you stranger,

you becoming stranger,

your voice the

heart-beat spindle’s threadbare pull,

pulsating in green-light chorus,

washing me in and out of the shore

of an intangible reality

that i think you not only live in,

but that you’ve created for yourself,

cloth of blood and crystalline light

and layer

upon layer

of memory

that may or may not have happened.



i dream of having my own palace in the

inverted sky;

i’d be the taste that

you try to swallow away,

the flickering guilt of

the candle you forgot to blow

out when you left the room—

you left me in the light.



i’d coax that tendril of

half-thought half-baked

slightly-worn

feeling,

weaving it

through the syllables of my fingertips.

the drumming of my hands

across impatient countertops would

keep the time,

and you’d grow in rhythm.



i’d smile,

the smug, gap-toothed knowledge

that comes from molding the inarticulate

summation of

yourself,

you, who i have never met.

our eyes would meet across the infinite

cliff of a space between words,

and that would be enough.



i’d like to be able to leave

the sound of my voice in the

crook of your elbow,

jarring your step as

you try to look past the horizon,

and only see my

tower of

words—

i want to be your babel, baby.

Always stand against my hurt
Ghost lips on the thigh bite
Always tie my spindle veins wafer thin
Thoughts zoom sync auto pictographs
Words can't lisp sweetly
robotussin giggle about it
Upon my ghost
Always stand against my hurt
Ghost eyes
Ghost spit
Ghost thighs
Always stand against my hurt
Attrition life sustenance
Nutrition
Always stand against my heart

The gap, the take,
The spindle-rake.
Don't designate the load.

The lack, the sting,
The dandy spring,
There's more than you could know.

So weigh your time,
With thundrous lines,
This yours is yours alone.

Thus Live It Loud,
And Sunstorm Proud,
Use this full day
                                     for,
                                                   "GO!"

I

I, in my intricate image, stride on two levels,
Forged in man's minerals, the brassy orator
Laying my ghost in metal,
The scales of this twin world tread on the double,
My half ghost in armour hold hard in death's corridor,
To my man-iron sidle.

Beginning with doom in the bulb, the spring unravels,
Bright as her spinning-wheels, the colic season
Worked on a world of petals;
She threads off the sap and needles, blood and bubble
Casts to the pine roots, raising man like a mountain
Out of the naked entrail.

Beginning with doom in the ghost, and the springing marvels,
Image of images, my metal phantom
Forcing forth through the harebell,
My man of leaves and the bronze root, mortal, unmortal,
I, in my fusion of rose and male motion,
Create this twin miracle.

This is the fortune of manhood: the natural peril,
A steeplejack tower, bonerailed and masterless,
No death more natural;
Thus the shadowless man or ox, and the pictured devil,
In seizure of silence commit the dead nuisance.
The natural parallel.

My images stalk the trees and the slant sap's tunnel,
No tread more perilous, the green steps and spire
Mount on man's footfall,
I with the wooden insect in the tree of nettles,
In the glass bed of grapes with snail and flower,
Hearing the weather fall.

Intricate manhood of ending, the invalid rivals,
Voyaging clockwise off the symboled harbour,
Finding the water final,
On the consumptives' terrace taking their two farewells,
Sail on the level, the departing adventure,
To the sea-blown arrival.

II

They climb the country pinnacle,
Twelve winds encounter by the white host at pasture,
Corner the mounted meadows in the hill corral;
They see the squirrel stumble,
The haring snail go giddily round the flower,
A quarrel of weathers and trees in the windy spiral.

As they dive, the dust settles,
The cadaverous gravels, falls thick and steadily,
The highroad of water where the seabear and mackerel
Turn the long sea arterial
Turning a petrol face blind to the enemy
Turning the riderless dead by the channel wall.

(Death instrumental,
Splitting the long eye open, and the spiral turnkey,
Your corkscrew grave centred in navel and ******,
The neck of the nostril,
Under the mask and the ether, they making ******
The tray of knives, the antiseptic funeral;

Bring out the black patrol,
Your monstrous officers and the decaying army,
The sexton sentinel, garrisoned under thistles,
A ****-on-a-dunghill
Crowing to Lazarus the morning is vanity,
Dust be your saviour under the conjured soil.)

As they drown, the chime travels,
Sweetly the diver's bell in the steeple of spindrift
Rings out the Dead Sea scale;
And, clapped in water till the triton dangles,
Strung by the flaxen whale-****, from the hangman's raft,
Hear they the salt glass breakers and the tongues of burial.

(Turn the sea-spindle lateral,
The grooved land rotating, that the stylus of lightning
Dazzle this face of voices on the moon-turned table,
Let the wax disk babble
Shames and the damp dishonours, the relic scraping.
These are your years' recorders. The circular world stands still.)

III

They suffer the undead water where the turtle nibbles,
Come unto sea-stuck towers, at the fibre scaling,
The flight of the carnal skull
And the cell-stepped thimble;
Suffer, my topsy-turvies, that a double angel
Sprout from the stony lockers like a tree on Aran.

Be by your one ghost pierced, his pointed ferrule,
Brass and the bodiless image, on a stick of folly
Star-set at Jacob's angle,
Smoke hill and hophead's valley,
And the five-fathomed Hamlet on his father's coral
Thrusting the tom-thumb vision up the iron mile.

Suffer the slash of vision by the fin-green stubble,
Be by the ships' sea broken at the manstring anchored
The stoved bones' voyage downward
In the shipwreck of muscle;
Give over, lovers, locking, and the seawax struggle,
Love like a mist or fire through the bed of eels.

And in the pincers of the boiling circle,
The sea and instrument, nicked in the locks of time,
My great blood's iron single
In the pouring town,
I, in a wind on fire, from green Adam's cradle,
No man more magical, clawed out the crocodile.

Man was the scales, the death birds on enamel,
Tail, Nile, and snout, a saddler of the rushes,
Time in the hourless houses
Shaking the sea-hatched skull,
And, as for oils and ointments on the flying grail,
All-hollowed man wept for his white apparel.

Man was Cadaver's masker, the harnessing mantle,
Windily master of man was the rotten fathom,
My ghost in his metal neptune
Forged in man's mineral.
This was the god of beginning in the intricate seawhirl,
And my images roared and rose on heaven's hill.

Was this not what you wanted?

A sliver of hope--
Instead you ended by shivering out on that unsteady-tipping *****.

And for all those somethings, I hadn't  know,
well, I had to let them go.
Now I am, all alone.
But hey, it's not like you would've know--
Too lost to see through your own moats murky waters.

Was it One; Two; or Three;
Captured sirens swimming with you,
within your clouded judgement?

Or is it, One; Two; or Three;
Vile hags trampling with you,
within your undeserving life.

Are you feeling empty yet?
Or are you full of your lies?

It appeared to be a feast--
While in harsh reality, you were plucking at nothing...
Nothing except brittle bones.

Its all a shame,
for it was a dream spun upon spindle--
Lost in a cowards looping *****.

Was this not what you wanted?
                Hmm-
          What a shame...
          What a shame...

You left nothing, only the Stevens book
That read:  There is not nothing, no, no never…

Nothing and a yellow bicycle:
Two tires on a rickety frame.

When I do pick up a poem,
It’s to hear the gravel cadence of you,

Softer, informed by everything that spins:
A world, a bicycle, a chestnut tumbling

Downhill the city’s painted a roadside path,
My collarbone’s begun to mend.

The house gets drafty late afternoons
So I learn to cook:

Turmeric, cayenne. Hing & coriander.  
cardamom. Cumin & mustard seeds.

Hing’s a pungent flower called asafetida
And corriander’s just cilantro.

Icy fingers spindle wheels on window panes.
I leave the teakettle to boil.

Spokes of trees shiver in the silverish dusk
Taking lessons from everything bare,

I let in the cold to hear
No stones turned in the drive.

Right now, I am your doormat
Wanting to be accepted, used and loved…
As soon as I have this or give up trying to get it
I will want to be a dragon, free, feared and sinful
My mind is precise of its wants and needs, yet my body cannot grasp them
My every desire dangles in front of me,
Like a spindle of silver scorned thread filled light
Our happy memories do nothing but leave me in ruins
Remembering each contour of your face,
Each movement your live carcass made
Leaves me like a crumpled envelope, misused,
Misguided and disappointed to not be permitted to experience you in the way so many others have…

I am weary of lying within the chase
When the knights are meeting in market-place.

Nay, go not thou to the red-roofed town
Lest the hoofs of the war-horse tread thee down.

But I would not go where the Squires ride,
I would only walk by my Lady’s side.

Alack! and alack! thou art overbold,
A Forester’s son may not eat off gold.

Will she love me the less that my Father is seen
Each Martinmas day in a doublet green?

Perchance she is sewing at tapestrie,
Spindle and loom are not meet for thee.

Ah, if she is working the arras bright
I might ravel the threads by the fire-light.

Perchance she is hunting of the deer,
How could you follow o’er hill and mere?

Ah, if she is riding with the court,
I might run beside her and wind the morte.

Perchance she is kneeling in St. Denys,
(On her soul may our Lady have gramercy!)

Ah, if she is praying in lone chapelle,
I might swing the censer and ring the bell.

Come in, my son, for you look sae pale,
The father shall fill thee a stoup of ale.

But who are these knights in bright array?
Is it a pageant the rich folks play?

‘T is the King of England from over sea,
Who has come unto visit our fair countrie.

But why does the curfew toll sae low?
And why do the mourners walk a-row?

O ‘t is Hugh of Amiens my sister’s son
Who is lying stark, for his day is done.

Nay, nay, for I see white lilies clear,
It is no strong man who lies on the bier.

O ‘t is old Dame Jeannette that kept the hall,
I knew she would die at the autumn fall.

Dame Jeannette had not that gold-brown hair,
Old Jeannette was not a maiden fair.

O ‘t is none of our kith and none of our kin,
(Her soul may our Lady assoil from sin!)

