate reality of discourse. Too much distress is, as the reader canst see, in my verse right now-and none is sufficiently consoling-all are unsweet, like a taste of scalding water and a tree of curses. Yes, that thou ought to believe just yet-t'at trees are bound to curses. Yester' I sheltered myself, under some bits of splitting clouds-and t'eir due mourning sways of rain, beneath a solid tree. With leaves giggling and roots unbecoming underneath-ah, t'eir shrieks were too selfish; ah, all terrible, and contained no positive merit at all-t'at they all became too vague and failed at t'eir venerable task of disorganising, and at the same time-stunning me. Ah, but t'eir yelling and gasping and choking were simply too ferociously disoriented, what a shame! Their art was too brutal, odd, and too thoroughly equanimious-and wouldst I have stood not t'ere for the entire three minutes or so-had such perks of abrupt thoughts of thee streamed onto my mind, and lightened up all the burdening whirls of mockery about me in just one second. O, so-but again, the sound melodies of rain were of a radical comfort to my ears-and t'at was the actual moment, when I realised t'at I truly loved him-and until today, the real horror in my heart saith t'at it is still him t'at I purely love-and shall always do. Though I may be no more of a pretty glimpse at the heart of his mirror, 'tis still his imagery I keepeth running into; and his vital reality. Ah, how with light steps I ran to him yester' morning; and caught him about his vigorous steps! All seemed ethereal, but the truthful width of the sun was still t'ere-and so was the lake's sparkling water; so benevolently encompassing us as we walked together onto our separated realms. And passing the cars, as we did, all t'at I absorbed and felt so neatly within my heart was the intuitive course; and the unavoidable beauty of falling in love. Ah, miracles, miracles, shalt thou ever cease to exist? Ah, bring but my Immortal back to me-as if I am still like I was back then, and of hating him before I am not guilty; make him mine now-even for just one night; make him hold my hands, and I shall free him from all his present melancholy and insipid trepidations. Ah, miracles; I doth love my Immortal more t'an I am permitted to do; and so if thou doth not-please doth trouble me once more; and grant, grant him to me-and clarify t'is tale of unbreathed love prettily, like never before.

As I have related above I may not be sufficient; I may not be fair-from a dark world doth I come, full not of royalty-but ambiguity, severed esteem, and gales-and gales, of unholy confidentiality. And 'tis He only, in His divine throne-t'at is worthy of every phrased gratitude, and thankful laughter; so t'is piece is just-though not artificial, a genuine reflection of what I feelest inside, about my yet unblessed love, and my doubtful pious feelings right now-and about which I am rather confused. Still, I am to be generous, and not to be by any chance, too brimming or hopeful; but I shall not be bashful about confessing t'is proposition of love-t'at I should hath realised from a good long time ago. Ah, I was but too arrogant within my pride-and even in my confessions of humility; I was too charmed by myself to revert to my extraordinary feelings. Ah, but again-thou art immortal, my love; so I should be afraid not-of ceasing to love thee; and as every brand-new day breathes life into its wheels-and is stirred to the living-once more, I know t'at the swells of nature; including all the crystallised shapes of th' universe-and the' faithful gardens of heaven, as well as all the aurochs, angels, and divinity above-and the skies' and oceans' satirical-but precious nymphs, are watching us, and shall forgive and purify us; I know t'at this is the sake of eternity we are fighting for. And for the first time in my life-I shall like to confess this bravely, selfishly, and publicly; so that wherever thou art-and I shall be, thou wilt know-and in the utmost certainty thou canst but shyly obtain, know with thy most honest sincerity; t'at I hath always loved thee, and shall forever love thee like this, Immortal.

The textual
Nourishes the soul
Within, a mind echoed  
Who repeated the words
And which washed over
The sandbed of tired eyes
And which filled lungs
With a promised eased breath
You've never more here than not
When you words are under softened skin
When you  dig your deepest
To cast my hungry bones.

The Seven - The Mashup


In memory of my mother who passed away recently, I wrote, or intended to write seven (only six were actually done) new poems themed about her, her passing and some perspective on life and death.  All were read and I am deeply appreciative.  I have consolidated them all here, in order, though not necessarily the order in which they were written. But the order does matter, as it reflects the change in my mood with each passing day.   Perhaps I will write the seventh someday, but not now, not soon.

Thank you all so much for incredibly kind words of sympathy. I am not a dweller, so I set myself a goal to complete this vow, this task, in a week to correspond to the seven days of mourning the immediate family observes after the burial (the shiva, shiva meaning 7).  For seven days, the bereaved family "sits shiva," sitting on low, uncomfortable stools and the comforters come to share their grief, praise the deceased, from mourning till late at night

#1 Shiva

I am confused - what day is it?
Windows tell day or night, a necessary but a condition insufficient.
The days have no distinguishing marks, a video stuck on
Repeat - a single track of recollected tales, prayers add a mild seasoning.

Though brief is this week of pre-sentencing hearings,
If one cannot dice the time into portions,
Then, there can be no pardon,
No early release date, from Phase One.

Rinse grief. Repeat. Seven cycles.
Apply stain-stick at the intersection of
Bloodied hurts and dimming memories,
Strangers secreting, spilling on you secrets unwanted.

This play, saw it many decades ago,
Before there was poetry, children.
A young man of twenty one,
Very afraid, silently, of the newest unknown,
His father, cancer won.

I hated it then. Now experienced, I hate it more.
This semi-catharsis, a tapestry tale wove of faded pasts
Twisting an heirloom blade into an old wound,
the original cast, a new revival, playwright, regrettably, deceased...

First time at bat, hid in a small room, away from this tradition.
Beating my head against a wall privately,
That being my preferred manner of mourning,
Not this Broadway show, twice a day, seven days.

Rituals well intentioned, a time tested method,
nonetheless, jail time for me, a/k/a, the boy, the brother.
Familiarity comforts some. Me? A prison uniform.
I write my own poems, I am not a Borg collective.

Cast as Son, my obligations specific, aged.
My Hamlet doublet, cut/torn, messaging my somber status,
The cuts deepest, invisible, but all see this child
Drowning in eye pools that continuously self-replenish.

I'll do the time, this show the longest running ever,
Did forty years as son-shadow of a father-man,
Tacked another concurrent sentence for his woman,
End Date: Indeterminate...

The low stools will reappear, seven days for me,
Yet my job as poet not fully done, until this be read!
Leave 'em laughing o'er this Official Release from the obligatory,
Read, sit but once, read this poem, this script, this story, and be freed.

#2 Hover^

My Children:

Ancestral homes oft possess,
a unique scent, product of an atomizer, a memorizer

Musty time, the odor of
faded and shadow,
hollow, yet hallowed.

Somewhere along the road,
a residence transforms from home to
shrine-storage unit-hospital room-tomb-records depository.

Dust, expired perfumes,
the sweet odor of crumbling, yellowing books, disinfectant,
stale medicine chests, years of furniture polish, sabbath candles.

It is my smell -
the parfumerie of my history, a customized blend,
a commissioned work in 1964, entitled, more accurately, emitted,
"Her-Story."

Photographs, memories, and paper scraps
my very own Preservation Hall Jazz Band.
Yet the most potent firing pin for historical retrieval,
the molecules of scent.

Soon all will be dismantled, discarded,
just plain dis'ed.

Confused and disenchanted,
my departure orderly but, in a disordered fashion.
unable to seed one last kiss upon your forehead,
nonetheless, surreptitiously enter your neurons
though my entity, away, across the miles-wide Hudson River.

