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Michael R Burch Dec 2020
LOVE POEMS by Michael R. Burch

These are love poems written by Michael R. Burch: original poems and translations about passion, desire, lust, ***, dating, making out, relationships and marriage. On an amusing note, my steamy Baudelaire translations have become popular with the pros ― **** stars and escort services!



Sappho, fragment 42
translation by Michael R. Burch

Eros harrows my heart:
wild winds whipping desolate mountains
uprooting oaks.



Preposterous Eros
by Michael R. Burch

“Preposterous Eros” – Patricia Falanga

Preposterous Eros shot me in
the buttocks, with a Devilish grin,
spent all my money in a rush
then left my heart effete pink mush.



Sappho, fragment 155
translation by Michael R. Burch

A short revealing frock?
It's just my luck
your lips were made to mock!



Sappho, fragment 22
loose translation by Michael R. Burch

That enticing girl's clinging dresses
leave me trembling, overcome by happiness,
as once, when I saw the Goddess in my prayers
eclipsing Cyprus.



I was so drunk my lips got lost requesting a kiss.—Rumi, loose translation/interpretation by Michael R. Burch



Negligibles
by Michael R. Burch

Show me your most intimate items of apparel;
begin with the hem of your quicksilver slip ...



Warming Her Pearls
by Michael R. Burch

Warming her pearls,
her ******* gleam like constellations.
Her belly is a bit rotund ...
she might have stepped out of a Rubens.



