Submit your work, meet writers and drop the ads. Become a member
Nat Lipstadt Jul 2014
a story, a long strange poem, and a thank-you note of a sort
~~~~~~

swords and verbs,
subjects and nouns,
participles and particles,
participants of past and futures
transitive and intransitive,
none can get pen-rooted,
sic transit gloria verborum eius
(fleetingly passes the glory of his words)

slow or swift, overhead, all unobtainable,
from the atmosphere unpluckable,
no deposit, no return, no po-ahem,
only a sad sonata denominated,
Air on the E(mpty) String continuous playing

likely something is a brewing,
clock internal clocking,
but no talking, just tic tocking,
ideas stumblebum in and out,
inebriated, fuzzy speeches,
don't reach out to touch or savor 'em,
those weird words were made for walking,
not for retrieval, sorting, storing, and
subsequent lots of
some assembly needed...
poetic conceiving...not

perhaps they are disfigured?
important but disguised?
definitely not credos and codas,
mission statements, definitions,
nah...not me, unimportant amateur passerby,
my only "laurels" come to
die at holiday time,
lariats to lasso, tether and then brownout,
a wintry green,
gone to nether garbage cans, timely and expediently,
per a calendar deadline

but an overheard conversation
on Eighth Avenue,
a ******-onto latched-onto,
undid this parlous state of
an evenhanded hypnotic flatlining,
a perilous mind,
infected with no-inspiration

"Why I do not share,  
or publish on the Internet," she said,
"what I write is so
precious to me that
the thought of it,
orphaned and drowned
amidst the unending pixels,
water-falling words
into ocean trenches,
unborn, yet ignominiously dead
just the same,
at the same instant,
an unbearable pain,
childbirth and death,
all in one, unthinkable!"


"Publish" he begged her,
"too good are you
to deny this world of this,
the world needs it proofs,
you are a proof!"


stunned by an emotive slap,
I knew kinetically,
I too must have,
proofs,
of me,
worthy of presentation,
if only,
to prove worthy of
your time and thus
prove to myself
my very own existence,
even derision decisive,
is an extant proof of sorts...
~~~~~~~

My Proofs

having come so far,
task so vast,
bedeviled and bewildered,
I am the face I have seen
in photos and mirrors,
but how can I stake my claim
to be more than just a
passing fancy virtual reality?

you cannot bite me,
though willing do I tender
my body for your impression
upon my body permanent

you cannot caress my lips,
though oft imagined it,
the multiplicity tender of that dream,
makes the would-be reality of it,
pale with a shame of insufficiency

bleed and wept poetry for the unity us,
so hard, so oft, so free,
my tablet machine
human tear-tracked and deep red scarred,
the Apple Geniuses,
when they see me coming,
whisper it's him, Poet-man,
who made an
iPad into a tissue
that cannot be repaired/replaced,
and run away and hide

have I not confessed enough my colorful sins,
but alas, all you can see is blackened dots of crimes
hosted upon a white background
of pleadings for forgiveness,
i's dotted with rejection slips,
t's crossed with painful slivers
of writings crucified by me,
therefore, for the grace of god in man,
they died unnamed and lived only briefly

perhaps if you saw a man by my name
on your television, you would say
"****, that is/was him, it cannot be denied,"
but you cannot be sure, imposter,
what must I do, to make the evening news,
and claim existence, therefore I am!

I cannot say with certainty,
am more then a running-around,
neurons and electrons colliding,
a mess of sub-atomic particles
invisible and in periodic possession of a flavor
of the god factor or Einstein's hanky

but if you come to my city,
I can give you a location,
a centralized park, a wooden fruit-box stand,
at an end corner,
(cause corners end well)
where a man stands and recites
and sorta sounds like what's his name

if you want to be sure it is that one,
look for teeth marks on his body,
reading out loud from a tablet unique,
alternating stanzas with Siri
his spiteful spitfire editor and sometime fan,
the box upon he stands transported
grapes from California, oranges from Florida,
can't be sure, the stickers rain washed away,
and if he weeping as he chants,
odds are it could be me,
I mean him...

to be sure you must place gentle a finger
or your lips across, upon his,
if electrons you sense and taste,
and yours they embrace
as naturally as if they were waiting

just for you,
you can almost be sure,
don't ask his name, unnecessary,
for he will face you with these words:


*"Thank you, Thank you!
you are my proof..."
a story, a long poem, and a thank-you note
to one who is known as
Jara Fan,
from Saskatchewan,
writ as an attempted proof of our actualized mutual existence
beyond
mere pixelation
Nigel Morgan Sep 2013
He had been away. Just a few days, but long enough to feel coming home was necessary. He carried with him so many thoughts and plans, and the inevitable list had already formed itself. But the list was for Monday morning. He would enjoy now what he could of Sunday.

Everything can feel so different on a Sunday. Travel by train had been a relaxed affair for once, a hundred miles cross-country from the open skies of the Fens to the conurbations of South Yorkshire. Today, there was no urgency or deliberation. Passengers were families, groups of friends, sensible singles going home after the weekend away. No suits. He seemed the only one not fixated by a smart phone, tablet or computer. So he got to see the autumn skies, the mountain ranges of clouds, the vast fields, the still-harvesting. But his thoughts were full to the brim of traveling the previous November when together they had made a similar journey (though in reverse) under similar skies. They had escaped for two days one night into a time of being wholly together, inseparably together, joined in that joy of companionship that elated him to recall it. He was overcome with weakness in his body and a jolt of passion combined: to think of her quiet beauty, the tilt of her head, the brush of her hair against his cheek. He longed for her now to be in the seat opposite and to stroke the back of her calf with his foot, hold her small hand across the table, gaze and gaze again at her profile as she, always alert to every flicker of change, took in the passing landscape.

But these thoughts gradually subsided and he found himself recalling a poem he had commissioned. It was a text for a verse anthem, that so very English form beloved by cathedral and collegiate choral directors of the 16th C (and just that weekend he had been in such a building where this music had its home). He had been reading The Five Proofs for the Existence of God from the Summa Theologica by Thomas Aquinas, knowing this scholar to have been a cornerstone of the work of Umberto Eco, an author he admired. He had also set a poem that mentioned these Five Proofs, and had set this poem without knowing exactly what they were. He recalled its ending:

They sit by a lake where dead leaves
Float and apples lie on a table. She
ignores him and his folder of papers

but I found later the picture was called
‘In Love’, which coloured love sepia.
Later still, by the time I sat with you,

Watched your arm on the back of a chair
And your hand at rest while you told me
Of Aquinas and his proofs for the existence

Of God I realised love was not always
Sepia, that these hands held invisible
Keys, were pale because the mind was aflame.

He remembered then the challenge of reading Aquinas, this Dominican friar of the 13C. It had stretched him, and he thought of asking his wordsmith of thirty years, the mother of his daughters, to bring these arguments together in a poetic form for him to set to music. She had delivered such a poem and it took him some while to grasp it wholly. He wondered for a moment if he actually had grasped it. But there was this connection with the landscape he was passing through. She had mentioned this, and now he saw it for his own eyes. She had been to Ely for the day, to walk the length of the great Cathedral, to stare at and be amongst the visible past, the past of Aquinas. He remembered the first verse as only a composer can who has laboured over the scheme of words and rhythms:

The Argument from Motion

Everything in the world changes.
A meadow of skewbald horses grazes
Beneath a pair of flying swans
And the universe is different again.

And no sooner is potency reduced to act,
By a whisker’s twitch or a word,
A word, that potent gobbet of air
Than smiles and tears change places.

And everything has changed. Back
Go the tracks beyond seen convergence
To a great self-sufficient terminus
Which terminus we might call God.

And so it was in such a spirit of reflection that his journey passed. He had joined the Edinburgh express at Peterborough to travel north, and the landscape had subsided into a different caste, still rural, but different, the fields smaller, the horizon closer.

Alighting from the train in his home city on a Sunday afternoon the station and surrounding streets were quiet and the few people about were not walking purposefully, they strolled. He climbed the flights of stairs to his third floor studio, unlocked the door and immediately walked across the room to open the window. Seagulls were swooping and diving below him, feeding off the detritus of the previous night’s partying in the clubs and pubs that occupied the city centre, its main shopping area removed to a mall off kilter with the historic city and its public buildings. What shops there were stood empty, boarded up, permanently lease for sale.

Sitting at his desk he surveyed the paper trail of his work in progress. Once so organised, every sketch and plan properly labelled and paginated, he had regressed it seemed to filling pages of his favoured graph paper in a random fashion. Some idea for the probably distant future would find its way into the midst of present work, only (sometimes) a different ink showing this to be the case. Notes from a radio talk jostled with rhythmic abstracts. He realised this was perhaps indicative of his mental state, a state of transience, of uncertainty, a temporariness even.

He was probably too tired to work effectively now, just off the train, but the sense and the relative peacefulness that was Sunday was so seductive. He didn’t want to lose the potential this time afforded. This was why for so many years Sunday had often been such a productive day. If he went to meeting, if he cooked the tea, if he ironed the children’s school clothes for the week, there was this still space in the day. It represented a kind of ideal state in which to think and compose. Now these obligations were more flexible and different, Sunday had even more ‘still’ space, and it continued to cast its spell over him.

He put his latest sketches into a sequential form, editing on the computer then printing them out, listening acutely, wholly absorbed. Only a text message from his beloved (picking blackberries) brought him back to the time and day. There was a photo: a cluster of this dark, late summer fruit, ripe for picking framed against a tree and a white sky. Barely a week ago they had picked blackberries together with friends, children and dogs and he had watched her purposely pick this fruit without the awkwardness that so often accompanied bending over brambles. He wondered at her, constantly. How was this so? He imagined her now in her parents’ garden, a garden glowing in the late afternoon light, as she too would glow in that late-afternoon light . . . he bought himself back to the problem in hand. How to make the next move? There was a join to deal with. He was working with the seven metrics of traditional poetry as the basis for a rhythmic scheme. He was being tempted towards committing an idea to paper. He kept reminding himself of the music’s lie of the land, the effectiveness of it so far. It was still early days he thought to commit to something that would mark the piece out, produce a different quality, would declare the movement he was working on to be a certain shape.

And suddenly he was back on the train, looking at the passing landscape and the next verse of that Aquinas poem insisted itself upon him with its apt description and tantalising argument:

The Argument from Efficient Causality

We are crossing managed washlands.
Pochards so carefully coloured swim
Where cows ruminated last summer
In a landscape fruit of human agency.

And I think of the heavenly aboriginal
Agent of all our doings in this material
Playground of earth I can pick up,
Hold and crumble and cultivate

And air that is mine for the breathing
And the inhabited waters that cling
As if by magic to a sphere. What cause
Sustains the effects we live among?

For there is no smoke without fire
And as we sow, thus we reap. Nihil
Ex nihil, therefore something Is,
Some being we might call God.

So ‘nothing out of nothing, therefore something is’.  Outside in the city the Cathedral bells were ringing in Evensong. The sounds only audible on a Sunday when the traffic abated a little and the sounds in the street below were sporadic. He thought of going out into the Cathedral precinct and listening to the bells roll and rhythm their sequences, those Plain-Bob-Majors and Grand-Sire-Triples. But he knew that would further break the spell, the train of thought that lay about him.

He sketched the next section, confidently, and when he had finished felt he could do know more. There it was: a starting point for tomorrow. He could now go towards home, walk for a while in the park and enjoy the movements of the wind-tossed trees, the late roses, the geese on the lake. He would think about his various children in their various lives. He would think about the woman he loved, and would one day assuage what he knew was a loneliness he could not quench with any music, and though he tried daily with words, would not be assuaged.
The poetic quotations are from poems by Margaret Morgan. A collection titled Words for Music by Margaret and Nigel Morgan is now available as an e-book from Amazon http://www.amazon.com/dp/B00DY8RAGC
Mateuš Conrad Sep 2015
in that, beyond good and evil, there's on femininity and masculinity; we already know of st. thomas' account about how the masculine needs to made into feminine and vice verse... no wonder such teachings in the undercurrent of our life, that we went beyond this and started doing likewise in the framework of good and evil; but there's hardly a dualism within the four 90º, while the tetragrammaton opens the gates to geometric phoneticism, which does not work in the hebrew depiction of the tetragrammaton, only in latin, because in latin one will not see a vision but reveal, having heard but not seen, and when inserting a thought into an experience: a satanism that said: i'll be satan and change this choir into moving stars and send a telegram to the aliens! should i see man loose all dignity in warring with himself that ended in napoleonic trust for man and man on the battlefield - because what she offered most men can get, and what i was offered only one among the billions, and in history about three, get.

so while some attempts at a sensual proof were not
granted, only one was, through moses,
and obviously through elijah - as sensual proofs
go, the proof of moses had to be fused with
a cognitive remainder, since, given the fact
that the torah was written by the supreme outsider,
the book depicting elijah was written by a true insider,
yet the cognitive realm which these two operated in
is a pure mystery, given the fact that sensually,
the staged rifts were short lived, yet too long lived
cognitively, having to argue, cite and disagree with
moses, who dragged the most sensual distortion
into the cognitive realm.

so as cognitive proof-arguments go, they are simply that,
more cognitive proofs lead to more argumentation,
but little sensuality, such that the paid need for
theological argumentation that leads to no sensual
precipitation enters the realm of holocausts,
whereby idle and vain cognitive proofs have no sensual
******, only more "thinking;" paid thinking.
and when the sensual proof for the non-existence of god
appears, like the holocaust, all those accumulative
"proofs" from the cognitive realm... end up like midgets...
and everyone's awe taken aback, because so much
cognition was left undisturbed, that the senses are prompted
for a disaster! why would i want cognitive argumentation
if i cannot seek and find a sensual guarantee?
where's the sensual ******, if cognitive argumentation
climaxed to the fine tuned 1 + 1 logic is a sensual anticlimax?!

the odd thing is walking the neighbourhood with beer and hand
waiting for the indian heatwave, but as i sooner realised,
this type of drinking is no good - the shelter of the garden
is where i find laughter - on the street making miles
i find anger - and as i noticed a day prior:
beer in hand, cigarette burning the lung forests,
watching a clear night sky, seeing a boeing boast
engine ***** high up to sound like i drone - that
universe forgets i can claim a nighttime hemisphere of sounds
with that boeing, even though the daytime skyblue is blinded
by a dilated pupil,i can feed that massive vacuum
of emptiness and keyhole glitter a mishap and a chance
to study less celestial geometry to endeavour out of this
haven.

prompts a maxim this verse does:
no one around me in my shape or walk -
tall enough to reach the sky, but
dumb like a thirteen day old butterfly, still flirting with the flutter.
***** you were born as the caterpillar old man,
now you're a fever of beauty in colour,
and only for two weeks, or even less if nabokov is about.

well, crescendo!
when simon magus stood with st. peter at nero's throne
the stage was like the two women with solomon about to cut a baby in half.
it was scened within the following framework of details:
st. peter started to sing bon jovi's 'lay your hands on me,'
with alternative lyrics - let me lay my hands on you
with the power of the holy spirit.
nero replied: lay your own hand on yourself, get away from
me you ***** *******, that holy spirit of yours, the one
you said is a personality but really isn't is just another form of:
celestial chaining; magus simon, what about you?
so simon magus came up and said:
i'll whiff you a smokey vision of caligula learning
of philosophy as read by his talking horse *incitatus
.

i wish for praise here on originality, but i heard of this one,
the talking horse of caligula by the one and only zbyszek herbert,
and in quick translation the poem reads -

*says caligula:

from all the citizens of rome
i loved only one
incitasus - a horse

when he entered the senate
the unblemished toga of his fur
glistened immaculately among hemmed with purple cowardly
                                                        ­                           murderers.

