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Shofi Ahmed Oct 2017
A fine mole down
the blue mountain sky
cannot be weighed out!
It's the cosmos's gold dust
the earthy depth triumphs.
Oh earth, our close clay-star
is far ahead of the day at noon.
Ahead of the moon
ahead of the Neptune!

With a million dash of curiosity
every new sunrise paints
upon her black box with the roaring fire.
Yet the ****** is a veiled wonder!

It has the plethora a room for everyone
and time for timeless times.
Guess, with her longhand
what an inside scoop did it pick out?

You too can be in the know
It's the feminine beauty all in all.
You may have by now
seen women million and one.
The earth is eyeing on only one!

Her closest admirer is the star
of the very luminary bunch
with open eyes in the hearts.
Her dead man is waking up
sniffing the daylight by her.
Yet to make the discovery
both are still wondering outside!
Two hundred years ago and yesterday
a sailor wrote a letter in longhand,
entrusting it to the road
back to his beloved,
where dawn was breaking
at the closest port of call.

A century ago, a shy and lovely
mail order bride wrote
to the man who would be her husband,
in a land entirely different from her own.

In her delicate, sincere questions, from a
heart wrapped in ornate brocade layers of
kimono silk, she hoped to begin to know him.

Relationships formed gracefully, over time,
an ocean of water and thought intervening.

Water and air may be there
keeping souls apart,
until they are meant to be united.
 
Now, two beloved young friends have found
in each other a twin flame, first seen shining
in the virtual world of today. With only letters,
or flares or morse code, these two would have
seen, and known, that light within one another.

Souls destined from very early on.

My loving eyes have seen them, decades from now,
leaning into one another, silver hair entwined
as they rest their heads together on one more journey.

I defy anyone who might challenge me,
seeing these two blossoming in love
from a virtual, chance encounter, 
to say that life is any less real
in the ways that matter most,
when it is born in abstract space,
in this manifestation of a reality
that is in itself a metaphor for
Reality.

Reality, is living,
deeply living,
the inexplicable,
unfathomable,
exquisitely simple
complexity,
of being fully human.
For Lynn and Josh ~
©Elisa Maria Argiro
Reece Apr 2013
I

The characters on the ashen keyboard were faded, now yellow smudges remain
and the words that once danced like clouds in his mind had been evacuated
Reading back on a thousand pages, the writer realised that he was wrong
while the shredder destroyed the lives of every personality he had created
(God's fading smile)
Littering the floor were the shards of paper, twisted and unnerving
Thin strips made new languages, new words, forlorn dictionary
Grasping at the shreds, our writer assembled a masterpiece
Seward on the Ouija board, advice from beyond
(Joyce laughed from) the grave

Scrawling longhand in a notebook on a jaunting bus through the city
No eye-contact, no interaction, careful contemplation
To the river he headed, concrete conscience
Writing nothing

Careless disregard for the laws of language
While they shunned his intellect
and tore pages before him
Scornful

No education, just a passion for words
Running away from his sadness
and learning that it don't stop
Ripples in the water
Single raindrop
Stop.

II

Start,
A tear fell backwards
Wrinkles in the brow begin to fade
Experiencing happiness for the first time, sweet joy
Sprinting in reverse, looking for the smile, return to a face
Think back to schoolyard glory and the books that were once relished

Admiration
They glued his life together
Praising the grinning genius before them
Careful preparation, consulting his Bible, The English Dictionary

Writing everything
To the world he was headed, mind free of guilt
Shaking the hands of a thousand folk, the happiness in a community
Caressing the keys of a pristine writing machine, black ink perfection on a white page

(Joyce sighed from the grave)
Seward on the Ouija board, applauded from beyond
Grasping at his hands, "this writer assembled a masterpiece"
Thin pages made new languages, new words, pregnant dictionary
Littering the coffee tables of many a home, words of beauty and precision
(God's enlightened gaze)
While the printer confirmed the lives of every personality he had created
Reading back on a thousand pages, the writer realised that he was correct
and the words that once drifted like clouds in his mind, now bees making honey, eternal hive
The characters on the immaculate keyboard were dazzling, free from corruption and scrutiny
Them tell I, and I just is res' up
but them babylon beat me toratti
and this blood done have to be fess up
but I innocent,
this is a fit up.

