“Why did you melt your waxen man
          Sister Helen?
To-day is the third since you began.”
“The time was long, yet the time ran,
          Little brother.”
     (O Mother, Mary Mother,
Three days to-day, between Hell and Heaven!)

“But if you have done your work aright,
          Sister Helen,
You’ll let me play, for you said I might.”
“Be very still in your play to-night,
          Little brother.”
     (O Mother, Mary Mother,
Third night, to-night, between Hell and Heaven!)

“You said it must melt ere vesper-bell,
          Sister Helen;
If now it be molten, all is well.”
“Even so,—nay, peace! you cannot tell,
          Little brother.”
     (O Mother, Mary Mother,
O what is this, between Hell and Heaven?)

“Oh the waxen knave was plump to-day,
          Sister Helen;
How like dead folk he has dropp’d away!”
“Nay now, of the dead what can you say,
          Little brother?”
     (O Mother, Mary Mother,
What of the dead, between Hell and Heaven?)

“See, see, the sunken pile of wood,
          Sister Helen,
Shines through the thinn’d wax red as blood!”
“Nay now, when look’d you yet on blood,
          Little brother?”
     (O Mother, Mary Mother,
How pale she is, between Hell and Heaven!)

“Now close your eyes, for they’re sick and sore,
          Sister Helen,
And I’ll play without the gallery door.”
“Aye, let me rest,—I’ll lie on the floor,
          Little brother.”
     (O Mother, Mary Mother,
What rest to-night, between Hell and Heaven?)

“Here high up in the balcony,
          Sister Helen,
The moon flies face to face with me.”
“Aye, look and say whatever you see,
          Little brother.”
     (O Mother, Mary Mother,
What sight to-night, between Hell and Heaven?)

“Outside it’s merry in the wind’s wake,
          Sister Helen;
In the shaken trees the chill stars shake.”
“Hush, heard you a horse-tread as you spake,
          Little brother?”
     (O Mother, Mary Mother,
What sound to-night, between Hell and Heaven?)

“I hear a horse-tread, and I see,
          Sister Helen,
Three horsemen that ride terribly.”
“Little brother, whence come the three,
          Little brother?”
     (O Mother, Mary Mother,
Whence should they come, between Hell and Heaven?)

“They come by the hill-verge from Boyne Bar,
          Sister Helen,
And one draws nigh, but two are afar.”
“Look, look, do you know them who they are,
          Little brother?”
     (O Mother, Mary Mother,
Who should they be, between Hell and Heaven?)

“Oh, it’s Keith of Eastholm rides so fast,
          Sister Helen,
For I know the white mane on the blast.”
“The hour has come, has come at last,
          Little brother!”
     (O Mother, Mary Mother,
Her hour at last, between Hell and Heaven!)

“He has made a sign and called Halloo!
          Sister Helen,
And he says that he would speak with you.”
“Oh tell him I fear the frozen dew,
          Little brother.”
     (O Mother, Mary Mother,
Why laughs she thus, between Hell and Heaven?)

“The wind is loud, but I hear him cry,
          Sister Helen,
That Keith of Ewern’s like to die.”
“And he and thou, and thou and I,
          Little brother.”
     (O Mother, Mary Mother,
And they and we, between Hell and Heaven!)

“Three days ago, on his marriage-morn,
          Sister Helen,
He sicken’d, and lies since then forlorn.”
“For bridegroom’s side is the bride a thorn,
          Little brother?”
     (O Mother, Mary Mother,
Cold bridal cheer, between Hell and Heaven!)

“Three days and nights he has lain abed,
          Sister Helen,
And he prays in torment to be dead.”
“The thing may chance, if he have pray’d,
          Little brother!”
     (O Mother, Mary Mother,
If he have pray’d, between Hell and Heaven!)

“But he has not ceas’d to cry to-day,
          Sister Helen,
That you should take your curse away.”
“My prayer was heard,—he need but pray,
          Little brother!”
     (O Mother, Mary Mother,
Shall God not hear, between Hell and Heaven?)

“But he says, till you take back your ban,
          Sister Helen,
His soul would pass, yet never can.”
“Nay then, shall I slay a living man,
          Little brother?”
     (O Mother, Mary Mother,
A living soul, between Hell and Heaven!)

“But he calls for ever on your name,
          Sister Helen,
And says that he melts before a flame.”
“My heart for his pleasure far’d the same,
          Little brother.”
     (O Mother, Mary Mother,
Fire at the heart, between Hell and Heaven!)

“Here’s Keith of Westholm riding fast,
          Sister Helen,
For I know the white plume on the blast.”
“The hour, the sweet hour I forecast,
          Little brother!”
     (O Mother, Mary Mother,
Is the hour sweet, between Hell and Heaven?)

“He stops to speak, and he stills his horse,
          Sister Helen;
But his words are drown’d in the wind’s course.”
“Nay hear, nay hear, you must hear perforce,
          Little brother!”
     (O Mother, Mary Mother,
What word now heard, between Hell and Heaven?)

“Oh he says that Keith of Ewern’s cry,
          Sister Helen,
Is ever to see you ere he die.”
“In all that his soul sees, there am I
          Little brother!”
     (O Mother, Mary Mother,
The soul’s one sight, between Hell and Heaven!)

“He sends a ring and a broken coin,
          Sister Helen,
And bids you mind the banks of Boyne.”
“What else he broke will he ever join,
          Little brother?”
     (O Mother, Mary Mother,
No, never join’d, between Hell and Heaven!)

“He yields you these and craves full fain,
          Sister Helen,
You pardon him in his mortal pain.”
“What else he took will he give again,
          Little brother?”
     (O Mother, Mary Mother,
Not twice to give, between Hell and Heaven!)

“He calls your name in an agony,
          Sister Helen,
That even dead Love must weep to see.”
“Hate, born of Love, is blind as he,
          Little brother!”
     (O Mother, Mary Mother,
Love turn’d to hate, between Hell and Heaven!)

“Oh it’s Keith of Keith now that rides fast,
          Sister Helen,
For I know the white hair on the blast.”
“The short short hour will soon be past,
          Little brother!”
     (O Mother, Mary Mother,
Will soon be past, between Hell and Heaven!)

“He looks at me and he tries to speak,
          Sister Helen,
But oh! his voice is sad and weak!”
“What here should the mighty Baron seek,
          Little brother?”
     (O Mother, Mary Mother,
Is this the end, between Hell and Heaven?)

“Oh his son still cries, if you forgive,
          Sister Helen,
The body dies but the soul shall live.”
“Fire shall forgive me as I forgive,
          Little brother!”
     (O Mother, Mary Mother,
As she forgives, between Hell and Heaven!)

“Oh he prays you, as his heart would rive,
          Sister Helen,
To save his dear son’s soul alive.”
“Fire cannot slay it, it shall thrive,
          Little brother!”
     (O Mother, Mary Mother,
Alas, alas, between Hell and Heaven!)

“He cries to you, kneeling in the road,
          Sister Helen,
To go with him for the love of God!”
“The way is long to his son’s abode,
          Little brother.”
     (O Mother, Mary Mother,
The way is long, between Hell and Heaven!)

“A lady’s here, by a dark steed brought,
          Sister Helen,
So darkly clad, I saw her not.”
“See her now or never see aught,
          Little brother!”
     (O Mother, Mary Mother,
What more to see, between Hell and Heaven?)

“Her hood falls back, and the moon shines fair,
          Sister Helen,
On the Lady of Ewern’s golden hair.”
“Blest hour of my power and her despair,
          Little brother!”
     (O Mother, Mary Mother,
Hour blest and bann’d, between Hell and Heaven!)

“Pale, pale her cheeks, that in pride did glow,
          Sister Helen,
’Neath the bridal-wreath three days ago.”
“One morn for pride and three days for woe,
          Little brother!”
     (O Mother, Mary Mother,
Three days, three nights, between Hell and Heaven!)