incitatus was full of virtuous bounties
he never spoke over me or spoke in general
a stoic nature
i think that at night in the stables he read philosophers

i loved him to such an extent that one day i decided to
                                                              ­                   crucify him
but his noble anatomy countered such a feat

he bosomed the position of consul with dignified apathy
he held power to the helm with a cupful of water
spilling none in a drunk waiter's swagger,
meaning he used none of it with the entitlement

it was impossible to make him bow to long lasting bonds of love
with mt second wife caesonia
alas no lineage of future caesars arose - centaurs

that's why rome crumbled

i decided to nominate him a god
but on the ninth day before the calendar days of february
cherea cornelius sabinus and other fools obstructed these godly intentions

with calm he received the message of my death

thrown out from the palace and sentenced to exile

he accepted the burden with dignity

he died heirless
butchered by a thick-skinned butcher from the township of anzio

of the posthumous fates of his meat
taticus is silent with regards to.
Nat Lipstadt Jan 2017
Yom Kippur this year was celebrated on Oct. 12th 2016.
Leonard Cohen passed away on November 7, 2016.


~~~

faint knocking at the door to the Tower of Song

the ministering angels, hearing a rhythmic, lyrical rapping,
sigh, thinking the atonement day,
the holiday/holy days, are supposedly over,
the human balancing act, the rush to judgement period,
all tallies totaled, the busy sale season for souls,
at last completed, each fate inscribed & sealed,
in the book of life^

but, always one,
the itinerant straggler, the last reluctant sinner, a judgment resister,
flaunting an expired coupon, trumpeting demands for a recount,
waving it, claiming it, the bearer, entitled to a mercy discount and
an extra 30 days

"who shall we say is calling?"

the Angels are stunned to hear,
a familiar raspy, growling, almost indescribable,
yet, stammeringly, beautiful voice enchanting,
equally asking and answering,  how both,
with a strident humility, "a man in search of answers"

this voice, instantaneous recognizable,
the asking superfluous,
all beating wings now, all in vast excitement,
this psalmist, long awaited, one of His best,
a chosen one, a courtly singer in the Temple of his people,
blessed with the curse of seeing and believing,
the comprehension of beauty of the human superior interior,
never being quiet or quite satisfied,
in capturing, its multifarious variations,
in every language spoken

this is the man who took ten years
to compose just
one song,
one poem,
one word,
Hallelujah,
whose faith was strong,
but still needed proofs,
whose every breath of oxygen inhalation,
brought more questions,
every exhalation, only releasing partial answers,
and yet, still, yes, yes! finding hidden verses inside

a simple, everlasting
hallelujah

the hubbub subsides, the man sings~speaks:
how came I here,
was I one, who by fire?
that fire afeared,  that my finality was spirit consumer?

one voice, answers,
in one voice, the swaying back-up singers answer,
not by fire, not by water, not by stoning or
even drowning
in tea that came from all the way from China

when sing we Angels, the Judgement Day poem,
we alone, on high and above,
we, keepers of the books and records of everyone,
are permitted this to query:

Who by Sufficiency?

you, the sidekick of the creator,
special commissioned by him, anointed to live a life of research,
record in word and song the mysteries of musical gene strings,
that intertwine the skin cells of man and woman,
man and his fellow us-human,
your soul commandeered, ordered, delve deeper,
into the consolable chasm tween divine and mortals,
all those who are poorly constructed
in his image

he, who has earned his place, his best rest,
his works adjudged sufficient,
he, who best answered
this judging,
this calling out,
calling in
incantation,

Who by Sufficiency?

now forward on, write only of answers,
wade in the troubled waters no more,
no more passports, or borders to cross,
no more measuring the days,
the last road trip finale
finished & feted,
fate meted

no more changing thy name, changeling priest,^^
sing songs of solution, salvation,
for the questioning hours of confusion,
the urgency of revolution,
no longer need a hallelujah resolution


                                                    ­| | |
Who By Fire                             Who By Fire, Who By Water:^
(lyrics by Leonard Cohen)     (A Yom Kippur Hebrew Prayer)

who by fire                             How many shall die and      

who by water,                                how many shall born,
Who in the sunshine,                 Who shall live      
who in the night time,                   who shall die,                      
Who by high                                Who at the measure of days,
who by common trial,                    and who before,
Who in your merry                            
                                                          Who by fire
month of May,                                 and who by water
Who by very                                 Who by sword,
slow decay,                                       and who by wild beasts,
And who shall I                      Who by hunger,
say is calling?                              and who by thirst,

And who in her,                           Who by earthquake
lonely slip,                                         and who by plague
who by barbiturate,                      Who by strangling,
Who in these                                    and who by stoning
realms of love,                               Who shall have rest,

who by,                                             and who shall go wandering,
something blunt,                            Who will be tranquil,
And who by avalanche,                  and who shall be harassed,
who by powder,                            Who shall be at ease,
Who for his greed,                           and who shall be afflicted,
who for his hunger,                      Who shall become rich,
And who shall I,                             and who shall become poor,
say is calling?                                Who will be raised high,
                                                         ­     and who will be brought low
And who by brave assent,                  
who by accident,
Who in solitude,
who in this mirror,
Who by,
his lady's command,
who by his own hand,
Who in mortal chains,
who in power,
And who shall I,
say is calling?




^From the liturgy of Rosh Hasanah, the Jewish New Year and Yom Kippur, the  Day of Atonement, there is this truly stunning prayer (https://en.m.wikipedia.org/wiki/Unetanneh_Tokef) in the Jewish liturgy. The Book of Life contents the fate of every sinner. From the first day of the new year, until ten days later, on Yom Kippur, depending on whether the sinner repents or not, his fate is sealed.
Yom Kippur this year was celebrated on Oct. 12th 2016.

Leonard Cohen passed away on November 7, 2016.

^^"A Kohens ancestors were priests in the Temple of Jerusalem. A single such priest was known as a Kohen, and the hereditary caste descending from these priests is collectively known as the Kohanim.[2] As multiple languages were acquired through the Jewish diaspora, the surname acquired many variations." Today, with no temple, the limited role of the Kohanim is to bless the Jewish people on the high holy days with a  special prayer with abeloved tune,  instantly evocative (see wikipedia.org/wiki/Priestly_Blessing) The Kohanim are still revered, honored, and always called up first to the Sabbath reading of the weekly portion of the Old Testament

A thank you to Bex for proofing and encouragement.
Part I of a trilogy
For a  more detailed analysis of the roots of the song, "Who By Fire," and its origins, see:
_____________________________________________
http://www.leonardcohen-prologues.com/who_by_fire.htm

He worked on the song Hallelujah, arguably his most famous composition, for ten years.
Smoke Scribe Aug 2018
Imagine that
I could write a salve,
compose an ointment of verbal herbs to heal,
even mere protect the already-torn-so-easy mental flesh,
just to disguise/hide the multi-colored bruising our
fickle mistress-in-common provides when you are down so far
another bruise joining the cast like a  floodplain subsuming one more feeding creek bed into the shapelessness of indistinguishability

imagine that

where atoms hide eternal between creation and destruction,
borrow brief the set exact you require to restore the taken years
from fathers/mothers/brothers/sisters,
children,
return that which went unused by the uninvited, unseemly human whim of war and lies for no gain

imagine that

the deep sinkhole of despair that ***** one in, years in the formation, appearing in instance, and worse does not drowns but leaves helpless, unable to climb out, and all our scratching digs us in deeper until we cannot be, seen or heard or just be

imagine that

a check comes in the mail, payable left open for filling-in,
in the amount of full restoration, with no additional fees of guilt needed for deposit and cashing/caching out: and you wake up
and the stony chest is breathing lungs free

imagine that

and I do; for I am the smoke of return and rest, sky inscribing,
knowing precise needs and the screams and the years unfair taken,
they are screened through the five perceptions, and the word weaver
sets the loom for each peculiar requisition, no imagination needed

imagine that

you lament and anger demand verifiable proofs mathematical,
cursing the knights of false hopes with untethered regret

I do not imagine that; hear it and accept; my task, imagine that, making you imagine that, thus commencement of repair begins
when

we imagine that

for this how new healthy cells  are born

quiet-now,  go, imagine-that, now
if you recognize yourself within, it is no accident!
thank u all for the love and appreciation. one writes many poems in many disguises, so it is hard to believe  that an 8 month old poem, sent to you for safekeeping, is shortly thereafter barely recalled.
and then is rebirthed, and wouldn’t change a word...
imagine that!
Mateuš Conrad Aug 2016
die nacht  aus alle verewigung -
verewigung die nacht - in immigrant German
spoken - not spoken, hälfte, hälfte,
pork-chops go go got taken with Australian *******...
cos selling the body saved you with the crucifix from
selling something like your soul, hence the accord to
be ready for critique of selling the magic potion of drinking
iodine... i was a fetus back then... when the atom
**** got the plastic elasticity of tangling
to wanking a didgeridoo... magician's syndrome:
**** that tightened fist and i'll assure you
you'll get the white flag of piracy's peace:
meaning they never robbed the rich men, pirates
just robbed the artists... hey wooden plank,
knock knock... don't make me into a wooden chair...
take a creaking floorboard and make it into
a shimmy toothpick... knock knock... who's there?
Jude? Jude who? hey i'm Jude? Judy Jew who?
a Jew who chewed propaganda and hid Jude.
fair enough, Jude's the everyday Jew.
no, she's the Rabbi! Rabbi who?
the Sabbatical who knows who.
some say i know god.
well, good luck with that, mostly asserted
on death row.
at least that place is given a fabric of a team effort.
by the time i think about next week's trash
i'll have written something akin to it being
taken out into a pig's trough of what resembled
the dating scene in New York...
hardly reminiscent of the gay Utopia:
so much anger yet still only the vote,
so much anger yet still only the vote...
           the intelligence poured in, but the
quiff only wanted the algebra of x
to match it up to a presidential race success with some donor's
y, and later + and squared and equals to make
those family holidays affordable.
- winter-night... deutschekaiser....
i swear it would be cheaper to build a wall
around the middle east...
like the European Union really
wanted to invest in dates... cos we were
ready to make a Sabbath from a Ramadan...
like we waited for the loss of % on added debt...
we waited, and waited... and waited...
we got McDonald's instead... and that was all
in the inventory... and that was all in
whatever we got, if we got anything:
deutsche schmutzig machen... is that perfect
German muddy - herrbzigg - or alter
Philanthropist zigzag - howdy howdy **?
dots the avenue...
and the many riches coming your way...
make muddy, or muddied already,
takes one swipe of the credit card,
ends up with 110 to nil streaks of ****
bothered about Star Trek... and the cellphone...
and the extraterrestrials of Mexico (or he co & co; huh i?)...
got the gangrene green if you
like the Licorice tangle of blank Ovid saying:
mahogany, mahogany, mahoney... mama got all da
honey... n she got the 2Pac shaky shaky core blues;
mind the albino in the hood:
or Mars the red planet, Earth the brown planet,
scary they thought of dinosaurs with dragons prior...
didn't think of Martian life prior to government
conspiracies, way before Darwinism and crowd control...
life on Mars: well, it was once there,
long before dinosaurs, and bacteria and yogurt...
long before the circus, and the commuter caterpillar...
i believe that there was life on Mars,
given the timescale... it was there...
but it ain't there anymore...
                           which might explain the U.F.O.s....
don't believe the government's audacity to have
created something so phosphorescent Zulu
as to invoke an engraving of lawless Voodoo...
before we knew of dinosaur remains we drew dragons...
before we explored Mars we were given
the proofs... life existed on Mars, long before
Earth was made the 2nd laboratory of a deity...
then it died, given the life-cycle of stars...
Mars is rocky... earth is rocky...
whatever life existed on Mars in its full potential
is long gone... is this really as weird
as what pop culture makes of man and monkey?
kettle and carpal muscles evolving from
oysters? we really can become equally ridiculous to
the extent that we turn on each other...
it didn't take much to divide Hindu from Muslim
into India and Pakistan... this won't take much thought either...
i'm just trying to counter scientific negativism,
and counter the timescale of both physicists' big bang
theory and the anti-historical Darwinism...
i'm starting with life on Mars, at a time when
Earth was inhospitable... volcanic... i might be among
the many people treated as being "mentally ill"
when the government claims to be so advanced as to practice
such projections of phosphorescent objects,
when it's dumb as Donald *****... because NASA is
not theoretical enough... and the government seeks
control by claiming NASA isn't the end result...
the usual suspects: lies... and more lies...
the Venusian Art... the pick-up artists...
i read it, never tried it... wish i did... but i also wished
for a herd of goats too...
but that's the best explanation of sighting a UFO i have...
before Earth was made habitable, Mars came prior...
Mars is rocky... is Earth... our fantasy is about discovering
life on Mars... life on Mars left a long time ago...
it's gone... gone gone gone...
the sun is cooling down before it becomes a dwarf...
before the perfection of this glasshouse of plants and animals
Mars came before us... and it was perfect...
later came this whole God and Devil debacle and plagiarism...
the first supreme, the second mildly similar...
but altogether worse... i told you, a phosphorescent object
in the night is hardly a government project...
the government is not capable of such things...
if they are, then they're like a man with a 4 inch
***** telling a girl he's a millionaire and has a fetish for
watching his girlfriend get ****** by a stranger with a 12 inch ****...
do the match... get a mud-bath.
the Welsh drew dragons and the Chinese too,
long before the dinosaurs usurped the happy-times
next to a bonfire... i'm just like that...
life existed on Mars long before we decided to look
for microbes on that red Ayers orb...
i'd be looking for sodium rather than twin oxygen trapped
into liquid by hydrogen, then always alienating laws
by ice, the said liquid and vapour...
my theory is that the original life on Mars,
didn't experience hydro sodium chloride... i.e. the seas...
Mars had only sweet life form... given the Devil
plagiarised Mars with earth, we received the seas...
we received the hydro sodium chloride... salty waters...
so if i was heading to Mars, i'd be mostly interested
in finding sodium chloride (salt) than anything...
not life... if i was heading to Mars i'd be trying to find salt...
not life... salt... salt... salt... Angie Jolie film (2010)? Salt.
because we forgot our individual intuition,
and we chose to have individual intellect that might be
easily swayed, because of this we allowed
collective intuition to arise... which we couldn't
intellectualise, because a collective intuition gave rise
premonition, prophecy and such artefacts of similar attention...
no collective intellect could ever be grasped:
atheism and Christianity and Islam and etc.
are such examples of what we lost... once we gave up
individual intuition, to replace it with a collective intellect,
we couldn't revise individual intuition with an individual
intellect (how many adherents of Marx does it
take to change a light-bulb?) - so we invested in
a collective intuition, whatever you call it, it's maxim
is still unshaken with the words: the sun will rise tomorrow.
a line from Heidegger concerning this observation:
every man is born as many men and dies as a single one -
like me, how i discovered the difference between
the man and the mass, intuition and intellect...
how man reversed the intuitive continuum of animals
to converse with an anti-animal invigoration of
intellect, and transcend the continuum of replicas,
and therefore invest in embryo, or the book of Genesis,
"original", in that, also a continuum by ontological inspection:
i.e. continually revisionist... Einstein preceding Newton...
Orangutan Joe preceding King Kong was never
really going to happen.
Nat Lipstadt Nov 2014
When I enter,
the black holes of myself,
they are located,
transcribed upon the
blackboards of our
unified bodies,
the magnification of energy
transversed,
principles demonstrated
by the unconcluding
conclusion of the expansion of
creation,
the rebirthing of one universe
never ending

When I enter a woman,
the discovery sought,
the definitional needed,
the proofs equational,
the factors constant,
not the variable
truths,
the demonstrations positive,
the constants of the universe,
combinational, all within,
a single point glistening

to gentle comfort this
knowledge of my wasting,
the foresight of my limitations
from the day of birth
my matter,
matters,
my energy
neither destroyed or created,
illimitable,
my decline inevitable

and yet

cannot alter my atomic structure.
my future guaranteed,
my inner light,
traveling so fast,

it has yet

to arrive

When I enter a woman,
the laws of physics
become special theories
of relativity,
we are motion in time,
force and energy
nucleotides rawest refined,
elemental and particle nuclear,
packets of light
exclaimed

When I enter a woman,
organic, chemistry,
interdisciplinary
my body and its life force
shaped as
electric current transceivers
crossing galaxies,
there can be no deceivers,
there but and only
the birthing of heat,
a byproduct of
interjection, conjunction

she is my proof
long after the
log normal of my nerves,
now parceled to the
invisible of an oscillating
log natural,
fertilizes the sea grasses
that so intoxicate,
flying, carried,
by the invisiblity of the winds,
all-where I have chosen
as my shifting shape,
when this container
leaks and crack'd,
rentery orbit,
the nearest garbage strewn
construction-dead
lot

When I enter a woman,
physics far beyond
the commonplace,
physical transition
to knowledge
of life ever after

death and fear are
time sensitized
passing notions,
crushed by the
consolation of physics,
the eternality
of a time
once begun,
cannot end,
and therefore
this,
my one theory of everything,
is the God
I worship
The phrase "the consolation of physics" was taken from a novel,
City of Thieves by David Benioff. The other nonsense is all my fault.
11/23/14 8:30am

for my blonde Big Bang theorist
Julia Van Goor Apr 2014
O Geometry,
How I loathe the,
with thy prisms and proofs,
and thy figures and formulas,
and thy compasses and conjectures!
Why must thou require such mental strain?

        - Wait,
        What's that you say?
        Calculus next?

O my dearest Geometry,
How I adore thy common sense and logic-based nature!
How I dread the day when we shall be forced to part!
Letter Poem
Tamara Fraser Aug 2016
Nights of thinking alone,

gathering my proofs,

I’m still unsure you were real.


I loved the sweet caress of your voice,

the way your mouth shaped my name,

your eyes hovering lazily over mine.

I loved the soft touches and frenzied hands,

as you carried and explored me, explored together

in bed sheets and a summer night’s heat.


Balcony doors embraced the ocean with open arms

before us, the tingle of adventures together

left tickling my skin.

It was a night that brought so many gifts, so many

tender looks and sprawling affections

laying waste to the floor.


But it was a night left to my fantasy.

No videos, photographs, Facebook statuses

or afterwords of gratitude.

A night left as bundles of touches and

portions of tangled desire beautifully coiled like

ropes inside my head.


I need those proofs.

I need to know that love-nest even happened.

That it wasn’t some sickened dream I had,

whilst I cried in bed alone that it would soon

all end;

a frayed and ***** heap of pity left in place of you.

My heart would conjure anything to protect me from you.

My heart would drill holes in those fragments if it meant

lies from you, if it meant little pieces of love you could

hurt me with.


My heart is grateful for what you showed me,

the love you painted with me, for me, over me.

My heart is still in love with the times we shared,

the memories that glide around silkily in my sleep;

but my heart is also still frightened, of you.

And what power I gave you, over me, to make me

weep and search for evidence like this.

To finally know you loved me, or not.


Because that is what it needs doesn’t it?

Prove that it needs to, that it’s real.

Were you real beneath my fingers?
Mateuš Conrad Feb 2016
.before i come to the food topics, here's a pet peeve... language... how the pakistanis might / might not be offended by the laziness of the english, shortening their denotation to a prefix: ****-... and i'm like... is that really offensive? with the -stani suffix missing? o.k. o.k., iraq: iraqi... iran: iranian... pakistani: ****- / pakistani... so what about afghanistan? afghan, or afghanistani?! i'm pretty sure it's afghan... a person is afghani and not afghanistani... so what's wrong with ****-? it must be an english-****'stani thing from the 1960s or something... ******* as sensitive as french footballers... this has to be hard-pressed... this instance... because i hardly think it's a racial slur to stick to the prefix and not include the suffix, given the example from afghanistan - just like the "problem" of calling a jew a ***-, borrowed prefix from... yiddish! now for the food:

a. would you trust a skinny chef? i know i wouldn't trust a chef who's also a healthy-eating gym bro maniac, i bet he would never cook with lard or pork trimmings, with that calorie calculator lodged up his head that represents an ******* is not much to go with when taste is prime... 6ft1 253.5pounds, that's where i stand... i would never trust a health-freak to cook for me, let alone all the proofs rattling anorexic examples...

    b. "***** take your shoes off and get into the kitchen!" what a ****** joke, chauvanism rampant... mind you... who the hell said that women belong in the kitchen? they don't... i don't want a woman in the kitchen... i've had two dinners cooked by my fwends' mothers when still in my early teens... 1. over-cooked pasta... my fwends father would pretend to eat the dinner, before driving me home while stopping off at a sikh diner and took to the take-away (cooked by men), another example beside the over-cooked pasta? under-cooked spring potatoes - after all... the men on ships and submarines that kept the other men firing did all the cooking... men can cook... or at least: that's the least they should do... think: organic chemistry experiments...

eating a raw herring
in piquant mayonnaise
of reminiscence of a
granny-smith and pickled
cucumber tickle...
slurping it up into
a workout of the oesophagus
might remind many
of oral ***: but after all...
it's only a raw herring being eaten.

p.s. well perhaps gulping down
a raw oyster does feel familiar
to performing oral *** on a woman...
but since you're not really
chewing the oyster,
or licking it... but gulping it whole...
i can only compared performing
oral *** on a ***** to
                eating a raw herring.

            and why all of this talk of food?
well... what's on the menu for tomorrow?
a bangers & mash stew,
    old recipe from the days of the british
empire... mind you: why did they
call sausages bangers back then?
well, during the war, they put a lot of
water into the sausages...
and when water mixes with warm oil?
bang! bang!

                 'i was five and he was six,
   we rode on horses made of sticks,
he wore black and i wore white,
   he would always win the fight...
   bang! bang!
  he shot me down!
  bang! bang!
                 i hit the ground...
bang! bang!
   that awful sound...
bang! bang!
   my baby... shot me down!'
              (audio bullys ft. nancy s.) -

so obviously i had to take a walk
and buy the key ingredient...
   i.p.a.:
        and when they were stationed
in the raj, and the troops were receiving
provisions...
  the standard beer wouldn't last the trip,
going off...
     and dark port was too sweet...
so indian pale ale was invented:
   more potent alcohol content and brewed
based more on hops than barley or wheat...
bitter: but my god, what a strand of beer,
like your typical irish stout...
   which is why i never figured out
  the bud to be the king of beers...
   fermentation of rice? sure... it's crisp...
but also the sort of toddler **** you'd expect
from rice fermentation:
no body, no *****, no blood,
no palette...
      easy stew:
   sausages,
      onions, garlic, celery, carrots,
                  leeks...
     a bottle of i.p.a.,
   some to degrease the pan the sausages
and veg were fried on, the rest for the jacuzzi...
some water, bay leaf, salt to taste,
   tomato purée and 2tbsp
  of muscovado sugar to bite through
   the extra hops... mash on the side...
                  and an array of veg on the side too...

i still don't know where the idea
that women belong in the kitchen came from:
perhaps when the men were coal-miners,
and when the kitchen wasn't filled
with all the current day appliances
of convenience...
   when women worked as hard in the kitchen
as the men who worked in the coal-mine...
perhaps then, in the early part of the 20th
century... when spaghetti dough was hand-made
at home...
then a woman could take pride in her
house-keeping...
   now? now i guess: the same sort of melancholic
voice bound to nancy sinatra singing...
because once upon a time it was hard
work, running the house...
                       and then "suddenly"
everything became simple...
a man could walk into a coal-mine,
come back home and...
              make himself a decent meal...
  looking at what the english woman buy
in the supermarket?
      couch potato maidens...
       ready meal after yet another ready meal...
things have become so easy
that easy isn't enough...

      let me tell you a culinary ***** of a story...
the scurge of making homemade
ravioli! believe me... once a year is enough...
sure, it tastes great...
                  but once a year is enough.
Algebrarian May 2019
Joseph Argyle, Andrew Misseldine
Southern Utah University

Today we will be talking about advanced mathematics.
Let out your primal screams now.
It almost seems as if mathematics are a histamine to most people,
But mathematics is omnipresent in every interaction between two universes.
Mathematics is obscenity. We know it when we see it.

Mathematicians are the teenage girls in the back of a borrowed Toyota Camry
Demanding to know “what are we?”
Most people feel the tense shrug and the stiff arm of her companion.
Mathematicians feel the swagger of a braggart uncle at the watermelon-spitting contest.
Demanding more precision than everyone else at the party.
And at the same time they are the children standing up to the bully saying
“My dad can beat up your dad.”
And hoping their opponent doesn’t say “Prove it.”
They always say prove it.

There was a time where proofs were guarded in secrecy.
When braggart mathematicians,
the dogs of rival states who lusted after academic supremacy but not knowledge,
claimed they could prove things without proofs.
Where even a jot in the margins of a notebook done with enough pomp made you a god.
The mathematics eventually rebelled against loose proofs and found its true ecstasy,
Rigor.

Rigor is what separates mathematics from the beasts.
Science dictates the rules of our planet,
and daresay our entire dimension.
However, even scientists struggle with math.
Scientists view mathematicians as,
well, masochists is the wrong word.
I guess scientists acknowledge mathematicians the way most sports view cross country runners. Mathematicians relish doing the parts other scientists do as punishments.
But math is an obscenely illuminating and beautiful subject.

Mathematics needn’t be scary.

Mathematics is really the study of sets.
Sets are the piles of objects curated by the lonely.
The horde exhibits consistent rules.
Every object can be related and grouped with every other object
As can two people find some common ground.
These connections map to constellations across papers meaning more than the papers
And the time they take to construct
We are all connected.
Whether we join each other up or bend down to meet someone where they lay,
We are escaping the void of an empty set.
And the laws of mathematics steady with the same consistency all through whatever ordeal
The chef has challenged diners with today.

There are always rules, and the rules can be trusted.
In this set, joining and meeting are always the same.
They are Idempotent, meaning an operation sticks.
One and done.
Idempotency is the effective lesson which is learned exactly once and remembered forever,
Like the cat who jumps on the hot stove exactly once.

If the definition of insanity is the repetition of a single task over and over again
while expecting different results,
Idempotency is the opposite of insanity.

The human race is one huge set.
Idempotency is how we interact with other people.
It is meeting someone where they are.
We can all be a little better than we were before.
Idempotency is inviting them to raise each other up and join them in the journey.
Left Foot Poet Mar 2019
The Fidelity of Transmissions

”Cells, the units of life that compose our bodies, are able to make copies of themselves to help us grow, fight disease and recover from injuries. Cells have built-in mechanisms that maintain
  the fidelity of transmission  
of genetic information from one generation to the next, and to control cell division in a timely manner, allowing our bodies to build or rebuild various tissues.”