But I hear the boy’s voice chaunting sweet,
‘Elle est morte, la Marguerite.’

Come in, my son, and lie on the bed,
And let the dead folk bury their dead.

O mother, you know I loved her true:
O mother, hath one grave room for two?

at its own axiomatic level
we begin a dance
a dance
a dance
and there are shades

―

fly off from the other?

a spindle
a
a

fly

―

difference
we make ourselves a difference
a complexity
an intricate form that spills over and everywhere
and is alive
apart from itself
as if this difference making
were for itself, for our own ego
rather than to pull the other
the other’s difference
pointlessly intricate
motionful machines that well up beyond their own depths and
but the content

―

a meaningful making
and on and on and
drives

―

turns on it urns iand urns un n uwuw uwuw uwuuwu wuuwuwuwuwuuwuw

―

the measure of a drop
is in

―

everyone dances in their own light

―

what if satire is all you see!

―

everything ive ever wanted to say 12 yr old has already fallen out a tree

―

everybody hold themselves so high and precious
but their own being is only meagre pitiful one space arrow
e


there is a being
that we strive for
but only ourselves feel
and only others know
yet so many want the other to feel
what they can only know

come grieff and grief and grif

―

i dont get why anyone cares
we do what we do
and it stupid

why you wanna
let the other in ?

only reason u think they smart
is they aint let u in

so i says let em be  .

―

everyone all love precarity
cant love themselves
sothey strike out when the other they want to love them for themselves dont love them for themselves

thats an impossibility !

―

FRAGILE PEOPLE
PRETENDING THEY’RE NOT
BaM BAM!

whys all the
positivity
make all lie and
die

why do you care so much about yourself
that you desire the other to see?
you are meagre
you are petty
and that’s all you are.

resentment is thinking otherwise.

nobody cares about your drives!!!!!!!!!!
and the more you think they should
the more they wont!!!!!!!!!!!silly!!!!!!!!!
the togetherness of not-

let people sweep and slide
then drift n loop!

―

everoy !
neurotic big
weeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee

―

t­hen why are peopplr loenly?

―

cherished being in a bridge of light

cherished being in a bridge of light

cherished being in a bridge of light

cherished being in a bridge of light

cherished being in a bridge of light

cherished being in a bridge of light

cherished being in a bridge of light

cherished being in a bridge of light

cherished being in a bridge of light

cherished being in a bridge of light

cherished being in a bridge of light

cherished being in a bridge of light

cherished being in a bridge of light

cherished being in a bridge of light

cherished being in a bridge of light

cherished being in a bridge of light

cherished being in a bridge of light

cherished being in a bridge of light

cherished being in a bridge of light

cherished being in a bridge of light

cherished being in a bridge of light

cherished being in a bridge of light

cherished being in a bridge of light

cherished being in a bridge of light

cherished being in a bridge of light

cherished being in a bridge of light

cherished being in a bridge of light

―

its own singular yearning
pulls back
the body of marx
and the whole black moon

―

black moon! black moon!

howls the end
howls the night
simpering spat spat spat spatchooey! cross yarn and tip a spews the thunder
and the back back back of
no where
curses like a shut down whine

―

are you perfectly everywhere not
this is the only series of questions
in philosophy senpai desu desu bakkkooou!!

The castle kitchens had big fireplaces, where the oxen and the meat
Were roasted on spits. The cookies were baking, roasting by using the heat.
The pantries were hung with birds, swans, pigeons, rabbits, mutton, ducks,
Venison and wild boar. Suddenly, the spring life became a luminous flux.

Everywhere on the tables, there were berries, nuts, and other fruits.
In the rooms, there were pottery, glass, fabrics, jackets, dress coats,  
Sweaters, bodices, pants, petticoats, silk, music, joy, pewter utensils,
Jewelry, purses, shoes, hats, ties, powders and eyebrow pencils.

‘The guests will arrive and the food is not ready, yet’, whispered Pauline.
'You can hurry a little’, said Frieda, ‘Guess, who's coming!’ ‘The queen!'
Anne tasted all the fresh food and drinks and found them well prepared.
'After you finish, open the windows, because the rooms are not aired.'

Queen hurried away, leaving behind a whiff of perfume and stress.
'Do you see her through the window? ‘What a splendid wedding dress!'
"Jezebel is beautiful. I heard that the marriage can change the doom.'
'Yes, the bad fortune of the bride can bring a bad fate for the groom.'
…………………………………………………………………………………………………………………………..

(At the monastery, Clara and Mary were preparing their luggage to go to the wedding.)

'I'm talking about this false teaching, which left me confused’, said Mary.
'No one is sinless perfect', said Clara, ‘we’re God's children. Be wary!'
'She hates her sisters; she walks in the darkness, while being so blind.'
'But God is Light, and the prayers have the power to change her mind.'

'She's not truly in fellowship with God, because she can't love her sister,
But I can't compare her with Surah, who is a real incurable blister.'
'Surah hates her sisters, she's a murderer, and doesn't need eternal life.
She's an ignorant, she needs power, and she lives only her life of strife.'

‘Is it true that whatever we ask, we receive from Him, because we fight
To keep His commandments, while doing what is pleasing in His sight?'
'It's true.' ', I asked Him to save my niece, but I didn't receive any response.'
'You must teach Surah how to love, and she will destroy her magic sconce.'

(It was three o’clock in the morning, and Surah entered the passage of the cave.
She entered the castle, and climbed up the stairs to be in the room of the tower.
There, she put two goblets on the table containing a beverage used to induce a coma.
After that, she came down from the tower to enter the Jezebel’s room.)

'How is my sweet niece, who will be a bride?' ‘I’m a little scared.'
'Every bride is scared knowing that her feelings in bed must be shared.'
"How was your first moment in bed?' 'Well, I started with a little kiss;
I gave it to the loveliness I was wallowing in. I felt the radiance of bliss.
(Surah smiled being a little tender while looking at her niece.)

‘Let me show you my wedding gift. Let’s go into the tower to see it.'
'This is a joke!' Surah took her hand. 'I have the key.' 'Does this key fit?
My mom can hear us, and you know that you're not allowed to enter here.'
'She cannot wake up early in this morning. Did you forget that I'm a seer?'

(Surah and Jezebel climbed up the stairs of the tower. They entered the room of the tower. Jezebel sat on a chair to marvel at the beauty of the altar and at the golden spindle. Surah took out a medallion from her pocket and put it into the Jezebel's hands. The medallion had two miniature portraits. One of them was the portrait of Frederick, and the other one was the portrait of a very beautiful woman.)

'I want you to know that this portrait belonged to his former dead fiancée.
He had abandoned her for another one. His love was only a flight of fancy.'
'Give me something to drink, my dear aunt, I really don't feel quite well!'
"Sure', said Surah giving her to drink the beverage having an interesting smell.

sometimes I think
there might not be a tomorrow
so my time can't be wasted in any established institution.

whoops, there I go, wasting.  
whoops, there goes the future.

band together,weird brothers.

a half assed attempt from one of us equates to a hundred ten percent from one of the others.
but what difference would it make?
there's like, a hundred million of them &
only one of me.

we're already snuffed out by the numbers.

so we throw ourselves off track; it's some what hypocritical - but hey -
at least we're following our hearts
or whatever *****
we think is the most vital.

simple existence is the biggest shame.
for the love of god.
you'll rot if you stay for the spindle,
drilling yer spiel & teething on the tiers, stagnating in the famous cesspools of shalott.
settle in, ferment to liquidity.

Imma just watch yall
waiting for the day
your stocking feet curl up &
die beneath the mortgage,
leaving the zirconia slippers
of a dream seeing red.

be clean
be neat
be nice
be right
be alive
& smile
but not too much.

that's the tell to tell em
something's up,
the specimen are not disrupted
or adapting to challenge
of being ******
with these conditions.
they appear to be happy.


too happy.


something's missing.

Part of an entertainment presented to the Countess Dowager of
Darby at Harefield, by som Noble persons of her Family, who
appear on the Scene in pastoral habit, moving toward the seat
of State with this Song.

I. SONG.

Look Nymphs, and Shepherds look,
What sudden blaze of majesty
Is that which we from hence descry
Too divine to be mistook:
This this is she
To whom our vows and wishes bend,
Heer our solemn search hath end.

Fame that her high worth to raise,
Seem’d erst so lavish and profuse,
We may justly now accuse
Of detraction from her praise,
Less then half we find exprest,
Envy bid conceal the rest.

Mark what radiant state she spreds,
In circle round her shining throne,
Shooting her beams like silver threds,
This this is she alone,
Sitting like a Goddes bright,
In the center of her light.
Might she the wise Latona be,
Or the towred Cybele,
Mother of a hunderd gods;
Juno dare’s not give her odds;
Who had thought this clime had held
A deity so unparalel’d?

As they com forward, the genius of the Wood appears, and
turning toward them, speaks.