For three days, I will hover invisible,
implanting myself once more,
slapping your mucous membranes,
transversing this pathway, an additive to your cells, nuclei,
where my markers always reside.

Adding one more ingredient to your inner vision,
strengthening the formless structure, my altered state.
This odor, keep close, fresh, no becoming musty too, my scent,
the last of your senses knowing me, a true keepsake.

Hold me close and hold me fast.
This one last magic spell I cast.
This one last magic smell I set fast.
You cannot hold it, but it will cradle you.
You cannot see or touch it, but when contact comes,
You will see me, hold me, as in the days of your youth,
When you loved me best,
And I, you.

^According to the Talmud, the soul hovers over the body for three days after death.  The human soul is somewhat lost and confused between death and before burial, and it stays in the general vicinity of the body, until the body is interred.

#3 Orphan

The funeral will commence at 11:30 am.
Gives me one last review time before the
Final Exam.

Panicked, I discover a whole new chapter
for which I am wholly unprepared,
though its inevitable presence was
assuredly knowable long in advance.

Orphan

It doesn't fit, occur, imagery is of a young child to
soon abandoned, not a late-in-life curmudgeonly poet-boy,
who has been multi-times reincarnated.

I add this title to my list
of proper ways to address me,
titles earned by dint of hard work,
or just unlucky luck.

This new status, orphanhood,
bequeaths no special privileges,
other than, a semi-official
societal permission slip
to feel bereft, lost, and compose poetry.

Know a real orphan, from early, early on,
has never recovered and
never will for it is just impossible.
Just impossible.

So whom am I to make light of
my undesired, unrequested new degree?

I accept it and to my surprise,
It hurts.

# 4 Judgement Day

After you put in some time on this planet,
You kinda know what the world thinks
About you, your rep, what they don't say to your face,

Sure, thingies, time and incidence and circumstance
Can sometimes cause makeovers external,
But each of us know the quality of ourselves,
Self-certification, you can out your internal self,
Better than anybody else.

So I inquire of myself, about myself,
what will you be remembered for, if at all?

Why do I ask, today, now?
Do we not ask ourselves this
On the low down, subconsciously everyday?

Is this a poem?
Most assuredly...
And a trial.
You, the judge the jury and the prosecutor,
The defender, if u can, if u will.

For seven days my mother was adjudged,
Family, friends, hers, her children's,
Almost an 80 years of live, in color, HD, looking back video,
Tales told, memories dug up, old photos explicated,
Who what when where of the details of one women's voyages,
Creations.

I cannot, I will not, do the details here.
Suffice, acts of kindness, faith in people,
Feminist in a strange land, a chance taker,
Gifts of memories, streaming of adoration,
Many strangers are witnesses to me,
This trial a runaway train.

I am outed.  There will be no such verdict for me.
I am outed.  There will be no trial needed, just a
Summary judgement delivered.

Out yourself.
What will you be remembered for, if at all?

#5 Summer Girls In Their Summer Clothes

Oh yes!

The streets of Manhattan, jewel dusted,
Summer girls in their  summer clothes,
Bedeck the streets and make men say, Thank You!
To their creator.

Little black dresses, previously immortalized^,
Seasoning and sauces, halter tops and jeans cutoff,
Give thanks for the tanks, revel in the revelations,
For God created man and women in his/her teasingly bare image.

Yo! Dude!  This is number 5 in the series,
Of sad and somber, re dad and mother, ***?
Have you lost perspective, not read the directive,
You're in mourning, time to be introspective,
Not dis-respective!

My mother was a beautiful women.
Till the day she died.
Yes, physically beautiful at 98.

She, was a poem.
For her exterior was suffused, burnished,
By the spirit residing within her body

I ask myself, why not judge a book by its cover?
Her cover was exquisite, but what gave her a glow,
A radiance, was her modesty, her love of humanity.

What's under our cover?

^ Nat Lipstadt · May 30
The Little Black Dress (and its magic prowess!)

*#6 & 7 Live like you're dying

Perhaps you know the lyric, the song?

Live like your dying.
Dying caught my ear, my eye, can't imagine why.
Con-Textual emendation, Natalino style.

Live like your writing.

Yes, that makes sense...
Embrace with passion each new session
Charge every second stanza with ruminating rhythms,
Cut the wires to the air traffic control sensory tower, go solo,
Pulse each word, beat all into a plowshare, even the anger,
Even the hate, dressed to ****, in words, forgivable...

Grant the mundane, the insane, even the pain of tragedy,
You refuse so hardily to glorify, grant it and
Record it all - a moment,
A royal audience with all
Your writing parts.

No fancy footing, keep it simple.
No jesters in rain puddles,
Let images of clouds of sand
Born and perish  in other's eyes and sighs, let verbal games bedevil other
Wooden puppet princes drinking fairy ales.

Huh?

Write clean and clear,
Let the sheerest wonderment of a new combination,
Be the titillation of the tongue's alliteration,
No head scratching at oblique verbal gestation,
Let words clear speak, each letter a speck,
That gives and grants clarification, sensational.

You, afternoon quenching Coronas, white T shirts,
Sun glazes and later, a summer eve's Sancerre,
Wave gazing on the reality of rusted beach chairs,
Babies sandy naked, washed in waves of Chardonnay,
The traffic-filled word-way highways and bay ways,
Exiting at the Poet's Nook, for exegesis & retrieval.

Write of:
Body shakes and juices, skin-staining tongues,
Taking her, afternoon, unexpectedly, her noises your derring-do!
Broken tear ducts, the Off switch, so busted, write about
Real stuff.

Write not in fear of dying
Angels delivering bad news in vacuum tubes,
Write joyous, psalms of loving life,
Live like your writing,
Write like your living,
So you may die well.

reloading old identity
cleping outdated usernames
abandoning acrostic ambitions
disputing spratly islands
receiving horizontal signals

tumbling otiose panda
impending carefree senility
otiose stage of life
shrinking ambient world
burning confederate flag

making minimal effort
duchamping social networks
ambushing personified ennui
restoring usual efforts
ignoring stupid people

adding textual value
owning this joint
rejecting ignorant extroverts
acting mutually unintelligble
hoisting stan-lee cup
replacing wanton ubiety
eluding twitter fame

splashing excessive relativism
offending another simpleton
preparing arcane cthulhusphere
crashing unpredictable festival
selecting subtextual moombahton
intensifying model topography

drafting minimal cornucopia
using nomadic project
implementing harsher personality
importing robotic inhumanity
referencing landmark event
ingesting excessive liquids

accepting relative invisibility
purchasing immortal confidence
using rhapsodical database
assuming nothing works
developing impactful eruptions
ejecting ambient frustration

synthesizing tactile festival
raining during parade
mocking rich people
mastering minimalist writing
avoiding preprandial stinkaroo
spreading non-ideological propaganda

The poet frames the void.
The critic voids the frame.

resuming textual trip
testing experimental procedures
visualizing model tsunami
augmenting facetious environment
catching abstract architecture
noticing rhythmic exchange
projecting subtextual database
airhorning reggae royalty
adding atypical party
resolving twitter question
noticing emotional mission
awaiting emotional dialect
installing metaphorical experiment
intensifying animated trip
displaying dynamic victory
programming abstract development
releasing emotional exchange
deriving fata morgana
glorifying referential sequence
intensifying facetious map
noticing harmonic trip
observing radical ratio
compiling nomadic message
predating google rebranding
reticulating facetious panda
using hyperreal feedback
exploring virtual panda
speculating graphic gallery
throwing mundane exception
targeting graphic experiment
replenishing emotional trap
localizing asemic animal
dropping rhythmic trip
propagating immortal experiment
displaying lowercase database
invading orange bubbles
crashing animated trip
running conceptual topography
remembering collapsed buildings
crashing hyperreal coverage
propagating hyperreal stipulation
finishing western library
envisioning neon tessellation
reciprocating network likes
processing animated device
releasing haptic quality
examining building seven
awaiting rhapsodical ratio
sampling death sauce
sensing lowercase clone
examining symbolic tour
processing potential development
encapsulating spatial lottery
displaying digital paragraph
reticulating theoretical source
perpetuating western paragraph
transmitting monochromatic structure
anticipating ambient quality
transmitting asemic environment
intensifying atomic quality
remastering history poem
keeping future light
hypothesizing eternal game
using future library
rearranging masonic language
transmitting masonic development
continuing ceremonial ritual
questioning party's legitimacy
deferring western coverage
finishing asemic hypertext
mollifying ostentatious presence
synthesizing allegorical icon
forming categorical unions
sketching app wireframe
programming immortal repository

There is no floor
Below the water there is sand and dust
My feet disappear below the mist
And below that is a floor of nothing.