~~~
when the poetry cri de cœur grows unbearable ,
sound mystery-science calms his tumbling transcendency

alas, here too, his ears sit up straight when stumbling on a invitation to
“come write,” for hid within the science jargon, oft rests a snipers shot

redirecting the didactic mind back to the
everyman’s land where-poetry cells split,,
commanding him to delve into, visit new brain wrenching vistas
“the fidelity of transmission”
at its macro level, for science is micro-poetry,^
n’est-ce pas

~~~
when you love another
the transmission is a slow pour,
or a radical jarring,
the fidelity extremely extraordinarily variable

the loveliest unpredictable

the sip sip of eyelid kissing adoration,
the irrational irrigation of the no-space-between,
when the television remote disappears in the couch crack,
the screen, complete static, perfect complement, to a rigorous experiment of

the loveliest unpredictable

we manually conjoin fluids in her mouth’s petri dish,
stain the slide for observation,
in full Imax color observe the cells busting and doesy-do’ing over to
a new partner, where bonds of fidelity attach a partnership clause to

the loveliest unpredictable

when a child emerges, the first words are
find that remote, just kidding, first comes a comestible demand,
mother’s milk 98 degree heated,
feed me a white solution to any unanswered cell’s questions, what a

loving predictive predicate

scribble this, ****** that, change a diaper,
while debating whose baby’s assemblage resembles,
overjoyed at the experimental outcome,
proofs of the fidelity of transmission,
the outcome notated, but science demands no bias confirmation,
another test required of tissue rebuilding

the loveliest unpredictable

~~~

^postscript
for is He not laureate greatest poet of all,
developer of the scientific architecture,
inventor of varietal sunsets, moonscapes,
individualized singularity of snowflakes,
love making, gravity and the preprogrammed death
of your own cells,
etcetera etcetera etcetera
all just poetry in motion in fluidity,
ah, fidelity fidelity
fidelity
Sat., March 9, 2019
Tobias Engkvist Sep 2012
The next to empty train
Roars through the mist of dawn
As it passes the lakes and elves
The dark and mystic pines
-forests that once told of horrors
To keep the ones like me
From crossing the line-

This box, this crate
A testament of the modern man
To whom which it serves
It is somewhat of a time traveller
When it breezes the land
That years have made its own

And yet there are scenes from my window
That I know are proofs
Of exceptions to the rule that reads,
“time will take its toll”

All the brooks and oaks
And even more so
Every bolder and stone
Convinces my heart and soul
That I need not be marred and scorned
Broken and torn
By the thistles and thorns
And all the bourdons that the lions
Of this glass world
Convict me to *****

Since there is a side
To the manic and indecisive puzzle that is I
A side of realism and cynicism
Thus I am well aware of my mortality
And the scarcity of the time that is mine

My existence is an indirect unwritten vow
To never bend my back and bow
To never fall in line
And receive my share of coals
To fuel this machine down the rusty tracks
In a race against nature or God
A race to prove one or the other
Or even both wrong
A race we’ve already lost
SURETICE TONGUE Jun 2018
Conversation opened. 1 read message.

Skip to content
Using Gmail with screen readers
in:sent
Click here to enable desktop notifications for Gmail.   Learn more  Hide

1 of 184

QUIVER ALL-MAXIMIZING

SAMUEL DAVID <believingvirtue@gmail.com>
3:38 AM (56 minutes ago)
to Daniel
SOAR OWNERSHIP

/ UTTERANCES OUTLABOURED  PILGRIMS/

By the creditor at cyprus  and on other grounds:

The counter-cedar Venice much unparalleled ever pursuant  kindly indigenous street streams far above strange beneath  the string ...' Dream castle before the 'Requiring much quill 'Peanut lieutenant great  ones of the machinery  citation /  Worth  pillow following purposes invasion with a rainfall bombardment epistle the pearl earning era:   Closet  by sessions pursue arithmetician diaries ' anchor calculus cumulative arrows propellant / Squadron in the field-refueling ' division visions ...' Upswing within the meaning axle conversion processes proofs /  ' Electron icons ' Creation wireless reticence circles:  Moon ship's  amnesty crest reckon  'flaskbone SpurZebra...'  Preferment goes by relieves and affectionate 'Oil The Self-graduation  Outpouring  / Vagrant above ant strides : Rodrigo peculiar ends demonstration/ Forego  the-Outward acclimation :   Upon all civility citizenry civil-rises other low less  losses below yonder / Phrase of prose -possessions  cuss ion syn chronicutensils  'asylum  systems  beyond stems : Preeminence blown 'being ht-thence quarries  hijack travels  history/Wherein of plant  hours ' spicily spoke *****:  Pilgrimage dilutes noble companies  'ago-maximize promptly  alacrity;  Exhibition the underrating  besought levels- of quarry / burden oxidation immune  slaughter


Cheap Hill Chips

EMAIL: believingvirtue@gmail.com

+2348131914240





Click here to Reply or Forward
0.04 GB (0%) of 15 GB used
Manage
Terms - Privacy
Last account activity: 49 minutes ago
Details
TREACHERY  BOW '*****-HARVESTER'' CARDINAL GALE ALIVE TROOPS...' GENIUS RELATIVE RATES  PEARL WONDROUS  HEIGHTS...'

