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"prine" poems
She don't like her eggs all runny she thinks crossin' her legs is funny she looks down her nose at money She gets it on like the Easter bunny she's my baby I'm her honey Never Gonna Let Her Go He ain't got laid in a Month of Sundays I caught him once and he was sniffin' my ****** he ain't too sharp but he gets things done drinks beer like it's oxygen and he's my baby I'm his honey Never gonna let him go In Spite of Ourselves we'll end up sitting on a rainbow Against All Odds honey were the big door prize We're going to spite our noses right off of our faces there won't be nothin' but a big ol'  Hearts dancin' in our eyes she thinks all my jokes are corny convict movies make her ***** she likes ketchup with her scrambled eggs swears like a sailor when she shaves her legs she takes a lickin' she keeps on tickin' I'm never going to let her go He's got more ***** than A Big Brass Monkey he's a whacked-out ****** and a love bug ****** Sly as a fox crazy as a loon when payday comes he's howlin' at the moon he is my baby and I don't mean maybe I'm never going to let him go In Spite of Ourselves we'll end up sittin' on a rainbow Against All Odds honey were the big door prize we're going to spite our noses right off of our faces there won't be nothing but big ol' Hearts dancin' in our eyes In Spite of Ourselves Written by John Prime Cherie Nolan- A favorite wedding tune
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Aug 27, 2016
Aug 27, 2016 at 9:35 PM UTC
"In Spite of Ourselves" - lyrics by John Prine
it's you. i would have never known unless i saw the light meet your face that morning. neither of us are early risers, but i couldn't waste a second. above me, at 6:40 in the morning, a perfect blend of blue, gray, and sincerity, which was born on the rising sun, peered through an ivory curtain, and landed on a gentle face. infinity soaked gaze, honey coated touch, your color was the crisp mountain air through a rolled down Jeep window. your color was a John Prine record and local barbeque your color was serene. it was the light's reflection of a summer enveloped by two people in love with right now. -Anna Blake
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Oct 18, 2017
Oct 18, 2017 at 5:14 PM UTC
what's your favorite color?
Every morning at 9 She puts on the banker's disguise puts her poetry in a sacred jar next to the ashes of her husband her dad her mom. She's a river of currents behind the smile darkly ****** phantasims fly and flower She not only carries the keys to the vaults, but also the keys to wisdom sublime She can see right through you when she wants to She can read your mind Smilies Metaphors Haikus Rap Manifestations of all that makes us human, These are the currents she rides while she files e-mails signs floats loans defaults default swaps The whole time she's got on John Prine's illegal smile She's watching secret movies inside she's alive. It took many years to learn to hide the images the colors thought dreams which flow inside - while in meetings behind her eyes flows the poetry from herself, she cannot hide. The commute ends The day ends She unscrews the sacred jar pen to paper the currency of poetry resurrected she comes alive, All disguises hide.
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Dec 12, 2015
Dec 12, 2015 at 10:28 AM UTC
The Banker's Disguise
I'll probably go visit my parents on Thanksgiving. I'd hate to miss the way my father nods at my mother's sisters and brothers then steps backward into the shadows until he becomes them. We're having the mess at my aunt's in Seminole. Dad always drives separately. He makes his escape without saying goodbye. Leaving my mother, my sister, my brother, and I to explain the hermit. I never ride with him. Haven't rode in a car -- just him and I -- since high school. I would lay my head against passenger window. Listen to tires press gravel deeper into the red earth. He never asked my thoughts on God, though a minister. He never asked about my classes, though a former teacher. He never asked about girls, though my father. Glen Campbell, however, he'd talk about Glen Campbell. Claimed I always looked like him. When I was a child, he'd even part my hair sharply and take pictures. What a good, little Glen Campbell. If he took his eyes off the road long enough to hone in on a power line, "Wichita Lineman" inevitably became the topic of conversation. That song would delta off into "Rhinestone Cowboy," "Gentle on My Mind," "By the Time I Get to Phoenix." Soon we'd be in town, knowing each other no better than before the departure. But we arrived. That's something. To this day, no occasion could coerce me into parting my hair. With the exception of Mr. Campbell's funeral of course. Tim will love your family. As I did. Still do. I thought he might only be a consolation, but looks like he's a trophy. Happy Thanksgiving, Ms. Anna Prine. I thank you. The fowl of the air thank you. The beasts of the field thank you. Tell them they're welcome.