GEN. Stay gentle Swains, for though in this disguise,
I see bright honour sparkle through your eyes,
Of famous Arcady ye are, and sprung
Of that renowned flood, so often sung,
Divine Alpheus, who by secret sluse,
Stole under Seas to meet his Arethuse;
And ye the breathing Roses of the Wood,
Fair silver-buskind Nymphs as great and good,
I know this quest of yours, and free intent
Was all in honour and devotion ment
To the great Mistres of yon princely shrine,
Whom with low reverence I adore as mine,
And with all helpful service will comply
To further this nights glad solemnity;
And lead ye where ye may more neer behold
What shallow-searching Fame hath left untold;
Which I full oft amidst these shades alone
Have sate to wonder at, and gaze upon:
For know by lot from Jove I am the powr
Of this fair wood, and live in Oak’n bowr,
To nurse the Saplings tall, and curl the grove
With Ringlets quaint, and wanton windings wove.
And all my Plants I save from nightly ill,
Of noisom winds, and blasting vapours chill.
And from the Boughs brush off the evil dew,
And heal the harms of thwarting thunder blew,
Or what the cross dire-looking Planet smites,
Or hurtfull Worm with canker’d venom bites.
When Eev’ning gray doth rise, I fetch my round
Over the mount, and all this hallow’d ground,
And early ere the odorous breath of morn
Awakes the slumbring leaves, or tasseld horn
Shakes the high thicket, haste I all about,
Number my ranks, and visit every sprout
With puissant words, and murmurs made to bless,
But els in deep of night when drowsines
Hath lockt up mortal sense, then listen I
To the celestial Sirens harmony,
That sit upon the nine enfolded Sphears,
And sing to those that hold the vital shears,
And turn the Adamantine spindle round,
On which the fate of gods and men is wound.
Such sweet compulsion doth in musick ly,
To lull the daughters of Necessity,
And keep unsteddy Nature to her law,
And the low world in measur’d motion draw
After the heavenly tune, which none can hear
Of human mould with grosse unpurged ear;
And yet such musick worthiest were to blaze
The peerles height of her immortal praise,
Whose lustre leads us, and for her most fit,
If my inferior hand or voice could hit
Inimitable sounds, yet as we go,
What ere the skill of lesser gods can show,
I will assay, her worth to celebrate,
And so attend ye toward her glittering state;
Where ye may all that are of noble stemm
Approach, and kiss her sacred vestures hemm.


2. SONG.

O’re the smooth enameld green
Where no print of step hath been,
Follow me as I sing,
And touch the warbled string.
Under the shady roof
Of branching Elm Star-proof,
Follow me,
I will bring you where she sits
Clad in splendor as befits
Her deity.
Such a rural Queen
All Arcadia hath not seen.


3. SONG.

Nymphs and Shepherds dance no more
By sandy Ladons Lillied banks.
On old Lycaeus or Cyllene ****,
Trip no more in twilight ranks,
Though Erynanth your loss deplore,
A better soyl shall give ye thanks.
From the stony Maenalus,
Bring your Flocks, and live with us,
Here ye shall have greater grace,
To serve the Lady of this place.
Though Syrinx your Pans Mistres were,
Yet Syrinx well might wait on her.
Such a rural Queen
All Arcadia hath not seen.

Drink up the radiation
Subhuman viral nation
That or starve in skeleton cars
Chewin' on lettuce and candy bars
It's a caper world but there's no dancing
Skippin' like a child? Prepare for the violins
An interlude of electric tubes
Pushin' you closer to the cube

Tinted windows beg for bullets
And she makes *** feel like school
I've climbed the mountains, crawled in the caves
Still can't tell the veins from the beige
Still don't know if I'm better off in Nod's nowhere
Or Pan's wonderland of the living dead

Don't talk much except to my shaky fingers
Nibble nimble, spin a spindle, see the symbols, give a little
I've got a man who lives under my tongue
He fixes all my cavities
And when the paycheck comes
He sits atop the pink carpet-
His anti-gravity
I had a dream-weaver
But now he's vacationing
Somewhere in Himalayan Mountain territory
He's been there for two moons
And I doubt he'll ever leave
He sends me postcards and fancy little things
I put em' in a cigar box, hoping one day I'll see wings

****** was eaten by maggots
Before he took the helm
Insanity breeds anti-gravity
Life breeds cruel leaders
Forget divide and conquer
It's swarm and swallow
Tools of the revolution
Intravenously protrude you

Same In Nazarene
Spit In the Name of me
Go limping with a tishbite in the Cherith
Stating the obvious facts of Sin
Livin' only for lunar limbs
And Bailey's beads
Screaming,
"My God!
It's full of stars!"

I had a moment of clarity
In my life
When I would wake up
From my night terrors
The train tracks outside my window
Wobbled louder than my sanity.
Yes you were there
Patrolling my dreams,
Sprinkling hatred
Over the innocence.
You were the fake ****
Who conducts lies
With your promises.
Your nails, nail the impression
That you practice
On voodoo dolls
Hanging in your soul.
Tearing each thread
Back to its spindle.
It cries.
Prying apart
Till frost vacates your heart
Into these dolls.

Look at you go!
Like Reptar,
You mustered the mightiest rawr
To scare everyone away.
Like reptar you are the toy,
Imagine that.

You see,
They use their imagination
To make you look like
What your faking to be.
Someone different.
You forced me
To lock you up in my dreams.
Murderous murders
Slaughtering anyone
Who mentions my name
So you can feed the meat
You store in the temple
Filled with thorns.

People say stick and stones
May break my bones
Yet your smile
Still shatters them to dust,
Stuck between your nails.
An inconvience.
That's what you would called it.

Hear ye hear ye
My apologies
For me not being clearly.
You must understand
My voice is a little drowned
By the lack of intelligence
You ponder about.
Especially when I glossed over the fact
That this is the poem
I've always want to throw down
Onto your trenches
On your forehead,
The gateway to the mind
Which conducted
The illist mistake
Thinking I'm not worth the time.

Who talks of Plato's spindle;
What set it whirling round?
Eternity may dwindle,
Time is unwound,
Dan and Jerry Lout
Change their loves about.
However they may take it,
Before the thread began
I made, and may not break it
When the last thread has run,
A bargain with that hair
And all the windings there.

Blithe dreams arise to greet us,
And life feels clean and new,
For the old love comes to meet us
In the dawning and the dew.
O'erblown with sunny shadows,
O'ersped with winds at play,
The woodlands and the meadows
Are keeping holiday.
Wild foals are scampering, neighing,
Brave merles their hautboys blow:
Come! let us go a-maying
As in the Long-Ago.

Here we but peak and dwindle:
The clank of chain and crane,
The whir of crank and spindle
Bewilder heart and brain;
The ends of our endeavour
Are merely wealth and fame,
Yet in the still Forever
We're one and all the same;
Delaying, still delaying,
We watch the fading west:
Come! let us go a-maying,
Nor fear to take the best.

Yet beautiful and spacious
The wise, old world appears.
Yet frank and fair and gracious
Outlaugh the jocund years.
Our arguments disputing,
The universal Pan
Still wanders fluting--fluting--
Fluting to maid and man.
Our weary well-a-waying
His music cannot still:
Come! let us go a-maying,
And pipe with him our fill.

When wanton winds are flowing
Among the gladdening glass;
Where hawthorn brakes are blowing,
And meadow perfumes pass;
Where morning's grace is greenest,
And fullest noon's of pride;
Where sunset spreads serenest,
And sacred night's most wide;
Where nests are swaying, swaying,
And spring's fresh voices call,
Come! let us go a-maying,
And bless the God of all!

veiled in shroud spindled of deceit
by his venomous heart
spiders lay their eggs

I really have a soft spot for winter weather
It’s sweater time
It’s scarf time
It’s cuddle time…or a-little-more-than-cuddling time
And it’s sweaters and scarves indoors time because people seem determined to hide the aftermath of mouths that have overstayed their welcome
In the corners of shoulders and collarbones
Tracing tracheas to chests and lingering just out of reach of lips
And because I’ve been taught to hide these marks, I do
But if I could, I would accessorize with necklaces of purple and blue
Passionate hues that grow from teeth and tongues
Can you paint with all the colors of the
Winding veins that spindle into spirals around blood and bones and vitals
Can you decorate the blank canvas of my neck
With Rorschach tests that I’ll spend the next few days
Analyzing and decoding
Finding new shapes just for fun
And then we’ll start again with stripes and spots and splotches
Remembering that the fireworks we call cliché are interchangeable with capillaries
Bursting under layers of skin
To later be concealed under layers of cloth
And people will blush when the consistency in their color is questioned
And they’ll tug their collars higher
But I’ll always have a love for the fact that these are bruises that come from beauty
That these bodies end up damaged in the most gentle of ways
And please don’t put a negative spin on damage
Because I know of people that will spend all kinds of money for outfits that look like they’ve been through hell and back
Because distress is a style and the aesthetic is stunning
And even though people joke as they will
I’m secretly proud to wear a badge of black and blue
On the corner of my collar claiming
You Were Here
And I’ll pin one to your neckline
Signed and dated
I Was Here
And the blood that we’ve drawn to the insides of each other’s skin
Only mirrors the blush that appears on my face when I smile and think
I really am lucky to have you
And it’s sweater weather outside so these bruises will stay confined
Under the snowy scarves we’re told to keep
But I’ll admire this art as it fades through the week
Tracing over physical proof of nights that fall into the past
And scrutinizing the speed at which they do
Adoring the marks that no one else seems to
Because aftermaths confirm realities
And I could never disdain the colors that tell the world who we are to each other
And how we stay warm in the winter

the edge keeps getting
harder to find
keep my ledge clean
brush away this uneasy
disparate ride

spin your thread
that delicate strand
wish me good luck

and i'm not a dancer
but if you ask,
fate or fortune?
smiling,
dancing madly backwards
I'll ride the razor ribbon wire
into the wall of shadows

and until the tug of destiny
and before the ringing of bells
keep me close to your heart.

There is something inside of me that won't let me sleep.
A pinch licked onto my shoulder
breathing the stench of reality.

The hairs on the back of my neck reach far
as to protect me.
But I am exposed
and I'm so ******* tired.

My lids so heavy I can stretch them up and over my head.
A masochistic joke I play with myself.

There is something hiding that won't let me sleep.
Licking it's fingers before it takes hold of my neck.

It wants to take a good look at me.
Get a good look at me.

Is it I or them, that fate has forced
to shadow in my lifeless eyes
for truth has bitterness to pay
and flame light flares along its path

when right and wrong are undiscerned
and creatures stir within their cage
when parents clip the wings of birds
and suffer them their broken ways

there lives between uncertain wrongs
an urge to end the war outside
to flee from all you say is true
and debts that cost too much to pay

yet finding manifested strong
the time to read between the lies
we spindle back the fraying cord
that blindly leads us to the grave

I've sauntered to the blackened gates
and laughed out at the red inside
that fails pride and injures truth
and falls down where it cannot rise

There is something so calming
About the spiders spinning web.
Something so comforting,
A song sung by the dead.
Hear it wallow in the distance
Like an unforgiven tune.
Sung by the rivers daughter,
The beauteous sunset muse.