TERRITORIES YOKE GOVERNING RETURNS: THE GRASPING-OF-GIFTING RAVENHILLS/ VAL VOLINE TRUMPETS....''BUMPER GRAPPLING BOLT VASTS,,,''
Nirmalee Jun 2015
"O poor, unthinking human heart! Error will not go away, logic and reason are slow to penetrate. We cling with both arms to false hope, refusing to believe the weightiest proofs against it, embracing it with all our strength. In the end it escapes, ripping our veins and draining our heart's blood; until, regaining consciousness, we rush to fall into snares of delusion all over again." Rabindranath Tagore , The Postmaster
It's not a poem. But a beautiful creation ,nevertheless, from one of the most vivid, evocative short stories by Tagore "The Postmaster".
Mateuš Conrad May 2016
only today i came across what interested Heidegger
after writing being and time, a selection
of essays, revealing that he came to be interested
in language - not knowing this, by mere study
of the introduction some things became apparent -
being quiet democratic in my reading it's a shame
i don't have the academic leisurely pace of becoming
a Heidegger specialist - it's the almost damnable
pulling-apart having to cite many influences and not
focusing on one, but since i don't have academic
leisure, the summary in the introduction
by jeffrey powell (editor) of the book heidegger
and language
will just have to do: apropos this
being an antidote to those bemoaning that we only
write about reading books, carefully choreographic
our lives for mints and espressos and ammoniac
(inhalants in a boxing ring nearing a knock-out) -
hide pretty bird, hide, hide pretty pretty bird
first your song inside a cage, then the cage inside
the heart, and thus the song with the cage,
silenced inside the cage, raging mad inside the heart.
well, the antidote is that i already have some ideas,
and reading the essays contained in this book would
put me off what i was intending to write about,
so, in summary, read the major work, then read introductions
of critical books from those studying the subject,
invent an original approach from that, and elsewhere.
before i venture into the whole affair of having to
reread certain passages from the introduction as to
guide me in this Bermuda Delta i what to do a little
sidewinder interlude:
in chemistry there are two major bonds (for the purpose
of what i'm intending, let us just assume that
we're only talking about π and σ bonds) -
and while psychology dehumanises man to strict
theories without clear proofs to a universal standard,
i want to do what will come later regarding Heidegger's
take on language, for me there's no clear philosophical
vocabulary to be used - i'm not into orthodoxy and
rigidity which says

                piquant sun strokes against
                the bargains of spring's last
                hope for a kept bazaar
                to bloom to then deflower
                petals from trees fall to earth
                like glasses, the tree stands
                as a reflection of shattered glass
                the petals remain the tree intact
                worn at the Royal Ascot
                or in a woman's hair.

obviously something like this is a poem - what i mean,
however, concerning what's identifiable as philosophy is
to me the following:  
                                        blah = monotone x algebraic
                                                    for­ non-differential
                                                    purposes, just filling up
                                                    the page

            blah blah blah blah blah blah subjectivity blah blah blah blah blah blah essentially blah blah blah blah blah blah in-itself blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah thing-external v. thing-internalised blah blah blah blah blah blah blah blah blah blah blah metaphysics blah etc.
                      
                          and so on and so forth, a fixation on using a certain vocabulary to be equivalent or justification to be "apparently" talking philosophy... yet still no gain from the words of grammatical categorisation... for me? too many propositions, the basis of what the academic environment deems to be "pure" verbiage, or none (akin Wittgenstein) - that famous quote about a lion and having tea on Tuesday... or as Buddha would say: said so to shatter thus the fear of ketamine thoughtlessness;

but that's beside the point, i want to return to
how any chemist might treat psychology as a science,
keep it up to date, given that psychology likes
to shove its nose in everyday activities for a strict
expression of equivalent rubric that mathematics already
possesses and shoves into a child's brain to make
the child become accustomed to symbol encoding;
so π and σ bonds, let's say between two carbons atoms...
but in psychology we don't have the luxury of
many alternative examples...
me and language: to write in terms of optics,
to encode images rather than sounds,
language as optometry rather than a hearing-aid...
so what "elements" do we have in psychology,
essentially what defines consciousness, its sub-plot
and its unfamiliar territory - the using the dusty
Freudian units, we know the concept of the superman
(superman was a bad bad boy) from Nietzsche
evolved into the super mm hmm, and we know
there are two other units, mm hmm and the id /
it or that? it is for me, that is for scalpel for the analyst,
the prober, unlucky for the person who took to
objectifying himself, but better than being objectified -
still, remember i'm working with language in terms
of optics rather than phonetics - enough organic chemistry
diagrams and you will see that the bonding between
mm hmm, the super mm hmm and the gemini id
(one the patient, the second the analyst) trapped inside
an electron cloud of bio-electric processes is rigid and
stable due to the opposite of π and σ,
i chose the optic route using the bonds δ and ψ -
symbolically δ is the mathematical term for sum -
summation, the total of - currently i have no clue about
the significance of ψ just yet, but ψ is a symbol of
psychology like caduceus is the symbol of medicine;
a brief expansion on the natures of the bonds,
quack-science δ bonds being all alike meaning uniform
meaning holding every aspect uniformly, meaning
that a δ bond is of the same nature between mm hmm
and super mm hmm in a petri dish within the
solvent of the conscious sub-plot, likewise other variations
δ bonds are uniform bonds, i.e. ensuring one detail
is related to the other, and so to others.
ψ bonds, not much expansion here as promising detail,
asthma the highest research of breath, and all
major theoretical squeezing through the Suez -
depending on the measure of breaths, we can depend
on the internal things - but never so much Pamplona encierro
cleaning-up to do theorising an affirmative sound
like mm hmm, or other affirmative synonyms -
if it were can *****, it would be mince rather than
a clean dissection - mince meat, should mm hmm be
not an *****, let alone a body. so many attachments
to mm hmm these days, it should be attached to zoological
studies than activities of breathing: theory as a cage,
one after the over, eventually not even cages but
the caged animal turning into matryoshka doll -
Kant doesn't venture into the dynamic of his thing-in-itself
represented by the matryoshka as ad continuum -
maybe he does, but to me here merely pinpoints it,
coins the phrase noumenon and ensures the thing
is opened, god or nothing is put in it, the thing is
closed, locked and the key to unlocking it is thrown
away and never found (i'll mention a short process of
his argument some other time, most notably his
three impossibilities concerning proving the existence
of god: ontological, physico-theological and cosmological).
yes, i know, when reading these ****** books
i have to paint the arguments, i need to simplify
them, a poet reading a philosophy has to paint
the words - the best poetic technique applicable to
understanding philosophical books is imagery,
not as a technique of for the purpose of writing my own,
but as a way to paint what was written by some boffin -
precursor to understanding the three impossibilities
of proof, i find it strange that such proof is necessary,
what would you do with it? prove it once on
paper, or in your head, show it to everyone and then
slowly everyone is able, then the so called "man in
the sky" - it seems strange that scientific positivism
of the Enlightenment supposed such a proof, the proof
is more implausible than the existence - Bertrand...
just smoke your pipe and sit in the easy-chair talking
******* with Wittgenstein... more on that later.
i promised quotes from the above mentioned book
(heidegger and language)...

           das wort kommt zur sprache,
             das seyn bring sich zum wort.


working from phenomenology, to later reject it,
thus precipitating the school of deconstruction-ism,
and with Heidegger we do get to atomic elements
from words, from compounds, thank god there are
no sub-atomic ventures with language, quiet impossible
to de-construct language beyond this point,
let's face it, if you go as far as:
'as preparatory for raising the question of being...
language is one of three constituent moments in
the analysis of the being of the da in dasein (being there)'
furthered by equal atom bombardment replacing
the un-compounded sein (verb, be) with seyn (conjunction /
noun, being) - this is modern physics to my understanding,
i'm not particularly interested what he's saying,
i'm interested in painting what he's saying -
i'll spare you the details of what philosophical systematisation
is actually involved in: restricted vocabulary -
a certain limit is allowed, rigid meanings are involved,
rigidity of drilling in of non-deviation, philosophical
systems are not dishonest in that they are consistent with
a limited vocabulary - i will spare you the torture of
seeing one ball being juggled - the shrapnel of the English
language makes it even more distracting to understand,
as with the above, another e.g.?
'every saying of beyng is held in words and meanings
which are understandable in the view of everyday
references of beings, and are exclusively thought in
that view, but which as expressions of beyng,
are misunderstood...' of course i could be cherry picking
Heidegger like a Jehovah's witness cherry picking
the bible, but i'm not interested in what he's saying,
merely painting you the picture, to scale then:

books                      -              celestial objects
chapters                 -               cycles of celestial objects
paragraphs            -               prime features of
                                                 celestial objects
                                                 (e.g. Jupiter's red eye,
                                                  Saturn's ring,
                                                  Earth's oceans
                                                  and continents)
sentences                 -              
words                       -
syllables                   -
letters                        -             atoms / elements  
                                           ah, it was going oh so well,
i think i started too big, and went into too small,
which made visualising sentences and words and syllables
hard to compare what could fit between
Australia and and atoms of RuXe - by chance ruxe is
an actual word, no as stated ruthenium and xenon,
although that too, ruxir (ruxo, ruxin, ruxido) in Galician
meaning to roar.
(Genesis, xxii.14)

The saints should never be dismay'd,
Nor sink in hopeless fear;
For when they least expect His aid,
The Saviour will appear.

This Abraham found: he raised the knife;
God saw, and said, "Forbear!
Yon ram shall yield his meaner life;
Behold the victim there."

Once David seem'd Saul's certain prey;
But hark! the foe's at hand;
Saul turns his arms another way,
To save the invaded land.

When Jonah sunk beneath the wave,
He thought to rise no more;
But God prepared a fish to save,
And bear him to the shore.

Blest proofs of power and grace divine,
That meet us in His word!
May every deep-felt care of mine
Be trusted with the Lord.

Wait for His seasonable aid,
And though it tarry, wait:
The promise may be long delay'd,
But cannot come too late.
Nat Lipstadt Feb 2019
a man privately asks, can you help?
you say, sure-no-hesitation

let me think on it for a day or two, he says
yet you act even before he comes back,
too late, you say, when he returns,
too late, he repeats in puzzlement,
yup, my check is in the mail,
cause one senses the need is dire plus,
plus you well recall the immutable obligation when  
a vague commitment of “just ask” was inked in a long ago message,
a poem born from/in the days when you slept in the car on the street

this vague promissory,
a more enforceable judgement in your own court of law
than any state construct or the judgmental eyes of a silenced god

word, honor, do.

thus it begins, an unwritten contract inked,
an egregious interest rate of 0% proffered and agreed,
commences a plain white envelope trickle,
a check inside, by postal mail, slowly it came,
month by month, inch by inch, Niagara Falls ^

years go by, and then comes a day,
when the accompanying check and its gift wrapped note says,
Paid In Full!

and so much for the tedious minutiae...

like kindness, I do,
Thank You and Your Welcome
are high on my list of proofs of
daily human extensions existential,

Paid in Full,
now rests at the top of the list

let me be blunt, the thrill of being a party
to a deal with no handshake, just coated in the
honorable words waterproof sealant,
with a person I likely may never meet,
made me so better assured of whom many claim I am,  
a mathematical proof revered and kept mind inscribed,
it was an aspirational ****, an unforeseen monthly blunt,
the best feeling good smile,
a kick in the pants about what really matters

being paid twice over and me,
getting by far,
the humanity confirmation,
the better half of the deal

write too often of honor,
and yet, will instinctual do again,
again overpowering my rays of will,
for there is no deflection, only reflection

for the glorious riches gifted and received,
without compare
the return on my honorable investment the best ever


oh brotherhood, oh brotherhood,
I am paid in the currency coined from brotherhood...
^ from a Laurel and Hardy routine
yup, true story
"This above all: to thine ownself be true"
which denies the escape
of being false to any human.”
Nat Lipstadt May 2013
I sit in the sun room, I am shaded for the sun
is only newly risen, low slung, just above the horizon,
behind me, over my shoulder, early morn warm

Slivers of sun rays yellow highlight the wild green lawn,
freshly nourished by torrential rains of the prior eve

The wind gusts are residuals, memoirs of the hurricane
that came for a peripheral visit, your unwanted cousin Earl,
in town for the day, too bad your schedule
is fully booked, but he keeps raining on you,
staying on the phone for so long, that the goodbye,
go away, hang up relief is palpable

The oak trees are top heavy with leaves frothy like a new cappuccino,
the leaves resist the sun slivers, guarding the grass
from browning out, by knocking the rookie rays to and fro,
just for now, just for a few minutes more,
it is advantage trees, for they stand taller in the sky
than the youthful teenage yellow ball

I sit in the sun room buffered from nature's battles external,
by white lace curtains which are the hallmark
of all that is fine in Western Civilization,

and my thoughts drift to suicide.

I have sat in the sun room of my mind, unprotected.
with front row seats, first hand witness to a battle unceasing

Such that my investigations, my travails along the boundary line
between internal madness and infernal relief from mental pain
so crippling, is such that you recall begging for cancer or Aids

Such that my investigations, my travails along the sanity boundary
are substantive, modestly put, not inconsiderable

Point your finger at me, demanding like every
needy neurotic moderne, reassurance total,
proof negative in this instance, of relevant expertise!

Tell us you bona fides, what is your knowing in these matters?

Show us the wrist scars, evidential,
prove to us your "hands on" experiential!

True, true, I am without demonstrable proofs
of the first hand, my resume is absent of
razors and pills, poisons and daredevil spills,
guns, knives, utensils purposed for taking lives

Here are my truths, here are my sums

If the numerator is the minutes spent resisting the promised relief
of the East River currents from the crushing loneliness that
consumed my every waking second of every night of my years of despair
                           divided by
a denominator that is my unitary, solitary name,
then my fraction, my remainder, is greater than one,
the one step away from supposed salvation...

Yet, here I am sitting in the sun room buffered from
nature's battles by white lace curtains which are the hallmark
of all that is fine in Western Civilization

I am a survivor of mine own World War III,
carnaged battlefields, where white lace curtains,
were not buffers but dividers tween mis en scenes,
variegated veins of colored nightmares, reenactments of
death heroics worthy of Shakespeare

Did I lack for courage?
Was my fear/despair ratio insufficient?

These are questions for which the answers matter only to me,
tho the questions are fair ones, my unsolicited ******,
they are not the ones for which I herein write,
for they no longer have relevance, meaning or validity,
for yours truly

I write poetry by command, by request, good or bad,
this one is a bequest to myself, and also a sidecar for an old friend,
who asked in passing to write what I know of suicide,
unaware that the damage of hurricanes is not always
visible to the naked heart

These hands, that type these words are the resume of a life
resumed,
life line remains scarred, but after an inter-mission, after an inter-diction, an inter-re-invention
in a play where I was an actor who could not speak
but knew every line, I am now the approving audience too...