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Dec 6, 2012
Dec 6, 2012 at 6:22 PM UTC
A Letter to Anna, 18 Nov. 2012
I'll probably go visit my parents on Thanksgiving. I'd hate to miss the way my father nods at my mother's sisters and brothers then steps backward into the shadows until he becomes them. We're having the mess at my aunt's in Seminole. Dad always drives separately. He makes his escape without saying goodbye. Leaving my mother, my sister, my brother, and I to explain the hermit. I never ride with him. Haven't rode in a car -- just him and I -- since high school. I would lay my head against passenger window. Listen to tires press gravel deeper into the red earth. He never asked my thoughts on God, though a minister. He never asked about my classes, though a former teacher. He never asked about girls, though my father. Glen Campbell, however, he'd talk about Glen Campbell. Claimed I always looked like him. When I was a child, he'd even part my hair sharply and take pictures. What a good, little Glen Campbell. If he took his eyes off the road long enough to hone in on a power line, "Wichita Lineman" inevitably became the topic of conversation. That song would delta off into "Rhinestone Cowboy," "Gentle on My Mind," "By the Time I Get to Phoenix." Soon we'd be in town, knowing each other no better than before the departure. But we arrived. That's something. To this day, no occasion could coerce me into parting my hair. With the exception of Mr. Campbell's funeral of course. Tim will love your family. As I did. Still do. I thought he might only be a consolation, but looks like he's a trophy. Happy Thanksgiving, Ms. Anna Prine. I thank you. The fowl of the air thank you. The beasts of the field thank you. Tell them they're welcome.
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by which I of course am referring to this keyboard that i’m writing on now funny how that works ain’t it 62 minutes until my shift ends John Prine & the Korean war don’t quite match where I am clicking pool cues penetrate my headphones I wonder how many bad games of pool it takes to shake a man’s confidence by my estimate the answer is never enough guys that can’t shoot love teaching girls how not to shoot but the girls don’t usually seem to mind how very 60’s highschool of it all maybe Mr. Prine does have something here to say 47 minutes until my shift ends people trust engineers warns my engineering professor people trust you to know things he furthers people trust us to explain I wish they wouldn’t tech support & translators for parents & grandparents people want answers but only when they thought they already knew 40 minutes until my shift ends pretty good, not bad, I can’t complain seeing my old highschool teachers at the burrito place where I worked sinking in the mire of chicken, brown rice, & black beans for minimum wage ain’t it funny I can smell the 45 pieces of steak & chicken I grilled when I get home ain’t it funny the outrage over the price of guacamole 33 minutes until my shift ends
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Dec 5, 2021
Dec 5, 2021 at 5:31 PM UTC
Playing the Keyboard
My son told me that I had a worse singing voice than Neil Young, Bob Dylan, Townes Van Zandt and John Prine all combined. I just smiled and said "Thank you, son". r
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Oct 31, 2013
Oct 31, 2013 at 8:05 AM UTC
******** Son
After John Prine: **“There's flies in the kitchen, I can hear 'em there buzzing, And I ain't done nothing since I woke up today”** Mr. John Prine                        <£> There's flies in the kitchen, all around my eyes and head, they’re just gossiping bout me, why most mornings I’m still laying in bed at almost near noon-time, why too, them angels and their a-fluttering wings, a-flapping, still hanging around, when they’re so far from home truth be told, I kinda like new combinations, the musical vibes, magic incantations, boogie woogie, fuzzy buzzy eyelash sounds, bluesy background harmonies against the harps them angel wings are playing, I’m getting every note writ down so, I can play it well on the morrow, on my following them higher up, all the ways up on that glowing shining stairway to heaven, guarantee-damn-teeing entrance through the pearly gates for the flies and a lazy, no-account worthless S.O.B. like me
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Jul 17, 2020
Jul 17, 2020 at 3:02 PM UTC
After John Prine: “There's flies in the kitchen...