Bask in the moonlit waters
Barely but blessed by shining sun.
Hold to your heavn'ly quarters,
The likes of which shall come undone.
For if you catch the spider spindle
You are likely to be safe.
In other wares, their finer fares
In absence, stay awake.

I speak not for the Titan,
Or God nor Goddess alike.
I speak not for the tongue
Of the mumbling friars might.
For Alas my hearers hear this plea,
Beware the nymph of sophistry

The Spirit bomb, an astrological bond, one's soul is gone, drowning in some pond of self-reflections.
A fantastic plan, with a swift wave of your hand, storms spawned to creation and hide the life-giving sun, quite overwhelming for some.
A pair of enchanted paradise swans, fawn over the other to shine forth the calm-bringer, the sister and brother, from one father and mother, some sort of creator or another.
Flutter over nests of destruction, plotted taxed lands from some great nation of abduction.
Some ******* nut takes a crack and starts building some destroying station of war. A nurtured relation, branded straight from emancipation. Granted permission to dream, granted permission to score, a silent scream, and twisted avocation of means, to become a ******* conglomerate stone, ****** out of your love-drunk mind, well thought out, well wrote. You note the crazy schemes of some bloke, clouded and choked out on the spindle of passion that dwindles.
An ignited flame once enkindled, blossoms up from your windowsill.
Still spilling more silly meaning to life, quite the light we got, right?
Dishing out your thoughtless waste of despair, as some desperate stranger of danger casts shadowy scars on a scare. Emotionally teared, wearing a cloak of danger and destruction, beware.
Directions of  death's stare, brings you to the wrong side of the lawn.
Tested and bested, your entire fragile being grows stronger.
A glowing peace-monger brought among us, clowning and frowning on useless sorrow, working towards a brighter tomorrow.
A distraction of impaired hollows that swallow your goals whole, life sure is taking it's toll, spitting and ******* you out on some strange and foreign shore. You'll learn to keep roaring for more knowledge of ancient wisdom that's stored in tiny glass vials, evermore. Imploring spirits, swirling in a massive, abysmal void, while seeking out another vessel and droid.
Exploiting chords of beautiful music is kissed on the faces of the missed. Best wishes!
Dished out on the paper you write another poetic vision that assists the songs of hopeful travelers abroad. Setting out on adventurous travels, that unravels marvelous mysteries and beauty, enameled on bland and barren lands.  
Wishing wells and swishing swells of free-flowing rivers, amongst endless givers of calm, and grand oceans of drawn out motions, be strong.
The Spirit bomb blows off, out into the dawn of new horizons.
The Sun is rising, then gone.

Like a ***** on a blood buzz
That surrendered to the dragon
Like Jupiter in a strange land
Water colors and cannibals
Like lemon world, minus candy
And true promise and false let-downs
Like McCandless or a Thoreau
Down a river lacking mystic
Like a soldier safe from harm's way
Watching pen-pals throw big grenades
Like echoes heard from a black hole
Filled with demons and Madonna's
Like an idea in a time warp
Full of castles and time capsules
Like a fire burning brightly
By Eskimos throwing blankets
Like Orestes punished greatly
By loud sirens in double-bind
Like a big world in alignment
With a spindle made of chaos
Like paisley love remaining still
While new age brings adhesive hate
Like a black swan, last unicorn
Asleep during apocalypse
Like kind vultures killing a beast
Because his stripes were too crooked
Like a family unforgiving
Of an angel born of their blood
Like a bad cough in a clear throat
Of a drunk God with bronchitis

Given time,
Little seed you will
Sprout through,
Chocolate cake,
Awake to shiver,
Green- Unwind in wind,
Spindle your plume and petals,
And swell with light,
Your green heartbeat,
Unheard by others,
But matching mine,
Every note a symphony,
Every note a chime,
Perfect time,
How my affections you keep,
Sweet one,
You bloom tomorrow,
but tonight you sleep.

© Dm 2015

I lain in a half-sleep, hearing my grandmother's voice.

When she died, I was jobless,
sleeping on her couch,
and a few months out of the ward.

My mental instability helped me lose friendships, love, and my identity.

I used to hope death would touch me
and I did not know why I wanted it to.

Death instead touched her,
drifting like a gas, underneath her door,
into her lungs, erasing consciousness
like lavender being blown by the wind,
into marked a detergent bottle.

I lain in a half-sleep, hearing my grandmother's voice.

A blue shock spread throughout me,
like the ocean swallowing animals
and forcing them to adapt.

I began drowning in water that looked like gas station slushee,
my ribcage hugging frantic gelatin organs,
beating alongside the spindle of time.

I lain in a half-sleep, hearing my grandmother's voice.

My carcass became Sun-kissed from the burning of change --
my grandmother died before I could succeed:
my grandmother died before she could see me live.

I crawl through the coarse, wheat-dyed sand,
hoping the blood I trail can be measured in her love.

I hope to make her proud, to learn to work hard,
then harder and harder and harder.
To become fully healthy,
to become what she stayed by my side for.

One of the few.

I lain in a half-sleep, hearing my grandmother's voice.

She said she was proud of me.
It probably was me and not her,
but at least someone is proud.

Tilted on this harmonic spindle
Gazing up through a cellar window
God and song, money for rockstar car pinto
Sick kind of hint though
Glimmer shrieking bravados
Do tell more oh Ye heavenly staccato
Brovo, to tenor gasing hopes old motto
Promise always soprano in tomorrow
Lack lumine mustered frustration
Baritone mute sung upon this;
Digital paper, fishing for vapor
Continue ones lust, this to trust, and a must.

Old eyes rise
Sun slowly opens upon a room
Old bones shift and creak and shiver into motion
red-veined eyes flit about
focus on this and that
figure stubbornly drifts
over here and over there
amidst it all: a blinding surface
white canvas, stretched until it can stretch no more
glaring, screaming, pleading, suggesting
more and more intense at every moment
the room is the canvas
ancient eyes lock themselves upon the intensity
Ancient, dark, spindly hands push through the air
the canvas is a searing vision
the spindles pluck at the liquid colour
carefully dipping into the pools
collision of vision and now...passion
dark, flowing hands, delicate, fingers drift over canvas
a soft, dripping, spindle presses itself into the blinding intensity
bright passions left in its wake
there is no room
only vision
there is no ancient
no age
only passion
passion permeates the vision
grabs it and throws it about
threads it through the medium
the room is filled with passion
the canvas fills the eyes
intensity shaking those creaking and creeping joints
spindles, whisk to and from the colour and the vision
specks of passion, drops of vision speckle the room
time clicks
a light dims
a canvas is no more
a vision lives
ancient, wise eyes drift away
sun drifts it's way closed
a figure creeps it's way to a small, rugged mat
old, ancient, red-veined, dark, knowing, wise eyes set
tomorrow is another canvas

Athenian Epitaphs
by Michael R. Burch

These are my modern English translations of ancient Greek epitaphs placed on gravestones and monuments by the ancient Greeks in remembrance of their dead.

Mariner, do not ask whose tomb this may be,
but go with good fortune: I wish you a kinder sea.
—Michael R. Burch, after Plato

Does my soul abide in heaven, or hell?
Only the sea gulls
in their high, lonely circuits may tell.
—Michael R. Burch, after Glaucus

Passerby,
Tell the Spartans we lie
Lifeless at Thermopylae:
Dead at their word,
Obedient to their command.
Have they heard?
Do they understand?
—Michael R. Burch, after Simonides

Since I'm dead sea-enclosed Cyzicus shrouds my bones.
Faretheewell, O my adoptive land that suckled and nurtured me;
Once again I take rest at your breast.
—Michael R. Burch, after Erycius

These men earned a crown of imperishable glory,
nor did the maelstrom of death obscure their story.
—Michael R. Burch, after Simonides

He lies in state tonight: great is his Monument!
Yet Ares cares not, neither does War relent.
—Michael R. Burch, after Anacreon

They observed our fearful fetters,
marched to confront the surrounding darkness;
now we gratefully commemorate their excellence.
Bravely, they died for us.
—Michael R. Burch, after Mnasalcas

Be ashamed, O mountains and seas,
that these valorous men lack breath.
Assume, like pale chattels,
an ashen silence at death.
—Michael R. Burch, after Parmenio

Stripped of her stripling, if asked, she'd confess:
"I am now less than nothingness."
—Michael R. Burch, after Diotimus

Blame not the gale, nor the inhospitable sea-gulf, nor friends' tardiness,
mariner! Just man's foolhardiness.
—Michael R. Burch, after Leonidas of Tarentum

Stranger, flee!
But may Fortune grant you all the prosperity
she denied me.
—Michael R. Burch, after Leonidas of Tarentum

I am loyal to you, master, even in the grave:
just as you now are death's slave.
—Michael R. Burch, after Dioscorides

Having never earned a penny
nor seen a bridal gown address the floor,
still I lie here with the love of many,
to be the love of yet one more.
—Michael R. Burch, after an unknown Greek poet

Little I knew—a child of five—
of what it means to be alive
and all life's little thrills;
but little also—(I was glad not to know)—
of life's great ills.
—Michael R. Burch, after Lucian

I lie by stark Icarian rocks
and only speak when the sea talks.
Please tell my dear father I gave up the ghost
on the Aegean coast.
—Michael R. Burch, after Theatetus

Everywhere the sea is the sea, the dead are the dead.
What difference to me—where I rest my head?
The sea knows I'm buried.
—Michael R. Burch, after Antipater of Sidon

Pity this boy who was beautiful, but died.
Pity his monument, overlooking this hillside.
Pity the world that bore him, then foolishly survived.
—Michael R. Burch, after an unknown Greek poet

Insatiable Death! I was only a child!
Why did you ****** me away, in my infancy,
from those destined to love me?
—Michael R. Burch, after an unknown Greek poet