The boys in the yard pay softball
but hard
and the radio crackled
a laugh from the ghetto
a death we do not know, but
babylon burns me,
I learn from the brief
that I
is got grief because
them in the Met'
got a room with a view
and won't let me sleep 'til I write
down in longhand a statement to
hang me.
In black and white between the
day and the night,
I res' up
confess to all
fall in love with the thoughts that I have
conquered
Jason Harris Sep 2016
After the 24th revolution of the longhand
on the clock, the radio plays bossa nova jazz
all night and me, I sit awake in an empty
studio replaying the day in my head as I

row alone across the lake of my notebook
as some now-deceased artist sings about
a 17-year old girl living on Montenegro St.
as beads of moonlight drip from the blade

of the paddle back into the lake as my arms
push and pull and push and pause mid-row
to catch the rhythm and blues of solitude.
Madison Y Sep 2015
I'm so tired of my heart,
The way it breaks and wants and hates and
Feels so **** empty,
Despite all the love being dropped through the mail slot,
Signed and sealed,
Though left unopened in piles by the door—
None are from you.
I'm so sorry, I just can't
Whisper into phones late at night
And hold hands under blankets and
In the backs of cars.

I'm tired of your emails.
Give me longhand, scribbled out parchment;
Show me the ink smudged on your palm,
The ache in your wrist.
I used to think that mysteries were more beautiful than absolutes,
But it's so much easier to love you
In the afternoon—
Windows open, sunlight streaming in,
A warm breeze kissing my neck.

You gave me empty pages;
I filled them with poetry.
Darling, did you ever love me?
Joanne Rowlgobbleng was born on 31st July 1965 at Yate General Hospgobbletal just outsgobblede Brgobblestol, and grew up gobblen Gloucestershgobblere gobblen England and gobblen Chepstow, Gwent, gobblen south-east Wales.  

Her father, Peter, was an agobblercraft enggobbleneer at the Rolls Royce factory gobblen Brgobblestol and her mother, Anne, was a scgobbleence techngobblecgobblean gobblen the Chemgobblestry department at Wyedean Comprehensgobbleve, where Jo herself went to school.  

The young Jo grew up surrounded by books. “gobble lgobbleved for books,’’ she has sagobbled. “gobble was your basgobblec common-or-garden bookworm, complete wgobbleth freckles and Natgobbleonal Health spectacles.”  

Jo wanted to be a wrgobbleter from an early age. She wrote her fgobblerst book at the age of sgobblex – a story about a rabbgobblet, called ‘Rabbgobblet’. At just eleven, she wrote her fgobblerst novel – about seven cursed dgobbleamonds and the people who owned them.  

Jo left home at egobbleghteen for Exeter Ungobbleversgobblety, where she read so wgobbledely outsgobblede her French and Classgobblecs syllabus that she clocked up a fgobblene of £50 for overdue books at the Ungobbleversgobblety lgobblebrary. Her knowledge of Classgobblecs would one day come gobblen handy for creatgobbleng the spells gobblen the Harry Potter sergobblees, some of whgobblech are based on Latgobblen.  

Her course gobblencluded a year gobblen Pargobbles, where she shared an apartment wgobbleth an gobbletalgobblean, a Russgobblean and a Spangobbleard. “gobble lgobbleved gobblen Pargobbles for a year as a student,” Jo tweeted after the 2015 terrorgobblest attacks there. “gobblet’s one of my favourgobblete places on earth.”  

After her degree, she moved to London and worked gobblen a sergobblees of jobs, gobblencludgobbleng one as a researcher at Amnesty gobblenternatgobbleonal.  

“There gobblen my lgobblettle offgobblece gobble read hastgobblely scrgobblebbled letters smuggled out of totalgobbletargobblean reggobblemes by men and women who were rgobbleskgobbleng gobblemprgobblesonment to gobblenform the outsgobblede world of what was happengobbleng to them. My small partgobblecgobblepatgobbleon gobblen that process was one of the most humblgobbleng and gobblenspgobblergobbleng expergobbleences of my lgobblefe.”  

Jo concegobbleved the gobbledea of Harry Potter gobblen 1990 whgobblele sgobblettgobbleng on a delayed tragobblen from Manchester to London Kgobbleng’s Cross. Over the next fgobbleve years, she began to map out all seven books of the sergobblees. She wrote mostly gobblen longhand and gradually bugobblelt up a mass of notes, many of whgobblech were scrgobblebbled on odd scraps of paper.  