Goodnight my sweet dark prince And whisper to me as I sleep. For this time I may offer myself to you With silver and scarlet But take pity on me for I must be fixed I've been broken like a window and a stone If you don't come to me then I'll Run to you because... I need the extra push off the ledge To fix me so that I can truly smile I'll give myself to you completely and willing even gladly I'm tired and I'm ready to sleep In my bed of black six feet underground So Goodnight my sweet dark prine And kiss me goodnight on my last night of eternity
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Jan 27, 2015
Jan 27, 2015 at 11:59 PM UTC
Goodnight My Sweet Dark Prince
The trees overlapped overhead creating a warm cloister. Harvey's car cooed past the vibrant green and sputter-stopped at the plastic, fishhead mailbox. He drove up the grey gravel drive, hopped out of his car and with eager stride headed toward the door of the widow Prine. "Hello, Harvey," Mrs. Prine greeted from behind the screen in her always-sugary-hushed tone. "Hey, Mrs--I mean hello, Margaret." "Haha, you remembered this time. C'mon in, sweetie." Harvey's steps matched gentle creaks in wooden floor. Pictures of Mrs. Prine's three children lined the walls. "That's Mattie, Cindy's baby. My first grandbaby," Mrs. Prine beamed. "She's a cutie." "Well thank you," Mrs. Prine picked up some magazines lying on the couch, "feel free to sit here. Can I get you something to drink? Some wine, maybe? It's a red." "Sure, sure. Sounds good." Mrs. Prine stepped into the kitchen, as the evening news played at a barely audible volume. "Oh Lord. I forgot to put the wine in the fridge, Harvey." "That's okay, Mrs. Prine. I can--" "Margaret." "Margaret, I can drink it warm." "How about some ice cubes?" "That works too." Mrs. Prine's husband died driving an 18-wheeler, six-miles outside of Dallas two or three years ago. One of the few times a sedan won a war against a big engine. Her cheek bones jutted sharply from her face, deep crimson lipstick and light eyeshadow emphasized her few deep wrinkles, as if she wore them with pride. They sat sipping lukewarm red wine, saying nearly nothing-- touching only during commercial breaks. When the news ended, Mrs. Prine grabbed Harvey's hand, led him to the bedroom, filled with pictures of her and her husband. The love they made-- textbook in its precision, light in its passion-- finished chapter, Harvey reached for his cigarettes. "Sweetie, please don't smoke in here." "Oh, I'm sorry, Margaret." Harvey stared at her old life's relics, wrapped his arm around her, pulled her naked flesh against his, a summer breeze crawled through open window, and Harvey said, "So, tell me more about your husband." Mrs. Prine smiled, brushed her hair out of her eyes, and with a retrospective sigh, she began.
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May 19, 2011
May 19, 2011 at 5:31 PM UTC
The Widow Prine (Pt. I)
The trees overlapped overhead creating a warm cloister. Harvey's car cooed past the vibrant green and sputter-stopped at the plastic, fishhead mailbox. He drove up the grey gravel drive, hopped out of his car and with eager stride headed toward the door of the widow Prine. "Hello, Harvey," Mrs. Prine greeted from behind the screen in her always-sugary-hushed tone. "Hey, Mrs--I mean hello, Margaret." "Haha, you remembered this time. C'mon in, sweetie." Harvey's steps matched gentle creaks in wooden floor. Pictures of Mrs. Prine's three children lined the walls. "That's Mattie, Cindy's baby. My first grandbaby," Mrs. Prine beamed. "She's a cutie." "Well thank you," Mrs. Prine picked up some magazines lying on the couch, "feel free to sit here. Can I get you something to drink? Some wine, maybe? It's a red." "Sure, sure. Sounds good." Mrs. Prine stepped into the kitchen, as the evening news played at a barely audible volume. "Oh Lord. I forgot to put the wine in the fridge, Harvey." "That's okay, Mrs. Prine. I can--" "Margaret." "Margaret, I can drink it warm." "How about some ice cubes?" "That works too." Mrs. Prine's husband died driving an 18-wheeler, six-miles outside of Dallas two or three years ago. One of the few times a sedan won a war against a big engine. Her cheek bones jutted sharply from her face, deep crimson lipstick and light eyeshadow emphasized her few deep wrinkles, as if she wore them with pride. They sat sipping lukewarm red wine, saying nearly nothing-- touching only during commercial breaks. When the news ended, Mrs. Prine grabbed Harvey's hand, led him to the bedroom, filled with pictures of her and her husband. The love they made-- textbook in its precision, light in its passion-- finished chapter, Harvey reached for his cigarettes. "Sweetie, please don't smoke in here." "Oh, I'm sorry, Margaret." Harvey stared at her old life's relics, wrapped his arm around her, pulled her naked flesh against his, a summer breeze crawled through open window, and Harvey said, "So, tell me more about your husband." Mrs. Prine smiled, brushed her hair out of her eyes, and with a retrospective sigh, she began.