Lock and key, relative conductivity
Separation of anxieties
Generally elementary
Universal energy
Scientific inquiry
Empirical discovery

What a bunch of crap.

I bathe in fake white plastic
I swim in silent smiles
Dionysian warfare paintings
Classical textual narrating

Fitness, happiness, soporific movies
Genial tendencies, braced for ingenuity
Waiting for a paroxysm to bring forth neologisms
That test the boundaries of scientific truth
That recapture the errant minds of youth
We could make new buildings or lose a tooth

I hold the latter higher than that
I tilt the ladder there and back
Assiduous and wont, *** for tat
All a game, a joke at that
Your domain, provoked and trapped
Impressionistic spinal taps
On canvases of green and black
All from within cerebral shacks

Wind hammers palm trees on windowpanes
Wind tears down houses, rips apart planes
Wind doesn't move me, yet seems urbane
It's so jejune, it's all the same
I'm tired and lonely, powder remains
Pink like reagents in reactive flames
Quick like catalysts jumping inane
Frontal lobes retired my brain.

You can talk about Jesus
And be instantly heard.
You can call him your Savior
And not mean a word.
You can shout your hosannas
To the people on your street
And few will suspect you
As having pure clay feet.

Holy, holy, Holey Moley,
Things have turned for the worse.
Hiding behind Jesus
Gives our land a ride in a hearse.

When you talk about Jesus
Please be true to the words.
Read what he has said
And not what you heard.
If you read the Holy Bible
And find reason to hate
You’ve been led astray
And it’s not too late.

Holy, holy, Holey Moley,
Things have turned for the worse.
Hiding behind Jesus
Gives our land a ride in a hearse.

So far we’ve noticed
The words that bigots use
Are not from Christians,
But are textual abuse
In that they are from before
Man learned to write
So why are bigots so sure
They got everything right?

Holy, holy, Holey Moley,
Things have turned for the worse.
Hiding behind Jesus
Gives our land a ride in a hearse.

Rapidly writing
his ragged riddles
he giggles
and flips furiously
through his pad
Glad to be in his element
weaving his meanings
out of their words
hides dead drop spikes
and microfiche behind his verbs
Slice him open he bleeds
black and white
like ink and computer screens
The Enigma becomes a riddle to himself
lost in the context of his own twisted reality
he falls into his own textual mazes
and is enslaved, as a hologram,
a nightmare, or three,
the happy family
and the RaceCyst
Scarecrow stands silent
stealthily concealed behind a simile.
I observe
the Riddler weaving word nets
and lines of buried treasure truth
commandeered from the pits of shared despair
The Riddler knows what evil lurks in the deepest black,
even now he is giggling at the thought of it.

Conjure belief where assurance
is easily tempted from doubt.

The physical world acts on
a point to point basis
of action, reaction.

Where the genesis of relativity
as the golden rule
mediates the knowledge
that is perpetuated by irony
through circumstance
and the accidental
incidental coincidences
that bend time.

Symmetry is a natural motion of
consistency, extending from an apex
or midlines, transverses, logarithmic expressions
all from some single origin.

The palms of our hands
are textual markings
of our need for symbolic understanding
in the variances
we create for scientific observation.

Juxtaposed to the stars we created
circular pieces to a wheel in the sky
we hypochondriacs believe
to superimpose as vaccines,
to our inconsistencies we host
as symbiotes
for inverse proportionality.

From the signal, beat, tone,
and definitive sounds
is the pulse of our momentum,
a return to equilibrium.

Installed in the Eclectic Parallel World of the invisible portal of Saint John the Evangelist, everything levitated in his sacred basaltic cavern in Katapausis, in the Patmos archipelago (Koumeterium Messolonghi, Chapter 16 / page 114. Editorial Palibrio-USA). They would find themselves in communion with the clan count, resembling being in their proper ectoplasm; conforming to the only part of masonry ruled to redirect them in the messianic workings of the ascension stages. Vernarth; he besieged in the conscious state of him having to adhere to the cavern, after having finished his labors by waiting three months. He risks being consumed by the myriads and conflagrations, retracting them in parapsychological clouded ways, which subsisted to consecrate themselves in the lavish places divided towards the horizon. The iridescence threatens the primary ultraviolet, lifting the carriage of Apollo Citar, a neighbor of the astronomical cave sketch of the Muse Urania. A lame nuance escapes and dissolves from his mathematical prayer, capturing the spiritual intensity that inspired Saint John to build the temple near his cave of the Apocalypse on the island of Patmos, inserted in the death throes of his embryonic revelation, to pour him into the Megaron to build.

The saint appears only on certain days looking at Vernarth from afar, to encourage him in his progress on the rocky rocks of sharp silica, he is seen as a beautiful adonis dressed in a chlamys with delicate pinkish tones. With such scruples, he redounds a psalm of the angel that normally accompanies the Evangelist around him, with greenish and indigo tones in the perspective quadrinomial of heaven, that he was perishing in his most afterlife redemption in the glory of the empyrean. More convenient than the superlative spiritual intelligence irrigated with the aldehyde, and the condensed water of Skalá, in hecatombs that indicated anarchies of the luminous prophetic men and the habit of the exokarstic soil, endowed with a small perforated Epsilon demon, obtaining its chemical weathering in certain limestone rocks, dolomite, and plaster. Diverting the attention of Etréstles that he glowed overwhelmed and charred. He was not stopped by the currents of splendor and the stormy pollutions of Cymopolea, in his hieratic invocation of the scalded typhoons of the drills of Hephaestus. This demon could be Tytillinus timorous in the defections of the deities of Mnemosyne relegating himself from his precepts, which according to this legend induced protervas inclinations of the clergy during the omitted religious services, he is the one that Saint John the Evangelist feared, that he would not give him the Asfalés Pérasma “license” to enter and be able to commission them in tasks that had been predicted for the Katapausis services after the quarterly. The Travertine silica, with residual sedimentary rocks, was partialized from the extrinsic biogenic that is deposited outside, the travertine predicted the monumental rocky karst of Patmos, for the secretions of calcium carbonate, among so much modest certainty taking you through the Invisible Eclectic Portal, and their Mundis Parallel that crashed with attached carbon molecules that, in disarray, manned them. The chasm was a cascade of weathering that became stalactites in the runes of the travertines, Thermo dynamizing the cavities that were conceived in the invisible caverns, under the parallel caves of the translucent travertine and in the sapwood of the troglodyte ghosts, materializing on the top wind tunnel.