“Her clasp’d hands stretch from her bending head,
          Sister Helen;
With the loud wind’s wail her sobs are wed.”
“What wedding-strains hath her bridal-bed,
          Little brother?”
     (O Mother, Mary Mother,
What strain but death’s, between Hell and Heaven?)

“She may not speak, she sinks in a swoon,
          Sister Helen,—
She lifts her lips and gasps on the moon.”
“Oh! might I but hear her soul’s blithe tune,
          Little brother!”
     (O Mother, Mary Mother,
Her woe’s dumb cry, between Hell and Heaven!)

“They’ve caught her to Westholm’s saddle-bow,
          Sister Helen,
And her moonlit hair gleams white in its flow.”
“Let it turn whiter than winter snow,
          Little brother!”
     (O Mother, Mary Mother,
Woe-wither’d gold, between Hell and Heaven!)

“O Sister Helen, you heard the bell,
          Sister Helen!
More loud than the vesper-chime it fell.”
“No vesper-chime, but a dying knell,
          Little brother!”
     (O Mother, Mary Mother,
His dying knell, between Hell and Heaven!)

“Alas! but I fear the heavy sound,
          Sister Helen;
Is it in the sky or in the ground?”
“Say, have they turn’d their horses round,
          Little brother?”
     (O Mother, Mary Mother,
What would she more, between Hell and Heaven?)

“They have rais’d the old man from his knee,
          Sister Helen,
And they ride in silence hastily.”
“More fast the naked soul doth flee,
          Little brother!”
     (O Mother, Mary Mother,
The naked soul, between Hell and Heaven!)

“Flank to flank are the three steeds gone,
          Sister Helen,
But the lady’s dark steed goes alone.”
“And lonely her bridegroom’s soul hath flown,
          Little brother.”
     (O Mother, Mary Mother,
The lonely ghost, between Hell and Heaven!)

“Oh the wind is sad in the iron chill,
          Sister Helen,
And weary sad they look by the hill.”
“But he and I are sadder still,
          Little brother!”
     (O Mother, Mary Mother,
Most sad of all, between Hell and Heaven!)

“See, see, the wax has dropp’d from its place,
          Sister Helen,
And the flames are winning up apace!”
“Yet here they burn but for a space,
          Little brother! ”
     (O Mother, Mary Mother,
Here for a space, between Hell and Heaven!)

“Ah! what white thing at the door has cross’d,
          Sister Helen?
Ah! what is this that sighs in the frost?”
“A soul that’s lost as mine is lost,
          Little brother!”
     (O Mother, Mary Mother,
Lost, lost, all lost, between Hell and Heaven!)

She lived deep in the forest,
in a tiny little cottage,
she sold little hearbal remedies,
****** mary,
****** mary.

For she was kinda weird,
for she was called a witch,
none dared to go to her house,
****** mary,
****** mary.

She was accused for drying cows,
and for rotting stored food,
when children cought a cold,
****** mary,
****** mary.

Little girls in a village,
began to disappear,
one by one they all went,
****** mary,
****** mary.

No one found,
wheere the children went,
they simply just vanished,
****** mary,
****** mary.

A few brave souls,
went to the cottage,
to see what they could find,
****** mary,
****** mary.

Denied she told,
to those brave souls,
she now looked attractive,
****** mary,
****** mary.

Then came a night,
where a little girl,
walked away at night,
****** mary,
****** mary.

Her mother screamed,
her father worried,
but she kept on walking,
****** mary,
****** mary.

The townsmen saw,
a glowing light,
coming from the woods,
****** mary,
****** mary.

Then they say,
behind a tree,
standing the unseen,
****** mary,
****** mary.

It was mary,
being scary,
pointing at the girls house,
****** mary,
****** mary.

They shot,
and stabbed,
upon mary,
****** mary,
****** mary.

Mr miller shot her,
whith a silver bullet,
in the hip,
****** mary,
****** mary.

the townsfolk grabed her,
and burned her,
at the stake,
****** mary,
****** mary.

But as she died,
she scramed a curse,
at those who say her name,
****** mary,
****** mary.

She said if you,
say her name three times,
infront of a mirror,
****** mary,
****** mary.

You will die,
if you say those,
****** mary,
****** mary,
****** mary.

MARY, MARY, QUITE CONTRARY: A Dreadful Tale about a Dead Anglo Mother, A Dreadful, Avenging Syrian Aunt, A Stolen Baby Sister, and a Hateful, Unfaithful, Defaulting Father.

Mary, Mary, quite contrary
How does your garden grow?
With people, people who hardly know
Your vices, your intrigue, your lies, and so,
You’ve ruined lives, and now I will show

How demonizing you are, with just your thinking
About your “slemly” self,  just linking [Nice in Arabic]
That self to your own, and not us--no one else
You belong in no company, your old-time thinking.
Adopting my sister, without any inkling
Of what it takes to challenge the motherless
And seeing we ended up, also, being fatherless.

Travesties galore made this woman happy
You won hearts, but you seemed quite daffy.      
Childhood, telling us we’d never be as good
As your Syrian daughters - such a strange brood!
This kind of “teaching” by a Syrian mom was kinda lewd.

She verily and surely became our ISIS
She thought who could ever, ever be like us
She raved for hours so very against us
To that red-headed family so she could easily best us!
Humiliating us at every stop
We really, really got a lot
From her, the decadent Queen of ISIS
No, she’d never, ever be like us!

Twenty years to a guileless young person
Is a forever herstory an eternity…
A lesson, an identity…
Carried on secretly, destroying our Syrian identity.
She stole that connection, filling it with confusion
She with cruel humor would **** our loving illusion
Stopped it in its growth,
Forever unseating that family oath.
To care - without any rejection.
It was She that was The Great Defection.

Mary, Mary how does your hatred grow
Picked on those who had no Syrian power
But you didn’t see yourself becoming lower
To the ends of the earth, heartless black flower.

In her mind she’d be our Mother
But as this poet, I did not know it
Things would be better if we like sheep
Worshipped Mary, into the deep
Quite similar to the rest of her Keep
Then mayhap we’d enjoy their fully undeserved sleep.

Taught my dear baby sister like her to hate
Would I had the power to shut up her pate
Her mouth was evil to the core
I never, never could stand more.
Her hatred entered me, made me sore.

Screaming at us to keep us out
Stupid Daddy joined her in this falling out
She, successful -as any lout.
By God I thot I must be evil
Their strange behavior was not legal.
Would that she’d accept me, that dangerous eagle.
I lost my sense of self and ‘came very sad
Would that I could be like she so glad.
‘Tis fifty years now, and I can’t stop crying.
No one ever heard this “mother” sighing.

Hell, Mary, full of Face
Recognizing only your Syrian race
Did anyone else matter? Just your primitive face?
Everyone one was hurt, except you and your nace
There’ll be no one, ever, that could take your place.
Laughing to destroy our wanted Arab destiny
Which you did, and did, successfully, with your fantasy.

Mary, Mary, quite contrary
How does your garden grow?
Like plants, you lined us up all in a row
One good, two bad - you did the choosing
And what did you leave?
Only us, who did the losing.
You didn’t water those two plants.
Treated us two as if we were ants.
Watered sissa so she would grow
Your dreaded deeds no one would know
Judgement is left only to God.
But you and Dad should’ve returned to your sod.
Your behavior to the motherless seems very odd.
My sister and I two tossed peas in a pod.

Deserting us suddenly knowing only this hateful group
There’s nothing to which she wouldn’t stoop
Her sick obsession to hurt the powerless
Speaks of a very worst yes, cruel foulness.

We lived at a convent school very protected
Visiting weekends this aspiring ****,
Two sisters know she made a very strong mark
She was not our blood, we couldn’t take part
Of this constant coldness on her part.

And another Aunt with two daughters, good
They were always with us, always stood
The opposite of this wicked would-be aunt
This family, Americanized and very sane
Never did play the ancient Ottoman game
These Aunts were our world - our windowpane.