But I speak now and I say this:

There are natural toxins in us all,
if you wish to understand the whys, the reasons,
of the nearness of taking/giving away what belongs to you,
do your own sums, admit your own truths
query not the lives of others, approach the mirror...


If you want to understand suicide,
no need to phone a friend, ask the expert,
ask yourself, parse the curtains of the
sun room and admit, that you do understand,
that you once swung one leg over the roof,
gauged the currents speed and direction,
went deep sea fishing without rod or reel
and you recall it all too well, for you did the math
and here I am, tho the tug ne'er fully disappears,
here I am, here I am writing to you,
as I sit in the sun room.

Memorial Day, 2011
hard to believe this poem will be 8 years old, soon enough; I well recall writing it and will return to the sunroom soon for inspiration and an afternoon nap.
Oh Adorable Zeus, hear Aphrodite’s petition to regain Adonis!

I, the goddess of love & beauty, will
Make sure to the fullest that no one can ****
The charming Adonis who makes me feel
Great beyond any ****** that’s real

Oh Adorable Zeus, hear Aphrodite’s petition to regain Adonis!

I, as the discoverer of this beautiful creature so rare
Is the first beholder of his countenance so fair
It is I who granted him the first unmatched care
The kind of caress he will acquire only in my lair

Oh Adorable Zeus, hear Aphrodite’s petition to regain Adonis!

His refuge in me never has the stench of death
It’s just like everyday he experiences rebirth
‘Coz there I can render him the greatest of health
Beauty & youth of flesh beyond any mirth

Oh Adorable Zeus, hear Aphrodite’s petition to regain Adonis!

Be vigilant towards the welfare of Adonis, my delight
His bulging muscles are proofs of his radiant might
So alluring to any mortal & immortal sight
No one can also equal his handsome face so bright

Oh Adorable Zeus, hear Aphrodite’s petition to regain Adonis!

That beauty of his can only be cherished
In my realm where beauty never goes blemished
The place that all mortals have ever wished
There the bright sun will keep his body nourished

Oh Adorable Zeus, hear Aphrodite’s petition to regain Adonis!

Adonis’ beauty is not fit for the home of the dead
He is so vibrant from foot to head
Remove him from Hades! To my haven, instead!
There he will be nourished by life-giving bread!

-02/10/2015
(Dumarao)
*Hopelessly Immortal Collection
My Poem No. 333
Mateuš Conrad Jul 2016
without veneration for what i already censored and ensured that what Christianity venerates as holy, in curses, or oath words - in newspapers aplenty, f%&@ - and i would venerate that? why not the little censor backpacker with the tetragrammaton word forever hushed, thought about? enough fucky-fucky-sucky-sucky i'm sure - it's so much eloquent to censor speaking something sacred than something debasing - you can just claim to be speaking pardonable French - and i rather a humility be indebted to something that can take intellectual promises and fulfil them, than have to play peek-ah-boo with the murk of Cockney slang - so childish... so ****** childish i reeks of sulphur in what's to be achieved by "seeming" polite - even with oath words censored, people have no greater vocabulary - and i really do like to see a great respect of spelling.

in practical terms - i sort of "lied" about how how Hebraic
schooling hides vowels - they do indeed,
hide 4... i once wrote a poem entitled *two Adams
-
prior to investigating the matter further, only
today i stumbled upon the meaning - i was intending
a story of Eden with two Adams - a homosexual
affair - perhaps Satan the surrogate mother -
so less myth including the second Eve (Lilith) -
but the Hebraic school doesn't hide all the vowels -
it has two variations of the vowel a -
aleφ (א) and ayiν (ע) - hence the premonition of
the two Adams was subconscious rested in this
observation, i've seen a Hebrew alphabet prior -
but i didn't attach much detail to it worthy of furthered
inspection - it would seem natural that out of 5 vowels
four are hidden as if diacritical marks akin to
the umlaut or acute stresses ( ¨ or ´ ) - by
hiding four vowels you are bound to get a tetra-
something, in this case a -grammaton - further details
also emerge: why are two identical vowels apparent
among the consonants? aesthetic purposes? a full-circle
effect? a closure? i was in north London today and
i was spotting orthodox Jews, i don't know why
but i seem them with their curls either side of their heads
and think of Italian Mafia - they really do look
like the Mafia - call them Dactyl Mafia (not a foot
in poetic meter, or the sons of Cybele / Rhea -
but as in that sweet fruit - a date, plenty of date trees
in the middle east) from now on, i will - so with
4 vowels hidden as diacritical marks, 1 vowel for
whatever reason ~mirror image given the cutting up
of a- from -leph and a- from -yin - yang bangs
the saucers for a symphony impromptu as if Jamaican steel -
hence i'm supposing the deja vu of the H hey'tches -
and from that you get the perfect storm for perfect
laughter: עה אה
                          עה אה
                                   עה אה! (alias of a definite article -
looking at the world, no talk of philosophical veils and
ultra-realities - it's just definitely there and you might
as well laugh about it).

3:23 until 3:58 - Muse's Stockholm Syndrome -
in my hand Milton's Paradise Lost -
that grand Greek style epic that really bit off
William Blake's tongue and ear with self-improvised
jealousy - concerning book iii - Satan's entry into
this world - indeed through t book iv -
guiltless he, for the chess piece was already made -
and what only kept it from a sacrificial bite
was the motive of the game being begun -
the nudge of a pawn could have made a rook fake
advance across the line of pawns - yet man's
pawn also took charge.

no daytime interruptions this time - 400 years by
the pyramids and 3 years in Auschwitz -
the latter: no purpose, our insider was there, Eva Braun -
my grandfather visited Auschwitz, from the stories he
recounted... none of my relatives died there,
most of them on the front, don't expect me to go,
I AIN'T GOING! i'll go to a Kosher bakery -
i'm not going out of principle, on the principle that
it wouldn't be personal, or so i heard, impersonal,
catching Pokemons in that facility - as you might
have guessed weird things are happening in the night
at times, moving stars, appearing and disappearing
without a fixed zodiac - pretty common these days -
once i watched a triangle of such rebels move across
the sky, once a Gemini variations, most of the time
one star moving... then another -
happened to me in Venice, keeps happening
in Essex, happened in Ostrowiec Św. in Poland too
(my grandfather watched with me... thought they
were satellites at first... and i was like... satellites?
really? give it a day, you'll come to your senses - we can't
see satellites from earth! look again, same size and brightness
as all the other stars in static zodiac, to the naked eye
and not a telescopic eye, the same size) -
so i'm sitting there having a beer, and giving up my
thought to the altar of what's happening -
three proofs during the night - star of Bethlehem -
the Koran - come on! total darkness - we're talking
using phonetic encoding by an illiterate person -
good at numbers when it came to being a merchant -
but in terms of letters? total caveman, Khadija (Muhammad's
first wife) must have written the first few Surahs -
Stephen Vizinczey's in praise of older women -
learning a foreign language aged 40 must be hard enough,
this is Prophet Blind-man in Reverse - it's a completely
different story being literate an being illiterate, esp. when
looking at sound encoding - less damaging for the latter,
even more damaging for the former given universal
education and the lost monopoly on literacy by the priesthood.
so, those two proofs (after 40 days in the desert without
food or water, any idiot could make water into wine -
imagine the dehydration, alcohol dehydrates, hydrate
and you'd be jumping-jack any time, esp. at a wedding,
with so much joy euphoria adding to a sip of water after
40 days in a desert).
Lucky Queue Nov 2012
Math
Numbers
The only things everyone
And everything have in common
You can find mathematical proofs written
In between the stars
Numerical sequences hiding beneath a fern
That unfurls to reach the heavens
No one can deny, one will always equal one
And the sum of two numbers will never change
Truths remain truths no matter the language
I can't see how my friends can say 'I hate math'
Or how people say 'numbers are stupid'
Numbers and math comprise the essence of life
On another planet the number pi and
Sierpinski's triangle may have different names
But their rules remain the same
Math and numbers make up geometry
Which is full of tesselations, and fractals
And beautiful diagrams and principles
How can you not love something like the
Golden Ratio, or the Fibonacci sequence?
They provide the curl of a fern, the twist of
A snail's shell, the spiral of a pineapple
And rotation of axial leaves
Such a beautiful, never changing system
That appears in so so many forms
Why be bored when you can play with fractal-y
Tesselating doodles?
And don't even get me started on science...
Nat Lipstadt Dec 2013
"Ben-Oni" is a Hebrew term meaning "son (Ben) of sorrow (oni)," and the name of an 1825 manuscript describing a chess opening.

"Whenever I felt in a sorrowful mood and wanted to take refuge from melancholy, I sat over a chessboard, for one or two hours according to circumstances. Thus this book came into being, and its name, Ben-Oni, 'Son of Sadness,' should indicate its origin." - Aaron Reinganum.  

From  the Old Testament,
Genesis 35:18;