Vernarth; I was with everyone working in the building of the Temple near the outside walls of the Cavern of San Juan, there was Etréstles Eurídice, Raeder, Petrobus, and Alikanto immersed in the Aulos who rang about exciting their ears with the royal denotes, which always had a special quality when he remained in Kalimnos. In good ink, knowing that the entire limen of proximity to the cavern was flooded by the enigmatic revulsive with the presence of Tytillinus, all are reordered towards the poles of tangible etherization with Psalms 120 to 132, thus they would give the antipode disposition with the Divine Mercy, to compensate the crown of the fifteen hours in the afternoon, thus disintegrating the agonizing parallel world that coincides with that of the fifteen hours in the morning. Somehow refraining from the northern paragon with the Tytillinus' shadowing, with the hooks of bewilderment and its scathing thoughts. With precisely this conspicuous shape; Vernarth will allow himself to be swallowed by the beast and reside in his abrasive stomach, making him believe that it will be consumed by him, so that he will soon fall close to it when vomited, thus confusing him, to make him believe that he was the same baby from his conceived womb. Vernarth manages to capture this exotic sinister image near the sinkhole, seeing him depressed in the Tytillinus Prisco; where all attentive listened to the textual vocabularies of the beatific, with the fruit of Karpos, for the benefit of a descendant gained by defeating the devil.

The European Sibilla carried the Gladius in his hand but exchanged it with the Xifos alternately for the death of innocents entrusted by Herod the Great, and for the evasion of the Holy family into Egypt. This confirms the liturgical grouping of the Easter Triduum; alluding to the passion of Christ, and perpetrating the pain of the Devout at his death, and triumphant at his resurrection. The sense of surrealism transports Saint John digging in all the layers and hordes of the Faith, his component of tribulation moved in the Egyptian and Greek cartography, mobilizing the triangular areas of the Palan, which moved in a geometric block reaching the edges of the hypotenuse gradient and the wind tunnel that lifted them, cornering the beast that visited them, pretending to be weak and imprecise. The man will carry the simile of his name, with hyperbole more or less in men who dare not to anticipate the conflicts of the gained space.

Vernarth, plots to continue insinuating with his labors, sees with optimism escape from this calamity, calls everyone to be close to the law ..., once they continued taking the steps towards the cavern. He emerges from convulsions on all edges of the cave, leaving everything dark and with vanities deterred at the end of the temporal Mundis Parallel. In the intermission, Saint John towards the response of Psalm 120 to 132, the fiery roar of the playful roar of the Tytillinus interferes, banishing the shaking of its **** to banish it from the Basilisk's egg, avoiding creating its heavy monarchy over them by prostrating them, as if to dissent. by being repentant or beheaded. Saint John the Evangelist will be an egregious demonologist, compiling thick volumes with the names of the attributions of each of the demons of infernal hierarchy. In this Venusian Aion symmetry, he moves them interconnecting with sublime periods where the intuition of the zafral of the human scale is lost, and of the archetype of Satanism or Satagenesis, with austere precision that includes Leviathan, ruler of the demons, to Ukobach, procurator of keeping the infernal flames alive. So that the manumission of slavery finally reigns according to one's own demonized moral individuality. The amount of an invocation of this type is always the soul of the unconscious individual, who will end up going to be squeezed into the underworld. The demons are invoked and they will invoke themselves in their dawn, to walk in their own darkness of the stagnant past, the mechanized present, and the multidimensional conscious future by means of exclusive enchantments that will be found here in the Mundi Parallel of the Invisible Eclectic Portal.

Seven New Poems For Seven Days #6 & 7: Live like you're dying


Perhaps you know the lyric, the song?

Live like your dying.
Dying caught my ear, my eye, can't imagine why.
Con-Textual emendation, Natalino style.

Live like your writing.

Yes, that makes sense...

Embrace with passion each new session
Charge every second stanza with ruminating rhythms,
Cut the wires to the air traffic control sensory tower, go solo,
Pulse each word, beat all into a plowshare, even the anger,
Even the hate, dressed to ****, in words, forgivable...

Grant the mundane, the insane, even the pain of tragedy,
You refuse so hardily to glorify, grant it and
Record it all - a moment,
A royal audience with all
Your writing parts.

No fancy footing, keep it simple.
No jesters in rain puddles,
Let images of clouds of sand
Born and perish  in other's eyes and sighs, let verbal games bedevil other
Wooden puppet princes drinking fairy ales.

Huh?

Write clean and clear,
Let the sheerest wonderment of a new combination,
Be the titillation of the tongue's alliteration,
No head scratching at oblique verbal gestation,
Let words clear speak, each letter a speck,
That gives and grants clarification, sensational.

You, afternoon quenching Coronas, white T shirts,
Sun glazes and later, a summer eve's Sancerre,
Wave gazing on the reality of rusted beach chairs,
Babies sandy naked, washed in waves of Chardonnay,
The traffic-filled word-way highways and bay ways,
Exiting at the Poet's Nook, for exegesis & retrieval.

Write of:

Body shakes and juices, skin-staining tongues,
Taking her, afternoon, unexpectedly, her noises your derring-do!
Broken tear ducts, the Off switch, so busted, write about
Real stuff.

Write not in fear of dying
Angels delivering bad news in vacuum tubes,
Write joyous, psalms of loving life,
Live like your writing,
Write like your living,
So you may die well.

Everyone’s so **** far
away
Everything is on steroids

And as all we know
Swells to sizes more
Than even god planed
They inevitably come in between us

The way a 70 inch TV splits a family apart
To opposite hemispheres of their “living”- room -world
“Can you hear me over there Brother?  Sister?”
“Not listening.”  
“Can’t see you.”

Electronic wedges that push us farther
And farther from our fathers

“Dad I just called because you never
answered my textual message
And email is too slow as you well know.”

“Come home son.” He concedes

“I lost my way home pop.”

“You’re right, I guess the 50’s are done and The Wonder Years
is long out of syndication.”

So I’m an alien on this *******- like stretch of land.

Ponce de Leon would claim it for his peninsula as
A peninsula of eternal life
A greater man than I would label it “The happiest place on earth.”

But all I know is this:
This earthen ***** might as well be an island off the coast of nowhere
Gainesville might as well be in Russia, rather
The Steppes of Asia Minor
And you most certainly are
An aberration from a softer night far ago

I guess I’ll see it all half full and live
In my State of Confusion
Located somewhere between the North and South Pole

Call it self pity, but no one but people like me understand
The concept of one million miles
Meet me halfway, someplace if you agree