Two aunts - endowing us with a Syrian heritage,
One, the bad one, with too much leverage
The good one to teach a cheerful Syrian beverage      
With balance, love, and the length of days
Not like the other, the one who dismays.

We represented that bad woman’s target
What it came from. Could it be her precious Margaret?
No, not at all her peaceful daughter
But the other, gladly joined in on the slaughter
Making serious and even much more, fodder.

We had no tools to breach this hate
I guess that it would have to be our fate.
To live our lives just disenchanted.
Our hearts broke, as if forever lancets.
With Syrians there’d be no more dances

Taking my sweet sis turning her against us
She did truly give strong heed to finally fence us.
What ever could we find for our defenses?

Dad, real Dad, inebriated dad,
Fell in with them: became this negative father
Sought their pity--likening me as a foreign daughter
He was in love with them, weakly turning
But in turn, the two of us, spurning
Back to his Syrian fold back, not farther
Unwittingly, unrepentedly, uncaringly, joining the laughter
Discarding his American daughters to a mental slaughter.

At his picnic - family there - he called us foreigners
Foreigners we were, surely, when with them
They couldn’t ever believe in us,
Dad influenced them, peeved at us.
Made us feel like little fools.
No, we never had the tools
To fight this ignorance - Change these mules?

Punishing, punishing us as wedded women
Accused of all that they gossiped about
What did they say? And this truant dad a lout
Speaking of us in downing tones
I’d feel far better had they broken my bones.

Closing his relationships to his
Two lesser liked non-Arab sisters
Would there would be a better mister
He considered us two a mere sinful blister.

We ran away from this horrible drunk
He hated his daughters and he stunk
And then we suffered the worst of any they would dunk
Uncomfortable at their Arab-speaking home
We stopped visiting long before their moan
We were “no good”  said our Syrian family
Would that we knew that we’d be anti-Family.

They had something to hate and did they do it
We had no idea we were just a joke
Their words, their disgust, far more than a poke.
Their anti-American provincial views
Made little sense - such perverted mews
All we loved, we would really lose.
There was never any right to choose.

That Family didn’t speak, avoided us
At sissa's Syrian wedding. It was all mined
That scene returns to me all of them lined  
Winding its way into my unbidden mind,
They were so, so truly unkind
We always would be to them the “Other”
Yes, us, us, us, without a mother!

We lost three mothers, our real one gone
Also our good step-mother quickly on
Add Mary to that three, glad she is gone
Perhaps Dad guilty of the first two deaths
I shan’t continue - you’d lose your breaths.
  
But Hail that Lady, she would change our world
Sending us suddenly into a whirl.
How to change the young with screaming?
She’d not change but destroy our dreaming
Waking horribly from our Syrian dream
We just didn’t fit their shady crème de la crème.

Everyone was fooled by this greedy witch
She and her daughters I’d deem as *****
What was in them, caused their making?
Taking away, taking, taking, taking.
Good cousins now, have seen an awakening
My work of writing revealed Mary’s faking.

Hail Mary full of Face
Only using her charms to erace
The sisters she wished not to embrace
With threads of lies an unrevealing face
Syrians’ acceptance of her goldarn place  
No one ever will she replace  
In every way she used her mace
A clever poison to keep her place
Successfully, she’d snidely hid her dreams
Wearing a mask to hide her themes.

She’d always hated us through and through
We didn’t know it till she did what she’d do
Her masque did work, from dusk to dawn.
Hatred of us was what she would spawn
She would definitely **** our spirits
Would that I could reveal all her lyrics.

Our Syrian sissa’s wedding put us in place
That even there we could have little space.
No other family events could we be included.
Engagements, baptisms, we would be excluded
Their intentions now were completely nuded.   deluded!

You stole our little baby entering the world
Through our Mom’s Death
You stole my Dad’s affection
He also her straw man, worshiping Mary‘s fiction
Her stand could only be that of affliction.

Hail Mary full of Face
Face that faced nothing exçept winning the Ace
Did no one ever tell you - you were a case?
Using your screams to stuff our mind
And even more shrieking to clog our mind
No other Syrian family could be so unkind.

Always filling us with her delicious food
Only to turn against us, trussing our good mood.
I’d like to regurgitate all that poisonous food
Anything about her became totally lewd.
She bragged of her daughters - were they really that good?
When we were children, told us we’d never be like them
We never wanted to be like those hurting us.
Took our Dad’s affection, he also deserting us
We never but finally saw that they were into hurting us.

She has attacked us screaming, screaming on end
Never an explanation, never to end
She took money, stole sister too, not a lend.
With this cruel treatment, we were not able to fend.
I’ve never heard such venom in any human voice
It seared through both my ears, such an odious noise
Those first twenty years were so very splendid
But later with her actions - all was ended
With her allotted time this is how she would spend it.

Sister, affections stolen, obeying by fear
Couldn’t counter - with a mere
Stand up to this fraud of a Mother Dear.

Our baby sis had became her clay
She would remake her through many a day.
She owes us much, this lying thief
No family tree would know, not even a leaf
She stole and changed our beautiful blood
Returned nothing except a bad bad flood
Of making our names into family mud.

She then gave out inimical messages
The taunting that came from her mealy mouth
From Damascus, that lousy mouse.
Couldn’t discuss, but only scream
What ever, ever, did she mean?
This Family into which father bought.
Their apathetic “reasoning” I was never taught.

Her daughters conscripted to the Mary core
Following her words, her iron ore
Inflated us with much heavy criticism
To fill our sissa with a lack of witticism

Lying, lying she always, always hated us
For twenty years, she consistently slated us
For slaughter, just like little lambs
Motherless, she took our little lamb
She won, didn’t she, in her sham?
Mary & dad really fated us with their sick flim flam!

She’d tackle anyone, anything in her path
And she did, with her oh so dreadful wrath.
What powered this extremely devilish mind?
She had never, ever, been really kind.

Our sodden father turned to her
She was Goddess, he deemed Something
While we were nothing, nothing, NOTHING!
It didn’t happen till twenty years after
From kindliness to hypocrisy
One would not believe.
Our real selves never to retrieve.

A sweet child, sissa, full of love
Knew they were cold and she let us know
After those years, sadly though
Turned into another hateful *****
Forced to be like them, else be ditched.

Dad, dad, the precious Syrian lad
Embraced the family gatherings that they had
Youngest of the Ikmuks - he was mad
Allowed them the desecration of our pad
They could say anything--made it their fad.

He wouldn’t speak to them of their travesty
Worshipped them, and ever drastically
Wanted to be Them, lest he be
On the Outs from the Family Tree
Ousted, married out of the Tribe
Hardly now, when this happened, few are alive.
He refused to tell them we both should be here.
He would never, ever, play it fair.
“Dad, if you go, I’ll never be the same.”
He would never, never take the blame.
Of his paltry stabs at being a human
Go stuff him in a jar with more rotten cumin.

Never defended us, never, never
Always took their part like a mismatched lever.
Usually a Dad with a daughter would stay beside her
But then, he gave Mary a far wider rider.

Gatherings went on, by the family Mare.
All our lives had been spent with them before
But Iron Lady with Iron Ore
Came through later and before.
She would win, so well connected to her vile kin
Change, girl, change, you’re just an Anglo fem.
Don’t, please, don’t pay much attention to them.
Sudden hate - my thoughts now were dashed.
I changed - they took all I had and then they smashed.

They brought us into their sickly Ottoman lives
But all of them acted as if we had the hives
They, centuries‘ habit, it was the mid-1950’s why so bold?
They were too much, too much very, to behold
We were stricken, treated as in days of old
We would never be part of their unhealthy mold  [Mould?]

Regular at Church. What kind of God could she worship?
You know who should have been told? The Syrian Bishop!
The She-Devil not even relishing the Church script
Eternally, she would always, rip, rip, and then grip!
Instead looked to those after Church who would serve her!
She did just this with a total fervor.
No Communion, no worship, but her only feats
To seek and add to gossip in the streets
Afterward. When-Where everyone meets.