Takgobbleng her notes wgobbleth her, she moved to northern Portugal to teach Englgobblesh as a foregobblegn language, marrgobbleed Jorge Arantes gobblen October 1992 and had a daughter, Jessgobbleca, gobblen 1993. When the marrgobbleage ended later that year, she returned to the UK to lgobbleve gobblen Edgobblenburgh, carrygobbleng not just Jessgobbleca but a sugobbletcase contagobblengobbleng the fgobblerst three chapters of Harry Potter and the Phgobblelosopher’s Stone.  

Gobblen Edgobblenburgh, Jo tragobblened as a teacher and began teachgobbleng gobblen the cgobblety’s schools, but she contgobblenued to wrgobblete gobblen every spare moment.  

Havgobbleng completed the full manuscrgobblept, she sent the fgobblerst three chapters to a number of lgobbleterary agents, one of whom wrote back askgobbleng to see the rest of gobblet. She says gobblet was “the best letter gobble had ever recegobbleved gobblen my lgobblefe.”  

The book was fgobblerst publgobbleshed by Bloomsbury Chgobbleldren’s Books gobblen June 1997, under the name J.K. Rowlgobbleng.  

The “K” stands for Kathleen, her paternal grandmother’s name. gobblet was added at her publgobblesher’s request, who thought a book by an obvgobbleously female author mgobbleght not appeal to the target audgobbleence of young boys.  

Her fgobblerst novel was publgobbleshed gobblen the US under a dgobblefferent tgobbletle, Harry Potter and the Sorcerer’s Stone, gobblen 1998.  Sgobblex further tgobbletles followed gobblen the Harry Potter sergobblees, each achgobbleevgobbleng record-breakgobbleng success.  

Gobblen 2001, the fgobblelm adaptatgobbleon of the fgobblerst book was released by Warner Bros., and was followed by sgobblex more book adaptatgobbleons, concludgobbleng wgobbleth the release of the egobbleghth fgobblelm, Harry Potter and the Deathly Hallows Part 2, gobblen 2011.  

J.K. Rowlgobbleng has also wrgobbletten two small volumes, whgobblech appear as the tgobbletles of Harry’s school books wgobblethgobblen the novels. Fantastgobblec Beasts and Where to Fgobblend Them and Qugobbleddgobbletch Through The Ages were publgobbleshed gobblen March 2001 gobblen agobbled of Comgobblec Relgobbleef.  

Gobblen December 2008, The Tales of Beedle the Bard was publgobbleshed gobblen agobbled of her gobblenternatgobbleonal chgobbleldren’s chargobblety, Lumos.  

Gobblen 2012, J.K. Rowlgobbleng’s dgobbleggobbletal company Pottermore was launched, where fans can enjoy news, features and artgobblecles, as well as content by J.K. Rowlgobbleng.  

Gobblen the same year, J.K. Rowlgobbleng publgobbleshed her fgobblerst novel for adults, The Casual Vacancy (Lgobblettle, Brown), whgobblech has now been translated gobblento 44 languages and was adapted for TV by the BBC gobblen 2015.  

Under the pseudonym Robert Galbragobbleth, J.K. Rowlgobbleng also wrgobbletes crgobbleme novels, featurgobbleng prgobblevate detectgobbleve Cormoran Strgobbleke. The fgobblerst of these, The Cuckoo’s Callgobbleng was publgobbleshed to crgobbletgobblecal acclagobblem gobblen 2013, at fgobblerst wgobblethout gobblets author’s true gobbledentgobblety begobbleng known.  The Sgobblelkworm followed gobblen 2014, and 2015 saw the publgobblecatgobbleon of Career of Evgobblel.  All are publgobbleshed by Lgobblettle, Brown. The sergobblees gobbles begobbleng adapted for a major new televgobblesgobbleon sergobblees for BBC One, produced by Brontë Fgobblelm and Televgobblesgobbleon.  