Tell Nicagoras that Strymonias
at the setting of the Kids
lost his.
—Michael R. Burch, after Nicaenetus

Now his voice is prisoned in the silent pathways of the night:
his owner's faithful Maltese...
but will he still bark again, on sight?
—Michael R. Burch, after Tymnes

Poor partridge, poor partridge, lately migrated from the rocks;
our cat bit off your unlucky head; my offended heart still balks!
I put you back together again and buried you, so unsightly!
May the dark earth cover you heavily: heavily, not lightly...
so she shan't get at you again!
—Michael R. Burch, after Agathias

Dead as you are, though you lie still as stone,
huntress Lycas, my great Thessalonian hound,
the wild beasts still fear your white bones;
craggy Pelion remembers your valor,
splendid Ossa, the way you would bound
and bay at the moon for its whiteness,
bellowing as below we heard valleys resound.
And how brightly with joy you would canter and run
the strange lonely peaks of high Cithaeron!
—Michael R. Burch, after Simonides

Aeschylus, graybeard, son of Euphorion,
died far away in wheat-bearing Gela;
still, the groves of Marathon may murmur of his valor
and the black-haired Mede, with his mournful clarion.
—Michael R. Burch, after Aeschylus

Not Rocky Trachis,
nor the thirsty herbage of Dryophis,
nor this albescent stone
with its dark blue lettering shielding your white bones,
nor the wild Icarian sea dashing against the steep shingles
of Doliche and Dracanon,
nor the empty earth,
nor anything essential of me since birth,
nor anything now mingles
here with the perplexing absence of you,
with what death forces us to abandon...
—Michael R. Burch, after Euphorion

Though they were steadfast among spears, dark Fate destroyed them
as they defended their native land, rich in sheep;
now Ossa's dust seems all the more woeful, where they now sleep.
—Michael R. Burch, after Aeschylus

Sail on, mariner, sail on,
for when we were perishing,
greater ships sailed on.
—Michael R. Burch, after Theodorides

We who left the thunderous surge of the Aegean
of old, now lie here on the mid-plain of Ecbatan:
farewell, dear Athens, nigh to Euboea,
farewell, dear sea!
—Michael R. Burch, after Plato

My friend found me here,
a shipwrecked corpse on the beach.
He heaped these strange boulders above me.
Oh, how he would wail
that he "loved" me,
with many bright tears for his own calamitous life!
Now he sleeps with my wife
and flits like a gull in a gale
—beyond reach—
while my broken bones bleach.
—Michael R. Burch, after Callimachus

All this vast sea is his Monument.
Where does he lie—whether heaven, or hell?
Well friend, perhaps when the gulls repent—
their shriekings may tell.
—Michael R. Burch, after Glaucus

Cloud-capped Geraneia, cruel mountain!
If only you had looked no further than Ister and Scythian
Tanais, had not aided the surge of the Scironian
sea's wild-spurting fountain
filling the dark ravines of snowy Meluriad!
But now he is dead:
a chill corpse in a chillier ocean—moon led—
and only an empty tomb now speaks of the long, windy voyage ahead.
—Michael R. Burch, after Simonides

His white bones lie shining on some inhospitable shore:
a son lost to his father, his tomb empty; the poor-
est beggars have happier mothers!
—Michael R. Burch, after Damegtus

The light of a single morning
exterminated the sacred offspring of Lysidice.
Nor do the angels sing.
Nor do we seek the gods' advice.
This is the grave of Nicander's lost children.
We merely weep at its bitter price.
—Michael R. Burch, after an unknown Greek poet

Pluto, delighting in tears,
why did you bring our son, Ariston,
to the laughterless abyss of death?
Why—why? —did the gods grant him breath,
if only for seven years?
—Michael R. Burch, after an unknown Greek poet

Although I had to leave the sweet sun,
only nineteen—Diogenes, hail! —
beneath the earth, let's have lots more fun:
till human desire seems weak and pale.
—Michael R. Burch, after an unknown Greek poet

Once sweetest of the workfellows,
our shy teller of tall tales
—fleet Crethis! —who excelled
at every childhood game...
now you sleep among long shadows
where everyone's the same...
—Michael R. Burch, after Callimachus

Passing by, passing by my oft-bewailed pillar,
shudder, my new friend to hear my tragic story:
of how my pyre was lit by the same fiery torch
meant to lead the procession to my nuptials in glory!
O Hymenaeus, why did you did change
my bridal song to a dirge? Strange!
—Michael R. Burch, after Erinna

Suddenly this grave
holds our nightingale speechless;
now she lies here like a stone,
who voice was so marvelous;
while sunlight illumining dust
proves the gods all reachless,
as our prayers prove them also
unhearing or beseechless.
—Michael R. Burch, after an unknown Greek poet

I, Homenea, the chattering bright sparrow,
lie here in the hollow of a great affliction,
leaving tears to Atimetus
and all scattered—that great affection.
—Michael R. Burch, after an unknown Greek poet

Wert thou, O Artemis,
overbusy with thy beast-slaying hounds
when the Beast embraced me?
—Michael R. Burch, after Diodorus of Sardis

A mother only as far as the birth pangs,
my life cut short at the height of life's play:
only eighteen years old, so brief was my day.
—Michael R. Burch, after an unknown Greek poet

We mourn Polyanthus, whose wife
placed him newly-wedded in an unmarked grave,
having received his luckless corpse
back from the green Aegean wave
that deposited his fleshless skeleton
gruesomely in the harbor of Torone.
—Michael R. Burch, after Phaedimus

Here Saon, son of Dicon, now rests in holy sleep:
say not that the good die, friend, lest gods and mortals weep.
—Michael R. Burch, after Callimachus

Keywords/Tags: translation, epitaph, epitaphs, eulogy, Ancient Greek, epigram, epigrams, death, mrbepi, grave, funeral, spirit, ghost, memorial, tribute, praise



Epigrams on Life

You begrudge men your virginity?
Why? To what purpose?
You will find no one to embrace you in the grave.
The joys of love are for the living.
But in Acheron, dear ******, we shall all lie dust and ashes.
—Michael R. Burch, after Asclepiades of Samos

Let me live with joy today, since tomorrow is unforeseeable.
—Michael R. Burch, after Palladas of Alexandria



Ibykos/Ibycus Epigrams

Ibycus has been called the most love-mad of poets.

Euryalus, born of the blue-eyed Graces,
scion of the bright-tressed Seasons,
son of the Cyprian,
whom dew-lidded Persuasion birthed among rose-blossoms.
—Ibykos/Ibycus (circa 540 BC), loose translation/interpretation by Michael R. Burch

Ibykos/Ibycus Fragment 286, circa 564 B.C.
this poem has been titled "The Influence of Spring"
loose translation/interpretation by Michael R. Burch

Come spring, the grand
apple trees stand
watered by a gushing river
where the maidens’ uncut flowers shiver
and the blossoming grape vine swells
in the gathering shadows.

Unfortunately
for me
Eros never rests
but like a Thracian tempest
ablaze with lightning
emanates from Aphrodite;

the results are frightening—
black,
bleak,
astonishing,
violently jolting me from my soles
to my soul.

Originally published by The Chained Muse

Ibykos/Ibycus Fragment 282, circa 540 B.C.
Ibykos fragment 282, Oxyrhynchus papyrus, lines 1-32
loose translation/interpretation by Michael R. Burch

... They also destroyed the glorious city of Priam, son of Dardanus,
after leaving Argos due to the devices of death-dealing Zeus,
encountering much-sung strife over the striking beauty of auburn-haired Helen,
waging woeful war when destruction rained down on longsuffering Pergamum
thanks to the machinations of golden-haired Aphrodite ...

But now it is not my intention to sing of Paris, the host-deceiver,
nor of slender-ankled Cassandra,
nor of Priam’s other children,
nor of the nameless day of the downfall of high-towered Troy,
nor even of the valour of the heroes who hid in the hollow, many-bolted horse ...

Such was the destruction of Troy.

They were heroic men and Agamemnon was their king,
a king from Pleisthenes,
a son of Atreus, son of a noble father.

The all-wise Muses of Helicon
might recount such tales accurately,
but no mortal man, unblessed,
could ever number those innumerable ships
Menelaus led across the Aegean from Aulos ...

"From Argos they came, the bronze-speared sons of the Achaeans ..."



Anacreon Epigrams

Yes, bring me Homer’s lyre, no doubt,
but first yank the bloodstained strings out!
—Anacreon, translation by Michael R. Burch

Here we find Anacreon,
an elderly lover of boys and wine.
His harp still sings in lonely Acheron
as he thinks of the lads he left behind ...
—Anacreon or the Anacreontea, translation by Michael R. Burch

He lies in state tonight: great is his Monument!
Yet Ares cares not, neither does War relent.
—Michael R. Burch, after Anacreon



Plato Epigrams

These epitaphs and other epigrams have been ascribed to Plato ...

Mariner, do not ask whose tomb this may be,
But go with good fortune: I wish you a kinder sea.
—Michael R. Burch, after Plato

We left the thunderous Aegean
to sleep peacefully here on the plains of Ecbatan.
Farewell, renowned Eretria, our homeland!
Farewell, Athens, Euboea's neighbor!
Farewell, dear Sea!
—Michael R. Burch, after Plato

We who navigated the Aegean’s thunderous storm-surge
now sleep peacefully here on the mid-plains of Ecbatan:
Farewell, renowned Eretria, our homeland!
Farewell, Athens, nigh to Euboea!
Farewell, dear Sea!
—Michael R. Burch, after Plato

This poet was pleasing to foreigners
and even more delightful to his countrymen:
Pindar, beloved of the melodious Muses.
—Michael R. Burch, after Plato

Some say the Muses are nine.
Foolish critics, count again!
Sappho of ****** makes ten.
—Michael R. Burch, after Plato

Even as you once shone, the Star of Morning, vastly above our heads,
even so you now shine, the Star of Evening, eclipsing the dead.
—Michael R. Burch, after Plato

Why do you gaze up at the stars?
Oh, my Star, that I were Heaven,
to gaze at you with many eyes!
—Michael R. Burch, after Plato

Every heart sings an incomplete song,
until another heart sings along.
Those who would love long to join in the chorus.
At a lover’s touch, everyone becomes a poet.
—Michael R. Burch, after Plato

The Apple
ascribed to Plato
loose translation/interpretation by Michael R. Burch

Here’s an apple; if you’re able to love me,
catch it and chuck me your cherry in exchange.
But if you hesitate, as I hope you won’t,
take the apple, examine it carefully,
and consider how briefly its beauty will last.