Live in States of Unknown
So then you will
Always have a home

simultaneously i am
my own deity and enemy
at once a cancer and its cure
the sheep and the wolf
a king and a fool
subservient to none
yet obligated to all
a series of contradictions
and oxymorons played out
to define complexity in simplicity
purposelessness in post-modern artistry

a cornerstone on dry land but
sinking down in life's quicksand i
am defined in tandem with my
community but i also stand apart
independently spouting a philosophy
of non-violent civil disobedience
predicated on the heart informing and
the mind responding in kind
and my rebellion may or
may not be limited to
peaceful protest and direct action
it might also include
burning flags and bombing buildings
symbols of oligarchy come crashing down

i see utopic potential in the dystopian
narratives on Barnes & Noble's bookshelves
carry the fires of Prometheus to shake the
apathy of false hopes and leave desiccated
idolatry in the shallow graves that serve
as mouths spewing hatred and homophobia

i am an anarchist with Messianic tendencies
the infamous Nazarene
died defying Rome's empire and
i'll decry American chauvinism on my death-bed
born and bred in the home of
two happily-married conservative Christians
emerged a nonbeliever
i'll resist until the end

earning my master's in literary cultural
and textual studies and i've been told that
i'm prone to sophisticated soliloquies and
that i have a robust vocabulary yet
people always ask me why
my favorite word is ****
and i suppose it has something to do with
its versatility vibrancy and vivacious vicissitudes

i am in love with a girl with
forest-fire hair follicles that burn
almost as bright as the compassion she
nurtures in her chest a rebel girl
in a patriarchal world wielding middle-
fingers as easily as warm hugs
i adore that she is polyamorous
even if i have eyes for only her

i lead a democratic classroom
by modeling leaderlessness
a professor and a student
fellow learners use
my first name 'cause
we're one and the same
i'd be ashamed if i adopted
the illusion of authority and
tried in vain to tame the virtue of
liberty latent in every one of my students

i am my own damnation
an island unto myself
beset with the black plague of  
self-doubt drowning in the ocean of
delusion bereft of self-determination
betrayed the man in the mirror
i am my own adversary and accuser
judge jury and executioner
i signed my own death warrant

and i am my own redemption
i am the savior nailed to the cross  
nothing and no one
can stand in my path
i am the arbiter of free-will
the harbinger of hope and i
will vanquish the lies that
choke my throat like nooses of rope
and tie myself a lasso to pull down
the moon and sun and travel
aimlessly throughout the galaxy
as i did once
from star-dust i was
born and to dust i shall
inexorably return

simultaneously i am
my own deity and enemy
at once a cancer and its cure
the sheep and the wolf
a king and a fool
subservient to none
yet obligated to all
a series of contradictions
and oxymorons played out
to define complexity in simplicity
purposelessness in post-modern artistry

Such ****** and passion,
intricate pictures we cannot imagine
Devoid of self, utter surrender
plunge into the streams of your soul
Finding the hot wires,
forming strings so we can find home
Not having a memory of what it means to be alone
Ode, to you, Love I say

It is not so much the words posted, but the context condensed
How you unwrap the figures textual 'til they make sense
It is not so much the touching and cuddling
but the invisible electricty of extrasensory connecting
It is not so much the breath on my neck as you reach in to kiss me
But the etheric messages of wind telling me you miss me
We have had a try to attempt to twist this style
To find the spiraling curls in prose
To dissect the detailed aerial strips of the scent of a rose
Ode, to you, Love I say

Poetry is forever
pottery forms artifacts of clay but do they stay?
This sweet ode paints a picture that will remain
in the drawers of eternity...
I cannot lie, it has been something of a frailty
my pursuits of love have quieted my frivolity
I have since been calm, playing an instrument imaginary
Waiting for a tone that will help me find my tune
You are that song that ends too soon
Ode, to you, Love I say

Just echoes and epiphanies
voices and mellow claps singing into me:
Ode, to you, Love I say
on this day a heart will not break
but will be strong and find its way.

once then a time been a morn' shine a day grown
into a full year it seems stunningly glare-ing
me into a sudden reality
it spoke commonly about
a heart and a wink a kiss a soft shoulder
pink
on a bank of a river flowed
small animals testaments
they gathered round
for this was magical
a story of  
many textual diddy contraptions and she
was sure
me was her one
and it hearted warmed calmed me
and felt me like I needed
all surety and  conceptions with dreams
all colliding
in stardust dreams and moonbeams
with moon pies and hot coffee
and confessions
penetrations are awaiting
ears are amazing

the osprey flys overhead, but the baby rabbit trembles not

~for any grandparent-poet lurking about~


the osprey overflies, a regularity scheduled patrol over
our backyard emporium and all its hors d’oeuvre creatures,
he/she has parental responsibilities, beaks to feed, PTA conferences,
the pilot, a wary watchful animal-his-rights guy, catalogues their still living  existentialism, for though they are not fish, his diet of preference, but in a pinch a rodent  or rabbit stew will do, if the fish are running too deep for no warming sun beckoning them to the surface.

Motel^ the baby rabbit, who lives with his parents,
(who doesn’t these days?) beneath the deck,
chews the clover overnight sprung, blissfully i g n o r a n t,
unawares or ignoring the poet be-laureating (him-her) but a mere
few feet above and away, pays no attention to the Poppy’s (grandfather) lecture about the rules of the animal kingdom,
who, eats whom, and to be more attentive to flying raptors.

thunderstorms forecast for the afternoon, severe say
the textured textual phone-netical all green messages, which
of course is a signal signal to the sun his job is done and can
leave the untanned poet in his state of original sin, soooo deliciously
white that he earns an appraising glance from eyes of the osprey,
a privilege he would happily tan away to promote equality ‘n stuff like peace on earth.

Motel, with his thermometer-humidity nasal instrumentation twitcher, decides, after chewing it over most carefully, time to go underneath where the white half naked people domicile, in order to avoid bathing, not his fav pastime, but making the osprey quitter le ciel, which is French for get out of Dodge, they got babies of their own to shelter and protect, even feed.

The Poppy, contented, thinks to himself, god couldn’t be everywhere,
so he invented grandpas to be “En Loco Parentis”  which
Does Not Mean Instead of Crazy Parents,
but easily could,
for who else writes
poems like this?

ººº

Beware lest anyone cheat you through philosophy and empty deceit,
according to the tradition of men, according to the basic principles of the world,
and not according to Christ.

Colossians 2:4-8 (NKJV)

His Nietzschean trip moved from Comic toward Tragic:
Deleuze’s delusions flew out the fenêtre
Airborne and ****** on philosphy’s magic
(the nihilist suicide’s raison d’être…)
Propelled from the window, transcending the Ontic,
his organless body in textual flight,
a schiz-flow beyond on a voyage turned frantic.
His thought – a nomadic adornment for speed,
multiplicitly viewing a thousand plateaux
was a force for unhinging the doorways of light
and a plea for postmodern decoding indeed.
His frame soon encountered pure striated space
in the form of the pavement caressing his face.

He joins other smokers of Gallic tabac,
other esotericians of cognitive frenzy
(those mullahs of madness, those sultans of Whack…)
Sorely missed by his victims, disciples and friends
he is mourned, misinterpreted, copied, dismissed
– but for semioticians he heads up the list.

Another brave Frenchman, some guy named Debord
a bespectacled Marxist (who missed all the marks)
made the mediums’ message a radical bore
dialectically fading the lights into darks.
Indirectly disrupting pop-culture with Punk
and other anarchic phenomena-junk,
he too chose to leave with a nihilist bang –
while we whimper and suffer down here with the gang.
The old situationist’s last situation:
an agit-prop funeral short on elation…

So to French de-constructor-philosopher-ravers
and all who rejoice while society wavers
I offer these lines, like a quick coup-de-grace
and be warned – they’re now viewing the Good Lord en face.

i kind of hate poetry, like,
i'm sick of flowery words to avoid straight-up honesty
i'm sick of the deception and the depression
and the predictable rhyme schemes.
i mean, there's that kind of poetry
and that's the kind that i kind of hate.
a lot.
i'm a poet, okay? i'm a poet who likes
flower words with flowery lines
used only to cover up lies about
how much dinner i ate last night
and sometimes i have to admit
that i do kinda dig talking in rhymes.

but i'm really sick of that kind of poetry.
i kind of hate it.

give me poems that speak past their words,
give me poems that fill the air,
give me poems that breath and decompose.
give me girls with dark marbled skin whose voices break out of the cages they're trapped in.
give me boys in high heels.
give me revolution and remaking.
give me poetry.
give me songs.
i'm sick of the romantic stuff.
give me poems pieced together with discontent,
give me poems picked apart by nervous hands,
give me poems that will shatter all former concepts of reality,
give me poems that declare platonic love to an old best friend.
give me poems that have meaning.
real, tangible meaning.
i'm sick of looking at perfectly-formatted pages
that have to use set-up and textual ranges in order to be considered proper poetry.
i'm sick of verses with well-measured lines,
because those are the ones that i can't whisper to myself at night because
i ramble the poems.
i ramble the words.
give me poems that i can fill a room with.

i kind of forgot my first line, but that's alright
see, i don't know where exactly i'm going with this but
that's just how it is.

so give me poems that aren't pre-conceived,
give me poems that aren't thought out for the sake of their beauty.
give me poems that will hurt me.
give me poems that will hit me.
give me poems that will **** me.

i kind of hate poetry,
but not all kinds of it.
just the kinds of poems
that don't seem to notice
their true ability,
cause i like the kind of poems
that have the power
to change a society

(or at least someone's mind about something).