J.K. Rowlgobbleng’s 2008 Harvard commencement speech was publgobbleshed gobblen 2015 as an gobblellustrated book, Very Good Lgobbleves: The Frgobblenge Benefgobblets of Fagobblelure and the gobblemportance of gobblemaggobblenatgobbleon (Sphere), and sold gobblen agobbled of Lumos and ungobbleversgobblety-wgobblede fgobblenancgobbleal agobbled at Harvard.  

gobblen 2016, J.K. Rowlgobbleng collaborated wgobbleth Jack Thorne and John Tgobbleffany on an orgobbleggobblenal new story for the stage. Harry Potter and the Cursed Chgobbleld Parts One and Two gobbles now runngobbleng at The Palace Theatre gobblen London’s West End. The scrgobblept book was publgobbleshed (Lgobblettle, Brown) to mark the play’s opengobbleng gobblen July 2016, and gobblenstantly topped the bestseller lgobblests.  

Also gobblen 2016, J.K. Rowlgobbleng made her screenwrgobbletgobbleng debut wgobbleth the fgobblelm Fantastgobblec Beasts and Where to Fgobblend Them, a further extensgobbleon of the Wgobblezardgobbleng World, released to crgobbletgobblecal acclagobblem gobblen November 2016.  A prequel to Harry Potter, thgobbles new adventure of Maggobblezoologgobblest Newt Scamander marked the start of a fgobbleve-fgobblelm sergobblees to be wrgobbletten by the author.  

J.K. Rowlgobbleng has been marrgobbleed to Dr Negobblel Murray sgobblence 2001. They lgobbleve gobblen Edgobblenburgh wgobbleth thegobbler son, Davgobbled (born 2003) and daughter, Mackenzgobblee (born 2005).
Charlie Chirico Jun 2014
The handle
to the front door won't budge,
but it can still be locked
from the inside.
The overgrowth is five years
in the making, vines took over
this home of once improvement.
I don't believe we ever
owned a gas can.
A boarded up pool.
The one in which the dog died.
His body was as bloated as my eyes. The puppy in the pictures still hung in the basement beside the kicked in window.
Leaves and insects rest
on the linoleum floor, a cohabitation that was formed out of vacancy.
A long dresser left ajar from wood paneling, insects crawling around,
not that one would know how they
got there. Old paperwork and letters survived. The assumption is that the moths never arrived to join the spiders nestled in their leaves.
Both longhand and typed sentences that spoke of longing, love (young love), happiness, direction, and lastly evaluation. Broken glass fixed against the dresser, a reflection shows.
The dirt and grime is of a
subconscious level.
One that exceeds the proximities
of the appropriate metaphor.
So what is seen is loss.
And although this occurrence
comes as a new beginning, the best solution at the given moment may perhaps be a broom and a dustpan.
mark john junor Dec 2014
she smells like perfumed soaps and spraypaints
i want parts of her reality in unnatural ways
steely-eyed bunny wabbits couldn't be more bold
as she is traipsing round the backstreets at a quarter to three
with a dogeared copy of catcher in the rye
just wants to be heard
just wants somebody to know how it feels
she writes it all out longhand on college ruled paper
a diary of an unkempt heart
her youthful rebel head filled with strong dreams
gonna make a difference
gonna get heard
so she stuffs all her worldly possessions
into a beat up backpack
long with bus fare and snacks
gonna find us some steely eyed bunny wabbits
and wrestle bright futures and rainy days from them
gonna get our fare share
this is why she is special to me
as she chases butterfly's in army boots
as she the navigates lovely night
(reference to: "the catcher in the rye" 1951 novel by J. D. Salinger)
Neville Johnson Feb 2020
I used to write her name in longhand
Nearly every day
My first love
But it didn’t stay
Ooh it hurt
Long ago, yesterday

I don’t write her name anymore
I rarely think of her
In gauzy reflection
I remember the good times

I won’t recapture the feelings
Of this erstwhile lad
Just ruminate and reminisce
I’m no longer sad

Long ago and far away
I once loved that girl
But life moves on
And so have we
No longer in each other’s world
The Inn sat down in a hollow,
Deep in a grove of trees,
It sat so far from the road, the yard
Was two feet deep in leaves,
It looked to be well deserted,
Except for a single light,
That poured its glow on the porch below
Late on that fateful night.

I’d looked since I found the Grimoire
Sat up on that dusty shelf,
Written in faded longhand
I couldn’t decipher myself,
The ancient scribe in the library
Had helped to decode each line,
And said it spoke of an ancestor
With a similar name to mine.