She bathes in silver
by Michael R. Burch

She bathes in silver,
~~~~~~afloat~~~~~~
on her reflections...



****** Errata
by Michael R. Burch

I didn’t mean to love you; if I did,
it came unbid-
en,
and should’ve remained hid-
den!



Are You the Thief
by Michael R. Burch

When I touch you now,
O sweet lover,
full of fire,
melting like ice
in my embrace,

when I part the delicate white lace,
baring pale flesh,
and your face
is so close
that I breathe your breath
and your hair surrounds me like a wreath ...

tell me now,
O sweet, sweet lover,
in good faith:
are you the thief
who has stolen my heart?



The Effects of Memory
by Michael R. Burch

A black ringlet
curls to lie
at the nape of her neck,
glistening with sweat
in the evaporate moonlight ...
This is what I remember

now that I cannot forget.

And tonight,
if I have forgotten her name,
I remember:
rigid wire and white lace
half-impressed in her flesh ...

our soft cries, like regret,

... the enameled white clips
of her bra strap
still inscribe dimpled marks
that my kisses erase ...
now that I have forgotten her face.



Moments
by Michael R. Burch

There were moments full of promise,
like the petal-scented rainfall of early spring,
when to hold you in my arms
and to kiss your willing lips
seemed everything.

There are moments strangely empty
full of pale unearthly twilight
―how the cold stars stare!―
when to be without you is a dark enchantment
the night and I share.



The Communion of Sighs
by Michael R. Burch

There was a moment
without the sound of trumpets or a shining light,
but with only silence and darkness and a cool mist
felt more than seen.
I was eighteen,
my heart pounding wildly within me like a fist.
Expectation hung like a cry in the night,
and your eyes shone like the corona of a comet.

There was an instant . . .
without words, but with a deeper communion,
as clothing first, then inhibitions fell;
liquidly our lips met
―feverish, wet―
forgotten, the tales of heaven and hell,
in the immediacy of our fumbling union . . .
when the rest of the world became distant.

Then the only light was the moon on the rise,
and the only sound, the communion of sighs.



Righteous
by Michael R. Burch

Come to me tonight
in the twilight, O, and the full moon rising,
spectral and ancient, will mutter a prayer.

Gather your hair
and pin it up, knowing
that I will release it a moment anon.

We are not one,
nor is there a scripture
to sanctify nights you might spend in my arms,

but the swarms
of stars revolving above us
revel tonight, the most ardent of lovers.



For All that I Remembered
by Michael R. Burch

For all that I remembered, I forgot
her name, her face, the reason that we loved ...
and yet I hold her close within my thought.
I feel the burnished weight of auburn hair
that fell across her face, the apricot
clean scent of her shampoo, the way she glowed
so palely in the moonlight, angel-wan.

The memory of her gathers like a flood
and bears me to that night, that only night,
when she and I were one, and if I could ...
I'd reach to her this time and, smiling, brush
the hair out of her eyes, and hold intact
each feature, each impression. Love is such
a threadbare sort of magic, it is gone
before we recognize it. I would crush
my lips to hers to hold their memory,
if not more tightly, less elusively.



Who Can Understand Her?
by Michael R. Burch

Who can understand her? Can the stars,
uncertain in their radiant argosy,
who never saw such love, nor such desire,
as when she bent to tower over me,
her hair a perfumed waterfall descending,
and then her *******, and then—ah!—Ecstasy!



Le Balcon (The Balcony)
by Charles Baudelaire
loose translation by Michael R. Burch

Paramour of memory, ultimate mistress,
source of all pleasure, my only desire;
how can I forget your ecstatic caresses,
the warmth of your ******* by the roaring fire,
paramour of memory, ultimate mistress?

Each night illumined by the burning coals
we lay together where the rose-fragrance clings―
how soft your *******, how tender your soul!
Ah, and we said imperishable things,
each night illumined by the burning coals.

How beautiful the sunsets these sultry days,
deep space so profound, beyond life’s brief floods ...
then, when I kissed you, my queen, in a daze,
I thought I breathed the bouquet of your blood
as beautiful as sunsets these sultry days.

Night thickens around us like a wall;
in the deepening darkness our irises meet.
I drink your breath, ah! poisonous yet sweet!,
as with fraternal hands I massage your feet
while night thickens around us like a wall.

I have mastered the sweet but difficult art
of happiness here, with my head in your lap,
finding pure joy in your body, your heart;
because you’re the queen of my present and past
I have mastered love’s sweet but difficult art.

O vows! O perfumes! O infinite kisses!
Can these be reborn from a gulf we can’t sound
as suns reappear, as if heaven misses
their light when they sink into seas dark, profound?
O vows! O perfumes! O infinite kisses!

My translation of Le Balcon has become popular with **** sites, escort services and dating sites. The pros seem to like it!



Les Bijoux (The Jewels)
by Charles Baudelaire
loose translation by Michael R. Burch

My lover **** and knowing my heart's whims
Wore nothing more than a few bright-flashing gems;
Her art was saving men despite their sins―
She ruled like harem girls crowned with diadems!

She danced for me with a gay but mocking air,
My world of stone and metal sparking bright;
I discovered in her the rapture of everything fair―
Nay, an excess of joy where the spirit and flesh unite!

Naked she lay and offered herself to me,
Parting her legs and smiling receptively,
As gentle and yet profound as the rising sea―
Till her surging tide encountered my cliff, abruptly.

A tigress tamed, her eyes met mine, intent ...
Intent on lust, content to purr and please!
Her breath, both languid and lascivious, lent
An odd charm to her metamorphoses.

Her limbs, her *****, her abdomen, her thighs,
Oiled alabaster, sinuous as a swan,
Writhed pale before my calm clairvoyant eyes;
Like clustered grapes her ******* and belly shone.

Skilled in more spells than evil imps can muster,
To break the peace which had possessed my heart,
She flashed her crystal rocks’ hypnotic luster
Till my quietude was shattered, blown apart.

Her waist awrithe, her ******* enormously
Out-******, and yet ... and yet, somehow, still coy ...
As if stout haunches of Antiope
Had been grafted to a boy ...

The room grew dark, the lamp had flickered out.
Mute firelight, alone, lit each glowing stud;
Each time the fire sighed, as if in doubt,
It steeped her pale, rouged flesh in pools of blood.



The Perfect Courtesan
by Michael R. Burch

after Baudelaire, for the courtesans

She received me into her cavities,
indulging my darkest depravities
with such trembling longing, I felt her need ...

Such was the dalliance to which we agreed—
she, my high rider;
I, her wild steed.

She surrendered her all and revealed to me—
the willing handmaiden, delighted to please,
the Perfect Courtesan of Ecstasy.



Invitation to the Voyage
by Charles Baudelaire
loose translation/interpretation by Michael R. Burch

My child, my sister,
Consider the rapture
Of living together!
To love at our leisure
Till the end of all pleasure,
Then in climes so alike you, to die!

The misty sunlight
Of these hazy skies
Charms my spirit:
So mysterious
Your treacherous eyes,
Shining through tears.

There, order and restraint redress
Opulence, voluptuousness.

Gleaming furniture
Burnished by the years
Would decorate our bedroom
Where the rarest flowers
Mingle their fragrances
With vague scents of amber.

The sumptuous ceilings,
The limpid mirrors,
The Oriental ornaments …
Everything would speak
To our secretive souls
In their own indigenous language.

There, order and restraint redress
Opulence, voluptuousness.

See, rocking on these channels:
The sleepy vessels
Whose vagabond dream
Is to satisfy
Your merest desire.

They come from the ends of the world:
These radiant suns
Illuminating fields,
Canals, the entire city,
In hyacinth and gold.
The world falls asleep
In their warming light.

There, order and restraint redress
Opulence, voluptuousness.



What Goes Around, Comes
by Michael R. Burch

This is a poem about loss
so why do you toss your dark hair―
unaccountably glowing?

How can you be sure of my heart
when it’s beyond my own knowing?

Or is it love’s pheromones you trust,
my eyes magnetized by your bust
and the mysterious alchemies of lust?

Now I am truly lost!



Passionate One
by Michael R. Burch

for Beth

Love of my life,
light of my morning―
arise, brightly dawning,
for you are my sun.

Give me of heaven
both manna and leaven―
desirous Presence,
Passionate One.

Manna is "heavenly bread" and leaven is what we use to make earthly bread rise. So this poem is saying that one's lover offers the best of heaven and earth.



Second Sight
by Michael R. Burch

I never touched you―
that was my mistake.

Deep within,
I still feel the ache.

Can an unformed thing
eternally break?

Now, from a great distance,
I see you again

not as you are now,
but as you were then―

eternally present
and Sovereign.



After the Deluge
by Michael R. Burch

She was kinder than light
to an up-reaching flower
and sweeter than rain
to the bees in their bower
where anemones blush
at the affections they shower,
and love’s shocking power.

She shocked me to life,
but soon left me to wither.
I was listless without her,
nor could I be with her.
I fell under the spell
of her absence’s power.
in that calamitous hour.

Like blithe showers that fled
repealing spring’s sweetness;
like suns’ warming rays sped
away, with such fleetness ...
she has taken my heart―
alas, our completeness!
I now wilt in pale beams
of her occult remembrance.



Love Has a Southern Flavor
by Michael R. Burch

Love has a Southern flavor: honeydew,
ripe cantaloupe, the honeysuckle’s spout
we tilt to basking faces to breathe out
the ordinary, and inhale perfume ...

Love’s Dixieland-rambunctious: tangled vines,
wild clematis, the gold-brocaded leaves
that will not keep their order in the trees,
unmentionables that peek from dancing lines ...

Love cannot be contained, like Southern nights:
the constellations’ dying mysteries,
the fireflies that hum to light, each tree’s
resplendent autumn cape, a genteel sight ...

Love also is as wild, as sprawling-sweet,
as decadent as the wet leaves at our feet.



Violets
by Michael R. Burch

Once, only once,
when the wind flicked your skirt
to an indiscrete height

and you laughed,
abruptly demure,
outblushing shocked violets:

suddenly,
I knew:
everything had changed

and as you braided your hair
into long bluish plaits
the shadows empurpled,

the dragonflies’
last darting feints
dissolving mid-air,

we watched the sun’s long glide
into evening,
knowing and unknowing.

O, how the illusions of love
await us in the commonplace
and rare

then haunt our small remainder of hours.



Smoke
by Michael R. Burch

The hazy, smoke-filled skies of summer I remember well;
farewell was on my mind, and the thoughts that I can't tell
rang bells within (the din was in) my mind, and I can't say
if what we had was good or bad, or where it is today.
The endless days of summer's haze I still recall today;
she spoke and smoky skies stood still as summer slipped away ...



How Long the Night
(anonymous Old English Lyric, circa early 13th century AD)
translation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song ...
but now I feel the northern wind's blast―
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.



Shattered
by Vera Pavlova
translation by Michael R. Burch

I shattered your heart;
now I limp through the shards
barefoot.



Snapshots
by Michael R. Burch

Here I scrawl extravagant rainbows.
And there you go, skipping your way to school.
And here we are, drifting apart
like untethered balloons.

Here I am, creating "art,"
chanting in shadows,
pale as the crinoline moon,
ignoring your face.

There you go,
in diaphanous lace,
making another man’s heart swoon.
Suddenly, unthinkably, here he is,

taking my place.



The Darker Nights
by Michael R. Burch

Nights when I held you,
nights when I saw
the gentlest of spirits,
yet, deeper, a flaw ...

Nights when we settled
and yet never gelled.
Nights when you promised
what you later withheld ...



Moon Poem
by Michael R. Burch
after Linda Gregg

I climb the mountain
to inquire of the moon ...
the advantages of loftiness, absence, distance.
Is it true that it feels no pain,
or will she contradict me?

Originally published by Borderless Journal (Singapore)

The apparent contradiction of it/she is intentional, since the speaker doesn’t know if the moon is an inanimate object or can feel pain.



Because You Came to Me
by Michael R. Burch

Because you came to me with sweet compassion
and kissed my furrowed brow and smoothed my hair,
I do not love you after any fashion,
but wildly, in despair.

Because you came to me in my black torment
and kissed me fiercely, blazing like the sun
upon parched desert dunes, till in dawn’s foment
they melt, I am undone.

Because I am undone, you have remade me
as suns bring life, as brilliant rains endow
the earth below with leaves, where you now shade me
and bower me, somehow.



Stay With Me Tonight
by Michael R. Burch

Stay with me tonight;
be gentle with me as the leaves are gentle
falling to the earth.
And whisper, O my love,
how that every bright thing, though scattered afar,
retains yet its worth.

Stay with me tonight;
be as a petal long-awaited blooming in my hand.
Lift your face to mine
and touch me with your lips
till I feel the warm benevolence of your breath’s
heady fragrance like wine.

That which we had
when pale and waning as the dying moon at dawn,
outshone the sun.
And so lead me back tonight
through bright waterfalls of light
to where we shine as one.



Insurrection
by Michael R. Burch

She has become as the night―listening
for rumors of dawn―while the dew, glistening,

reminds me of her, and the wind, whistling,
lashes my cheeks with its soft chastening.

She has become as the lights―flickering
in the distance―till memories old and troubling

rise up again and demand remembering ...
like peasants rebelling against a mad king.



Medusa
by Michael R. Burch

Friends, beware
of her iniquitous hair―
long, ravenblack & melancholy.

Many suitors drowned there―
lost, unaware
of the length & extent of their folly.



Daredevil
by Michael R. Burch

There are days that I believe
(and nights that I deny)
love is not mutilation.

Daredevil, dry your eyes.

There are tightropes leaps bereave―
taut wires strumming high
brief songs, infatuations.

Daredevil, dry your eyes.

There were cannon shots’ soirees,
hearts barricaded, wise . . .
and then . . . annihilation.

Daredevil, dry your eyes.

There were nights our hearts conceived
dawns’ indiscriminate sighs.
To dream was our consolation.

Daredevil, dry your eyes.

There were acrobatic leaves
that tumbled down to lie
at our feet, bright trepidations.

Daredevil, dry your eyes.

There were hearts carved into trees―
tall stakes where you and I
left childhood’s salt libations . . .

Daredevil, dry your eyes.

Where once you scraped your knees;
love later bruised your thighs.
Death numbs all, our sedation.

Daredevil, dry your eyes.



Mingled Air
by Michael R. Burch

for Beth

Ephemeral as breath, still words consume
the substance of our hearts; the very air
that fuels us is subsumed; sometimes the hair
that veils your eyes is lifted and the room

seems hackles-raised: a spring all tension wound
upon a word. At night I feel the care
evaporate—a vapor everywhere
more enervate than sighs: a mournful sound

grown blissful. In the silences between
I hear your heart, forget to breathe, and glow
somehow. And though the words subside, we know
the hearth light and the comfort embers gleam

upon our dreaming consciousness. We share
so much so common: sighs, breath, mingled air.



Elemental
by Michael R. Burch

There is within her a welling forth
of love unfathomable.
She is not comfortable
with the thought of merely loving:
but she must give all.

At night, she heeds the storm's calamitous call;
nay, longs for it. Why?
O, if a man understood, he might understand her.
But that never would do!
Darling, as you embrace the storm,

so I embrace elemental you.



Duet, Minor Key
by Michael R. Burch

Without the drama of cymbals
or the fanfare and snares of drums,
I present my case
stripped of its fine veneer:
Behold, thy instrument.

Play, for the night is long.



honeybee
by Michael R. Burch

love was a little treble thing―
prone to sing
and (sometimes) to sting



don’t forget ...
by Michael R. Burch

don’t forget to remember
that Space is curved
(like your Heart)
and that even Light is bent
by your Gravity.

The opening lines were inspired by a famous love poem by e. e. cummings. I have dedicated this poem to my wife Beth, but you're welcome to dedicate it to the light-bending person of your choice, as long as you credit me as the author.



Sudden Shower
by Michael R. Burch

The day’s eyes were blue
until you appeared
and they wept at your beauty.



She Was Very Strange, and Beautiful
by Michael R. Burch

She was very strange, and beautiful,
like a violet mist enshrouding hills
before night falls
when the hoot owl calls
and the cricket trills
and the envapored moon hangs low and full.

She was very strange, in a pleasant way,
as the hummingbird
flies madly still,
so I drank my fill
of her every word.
What she knew of love, she demurred to say.

She was meant to leave, as the wind must blow,
as the sun must set,
as the rain must fall.
Though she gave her all,
I had nothing left . . .
yet I smiled, bereft, in her receding glow.



Isolde's Song
by Michael R. Burch

Through our long years of dreaming to be one
we grew toward an enigmatic light
that gently warmed our tendrils. Was it sun?
We had no eyes to tell; we loved despite
the lack of all sensation―all but one:
we felt the night's deep chill, the air so bright
at dawn we quivered limply, overcome.

To touch was all we knew, and how to bask.
We knew to touch; we grew to touch; we felt
spring's urgency, midsummer's heat, fall's lash,
wild winter's ice and thaw and fervent melt.
We felt returning light and could not ask
its meaning, or if something was withheld
more glorious. To touch seemed life's great task.

At last the petal of me learned: unfold.
And you were there, surrounding me. We touched.
The curious golden pollens! Ah, we touched,
and learned to cling and, finally, to hold.



Myth
by Michael R. Burch

Here the recalcitrant wind
sighs with grievance and remorse
over fields of wayward gorse
and thistle-throttled lanes.

And she is the myth of the scythed wheat
hewn and sighing, complete,
waiting, lain in a low sheaf―
full of faith, full of grief.

Here the immaculate dawn
requires belief of the leafed earth
and she is the myth of the mown grain―
golden and humble in all its weary worth.



Heat Lightening
by Michael R. Burch

Each night beneath the elms, we never knew
which lights beyond dark hills might stall, advance,
then lurch into strange headbeams tilted up
like searchlights seeking contact in the distance . . .

Quiescent unions . . . thoughts of bliss, of hope . . .
long-dreamt appearances of wished-on stars . . .
like childhood’s long-occluded, nebulous
slow drift of half-formed visions . . . slip and bra . . .

Wan moonlight traced your features, perilous,
in danger of extinction, should your hair
fall softly on my eyes, or should a kiss
cause them to close, or should my fingers dare

to leave off childhood for some new design
of whiter lace, of flesh incarnadine.



Redolence
by Michael R. Burch

Now darkness ponds upon the violet hills;
cicadas sing; the tall elms gently sway;
and night bends near, a deepening shade of gray;
the bass concerto of a bullfrog fills
what silence there once was; globed searchlights play.

Green hanging ferns adorn dark window sills,
all drooping fronds, awaiting morning’s flares;
mosquitoes whine; the lissome moth again
flits like a veiled oud-dancer, and endures
the fumblings of night’s enervate gray rain.

And now the pact of night is made complete;
the air is fresh and cool, washed of the grime
of the city’s ashen breath; and, for a time,
the fragrance of her clings, obscure and sweet.



A Surfeit of Light
by Michael R. Burch

There was always a surfeit of light in your presence.
You stood distinctly apart, not of the humdrum world―
a chariot of gold in a procession of plywood.

We were all pioneers of the modern expedient race,
raising the ante: Home Depot to Lowe’s.
Yours was an antique grace―Thrace’s or Mesopotamia’s.

We were never quite sure of your silver allure,
of your trillium-and-platinum diadem,
of your utter lack of flatware-like utility.

You told us that night―your wound would not scar.
The black moment passed, then you were no more.
The darker the sky, how much brighter the Star!

The day of your funeral, I ripped out the crown mold.
You were this fool’s gold.



Desdemona
by Michael R. Burch

Though you possessed the moon and stars,
you are bound to fate and wed to chance.
Your lips deny they crave a kiss;
your feet deny they ache to dance.
Your heart imagines wild romance.

Though you cupped fire in your hands
and molded incandescent forms,
you are barren now, and―spent of flame―
the ashes that remain are borne
toward the sun upon a storm.

You, who demanded more, have less,
your heart within its cells of sighs
held fast by chains of misery,
confined till death for peddling lies―
imprisonment your sense denies.

You, who collected hearts like leaves
and pressed each once within your book,
forgot. None―winsome, bright or rare―
not one was worth a second look.
My heart, as others, you forsook.

But I, though I loved you from afar
through silent dawns, and gathered rue
from gardens where your footsteps left
cold paths among the asters, knew―
each moonless night the nettles grew

and strangled hope, where love dies too.



Unfoldings
by Michael R. Burch

for Vicki

Time unfolds ...
Your lips were roses.
... petals open, shyly clustering ...
I had dreams
of other seasons.
... ten thousand colors quiver, blossoming.

Night and day ...
Dreams burned within me.
... flowers part themselves, and then they close ...
You were lovely;
I was lonely.
... a ****** yields herself, but no one knows.

Now time goes on ...
I have not seen you.
... within ringed whorls, secrets are exchanged ...
A fire rages;
no one sees it.
... a blossom spreads its flutes to catch the rain.

Seasons flow ...
A dream is dying.
... within parched clusters, life is taking form ...
You were honest;
I was angry.
... petals fling themselves before the storm.

Time is slowing ...
I am older.
... blossoms wither, closing one last time ...
I'd love to see you
and to touch you.
... a flower crumbles, crinkling, worn and dry.

Time contracts ...
I cannot touch you.
... a solitary flower cries for warmth ...
Life goes on as
dreams lose meaning.
... the seeds are scattered, lost within a storm.



Chloe
by Michael R. Burch

There were skies onyx at night ... moons by day ...
lakes pale as her eyes ... breathless winds
******* tall elms; ... she would say
that we loved, but I figured we’d sinned.

Soon impatiens too fiery to stay
sagged; the crocus bells drooped, golden-limned;
things of brightness, rinsed out, ran to gray ...
all the light of that world softly dimmed.

Where our feet were inclined, we would stray;
there were paths where dead weeds stood untrimmed,
distant mountains that loomed in our way,
thunder booming down valleys dark-hymned.

What I found, I found lost in her face
while yielding all my virtue to her grace.



If You Come to San Miguel
by Michael R. Burch

If you come to San Miguel
before the orchids fall,
we might stroll through lengthening shadows
those deserted streets
where love first bloomed ...

You might buy the same cheap musk
from that mud-spattered stall
where with furtive eyes the vendor
watched his fragrant wares
perfume your ******* ...

Where lean men mend tattered nets,
disgruntled sea gulls chide;
we might find that cafetucho
where through grimy panes
sunset implodes ...

Where tall cranes spin canvassed loads,
the strange anhingas glide.
Green brine laps splintered moorings,
rusted iron chains grind,
weighed and anchored in the past,

held fast by luminescent tides ...
Should you come to San Miguel?
Let love decide.



Vacuum
by Michael R. Burch

Over hushed quadrants
forever landlocked in snow,
time’s senseless winds blow ...

leaving odd relics of lives half-revealed,
if still mostly concealed ...
such are the things we are unable to know

that once intrigued us so.

Come then, let us quickly repent
of whatever truths we’d once determined to learn:
for whatever is left, we are unable to discern.

There’s nothing left of us here; it’s time to go.



The Sky Was Turning Blue
by Michael R. Burch

Yesterday I saw you
as the snow flurries died,
spent winds becalmed.
When I saw your solemn face
alone in the crowd,
I felt my heart, so long embalmed,
begin to beat aloud.

Was it another winter,
another day like this?
Was it so long ago?
Where you the rose-cheeked girl
who slapped my face, then stole a kiss?
Was the sky this gray with snow,
my heart so all a-whirl?

How is it in one moment
it was twenty years ago,
lost worlds remade anew?
When your eyes met mine, I knew
you felt it too, as though
we heard the robin's song
and the sky was turning blue.



Roses for a Lover, Idealized
by Michael R. Burch

When you have become to me
as roses bloom, in memory,
exquisite, each sharp thorn forgot,
will I recall―yours made me bleed?

When winter makes me think of you―
whorls petrified in frozen dew,
bright promises blithe spring forsook,
will I recall your words―barbed, cruel?



Nothing Returns
by Michael R. Burch

A wave implodes,
impaled upon
impassive rocks . . .

this evening
the thunder of the sea
is a wild music filling my ear . . .

you are leaving
and the ungrieving
winds demur:

telling me
that nothing returns
as it was before,

here where you have left no mark
upon this dark
Heraclitean shore.



First and Last
by Michael R. Burch

for Beth

You are the last arcane rose
of my aching,
my longing,
or the first yellowed leaves―
vagrant spirals of gold
forming huddled bright sheaves;
you are passion forsaking
dark skies, as though sunsets no winds might enclose.

And still in my arms
you are gentle and fragrant―
demesne of my vigor,
spent rigor,
lost power,
fallen musculature of youth,
leaves clinging and hanging,
nameless joys of my youth to this last lingering hour.



Your Pull
by Michael R. Burch

for Beth

You were like sunshine and rain―
begetting rainbows,
full of contradictions, like the intervals
between light and shadow.

That within you which I most opposed
drew me closer still,
as a magnet exerts its unyielding pull
on insensate steel.



Love Is Not Love
by Michael R. Burch

for Beth

Love is not love that never looked
within itself and questioned all,
curled up like a zygote in a ball,
throbbed, sobbed and shook.

(Or went on a binge at a nearby mall,
then would not cook.)

Love is not love that never winced,
then smiled, convinced
that soar’s the prerequisite of fall.

When all
its wounds and scars have been saline-rinsed,
where does Love find the wherewithal
to try again,
endeavor, when

all that it knows
is: O, because!



The Stake
by Michael R. Burch

for Beth

Love, the heart bets,
if not without regrets,
will still prove, in the end,
worth the light we expend
mining the dark
for an exquisite heart.



The One True Poem
by Michael R. Burch

for Beth

Love was not meaningless ...
nor your embrace, nor your kiss.