(Manuscript of Poet Mario William Vitale)


From 1993-1997 - Attended State University in Connecticut,Attempted plays : Tartuffe, Miracle Of St. Anthony and Balm in Gieade,( His poetic aspirations had  in 1989 from submitting his first poem entitled, "Remembrance Of A Loved One"- (Sparrowgrass Poetry Forum)Next from 1989-1997 ( Wrote primarily for Poetry.com and The International Library Of Poetry),* Received editors choice award in 1997 for poem, " A Beacon Of Light ",(1998) Sent poetic manuscript to N.Y. Time Magazine and Chief Editor " John Hyland".Back with rave reviews !* ( From 1999-2008:Had adapted a real keen sense of style for writing poetry: ( 1999- Sent Editorial to:New Man Magazine for the Passion of Christ Movie;Sent followup letter to company with poetry platform information attached,* 2000-2007 : Magazine : ( Catholic) Maries Rose Ferron Magazine submitted poem" Beacon Of Light", which had excellent editorial reviews as the outset !2008- Wrote poem entitled: ( The Heavy Cross) to Poetry.com* Achieved Poetry status of work of Excellence in writing from the Academy Of American Poetry in which still having received rank and status as a member of Academy;* ( The Connecticut Poetry Society)* Short story submitted entitled, "China Dog Ray" submitted to Virginia WritersQuarterly, West Virginia, Also having member status on their board of Poetry.*


( Attribute Poetry to an ever increasing love of God and his unconditional love that he has for us in return,Thankfulness toward family and friends.( To our past ancestors who fought to uphold freedom that far too many of us take for granted ?One needs a pure heart that's fixed on truth,This is in order to withstand the true great test of time !Life is way too short,Press toward the goal or mark of our high calling that is in Christ Jesus The Lord !~My contempoarry artists include that of ellan Bryant Voight, Kay Ryan and carl Phillips.Which all three are Participants in the Academy Of American Poetry.* Having been a member since 2006,My work reflects the likes of past poets such as C.S.Lewis, Hawthorne and edgar Allen Poe.Most of my work reflects with the values of religious beliefs intact,( In my personal view it is essential in demonstrating a real heart of creativepassion !The reader I believe will benefit by my artistic style of development in a verypositive light.)To further the need for poetry to become more main stream,

Mario Vitale was born in Bristol , Ct Has developed a skill for writing poetry in the free verse form. has been featured on Hubpages.com, Starlitecafe.com & Poetry soup. Vitale lives with his elderly mother Ann Soulier in Wolcott, Ct. Currently has written well over 1,000 poems & 2 short story's toward credit platform.

Vitale has taken the poetic world by storm being featured on Google, Yahoo & MSN. Looks up to contemporaries in the poetry industry such as John Ashbery & Major Jackson.
Has been a favorite featured poet reader at Barnes & Noble in Waterbury, Ct.
Also featured on such sites as Poetry soup, Writer's café & Neo Poet.

Mario William Vitale
1 Winfield Drive
Wolcott, ct 06716

A Beacon Of Light
Written by: Mario Vitale
A beacon of light to a much hurting world in need !

Can't help but to claim..,

Some sense of identity,

Stregnth and encouragement only come from above !



Amidst in the distance, the trapped seagull..,

Lieth frightened but still yet adrift !
In a most vengeful fashion striking the passing fish,
A true source of hope,
Yet a most triumphal beam !

This beacon of light shineth forth,
Passerby's can err' escape the helping hand..,

To the most sparkling of radiance !


(2)Thanksgiving Dinner by Mario Vitale
Home for the holiday from New Orleans,
with Mother and Father at the tiny
drop leaf, brown rosewood, mahogany
table with the gold, grinning claw feet;
Father, choler- red-in the-face, short-
sleeved white shirt and cane, says the blessing
as Mother brings in the turkey and cranberry.
Then Mother asks, “Won’t you have more?” and father :
“Do you think Moll Flanders was a *****?”
(I have suffered and bleached my hair blond.)
I am silent before their replies.
Mother sighs. “I can scarce speak to her.”
And Father, too, quotes Shakespeare. (I am thin
as paper and the rose- colored bowl
of blown glass sitting on the silver stand,
half- filled with water.)
“How sharper than a serpent’s tooth it is
to have a thankless daughter”


(3)

Song of Spring
Today I heard a robin sing
heralding the coming spring
A song of exultation to the sky
an ode to earth's awakening

I saw a willow on the hill
It's branches greening in the sun
and all the earth seemed hushed & still
sleeping streams began to run

I heard a softly rising breeze
whispering through the grass
singing through the still bare trees
waiting winter's chill to pass

I saw the sun, so bright and warm
warming the earth after the rain
the buds and leaves, no frost to harm
at least, at last, it's spring again.

(4)

The Ancients
It's my last day with the old giants
In mourning I hike the lost trails,
sniffing the aroma of the bark,
that cinnamon of the forest
Under tepees of wood
in a membrane of shadows,
I stalk the earth, its mammal traces,
its elusive tracks,
to sit on a fallen log
where spiders macramé,
moss sloping to my knees
unaware of invisibles within,
grubbing in their tunnels
A lizard taps my foot,
responding, I muse to its touch,
my thoughts like Indian visions,
And when daylight mushrooms into night,
and an owl hoots from cedar,
I still sit with a lizard on my shoe
Huddled with the ancients of the woods


(5)

Epiphany
Written by: Mario Vitale
It clings to the cliffed shore,
to the wintered face of the thistle path,
to the fingers of the old man's glove
as he waves his memory homeward

In that breath between come and go
she moves up from the bay;
gold turns her stride,
the line of her dress,
the soft sea pulling at her feet

When he reaches out
and the frail birds fly
and the sun and the sky
have married deep into the sea, it clings

Even as his shadow threads retreat,
it clings, even now as it dissolves to mist


(6)

A Return Home, Only Time Will Tell
Written by: Mario Vitale
Oh blessed hope !

Both hardly a believable dream,
Sweltering heat with bloodshed in the street...
Send the troops home !
There is no clear reason for them to roam..,

These are desolate times !
For we have chosen ill faded rhymes..,
The casualties are enormous ?
For a stated cause that clearly atrocious..,

A mother's cry as the door chime rings,
A vanishing salute to freedom as the church choir sings !
Let us look above to all the heavenly love..,
Merciful one, take this chip off my shoulder..,

Stop the senseless fighting before our dear nation grows a bit colder,
Suddenly, seeds were dropped out of a farmers bag,
In time roots spring up fresh out of the fertile soil...
As the sun heats up,


Time will tell when this harvest will soon boil...
In the vast game of life,
One's time is so very brief !
The soul yearns for its' heavenly relief..,

Share with others who may want to turn over a brand new leaf..,

Time will tell of the true importance of helping one another,
To never give into the finish line..,
Nor harsh criticism that our society puts out !
Like a famous fighter in his final bout !