Se enjoyed the Devil of Power over those she knew
Verily, she should have been thrown in the loo.
Few new. Only the rejected two.

Mary, Mary full of Mace
You never did achieve much grace
Wish you could have finally
Fallen on your ignorant Face
There’s really not going to be any space
To explain your bad translation of a very good race.
The Syrian families I always know very well
Would never have made this kind of hell.

The Syrian race is good, except for this “mother”
I speak from my place as the dreaded ”Other”
You are and were a terrible, mother
You’re a crude example of this Middle Eastern  race.
Very few of them did see through your face.

In that family I barely gleaned this toxicity
But, never, ever, did I witness much felicity.
They llaughed and laughed about any Other
Played well their acts as if they cared
They knew Syrian-like we would not fare
We, Dad, all sisters three - fell for her snare.

What think you, God, of these poor children
How il-ly this Family thoroughly tilled them
Two non-Arab daughters’ given bad repute
Their shocking beliefs really made us mute
All that came from her demented mind
All that encountered Mary’s “kind”
She destroyed our conception of self
This hypocrisy would make one melt.

She infiltrated us, her daughters, and my Sissa
That we were not as good as she - but she lost her mister
Had Uncle [our blood] lived, this would never have occurred.
But Auntie [not our blood] surely had demurred.
Her hooked-nose criticizing, and simple daughters,
Psychologically--against us-- they joined in on these slaughters.
Kindness for two decades to rent, later they spent
Hell on the motherless, but hiding that intent
Taught her daughters: “Don’t be involved with them”
We really do know some of what she did, or said,
This is the kind of meal that she constantly fed
Her masque nearly hiding her evil bent.
Too bad she wasn’t forced back into her Syrian tent.

Mary, Mary quite contrary, How does your world work?
You won, you won, you ignorant, piece of work
You demanded respect from all of us, treacherous,
She got it, didn’t know it, then she brought down the two of us

Sneaky, low-life, hypocrite witch
We always thought we had a niche
But lost kids like us did never snitch
We wouldn’t, didn’t open up about that *****.

We had a twenty-year comfort zone with her
Deserted at last by her flying fur
Stolen, deserted at last by Dad--that foul mister
Stolen, deserted, lastly by our pretty baby sister.

This left us changed by this She-Devil
Would that there’d be a way to counter her evil
We couldn’t - she was always far too strong
An ISIS for us - this would last too long.

After these years, I could not grow
Was I a real woman? -  I didn’t know!
Being a mother couldn’t show
That this Family created a list of woe.

When Sissa had babies & a mom to help
We did this alone - all this we felt.
Her faulted hatred never did melt.
I didn’t know how to take a stance
Nor could I find out how to advance.
We had to oppose Aunt Mary’s dance.

That Sissa could not bo

Johnny and Mary*

Now Johnny knew Mary since they were little tykes,
Running in the field, riding their bikes,
Like other little kids, they stayed out all day,
Doing their chores, later they'll play,
Johnny and Mary went to school,
Tried real hard, act real cool,
Johnny noticed Mary started to grow real fine,
Nice firm *******, big behin',
Johnny thought he'd take him a chance,
He asked Mary to the high shool dance,
Mary said fine, pick me up at eight,
Dress real sharp, now don't be late,
Johnny started thinkin' this could be his night,
Throw her a line, maybe she'll bite,
Johnny and Mary started to dance real slow,
Something in Johnny's pants, startin' to grow,
Johnny asked Mary to spend some time,
Back at my place, we can sit and unwind,
Johnny took Mary straight back to his pad,
This will be the best night, he's ever had,
Poured a little wine and dimmed the light,
Made sure everything, looked just right,
Went over to the stereo and put on a song,
Then he gave her a kiss, slow and long,
Their lips met and their tongues did a dance,
As Johnny reached down and undid his pants,
He removed hers too and went to town,
Got on his knees, he was going down,
Mary started to wiggle, moan and squirm,
As Johnny's tool got nice and firm,
A few more licks, a feel and a pet,
Mary's hole was nice and wet,
Stuck in the tip, a little poke,
Then all the way, he was startin' to stroke,
As Johnny got busy and started to ream,
All the neighbors could hear Mary scream,
Johnny got tense and was about to explode,
Into Mary he shot his load,
A few days later Mary felt real ill,
Then she remembered, she forgot her pill,
Mary gave birth to a fine looking son,
Mary's father started to clean his gun,
Johnny married Mary at City Hall,
He didn't want her dad to cut off his *****,
Johnny got a job so he could provide support,
He didn't want Mary draggin' him to court,
A few years down the road things didn't seem right,
Johnny and Mary were starting to fight,
There was a whole lotta fussin' and they began to shout,
Mary told Johnny she wanted him out,
Mary got a lawyer, just passed the bar,
Now Mary's driving Johnny's brand new car.

That is the story of Johnny and Mary...Later...*
07-03-09.

Mary, plain name.  Mary, mother of God
Mary, Queen of the Strip Mall
Mary, daughter of a King and a *****
Divinity in her blood, conqueror of lands,
Monarch of her body, kingdom of junkies.
Nails inlaid with pearls, mink lashes and onyx eyes
Indigo polyester wraps her 36, 30, 41,
saltwater taffy legs, ****, and ***.
Mary wasn’t a tall boy, Mary is a funnel cloud queen
Obsidian brazilian in velcro, soda can curls.
Mary has no titles, Mary is a *******, Mary is an exile.
Queen of cream stucco and neon and parking lots.
Mary has disciples, all named Judas.
She has Roy Cohn, the judge’s son, and Louis XIV on their knees in prayer.
She has **** Cheney, Little Richard, and Freud their knees in the bathroom behind the Tesco.
Mary doesn’t confess, doesn’t beg, doesn’t buy.
Mary the conqueror, Alexander reincarnate, she survives.
Body bathed in ultraviolet, cocoa butter, vaseline, and newport menthols.
Mary talks to God in the mirrors at the salvation army.
Mary is scared of dying, she knows she is no ones martyr.
Mary never kneels, left the Bible in the motel nightstand.
A graceful end, a unceremonious departure.
Trade rose petals for needles and styrofoam slurpee cups.
Mary’s mistresses, lovers, and wives, gave her a few lead rounds,
Left her in the strip mall mausoleum.
Mary, queen of the carnal, saint of suburban perversions.
Mary never asked God for forgiveness or a fix.

Alice stands
in the room
by the stairs,
at the end
of the house;
the low end,
servant's end,
Father said,
don't go there,
but she does.

She goes down
the back stairs,
down long dark
passageways,
watching staff
in their world,
the kitchen,
scullery,
the wash room,
other rooms.

And this room.
She watches
the thin maid
called Mary
ironing.

Why're you here?
Mary asks.

To see you,
Alice says.

Why see me?
Mary asks.

I love you,
Alice  says.

Mary frowns.
You shouldn't
use those words,
Mary says
turning round.

Alice stands
her small hands
in pockets
of her blue
pinafore.

But I do,
I love you.

Why is that?
Mary asks.

You are kind
like Mother
used to be
before she
had to leave.

Mary heard,
rumours spread,
the mother
had to leave,
had problems
in the head,
locked away
so they say,
for a year
and a day.

She'll be back,
Mary says.

Alice sighs,
I love you,
I want you
to stand in
for Mother,
between us,
Alice says.

Mary sits
on a chair,
flushes red,
between us
I can be
I suppose,
Mary says.

Uncertain
of her pledge
she gazes
at the child
standing there.

Need a hug,
Alice says,
motherly.

Mary feels
at a lost
what to do.

Can I sit
on your lap?
Alice asks.

Mary nods
and opens
her thin arms.

Alice walks
to Mary
and climbs up
on her lap,
lays her head
on Mary's
silky *******,
smells apples
and green soap.