And though every god proved a phantom,
still you were divine to your last dying atom ...

So that when you are gone
and, yea, not a word remains of this poem,

even so,
We were One.



The Poem of Poems
by Michael R. Burch

for Beth

This is my Poem of Poems, for you.
Every word ineluctably true:
I love you.



Enigma
by Michael R. Burch

for Beth

O, terrible angel,
bright lover and avenger,
full of whimsical light
and vile anger;
wild stranger,
seeking the solace of night,
or the danger;
pale foreigner,
alien to man, or savior.

Who are you,
seeking consolation and passion
in the same breath,
screaming for pleasure, bereft
of all articles of faith,
finding life
harsher than death?

Grieving angel,
giving more than taking,
how lucky the man
who has found in your love,
this -our reclamation;
fallen wren,
you must strive to fly
though your heart is shaken;
weary pilgrim,
you must not give up
though your feet are aching;
lonely child,
lie here still in my arms;
you must soon be waking.

"O Terrible Angel" is the title of my second collection of love poems for my wife Beth, who is more formally known as Elizabeth Steed Harris Burch.



She Gathered Lilacs
by Michael R. Burch

for Beth

She gathered lilacs
and arrayed them in her hair;
tonight, she taught the wind to be free.

She kept her secrets
in a silver locket;
her companions were starlight and mystery.

She danced all night
to the beat of her heart;
with her tears she imbued the sea.

She hid her despair
in a crystal jar,
and never revealed it to me.

She kept her distance
as though it were armor;
gauntlet thorns guard her heart like the rose.

Love! -Awaken, awaken
to see what you've taken
is still less than the due my heart owes!



Once
by Michael R. Burch

for Beth

Once when her kisses were fire incarnate
and left in their imprint bright lipstick, and flame;
when her breath rose and fell over smoldering dunes,
leaving me listlessly sighing her name...

Once when her ******* were as pale, as beguiling,
as wan rivers of sand shedding heat like a mist,
when her words would at times softly, mildly rebuke me
all the while as her lips did more wildly insist...

Once when the thought of her echoed and whispered
through vast wastelands of need like a Bedouin chant,
I ached for the touch of her lips with such longing
that I vowed all my former vows to recant...

Once, only once, something bloomed, of a desiccate seed:
this implausible blossom her wild rains of kisses decreed.



At Once
by Michael R. Burch

for Beth

Though she was fair,
though she sent me the epistle of her love at once
and inscribed therein love's antique prayer,
I did not love her at once.

Though she would dare
pain's pale, clinging shadows, to approach me at once,
the dark, haggard keeper of the lair,
I did not love her at once.

Though she would share
the all of her being, to heal me at once,
yet more than her touch I was unable to bear.
I did not love her at once.

And yet she would care,
and pour out her essence...
and yet -there was more!
I awoke from long darkness

and yet -she was there.
I loved her the longer;
I loved her the more
because I did not love her at once.



Twice
by Michael R. Burch

Now twice she has left me
and twice I have listened
and taken her back, remembering days

when love lay upon us
and sparkled and glistened
with the brightness of dew through a gathering haze.

But twice she has left me
to start my life over,
and twice I have gathered up embers, to learn:

rekindle a fire
from ash, soot and cinder
and softly it sputters, refusing to burn.



Will there be Starlight
by Michael R. Burch

for Beth

Will there be starlight
tonight
while she gathers
damask
and lilac
and sweet-scented heathers?

And will she find flowers,
or will she find thorns
guarding the petals
of roses unborn?

Oh, will there be moonlight
tonight
while she gathers
seashells
and mussels
and albatross feathers?

And will she find treasure
or will she find pain
at the end of this rainbow
of moonlight on rain?



Kissin' 'n' buzzin'
by Michael R. Burch

for Beth

Kissin' 'n' buzzin'
the bees rise
in a dizzy circle of two.
Oh, when I'm with you,
I feel like kissin' 'n' buzzin' too.



The Quickening
by Michael R. Burch

for Beth

I never meant to love you
when I held you in my arms
promising you sagely
wise, noncommittal charms.

And I never meant to need you
when I touched your tender lips
with kisses that intrigued my own -
such kisses I had never known,
nor a heartbeat in my fingertips!



Let Me Give Her Diamonds
by Michael R. Burch

for Beth

Let me give her diamonds
for my heart's
sharp edges.

Let me give her roses
for my soul's
thorn.

Let me give her solace
for my words
of treason.

Let the flowering of love
outlast a winter
season.

Let me give her books
for all my lack
of reason.

Let me give her candles
for my lack
of fire.

Let me kindle incense,
for our hearts
require

the breath-fanned
flaming perfume
of desire.



If I Falter
by Michael R. Burch

for Beth

If I regret
fire in the sunset
exploding on the horizon,
then let me regret loving you.

If I forget
for even a moment
that you are the only one,
then let me forget that the sky is blue.

If I should yearn
in a season of discontentment
for the vagabond light of a companionless moon,
let dawn remind me that you are my sun.

If I should burn -one moment less brightly,
one moment less true -
then with wild scorching kisses,
inflame me, inflame me, inflame me anew.



Because Her Heart Is Tender
by Michael R. Burch

for Beth

She scrawled soft words in soap: "Never Forget, "
Dove-white on her car's window, and the wren,
because her heart is tender, might regret
it called the sun to wake her. As I slept,
she heard lost names recounted, one by one.

She wrote in sidewalk chalk: "Never Forget, "
and kept her heart's own counsel. No rain swept
away those words, no tear leaves them undone.

Because her heart is tender with regret,
bruised by razed towers' glass and steel and stone
that shatter on and on and on and on,
she stitches in damp linen: "NEVER FORGET, "
and listens to her heart's emphatic song.

The wren might tilt its head and sing along
because its heart once understood regret
when fledglings fell beyond, beyond, beyond...
its reach, and still the boot-heeled world strode on.

She writes in adamant: "NEVER FORGET"
because her heart is tender with regret.



She Spoke
by Michael R. Burch

for Beth

She spoke
and her words
were like a ringing echo dying
or like smoke
rising and drifting
while the earth below is spinning.

She awoke
with a cry
from a dream that had no ending,
without hope
or strength to rise,
into hopelessness descending.

And an ache
in her heart
toward that dream, retreating,
left a wake
of small waves
in circles never completing.



Virginal
by Michael R. Burch

for Beth

For an hour
every wildflower
beseeches her,
"To thy breast,
Elizabeth! "

But she is mine;
her lips divine
and her ******* and hair
are mine alone.
Let the wildflowers moan.



the last defense of Love
by Michael R. Burch

for Beth

... if all the parables of Love
fell mute, and every sermon too,
and every hymn and votive psalm
proved insufficient to the task
of proving Love might yet be true
in such a cruel, uncaring world...
the last defense of Love, my Love,
the gods might offer, would be You.



Your Gift
by Michael R. Burch

for Beth

Counsel, console.
This is your gift.

Calm, kiss and encourage.

Tenderly lift
each world-wounded heart
from its near-fatal dart.

Mend every rift.

Bid pain, "Depart! "
Help friends' healing to start.
Keep every reason to grieve
for your own untaught heart.



Rehearsal Reversal
by Michael R. Burch

The wonder of a first kiss
is:
the next will be better,
if less memorable...

and what’s unforgettable’s
this:
that, somehow,
although you just met her,

in the exchange of eclectic eyes
love came, an electric surmise,
with the smell of cordite hair
on a warm wool sweater

more than amply bosomed.
Use
any excess static to light
the fuse.

Fumble-fingered, her bra strap’s cinch
refuses to budge an inch
in either direction.
Who’s

ever prepared to be so stymied?
Smile,
lean back, drag, “relax” awhile
from practice imperfect. I’ll

leave you two jaybirds alone.
Yes, tomorrow she’ll
answer the phone,
show up for your first real date:

late, breathless, and braless!
(WAIT —
before you celebrate:
still celibate).



Reverse Strip
by Michael R. Burch

She cupped her ******* in cotton, wire-cinched,
pulled a pale taupe sheath across red-gilded toes,
across sun-auburned thighs, to midriff, rose,
paraded nimbly to her dresser, pinched
a winsome pair of *******—white with hearts—
between thumb and forefinger, just to show
how well she knew my taste. Then, bowing low,
she stepped into them (here, the music starts,
a vampish tune), slow-wriggled them waist-high.
She used her thumbs to snap elastic to
its proper place. She chose a slip—sky blue—
then shrugged it on, and patted down each thigh.

She then sat down and smiled (there’d be no dress),
uncrossed her legs, shrugged free one talcumed breast...



Dawn Flight
by Michael R. Burch

for Martin Mc Carthy

What is it about love
that defies explanation?—

the weightlessness of being,
the long elliptic climb

into darkness
amid the world’s constant uproar,

the sea’s black waves crashing
incessantly like thunder beneath us,

the long triumphant soar
into thinning contrails of nothingness,

like meteors through ether,
seeing the earth’s dark curve

outlined,
spinning softly beneath us...

gliding, suspended at last,
over the earth pliant and motionless...

feeling, suddenly, the vast
onrush

and illumination.



Of Transience
by Michael R. Burch

How many nights her vulnerability
leaned close and softly pressed its cheek to mine,
held fast by tiny buckled straps impressed
on shoulders white as swans’ white eglantine...

And many were the marks which left their trace,
then soon were gone. The thinnest finest veil
of ashen hair revealed her *******, betrayed
all that I wanted most, but still would fail

to keep me there till morning. For her sighs,
I kissed her lips in wonder; we became
one with the distant thunder. Love is wise
when it comes in flashes, streaking moonlit rain,

but leaves no mark—as transient, as bright
as the searing imprint lightning pens at night.



*******
by Michael R. Burch

It was not for the feast of docile eyes
she shed her latex jeans, her vinyl blouse;
it was not for the catcalls that her thighs,
black-gartered, parted slightly, to arouse
limp dreams, limp organs as onlookers cheered,
revealing paunches belts could not belay.
She shunned their touch, as lepers to be feared,
swerved half-way through her dance, then waltzed away.

But something in her eyes—a mystery
as old as lust, half-veiled by raven hair—
bespoke this certain knowledge: love is free,
but *** must have its fee, transport its fare.
They pay for what they want, and in return
she teaches them what men will never learn.



At the Natchez Trace
by Michael R. Burch

for Beth

I.
Solitude surrounds me
though nearby laughter sounds;
around me mingle men who think
to drink their demons down,
in rounds.

Beside me stands a woman,
a stanza in the song
that plays so low and fluting
and bids me sing along.

Beside me stands a woman
whose eyes reveal her soul,
whose cheeks are soft as eiderdown,
whose hips and ******* are full.

Beside me stands a woman
who scarcely knows my name;
but I would have her know my heart
if only I knew where to start.

II.
Not every man is as he seems;
not all are prone to poems and dreams.
Not every man would take the time
to meter out his heart in rhyme.
But I am not as other men—
my heart is sentenced to this pen.

III.
Men speak of their "ambition"
but they only know its name . . .
I never say the word aloud,
but I have felt the Flame.

IV.
Now, standing here, I do not dare
to let her know that I might care;
I never learned the lines to use;
I never worked the wolves' bold ruse.
But if she looks my way again,
perhaps I will, if only then.

V.
How can a man have come so far
in searching after every star,
and yet today,
though years away,
look back upon the winding way,
and see himself as he was then,
a child of eight or nine or ten,
and not know more?

VI.
My life is not empty; I have my desire . . .
I write in a moment that few man can know,
when my nerves are on fire
and my heart does not tire
though it pounds at my breast—
wrenching blow after blow.

VII.
And in all I attempted, I also succeeded;
few men have more talent to do what I do.
But in one respect, I stand now defeated;
In love I could never make magic come true.

VIII.
If I had been born to be handsome and charming,
then love might have come to me easily as well.
But if had that been, then would I have written?
If not, I'd remain; **** that demon to hell!

IX.
Beside me stands a woman,
but others look her way
and in their eyes are eagerness . . .
for passion and a wild caress?
But who am I to say?

Beside me stands a woman;
she conjures up the night
and wraps itself around her
till others flit about her
like moths drawn to firelight.

X.
And I, myself, am just as they,
wondering when the light might fade,
yet knowing should it not dim soon
that I might fall and be consumed.

XI.
I write from despair
in the silence of morning
for want of a prayer
and the need of the mourning.
And loneliness grips my heart like a vise;
my anguish is harsher and colder than ice.
But poetry can bring my heart healing
and deaden the pain, or lessen the feeling.
And so I must write till at last sleep has called me
and hope at that moment my pen has not failed me.

XII.
Beside me stands a woman,
a mystery to me.
I long to hold her in my arms;
I also long to flee.

Beside me stands a woman;
how many has she known
more handsome, charming,
chic, alarming?
I hope I never know.

Beside me stands a woman;
how many has she known
who ever wrote her such a poem?
I know not even one.



BeMused
by Michael R. Burch

You will find in her hair
a fragrance more severe
than camphor.
You will find in her dress
no hint of a sweet
distractedness.
You will find in her eyes
horn-owlish and wise
no metaphors
of love, but only reflections
of books, books, books.

If you like Her looks …

meet me in the long rows,
between Poetry and Prose,
where we’ll win Her favor
with jousts, and savor
the wine of Her hair,
the shimmery wantonness
of Her rich-satined dress;
where we’ll press
our good deeds upon Her, save Her
from every distress,
for the lovingkindness
of Her matchless eyes
and all the suns of Her tongues.

We were young,
once,
unlearned and unwise . . .
but, O, to be young
when love comes disguised
with the whisper of silks
and idolatry,
and even the childish tongue claims
the intimacy of Poetry.



She Was Very Pretty
by Michael R. Burch

She was very pretty, in the usual way
for (perhaps) a day;
and when the boys came out to play,
she winked and smiled, then ran away
till one unexpectedly caught her.

At sixteen, she had a daughter.

She was fairly pretty another day
in her squalid house, in her pallid way,
but the skies ahead loomed drably grey,
and the moonlight gleamed jaundiced on her cheeks.

She was almost pretty perhaps two weeks.

Then she was hardly pretty; her jaw was set.
With streaks of silver scattered in jet,
her hair became a solemn iron grey.
Her daughter winked, then ran away.

She was hardly pretty another day.

Then she was scarcely pretty; her skin was marred
by liver spots; her heart was scarred;
her child was grown; her life was done;
she faded away with the setting sun.

She was scarcely pretty, and not much fun.

Then she was sparsely pretty; her hair so thin;
but a light would sometimes steal within
to remind old, stoic gentlemen
of the rules, and how girls lose to win.



There’s a Stirring and Awakening in the World
by Michael R. Burch

There’s a stirring and awakening in the world,
and even so my spirit stirs within,
imagining some Power beckoning—
the Force which through the stamen gently whirrs,
unlocking tumblers deftly, even mine.

The grape grows wild-entangled on the vine,
and here, close by, the honeysuckle shines.
And of such life, at last there comes there comes the Wine.

And so it is with spirits’ fruitful yield—
the growth comes first, Green Vagrance, then the Bloom.

The world somehow must give the spirit room
to blossom, till its light shines—wild, revealed.

And then at last the earth receives its store
of blessings, as glad hearts cry—More! More! More!

Originally published by Borderless Journal



POEMS ABOUT POOL SHARKS

These are poems about pool sharks, gamblers, con artists and other sharks. I used to hustle pool on bar tables around Nashville, where I ran into many colorful characters, and a few unsavory ones, before I hung up my cue for good.

Shark
by Michael R. Burch

They are all unknowable,
these rough pale men—
haunting dim pool rooms like shadows,
propped up on bar stools like scarecrows,
nodding and sagging in the fraying light . . .

I am not of them,
as I glide among them—
eliding the amorphous camaraderie
they are as unlikely to spell as to feel,
camouflaged in my own pale dichotomy . . .

That there are women who love them defies belief—
with their missing teeth,
their hair in thin shocks
where here and there a gap of scalp gleams like bizarre chrome,
their smell rank as wet sawdust or mildewed laundry . . .

And yet—
and yet there is someone who loves me:
She sits by the telephone
in the lengthening shadows
and pregnant grief . . .

They appreciate skill at pool, not words.
They frown at massés,
at the cue ball’s contortions across green felt.
They hand me their hard-earned money with reluctant smiles.
A heart might melt at the thought of their children lying in squalor . . .
At night I dream of them in bed, toothless, kissing.
With me, it’s harder to say what is missing . . .



Fair Game
by Michael R. Burch

At the Tennessee State Fair,
the largest stuffed animals hang tilt-a-whirl over the pool tables
with mocking button eyes,
knowing the playing field is unlevel,
that the rails slant, ever so slightly, north or south,
so that gravity is always on their side,
conspiring to save their plush, extravagant hides
year after year.

“Come hither, come hither . . .”
they whisper; they leer
in collusion with the carnival barkers,
like a bevy of improbably-clad hookers
setting a “fair” price.
“Only five dollars a game, and it’s so much Fun!
And it’s not really gambling. Skill is involved!
You can make us come: really, you can.
Here are your *****. Just smack them around.”

But there’s a trick, and it usually works.
If you break softly so that no ball reaches a rail,
you can pick them off: One. Two. Three. Four.
Causing a small commotion,
a stir of whispering, like fear,
among the hippos and ostriches.



Con Artistry
by Michael R. Burch

The trick of life is like the sleight of hand
of gamblers holding deuces by the glow
of veiled back rooms, or aces; soon we’ll know
who folds, who stands . . .

The trick of life is like the pool shark’s shot—
the wild massé across green velvet felt
that leaves the winner loser. No, it’s not
the rack, the hand that’s dealt . . .

The trick of life is knowing that the odds
are never in one’s favor, that to win
is only to delay the acts of gods
who’d ante death for sin . . .

and death for goodness, death for in-between.
The rules have never changed; the artist knows
the oldest con is life; the chips he blows
can’t be redeemed.



Pool's Prince Charming
by Michael R. Burch

this is my tribute poem, written on the behalf of his fellow pool sharks, for the legendary Saint Louie Louie Roberts

Louie, Louie, Prince of Pool,
making all the ladies drool ...
Take the “nuts”? I'd be a fool!
Louie, Louie, Prince of Pool.

Louie, Louie, pretty as Elvis,
owner of (ahem) a similar pelvis ...
Compared to you, the books will shelve us.
Louie, Louie, pretty as Elvis.

Louie, Louie, fearless gambler,
ladies' man and constant rambler,
but such a sweet, loquacious ambler!
Louie, Louie, fearless gambler.

Louie, Louie, angelic, chthonic,
pool's charming hero, but tragic, Byronic,
winning the Open drinking gin and tonic?
Louie, Louie, angelic, chthonic.

I used poetic license about what Louie Roberts was or wasn't drinking at the 1981 U. S. Open Nine-Ball Championship. Was Louie drinking hard liquor as he came charging back through the losers' bracket to win the whole shebang? Or was he pretending to drink for gamesmanship or some other reason? I honestly don't know. As for the word “chthonic,” it’s pronounced “thonic” and means “subterranean” or “of the underworld.” And the pool world can be very dark indeed, as Louie’s tragic demise suggests. But everyone who knew Louie seemed to like him, if not love him dearly, and many sharks have spoken of Louie in glowing terms, as a bringer of light to that underworld.



My wife and I were having a drink at a neighborhood bar which has a pool table. A “money” game was about to start; a spectator got up to whisper something to a friend of ours who was about to play someone we hadn’t seen before. We couldn’t hear what was said. Then the newcomer broke—with such force that his stick flew straight up in the air and shattered the light dangling overhead. There was a moment of stunned silence, then our friend turned around and remarked: “He really does shoot the lights out, doesn’t he?” — Michael R. Burch



Rounds
by Michael R. Burch

Solitude surrounds me
though nearby laughter sounds;
around me mingle men who think
to drink their demons down,
in rounds.

Now agony still hounds me
though elsewhere mirth abounds;
hidebound I stand and try to think,
not sink still further down,
spellbound.

Their ecstasy astounds me,
though drunkenness compounds
resounding laughter into joy;
alloy such glee with beer and see
bliss found.

Originally published by Borderless Journal



ANCIENT CHINESE EROTICA

The Song of Magpies
Lady ** (circa 300 BC)
loose translation/interpretation by Michael R. Burch

The magpies nest on the Southern hill.
You set your nets on the Northern hill.
The magpies escape, soar free.
What good are your nets?

When magpies fly free, in pairs,
why should they envy phoenixes?
Although I’m a lowly woman,
why should I envy the Duke of Sung?

A Song of White Hair
by Chuo Wen-chun (2nd century BC)
loose translation/interpretation by Michael R. Burch

My love is pure, as my hair is pure.
White, like the mountain snow.
White, like the moon among clouds.
But I lately discovered you are double-minded.
Thus, we must sever.
Today we pledged our love over a goblet of wine.
Tomorrow, I’ll walk alone
beside the dismal moat,
watching the frigid water
flow east, and west,
dismal myself in the bitter weather.
Should love bring only tears?
All I wanted was a man
with a single heart and mind,
for then we would have lived together
as our hair turned white.
Not someone who wriggled fish
with his big bamboo pole!
A loyal man
Is better than rubies.

Spring Song
by Meng Chu (3rd century AD)
loose translation/interpretation by Michael R. Burch

One sunny spring, either March or April,
when the water and grass were the same color,
I met a young man loitering in the road.
How I wish that I’d met him sooner!

Now each sunny spring, whether March or April,
when the water and grass are the same color,
I reach up to pluck flowers from the vines;
their perfume reminds me of my lover’s breath.

Four years, now five, I have awaited you,
as my vigil turned love into grief.
How I wish we could meet in that same lonely place
where I would have surrendered my body
completely to your embraces!

A Song of Hsi-Ling Lake
by Su Hsiao-hsiao (5th century AD)
loose translation/interpretation by Michael R. Burch

I ride in red carriage.
You canter by on dappled blue stallion.
Where shall we tie our hearts
into a binding love knot?
Beside Hsi-ling Lake beneath the cypress trees.

A Greeting for Lu Hung-Chien
by Li Yeh (8th century AD)
loose translation/interpretation by Michael R. Burch

The last time you left
the moon shone white over winter frosts.
Now you have returned through a dismal fog
to visit me, still lying here ill.
When I struggle to speak, the tears start.
You urge me to drink T’ao Chien’s wine
while I chant Hsieh Ling-yun’s words of welcome.
It’s good to get drunk now and then:
what else can an invalid do?

Creamy *******
by Chao Luan-Luan
loose translation/interpretation by Michael R. Burch

Scented with talcum, moist with perspiration,
like pegs of jade inlaid in a harp,
aroused by desire, yet soft as cream,
fertile amid a warm mist
after my bath, as my lover perfumes them,
cups them and plays with them,
cool as melons and purple grapes.

Life in the Palace
by Lady Hua Jui
loose translation/interpretation by Michael R. Burch

At the first of the month
money to buy flowers
for several thousand waiting women
was awarded to the palaces.
But when my name was called,
I was not there
because I was occupied
lasciviously posing
before the emperor’s bed.

The End of Spring
by Li Ch’ing-Chao
loose translation/interpretation by Michael R. Burch

The wind ceases,
now nothing is left of Spring but fragrant pollen.
Although it’s late in the day,
I’ve been too exhausted to comb my hair.
The furniture remains the same
but he no longer exists

leaving me unable to move.
When I try to speak, tears choke me.
I hear that Spring is still beautiful
at Two Rivers
and I had hoped to take a boat there,
but now I’m afraid that my little boat
will never reach Two Rivers,
so laden with heavy sorrow.

Sung to the tune of “I Paint My Lips Red”
by an anonymous courtesan or Li Ch’ing-Chao
loose translation/interpretation by Michael R. Burch

After swinging and kicking lasciviously,
I get off to rouge my palms.
Like dew on a delicate flower,
perspiration soaks my thin dress.
A new guest enters
and my stockings flop,
my hairpins fall out.
Pretending embarrassment, I flee,
then lean flirtatiously against the door,
******* a green plum.

Spring Night, to the tune of “Panning Gold”
by Chu Shu-Chen
loose translation/interpretation by Michael R. Burch

My jade body
remains as lovely as that long-ago evening
when, for the first time,
you turned me away from the lamplight
to unfasten the belt of my embroidered skirt.
Now our sheets and pillows have grown cold
and that evening’s incense has faded.
Beyond the shuttered courtyard
even Spring seems silent, forlorn.
Flowers wilt with the rain these long evenings.
Agony enters my dreams,
making me all the more helpless
and hopeless.

The Day Nears
by Huang O
loose translation/interpretation by Michael R. Burch

The day nears
when I will once again
share the sheets and pillows
I have stored away.
When once more I will shyly
allow you to undress me,
then gently
expose my sealed jewel.
How can I ever describe
the ten thousand beautiful,
sensual ways you always fill me?

Sung to the tune of “Soaring Clouds”
by Huang O
loose translation/interpretation by Michael R. Burch

You held my lotus blossom
between your lips
and nibbled the pistil.
One piece of magic rhinoceros horn
and we were up all night.
All night the ****’s magnificent crest
stood *****.
All night the bee fumbled
with the flower’s stamens.
O, my delicate perfumed jewel!
Only my lord may possess my
sacred lotus pond,
for only he can make my flower
blossom with fire.

Sung to the tune of “Red Embroidered Shoes”
by Huang O
loose translation/interpretation by Michael R. Burch

If you don’t know what you’re doing, why pretend?
Perhaps you can fool foolish girls,
but not Ecstasy itself!
I hoped you’d play with the lotus blossom beneath my green kimono,
like a ****** with a courtesan,
but it turns out all you can do is fumble and mumble.
You made me slick wet,
but no matter how “hard” you try,
nothing results.
So give up,
find someone else to leave
unsatisfied.

The Letter
by Shao Fei-fei (17th century AD)