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83
"Did you want to smoke that cigarette?" Mrs. Prine asked as she covered her skin in a black velvet nightgown. "That'd be good. Just to be outside." "Right. It's pleasant this evening." Harvey climbed out of the sweat-drenched sheets, slid into his jeans, tossed on a t-shirt, and stumbled behind the widow Prine. The field behind Mrs. Prine's home stood tall -- a rich green sea, with islands of yellow dandelions and splatters of Indian paintbrushes. The two sat down in the tall field. Mrs. Prine closely watched Harvey's moves. Her eyes followed him with gentle observation and understanding-- much like his own mother. A cloud of dust perpetually hung over the Prine place. Mr. Prine chose the abode to escape the hum of cars and exhaust-teeming air, but his reconnaissance was poor. Mr. Prine picked a house that was less than a mile from Kiev, Oklahoma's hidden gem: Sugar's Sweethearts. Sugar's Sweethearts prided itself on being the only strip club in 50-miles. The girls were much older than young, the ******* suffered from much more sag than they did once, and the bar sold nothing but light beer and throat-dicing whiskey. "I think Cindy is going to live with me for awhile," Mrs. Prine's voice whispered then dissolved in vapor. Harvey sat on her words a moment, "Your daughter?" "Yes." "I thought she just had a kid. You acted like it was all fine and dandy less than an hour ago." "It is fine. I don't mind. Her husband cheated on her. ******* "What about--" "Us? Harvey, I know better than to believe this means anything remotely tangible." "It's our escape, Mrs. Pri--dammit--Margaret." "Sure. You and I have a healthy understanding of our needs, while the rest of this overly-religious town empties its restlessness at Sugar's." The suns rays bulletholed through the clouds. Harvey put out his cigarette on an anthill. An interstate of ants led Harvey's eyes to a dead blue jay. Flies and ants alike covered the bird's body. "I love you, Margaret," Harvey got up, dusted off his jeans,"See ya Monday." "I'll see you then, Harvey."
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May 26, 2011
May 26, 2011 at 2:58 PM UTC
The Widow Prine (Pt. II)
"Did you want to smoke that cigarette?" Mrs. Prine asked as she covered her skin in a black velvet nightgown. "That'd be good. Just to be outside." "Right. It's pleasant this evening." Harvey climbed out of the sweat-drenched sheets, slid into his jeans, tossed on a t-shirt, and stumbled behind the widow Prine. The field behind Mrs. Prine's home stood tall -- a rich green sea, with islands of yellow dandelions and splatters of Indian paintbrushes. The two sat down in the tall field. Mrs. Prine closely watched Harvey's moves. Her eyes followed him with gentle observation and understanding-- much like his own mother. A cloud of dust perpetually hung over the Prine place. Mr. Prine chose the abode to escape the hum of cars and exhaust-teeming air, but his reconnaissance was poor. Mr. Prine picked a house that was less than a mile from Kiev, Oklahoma's hidden gem: Sugar's Sweethearts. Sugar's Sweethearts prided itself on being the only strip club in 50-miles. The girls were much older than young, the ******* suffered from much more sag than they did once, and the bar sold nothing but light beer and throat-dicing whiskey. "I think Cindy is going to live with me for awhile," Mrs. Prine's voice whispered then dissolved in vapor. Harvey sat on her words a moment, "Your daughter?" "Yes." "I thought she just had a kid. You acted like it was all fine and dandy less than an hour ago." "It is fine. I don't mind. Her husband cheated on her. ******* "What about--" "Us? Harvey, I know better than to believe this means anything remotely tangible." "It's our escape, Mrs. Pri--dammit--Margaret." "Sure. You and I have a healthy understanding of our needs, while the rest of this overly-religious town empties its restlessness at Sugar's." The suns rays bulletholed through the clouds. Harvey put out his cigarette on an anthill. An interstate of ants led Harvey's eyes to a dead blue jay. Flies and ants alike covered the bird's body. "I love you, Margaret," Harvey got up, dusted off his jeans,"See ya Monday." "I'll see you then, Harvey."