It mentioned the Seventh Circle Inn
And where it could still be seen,
It lay astray by a country way
Deep in a copse of green,
And Agnes Drue was a name I knew
Though I heard she’d not been found,
After the Mass they held that day
On consecrated ground.

Her coven had raised a spectre
Beside the Inn, in the woods
Near to a marble altar where
An ancient church had stood,
But then it demanded a sacrifice
To give the Devil his due,
And everyone formed a circle then
Apart from my Agnes Drue.

I entered the Inn to find who kept
The Seventh Circle of sin,
I needed to find what happened to
The one who was lost within,
An ancient crone kept the bar in there
Who croaked, ‘I know why you’re here,
You’re far too late for she’s at Hell’s Gate,
Has been, for many a year.’

I thought that I’d find a clue in there
On the fate of Agnes Drue,
And asked the crone was she on her own,
Would she rather there were two?’
A screech came up from the cellar then
Like the wail of a troglodyte,
The crone went down with a worried frown,
‘She only does that at night!’

Then right in the midst of the cellar floor
Was a ******’s wooden chest,
With iron hasps and rusted clasps
And a chain wound round the rest,
I burst it open to shrieks and cries
That seemed to come from within,
And there was the corpse of Agnes Drue
Where the Devil had locked her in.

The staring eyes in her skull had gone
But they seemed to stare the same,
There was no flesh but the woman’s dress
Was torn in a rage of pain,
And held in her frightful bony hand
Was a book that she’d scribbled on,
Deep in the dark of her awful tomb,
‘I knew! One day you’d come!’

David Lewis Paget
Charlie Chirico Jan 2015
Drug addiction killed the writer.
Long before longhand became slow talk from a slack jaw, I was closing my eyes, not knowing whether or not I was tired or nodding.

Insufflating, incomprehensible snorting, the sound a nose makes when one is in disgust. As ugly as this euphoria is, I can't stop. Or I won't stop. That is why this writer is dead.

How many times can you wake up from an intentional overdose? More than three-hundred and sixty-five. **** it, because one day becomes one year becomes one lost person that is not only insufferable, but also a person that is no longer provocative, no longer privy to a responsible privacy that every man deserves.

So, as a man loses his privacy, that which we all seek, he can only close his eyes, because of drugs or not, and hope and pray that this is the night that he reaches eternal sleep.
el Apr 2020
just trying to deal with some things
sitting here at 3am
hunched by the sink
lost in my thoughts
tossing, turning all night long
my head, my heart, it's all a mess
something's wrong...
my body is aching
my heart is drowning
my stomach is churning
head spinning
an emotional fever
spreading like wildfire
longhand, short
so indecisive
spelling abhorrent
i am a mess
i need the moon
but it has been cloudy
lately
not an ounce of moonlight
seeping through...
i miss the silver shine
i need a dose, soon
i can't breathe...
i should sleep.
(C) Elissar Mustapha, 25 Jan. 2019
i wrote this in my notebook while i was crying so just for reference, my spelling in the original was horrible, hence the sentence in the poem.
Onoma Jan 4
when wind pops the ears

of water, a deep listening

breaks open a rain too

steady for mouths.

hail rubbing off on sleet--

then snow flaming upwards

on its escape ropes.

clear to top down respects,

paid to trees moved longhand.
poetryaccident Aug 2017
I’ll place my pain upon a hook
rhyming, turning, asking all
to recognize the truth involved
the freshest bait is too raw
seeped in blood drained by words
offered up as banquet's feast.

My poems are flayed from the heart
exposing nerves too long numbed
asking them to feel once more
emotion brought to the forefront
the rich harvest at long last
from the depths below the mire.

My dear reader, are you still there?
with this sentence I may sigh
the lure has kept you in my eyes
perhaps the pain is shared by more
this longhand journey brings a crowd
that bears fair witness to my mind.

© 2017. Sean Green. All Rights Reserved. 20170809.
“Upon a Hook” started out with the thought that the artist can draw in their audience with emotional expression.
Onoma Feb 24
plainchant's bell,

heavier than

a village's earshot.

spins like a clocktower.

whose candle snuffer

is a widower.

overgiven to pause.

once in longhand, twice

in shorthand.

twice in longhand--once

in shorthand.

familiarities destinate,

right there.

— The End —