HOMER TRANSLATIONS

Surrender to sleep at last! What an ordeal, keeping watch all night, wide awake. Soon you’ll succumb to sleep and escape all your troubles. Sleep. — Homer, loose translation/interpretation by Michael R. Burch

Any moment might be our last. Earth’s magnificence? Magnified because we’re doomed. You will never be lovelier than at this moment. We will never pass this way again. — Homer, loose translation/interpretation by Michael R. Burch

Let’s hope the gods are willing. They rule the vaulting skies. They’re stronger than men to plan, execute and realize their ambitions.—Homer, loose translation/interpretation by Michael R. Burch

Passage home? Impossible! Surely you have something else in mind, Goddess, urging me to cross the ocean’s endless expanse in a raft. So vast, so full of danger! Hell, sometimes not even the sea-worthiest ships can prevail, aided as they are by Zeus’s mighty breath! I’ll never set foot on a raft, Goddess, until you swear by all that’s holy you’re not plotting some new intrigue! — Homer, loose translation/interpretation by Michael R. Burch

Few sons surpass their fathers; most fall short, all too few overachieve. — Homer, loose translation/interpretation by Michael R. Burch

Beauty! Ah, Terrible Beauty! A deathless Goddess, she startles our eyes! — Homer, loose translation/interpretation by Michael R. Burch

Many dread seas and many dark mountain ranges lie between us. — Homer, loose translation/interpretation by Michael R. Burch

The lives of mortal men? Like the leaves’ generations. Now the old leaves fall, blown and scattered by the wind. Soon the living timber bursts forth green buds as spring returns. Even so with men: as one generation is born, another expires. — Homer, loose translation/interpretation by Michael R. Burch

Since I’m attempting to temper my anger, it does not behoove me to rage unrelentingly on. — Homer, loose translation/interpretation by Michael R. Burch

Overpowering memories subsided to grief. Priam wept freely for Hector, who had died crouching at Achilles’ feet, while Achilles wept himself, first for his father, then for Patroclus, as their mutual sobbing filled the house. — Homer, loose translation/interpretation by Michael R. Burch

“Genius is discovered in adversity, not prosperity.” — Homer, loose translation/interpretation by Michael R. Burch

Ruin, the eldest daughter of Zeus, blinds us all with her fatal madness. With those delicate feet of hers, never touching the earth, she glides over our heads, trapping us all. First she entangles you, then me, in her lethal net. — Homer, loose translation/interpretation by Michael R. Burch

Death and Fate await us all. Soon comes a dawn or noon or sunset when someone takes my life in battle, with a well-flung spear or by whipping a deadly arrow from his bow. — Homer, loose translation/interpretation by Michael R. Burch

Death is the Great Leveler, not even the immortal gods can defend the man they love most when the dread day dawns for him to take his place in the dust.—Homer, loose translation/interpretation by Michael R. Burch



Antipater Epigrams

Mnemosyne was stunned into astonishment when she heard honey-tongued Sappho,
wondering how mortal men merited a tenth Muse.
—Antipater of Sidon, loose translation/interpretation by Michael R. Burch

O Aeolian land, you lightly cover Sappho,
the mortal Muse who joined the Immortals,
whom Cypris and Eros fostered,
with whom Peitho wove undying wreaths,
who was the joy of Hellas and your glory.
O Fates who twine the spindle's triple thread,
why did you not spin undying life
for the singer whose deathless gifts
enchanted the Muses of Helicon?
—Antipater of Sidon, loose translation/interpretation by Michael R. Burch

Here, O stranger, the sea-crashed earth covers Homer,
herald of heroes' valour,
spokesman of the Olympians,
second sun to the Greeks,
light of the immortal Muses,
the Voice that never diminishes.
—Antipater of Sidon, loose translation/interpretation by Michael R. Burch

This herald of heroes,
this interpreter of the Immortals,
this second sun shedding light on the life of Greece,
           Homer,
the delight of the Muses,
the ageless voice of the world,
lies dead, O stranger,
washed away with the sea-washed sand ...
—Antipater of Sidon, loose translation/interpretation by Michael R. Burch

As high as the trumpet's cry exceeds the thin flute's,
so high above all others your lyre rang;
so much the sweeter your honey than the waxen-celled swarm's.
O Pindar, with your tender lips witness how the horned god Pan
forgot his pastoral reeds when he sang your hymns.
—Antipater of Sidon, loose translation/interpretation by Michael R. Burch

Here lies Pindar, the Pierian trumpet,
the heavy-smiting smith of well-stuck hymns.
Hearing his melodies, one might believe
the immortal Muses possessed bees
to produce heavenly harmonies in the bridal chamber of Cadmus.
—Antipater of Sidon, loose translation/interpretation by Michael R. Burch

Harmonia, the goddess of Harmony, was the bride of Cadmus, so his bridal chamber would have been full of pleasant sounds.

Praise the well-wrought verses of tireless Antimachus,
a man worthy of the majesty of ancient demigods,
whose words were forged on the Muses' anvils.
If you are gifted with a keen ear,
if you aspire to weighty words,
if you would pursue a path less traveled,
if Homer holds the scepter of song,
and yet Zeus is greater than Poseidon,
even so Poseidon his inferior exceeds all other Immortals;
and even so the Colophonian bows before Homer,
but exceeds all other singers.
—Antipater of Sidon, loose translation/interpretation by Michael R. Burch

I, the trumpet that once blew the ****** battle-notes
and the sweet truce-tunes, now hang here, Pherenicus,
your gift to Athena, quieted from my clamorous music.
—Antipater of Sidon, loose translation/interpretation by Michael R. Burch

Behold Anacreon's tomb;
here the Teian swan sleeps with the unmitigated madness of his love for lads.
Still he sings songs of longing on the lyre of Bathyllus
and the albescent marble is perfumed with ivy.
Death has not quenched his desire
and the house of Acheron still burns with the fevers of Cypris.
—Antipater of Sidon, loose translation/interpretation by Michael R. Burch

May the four-clustered clover, Anacreon,
grow here by your grave,
ringed by the tender petals of the purple meadow-flowers,
and may fountains of white milk bubble up,
and the sweet-scented wine gush forth from the earth,
so that your ashes and bones may experience joy,
if indeed the dead know any delight.
—Antipater of Sidon, loose translation/interpretation by Michael R. Burch

Stranger passing by the simple tomb of Anacreon,
if you found any profit in my books,
please pour drops of your libation on my ashes,
so that my bones, refreshed by wine, may rejoice
that I, who so delighted in the boisterous revels of Dionysus,
and who played such manic music, as wine-drinkers do,
even in death may not travel without Bacchus
in my sojourn to that land to which all men must come.
—Antipater of Sidon, loose translation/interpretation by Michael R. Burch

Anacreon, glory of Ionia,
even in the land of the lost may you never be without your beloved revels,
or your well-loved lyre,
and may you still sing with glistening eyes,
shaking the braided flowers from your hair,
turning always towards Eurypyle, Megisteus, or the locks of Thracian Smerdies,
sipping sweet wine,
your robes drenched with the juices of grapes,
wringing intoxicating nectar from its folds ...
For all your life, old friend, was poured out as an offering to these three:
the Muses, Bacchus, and Love.
—Antipater of Sidon, loose translation/interpretation by Michael R. Burch

Smerdies, also mentioned by the poet Simonides, was a Thracian boy loved by Anacreon. Simonides also mentioned Megisteus. Eurypyle was a girl also mentioned by the poet Dioscorides. So these seem to be names associated with Anacreon. The reference to "locks" apparently has to do with Smerdies having his hair cut by Anacreon's rival for his affections, in a jealous rage.

You sleep amid the dead, Anacreon,
your day-labor done,
your well-loved lyre's sweet tongue silenced
that once sang incessantly all night long.
And Smerdies also sleeps,
the spring-tide of your loves,
for whom, tuning and turning you lyre,
you made music like sweetest nectar.
For you were Love's bullseye,
the lover of lads,
and he had the bow and the subtle archer's craft
to never miss his target.
—Antipater of Sidon, loose translation/interpretation by Michael R. Burch

Erinna's verses were few, nor were her songs overlong,
but her smallest works were inspired.
Therefore she cannot fail to be remembered
and is never lost beneath the shadowy wings of bleak night.
While we, the estranged, the innumerable throngs of tardy singers,
lie in pale corpse-heaps wasting into oblivion.
The moaned song of the lone swan outdoes the cawings of countless jackdaws
echoing far and wide through darkening clouds.
—Antipater of Sidon, loose translation/interpretation by Michael R. Burch

Who hung these glittering shields here,
these unstained spears and unruptured helmets,
dedicating to murderous Ares ornaments of no value?
Will no one cast these virginal weapons out of my armory?
Their proper place is in the peaceful halls of placid men,
not within the wild walls of Enyalius.
I delight in hacked heads and the blood of dying berserkers,
if, indeed, I am Ares the Destroyer.
—Antipater of Sidon, loose translation/interpretation by Michael R. Burch

May good Fortune, O stranger, keep you on course all your life before a fair breeze!
—Antipater of Sidon, loose translation/interpretation by Michael R. Burch

Docile doves may coo for cowards,
but we delight in dauntless men.
—Antipater of Sidon, loose translation/interpretation by Michael R. Burch

Here by the threshing-room floor,
little ant, you relentless toiler,
I built you a mound of liquid-absorbing earth,
so that even in death you may partake of the droughts of Demeter,
as you lie in the grave my plough burrowed.
—Antipater of Sidon, loose translation/interpretation by Michael R. Burch

This is your mother’s lament, Artemidorus,
weeping over your tomb,
bewailing your twelve brief years:
"All the fruit of my labor has gone up in smoke,
all your heartbroken father's endeavors are ash,
all your childish passion an extinguished flame.
For you have entered the land of the lost,
from which there is no return, never a home-coming.
You failed to reach your prime, my darling,
and now we have nothing but your headstone and dumb dust."
—Antipater of Sidon, loose translation/interpretation by Michael R. Burch

Everywhere the sea is the sea, the dead are the dead.
What difference to me—where I rest my head?
The sea knows I’m buried.
—Antipater of Sidon, loose translation/interpretation by Michael R. Burch

Everywhere the Sea is the Sea
by Antipater of Sidon
loose translation/interpretation by Michael R. Burch

Everywhere the Sea is the same;
why then do we idly blame
the Cyclades
or the harrowing waves of narrow Helle?