Mary hugs
her closer,
kisses on
the child's head.

Love you, too,
Mary says.

Our secret,
Alice says,
none must know.

None will know,
Mary says,
just we two.

Nanny's voice
echoes down
the passage
Best go now,
Mary says,
learn for me
at lessons,
do your best,
my daughter
adopted.

Alice nods,
kisses quick,
then goes up
the back stairs
out of sight.

Seen Alice?
Nanny asks.

Not at all,
Mary lies,
sees the dark
cruel eyes
scan the room.

She'll be pained
if she's caught
down this end,
Nanny says.

Then she gone,
her black skirt
swishing loud,
the black shoes
going click,
clack, click, clack.

Mary gives
a rude sign
with fingers
behind fat
Nanny's back.

Twenty two years had passed  by

She blinked, and a lifetime had passed

She started this job as a lark

She never thought it would last

Two husbands and rehab were part of this bar

The husbands...her clients all knew

But the rehab, was hers...and hers all alone

Only one in her family knew

She'd been tending bar here for 3 presidents plus

Two popes, two husbands....one queen

There were things in this bar that were secreted away

There were things just not meant to be seen

Say, 4 fights a week for 22 years

That's four thousand six hundred fights

That's more violent acts than one person should see

That's  a lot of just mind numbing sights

As a tender of bar, she was part doctor as well

Serving drinks, and giving advice

She was hit on as well, and most she turned down

But some, they succeeded....some twice

They would come with their problems

spill their guts to this girl

Who they'd probably just met that night

They would tell her their problems and drink a few ales

When they  left, they would be feeling all right

But, Mary...poor Mary would harbour their pain

She'd help them, but could not let things go

They'd cheer up with her talking and 1 or 2 beers

But she hurt, and would leave feeling low

There was always a someone on the tales other end

Who was home, maybe beaten or mad

But, Mary....she talked to the one who'd come out

And she always left feeling quite sad

The stories they told her, she never asked them to tell

But they came and they opened on up

And she as their hostess just listened and served

Whle they sat there, getting full in their cups

She married two men that she met in the bar

Both left wives, and poor Mary was blind

They both charmed this girl, till she was way too far gone

And she learned that love..yes, was blind

She had a young niece, that her sister had left

She was going to school here in town

If there was one person alive who could bring Mary up

Her niece Amber was the proverbial clown

After marrying twice and divorcing just once

Mary vowed not to do it again

But, she was hit on each night

in this bar Down the lane,

by a considerable number of men

Her first husband...a lout, for better want of a term

Was a drunkard, and jealous most days

But she fell for him hard, for his sad tale of woe

And her marriage lasted 91 days

He would come in each night after finishing work

And would berate her for flirting for tips

After leaving the bar, he would beat her at home

Hitting low, just above Mary's hips

Her boss saw her marks whens she was filling the fridge

He kept quiet, but he told her to call

A friend that he had, who would help Mary out

He knew her marks were not from a fall

Before Mary phoned she had incredible news

Her husband had been in a crash

Her problems were over and her bruises would heal

And it all happened ...****...in a flash

During this time her sister ran off

Leaving Amber for Mary to raise

Though she hated her sister for leaving

Dear Amber she loved, and she helped Mary get through the days

But eight years along, with no outlet in sight

Hearing tales and of other folks pain

Mary reached out and she found comfort in

A needle and a rock of *******

for three years she spiked, shooting up every day

spending money she stole from the till

And during this time, she got married again

He seduced her when she had no self will

He knew of her problem and joined in all the same

Just a leech come along for the ride

He would help keep her secret, never telling her boss

Never letting them know she was fried.

Poor Amber found out, she walked in one June day

there was Mary with her coke and her spoon

When she looked at young Amber, she knew she must quit

And she knew that she must do it soon

Pure heartbreak she saw in that little girls eyes

She could see how she thought she would lose

Her Aunt like her mother, gone from her life

Mary knew she would now have to choose

Rehab was chosen, and her husband he left

He found out that this train had now stopped

his free ride was over, his meal ticket gone

You could say that his bubble had popped

Two years clean celebrated, at the bar with the kid

Mary got some good news from her boss

He was retiring to Texas and was selling the bar

And he would sell it to her at a loss

She was now the proud owner of a bar all her own

Three doors down from Giannis on Hope

She would run it precisely, the way she'd been taught

She would run the bar clean, free from dope

She would meet some great people,

Some nights in for a drink

And others that she wished would just leave

She would listen to stories, some good some not quite so much

And others just to  hard to believe

She would make friends with some people  And others she'd ban,

making sure that they left with a start

She'd befriend Harry Cooper, the World War two vet

Who would imprint his soul on her heart

And Amber...yes Amber would come down to spend time

She was fine and was going to school

She was a classical ****** in the dark of her room

And I tell you this girl was just cool

Mary brought Amber up with morals and faith

She would come when her Aunt made the call

She would rather hang out at the bar every night

Than to go with her friends to the mall

Mary made peace with the demons she had

She could leave the folks tales and go home

But, now she had Amber and a reason to live

And she would not have to do it alone

the bar's past Giannias, three doors  down to the right

It's not large but she makes  it make do

There's some music out back from a bluesman as well

Come on down and be one of the few

Be a regular there, join up with the crowd

It's not big but the beer's always cold

You don't have to stay long, but you'll come back again

For it's special....or so I've been told

Tell Mary I sent you, you'll get a free drink

And a free ear to hear of your tale

But, leave your ciggies outside for you can't smoke in here

You can do it outside by the pail.

Mary Mary
quite contrary
Once the girl that never cried
You were Mary Beaton
And pretty Mary Seaton
And simple Mary Hamilton they all saw die.

Mary Mary
so you cry
To see the flames take breast and thigh
But heart takes hold for a thousand souls
Who hear their blasphemy no more.

Mary Mary
take his hands
And put them on your swollen waist
Make him love you
Make him touch you
Feel the phantom babe within.

Mary Mary
haunted face
The chapel so bereft of grace
curse Our Lady for her place
as she quickens see the kick
and your barren womb below.

Mary Mary
echoes call
the ghost of hopes that haunt the hall
Your darkened chamber lonely cast
reluctant lord to break the fast
two bodies strangers
one unchaste.

Mary Mary
sickened lie
the blood between your legs belies
the death that grows within your womb
around you languished hopes are strewn.

Mary Mary
So you die
with painful breath and blinded eye
The ****** takes your place at hand
with fecund fertile ******* she stands
to suckle the nation you could not nurse
for surely, you bore your mother's curse.

Jack and Jill,
Went up the hill,
To fetch a pail of water,
Nobody knows what they did up there,
They came back with a baby daughter.
They named the daughter Mary.
Mary had chubby cheeks,
Dimple chin,no teeth within,
Rosy lips,
Curly hair, very fair,
Eyes were blue,lovely too.
One day Mary went to play on the slide,
Georgie Porgi pudding and a pie,
Kissed Mary and made her cry,
When Jack and Jill came out to see Mary play,
Georgie Porgi ran away.
Mary had a friend called Johny,
He was handsome and Bonny,
Mary Mary,
Yes papa,
Loving Johnny,
No papa,
Open your heart,
Ha! Ha! Ha!.
But, Johnny said,
"Lavenders blue,Mary, Mary,
Lavenders green,
When I am King Mary, Mary,
You shall be  queen."
Papa Jack and mama Jill asked,
Mary ,Mary quite contrary,
We have a querry,
How does your heart grow,
With wedding bells and many heart throbs,
Not now, Mary  sobs.
One day, Johnny proposed,
Mary, Mary,
I'm crazy,
All for the love of you.
It won't be a stylish wedding,
I can't afford a Lamborghini,
But, if a stylish scooter for two,
Will do.
Soon, Mary had a little boy, a little boy,
It's skin was white as snow
It followed her to work one day,
He made her friends laugh and say, laugh and say,
"Mary, what a bonny lass you have.