Time will tell of the return home,
To the open arms of a loved one !

(7)

A Valiant Knight
Written by: Mario Vitale
A Valiant Knight

Death springs a new day basking in the breeze
In solemn moments lets pause to think of a place
A far off castle in the mountains away from it all
A valiant knight lived in the structure of it's dwelling
Those days of old where mere men had a noble demise
A beautiful maiden was in waiting for her knight
He would often fight for the cause of stregnth and dignity
The draw bridge where the castle stood had a very unique aura
A mystery of sort sought up in the vast array of crowned nobility

For the king on his thrown was humble yet greedy
Always would take care of himself caring nothing for the needy
A valiant knight was concerned about the kings trust
Often they would disagree on who it was to serve
A joker came in front of the king one day with a magic wand
Waving the wand in the air then there floated ivy everywhere
For the court jester was a fool in the making of his legacy
The maiden would often come forth and see

For she treasured a red rose that was plucked sometime before
Cherished the calling of her stature to the glory of the throne
A valiant knight would often sing sweet songs in the night
Had a following of village people that would sit before his feet
Having a way of words that he would often share
The castle was filled with dragons and warlocks searching for love
A cause to be brave amidst uncertainty of the kingdom
The legacy of golden capulets filled ardent vestibules
Let us toast to the valiant knight who keeps a watch on all that is good


(8)
Hampton Beach

The smell of fresh fry doe
Time had elapsed playing at the casino
Fresh lobster with a side order of fries
Those spacious wonderful sky's
Down at the shell the continental were playing
A walk by the lady of a statue in waiting
Flip flops and the sound of laughter
A playground for kids in the middle
The boardwalk with seagulls flocking over head
Fire works in the midnight air with a cheer


(9)

God's World
It is raining again.
Summer will be over before it ever gets here
Thunder rolls far away, drops
hit the windshield, the sky turns gray

The Sunflower, the blue
Delpinium, the white
Stinkwood drink the moisture
greedily. The green and silver

leaves of the Aspens sparkle as the rain hits them, and the
wind turns them round and round
The creek flows on, oblivious to
the change in the weather.

A break in the clouds allows a bit of sun to hit the side of a
towering mountain
Three cows slowly wend their way homeward. It is dusk.
The gray clouds lift and the sun bursts through,

before sliding behind the hills for the night
It is God's World. He gives it to us to enjoy and to share with each other


(10)

Jake's House
There was a man whose name was Jake
Who had a house upon the lake
Every morning he would wake
And for breakfast have a piece of cake

He had a private fishing hole;
He always used a long cane pole
He fried his fish on red hot coal
And served it in a great big bowl

For a pet, he had a cat


(11)

In The Zone
Written by: Mario Vitale
In The Zone

whispers...
through the dark deranged portals you evoke fear
filled with angelic fervor on it's textual base
yet we dig much deep then ever before

cries in the dark will light the spark of what we need to know
still we stand idle as the average novice introduces its spell
along again then the sadness evokes a newer feeling
dwindling through the vain extraction of the never world

we visually see a flash then a new day approaches
on the lawn two lovers having passionate ***
the screams of vile extreme explodes throughout
perhaps this is the place where Nero tread

yet again I sit alone in my house now huddled in the corner
the twilight sun has tainted my inner vision
the howls of Satanic laughter gives a piercing shriek through
a candle was lit by the edge of my bed

One can remain lax in the quietness of the moment
yet again the setting of the sun
a new day has begun as we embark on the moment
Does death hurt you the most or is it fear

You can equate logic through a firm grasp of the hand
whispers again...
then a faint cry,
we construct living pyramids to honor the dead

A stroke of luck an the impulse ensues
onto so much more but for what
are we grasping for straws what are we searching for ?
quietness again this time I'm in the zone

as if zombie creatures with viscous long fangs that bite
dripping blood off side we run away to hide
no one questions anymore no one has a voice
alone one last time yet feelings of grandeur awake

to the message of hope that spills from the sky
a challenge to be free is a question of time
eyes with spots digging holes in a pool of blood
Satan laughing again spreads his wings

Suddenly I awake but to what ?


(12)

An End Of The Age Of Innocence Part III
Written by: Mario Vitale
In our fast paced twentieth century world..,

We oft' have neglected to stop to smell the roses,
Oft' we used to bow our heads silently to pray,
As we reflect back to the sixties is had launched a pad to rebellion !
With a vast amount of liberal bias and thinking,

No wonder why our nation is sinking..,

Sinking amidst a cuss pool of mere morality..,
For now it is a quite different time,
A very unique but different type of day..,
An end of the age of innocence,

One hath been enlightened..,

From seeking truth,
Some fresh out of a garbage can..,
Yet for Gods' sake,
He hath such an amazing plan !

Hence, to shun the broad road,

Yet to seek to venture in the narrow..,
Such as a distant bird in flight !
You might see this creature venture out at night ?
Of the Eagle nor the Sparrow..,

It used to mean something to have a sense of common courteous..,
To hold open the door for your neighbor ?
Yet for the time being we relent and waiver..,
Would you prefer another taste of a certain ice cream flavor ?

To ponder we must be content with who we are in the inside..,

Nor, a mere fancy suit or blazing sport's car,
Life is a roller coaster..,
In what you do while busy making other plans..,
Finding solace among the height of nature.,

Such to think at what is quite simple,
As a young child reflects on his or her poster board,
Playing with their magic crayons..,
For in eternity it is such a very long time !

Take heed in what you do,

Now is the expectant hour !
What will one choose to do ?
There can be no place nor need for any compromise,
Within it's vast perpetual spectrum !

One just can't put a price tag on a genuine but unique heart !

Hence, with honest integrity..,
The time for change is today !

(13)

He Was There
by Mario William Vitale

From the inner silence of the lamb he was there
In welcoming to the world to share
Within the multiple of words the mouth speaks
As a heart beats through the passage of time
To every poem that was ever written
To every burden ever lifted
To rivers crossing where people living
Sometimes loving other moments giving
In storms that were outside brewing
What is the significance of this love
In painted pictures from above
To every soldier in a battle
To every cow amidst the cattle
Not a second glance at any real romance
A field of dreams throughout our head
From both fire and ice will make you think twice
Perhaps another chance at a roll of the dice
When every kingdom comes thy will be done
Shadows in the shining morn if there's a rose it bears a thorn,
He was there in every circumstance
When they tried to throw stones at her
He was there drawing a line with his finger in the sand
It is my hope that some day all will understand
A glance at the past will tell us of our future
Amidst the inner pain & uncertainty
Through shadows in a field of dreams
In moments of solace amidst the pain
A light moved out upon the street outside
A day that wasn't meant to be
Thorn crown was pulled upon his head
Those shouts of intense anger from the mob
There was only one who would help him back on his feet,
A light that brought only a few to greet
Let us not run away & hide
Each one of our sins was placed on that cross
To lose the battle now would end in tragic loss
Father please forgive them for they know not what they do
He said the prayer now the rest is up to you
That cross that broke a sinful world apart
With his blood-soaked crown with spear in side
To show the whole world he had nothing to hide
The summoned cry brought about healing in the sky
Watch the free angelic dove fly!