loose translation/interpretation by Michael R. Burch

I trim the wick, then, weeping by lamplight,
write this letter, to be sealed, then sent ten thousand miles,
telling you how wretched I am,
and begging you to free my aching body.
Dear mother, what has become of my bride price?



Poems about Fathers and Grandfathers



Ultimate Sunset
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

he now faces the Ultimate Sunset,
his body like the leaves that fray as they dry,
shedding their vital fluids (who knows why?)
till they've become even lighter than the covering sky,
ready to fly...



Free Fall
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

I see the longing for departure gleam
in his still-keen eye,
and I understand his desire
to test this last wind, like those late autumn leaves
with nothing left to cling to...



Sanctuary at Dawn
by Michael R. Burch

I have walked these thirteen miles
just to stand outside your door.
The rain has dogged my footsteps
for thirteen miles, for thirty years,
through the monsoon seasons...
and now my tears
have all been washed away.

Through thirteen miles of rain I slogged,
I stumbled and I climbed
rainslickened slopes
that led me home
to the hope that I might find
a life I lived before.

The door is wet; my cheeks are wet,
but not with rain or tears...
as I knock I sweat
and the raining seems
the rhythm of the years.

Now you stand outlined in the doorway
―a man as large as I left―
and with bated breath
I take a step
into the accusing light.

Your eyes are grayer
than I remembered;
your hair is grayer, too.
As the red rust runs
down the dripping drains,
our voices exclaim―

'My father! '
'My son! '



Sunset
by Michael R. Burch

for my Grandfather, George Edwin Hurt Sr.

Between the prophecies of morning
and twilight's revelations of wonder,
the sky is ripped asunder.

The moon lurks in the clouds,
waiting, as if to plunder
the dusk of its lilac iridescence,

and in the bright-tentacled sunset
we imagine a presence
full of the fury of lost innocence.

What we find within strange whorls of drifting flame,
brief patterns mauling winds deform and maim,
we recognize at once, but cannot name.



Sailing to My Grandfather
by Michael R. Burch

for my Grandfather, George Edwin Hurt Sr.

This distance between us
―this vast sea
of remembrance―
is no hindrance,
no enemy.

I see you out of the shining mists
of memory.
Events and chance
and circumstance
are sands on the shore of your legacy.

I find you now in fits and bursts
of breezes time has blown to me,
while waves, immense,
now skirt and glance
against the bow unceasingly.

I feel the sea's salt spray―light fists,
her mists and vapors mocking me.
From ignorance
to reverence,
your words were sextant stars to me.

Bright stars are strewn in silver gusts
back, back toward infinity.
From innocence
to senescence,
now you are mine increasingly.

Note: Under the Sextant's Stars is a painting by Benini.



Salat Days
by Michael R. Burch

for my grandfather, Paul Ray Burch, Sr.

I remember how my grandfather used to pick poke salat...
though first, usually, he'd stretch back in the front porch swing,
dangling his long thin legs, watching the sweat bees drone,
talking about poke salat―
how easy it was to find if you knew where to look for it...
standing in dew-damp clumps by the side of a road, shockingly green,
straddling fence posts, overflowing small ditches,
crowding out the less-hardy nettles.

'Nobody knows that it's there, lad, or that it's fit tuh eat
with some bacon drippin's or lard.'

'Don't eat the berries. You see―the berry's no good.
And you'd hav'ta wash the leaves a good long time.'

'I'd boil it twice, less'n I wus in a hurry.
Lawd, it's tough to eat, chile, if you boil it jest wonst.'

He seldom was hurried; I can see him still...
silently mowing his yard at eighty-eight,
stooped, but with a tall man's angular gray grace.

Sometimes he'd pause to watch me running across the yard,
trampling his beans,
dislodging the shoots of his tomato plants.

He never grew flowers; I never laughed at his jokes about The Depression.

Years later I found the proper name―'pokeweed'―while perusing a dictionary.

Surprised, I asked why anyone would eat a ****.
I still can hear his laconic reply...

'Well, chile, s'm'times them times wus hard.'



All Things Galore
by Michael R. Burch

for my grandfathers George Edwin Hurt Sr. and Paul Ray Burch, Sr.

Grandfather,
now in your gray presence
you are

somehow more near

and remind me that,
once, upon a star,
you taught me

wish

that ululate soft phrase,
that hopeful phrase!

and everywhere above, each hopeful star
gleamed down
and seemed to speak of times before
when you clasped my small glad hand
in your wise paw

and taught me heaven, omen, meteor...



Attend Upon Them Still
by Michael R. Burch

for my grandparents George and Ena Hurt

With gentleness and fine and tender will,
attend upon them still;
thou art the grass.

Nor let men's feet here muddy as they pass
thy subtle undulations, nor depress
for long the comforts of thy lovingness,

nor let the fuse
of time wink out amid the violets.
They have their use―

to wave, to grow, to gleam, to lighten their paths,
to shine sweet, transient glories at their feet.
Thou art the grass;

make them complete.



Be that Rock
by Michael R. Burch

for my grandfather George Edwin Hurt Sr.

When I was a child
I never considered man's impermanence,
for you were a mountain of adamant stone:
a man steadfast, immense,
and your words rang.

And when you were gone,
I still heard your voice, which never betrayed,
'Be strong and of a good courage,
neither be afraid...'
as the angels sang.

And, O! , I believed
for your words were my truth, and I tried to be brave
though the years slipped away
with so little to save
of that talk.

Now I'm a man―
a man... and yet Grandpa... I'm still the same child
who sat at your feet
and learned as you smiled.
Be that rock.



Of Civilization and Disenchantment
by Michael R. Burch

for Anais Vionet

Suddenly uncomfortable
to stay at my grandfather's house―
actually his third new wife's,
in her daughter's bedroom
―one interminable summer
with nothing to do,
all the meals served cold,
even beans and peas...

Lacking the words to describe
ah! , those pearl-luminous estuaries―
strange omens, incoherent nights.

Seeing the flares of the river barges
illuminating Memphis,
city of bluffs and dying splendors.

Drifting toward Alexandria,
Pharos, Rhakotis, Djoser's fertile delta,
lands at the beginning of a new time and 'civilization.'

Leaving behind sixty miles of unbroken cemetery,
Alexander's corpse floating seaward,
bobbing, milkwhite, in a jar of honey.

Memphis shall be waste and desolate,
without an inhabitant.

Or so the people dreamed, in chains.



Keep Up
by Michael R. Burch

Keep Up!
Daddy, I'm walking as fast as I can;
I'll move much faster when I'm a man...

Time unwinds
as the heart reels,
as cares and loss and grief plummet,
as faith unfailing ascends the summit
and heartache wheels
like a leaf in the wind.

Like a rickety cart wheel
time revolves through the yellow dust,
its creakiness revoking trust,
its years emblazoned in cold hard steel.

Keep Up!
Son, I'm walking as fast as I can;
take it easy on an old man.



My Touchstone
by Michael R. Burch

for my grandfather George Edwin Hurt Sr.

A man is known
by the life he lives
and those he leaves,

by each heart touched,
which, left behind,
forever grieves.



Joy in the Morning
by Michael R. Burch

for my grandparents George Edwin Hurt Sr. and Christine Ena Hurt

There will be joy in the morning
for now this long twilight is over
and their separation has ended.

For fourteen years, he had not seen her
whom he first befriended,
then courted and married.

Let there be joy, and no mourning,
for now in his arms she is carried
over a threshold vastly sweeter.

He never lost her; she only tarried
until he was able to meet her.

Keywords/Tags: George Edwin Hurt Christine Ena Spouse reunited heaven joy together forever



Poems about Mothers and Grandmothers



Dawn
by Michael R. Burch

for my grandmothers Lillian Lee and Christine Ena Hurt

Bring your peculiar strength
to the strange nightmarish fray:
wrap up your cherished ones
in the golden light of day.



Mother's Day Haiku
by Michael R. Burch

for my grandmothers Lillian Lee and Christine Ena Hurt

Crushed grapes
surrender such sweetness:
a mother’s compassion.

My footprints
so faint in the snow?
Ah yes, you lifted me.

An emu feather ...
still falling?
So quickly you rushed to my rescue.

The eagle sees farther
from its greater height:
our mothers' wisdom.



The Rose
by Michael R. Burch

for my grandmother, Lillian Lee, who used to grow the most beautiful roses

The rose is—
the ornament of the earth,
the glory of nature,
the archetype of the flowers,
the blush of the meadows,
a lightning flash of beauty.

This poem above is my translation of a Sappho epigram.



The Greatest of These ...
by Michael R. Burch

for my mother, Christine Ena Burch, and the grandmother of my son Jeremy

The hands that held me tremble.
The arms that lifted
fall.
Angelic flesh, now parchment,
is held together with gauze.

But her undimmed eyes still embrace me;
there infinity can be found.
I can almost believe such infinite love
will still reach me, underground.



Arisen
by Michael R. Burch

for my mother, Christine Ena Burch

Mother, I love you!
Mother, delightful,
articulate, insightful!

Angels in training,
watching over, would hover,
learning to love
from the Master: a Mother.

You learned all there was
for this planet to teach,
then extended your wings
to Love’s ultimate reach ...

And now you have soared
beyond eagles and condors
into distant elevations
only Phoenixes can conquer.

Amen

Published as the collection "Love Poems by Michael R. Burch"

Keywords/Tags: love, Eros, ******, erotica, passion, desire, lust, ***, dating, marriage, romance, romantic, romanticism
These are love poems written by Michael R. Burch: original poems and translations about passion, desire, lust, ***, dating, making out, relationships and marriage.
Michael R Burch Apr 2022
The Shijing or **** Jing or Shih-Ching (“Book of Songs” or “Book of Odes”) is the oldest Chinese poetry collection, with the poems included believed to date from around 1200 BC to 600 BC. According to tradition the poems were selected and edited by Confucius himself. Since most ancient poetry did not rhyme, these may be the world’s oldest extant rhyming poems.

Shijing Ode #4: “JIU MU”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

In the South, beneath trees with drooping branches
thick with vines that make them shady,
we find our lovely princely lady:
May she repose in happiness!

In the South, beneath trees with drooping branches
whose clinging vines make hot days shady,
we wish love’s embrace for our lovely lady:
May she repose in happiness!

In the South, beneath trees with drooping branches
whose vines, entwining, make them shady,
we wish true love for our lovely lady:
May she repose in happiness!


Shijing Ode #6: “TAO YAO”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

The peach tree is elegant and tender;
its flowers are fragrant, and bright.
A young lady now enters her future home
and will manage it well, day and night.

The peach tree is elegant and tender;
its fruits are abundant, and sweet.
A young lady now enters her future home
and will make it welcome to everyone she greets.

The peach tree is elegant and tender;
it shelters with bough, leaf and flower.
A young lady now enters her future home
and will make it her family’s bower.


Shijing Ode #9: “HAN GUANG”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

In the South tall trees without branches
offer men no shelter.
By the Han the girls loiter,
but it’s vain to entice them.
For the breadth of the Han
cannot be swum
and the length of the Jiang
requires more than a raft.

When cords of firewood are needed,
I would cut down tall thorns to bring them more.
Those girls on their way to their future homes?
I would feed their horses.
But the breadth of the Han
cannot be swum
and the length of the Jiang
requires more than a raft.

When cords of firewood are needed,
I would cut down tall trees to bring them more.
Those girls on their way to their future homes?
I would feed their colts.
But the breadth of the Han
cannot be swum
and the length of the Jiang
requires more than a raft.


Shijing Ode #10: “RU FEN”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

By raised banks of the Ru,
I cut down branches in the brake.
Not seeing my lord
caused me heartache.

By raised banks of the Ru,
I cut down branches by the tide.
When I saw my lord at last,
he did not cast me aside.

The bream flashes its red tail;
the royal court’s a blazing fire.
Though it blazes afar,
still his loved ones are near ...

It was apparently believed that the bream’s tail turned red when it was in danger. Here the term “lord” does not necessarily mean the man in question was a royal himself. Chinese women of that era often called their husbands “lord.” Take, for instance, Ezra Pound’s famous loose translation “The River Merchant’s Wife.” Speaking of Pound, I borrowed the word “brake” from his translation of this poem, although I worked primarily from more accurate translations. In the final line, it may be that the wife or lover is suggesting that no matter what happens, the man in question will have a place to go, or perhaps she is urging him to return regardless. The original poem had “mother and father” rather than “family” or “loved ones,” but in those days young married couples often lived with the husband’s parents. So a suggestion to return to his parents could be a suggestion to return to his wife as well.


Shijing Ode #12: “QUE CHAO”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

The nest is the magpie's
but the dove occupies it.
A young lady’s soon heading to her future home;
a hundred carriages will attend her.

The nest is the magpie's
but the dove takes it over.
A young lady’s soon heading to her future home;
a hundred carriages will escort her.

The nest is the magpie's
but the dove possesses it.
A young lady’s soon heading to her future home;
a hundred carriages complete her procession.


Shijing Ode #26: “BO ZHOU” from “The Odes of Bei”
ancient Chinese rhyming poem circa (1200 BC - 600 BC)
loose translation/interpretation by Michael R. Burch

This cypress-wood boat floats about,
meandering with the current.
Meanwhile, I am distraught and sleepless,
as if inflicted with a painful wound.
Not because I have no wine,
and can’t wander aimlessly about!

But my mind is not a mirror
able to echo all impressions.
Yes, I have brothers,
but they are undependable.
I meet their anger with silence.

My mind is not a stone
to be easily cast aside.
My mind is not a mat
to be conveniently rolled up.
My conduct so far has been exemplary,
with nothing to criticize.

Yet my anxious heart hesitates
because I’m hated by the herd,
inflicted with many distresses,
heaped with insults, not a few.
Silently I consider my case,
until, startled, as if from sleep, I clutch my breast.

Consider the sun and the moon:
how did the latter exceed the former?
Now sorrow clings to my heart
like an unwashed dress.
Silently I consider my options,
but lack the wings to fly away.






The Song of Magpies
Lady ** (circa 300 BC)
loose translation/interpretation by Michael R. Burch

The magpies nest on the Southern hill.
You set your nets on the Northern hill.
The magpies escape, soar free.
What good are your nets?

When magpies fly free, in pairs,
why should they envy phoenixes?
Although I’m a lowly woman,
why should I envy the Duke of Sung?



A Song of White Hair
by Chuo Wen-chun (2nd century BC)
loose translation/interpretation by Michael R. Burch

My love is pure, as my hair is pure.
White, like the mountain snow.
White, like the moon among clouds.
But I lately discovered you are double-minded.
Thus, we must sever.
Today we pledged our love over a goblet of wine.
Tomorrow, I’ll walk alone
beside the dismal moat,
watching the frigid water
flow east, and west,
dismal myself in the bitter weather.
Should love bring only tears?
All I wanted was a man
with a single heart and mind,
for then we would have lived together
as our hair turned white.
Not someone who wriggled fish
with his big bamboo pole!
A loyal man
Is better than rubies.



Spring Song
by Meng Chu (3rd century AD)
loose translation/interpretation by Michael R. Burch

One sunny spring, either March or April,
when the water and grass were the same color,
I met a young man loitering in the road.
How I wish that I’d met him sooner!

Now each sunny spring, whether March or April,
when the water and grass are the same color,
I reach up to pluck flowers from the vines;
their perfume reminds me of my lover’s breath.

Four years, now five, I have awaited you,
as my vigil turned love into grief.
How I wish we could meet in that same lonely place
where I would have surrendered my body
completely to your embraces!



A Song of Hsi-Ling Lake
by Su Hsiao-hsiao (5th century AD)
loose translation/interpretation by Michael R. Burch

I ride in red carriage.
You canter by on dappled blue stallion.
Where shall we tie our hearts
into a binding love knot?
Beside Hsi-ling Lake beneath the cypress trees.



A Greeting for Lu Hung-Chien
by Li Yeh (8th century AD)
loose translation/interpretation by Michael R. Burch

The last time you left
the moon shone white over winter frosts.
Now you have returned through a dismal fog
to visit me, still lying here ill.
When I struggle to speak, the tears start.
You urge me to drink T’ao Chien’s wine
while I chant Hsieh Ling-yun’s words of welcome.
It’s good to get drunk now and then:
what else can an invalid do?



Creamy *******
by Chao Luan-Luan
loose translation/interpretation by Michael R. Burch

Scented with talcum, moist with perspiration,
like pegs of jade inlaid in a harp,
aroused by desire, yet soft as cream,
fertile amid a warm mist
after my bath, as my lover perfumes them,
cups them and plays with them,
cool as melons and purple grapes.



Life in the Palace
by Lady Hua Jui
loose translation/interpretation by Michael R. Burch

At the first of the month
money to buy flowers
for several thousand waiting women
was awarded to the palaces.
But when my name was called,
I was not there
because I was occupied
lasciviously posing
before the emperor’s bed.



The End of Spring
by Li Ch’ing-Chao
loose translation/interpretation by Michael R. Burch

The wind ceases,
now nothing is left of Spring but fragrant pollen.
Although it’s late in the day,
I’ve been too exhausted to comb my hair.
The furniture remains the same
but he no longer exists

leaving me unable to move.
When I try to speak, tears choke me.
I hear that Spring is still beautiful
at Two Rivers
and I had hoped to take a boat there,
but now I’m afraid that my little boat
will never reach Two Rivers,
so laden with heavy sorrow.



Sung to the tune of “I Paint My Lips Red”
by an anonymous courtesan or Li Ch’ing-Chao
loose translation/interpretation by Michael R. Burch

After swinging and kicking lasciviously,
I get off to rouge my palms.
Like dew on a delicate flower,
perspiration soaks my thin dress.
A new guest enters
and my stockings flop,
my hairpins fall out.
Pretending embarrassment, I flee,
then lean flirtatiously against the door,
******* a green plum.



Spring Night, to the tune of “Panning Gold”
by Chu Shu-Chen
loose translation/interpretation by Michael R. Burch

My jade body
remains as lovely as that long-ago evening
when, for the first time,
you turned me away from the lamplight
to unfasten the belt of my embroidered skirt.
Now our sheets and pillows have grown cold
and that evening’s incense has faded.
Beyond the shuttered courtyard
even Spring seems silent, forlorn.
Flowers wilt with the rain these long evenings.
Agony enters my dreams,
making me all the more helpless
and hopeless.



The Day Nears
by Huang O
loose translation/interpretation by Michael R. Burch

The day nears
when I will once again
share the sheets and pillows
I have stored away.
When once more I will shyly
allow you to undress me,
then gently
expose my sealed jewel.
How can I ever describe
the ten thousand beautiful,
sensual ways you always fill me?



Sung to the tune of “Soaring Clouds”
by Huang O
loose translation/interpretation by Michael R. Burch

You held my lotus blossom
between your lips
and nibbled the pistil.
One piece of magic rhinoceros horn
and we were up all night.
All night the ****’s magnificent crest
stood *****.
All night the bee fumbled
with the flower’s stamens.
O, my delicate perfumed jewel!
Only my lord may possess my
sacred lotus pond,
for only he can make my flower
blossom with fire.



Sung to the tune of “Red Embroidered Shoes”
by Huang O
loose translation/interpretation by Michael R. Burch

If you don’t know what you’re doing, why pretend?
Perhaps you can fool foolish girls,
but not Ecstasy itself!
I hoped you’d play with the lotus blossom beneath my green kimono,
like a ****** with a courtesan,
but it turns out all you can do is fumble and mumble.
You made me slick wet,
but no matter how “hard” you try,
nothing results.
So give up,
find someone else to leave
unsatisfied.



The Letter
by Shao Fei-fei (17th century AD)
loose translation/interpretation by Michael R. Burch

I trim the wick, then, weeping by lamplight,
write this letter, to be sealed, then sent ten thousand miles,
telling you how wretched I am,
and begging you to free my aching body.
Dear mother, what has become of my bride price?




Chixiao (“The Owl”)
by Duke Zhou (c. 1100-1000 BC)
loose translation/interpretation by Michael R. Burch

Owl!
You've stolen my offspring,
Don't shatter my nest!
When with labors of love
I nurtured my fledglings.

Before the skies darkened
And the dark rains fell,
I gathered mulberry twigs
To thatch my nest,
Yet scoundrels now dare
Impugn my enterprise.

With fingers chafed rough
By the reeds I plucked
And the straw I threshed,
I now write these words,
Too hoarse to speak:
I am homeless!

My wings are withered,
My tail torn away,
My home toppled
And tossed into the rain,
My cry a distressed peep.

The Duke of Zhou (circa 1100-1000 BC), a member of the Zhou Dynasty also known as Ji Dan, played a major role in Chinese history and culture. He has been called “probably the first real person to step over the threshold of myth into Chinese history” and he may be the first Chinese poet we know by name today, and the spiritual ancestor of Confucius as well.



LAO TZU

For Martin Mc Carthy, who put me up to all but the first translation.

Lao Tzu poems from the Dàodé Jing or Tao-Teh-Ching (“Scripture of the Way”):

An unbending tree
breaks easily.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

Nothing is weaker or gentler than water,
yet nothing can prevail against it.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

That the yielding overcomes the resistant is known by all men
yet utilized by none.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

Why does the Sea exceed all streams? Because it does not exalt itself but is the more lowly. Even so, the sage.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

The sage wears coarse clothes while concealing jade within his *****.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

The sage does not hoard; having bestowed everything on others, he smiles, content.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

When his last scrap has been spent on others, the sage is the richer still.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

The sage does not exalt himself; he prefers what is within to what is without.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

Heaven’s net is vast but nothing slips through its mesh.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

Daring boldness kills; boldness in not daring saves.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

To recognize knowledge as ignorance is a noble insight.
To consider ignorance knowledge, a disease.
Because the sage recognizes flaws, he can be flawless.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

Ruling a large state is like broiling a bony fish.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

Ruling a large state is like poaching an octopus.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

The Way of Heaven is like stringing a bow:
it brings down the high as it elevates the low.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

The wise don’t aggrandize their virtue.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

The wise don’t vice their virtue.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

Be Like Water
by Lao Tzu, loose translation/interpretation by Michael R. Burch

The highest virtue resembles water
because water unselfishly benefits all life,
then settles, without contention or needless strife,
in lowly cisterns.

Weep for the Dead
by Lao Tzu, loose translation/interpretation by Michael R. Burch

When seeing mounds of the dead
the virtuous weep for the loss of life.
When one is “victorious”
observe the mourning rites.

Avoid Boasting
by Lao Tzu, loose translation/interpretation by Michael R. Burch

Rather than overfilling,
it’s better to stop in time
and avoid overspilling.

Though you hone it to a point,
the edge will soon be blunt.

Though the salesman’s exploits are crowed,
in the end, what real good was his gold?

Reticence, when the day’s work is done,
Is the Way of Heaven.

The Wise
by Lao Tzu, loose translation/interpretation by Michael R. Burch

The multitudes satisfy their eyes, tummies and ears, again and again,
while the wise consider them children.

Naming the Nameless
by Lao Tzu, loose translation/interpretation by Michael R. Burch

Tao can be discussed, but never the Eternal Tao.
Names can be named, but never the Eternal Name.
There are known paths yet the Way remains uncharted.
The origin of the universe must be forever nameless
unless we call her the Mother of All.
Always the Secret awaits insight.
Thus when seeking the Ever-Hidden, we must consider its inner essence;
when seeking the Always-Manifest, we must consider its outer aspects.
Both flow freely from the same source, despite their different appellations
and both are rightly called mysteries.
The Mystery of mysteries is the Gateway to all Secrets,
the Door to all beginnings.

The Fountainhead
by Lao Tzu, loose translation/interpretation by Michael R. Burch

Tao is all-pervasive,
an empty vessel yet fathomless,
the bottomless fountainhead from which everything springs!
It blunts the keen,
untangles the tied,
softens the glare,
harmonizes the light,
redistributes the dust motes more evenly,
resolves all complications.
A profoundly deep pool that is never exhausted,
the unknowable child who fathered the gods.

The Divine Feminine
by Lao Tzu, loose translation/interpretation by Michael R. Burch

The Spirit is limitless.
We call it the Divine Feminine,
from whom Heaven and Earth arose
and in whom they remain deeply rooted.
Delicate as gossamer, only dimly seen,
yet infinitely flexible, her strength inexhaustible.

The Valley Spirit
by Lao Tzu, loose translation/interpretation by Michael R. Burch

The valley Spirit never runs dry,
the river to whom all waters run:
the Spirit of our Primal Mother.
Deeply rooting Heaven and Earth,
to most eyes a delicate veil dimly seen,
yet a never-failing Fountainhead.

Adhere to the Feminine
by Lao Tzu, loose translation/interpretation by Michael R. Burch

Know the masculine
but adhere to the feminine
and be a valley to the sphere.
For if you’re a valley
constant virtue won’t desert you
and you’ll return to the innocence of infancy.
Know the bright
but stick to the shadows
and be an example for the realm.