Alice waited in bed.

She couldn't believe Mary
was to be her new lady's maid.

The nanny had told her
the night before.

Stern looking
she had told her
that Mary was to be
her maid from now on.

There seemed a kind
of relief in the nanny's voice.

Through the night,
Alice thought of it.

The limping thin girl
was to be her own maid.

The thin red hands
to undo and do up
her dresses
and bathe her
and wash her
and take her places.

Mary was in
her own room
in the attic.

Nervous, she was
all fingers and thumbs.

The child was now
her responsibility.

No more washing up
and working in the kitchen
of the big house.

Mrs Broadbeam
was not happy about it.

She would have
to have another now
to train as kitchen maid.

Mary was happy about that.

Maybe her red hands
would have a chance to heal.

She was dressed
in the maid's dress
the nanny had given her
the night before.

It was a bit too big,
but it fitted and was better
than the dresses she wore
in the kitchen which smelt
of cooking and sweat.

She looked at herself
in the old mirror.

She licked her hair damp
to get it to lay down.

The white hat
she had pinned
to her hair.

She smiled
at her reflection.

Alice sat up in bed
as Mary entered.

She looked different,
but she still limped
to the bed.

Have you heard?
Mary asked.

Yes,
Alice said,
you're to be
my own maid.

Mary pulled back
the bed covers
with her red thin fingers
and took Alice's hand gently.

Best get you up
and washed and dressed,
Mary said.

Will your hands
get less red?
Alice asked
looking at the maid's hand
holding hers.

Hope so,
Mary said.

Alice walked with Mary
to the wash bowl  
and Mary poured water in.

Mary undressed Alice
and so began
the washing process.

The warmed water
was better than the cold water
the nanny used
when she did the task.

The washing was gentle
and calm, not forceful
and hurtful as it was
when the nanny did it.

Alice missed her mother
being there. No news
of her since
she had gone away.

Mary was kind
and thoughtful.

She had washed Alice
and dressed her.

That's you all ***** and span,
Mary said.

***** and span?
Alice said.

Neat and clean,
Mary said.

She looked
into Mary's eyes.

There was not
the anger or darkness
as was in
the nanny's eyes.

And when Mary
took her hand
there was not
the pinching or squeezing
like the nanny did.

As Mary limped
to the window
to open it up,

Alice watched her
from behind,
the loose fitting dress,
black and white,
the hair and white hat pinned,

the red hand reaching
for the window latch
to let in air
and Alice smiled
to herself
at the maid
like an angel
standing there.

And now, Mary?
What do we do, Mary?
Where do I go, Mary?
Why now, Mary?
But why, Mary?

Come on, Mary.
It hurts, Mary.
Give us a chance, Mary.
Let’s make it work, Mary.
Oh, please, Mary!

And you, Mary?
What do you feel, Mary?
It’s someone else, Mary?
What do you think, Mary?
Where’s your love, Mary?

Okay!
It’s spent.
It’s over.
It’s not as it used to be.
This is too much!

Bye, Mary.

Hi, Jane.
Nice to meet you, Jane.
I love you, Jane!

Magdalene watched Mary
bend down to put on the LP.
The Beatles. They’d saved

up and bought it together.
She took in Mary’s stockinged
thigh showing through the slit

in the side of the school skirt.
Mary placed the LP carefully
onto the turntable, with her finger

put the needle arm down onto
the vinyl. The music started up,
Mary stood up and sat next to

Magdalene on the single bed.
Magdalene sensed her there,
her thigh next to hers, her

warmth, their knees almost
touching. What did your Ma
say when you said you bought

the Beatles? Magdalene asked.
She said nowt, Mary replied,
but Da said it was a load of

***** and where did I get
the money from to buy it?
John Lennon's voice sang

over the twanging guitars.
Magdalene said, did you
tell him we bought it together?

Mary nodded. Her hands
pushed between her thighs,
her young face lit up by

the room's light. Don't you
think Paul's a dish? Mary asked.
Magdalene shrugged her

shoulders, studied Mary’s
knee where a spot of flesh
showed through a hole in

the black school stockings.
She wanted to move closer,
kiss the cheek, place her

lips on the skin. She breathed
in the borrowed scent that
Mary wore. Said she'd liberated

it from her Ma's room. Mary
talked of the boy they'd met
in the woods above the school.

Tried it on so he did, she said,
over the guitars and Lennon's
loud voice. Magdalene wished

she could put her hands where
the boy had tried. I put him
straight, Mary said, kneed him

where his fatherhood might flow.
Mary moved up and down on
the bed in response to the music.

The bedsprings complained.
Magdalene sensed the movement,
took in Mary’s behind going up

and down on the bed cover.
Glory be. She wanted to kiss.
Needed the hand to touch Mary’s,

the skin to join up with hers.
Downstairs a voice bellowed
to keep the ****** noise down.

Mary sighed and bent down
to turn the **** the thigh
revealed in the skirt's slit,

the spot of flesh through
the hole in the bended knee.
Magdalene captured the image.

Hid it in her memory bank for
later, for bedtime, for the cosy
pretend hold, maybe more if in
her dream she was lucky and bold.

The twentieth year is well nigh past,
Since first our sky was overcast;
Ah, would that this might be the last!
My Mary!

Thy spirits have a fainter flow,
I see thee daily weaker grow--
'Twas my distress that brought thee low,
My Mary!

Thy needles, once a shining store,
For my sake restless heretofore,
Now rust disus'd, and shine no more,
My Mary!

For though thou gladly wouldst fulfil
The same kind office for me still,
Thy sight now seconds not thy will,
My Mary!

But well thou play'dst the housewife's part,
And all thy threads with magic art
Have wound themselves about this heart,
My Mary!

Thy indistinct expressions seem
Like language utter'd in a dream;
Yet me they charm, whate'er the theme,
My Mary!

Thy silver locks, once auburn bright,
Are still more lovely in my sight
Than golden beams of orient light,
My Mary!

For, could I view nor them nor thee,
What sight worth seeing could I see?
The sun would rise in vain for me,
My Mary!

Partakers of thy sad decline,
Thy hands their little force resign;
Yet gently press'd, press gently mine,
My Mary!

Such feebleness of limbs thou prov'st,
That now at ev'ry step thou mov'st
Upheld by two; yet still thou lov'st,
My Mary!

And still to love, though press'd with ill,
In wintry age to feel no chill,
My Mary!

But ah! by constant heed I know,
How oft the sadness that I show
Transforms thy smiles to looks of woe,
My Mary!

And should my future lot be cast
With much resemblance of the past,
Thy worn-out heart will break at last,
My Mary!

Mary had a little lamb,
two lobsters and a Christmas ham,
a three-pound tub of chicken wings,
seven bratwurst tied with strings,
thirteen loaves of garlic bread,
a schnitzel bigger than her head,
four rare steaks, a dozen eggs,
caviar and turkey's legs,
strips of bacon, mushroom stew,
chunks of bread and cheese fondue,
and two whole jars of sauerkraut,
(to clean all of her insides out).

Finishing the pasta salad,
Mary soon looked drawn and pallid.
"I don't feel well," poor Mary said.
"I think I need to rest my head."
Then from her stomach came a moan,
a straining, churning, twisted groan.
Mary gasped; her eyes grew wide.
She'd only seconds to decide.
What could she do? Where could she go?
Her stomach was about to blow!
So, reaching for the nearest bucket,
she retched, and then began to chuck it.

All the courses that she'd swallowed,
and the apertifs they'd followed,
all the steaks and all the fish,
each and every single dish
came flying back from in her belly,
filling up the bucket smelly
with a foul and toxic brew,
and no one knew quite what to do,
so this went on for ten whole minutes
till Mary had expelled her innards.
When she was done, her eyes were red,
and sweat was pouring from her head.