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Xmas light angel sparkling bright Walkin on the rooftops Got someone in sight Gunna flitter and flutter All through the night Eyeing a weary sparrow till all is well till all is right till that lil sparrow be ready to take flight Bonnie Raitt &John Prine Angel From Montgomery Puyallup 4.24.20 jbm
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Apr 24, 2020
Apr 24, 2020 at 6:30 PM UTC
Rooftop Angel
~for teach~ tell me, are you ok? yeah, more or less; like everybody else, wires get crossed, static builds up, the speakers bleat when they should blat, and you try to stop thinking, cause why hurt yourself too much? what’s wrong? nothing to specific, that seems to be the problem, like aches and sharp pains that come without reason, on a schedule all their own, no prior consultation, permission slip sig forged, so badly, it’s insulting it’s 3:14 am, woke up with headphones on, every tune, reandomly selected, saying, only the lonely, solitary man, miles to go, it’s probably me, long monday coming, gonna spend it looking for the summer now look at this, me done wrote another impoverished poem, just by stringing together song titles that were selected just for me by an artificial intelligence, it’s closing time, in the fields of gold, prine singing a blues lullaby, just for me, so I won’t have to think so hard for an answer to tell me, are you ok? me? got no complaints that ain’t my own fault, my guilt is plugged in always charging, sleep comes in dreams of many colors, eclectic eclipses, electrifying and elicited, words come spilling so easy, pre-selected, elocuted and executed, with madding ease. two more lines, then calling it quits, but at least got an answer, why for me it’s so easy, the being hard <> 3:32am and the moonlight so bright, it’s making shadows on earth, left behind like good graffiti announcing I was here, maybe I’ll find these words, when I wake up, wonder who wright these, twasn’t me, I’m a sound sleeper, can never remember, dreams, or nightmares, even those in technicolor, wake up a blank slate, to see, gotta answer somebody’s question, if I’m ok?
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Sep 7, 2020
Sep 7, 2020 at 3:44 AM UTC
are you ok?
~for teach~ tell me, are you ok? yeah, more or less; like everybody else, wires get crossed, static builds up, the speakers bleat when they should blat, and you try to stop thinking, cause why hurt yourself too much? what’s wrong? nothing to specific, that seems to be the problem, like aches and sharp pains that come without reason, on a schedule all their own, no prior consultation, permission slip sig forged, so badly, it’s insulting it’s 3:14 am, woke up with headphones on, every tune, reandomly selected, saying, only the lonely, solitary man, miles to go, it’s probably me, long monday coming, gonna spend it looking for the summer now look at this, me done wrote another impoverished poem, just by stringing together song titles that were selected just for me by an artificial intelligence, it’s closing time, in the fields of gold, prine singing a blues lullaby, just for me, so I won’t have to think so hard for an answer to tell me, are you ok? me? got no complaints that ain’t my own fault, my guilt is plugged in always charging, sleep comes in dreams of many colors, eclectic eclipses, electrifying and elicited, words come spilling so easy, pre-selected, elocuted and executed, with madding ease. two more lines, then calling it quits, but at least got an answer, why for me it’s so easy, the being hard <> 3:32am and the moonlight so bright, it’s making shadows on earth, left behind like good graffiti announcing I was here, maybe I’ll find these words, when I wake up, wonder who wright these, twasn’t me, I’m a sound sleeper, can never remember, dreams, or nightmares, even those in technicolor, wake up a blank slate, to see, gotta answer somebody’s question, if I’m ok?
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~for John Prine~ she’s eye closed, playing sleepy possum, so I stealthy stroke her cheek, she, all smiling, then I nose tickle my sweet-love, now frowning, till I cease and desist, go back to stroking, then I’m her good loving man once again tune comes in my head from out of left field, start to tap the beat, pic my guitar strings, roaming all over her smooth features, now she’s all aroused, cause she knows what I’m about and this strumming,   why that ain’t allowed, so she knocks my fingers away later, sneak into the kitchen, she’s fussin’ - could be, cleaning, could be cooking, but soon she ain’t moving, cause she’s just listening to the new tune first played earlier that morn, on her features born, a love song, calling that song “Playing with My Love’s Face” now she’s grabbing the biggest knife I ever seen, waving it to and too close to fro, in my direction general, waving it like a baton, conducting my song, singing along, making up her own lyrics, whole stanzas, now it’s her song, **** if that ain’t “the way the world goes round”
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Apr 12, 2020
Apr 12, 2020 at 8:39 AM UTC
playing with my love’s face (John Prine tribute)