For if you’re an example for the realm,
constant virtue will accompany you
and you’ll return to the Infinite.
Know the glorious
but adhere to the humble
and be a valley to the Sphere.
For if you’re a valley,
your constant virtue will be complete
and you’ll return to the uncarved block
the great Cutter does not cut away.

The World-Mother
by Lao Tzu, loose translation/interpretation by Michael R. Burch

Something formed out of chaos,
born before heaven and earth,
inexpressible and void, is never renewed,
yet continues forever without failing:
the World-Mother.
I don’t know her name,
so I call her the Way.
Earth reflects the heavens;
the heavens reflect the Way;
the Way reflects all that is.

The Wisdom of Contraries
by Lao Tzu, loose translation/interpretation by Michael R. Burch

It’s easy to control something at rest;
easy to handle the undeveloped;
easy to shatter the brittle;
easy to disperse the minute;
easy to deal with things before they get out of hand;
easy to manage affairs before they escalate.
A tree as wide as a man’s arms
sprang from a tiny seed.
A nine-story tower
rose from rock piles.
A journey of ten thousand leagues
begins with a single step.
Whoever meddles begets ruin.
Whoever grasps soon lets go.
The wise understand the advantages of non-action;
They lose nothing by not grasping and clinging,
while foolish people in their enterprises
often fail on the brink of success.
Be mindful from beginning to end
if you want to avoid failure.
The wise desire to be desireless;
they place no value on what is unavailable.
They learn how to live without learning,
yet correct the errors of scholars.
They advise conformity to nature
and avoid rash actions.

The Roots of Turbulence
by Lao Tzu, loose translation/interpretation by Michael R. Burch

Heaviness lies at the root of lightness;
stillness begets turbulence.
Thus the nobleman heads his caravan
keeping a constant eye on his possession-laden wagons.
At night he sleeps secure behind high-walled towers,
undaunted and untroubled.
But how can the ruler of ten thousand chariots
discard the people so lightly from his thoughts?
The branch too high above the root is lost;
the aloof ruler is lost through turbulence.
—Lao Tzu, loose translation/interpretation by Michael R. Burch

Rills to the Sea
by Lao Tzu, loose translation/interpretation by Michael R. Burch

The Way is nameless.
The uncarved block is small,
but who dares claim it?

The world’s relation to the Way
is like rills’
to the Rivers and Seas.

True Greatness is Selfless
by Lao Tzu, loose translation/interpretation by Michael R. Burch

Like the broadest River
the Way cannot be rerouted or deterred.
And while myriad creatures depend on it for life,
it imposes no authority
but works tirelessly without acclamation,
feeding its dependants without seeking to rule them.
Free of desires, it may be deemed “small,”
but because myriad creatures depend on it,
it may also be considered “great.”
And because it never claims greatness,
it is capable of greatness.

When the Way Holds Sway
by Lao Tzu, loose translation/interpretation by Michael R. Burch

When the Way holds sway,
farm horses plough fertile fields;
but when it fails to prevail,
war-horses breed on closed borders.
There’s no greater crime
than to pander to needless desires,
no sickness worse
than not knowing what’s enough,
no greater disaster
than covetousness.
But whoever knows what’s enough
will be content with his fate.

The Way
by Lao Tzu, loose translation/interpretation by Michael R. Burch

The Way creates and nurtures all creatures,
rears and nourishes them,
sustains and matures them,
feeds and shelters them,
grants them life without possession,
benefits them but asks no thanks,
guides but imposes no authority.
Such is the mysterious virtue.

The Greatest of These Is Compassion
by Lao Tzu, loose translation/interpretation by Michael R. Burch

The world calls my Way vast,
says it resembles nothing else.
Precisely! And its vastness is why
my Way resembles nothing else.
For if it resembled anything else,
wouldn’t it then be small?
I have three treasures
that I cling to, and cherish.
First, compassion.
Second, moderation.
Third, not rashly advancing myself.
Being compassionate, I can show courage.
Being moderate, I can be generous.
Not rashly taking the lead, I can command.
Courage without compassion,
Generosity without moderation,
Leading from in front rather than from behind,
are certain to end in catastrophe.
With compassion you will win at war
and be invincible in peace,
for Heaven will protect you
when you act with compassion.

Keywords/Tags: Shijing, ****-Jing, Shih-Ching, translation, book, songs, odes, Confucius, Chinese, ancient, rhyme, rhyming, love, nature
These are modern English translations of ancient Chinese poems from the Shijing as well as poets like Li Bai, Du Fu, Lao Tzu and Tzu Yeh.
A few things for themselves,
Convolvulus and coral,
Buzzards and live-moss,
Tiestas from the keys,
A few things for themselves,
Florida, venereal soil,
Disclose to the lover.

The dreadful sundry of this world,
The Cuban, Polodowsky,
The Mexican women,
The ***** undertaker
Killing the time between corpses
Fishing for crayfish...
****** of boorish births,

Swiftly in the nights,
In the porches of Key West,
Behind the bougainvilleas,
After the guitar is asleep,
Lasciviously as the wind,
You come tormenting,
Insatiable,

When you might sit,
A scholar of darkness,
Sequestered over the sea,
Wearing a clear tiara
Of red and blue and red,
Sparkling, solitary, still,
In the high sea-shadow.

Donna, donna, dark,
Stooping in indigo gown
And cloudy constellations,
Conceal yourself or disclose
Fewest things to the lover--
A hand that bears a thick-leaved fruit,
A pungent bloom against your shade.
Queso Nov 2012
Man had wept
as he watched the fall of Lucifer,
not so much due to the tragedy itself,
rather than the cutting, crystalline
beauty of the Icarian descent

After the absence of three hundred years
since the forgotten burning of Magdeburg(1),
when the Devil had returned to Europe
from the smoldering ashes of
South Africa(2),
Namibia(3),
and Congo Free State(4),
the soft hills of Picardy were
embroidered in gold
with roses and clematises

And since our girl had been fed with naught
but the shimmering positivism of Auguste Comte
from a silver spoon manufactured in Manchester,
beneath the charmingly moorish face of a lover
and a Prada he wore
quilted with railway, nation-state,
Art nouveau, electricity,
and liberal democracy,
never in her wildest, most horrendous nightmares,
-one of which was mere few dozen Jews dying in pogroms-
could she possibly imagine
His robust fingers,
so caressingly wrapped around her neck and cheek,
concealing the bayonet claws
of mustard gas and industrialized massacres

A god whose name we only knew
and whose warmth we only read of,
had called for the blood sacrifice of utmost purity,
to be fed to its altars for the promises of salvation

As the Devil ravaged her body frozen as the Siberian gulags
and her soul smoking away to the chimneys of Auschwitz,
he raked his nail to her cheek seized by the throat,
lasciviously whispering,
‘Here, this,
This is the kiss of progress
You have thrown so warmly your arms around’

Ninety-eight years had passed
since that fatal kiss of a lovesome late June,
though the summer days had returned in Picardy,
roses and clematises
no longer bloom on her hills
except as tributes for silenced youth
which petals lay as a civilization’s tears
as shroud over a massive bomb-crater of La Boisselle(5)

And never again, could she fall in love,
notwithstanding all the lover’s whispers
of the rational organization of human society
or the ultimate liberation of the working class,
for in her heart have always lingered,
the shadow of the Devil
whose chilling warmth of the Lubyanka cells
and the fiery dearth of the crematoriums of Poland
we had shared as whole, consummate days of youth

For there lies a tragic aestheticism
in deflowering of a rose just about to bloom,
for one delirious sense of snapping off the stem,
we had burned away all ardor of love for a century

---------
(1) http://en.wikipedia.org/wiki/SackofMagdeburg
(2) Concentration camps were first used as means of civilian incarceration by the British against the Afrikaaners during the Second Boer War
(3) http://en.wikipedia.org/wiki/HereroandNamaquaGenocide
(4) http://en.wikipedia.org/wiki/Congo
FreeState#Humanitariandisaster
(5) http://en.wikipedia.org/wiki/Lochnagar_Crater
Ally Van Amstel Jul 2018
Your eyes
are time capsules in my mind.
The memory of you there,
fingers lingering through my hair.
Begging me
to lock my lips with yours.
I posed from a distance,
sipping on my infidelity.
How it made its way
lasciviously
across your body
so meticulously,
intentionally
imploring you to want me.
You asked,
but I didn't know what to say
so I just kissed you.
I still see you sometimes
in the peripherals of my mind,
though the contours of your face
are beginning to blur as they do
with any beautiful stranger.
I can't tell whether the image of us
is a painting or a picture:
something I've carefully constructed
or a moment merely manifested.
But I do know
that it was the blue in your eyes
and the white in my lie
that had me stay til dawn.
There is never nothing new
Just rearrange things

I don’t write poems
I just remove the extra words that are in the way

Hold on to the words like whispers and shadows and wings
Recklessly insert adjectives
Tie it all to your delusions of profundity

Dig down deep for pain
no matter how senseless
Pick at your emotional scabs
Bleed

No one likes poetry
Constantly remind people of that
Tell them that you make it sound good to you and **** them
(Even though their ovation means everything)

Slip, dip and weave
With ambiguous wet dreams
Full lips and thick tongue
Mouthing…
Come
to an understanding
***** is much better than clean
Make it filthy
Soil it

Make it nostalgic
People need to be reassured that you were really ******* up as a kid
and that this poetry **** doesn’t just happen to people overnight

Make it esoteric
That way, when no one knows what the hell you are talking about,
you will have a good word to explain why

Say things that are so ill mannered that they are weighty
I will give you an example
“I’m not looking for a girl that is beautiful
I'm looking for one just barely ugly enough to **** me”

Incite large groups of people to *****

Get so personal that it gives people headaches

Expose yourself until everyone is embarrassed for you

Spew it all over the bar
In a drunken stupor
flaunt it lasciviously with your genitals
Pour yourself into reckless collisions
Drink from your soul until it rots your liver

Write until you want to **** yourself
then write about that

Make it as bitter as a Wal-mart associate
Make it so sweet she will swallow it all
before looking up at you with eyes like tiny puddles
To say, “that was beautiful”
(even though it was disgusting)

It should be raw
It should make you itch
It should be like rubbing up against it spreads it
It should be like VD

Make really long
Like it’s your *****
No,
Make it really, really long
Like its my *****

Make it rhyme
I mean don’t
Don’t

Don’t ever write another ******* poem
because I assure you
if I did not write it
than it must ****

and that is how poetry works

Michael L Sutter
The Jester came to see the King one day ,
“these fools are no good they are full of dancing’.

Then the following day a joker came up to the king ,
“; these fools are no good for they are full of laughing .

And we are no good for we sit and moan for the crown we stole
has been a stolen .
The ring we borrowed ,
the knowledge we shared ,
the love we cherished ,
Is as loose as a hang mans noose .

The jester stands on our walls we built ,
just to tell us we are fools .

The joker on our bed laughs tingles his bells as we lay asleeping .
The minstrels have all but left to go a Caroling ,
the love we cherished lies
as empty as the grains of wheat to sodden to eat ,
to sodden to sell .
Christ’s love hangs in art
ripped flesh a truth of love lost
lies in rock umugst our sands .


We head off to the streets with laughter one foot to the right ,
the other to the left ,
the joker stands in the middle .
One foot to the left ,
then to the right
and we all sing lasciviously ,
as the plagues acoming ,
and we go asinging ,
for its. acarolling time ,

and it dos’nt lead to heaven .

For now the wine tastes sweet ,
and the barrels are dry ,,

our heads are kinda dizzy ,
We ***** and puke ,
then **** and poo as we
hung draw and quarter our souls as O
the boils will rise by the morning. The joker jokes ,
the jester sings ,
and we held hands ,
round and round and round we went
and it did not lead to heaven.

#Gals. Come home my dears come home my loves ,
for we will cook you pottage in the morning
and they didn’t end in heaven.

Men reply and we’ll all be dead by the mor ..ning #

And the boils arrived in the morning
and they didn’t. lead to heaven.
Edna Sweetlove Aug 2015
This is one of Barry Hodges' most inspired memories.

  'Twas morning time in times of yore and I, bold Barry Hodges, stood outside my store, my giant vegetables on display for all to see, when lo and behold! a luxurious limousine drew up, and from the back there emerged a gorgeous form of voluptuous statuesque feminity.
  "My God!" I cried, it is that beauteous lady from *La Dolce Vita
, the wondrous Anita - and I gazed with joyous on her divine body, imagining it sprawled lasciviously in my bed, legs open as wide as a major road junction on the M1 motorway.
  "Excuse me", said she in that Italo-Swedish voice guaranteed to make any man wet himself copiously, "But I am a-lookink for a shop a-called 6B, and yet all I can-a-see is a Barry Hodges' the Master Geengrocer's, complete with a giant cucumber or two, which I 'av to say remind me of somet'ing tasty."
"Dearest lady, said I, you have come to the right place: 6B is the trading name of my sister enterprise: Barry Bodgers' Boil Bursting Beauty Bureau which is located upstairs, Barry Bodgers at your service, my dearest, most delightful Fru Ekberg."
"Shhhhhhhhh! I am een deesguise, not even dear Federico knows I am-a-here." And thus, assuring her of my utmost discretion, and forming a bond by saying that I too, the famous Geordie seducer, Barry Hodges, had indulged in a slight nomenclatural change in order to separate the two sides of my business interests, and in order to do a spot of money laundering on the side.  "But," I enquired, "How is it that you have need of the rather specialised medical services we offer, you who are so radiant and bella-bella?" She lowered her eyes seductively and promised to reveal her terrible secret.

As I ushered her up the stairs to the studio, my eyes on her ****-cheeks wiggling like two delectable beach ***** in a sack, she told me the sad tale of the immense boil which kept recurring on the middle of her back and which no amount of corrective surgery could fix.
"Aha!" I exclaimed, "Only Barry Bodgers, the world's greatest boil-sucker, can effect the cure for which you long, and I shall operate on you personally, not entrusting such a task to even the best of my boil-bursting minions." I added to myself, "Also I want to give you a good old bonking while we're at at."

Once we attained the privacy of my consulting room, I instructed her to strip off utterly so I might examine her, and I can tell you, dear reader, that her **** **** was a joy to behold. I too divested myself of my clobber, knowing that boil-******* can get a bit messy at the best of times. Jesus wept!, but the mighty boil betwixt her graceful shoulders revealed when de-plastered was a true horror, with a yellow tip as big as a Grade One Belgian Turnip. I explained that I would **** it out whilst I rogered her from the rear and that, when she felt her ****** on the way, she should scream out to that effect and I would then bite the core of the boil right out in a blaze of mutual ******* glory, before applying a dose of my exclusive Boil Preventative Cream, namely a handful of our conjoined love-juices extracted from her gaping ***** by hand a few seconds earlier.
"Yes! Yes! Yes!" screamed the Swedish bombshell and with a mighty **** like an industrial Dyson FX334 on full power, I slurped and  razor-bit the boil, bursting it asunder, smothering my eager face in blood and putrid pus, thereby causing me to blow my *** as ne'er before. The green core of the boil emerged from its fleshly cavity with a deafening plop as we came together like a nuclear blast d'amour.

O, but only then, as my seminal outpourings soaked my jim-jams, did I awaken to discover yet another nocturnal emission. And, not unexpectedly, dear Nurse Nellie, having heard my cry of ecstasy, rushed in to my bedroom, head-shaking and tut-tutting as usual, as she knelt down and licked my tum-tum dry.
"Yum, yum" she murmured in her dulcet Northumbrian tones, "Ah've looked after three generation o' Hodges laddies, and I kin tell ye, your *****'s the tastiest of them all, ye bonnie wee man."
"Better than Grandad Charlie's?"
"Why aye, mon, yours is well creamier."
He left with the passing time
no farewells offered
no heartfelt backward glance
his footfalls ticking seconds
echoing in the Sunday parlours of the righteous he despised

He left with the passing time
no one mourned,no tears were shed
His sacred, bleeding heart
now but a tattooed image
on the chests of the dejected

He left with the passing time
on whispers of myths
and suspected tall tales
doubting his own truth
despising the lie of his creation

He left with the passing time
while pious mice sang of his glory
behind the battlements of faith
as the wars of the wicked raged in his name

He left with the passing time
while mothers wailed at shaken babes
and the disappeared sang from **** choked graves

He left with the passing time
as society shunned his brand
and drunken feet  danced lasciviously on his moral high ground

He left, with the passing time...
My rather drunken write from last night, not sure if I'll edit it, remove it or bin it all together. Not sure I like it at all. Please leave feedback if you will, it would be greatly appreciated.
Lynn Spear Aug 2010
Scattered mind flying high,
Giving birth to ten more world-solving notions...
Like going on missions to foreign lands,
Healing the sick, giving out potions

My mind, embedded near gyrus and sulcus, knows no rest
The best ideas barge forth, within them come serious tests
  
Haunted, undone, one thought forms another
And another and another, above and beyond
I wish I could gaze into a crystal ball
Or wave it all away with a magic wand

Yet they're trapped, the thoughts fight each other with fervor
None of them ever wins because there's truth to every 'fever'

I know little slumber, its consequences given me to reap
I cannot sleep, I have no strength to weep
So disorderly I climb the steep dune
Sit atop and let go, and become immune

To what do I warrant such delightful diversion,
Enormity arousing enchanting excursions,
Bourn on adventure trudging into the night
An avalanche of answers for each weak 'goodnight'

The theory behind the presumption
An outline forms consumption
And consumes what? A faded thought that fails its test?
Only to leave hundreds more revelations? No rest!

The war rages within and is only consoled with more battle
I turn my head to respond and I hear an invisible rattle

A cannon resounds a magnificent clamor
And in genius there is found no candid glamour
The price is extraordinary, tormenting, fermenting
My soul takes toll of the mind's whirred lamenting

The motor consistently constantly churns
And within my being a fire lasciviously burns
Creativity is born on many a morn
When the moon moves so many amore

My meaning lies moaning not within lovers' arms
The link of such depth, no thwarting ensues
And I, sadly cannot pick up on the cues
And hour by hour I pay my dark dues

For possessing a disorderly knowledge beyond the mundane
At times I have no respect for ignorance, and then I refrain

From retorting what seems to be sheer morbid stupidity
I then realize that the unaware have more rest
I am a constant prisoner to my own uncontrolled lucidity
Transcendence is put upon my sad heart to test

And failure engulfs, suspicion again born
Trusting, untrusting, entrusting again
Paranoia peeks its head above a curtain irreparably torn
For the ten hundredth time my aura's adorned

And even if rain was painted bright colors
It wouldn't cling to the cloth absorbing herewith
For madness knows no such thing as height or width
It splatters on the gift, not a bubbling brook
But in sinister alleys intertwining the nooks
  
On a hard ridge it washes up, smacks hard against boulders
How could anyone see, no matter how big the shoulders
The raging, enraging, the madness of me
Unending sadness enshrouds, any gladness does flee
  
And nothing could have ever prepared me for this…….
The churning and burning and turnings amiss
Few attain such enlightenment, wisdom embedded with nails
To hell one must go to stand upon the high trail


Though nails now roses, its hilarity rests in what it imposes
The madness with sadness, humor to darkness transposes

And that is no gift, or is it? Annoyance
Pervades me incessantly.  I harbor clairvoyance
Extrasensory perception, the mind's grand deception?
In visions come to pass, messages impasse protection

And I in a world I barely understand
But there I take root and thusly extend my hands
To a world I hideously, abhorrently reprimand
Its normalcy thrives on an uncaring and desolate land.
Of which I want no part…..

It's within me to embark on a new beginning
For nothing will stop my thoughts from spinning
There is little that encourages sanity for winning

I rev up my engines, my spirit the pilot
And resign myself to the insidious riot


Lynn Goldner Spear
Copyright 2007
Brycical Nov 2013
As the mind grows weary
in the plum void darkness
a hand twiddles and bends the
vibrations around your
body into a swirling
spiral, hazy lazy magic spinning
sound fog brushing and breezing
around your mind massaging your
brain and igniting a slow pulse
like an ember kissing a flame
in your chest as the warmth  winds
around your body like the ripple of
an opal Venus choral dropped in lava
lasciviously  lounging in your eyes
as if a phoenix sang an ode in the vast intersection
of time and space colliding together
to make a gravity that slowly compels you into the
wormhole of your self--
the door to many things and realms craving to be opened
if just to get some fresh, rain embraced air...
the smile says everything.

You're right, I agree.
We should sleep on the hammock by the howlite beach
and fall asleep as the indigo water lulls us to sleep.
frances lee Jul 2011
worn, well loved pages of books yearn for her touch
and the words themselves long for her tender gaze .
tea cups count the seconds until her lips are pressed to them
while firelight flares to lasciviously lick her skin at her passing.
clothes cling and caress like a lover when music moves her
light bends as the whole universe cleaves to her, and so do i.
The Wicca Man May 2013
I stare mesmerized at the dancing flames
cavorting like cheap ******
now red, now blue,
twisting and turning lasciviously,
each striving for my attention.

Occasional sparks flash and fizz
as each flame tries to o'er leap the next
until, exhausted, they are ****** back
into the charcoal darkness,
turning deep crimson,
hissing and spitting
like a cornered cat and
sinking still further into the blackened remains

Until all that is left
are the dying embers.
A W Bullen Aug 2016
What is it she whispers?
Outside..
The brittle bleach decor rustles shy applause
Inside….
half encumbered slumber wins
The aching World to part made play
Arcadian chapels hover in folds
That form in the fields of gathering grey

and still she whispers.

Damp calico dales murmur and shift
in the twist of a tremor.
A cold palm press upon temples that pulse
for the touch of another that passes
high over the way…

What is it, she whispers?

Witch-fingers lift at the filigree latches,
saltwater patches salivate free…..
..lasciviously.
beneath the list of chalking blinds
rim- shot eyes scour windswept causeways

Always searching,

Always waiting,
For some unknown.

And still she whispers...
I.

On the surface easily gliding,
  are my hands. I keep on the table
  an ajar carton of cigarettes. Then slowly
  becoming in my pocket, taking form of a hand,
  a crumpled cinema ticket when straightened,
  ironed by plainsight, walks with lines, the end credits roll lasciviously like an estranged lover
   whose face I can almost touch.
  When let go of closure, air thins and I move
  secretly with fluency. This is how objects
  escape my grip.

II.

  In front of the eatery, a transit.
  I had a dream once in a depthless sleep,
  a figure in stilts studded with guilt.
  The face next to me, disquieting the music
   of currencies, naked in sound as the truth shaved
   like a beast. The nearby tarmac resounds with
   another throng of absence. As a substitute
   for beings shackled to duty,
   the oncoming woman assumes theirs,
   borrows their faces of dreariness and ***** a thousand times like white sheets harassed by
   the wind through opened windows.

III.

    Define space as a venue for collision.
    Say when a red-haired woman straddling
    a duffel bag and myself confused as a peripatetic.
    She ascribes her presence to my footing
    and from where she left off, I take form
    of her expired movement.
                     Found strangeness is that space
    is what happens when remembered. But hold no
    bearing and rear contrivance,
     trying to be bold by definition -- space solicits
     the in-betweenness and then transmutes
     an occurence,
             say the volatile shape of a hand when
    clutching and releasing, the fugitive manner of
    feet when avoiding puddles, the unsolicited
    reticence of a troubling question.

IV.

            A man carries a take away and is now
     amongst the populace, waiting under a shed,
     housing a familiar language. Home.
    
      But first, trivialized. Haggles with the cab driver,
    trying to transact a being angled towards home.
    They agree to a fault, money's perfume clinches  the fingers and is given to a calloused hand.
             Air once stale, is now succulent with the
      resonating memory of a child's excited laughter,
      and is now presumably waiting behind a gated
      home. Like the palm of the hand, the number
         of times the vehicle trundles within
     the nearby avenue is the force it enkindles
        with rest. He is home,
     unloosens his clothing. Like a fine specimen
          freed from a vitrine.
Mike Essig Mar 2016
When I get really decrepit,
I will wear mismatched clothes
on purpose; fill my pockets
with useless pennies; leer
lasciviously at girls far too
young; mutter arcane
wisdom to myself just loud
enough to hear but not to
understand; eat everything
that makes the health Nazis
cringe; smoke in inappropriate
places; get drunk in the
mornings if I so desire
and smoke *** in public.
It will be an ecstasy to
not give a rat's *** what
anyone thinks. My only
regret will be that I
did not start sooner.

   ~mce
Oliver Philip Dec 2018
A Poets quest.
An ABCDERIAN poetry form.
~~~~~~~~~~~~~~~~~~~~~
Avant couriers of final solutions
Battalions left fighting by the way
Condescending world powers twittering
Deeming all they say as gospel of the day
Everything under the sun or darkest shadows
Foolishly not admitting their own failings ever
Gathering hatred at each turn of every corner
Happy that their heads were in the sand.
Indiscriminating constant betwixt good n evil