“Her dying lips calls
her newborn son Ben-Oni,
the son of my sorrow.
But Jacob, because he would not
renew the sorrowful remembrance of his
mother's death every time
he called his son by name,
changed his name,
and called him Benjamin,
the son of my right hand."
~~~~~~~~~~~~~~~~~~~

Ben-Oni, Son of Sorrow

Love,
you can fall in
and out of.

Happy,
comes and goes,
in waves,
cycles of differing amplitudes.

Its schedule of
arrivals and departures,
most erratic.

It is always
a two sided affair,
don't blame this messenger,
it's the way of the world
that it comes,
then it goes

Tho certain sorrows,
special, may
wax and wane,
they, a once, then a forever guest,
a full time resident,
taste, once acquired,
cannot be erased.

Part of your museum's
permanent collection,
an addiction affliction
that can't be undone,
be beat back,
ain't no emotional methadone,
to inhibit its delicious lows

Like a passerby,
a mound of stones espied,^
a grave marker au naturel,
compelled and compulsed,
duty bound to add a stone
to keep the pile intact and sound,
another 'sorrow' poem to add
to the internet's dustbin.

Sorrow,
a rich, old moneyed patron,
with a wealth of ancient lineage
orders and commands
yet another a poem
to celebrate its entrenchment
in our constitution personal

Son of Sorrow,
Son, Sorrow,
two conditions,
one necessary and
one sufficient,
combined,
a logical causality,
or a casus belli.  

If you spoke Hebrew,
understood you would
the quality of the sound of
Oni.

It is a soundless sigh,
a virulent scream, part wail,
part exclamation, part groan,
say it slow - oh nee.

You alone,
a father,
can own,
the sorrow of a son,
who denies you.

It cannot be denied,
expiated, signed away,
a syllable of grief
that says mine, all mine.

Watching the sun push away
the backdrop,
the stage curtain of the randomized
but they a-keep-on-coming,
summer thunderstorms
that have scattered
all living creatures
to the comforts,
the shelter
of loved ones,
but yours, present, or not,
return your message
either marked "well received'
or sadly, postmarked
"addressee unknown, get lost."

Curse me to stop,
and I can't,
already accursed,
add your curse to my collection,
makes no difference to my pile,
of sorrowfully fresh recollections

We slept together,
so many good night moon
stories read,
pillows shared,
side by side,
a stock exchange of
kisses and hugs,
trades that can't be cancelled,
having been entered officially
on the books and records of
our-sorrowful hearts.

Lesser men
cry to themselves,
their loneliness, their tragedy
a soliloquy, revealed in a
one man show,
Off Brodway,
before an audience of none.  

Not me kid, my oni,
is a public theater
of a visible shriek  
in every breathe,
but the Supreme Court
gone and ruled against me,
and now there is no possibility
of injunctive relief.

Will travel to faraway lands,
asking different courts
for a hearing, knowing full well,
that I will be plea-denied,
having no standing,
for here,
there and everywhere
I lack proofs
and my son-accuser
wears masks and presents
no charges,
and even if he did,
I would gladly confess,
if he but presented them
face to face.  

Son of Sorrow,
Son, Sorrow,
two conditions,
one necessary and
one sufficient,
combined,
a logical causality,
or a casus belli.

Come let us exchange
new names, new poems,
for we, though both poets,
do not read each other's
Works.


It is time.
I have a first born son who I rarely see and only, very, very occasionally hear from, and then it is by email or text.  I do not judge for he is the product of my *****, and who cannot wonder if...

^a Jewish custom is to place a small stone on the tombstone you are visiting at a cemetery. The custom, ancient, is derived from when a mound of stones would be a marker of a burial.  It became customary for a passerby to add a stone to the mound to perpetuate its existence.
Mateuš Conrad Nov 2015
with the birth of money the old, ethnically categorised
unity broke apart,
now the rats in banks, now the rats stocking
cheap metal jump the ship called humanity unanimously,
we no longer have tribes of apache, or maori,
we have ethnicity via professions - the ‘i scratch my back
you scratch mine’ lots drawn... the shortest match
gets to be in the philosophy gang of severe individuation:
it’s not that the english languages from philosophy orientated maxims,
the english language is quick on that, quick to spot that,
but in terms of a philosophical narrative like a complex prose book of fiction...
well... its legs are broken, its arms are broken, it’s simply languishing
behind all the truths proofs innuendos and falsities, like an eager puppy.
with the birth of money traditional tribalism died and became
a curiosity prior, the least amazing job in a society with the piston
named money expects us to gratify existential qualms like so:
least responsible most likely to profit... most responsible the type
to be political in salvaging the least responsible role of a postman
or a cashier with lies...
now you... waiting eager for the ear to hear sweater music,
fare well with the anti-communicative charon - ah death
has a boat and a gondolier’s oar, rather than hood wings and a scythe...
see past the pagan burial of putting two coins in the cauldron inferno of
******* stacked to send the signal of the departing soul: partly brain
partly heart... that inverted exoskeleton capacity to feed the idea of soul -
they make break my bones with sticks and stones...
on the outside bruised... but then the surrealism of the inside attracting
an unfamiliar species of thinking: either singing or harking.
with four beers in the churchyard i took the last remnant of my past
with me, a d.c. belt of my ex-girlfriend, and thought about black magic
and voodoo, hanging it on a branch... instead i wrapped it
around the tree and gave it a model’s size 0 circumference,
thus i ended the session thinking about buying new gloves for winter
feeling my hands turn into ivory at the touch of the cold beer can...
but prior i was well aware of the possibilities, when the theft / injury took
place in a frenzy of such jealousy as to acquire theological dimensions of proof:
at least i will leave the world satiated by convenience of the misguided act -
as to answer that famous question: leave numerology aside,
come with me from how you acquired your use of language, your vocabulary,
make me see you turn words to words... away from the jewish tradition
of numerology... let’s face it... would you answer the question:
what’s the meaning of life? with (23 + 8 + 1 + 20 + ~9 +19) etc.?
or would you care to peer in and say:
the question has no verb in it, i.e.: not activity, anyone can ask it
but still prevail in their vector coordination of plumbing or
spanking faraday equations with newton training the monkey to dance:
pronoun (what) 3rd person singular present indicative of be /
you might as well be saying 1st person plural non-present non-indicative of be /
schizophrenic / there’s meaning in the sewer blockage with eager hands to fix it /
the crooked tree with a straight shadow / the badger shrunk from a zebra and became
the petted dalmatian that became a cow (is, i.e. too much is happening) i’m looking at something with myopic directness of the far far blurry / a direct article (the) now open the dictionary and tell me how cave is a ditto of rock and mountain without antonym proximity (noun) prior to me there was ****** and mussolini, pre that while i mind the pro that’s me (of, preposition) the river sooner than soon pours into the ocean and becomes saltwater, it could be called the heraclitus estuary, but it’s the thames we’re talking about; many men became rivers but still the godly wound itched for more bloodshed, and all those that attracted sweet water fish ended up as salt water poisons known as oceans, known as humanity (life).
JS CARIE Feb 2019
My recollect is of the each,
The Two
And within the Two
One is the One

Holding and using our lead and ink utensils
as if they are weapons for winning at Love,
and reasoning for our written duel

Expressing desires the voice would customarily sever into dissection

Permitting authority to the crafted scripts *******  
and may it’s barrier lay
over the possibility of a broken and scattered tongues communicate
Giving our internal intent its day
the way hoped it would speak

Expecting the requited, the return
was a pesticide over wide horizon,
Where the organic surprise of rainfall kept us neutral and thankful

And apart,
our minds maintained with
and of our other

With no need for philosophical proofs only the inner felt proof

Of forwarding shards of sentiment
with compiled assurance
and a dispatched formula
the best way we could phrase

Alongside images
that came in and held tight
in sectors tucked away and reserved from the cherished
to this day are still to be amazed

Spontaneous placement of universally synchronized jewels and stones
Of not have to have
[Only the simplified, pushed down and planted fact]
Of want her to have
So when away,
You feel a personal, singled-out
appraisal of praise
For anyone who you think of when they’re away
Nat Lipstadt May 2013
There Is But One Law (The Dancer's Coda)


There is but one set of laws,
One that need be obeyed,
One that brooks no heresy,
One that gives no absolution.
One that needs no priests, no canons,
One that that refuses disobedience.

We all bend knee at altar invisible,
Though feasance never requested.

The Laws of Physics.

A body at rest, a body in motion.
Laws immutable, unconditional,
Equations, proofs, demonstrable,
Inequalities inexcusable, banished.

Dancer says:

I am heretic, even these laws I refuse.
My body denies limitations,
My mind believes I will make do
What it could not, but yesterday.

Defiance from wire to wire is the
Fuel in my veins, fear but a detail,
Leaping from from ten meters more,
My Declaration of Independence.

My body plastic, my mind ethereal,
Some mock, call it trickery,
Some hail, call me hero.

There are forces greater than mine,
Forces irrevocable, mathematically superior.
Each day my force grows as well,
Visions imagined supersede the
Tedium of definitions, of boundary lines.

Bend the law, conquer the null, fill the void.

Each day sketch, devise, organize a
New rebellion, follow only one command,
Honor but a single battle cry.

Leap, then fall!

That dancer, your only law,
That heretic, thine only coda.
Action is freedom.

For you are dancer,
Whisper as you leap:
The Fifth Freedom I possess,

The Freedom to Fall.

May 17th, 2013
May 17th, 2013
samasati Sep 2012
it's as if the air is thinner and fresher and my lungs pull it in
to roll around in and soak up its potent clarity

exhales sure remind me of letting go of heavy quilts
my frozen goosebumped mind longs to hide under

there is nothing to hide from, not even black holes - for
there is beauty within the unknown

a fear of blossomed beauty is a fear of losing that pinnacle of
infinitely heightened completeness

One falls for this belief when shyness to greatness is solidified -
belief they know depths and levels and proofs

knowing is knowing, yes, unknown is everything

If I knew where we were going,
I'd drive or would tell you to drive

not knowing encompasses everywhere and I'd sooner rather
look into your green eyes and drift into a black hole of unknown beauty
- where we could breathe in thinner and fresher air and
reach the peak of One with just two
Such faith, conceived by truth-revealing trials
Would open up the way for sojourn hearts
Which, too long groaning, some contend the while
And fix not, pierced through with searing darts
Of cruel despite.  The back and not the front
Too much pursued, then turns away the thought
Which, rightly meek, could otherwise wax blunt
The plaint of sorrow, though not falsely wrought.
The vale they pass, and must, which set before
Is flood with tears of loss for grace remiss
Unkindly given, faithfully now born-
Both cheeks for smiting, doubly felt love's kiss.
Forbearing calls of tempted wrath, uncouth
They still the soul with love to love in truth.

Miners do not bemoan their lot or odds
Toiling amidst the mountains for the boon
Of rare and costly things, nor curse the gods
That one is later rich, one richer soon.
Attentiveness they hold who sooner reap
The treasure that's around them secret sown
While into every crevice careful peek
To pluck what heedless others pass unknown.
Life is not slack to proffer all the glee
Of finding underfoot their stainless wealth
If but the waking heart might, pious, see
The subtle vision slipped their soul in stealth.
A fool to Fortune's ways too tempted cling
As others own great price in common things.

What is a plowman’s good who does not know
To rend the fallow starts a noble work
And sluggard helper who rose not to sow
For early rains, and still the labor shirks?
All seasons come upon a certain time
Accounting naturally important ends
Then run together, pending to adjoin
And pass one into each toward that they tend.
So bides the heart, all dispositions moved
Proportionate to their respective toil
And meets the trials of reason, thorough proved
To blend experience for richer soil.
Such faithfulness lays hold upon the tares
And garners truth in joy of harvest tears.

The carpenters, with line and cornered rule
Perfect their plan, all purposes befitting;
Discerning every plane, they make it true
To need and art, nothing good omitting.
Time, space, and material, they well acquaint
To suit what in idea they have known
And do not reckon aimlessly to joint
The forms of care which discipline bestows.
Determining at first, their soul aspires
With upright means to prove a steady norm
In outward style, contracting the attire
To fit, more solid, ‘gainst the pending storms.
All ends appraised, no castle in the air
They raise integrity’s undoubted lair.

The shifting winds of glancing pride toss-on
The ship of fools ambition ere the port
Of youth is left, though life will not disport
With careless confidence and ****** throngs.
Awake you sleepers, grab onto the helm
Of discipline and keep a watchful eye
For them false prophets' quackery that o’er whelms
The halting reason; now, the trial draws nigh.
Set sail for deeper waters, brave the depths
Of judgment, yet retain a stern relief
'gainst piercing cynicism, which has cleft
Many strong hull upon the siren’s reef.
A hero braves the dark, where Dagon preys
To pluck the pearly gem from wisdom's lay.

Seeming and unseemly, like and dislike
The teeter and the totter is such play
Of mind and meaning, cause and mirrored sight
Which founding can confound the night with day.
The child is parent to the man while life
On loss is nourished; so a fusion rules
The universe inverse, returning strife
To compound allegory, deft endued.
Now what in words the wise of men contend
Consistent with or contra-wise contrived
Truth veers centripetal as spirit bends
The line’s division into circumscribed.
So Hermes’ message, as with salty might
Transforms the fixed in point of solving light.

The trials’ invocation always lends
Two ways to go, all faithless thoughts determined;
Another’s liberty of life extends
And once encompassed, all sure hope resounds.
What outward and destructive ways are there
In boasted things and ****** aspirations
Darkens careless souls that proudly bear
The cruelty of reckless estimations;
Though as an envoy of the light there’s one
That demonstrates a proven dignity
In all the world, illumined as the Sun
Their character’s sublime prosperity.
Such paragon of peace must ever live
In conquest of the other's death and sin.

As donning faces for the shift of things
Accommodation is the passing rite
That opens up upon the newest things
Where right or wrong, as given's, always nice.
What dogma won, in things of captured worth
Then fails for certain as both night and day
Impose fierce gauntlets which, ordained by birth
Initiates into humanity.
Whether comes fair or foul, truth ever is
Between what was, perhaps that which shall be
Where nothing good's received, nothing given
Except that proven by integrity.
More prudent hearts, in seeming-self discern
What loss to own, what gains to yet forgo.

No longer bothered in the waking hours
To vex the soul with thoughts of cruel reproof
They lighten every gloom with kinder bowers
And firm affections for shared primal youth.
Life’s promises they keep and sooner turn
On admiration of a sincere care
That judges not but, ever ready, learns-
What good or bad, by name, is common shared.
So being one within a true respect
They dare no more contend with right or wrong
Nor weary coming days with old regrets
But thank the night as harbinger of song.
At last to love in truth and constant live
By word of grace, their best of care to give!

Confessing nothing rash to vainly give
An estimation of life’s fleeting span
They overcome the world and constant live
In each, uniting, as is fit to stand.
Too soon, contesting banter comes about
On winds of contradiction, outward born
For inward wreck upon the teeth of doubt
As partial men from better self are shorn.
But owning what is due in right respect
Of station that sets all among the stars
So puny, comes a night to recollect
Those cares that found and folly each discharged.
Without more striving then, their way bestows
A humble truth, in love more plainly known.

So comes the proof upon transcendent will
To study every thought and whispered care
In what is sought and how may grace distill
The phantom soul; from private ways to bear
All things of good and evil in compound
As strange concoctions are at first the mead
Of sojourn ways, from ancient roots to bound
With vital links of continuity.
No star of vacant hope to glimpse at first
Where subtle intimations strike the mind
For sacred unction, urging on a birth
Through shadowed veils of self and misty kinds.
Once found in each, born by integrity
They compass perfect care to open up
The fount of golden youth while manhood’s key
Unlocks the treasures of salvific sup.
Such ripened grace of knowing, rightly heard
Stores up the nations, garnering the world.

A vision in the heart of Man, more true
To magnify the deed and, pure as gold
Proved equity of faith in each that holds
As dung all things which strife of pride once lured.
Allied and filling up the high measure
Of righteousness, with precepts born of love
It rectifies the will, drawing treasures
From Hade’s misty shrine and dank abode.
Thereby to light their lamps and truth reflect
The awesome wonder of life’s unity
While nothing of their tears to yet regret
Nor grant a loss to love's great sanctity.
Great mystery, though measured in the known
It rises, all in each and each in all!

Who knows what by this awful sight is spied
For proofs more sturdy, sought upon the word
To shape the justice of their dawning days
And lift to yet new life the palling world?
More subtle than the silent creep of time
It slips on by like whispers of a dream
To walk amidst the hustle and the grind
Of souls, too careless snared by cruel disdain.
Not here or there with proud insistency
Nor couched in dainty flirting of the mind-
A form of light and golden verity
Clothed in itself, itself a world sublime.
Substance of being, hope without a fear
This faith, indemnified by countless tears.

Ten thousand times ten thousand worlds employed
With weight and number, light and vast devoid
Before this fairest seat could faith enjoin
As heaven’s solar dame to the sublime.
Compressed within its bowels, the work's distress
From many tons of ore brings forth one stone
Which rare carbunculus the sage invest
With value, their beloved to adorn.
But this and all true wonder has not shown
What men and women may, in time, bequeath
As one pure breath of aurum spirit, born
To comprehend and compliment the rest.
Great agony has justified the odds
In consequence of Man, revealing God!
Minerva now put it in Penelope’s mind to make the suitors try
their skill with the bow and with the iron axes, in contest among
themselves, as a means of bringing about their destruction. She went
upstairs and got the store room key, which was made of bronze and
had a handle of ivory; she then went with her maidens into the store
room at the end of the house, where her husband’s treasures of gold,
bronze, and wrought iron were kept, and where was also his bow, and
the quiver full of deadly arrows that had been given him by a friend
whom he had met in Lacedaemon—Iphitus the son of Eurytus. The two
fell in with one another in Messene at the house of Ortilochus,
where Ulysses was staying in order to recover a debt that was owing
from the whole people; for the Messenians had carried off three
hundred sheep from Ithaca, and had sailed away with them and with
their shepherds. In quest of these Ulysses took a long journey while
still quite young, for his father and the other chieftains sent him on
a mission to recover them. Iphitus had gone there also to try and
get back twelve brood mares that he had lost, and the mule foals