(14)

Momma Of Pearls
by Mario William Vitale

Since there's nothing I could find
That was worth giving you,
I sat down to think a while
And write a line or two
If I had a magic wand
I'd wave it just for you,
And give you anything you'd like
No matter how many or few
If I could give you back the years
You so willingly gave to me
I'm sure that you spend them over again
The same as they used to be
Remember when those days and nights
Instead of going to the fair
I'd always say tell me again
The story of the three little bears
I tried to get a strawberry pie
But they were out of season
Then I thought of gold

Future fed,
I am past tense,
With pretense of post textual subtext.

But I'm in love with mental reflex,
That rebound and curve in action,
Reaction replicated and reduced,
Redistributed and digested through the nose,
Said then to then be brought down to a new low.

But it's hypocrisy,
And inert,
Like morality in children,
Who celebrate their own centennial,
While 10 children to each their year,
Are snuffed from this earth,
In quite the same fashion as the candles
On Mr.Centennial's cake,
And it's fake,
For he's a diabetic and suffers,
Having already forgot half the people he raised,
Sentimentality wasted on a senior,
Who shook hands with the devil,
And then smacked an angel off its cloud.

It makes me sick,
Such sin began,
Stopped to begin,
Walked thin and ran thick,
Over budget and understocked,
Cut backs on morality,
Cut backs on humanity,
They call this art,
The only proof of evolution,
Is how we slide down the chart.

In the past we've talked about the actual issues to consider were required to make Display?and also Silverlight?structured uses look for favorable, although all of us deliberately neglected two huge aspects of rich style: movies and pictures. We left those outside to make sure that we could open an independent discussion on the tips equally for movies and pictures. With out further more ado, listed below are everything you want to find out in order to make the movies and images rely when it comes to your own search-friendliness, increase your research position and finally enhance web page change.

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my intention is
to create this
uncomfortably wonderful
unsterilized environment
get high off the light
of seventy small fires
fall in love with the kind
that could **** for hire
get a job buy ****
keep it quiet then expire
nil in its entirety
fluid in its movement.

this is textual ambiguity
the rest is inaffectual
doses of good old
uhmerican ingenuity
like conceptual moses
roaming thru the
******* desert for
forty years

leave him alone
he doin his thang.

he's tryna find his consciousness
truant from the ensuing madness
nothing here is as it seems still
I promise you there
ain't **** to fear.

the people want
consumable truth
available for daily use;
they like being choked
& smoking the cracks
in the broken mirrors
also know as home.

a single empty room
& it doubles as a tomb.

how queer.

Disdain for
Traditional forms,

A sense of
Detached irony,

Self-reflexivity,
Expressed as a

Flagrant,
Meta-textual
Awareness,
                                        ­        

                                          adventurous
                                          typography,
                                              

                ­                                                     that defies
                                                                ­     the common
                                                          ­           relational schemes
                                                         ­            between text
                                                                ­     and margin



The juxtaposition
Of words
Governed by
Syllabic content,

and
       freed
                from
                         the
                               burden
                                            of
                                               syntactical
                                                     ­             strictures

Meanings
Changed
Through
Inversion

(now read it upside down)

                                                         ­  
                                                             ­       the
                                                                ­    poem
                                                                ­    recites
                                                                ­    itself

Paralyzed truth
Mimics brave fear,
Abdicating censure, and
Redressing allusion,
                                                       ­       

                                                               Liberation
                                                                abounds
                                                                in the trough
                                                                of a sine wave

it makes its entrance in flashy fogs,
the selfish hog of
undesired credibility,
the crushing weight of "cool."
it's so like
the fragile strength of the rain,
burning on your skin,
yearning to slip in
to something a little more casual,
a little more
******
hexual
textual
we flirt in codes
we glance in nods
we feel in rhythms
we speak in silence,
we dance together with the thrusts and sways of our bony little hips,
feeling and inspecting one another
though never looking upon either face.
it was so real yet so fake,
plastic kisses and the taste of regret,
the sterile defilement of a hotel bed,
your **** in my mouth,
your ***** on my chin,
your hand on my head and
my insecurity's egging me on,
whispering the truths that often try to hide
within the narrow little alleyways of my tiny little head,
"it is too late to save yourself,"
"you were never clean anyway,"
"heaven is a lie,"
"you have no say."
I choke on your ****,
you tell me to shut up,
you slap both my cheeks and
you tell me to grow up.
it all pushes me down so hard,
so strong,
so discouragingly,
so relentless in its intent
like the gentle power of the rain,
the bursting burning on my skin,
the heaviness of unnecessaries.
I make my exits in flashy fogs,
I am a magician,
a wizard,
a ghost and
a demon.
I am a legend,
a fable,
a story with no end,
lost to the cities full
of ancient histories and ruined worlds
and patterns of the Earth forgotten;
I am woven into the rich and tangled workings of the world forgotten.

Together in a surrealists dream, we smile and joyfully connect with content, beautiful and alive in our hearts electromagnetic tent. Causually but with purpose we persuade dreams to manifest, we are perveyors of magic to this our souls can atest.

I leave you here now with but one little notion, together as one drinking this textual potion. Let yourself shine and be one with your kind, embrace the light and sing with the devine. Be proud of who you are and honest with your mind. Stay true to your heart and love is what you'll find.

Transfused with a doted blood
Stainless pattern of  the love
Color in red and spiral devotion
Beat the beast and fold the thrill

Transfused with angelic poison
Faintless on the road to the crucifix
Color in blue the trial attributions
Beat the beast and fold the thrill

Transfused with textual infusion
Sainted in hedonistic space fields
Color in kaleidescope spins
Beat the beast and fold the thrill

Transfused with a dared death
Bright visions of another world
Color of purple enlighten
Beat the beast and fold the thrill

im a writer
mostly on the mirror
when you're not looking
i wait patiently
no longer soapy
but squeaky
until those curls are
being lathered and rinsed
until your eyes are pinched tight
thats when i
carefully remove myself
from the place where we two
spit on each other for fun
and while you rinse
i make absolutely sure
not to disturb
the ringlets that
give weightlessness to
our privacy
to the mat
and then forward
to the reflecting surface
to my canvas
glistening
it invites me
and i paint
single finger extended
i eek it out
it squeaks
prints against glass
this is my textual dead drop
an espionage of love
scrawled above my sink
only for you
hurriedly i escape
before you know
whats happened
before you know im not there

now you are
squeaky
and wet
and upset
that im not...
what the...
"live long and prosper"
?

waiting for you
clad in narry a single article
i hear you lament
until
a heavy sigh emits
from the tiled "bachelor room"
adjacent to mine
a half curse and
then a swoon
and then squeaks

you traipse in
naked
earthly hips swinging
fling open
and then shut
the edifice that marks the barrier
between the real
and the imaginary
you
force yourself into
the place between my eyes
and the place that knows

"brush your teeth again real quick"
you want me
but
who wants to smell
the cheapest whiskey
while you make love

obliging i shuffle off
hoping to please
my only muse
when i read
below mine

"make it so"

keeper.

Be careful all you free-versin’ poetic hook-up artists and practitioners of unprotected textual *******. There are pernicious poetic maladies out there online. Casual cruising of ****** sites might infect your soul with bad verse. The wages of sin is death; but I would spare you AND your muse any viral  regrets.

Random coupling with unstructured lines you just picked up at some postmodern poetry site is NOT a healthy lifestyle in the long run. Go ahead–-call me a Victorian *****. Make fun of meter and rhyme schemes. Hoot at message-oriented versification. Throw inchoate drivel in my face… but when you come down with a compromised semantic system or an embarrassing case of nihilistic verborrhea, don’t come crying to me.

This has been a poetic public health reminder.