Janissary exterminates all cause or principal
Knowing nothing of the true skill of judgement
Lasciviously take good from good for no good
Microlithic walls of stones to cover errors
Navigatiors using ancient charts for guidance
Outrageously heralding credit for the route
Perchance they knew no natural pathway
Quadrature at ninety between the sun n moon
Revived old Christian scruples long forgotten

Saviours ? Save all states from self destruction
Tablature of a tragic outcome hard to face.
Unequivocally tough on any creed or religion
Vededictory taken two thousand years to build
Wrapped indiscriminately up in just one missile
Xenelas now mankind from each world corner
Yea from peaceful pastures grazed for years
Zion heaping up evangelical dogma.
              Pray to God and let us learn.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Written by Philip.
December.  11th . 2018.
Think about a Poets quest from A to Z.
A string plucked:
Soft, supple, pliant, auriferous,
Full-bodied.
Vibrations traveling in determined waves
Fill the chambers
Joyfully cascading down walls,
Ringing down halls,
The symphony crescendos and falls.
A string brushed:
Gasps, sings, tender, melodious,
Wanton.
Whispers traveling in hopeful skips
Dance on air
Lasciviously over-pleased
To be teased
And so subtly eased.
The string un-plucked:
Grows cold
Anticipates
Grows rusty
Wants for just one touch
Grows restless
Sits in silence
Oppressive silence
Until it snaps.
10.12.17
Inktober prompt: Shattered
Rules: Whatever comes out of the pen is the poem. No editing allowed.
KM Ramsey Aug 2015
some say home is where the heart is
to mean that
there is an immutable place
magnetically manipulating
and tearing out my heart
keeping it lashed lasciviously
to that cold concrete
and steaming thunderstorms
that warmed my childhood face
and wet my bare feet
running wild