that were running with them. These mares were the death of him in
the end, for when he went to the house of Jove’s son, mighty Hercules,
who performed such prodigies of valour, Hercules to his shame killed
him, though he was his guest, for he feared not heaven’s vengeance,
nor yet respected his own table which he had set before Iphitus, but
killed him in spite of everything, and kept the mares himself. It
was when claiming these that Iphitus met Ulysses, and gave him the bow
which mighty Eurytus had been used to carry, and which on his death
had been left by him to his son. Ulysses gave him in return a sword
and a spear, and this was the beginning of a fast friendship, although
they never visited at one another’s houses, for Jove’s son Hercules
killed Iphitus ere they could do so. This bow, then, given him by
Iphitus, had not been taken with him by Ulysses when he sailed for
Troy; he had used it so long as he had been at home, but had left it
behind as having been a keepsake from a valued friend.
  Penelope presently reached the oak threshold of the store room;
the carpenter had planed this duly, and had drawn a line on it so as
to get it quite straight; he had then set the door posts into it and
hung the doors. She loosed the strap from the handle of the door,
put in the key, and drove it straight home to shoot back the bolts
that held the doors; these flew open with a noise like a bull
bellowing in a meadow, and Penelope stepped upon the raised
platform, where the chests stood in which the fair linen and clothes
were laid by along with fragrant herbs: reaching thence, she took down
the bow with its bow case from the peg on which it hung. She sat
down with it on her knees, weeping bitterly as she took the bow out of
its case, and when her tears had relieved her, she went to the
cloister where the suitors were, carrying the bow and the quiver, with
the many deadly arrows that were inside it. Along with her came her
maidens, bearing a chest that contained much iron and bronze which her
husband had won as prizes. When she reached the suitors, she stood
by one of the bearing-posts supporting the roof of the cloister,
holding a veil before her face, and with a maid on either side of her.
Then she said:
  “Listen to me you suitors, who persist in abusing the hospitality of
this house because its owner has been long absent, and without other
pretext than that you want to marry me; this, then, being the prize
that you are contending for, I will bring out the mighty bow of
Ulysses, and whomsoever of you shall string it most easily and send
his arrow through each one of twelve axes, him will I follow and
quit this house of my lawful husband, so goodly, and so abounding in
wealth. But even so I doubt not that I shall remember it in my
dreams.”
  As she spoke, she told Eumaeus to set the bow and the pieces of iron
before the suitors, and Eumaeus wept as he took them to do as she
had bidden him. Hard by, the stockman wept also when he saw his
master’s bow, but Antinous scolded them. “You country louts,” said he,
“silly simpletons; why should you add to the sorrows of your
mistress by crying in this way? She has enough to grieve her in the
loss of her husband; sit still, therefore, and eat your dinners in
silence, or go outside if you want to cry, and leave the bow behind
you. We suitors shall have to contend for it with might and main,
for we shall find it no light matter to string such a bow as this
is. There is not a man of us all who is such another as Ulysses; for I
have seen him and remember him, though I was then only a child.”
  This was what he said, but all the time he was expecting to be
able to string the bow and shoot through the iron, whereas in fact
he was to be the first that should taste of the arrows from the
hands of Ulysses, whom he was dishonouring in his own house—egging
the others on to do so also.
  Then Telemachus spoke. “Great heavens!” he exclaimed, “Jove must
have robbed me of my senses. Here is my dear and excellent mother
saying she will quit this house and marry again, yet I am laughing and
enjoying myself as though there were nothing happening. But,
suitors, as the contest has been agreed upon, let it go forward. It is
for a woman whose peer is not to be found in Pylos, Argos, or
Mycene, nor yet in Ithaca nor on the mainland. You know this as well
as I do; what need have I to speak in praise of my mother? Come on,
then, make no excuses for delay, but let us see whether you can string
the bow or no. I too will make trial of it, for if I can string it and
shoot through the iron, I shall not suffer my mother to quit this
house with a stranger, not if I can win the prizes which my father won
before me.”
  As he spoke he sprang from his seat, threw his crimson cloak from
him, and took his sword from his shoulder. First he set the axes in
a row, in a long groove which he had dug for them, and had Wade
straight by line. Then he stamped the earth tight round them, and
everyone was surprised when they saw him set up so orderly, though
he had never seen anything of the kind before. This done, he went on
to the pavement to make trial of the bow; thrice did he tug at it,
trying with all his might to draw the string, and thrice he had to
leave off, though he had hoped to string the bow and shoot through the
iron. He was trying for the fourth time, and would have strung it
had not Ulysses made a sign to check him in spite of all his
eagerness. So he said:
  “Alas! I shall either be always feeble and of no prowess, or I am
too young, and have not yet reached my full strength so as to be
able to hold my own if any one attacks me. You others, therefore,
who are stronger than I, make trial of the bow and get this contest
settled.”
  On this he put the bow down, letting it lean against the door
[that led into the house] with the arrow standing against the top of
the bow. Then he sat down on the seat from which he had risen, and
Antinous said:
  “Come on each of you in his turn, going towards the right from the
place at which the. cupbearer begins when he is handing round the
wine.”
  The rest agreed, and Leiodes son of OEnops was the first to rise. He
was sacrificial priest to the suitors, and sat in the corner near
the mixing-bowl. He was the only man who hated their evil deeds and
was indignant with the others. He was now the first to take the bow
and arrow, so he went on to the pavement to make his trial, but he
could not string the bow, for his hands were weak and unused to hard
work, they therefore soon grew tired, and he said to the suitors,
“My friends, I cannot string it; let another have it; this bow shall
take the life and soul out of many a chief among us, for it is
better to die than to live after having missed the prize that we
have so long striven for, and which has brought us so long together.
Some one of us is even now hoping and praying that he may marry
Penelope, but when he has seen this bow and tried it, let him woo
and make bridal offerings to some other woman, and let Penelope
marry whoever makes her the best offer and whose lot it is to win
her.”
  On this he put the bow down, letting it lean against the door,
with the arrow standing against the tip of the bow. Then he took his
seat again on the seat from which he had risen; and Antinous rebuked
him saying:
  “Leiodes, what are you talking about? Your words are monstrous and
intolerable; it makes me angry to listen to you. Shall, then, this bow
take the life of many a chief among us, merely because you cannot bend
it yourself? True, you were not born to be an archer, but there are
others who will soon string it.”
  Then he said to Melanthius the goatherd, “Look sharp, light a fire
in the court, and set a seat hard by with a sheep skin on it; bring us
also a large ball of lard, from what they have in the house. Let us
warm the bow and grease it we will then make trial of it again, and
bring the contest to an end.”
  Melanthius lit the fire, and set a seat covered with sheep skins
beside it. He also brought a great ball of lard from what they had
in the house, and the suitors warmed the bow and again made trial of
it, but they were none of them nearly strong enough to string it.
Nevertheless there still remained Antinous and Eurymachus, who were
the ringleaders among the suitors and much the foremost among them
all.
  Then the swineherd and the stockman left the cloisters together, and
Ulysses followed them. When they had got outside the gates and the
outer yard, Ulysses said to them quietly:
  “Stockman, and you swineherd, I have something in my mind which I am
in doubt whether to say or no; but I think I will say it. What
manner of men would you be to stand by Ulysses, if some god should
bring him back here all of a sudden? Say which you are disposed to do-
to side with the suitors, or with Ulysses?”
  “Father Jove,” answered the stockman, “would indeed that you might
so ordain it. If some god were but to bring Ulysses back, you should
see with what might and main I would fight for him.”
  In like words Eumaeus prayed to all the gods that Ulysses might
return; when, therefore, he saw for certain what mind they were of,
Ulysses said, “It is I, Ulysses, who am here. I have suffered much,
but at last, in the twentieth year, I am come back to my own
country. I find that you two alone of all my servants are glad that
I should do so, for I have not heard any of the others praying for
my return. To you two, therefore, will I unfold the truth as it
shall be. If heaven shall deliver the suitors into my hands, I will
find wives for both of you, will give you house and holding close to
my own, and you shall be to me as though you were brothers and friends
of Telemachus. I will now give you convincing proofs that you may know
me and be assured. See, here is the scar from the boar’s tooth that
ripped me when I was out hunting on Mount Parnassus with the sons of
Autolycus.”
  As he spoke he drew his rags aside from the great scar, and when
they had examined it thoroughly, they both of them wept about Ulysses,
threw their arms round him and kissed his head and shoulders, while
Ulysses kissed their hands and faces in return. The sun would have
gone down upon their mourning if Ulysses had not checked them and
said:
  “Cease your weeping, lest some one should come outside and see us,
and tell those who a are within. When you go in, do so separately, not
both together; I will go first, and do you follow afterwards; Let this
moreover be the token between us; the suitors will all of them try
to prevent me from getting hold of the bow and quiver; do you,
therefore, Eumaeus, place it in my hands when you are carrying it
about, and tell the women to close the doors of their apartment. If
they hear any groaning or uproar as of men fighting about the house,
they must not come out; they must keep quiet, and stay where they
are at their work. And I charge you, Philoetius, to make fast the
doors of the outer court, and to bind them securely at once.”
  When he had thus spoken, he went back to the house and took the seat
that he had left. Presently, his two servants followed him inside.
  At this moment the bow was in the hands of Eurymachus, who was
warming it by the fire, but even so he could not string it, and he was
greatly grieved. He heaved a deep sigh and said, “I grieve for
myself and for us all; I grieve that I shall have to forgo the
marriage, but I do not care nearly so much about this, for there are
plenty of other women in Ithaca and elsewhere; what I feel most is the
fact of our being so inferior to Ulysses in strength that we cannot
string his bow. This will disgrace us in the eyes of those who are yet
unborn.”
  “It shall not be so, Eurymachus,” said Antinous, “and you know it
yourself. To-day is the feast of Apollo throughout all the land; who
can string a bow on such a day as this? Put it on one side—as for the
axes they can stay where they are, for no one is likely to come to the
house and take them away: let the cupbearer go round with his cups,
that we may make our drink-offerings and drop this matter of the
bow; we will tell Melanthius to bring us in some goats to-morrow-
the best he has; we can then offer thigh bones to Apollo the mighty
archer, and again make trial of the bow, so as to bring the contest to
an end.”
  The rest approved his words, and thereon men servants poured water
over the hands of the guests, while pages filled the mixing-bowls with
wine and water and handed it round after giving every man his
drink-offering. Then, when they had made their offerings and had drunk
each as much as he desired, Ulysses craftily said:
  “Suitors of the illustrious queen, listen that I may speak even as I
am minded. I appeal more especially to Eurymachus, and to Antinous who
has just spoken with so much reason. Cease shooting for the present
and leave the matter to the gods, but in the morning let heaven give
victory to whom it will. For the moment, however, give me the bow that
I may prove the power of my hands among you all, and see whether I
still have as much strength as I used to have, or whether travel and
neglect have made an end of it.”
  This made them all very angry, for they feared he might string the
bow; Antinous therefore rebuked him fiercely saying, “Wretched
creature, you have not so much as a grain of sense in your whole body;
you ought to think yourself lucky in being allowed to dine unharmed
among your betters, without having any smaller portion served you than
we others have had, and in being allowed to hear our conversation.
No other beggar or stranger has been allowed to hear what we say among
ourselves; the wine must have been doing you a mischief, as it does
with all those drink immoderately. It was wine that inflamed the
Centaur Eurytion when he was staying with Peirithous among the
Lapithae. When the wine had got into his head he went mad and did
ill deeds about the house of Peirithous; this angered the heroes who
were there assembled, so they rushed at him and cut off his ears and
nostrils; then they dragged him through the doorway out of the
house, so he went away crazed, and bore the burden of his crime,
bereft of understanding. Henceforth, therefore, there was war
between mankind and the centaurs, but he brought it upon himself
through his own drunkenness. In like manner I can tell you that it
will go hardly with you if you string the bow: you will find no
mercy from any one here, for we shall at once ship you off to king
Echetus, who kills every one that comes near him: you will never get
away alive, so drink and keep quiet without getting into a quarrel
with men younger than yourself.”
  Penelope then spoke to him. “Antinous,” said she, “it is not right
that you should ill-treat any guest of Telemachus who comes to this
house. If the stranger should prove strong enough to string the mighty
bow of Ulysses, can you suppose that he would take me home with him
and make me his wife? Even the man hi
Lee W Apr 2012
I hold the camera up to my face and snap a picture.
She lays there.
I shoot again. Seizing another moment.
Then move to another angle
A different point of view, tells another story.
And it's mine to interpret through film.

Click,
A few more shots and I'll be satisfied.
Amazing how a photo can speak volumes
You don't have to have been present
To know exactly what was happening

Whirr,
Flash,
Two more proofs, Two more pieces
A sense of infatuation washes over me
I'm completely involved with my subject
And she's doing her part.

Zip, Snap
She's laid out in front of me
Vulnerable to my lens
Absolute beauty captured
By my hand to be displayed

The puddle under her expands, Under my soles
She's still,
Motionless  as two men lift her off the ground,
And place her in a bag.
Given another life through my camera lens.
onlylovepoetry Nov 2017
The Physics of Love: The Equivalency Fallacy


the poet places his Sunday porcelain coffee mug  
upon his bare chest, purposed to heat the heart to a
higher degree, equal to hers, next door, three feet away,
in their communal bed

two identical alarm clocks, one on each nightstand,
confirms the degree differential, for far beyond time-telling,
it informs on me, providing the room temperature,
and her side of the bed, 5 degrees warmer

the collegial scientists posit theoretical excuses,
the rooms wind currents, proximity to the A/C, body mass,
all refuted after visual and mechanical inspection,
all indelible proofs of the Equivalency Fallacy

despite the visual evidence abounding all around,
despite the surrounding starlike quantity of busted,
love songs, poems and the other artistic churn,
depicting the principle, one requires love physics to validate the
living principle for the living, that love is rarely identical
in quantitative quality, typology, representation and
manifestations measurable

each greets the other with morning declarations of
mutuality, trying to find those hundred different ways
to love her/him today, employing imaginative artifice to proof
the impossibility, that in every aspect your living love ability
is precious capital precision equal
and ha! each love is the greater...

you knew this?
then you knew, his coffee spills (intentionally?) and the
Fighting Fallacy rules,
every thing is fair in love and war, for they too, are
identical and equal, in so many ways,
but never quantifiable exactly

8:33am, 73 degrees, on my side
11/12/17
https://www.azlyrics.com/lyrics/jamesingram/onehundredways.html
onlylovepoetry Mar 2019
~for Wendy ~

with my almost two years old poetry advisor,
who loves her Sunday rituals, an extra sabbath,
of waffles and Shrek, kid’s gym and artistic endeavors,
cozying up with Nana and siblings in a big old bed,
snacking and chewing on the good silk sheets

as always, she and and I go off to have an intellectual conversation,
letting the older ones to do kid stuff, while we converse and debate
topics of nature vs. nurture, the weather vs. climate change,
and the future of everything, unbeknownst to everyone else

which is greater, love or honor, she inquires,
sensing my thoughts are preoccupied with matters of honor...
as she strokes my itchy, scratchy day old face,
insuring her having my full attention, while
taking advantage of my loving weakness

grandpa:
honor over everything my opening gambit,
while she coyly harrumphs in response,
one can love without reason for such are
our natural souls programmed,
but honor needs concentration and contemplation,
and if done right,
then love will surely follow!

She-Woman:
ah ha! once again you sidle up to nurture,
cause love is too inexplicable,
old man, old man, did I not love you before
any season of reason crossed my brow,
and my vocabulary consisted of just
more, no, toy and hungry

what did I know of Aristotle, logic, codes of conduct,
the definition of honor yet abstract,
while love is nature’s illogical construct,
coming first without restrictions,
while honor is malleable and
property of the eye of the beholder

grandpa:
wise beyond your tears, you are, and unquestionably correct,
but while coming first, love cannot last,
until cover-coated with honor,
for honor gives us the because, and locks down the why,
honor gives the insight, the rationale, the rules of how to say
yes and no, when love is tendered and an R.S.V.P. is requested

She-Woman:
absent experience, for now will concede,
but be warned this is not over,
fo you have not brought me a definition of what truly honor be

grandpa:
honor is the housing of love, and though you granted me your favor,
comes the day that you will demand proofs that
what was unearthed & unearned
is now earned, a course in credit, a baccalaureate in life’s lanes,
when to heed them, when to crossover, when to say I do, I do,
no to someone else alone, and yes to your honorable self

She-Woman:
adult double speak, I suspect, and you will rue the day
when forced to concede, with a wrenched
‘child, I do not know,’
meanwhile change my diaper
after I karate chop your knee

Grandpa:
yes child, but know,  two of your requests/notifications are
honorable acts and/know real love can be ONLY be exchanged
tween honorable humans
see photo for her  in position preparing to strike

3/3/19 9:45 am
Nat Lipstadt Apr 2019
Pradip is newborn (impossible wisdom)

“a new day, a new chance for my soul... to heed
a small voice ... to give flowers, to plant new seeds.
to not trample on wildflowers and unwanted weeds...” Sally

“Sweet baby
with your head on my shoulder
I'm no more growing older...” Pradip

~

the unpredictability and randomness of the winds,
seed carriers, of small voices, yearning to be heard,
powerless in appearance only, for within are powers superior heroic,
           who can grow others       who can feed    
                             who can sustain multiple living creatures

each seed unique, a poem composed and complete,
authored by precedents, authorized by predecessors,