To protest is vain!

Justly, they have earned their fame.

Why then,
after I had escaped them,
did the harbor of Scarphe engulf me?

I advise whoever finds a fair passage home:
accept that the sea's way is its own.

Man is foam.

Aristagoras knows who's buried here.

Orpheus, mute your bewitching strains
by Antipater of Sidon
loose translation/interpretation by Michael R. Burch

Orpheus, mute your bewitching strains;
Leave beasts to wander stony plains;
No longer sing fierce winds to sleep,
Nor seek to enchant the tumultuous deep;
For you are dead; each Muse, forlorn,
Strums anguished strings as your mother mourns.
Mind, mere mortals, mind—no use to moan,
When even a Goddess could not save her own!

Orpheus, now you will never again enchant
by Antipater of Sidon
loose translation/interpretation by Michael R. Burch

Orpheus, now you will never again enchant the charmed oaks,
never again mesmerize shepherdless herds of wild beasts,
never again lull the roaring winds,
never again tame the tumultuous hail
nor the sweeping snowstorms
nor the crashing sea,
for you have perished
and the daughters of Mnemosyne weep for you,
and your mother Calliope above all.
Why do mortals mourn their dead sons,
when not even the gods can protect their children from Hades?
—Antipater of Sidon, loose translation/interpretation by Michael R. Burch

The High Road to Death
by Antipater of Sidon
loose translation/interpretation by Michael R. Burch

Men skilled in the stars call me brief-lifed;
I am, but what do I care, O Seleucus?
All men descend to Hades
and if our demise comes quicker,
the sooner we shall we look on Minos.
Let us drink then, for surely wine is a steed for the high-road,
when pedestrians march sadly to Death.

The Seven Wonders of the Ancient World
by Antipater of Sidon
loose translation/interpretation by Michael R. Burch

I have set my eyes upon
the lofty walls of Babylon
with its elevated road for chariots

... and upon the statue of Zeus
by the Alpheus ...

... and upon the hanging gardens ...

... upon the Colossus of the Sun ...

... upon the massive edifices
of the towering pyramids ...

... even upon the vast tomb of Mausolus ...

but when I saw the mansion of Artemis
disappearing into the cirri,
those other marvels lost their brilliancy
and I said, "Setting aside Olympus,
the Sun never shone on anything so fabulous!"



Erinna Epigrams

This portrait is the work of sensitive, artistic hands.
See, noble Prometheus, you have human equals!
For if whoever painted this girl had only added a voice,
she would have been Agatharkhis entirely.
—Erinna, loose translation/interpretation by Michael R. Burch

Erinna is generally considered to be second only to Sappho as an ancient Greek female poet. Little is known about her life; Erinna has been called a contemporary of Sappho and her most gifted student, but she may have lived up to a few hundred years later. This poem, about a portrait of a girl or young woman named Agatharkhis, has been called the earliest Greek ekphrastic epigram (an epigram describing a work of art).

Passing by, passing by my oft-bewailed pillar,
shudder, my new friend to hear my tragic story:
of how my pyre was lit by the same fiery torch
meant to lead the procession to my nuptials in glory!
O Hymenaeus, why did you did change
my bridal song to a dirge? Strange!
—Erinna, loose translation/interpretation by Michael R. Burch

You, my tall Columns, and you, my small Urn,
the receptacle of Hades’ tiny pittance of ash—
remember me to those who pass by
my grave, as they dash.
Tell them my story, as sad as it is:
that this grave sealed a young bride’s womb;
that my name was Baucis and Telos my land;
and that Erinna, my friend, etched this poem on my Tomb.
—Erinna, loose translation/interpretation by Michael R. Burch

Translator’s note: Baucis is also spelled Baukis. Erinna has been attributed to different locations, including ******, Rhodes, Teos, Telos and Tenos. Telos seems the most likely because of her Dorian dialect. Erinna wrote in a mixture of Aeolic and Doric Greek. In 1928, Italian archaeologists excavating at Oxyrhynchus discovered a tattered piece of papyrus which contained 54 lines Erinna’s lost epic, the poem “Distaff.” This work, like the epigram above, was also about her friend Baucis.

Excerpts from “Distaff”
by Erinna
loose translation/interpretation by Michael R. Burch

… the moon rising …
… leaves falling …
… waves lapping a windswept shore …

… and our childish games, Baucis, do you remember? ...

... Leaping from white horses,
running on reckless feet through the great courtyard.
“You’re it!’ I cried, ‘You’re the Tortoise now!”
But when your turn came to pursue your pursuers,
you darted beyond the courtyard,
dashed out deep into the waves,
splashing far beyond us …

… My poor Baucis, these tears I now weep are your warm memorial,
these traces of embers still smoldering in my heart
for our silly amusements, now that you lie ash …

… Do you remember how, as girls,
we played at weddings with our dolls,
pretending to be brides in our innocent beds? ...

... How sometimes I was your mother,
allotting wool to the weaver-women,
calling for you to unreel the thread? ...

… Do you remember our terror of the monster Mormo
with her huge ears, her forever-flapping tongue,
her four slithering feet, her shape-shifting face? ...

... Until you mother called for us to help with the salted meat ...

... But when you mounted your husband’s bed,
dearest Baucis, you forgot your mothers’ warnings!
Aphrodite made your heart forgetful ...

... Desire becomes oblivion ...

... Now I lament your loss, my dearest friend.
I can’t bear to think of that dark crypt.
I can’t bring myself to leave the house.
I refuse to profane your corpse with my tearless eyes.
I refuse to cut my hair, but how can I mourn with my hair unbound?
I blush with shame at the thought of you! …

... But in this dark house, O my dearest Baucis,
My deep grief is ripping me apart.
Wretched Erinna! Only nineteen,
I moan like an ancient crone, eying this strange distaff ...

O *****! . . . O Hymenaeus! . . .
Alas, my poor Baucis!

On a Betrothed Girl
by Erinna
loose translation/interpretation by Michael R. Burch

I sing of Baucis the bride.
Observing her tear-stained crypt
say this to Death who dwells underground:
"Thou art envious, O Death!"

Her vivid monument tells passers-by
of the bitter misfortune of Baucis —
how her father-in-law burned the poor ******* a pyre
lit by bright torches meant to light her marriage train home.
While thou, O Hymenaeus, transformed her harmonious bridal song into a chorus of wailing dirges.

*****! O Hymenaeus!



Sappho Epigrams

Sappho, fragment 155
loose translation/interpretation by Michael R. Burch

A short revealing frock?
It's just my luck
your lips were made to mock!

(Pollux wrote: "Sappho used the word beudos [Βεῦδοσ] for a woman's dress, a kimbericon, a kind of short transparent frock.")

Sappho, fragment 156
loose translation/interpretation by Michael R. Burch

She keeps her scents
in a dressing-case.
And her sense?
In some undiscoverable place.

(Phrynichus wrote: "Sappho calls a woman's dressing-case, where she keeps her scents and such things, grutê [γρύτη].")

Sappho, fragment 47
loose translation/interpretation by Michael R. Burch

Eros harrows my heart:
wild winds whipping desolate mountains,
uprooting oaks.

The poem above is my favorite Sappho epigram. The metaphor of Eros (****** desire) harrowing mountain slopes, leveling oaks and leaving them desolate, is really something―truly powerful and evocative. According to Edwin Marion ***, this Sapphic epigram was "Quoted by Maximus Tyrius about 150 B.C. He speaks of Socrates exciting Phaedus to madness, when he speaks of love."

Improve yourself by others' writings, attaining freely what they purchased at the expense of experience. — Socrates, loose translation/interpretation by Michael R. Burch



Ancient Roman Epigrams

Wall, I'm astonished that you haven't collapsed,
since you're holding up verses so prolapsed!
—Ancient Roman graffiti, translation by Michael R. Burch



Incompatibles
by Michael R. Burch

Reason’s treason!
cries the Heart.

Love’s insane,
replies the Brain.

Originally published by Light



The Greatest of These ...
by Michael R. Burch

The hands that held me tremble.
The arms that lifted
  fall.

Angelic flesh, now parchment,
is held together with gauze.

But her undimmed eyes still embrace me;
there infinity can be found.

I can almost believe such love
will reach me, underground.



PRINCESS DIANA POEMS

Fairest Diana
by Michael R. Burch

Fairest Diana, princess of dreams,
born to be loved and yet distant and lone,
why did you linger―so solemn, so lovely―
an orchid ablaze in a crevice of stone?

Was not your heart meant for tenderest passions?
Surely your lips―for wild kisses, not vows!
Why then did you languish, though lustrous, becoming
a pearl of enchantment cast before sows?

Fairest Diana, as fragile as lilac,
as willful as rainfall, as true as the rose;
how did a stanza of silver-bright verse
come to be bound in a book of dull prose?