"Are you alright, sweet Mary dear?"
her mother asked. She didn't hear.
For Mary was already off -
the waiters saw her try to scoff
the whole entire pudding bar.
Now, this had pushed her mum too far.
"Alright!" her mother cried, "I'm through!
I've done the best that I can do.
I'm sick and tired of all you eat.
I will not pay for all this meat.
I'm going home. Go get some help —"
Then Mary's mum let out a yelp!

She glanced down at her legs and saw
sweet Mary there begin to gnaw!
She struck the lass, but with great haste,
alas, the girl had reached her waist.
As Mary's ma was there devoured
by her offspring, overpowered,
she cried one thing ere final slaughter:
"It smells like lamb in here, my daughter."
Mary licked her lips and grinned.
She belched out loud and then broke wind.
She felt her tummy start to rumble -
and calmly ordered apple crumble.

It was July 10, 1995 with Summer being in high swing with humidity, and temperatures rising in the high 90’s across the country. However, distances far away, Jeff Masters and Mary Sanders had intense *** urges of their own. Jeff was living in Malibu in the state of California. Mary was living on the East Coast in New York City. They both being far apart, and living alone. The one thing that was on their minds was in search for a love connection with *** hitting the Richter scale. Jeff wanted love feeling like an Earthquake in the bedroom. Mary on the other hand was in steamy heat and used water as her *** dance. But Jeff and Mary found themselves on a dating service, and that is how they found each other. The question comes up in who was going to pursue who? Jeff quickly made a flight reservation, and flew to New York City. He wanted to meet Mary, and perhaps create a love connection. When Jeff arrived at Mary’s door, and she opened. Once inside, Jeff ripped took off his clothes, and he ripped off Mary’s clothes. They both were now naked, and Jeff carried Mary into the bedroom and gently placed her down on the bed. His ***** was hard as a rock, and was ready for the session of love. Jeff quickly got on top of Mary, and was going for the sooth of love intimate.

Jeff kissed all over Mary’s body, and licked in places giving Mary moans of delight.
Both their heart and voices were pulsating in precise. Then it became the motion of in and out of Mary’s *****. The moments got even more intense being pound for pound. The Bed Frame was banging as Mary kept begging. Mary felt as if she had been taken to the Moon and back. It was a night to remember that Jeff and Mary will never forget. They both got what they needed in heat. It was like they were Astronauts being the lift off and the return back to Earth. Ecstasy rated supreme, but only Jeff and Mary know what that means. Love in and, but not out. Jeff and Mary are now a couple moving about.

(the birth of Christ - in Gen-Z slang)

Mary and Joseph were tight-ship.
Mary was a real-one, and no clout-chaser

One night Angel Gabriel overstreeted with word
that Cap-G made Mary chabby with soup-baby
Mary was shook and big-mad but Joseph
was baby-goggles for Cap-G’s quinlan fetus

so Mary was “okrrrrrrrrr”

A minute later Mary and Joe had to roll deep,
adulting to Bethlehem with tribute to Augustus,
the main character, but no mo-mo swerved em’
ghetto and asan Mary was Cap-G’s baby-mama!

Later these bchaps rfts biters brang Cap-J
some bag and herb to extra flex for Cap-G
while angels lay in the cut with lowkey bop.

———————- translation


Mary and Joseph were married and in love.
Mary was an average girl not into notoriety
.
One night Angel Gabriel appeared and said
that God made Mary pregnant with his child
Mary was shaken-up and and angry but Joseph
Was excited for them to have God’s beautiful child

so Mary was had no choice but to say “OK”

Months later Mary and Joe had to travel far together,
As citizens, to Bethlehem to pay taxes to Augustus (Caesar).
Emperor of rome, but a lack of motels caused them to
Stay in a manger and there Mary had God’s child.

Later these rich star followers brought Jesus
some money and herb as gifts to impress God
while angels gathered and sang to comfort the child.

Mary’s Mother is from Georgia, her Father from Pennsylvania.
A steelers flag hangs on Mary’s front porch, and every Sunday night in the fall means eating chicken wings while adorned in black and gold.

Mary’s Father has an office.
Inside of it lay a few rusting guitars, but the walls of the room are what truly catch your eye.
The paint itself, a dull muted gray is immaterial when compared to the dozens of plaques that enhance it.
Each frame carries a different piece of Groundhog’s Day memorabilia, many house pictures of Punxsutawney Phil, one is a certificate declaring Mary’s Father an “official Groundhog ambassador”, another an autographed photo from a Groundhog handler.

Mary’s Father claims that Groundhog’s day is America’s second greatest holiday.

Mary’s parents were married at Gobbler's ****.
Punxsutawney Phil attended the wedding.
Mary and her little sister stayed home from school every Groundhog’s day in elementary school, and in middle school they attended but came to school in matching Groundhog hats.

Mary’s kitchen counter has a small black speaker.
Each Sunday morning, Mary’s Father blasts the Polka Party Radio Show hours into the afternoon.
The whole family knows all of the polka songs by heart.
Each Sunday morning they came together to listen to the “Waltz of The Angels”, a Polka special dedicated to various passed loved ones.
Even the turntable in Mary’s dining room only plays Pennsylvania Polka vinyls.

Mary’s incredibly familiar with Hershey Park.
She and her sister have brought home various souvenirs from Pennsylvania’s notorious “Chocolate Town”.

Mary’s family knows Gettysburg like the back of their hand.

I’ve known Mary for over a decade.
I never knew her mother was from Georgia.
“The Southerner’s Handbook” sits in Mary’s living room, the only true mark of Mary’s Mother’s life before she surrendered her maiden name.

I think it is a beautiful thing to give up your culture for somebody else.
I think it is a beautiful thing to sing Pennsylvania Dutch folk music with your Husband on late weekend nights because you know it makes your children happy.

It’s the tail end of fashion week in Paris, the busiest week of the year for fashion buyers.

When I meet Clodagh Shorten, owner of Samui, the game-changing boutique that put Cork on the fashion map, she’s already been here four days and is on her tenth buying appointment — there’ll be at least another five before she leaves in a couple of days time.

These appointments, private bookings with designers, allow her to get up close and personal with the clothes that have just been showcased on catwalks.

She’s deciding which pieces will best suit her customers.

Today, we meet at Schumacher, the stunning German label known for its easy chic look.

A beautiful white space, with lush cream velvet sofas, bare walls and white rails (nothing here to distract from the main event — the clothes), this room, prime space in Paris, is rented by the designer year-round just so they have the right venue to sell at Fashion Week.

It gives some indication of the power Fashion Week wields.

Clodagh is here with her right-hand woman, Samui manager Mary-Claire O’Sullivan.

There are two rails — the keepers and the ‘ones that got away’.

They’ve already seen this collection in London.

Today they are here to fine-tune.

This is unusual, Mary-Claire explains — at most appointments, they are seeing the clothes for the very first time.

“This is a big spend,” they tell me, and they’ll stay as long as they need “to get it right”.

Piecing together a collection is something akin to a jigsaw puzzle.

All the items are photographed — later they will be analysed back in the apartment they rent during Fashion Week.

The mix has to be right.

So the coats, a sleeveless waistcoat, are moved to the rail on the right.

They won’t make it to Cork.

Coats were already picked up this morning at another appointment.

Like I said, a jigsaw puzzle.

Two models are on hand to try on clothes when requested — I hear ‘can I just see this on one more time’ a lot.

There’s no haggling over prices in these sales negotiations — it’s all too civilised.

The price is set, as is the instore mark-up. These lauded designs must cost the same the world over.

Clodagh and Mary-Claire share a language and a wavelength. They can finish each other’s sentences and, while I don’t so much as sniff a hint of tension, they tell me they can disagree on buys.

“Clodagh doesn’t want a yes woman,” Mary-Claire says simply.

From Schumacher, Clodagh leads the way through the Parisian cobbled streets, phone held aloft, Google Maps to direct her.