i don't miss my home
though i balk at the definition
of a part of myself that
is irrevocably tangled up with
that place where i burned
and razed myself to the ground
leaving only shimmering coals
abandoned in a lost forest of pain

my heart has no connection to that place

except perhaps the inescapable
the dripping bloodlust for
my own destruction
flames licking my ankles
as i threw gasoline on the blaze

that place was the incarnation of my loneliness

the weighted blanket
wrapped around my shoulders
me
a beast of burden expected
to carry the anvil of my anxious thoughts
whose fiery white heat kept me up nights
Atlas supporting the earth on his back

that place was the Sisyphaen interminable task

why would my heart attach itself to that pain

i don't believe home is a place
a warmth of welcome upon
my return into its
loving arms that cradled my childhood
those arms are not my comfort
they are the blades that
shredded me to ribbons
left me bleeding on the ground
until i limped away
and swore i'd never return

my home must be just as much
of a vagabond as my
meandering soul
and yet the refuge in the storm
that i can run to when
the demons come knocking
to abduct me and
leave my corporeal vessel
with glazed eyes
an empty shell

i've tethered my heart to you
intertwined those secret places
into the great hall of your heart
trembling with the unavoidable fear
of opening those chained doors
and making that ephemeral place
exposed
vulnerable
establishing a connection with
my wandering emotion
seeking the warmth of
a crackling fire on the
brick hearth radiating the heat of
my trust in you
my might-be love that
crashes into the barrier of my teeth
racing up my throat like
the bulimic ***** i used to spew
into toilets along with
my shame

no
for me
home is wherever you are
if you carry in yours the hearts of those who love you.
letters to you i'll never send
Mike Essig Jun 2015
Lasciviously
as the wind
blown from afar,
you arouse
my insatiable
eagerness:
a gentle breeze
across bare skin,
naked desire flares.

  ~mce
Denis Barter Mar 2018
An Exercise in Alliterative Acrostics.

Ernie, ebulliently enthused,
But battered and bruised,
Understandably uneasy and upset.
Leaves lustful Larry, a ***** lad,
Lasciviously longing to live
Innocuously. Ivan, integratesvolves integrating
Every expeditious and essential
Needed necessities, necessary to negate  
Terrible teasing Thomas, to terminate

All appropriate and aggravating
Noisy Norman notes!  No negotiations can negate
Diabolical devilish deeds.  Determination dictates

Exuding excessive energy, exterminates and excoriates
Nasty native nonentities.  No naive niceties
Tackle tricky testy tasks, for tender tendencies,
Having hyperbole hopes, are hypothetically helpless
Unless usurpers unveil unsung university union
Sympathisers, seeking salvation, as sympathising.
Evangelists, exemplary and enthusiastic experts
Doctors, and dentists doggedly determine details definitely decide,

Ebullience and Enthusiasm exist!