utilizing the cocoon of soil and sun,
rainwater from space and deep driven to
the clear milk of underground railroad rivers,
to give nurture to its revisional generational code

these new children of an old mix,
are quiet lifesavers giving proofs positive,
that those who will one day grow old,
with deep gnarled roots, are most capable
of finding ways of manufacturing fresh youth whim within,
to those who give babies homage, in attendance

this then the newborn miracle, the new seed,
wind borne, replants itself in old soil,
taking but more so giving,
injecting bits of vitality into its arterial ancestry,
how can this be?


I do not know the why or the how,
but am evidence of the therefore,
and the thereafter, of impossible wisdom




7:07am 4-5-19 a newborn poem for poetry passing grandparents
the dawn here is hours behind their sunsets, this then, a refreshment for the
wisdoms of their evening prayers
tension is mounting in Egyptian capital Cairo after military staged apparent show of strength during a 6th day of anti-government protests

"judging by the proofs she had before the effect of her beauty upon Caius Caesar and Gnaeus son of Pompey she hopes she will more easily bring Antony to her feet for Caesar and Pompey had known her when she was still a girl inexperienced in affairs but she is going to visit Antony at the very time when women have the most brilliant beauty and are at the acme of intellectual power" – Plutarch

Cleopatra strapped by great debt incurred under the reign of her father thought it imprudent to mint gold coins so only lesser metals were used to commemorate her reign gold would have survived the centuries better than baser metals

sword slashed blood-spattered stomach Antony’s corpse lies motionless across room Cleopatra drinks mixture of ***** hemlock wolfsbane she holds squirming asp between her legs with wary hands around its neck she lifts snake to her naked breast its fangs strike at her arm handmaiden Iras dying at her feet another handmaiden Charmion adjusting Cleopatra’s crown before she herself falls

Egyptian Pyramids Sphinx Pharaohs mummies internet cell phone blackout police stations plundered weapons stolen gangs of armed men attack at least four jails across Egypt before dawn Sunday helping to free hundreds of Muslim militants thousands of other inmates as police vanish from streets of Cairo and other cities

the couple jumping holding hands out of burning World Trade Center building i understand it was defiant gesture of love over death maybe they hardly knew each other the sight of them just tore me up inside

Cleo is out from being in her hair is shorter figure looks too thin the neighborhood changed old ghosts new skins Cleo is out from being in walks same old streets yet does not recognize thinks thoughts never realized sees people she believes she knows but no one is who they seem they talk different tongues glance sideways scheme shaved heads fat wads of cash beautiful young women scattered dreams Cleo is out from being in she orders ice with glass of gin sips drink sits back grins voice from past out of nowhere whispers hey Cleo where you been there’s a debt to be settled truckload of hunger basement full of sin you up for paying your dues again Cleo is out from being in skeleton packed closet ***** dishes in sink she murmurs i just can’t win
Nat Lipstadt Dec 2013
the state or quality of being elastic.
flexibility; resilience; adaptability: a statement with a great elasticity of meaning.
buoyancy; ability to resist or overcome depression.
Physics. the property of a substance that enables it to change its length, volume, or shape in direct response to a force effecting such a change and to recover its original form upon the removal of the force.

are you ready?
here it comes!

Slap!

having slapped you
with, to kind attention,
you may now recover
your original form,
when there was
no grief, no distress,
the great clarity
of eying the day's birth,
sweetly and innocently.

once again, you are
buoyant,
molecules of polluted memories,
erased.
wind scattered, gone,
blackboard erased,
whiteboard replaced.

you have been reminded,
even reprimanded,
for forgetting your
elasticity.

life, what ever that be,
is constant motion,
a reshaping of the heart,
for the heart has
no unique shape.
it's adaptation,
it's elasticity,
it's genetic forgive and forget ability,
is legend, is you,

you are legend,

You are elastic.

the human hallmark impressed
in the palms of your hands,
that cannot be erased
by time, fatigue, failure, or anger,
the hands that mold,
re-form for every need,
for every handhold,
for different are:

The hands that open closed fists
The hands that wave hi
The hands that are first to touch
and the last to leave,
waving goodbye,
elastic - tender when tender needed,
strong when strength essences.

so be elastic,
remember to be
ecstatic
remember
when you do,
you need show proofs.

Prove it to me.
Prove it to yourself.

shake, kiss, dare hug,
the one who needs reminding
that life is elastic,
*even more than you.
5:08 am
Dec. 26th, 2013

corny...but...
Tell me, O tell, what kind of thing is Wit,
      Thou who Master art of it.
For the First matter loves Variety less;
Less Women love’t, either in Love or Dress.
      A thousand different shapes it bears,
      Comely in thousand shapes appears.
Yonder we saw it plain; and here ’tis now,
Like Spirits in a Place, we know not How.

London that vents of false Ware so much store,
      In no Ware deceives us more.
For men led by the Colour, and the Shape,
Like Zeuxes Birds fly to the painted Grape;
      Some things do through our Judgment pass
      As through a Multiplying Glass.
And sometimes, if the Object be too far,
We take a Falling Meteor for a Star.

Hence ’tis a Wit that greatest word of Fame
      Grows such a common Name.
And Wits by our Creation they become,
Just so, as ***’lar Bishops made at Rome.
      ’Tis not a Tale, ’tis not a Jest
      Admir’d with Laughter at a feast,
Nor florid Talk which can that Title gain;
The Proofs of Wit for ever must remain.

’Tis not to force some lifeless Verses meet
      With their five gowty feet.
All ev’ry where, like Mans, must be the Soul,
And Reason the Inferior Powers controul.
      Such were the Numbers which could call
      The Stones into the Theban wall.
Such Miracles are ceast; and now we see
No Towns or Houses rais’d by Poetrie.

Yet ’tis not to adorn, and gild each part;
      That shows more Cost, then Art.
Jewels at Nose and Lips but ill appear;
Rather then all things Wit, let none be there.
      Several Lights will not be seen,
      If there be nothing else between.
Men doubt, because they stand so thick i’th’ skie,
If those be Stars which paint the Galaxie.

’Tis not when two like words make up one noise;
      Jests for Dutch Men, and English Boys.
In which who finds out Wit, the same may see
In An’grams and Acrostiques Poetrie.
      Much less can that have any place
      At which a ****** hides her face,
Such Dross the Fire must purge away; ’tis just
The Author Blush, there where the Reader must.

’Tis not such Lines as almost crack the Stage
      When Bajazet begins to rage.
Nor a tall Meta’phor in the Bombast way,
Nor the dry chips of short lung’d Seneca.
      Nor upon all things to obtrude,
      And force some odd Similitude.
What is it then, which like the Power Divine
We only can by Negatives define?

In a true piece of Wit all things must be,
      Yet all things there agree.
As in the Ark, joyn’d without force or strife,
All Creatures dwelt; all Creatures that had Life.
      Or as the Primitive Forms of all
      (If we compare great things with small)
Which without Discord or Confusion lie,
In that strange Mirror of the Deitie.

But Love that moulds One Man up out of Two,
      Makes me forget and injure you.
I took you for my self sure when I thought
That you in any thing were to be Taught.
      Correct my error with thy Pen;
      And if any ask me then,
What thing right Wit, and height of Genius is,
I’ll onely shew your Lines, and say, ’Tis This.
When I heard the learn’d astronomer,
When the proofs, the figures, were ranged in columns before me,
When I was shown the charts and diagrams, to add, divide, and measure them,
When I sitting heard the astronomer where he lectured with much applause in the lecture-room,
How soon unaccountable I became tired and sick,
Till rising and gliding out I wander’d off by myself,
In the mystical moist night-air, and from time to time,
Look’d up in perfect silence at the stars.
Ian Cairns Jan 2014
Attention class:
There's been a shift in our syllabus
There are some questions on my mind that warrant a new lessonplan: Does true love exist?
I will admit lately I've hypothesized that it's merely just a myth
Some wishful thinking from romantic half-wit heretics
So I'm assigning a soul mate science test
A pop quiz prophecy that could bind two of us together forever
Proving true love is suited for scientific vindication
If you respond to each question honestly
One trusty staple is capable of uniting this loose leaf love
Depending on your lead-based expressions
And their smudge-marked impressions
So please put your notebooks down
And pick your pencils up
Let's begin:

1. Is the beauty you possess easily represented in the thoughts you express?
Provide an ample sample size of your logic to suggest your loveliness works wonders.
2. Given that the fastest manned aircraft reached 4500 mph
If you spiraled down from the heavens at 9.8 m/s²
How long would it take for you to shatter record speed
And recognize that my arms are open to being your landing pad?
3. If your failures colored red and successes tinted blue
Became marbles piled high in mason jars
Would you let me embrace your entirety in the most worthy shade of purple?
4. Skin, rarely remembered, is the human body's largest *****.
Without caution, show me that your brain and heart
Are eager to become the king and queen of your anatomy.
That your organic vastness can infiltrate others' flesh majestically.
5. Think carefully. Who was the last man you kissed?
Are his lips worth enough for you to dismiss
A potential chance at creating unending bliss?
6. True or False: You would lie to me to spare a hurtful truth.
Provide evidence that you are comfortable revealing the undisputed details of your personal journal
Unraveling the spools of your most mysterious fibers.
7. Disprove Heartbreak Theory.
Show your work with mild-mannered mannerisms and sentimental illustrations.
Use crayons or colored pencils to emphasize your best intentions.
8. Chemistry is the study of the properties of matter.  
Using the periodic table of elementary emotions
Describe what matters most to you.
Remember to cite your sources of inspiration.
The inner workings of your engine that fuel your fondest explorations.
9. Fill in the blank spaces between my fingertips with your tenderness.
Is it a perfect fit?
If not, describe the characteristics possibly prohibiting this grip.
10. Cells are the smallest units of life.
Draw a diagram dissecting the little pieces of you
That belong in my possession at all times.
Include both strengths and vices.
Exhibit a sense of self-awareness that I can mimic
When I'm stuck inside my quicksand mind.

And one final reminder:
Remember to print your name legibly on the front page.
Failure to do so will result in catastrophe.
An unidentified masterpiece resulting in agony for you and I.
Practically reversing the critical proofs that your pen just described.
So let my eyes scan your signature with methodical joy.
And the curves of your cursive ink lines can become my mind's strongest ally.
Let me know you're willing to be known.
Because I need to know you're alive.
Mateuš Conrad May 2016
.you should really see the two comments left, and the 700+ views to begin with.

mind you, i did write an ode to the gods
(yes, that infantile pleasure,
not associated with cosmopolitan new york
atheists)...
how the roman plagiarißm of the the greek
pantheon happened too soon,
how the semite god ate up ba'al
and beelzebub "too quickly"
   turning them into fallen angels...
      like how he infiltrated the roman empire
due to their close-up plagiarißm so early...
father Zeus, father Odin remained...
as did their phonetic encoding...
as did the glagolitic script turned cyrillic...
sorry... where was the african phonetic
encoding? beside the hieroglyphs?
  what's swahili for:
red earth, gave birth to me?
   nyekundu dunia, alitoa kuzaliwa kwa mimi!
see... that's african speech:
but what are the letters behind it?
last time i checked... there aren't any!
and i came from africa?
maybe the anglo-deutsche did...
i didn't... i source my origins
in india... after all... indo-european
is my higher category, the mongols...
i don't care if the germanic people "think"
they originated in africa, i've come from india...
people who minded phonetic encoding,
had an alphabet,
              i'm still stuck with germanic
people with african stereotypes not being
able to swim...
   heavy bones they say...
    **** that and the whole i.q. "conundrum"...
i still watch t.v.,
       after all, after prometheus
brought down the flame from olympus...
some demigod had to bring down /
steal the rod of zeus / electricity...
and turn the t.v. into the modern fireplace...
the b.b.c. had this 2nd season running,
killing eve...
             sandra oh and jodie comer...
there's this instance in season two,
when jodie comer, villanelle...
  is interrogated by aaron peel...
                and "kind" aaron is asking villanelle
all this philosophical quips...
anselm's ontological argument...
    occam's razor (i wish)...
            he has so many books on his
bookshelf...
   yeah... books you look at like comic
book strips, books you don't actually read...
books you look at...
            and what does villanelle do in the end?
she brushes aaron's nose with one of
these books "he's read"... what is it?
ha ha!   a dictionary of philosophy...
a... dictionary...
basically short-script...
                     cheat...
         you really want a dictionary
definition of philosophy? a philosophy dictionary
definition, a sound-bite?
you know... last time i checked...
i read bertnard russell,
kierkegaard, kant, heidegger...
not for a dictionary definition...
or regurgitating rubrics akin to
a university lecturer...
        i hate regurgitation...
                i read for myself,
  in the end, hoping, my narrative could
find expansive ground for work-arounds...
i don't like playing the happy
harpsicord dancing monkey...
    to give "proofs"...
              i don't like people,
akin to villanelle, when questioned
on a university entrance critique...
               like i might "know my ****",
or not "know my ****"...
                                       pretty boring...
i am starting to resound in the conviction...
there's no point in knowing other people,
there's only one person worth knowing,
yourself...
       mind you, i'm still waiting for the alternative
phonetic encoding system to come
from africa, as an alternative counter
to the egyptian hieroglyphs...
i'm not seeing it...

   tender skin: the moon does see...
     zabuni ngozi: ya mwezi haina tazama...

eh, chinese script is all syllables and no
letters...
        glagolitic - Ⰿ
        rune - ᛗ
        roman - M
        greek - μ
        hebrai - מ
        devanagari - म
        arabic - م
        hieroglyph - owl
        mandarin - 冊
        hiragana - ま(a) み(i) む(u) め(e) も(o)

didn't i mention this already,
interchangeable, between a letter and
a syllable... given the hiragana example...
depending on what vowel
you attach to the base sound (consonant),
the vowel modifies the base (consonant)...
five ******* variations of the consonant / syllable...

           ergo? no atomic reality in these languages...
syllable understanding...
the mendeleev table...
                He: helium...
             Xn: xenon...
                          Na: sodium... etc.,

            depends...
   after all... a base letter (consonant) in hiragana
looks like the following schematic:
i.e. no one really knows what M looks like,
like mmm-humming...
without an added vowel...

                                     ま(a)
                                      |
                   め(e) ----- "x" ----- む(u)      
                                   /    \
                                 /        \
                          み(i)          も(o)
                                                            
.Nietzsche was wrong about dialectics, he suggested that the non practice of dialectics, even the anti presupposes a polite society, he invoked that comparative tenet of a society in saying: a polite society does not engage in dialectics (finding the truth of opinions).

which is akin to the slander against Voltaire,
that not engaging in dialectics
one has a chance to have an opinion about almost
everything, there's no chance these days
to have a polite society as there is no chance
to establish a Utopia... the way dialectics is
avoided like some surreal horror movie
is to have many opinions, to not engage in
dialectics is to be opinionated, hence Nietzsche's
style of utilising aphorisms and as many
maxims as possible, without useful applicability;
it's like that metaphor for a venomous bite,
the carousel of the many many thoughts,
likewise, no truth are established, since many
truths are proposed - hence the paradoxical
venture into nothing, simply walking in circles
on plateau nihil, it's polite, well of course it's
politeness! politeness by having many opinions
readied for a quick change of subject or
the simple act of shame and shutting up.
all this? with regards to a woman writing about
her abortion: we, the great reverse-amphibians,
so she's writing about it... 4 weeks in she's ready
to erase the dot... they tell her to come back 12
weeks later (sadists... why not remove the dot
rather than wait for the geometry to construct itself?),
again... why not remove the dot and the abstract?
she mentions a dot... remove the ******* dot!
the tadpole outside the gooey yoke is fastened
to maturing in the fresh water stream or lake,
i can hardly be a human being inside the ******
if my **** and bladder muscles are not matured,
i'm an abstract in that sense, tadpoles ahoy!
now see how living in a "polite" society i can't
engage in dialectics but have to reverse the process
of discussion and engage in picturesque comparatives
using toads? it's called applying anaesthetics - well,
an anaesthetic, or a placebo - in polite society people
get over-excited, unconditionally so, over-stimulated,
unconditionally so, with having to muster having
many opinions, politics can become a circus de facto,
de facto as in: detached from rural England.
so if we'll never attack the status quo with dialectics,
will be constantly multi-opinionated, changing the
subject all the time, and when challenging, we'll
only feed an anaesthetic, an anaesthetic that will become
a confession booth in a catholic church:
a quasi-solipsism, the listener and the other person
talking, mono-dialectics, so well entrenched these days
that there's even a good reason for practising
psychiatry rather than a catholic confession in church,
psychiatry is, after all, a secular version of the catholic
practice - more intimidating though, since you're
facing each other, rather than sitting at parallel positions,
shrouded in secrecy of the wooden mosaic wall of
the booth... i'm just wondering if this attempt to feel
the naked soul does not intimidate the clothed body
more to later undress itself in ***.
Poetoftheway Feb 2019
the Hail Mary transgression:
falling in love with me when it crosses over the line

guilty of the same, so even when I condemn the errant woman,
with an ice block from a Northeastern pond of no soft forgiveness,
which is still and yet, the only cutoff ending appropriate

but you woman, deserve to learn that
emboldened fantasy that crosses broken bold lines,
is a jagged rot that doesn’t cure the dreamy unreality of
the-cannot-be,
it’s pouring hot water on scalding burns entrenched

guess time to share that your fantasy is the
number one commandment
that this boy also violates routinely so he has a phd of experience,
and the burn proofs when he thot he too could be,
Cervantes, the knight errant, lover of the impossible woman

I, guilty as charged by “The Duke,” am an idealist and bad poet,
so many poet-women here I secret cherish at levels that are nonsensical, absurd, ludicrous
and hold the fantastical fantasty of them dear,
so close and so near, so mine

wrote them each love poems, and they know it,
now, here, in my confessional booth,
my priestly punishment always the same,
ten thousand Hail Mary’s,
but I cheat the cohen priest,
and just write another poem,



this one is about the line that never can  could  will be
crossed, hail mary!
The Duke from Man of La Mancha

— The End —