Published by Tucumcari Literary Journal and Night Roses



Will There Be Starlight
for Princess Diana
by Michael R. Burch

Will there be starlight
tonight
while she gathers
damask
and lilac
and sweet-scented heathers?

And will she find flowers,
or will she find thorns
guarding the petals
of roses unborn?

Will there be starlight
tonight
while she gathers
seashells
and mussels
and albatross feathers?

And will she find treasure
or will she find pain
at the end of this rainbow
of moonlight on rain?



She Was Very Strange, and Beautiful
for Princess Diana
by Michael R. Burch

She was very strange, and beautiful,
like a violet mist enshrouding hills
before night falls
when the hoot owl calls
and the cricket trills
and the envapored moon hangs low and full.

She was very strange, in a pleasant way,
as the hummingbird
flies madly still,
so I drank my fill
of her every word.
What she knew of love, she demurred to say.

She was meant to leave, as the wind must blow,
as the sun must set,
as the rain must fall.
Though she gave her all,
we had nothing left...
yet we smiled, bereft, in her receding glow.



The Peripheries of Love
for Princess Diana
by Michael R. Burch

Through waning afternoons we glide
the watery peripheries of love.
A silence, a quietude falls.

Above us―the sagging pavilions of clouds.
Below us―rough pebbles slowly worn smooth
grate in the gentle turbulence
of yesterday’s forgotten rains.

Later, the moon like a ******
lifts her stricken white face
and the waters rise
toward some unfathomable shore.

We sway gently in the wake
of what stirs beneath us,
yet leaves us unmoved...
curiously motionless,

as though twilight might blur
the effects of proximity and distance,
as though love might be near―

as near
as a single cupped tear of resilient dew
or a long-awaited face.



The Aery Faery Princess
for Princess Diana
by Michael R. Burch

There once was a princess lighter than fluff
made of such gossamer stuff―
the down of a thistle, butterflies’ wings,
the faintest high note the hummingbird sings,
moonbeams on garlands, stands of bright hair...
I think she’s just you when you’re floating on air.



I Pray Tonight
for Princess Diana
by Michael R. Burch

I pray tonight
the starry light
might
surround you.

I pray
by day
that, come what may,
no dark thing confound you.

I pray ere tomorrow
an end to your sorrow.
May angels' white chorales
sing, and astound you.



Sweet Rose of Virtue
by William Dunbar 1460-1525
loose translation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear―
except only that death is merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet everywhere, no odor but rue.

I fear that March with his last arctic blast
has slain my fair rose of pallid and gentle cast,
whose piteous death does my heart such pain
that, if I could, I would compose her roots again―
so comforting her bowering leaves have been.

I smell the rose at beauty's end.
I see the darkness of a friend.
I see princess pure and true.
I see a blackened heart pulling through.
I see a heart with love long lost.
I see the queen becoming distraut.
I see a fairy tale's endless night.
I see a child, pure in sight.
I see an adventure burning in the dust.
I see the prince beginning to rust.

I found an apple that brings eternal sleep.
I found a spindle that puts my heart at ease.
I found my petals lying on the ground.
My clock strikes midnight,
my time is running out.

Nausea.
It hits hard and I unravel
like a spindle,
My nerves breaking and stretching down to the last, thread-bare, drop.

Empty bottles detail the night;
Even these don't comfort anymore.
I am alone with myself.

Turning to face my accomplishments, I stare
Petrified by their lack of worth or meaning.
My mind is a dark room, the light has long since dimmed.
And you are yet to join me in this solitude.

Don't fret, it will come soon enough.
Quiet at first, then heaving
Smashing and crashing through your worlds own idea of itself.

Together we will be alone
And desolate but yet closer than two lovers may ever be.

Lost are we
Upon familiar ground,
Moving but stuck,
Reaching yet planted,
Close, alas apart,
Achieved and empty:
Loved. Unloved.

We are the last humans, my friend.
Never forget what it is to be alive;
Hold your Nausea close.

She is a spindle on my bed
Reminding me of my mumma
  Sweating on my sheets,
naked, lewd, romanticizing me
  Not knowing I hide her
from my friends and family
  Not knowing I drink, pop
uppers, downers, as I prop
  Up against the headboard
and as I watch her cradle
  Her head between my
Half Caucasian, Half ******
  Thighs, riddled with scars
Seven years old, one year older
  Than the baby I gave up.

I wonder how I taste, how
  I look, Do I taste like shame,
Do I taste like love forgotten
  Do I look like the ******
The city girls gossip that I am
  Can you see the removal,
The crib I threw my child from
  The trauma that caused me to
Abandon him, to abandon me,
  What will cause me
To abandon you

  Sarah, my love, where have I gone
Why have I left you, bloodless,
  Soulless in the pitch black dreary
Gravelled upon the smoothness
  Of my deceitful, coarse projection

Sarah, I am sorry that my shame
  Coerced me to run from your
Eternal rays downward on my
  Dimpled, crooked smile, on my
Dimpled brown ***, attached to
  My snakey spine, what holds
My ribs, what protects my lungs
  Which do nothing but breathe
You.

Gusto affairs spiraled to marooned stairs!!

Amphibious angel,
Where art thou own wings?
Apparent your sanctioning is,
Appointee of marital status!!!

Anthropologist of creations new madness,
Armful arousist!!
Arrogant aspirant!!!!

We are all baggage carriers of used goods,
Bestowed to thy own selves thou ******* of crud!!!!!

Very few bonuses this time around,
For the metropolis hath gone broke and choked!!!

For oil runneth this deliveranth!!!

Bind thy own,
You biggot of brigaded quarters!!!
None to coincide with ,
No cognac love to filleth me with cocoa nestled swifts!!!

Engrossment of shufflers, greasers to seventies sneakers,
Esteemed of high retailer goods!!!

Distinction between euphemisms blame!!!
Highed tops to spindle games,

Atrocious calibrations!!!!

Such tiredness flees the crime felt page,
Who's enraged?

Refute novelties of javahouse breaks,
Wherein assemblers are all members of cafe corner states!!!!

Paxilheads to axlehead drinkers,

Some material like,
Some medicinal thinkers!!!

How much shalt one taketh before his psyche leaves reclusiveness all behind the robust tower!!!!

(The royal hunters were coming home.)

The deserted forest remained on the top of the mountain

Left by the hunters. They were resting near a natural fountain.

Vipers frightening could see boars, and deer being dead,

But also the king laughing, drinking water, and washing his head.


Keeping the balance of their galloping horses, the hunters could see

The stony marble statues of the castle, guarding it with their esprit.

Basking in their glory, the hunters sang the winner's song with grace.

Fluttering their flags, they rejoiced to review their home place.

(Jezebel left the cave, and entered the house for the dinner.)


Entering the house, Jezebel called John while climbing the stairs.

The early return of their parents could catch them almost unawares.

They tried to refresh very well in order to go down for the dinner.

Making her way downstairs, she wanted to know if she was still a sinner.


Mary was also her aunt, and a nun. She taught Jezebel many prayers.

She entered the room, kissed her, and took a seat on one of the chairs.

She greeted her royal parents, and her twelve years old brother, John.

Soon after the familiar dinner had finished, her brother began to yawn.
……………………………………………………………………………………………………………………………………….
(Mary,­ Jezebel, and John, the twelve years old son of the royal pair, were waiting for Richard, and Anne to return in order to have their family dinner. )

John is a dreamer', said Mary. 'Sometimes, the dream is an illusion.'

'This life can be an illusion', replied Anne, the queen. 'It's easy to see'.

Richard said, 'Anne, the life can be a chain because of a dream of confusion'.

Mary smiled concluding, 'From Hell, sin, *******, slavery, God has set us free.'


' Sometimes, I recognize I'm a dream catcher', said the king. 'Well, I can't

Make really be mine any of those ideal dreams, though for Heaven I got a grant.'

'The deep forest knows to hide the beauty, when the wild monsters can smile.

Forest can make things be very hard to be found, when very narrow is its aisle.'


'I am here to witness the present, and to be sure that you forgot the past',

Mary continued. 'I want to save Jezebel in her strong struggle to the last.

I'm happy to understand her fate, and to find out that a miracle has seen heaven.'

'What do you really mean, my dear aunt? Look at the clock, it's already eleven.'


'Yes, it's too late for you, dear Jezebel. It's time for you to go to sleep!'

'I'm going to bed exactly like those sad things that in the night are very creep.

Not any longer I play hide or jump on my bed, though once I really liked this.

I really feel, and then I stand back up, because I have grown up. That time I miss.'


Anne said, 'I use to walk in the garden, and to smell the orchid flowers.

Sometimes, I stop for a few minutes to admire those beautiful two towers,

But even so, I can't avert my thoughts from the disaster of my destiny's path.

Before starting to ease my new suffering, I have firstly to ease my old wrath.'


The queen remembered that she avoided to invite her sister to Jezebel's

Christening, but Surah came up with a few curse words to the ring of bells.

She said, "When she will be sixteen, she will injure herself with a spindle, and die!"

'Please God, don't let this happen', said Mary while holding her hands up high.


'I remember that I prayed hardly for Surah to become a good person,

But I received nothing from God. Surah's life has continued to worsen.'

''When she will hurt herself, she will fall into a deep sleep instead of dying''.

Using these words, Surah changed her curse. Meanwhile, my queen was crying.'

Florescent.

Phosphorescent.

Like freshly polished sin, ripe with toxins and swarmed with rainbows. Its skin is powdered in fairy wings, grown for this purpose, making it glitter and gleam like malevolence incarnate.

Tiers of tears trickle down the windows of my soul. Waste not. I spin them on my spinning wheel. Don’t ***** your finger on the spindle of a spinning wheel.

Don’t move into a stranger’s house without permission, especially if you have never met or spoken with them before. Don’t speak to strangers. Don’t invite strangers into your home. Don’t accept food from strangers. Don’t wait around for the prince; the wolf might have eaten him.