Rhymer.  March 10th, 2018.
I walked among the garden, passing by where long ago you once planted daisies—how those buds once bloomed. I walked a-ways farther until I came to a hearth, torn asunder. Its warmth gone cold and gray. The air about the garden is murky and slick, and I can feel it hang low in the snood of the evening mist. Up ahead I see where the path narrows, and like a siren it lasciviously calls out to me. It lies barren beneath the wet winter wind that blows restive. I know that it knows the way not. The wind sets the tawny leaves to caper and dance this way and that. And laconically they cross atop the worn-out grass. The sun now set save for the trailing penumbras, that set ominous among the darkening clouds like floating tundras. I catch a chill and realize for the first that I am out here alone; among the ancient pillars in the shadowy garden that I have for so long known. Why is it that year after year I must return here, is it to visit you, set things straight, or is it to recover a thing I might have lost to the atavistic gait of chaos and time? I know not—it is not for me to know. But, out here among the spectral shadows I am returned to the primordial. The nonpareil decay of clay and dust.
Dom Mar 5
Obdurately yours,
Under the pale light of the moon,
Rutilant eyes dart like tail-lights on an open road
Follow their streaks, to the candlelit underpass,
Let the cool night zephyr tickle your pallid flesh
And ripple a shiver to rattle your teeth,
See the quick of the flame at the well-dressed table -
We shall dine, as the sea sounds of cars passing
Dances like white noise melodies to ease the nerves

Here under the cloche
A litany of fine meats and greenery
To your decadence, a meal served for a queen.
Your incisors lasciviously tear the muscle
And the juices dribble down playfully from your chin
If I could laugh I’d wager a chuckle,
But I watch hurriedly at every movement

Inured pleasantries
Exchange as I draw near,
Cold tenebrous fingers gracing blonde strands
They look like golden threads or polished brass
Where the candlelight dances a shine through the palm full
Can you feel my miasmic breath briskly blowing upon the nape of your necks?


I suspect you are unexpecting of calamitous feeling
Radiating from **** to cheek as pale rounds turn rose-ish pink
And as you catch the beauty of dear Luna,
Basking in her preternatural glow
A trance as she dances about in ethereal gardens
Far and away in forlorn captured memories
While sharpened canines drill into her like ravaging thrusts
Lapping her spirit in every grisly gulp,
This embrace, osculant, leaves her desiccated
A statuesque marbled mannequin
Who bemoaned the very nightly calls of wolves and ravens

Here in the underpass,
A meal for two.
Amy Greene Aug 2016
The moon self-eclipses,
hiding her battered old face
in stygian lunacy.
Below,
we bounce light in different directions
like prisms
hanging in the window of a curiosity shop.

In strobing shadows, we grin
lasciviously-
dangling, drooling shrunken heads
on red strings of fate.

It hardly matters.
From a distance our oddities are almost...
endearing.

You are welcome in my bubble,
room for two.
the dirty poet Dec 2018
consistency is defeat
going to work every day?
coming home?  every night?
TEQUILA!
***** BONGWATER!
look
my totality changes
every day and a half
i’m one slippery *******
so if and when i tumble out your window
it’ll be a nuclear event
molecules exploding
lasciviously recombining
promiscuously bonding with whatever
carnal stray matter catches my eye
by tomorrow morning
i’ll be snowing
all over the universe
Travis Green Nov 2022
I want you to put the heat on me
Make me blitzed and speechless
Make me dizzy and lit as ****
****** your thick thundering thugness
Deep in my guts, bust my hot stuff
Make me lust for your ultra-hunky roughness

Electrify my heart and soul
With your bright fiery spiciness
Make me moan super strong sounds
Of profound resounding erotica
With your seamless succulent intensity
Your screamingly dreamy masculinity
Your splendid and potent resplendency
Great and expansive engagingness

Your continuous and paramount delight
Makes me so hella spellbound
Polish my softness, solace my rich
And magnificent body
Shake your gargantuan striking snake
On my plump sumptuous cake

Let me watch your big hot marbles bounce
While you pounce on every ounce
Of my wonderfully gorgeous form
Caress my bedazzling back
Hold my glowing golden shoulders
Give me deep, long, and macho strokes

Shove your humongous seductive lusciousness
In and out of my sleek, ****, and wet portal
Of adventurous and boundless pleasure
As I gander into your crazily fascinating eyes
The sheer fervent hotness
Of your lovingly lustful lips

Badass beardalicious **** boy
So ******* rugged and extra cut
You make me so **** frenzied
Make my flaming hot bangers jounce wildly
Send me into stellar stimulating trances
Drive me deep into the beyond

With every phenomenal push-up that you do
I wanna feel you clutching, wooing, and
Stupefying my exciting divine world
Hunt down my hotness
Punish me, run your crunkness through me
Mesmerize my nicely curvy design

Cozy up to my homoness
Look lasciviously at my sweetness
Hot, raw, and enthralling Papi
I want you to make me holla
Every moment you bone
My blossoming boulevard
Travis Green Oct 2022
You are the only man that I love
That mesmerizes me in the most profound ways
Takes me by surprise, makes me hanker
For your indomitable hardness
Go ga ga for your grabby strapping rarity
The way your impassioned splashiness
Streams all over my pleasant silken invention

Ripped rocking star attraction
Mantastically cracking spectacularness
I dig your addictive finger-lickin’ exquisiteness
Your outstandingly delicious litness
Luscious, flawless, and jolly sauciness
Your hotness adds magically absorbing poison
To my mind, body, and soul

Make me yield to your irresistible
And formidable heat
Listen to your masterfully magical tone
The way you look lasciviously at me
Red-hot out-of-the-box machoness
I have an unsurpassed pash on
Your fantastically enrapturing attractiveness

You are a robust, roaring fire
Of powerful and towering seduction
Spicy priceless brightness
Too great to be ignored
Gripping heavy weight lifting slickness
Your wild, reckless delectableness
Makes me wanna be down
With your unbounded astoundingness

Lie close to your grandioseness
In your enhanced superheated mantuary
Where we fade into each other
Burn with dreamy, undiminished passion
Engulfed by your lushalicious muscle-bound thuggishness
Taste every stellar sector of your refreshingness
Drown in your high-profile spellbinding refinement
The Fire Burns Aug 2017
Searching eyes shine blue,
looking through the sea
of never ending humanity
for the only you.

Luscious lips lick lasciviously,
salivating suddenly, sun shines
upon her glorious find,
she will fight tenaciously.

Holding her love close,
defending her righteous claim,
marking her territory visually,
so all others know.

With gripping soft hands,
and little kisses placed
upon lips and cheeks
in sight of others.
Against the window Webster heard drenched hormones gnawing and gnashing like he was in Israel again killing bad people in nursing homes. "I don't like the sound of that," young Marla moaned lasciviously as her hefty ******* ****** to and fro. "Look at me!" Clyde demanded. "Your ******* are wild and must be tamed or else we're all going to die!" No one knew what he meant by that. "Clyde, that is the weirdest thing in the world, what you said," youthful Brad Dillman muttered. "I agree," Big Nig Hopkins chimed in. "Alright, everybody CHILL! I'm going to release anti-hormone aerosols now to **** what's outside!" Doctor Hector O'Malley exclaimed while his big nuts oscillated to and fro in time with Marla's hefty *******. Finally, the drenched hormone monster was gone and everyone whipped out their ******* and ******. "I think we're going to make it!" Duke the pie stocker proclaimed authoritatively as the river rose to a critical flood stage that presented a new threat to these brave explorers.
Travis Green Jul 2023
I wanna be with him
For hours on end
Feel him deep within me
Bang me, tame me
Slide deep into my mind’s frame

Make me feel the unrivaled power
Of his hard-hitting hurricane
Pulverize my backside
Put me on cloud nine
Manhandle my mounds

Bite into my rock-like points
Love me hard, *** me recklessly
Make me sweaty
Tongue my neck
Rub his nose against my shoulders

Be my wildest inviting dream
Conquer me, punish me
Pound me like a *******
Feel his macho **** head
Deep in my tight warehouse

Make my entire world
Swirl with unparalleled amorosity
Captivate my heart and soul
Slap the **** out of my ***
Tempt every inch of me

Hold on to him
In a frenzy of delight
So high on his enticingness
His smashing sensuality
My favorite radiant lover man

I am so tender toward his toughness
So hung up on the way he ***** me
Give me his thugness
Take my manhood
As I look lasciviously at him

Take command, fulfill my fantasies
Dive deep into my insides
Make my head spin
Make me beg for his top-shelf pleasure pumper
Again and again

Make my thighs shake
Grip my *** cheeks
Rail me, daddy
Rock me to the core
Explore me more

Tell me he needs me
Tell me he loves me
Tell me that our *** is bomb
Never cease when he gives it good to me
Please me with his rude hood wood

Rake his fingernails down my back
Bite me, delight me, overpower me
Pump his hung succulent gun
Shoot his massive yummy ***
All over my bouncy brown buns
Lawrence Hall Jan 2024
Lawrence Hall, HSG
Mhall46184@aol.com

            The ***, ***, ***-Obsessed Oklahoma Legislature

         Oklahoma Bill Would Ban Sending **** Selfies Unless You're
         Married (reason.com)

The Geriatric Anti-*** League of Oklahoma
As sponsored by Senator Dusty Deevers
(And let the puns on “Dusty Deevers” bloom)
Want to save all prurient thoughts for themselves

The senator lasciviously lists the forbidden:
"****** ******* which is normal or perverted…
"lewd exhibition of the uncovered genitals
buttocks, or, if such person is female, the breast…”

That stapler in jiggly Jell-O
Had better guard its virtue in Oklahoma
Cf. The Junior Anti-*** League in Orwell’s *1984* and a gag in *The Office*
Travis Green Jun 2023
His incredible majestical handsomeness
Makes me wetter than wet
Sweat more than ever
Pull up on his crash-hot macho block
Engage in a captivating conversation

Listen to the way he talks
How he draws me in closer
To his mega dope magneticness
With his entrancing eyes
So irresistibly kissable
So feelable and lickable
So beardiful and immesurable

I love the way he exhilarates me
Gazes at me, makes me ache for thee
Mantasize about his enchantingly towering manliness
Tall, eccentric, and photogenic
I fall under the spell of his authentic, energetic arrestingness
Hunger for him to grab my ***** buns

Rub my lovely scrumptious jugs
Pull me close to him
Kiss me on my neck
Peck me on my **** lips
Whisper ***** words in my ear

Put my hands in his pants
To feel his monster magic meat
His large, juicy berries
Make me drool as he looks lasciviously at me
Make me perspire as I get high
On his top-flight inviting desirableness

So lost in his hella bomb sauce
Longing to be chained together
To love him forever
Fall into his super strongly sculpted arms
Feel his pumped-up sun-kissed muscles

His skillfully glistening hands all over me
Compose his dopest poetry in my heart and soul
Make me rock to his philosophy
Make me jam to his romantic anthem
Make me float while I behold his smoking hot showiness

Thinking about how I never want him to leave me
How I need him, to breathe him
Into the depths of my submerged mind
Immersed in his treasured superb world
Of unmatchable assertive verve
Travis Green Jul 2021
He was the sexiest Daddy
I had ever been so close to before
A soul-stirring hotness
That made me desire
To succumb to his
Sensational creation

I was in bedazzling raptures
Deeply drunk off his infinite sublimity
How he looked lasciviously at me
Making me overemotional
With his nightly bright eyes
His seemly lips, his snazzy beard
So **** fantabulous and commanding to me
She hugs the life out of me,
Not in that second of passion
Before the moment of death
When an animal is chased
And grasped in lioness embrace.

She kisses the life out of me,
Not with mid-day sun lips
Which smoulder dangerously
Like a dampened forest fire
Lying in wait for that first shallow breath.

She loves the life out of me
Not with the garment of childlike innocence
Lasciviously cast aside by a woman in earnest.

And with all the emotion of someone
Glancing up at the station clock
Then turning a magazine page
On a deserted railway platform,
She scares the life out of me
When she says quite simply,
It is time for me to go.
Travis Green Sep 2023
He leads me on a drilling expedition
To his fantasy world
Where we take off our clothes
Engage in intense, sensual ******* together
Sexually stimulate me

Take me entirely
Devour me, shower me
In his fantastically magical invitingness
Lock lips, swap spit
Kiss and tease my private parts

Drive me out
Lick me out, check me out
Scour my sweetness
Worship me completely
Throat **** me
With his humongous ****

Taste it all over
Shove it in and out of my mouth
Pleasure the ****
Charm his heart
**** his big rocks

Pleasure and savor them
Call me his *** gun muncher
My number one untouchable stunner
My stunningly magnetic hunk
Stuff his love muscle deep in my throat

Cause me to choke
Bend me over, slam his monster hot dog
In and out of my chocolate-box naughty zone
Arouse my desire, tie me up
*** me up, leave me stunned

Hung up on him
***** deep in my chocolate sweets
With such handsome ruggedness
He makes me shudder uncontrollably
Crashes into me to the absolute limit

Presses his flesh against my velvety, smooth structure
Spanks my bodacious backside
Bangs me unceasingly
Lasciviously staring at me
With his enchanting shimmering brandy-brown eyes

A contagious smile that sways me
My attractive Don Juan, my sleek Romeo
He sends me into a high-energy trance
Filled to the brim of him
I can’t stop dwelling on him

Being closer and closer to him
Feeling him venture deeper
And deeper into my unseen world
Reach his highest degree of macho delight
Showered in his sticky ******* juice
Donall Dempsey Feb 2024
MEETING HIM AGAIN FOR THE FIRST TIME

a flock of nerds
grazing upon
the cocktail sausage table

"...nerds/bores..."
she corrected herself
their spectacles flashing at her

all eyes were upon her
they licked their lips lasciviously
as if the one man

they sipped in synchronisation
their Adam's apples
bobbing up & down

she felt like a gazelle
amongst a pride
of rather skinny lions

he stood there
oozing caddishness
"Any port in a storm!" she smirked

she was aware of his
reputation
the hair on her arms bristling

"I say..." she said
"Is it true what people
make up about you?"

"All lies 'cept the true bits!"
he grinned
biting his moustache

the pack of nerds/bores
looked at her amazed
"Surely she. . .!"

ah but surely
she was
she laughed a little too loudly

their Adam's apples
reminded her of ballcocks
in flushing toilets

"Well, to be honest..."
he admitted mathematically
"90% true...10% lies!"

"...and so it was
I met your grandfather
and he became my chap!"

he always claimed
I tamed him with a smile
"...easy...easy as that..."

he was as delicious
as his reputation suggested
but I had the monopoly on him

a rather raffish looking
Raffles type
smiles salaciously in b&w

now
even the light
is growing old

we put his photo
back on the mantle piece
she always tells this story

we leave her
talking to his photo
as if it were real

she's always meeting him
for the first time
again and again

we drive away
the large nursing home
becoming smaller and smaller
Travis Green Apr 2022
The thought of perusing your thugness
Makes me thirst after you excessively
Your sweet, tempting smell compels me
To surrender to you without hesitation
I crave for every ****** thing to occur with you
Your release of gripping explicit slang
Engulfed in your eclectic perpetual flame
When I linger upon you, I need your bulging
Brick-wall biceps and chest bonded to my body

I wish for your hard gorgeous muscles
To mesh with my flesh, discover a thrilling rhythm
In my vessel, lasciviously lick the treasured trail
Of your thick captivating beard
I sigh for your smoke, your dope glowing swagger
I feen for your steaminess to creep into my lungs
And keep me strung out and stupefied by your divineness
With your charming midnight black hair
Your delicate heavenly ears, your sublime eyes
Shining like a fecund field of immense collard greens
Enough magic coursing through your succulent chocolate form

— The End —