Her wheelie bag is constantly behind her — inside there’s the laptop for orders and a camera for instant access to photographs of collections.

Her calculator is another permanent fixture in the showroom.

Today, Clodagh is dressed in an Australian label coming soon to Samui, Ellery. The lush black fabric sways and moves with her body; an outfit like that makes you really appreciate her eye for fashion. It’s sensational.

For this 5.30pm appointment we are heading to see another new label for Samui — Paskal (Clodagh will wear a piece from this line tomorrow).

The Ukrainian designer is looked after by an agency so in this showroom there are pieces by a handful of brands.

Again, the setup is the same — private appointments, models on hand.

Clodagh and Mary-Claire have to be more careful here — this is a new label and it’s more fashion forward so black is prioritised.

Not every client at Samui will wear this line. Every purchase, I realise, is a gamble.

“We’ve made mistakes, of course we have,” says Mary-Claire though you get the feeling that could be a rare event.

Pieces bought by these two women rarely end up in Samui’s sales rack.

They know their customer, plain and simple.

There is so much trust there, some clients are simply sent collections each season, allowing Clodagh to make the call for them.

So much of their day is spent discussing various clients (never by name in my presence) — what they might like, the best size.

It is effectively the ultimate personal shopping experience.

The number of items and sizes are limited, so customers know they are truly getting one-off pieces.

As we leave, kisses over, the agency head tells them, “you’re our favourites” and you just know it’s not empty fashion talk.

People genuinely love Clodagh and Mary-Claire. And they respect what they do.

Samui is open 16 years now. Clodagh mastered her trade at Monica John before stepping out on her own. Mary-Claire joined her eight years ago.

It has been one of the few boutiques in Cork to not just survive the downturn but to positively thrive.

As the economy spluttered around her, Clodagh very masterfully decided to go high end.

First came Moncler — the top people here had to come and view Samui to see if it was the right match for their esteemed label.

It was — and, increasingly, doors began to open.

Carven, Marni, Rick Owens — people really began to sit up and take notice of Samui.

Now labels are often vying for space on the shop floor. Still though, it takes work to secure the big new names.

Clodagh spends a lot of time on planes, networking, meeting the key players. And it’s not as simple as a visit to Fashion Week twice a year either.

These days pre-collections are key too: these pieces will be on the shop floor for longer.

So Clodagh and Mary-Claire travel in January to Paris for pre- collections, Milan in February for Moncler, Paris in March. The same cycle begins again in June for A/W pre-collections, with S/S Fashion Week in September.

Clodagh is always pushing, always striving for new.

She was devastated to say farewell to Transit, the brand with her from the very beginning. It was simply time for a change she tells me.

They love seeking out new labels, nurturing them, sharing them with their customers.

The next morning we meet at 9am for Dries van Noten.

Clodagh stocks around 50 different labels, most exclusive to Cork. This Belgian designer is one of them.

Here again is a very fashion forward line.

There’s a minimum €20,000 spend here, and that’s the amount Clodagh and Mary-Claire can play with.

This is a much busier showroom, a slick operation. Buyers are everywhere, the models weaving between them.

They are assigned a seller and a table, laptop at the ready to secure the sale.

Sophie, today’s seller, walks them through the long rails and talks to them about the collection, the fabrics, the colour, the catwalk, the vision.

Clodagh and Mary-Claire repeat the process a second time alone, a third time again with Sophie.

There are little standing breaks for coffee — refreshments and lunch are provided by the designer.

Clodagh and Mary-Claire know to carry snacks everywhere. The buying process can be a long one; Dries could be an all-day event.

The price point is much higher here so, again, each piece has to be carefully thought out. Checked and checked again.

These A/W deliveries will land in store in July.

Watching them make their Samui edit on that March morning, I just know the Dries selection will be a show-stopper this Autumn.

I leave them to sign on the dotted line, wishing them success for the rest of their gruelling schedule as I head for Charles de Gaulle.

“People don’t realise what goes into this,” says Clodagh. And she’s right.

None of us can possibly grasp what it must have taken for one woman to put Cork on the fashion radar.Read more at:http://www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses

Hail Mary our Mother so gentle and true
For nine months you carried "God with Us" in you
Hail Mary our Mother so quiet and strong
Give us the courage to join you in song
Hail Mary our Mother free from sin and full of grace
Lead us to your son, help us see and recognize His face
Hail Mary our Mother of mercy and sorrow
Pray for us Mary in our todays and tomorrows
Hail Mary our Mother Holy Queen enthroned above
Teach us faith, and wisdom, teach us love
Hail Mary our Mother so tender and mild
Give us the vision to see with the eyes of a child
Hail Mary our Mother shining light, guiding star
Bring back your children wherever they are
Hail Mary our Mother pure and chaste
Quicken our hearts that we would make haste
Hail Mary our Mother look on us with compassion and favor
And one day lead us home to your son our Savior.

Amen

I asked the question but may never know
But let’s give it a go
I ask the question again, how does Mary Poppins angle her umbrella?
It seems precise
Maybe Magic is the advice
It seems the winds are always in Mary Poppins favor
But too some of use with ordinary conventional umbrella’s that’s hard to savor
Mary Poppins seems to just glide through the air and her umbrella stays in tact
Actually, could be more than fact
With these so called conventional umbrella’s, people would be lucky if our umbrella’s didn’t turn inside out and became stems of its former self
But Mary Poppins umbrella is not like everybody else
When a breeze comes along, the ordinary conventional umbrellas simply bend
What was an umbrella always comes to an end
They just can’t seem to take the wind
I guess Mary Poppins can
Magic controls the umbrella on when
But we really don’t know how Mary Poppins umbrella stays straight
However, it’s Mary Poppins story of fate
Yet that is something only Mary Poppins can appreciate
As for us ordinary people can associate
It’s definitely a magical thing
The Mary Poppins name having a bling
She’s like a Queen who masters her own sling.

Mother Mary, Mother Mary,
          Whisper in my ear.
Give me something tangible to touch –
           Something audible to hear.

Send me a sign, so I know I am alive.
I want to know it’s not in vain
The I let the world inscribe
           Such a mark upon my soul.
           Give me a sign to make me whole.
Help me find peace through the chaos.
           Just let me know you’re in control.

Mother Mary, Mother Mary,
Whisper in my ear.
I know each breath could be my last –
Yet, my death I do not fear.

I’ve been shackled by my questions
And I’ve watched them as they’ve grown.
I searched endlessly for answers –
When all along I should have known
That the answers I seek are not ones that can be found.
So I pray that you’ll whisper. I pray I’ll hear the sound.
I pray that death holds more than what we bury in the ground.

It’s been nearly twenty years, and somehow I still have faith.
But I fear the truths I know are lies; I fear that virtue is a waste.
Still, I wait for your whisper,

Mother Mary, Mother Mary.
Despite how much I’ve suffered; this burden I still carry.
Because I trust this world holds reason.
I trust my struggle wasn’t worthless.

Mother Mary, Mother Mary,
I pray I suffer for a purpose.

Okay Jeff what have you brought in today.
Today Mary I’m going to show you the super juicer.
That’s a big one Jeff.
It sure is Mary, total satisfaction guaranteed.
What does it do Jeff.
Take this banana Mary, place it in the juicer.
What about the melons Jeff.
They’re a handful Mary, watch this.
My god Jeff, what a device.
See how it came there Mary.
Right Jeff, what can it do with pears.
Well Mary, I place the cream on the pears, what do you get.
Ecstasy Jeff, that hits the spot.
Now Mary, you may think this is just a juicer, but try it in this position.
My god Jeff.
Did it hit the spot Mary.
Did it ever.
What would you pay for a juicer like this Mary.
I would pay the earth Jeff.
Also Mary, there are three different speeds.
My god Jeff, horizontal, semi squat, and comatose.
Can you afford not to buy this Mary.
I can’t Jeff, it’s mine.
Mary, Mary come back, you can’t take it home with you