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"inimitable" poems
Here is the inimitable Jeff Buckley's poem, "My New Year's Eve Prayer," which he performed live at Sin-é in Manhattan, NYC, in 1996. "You, my love, are allowed to forget about the Christmas you just spent stressed out in your parents' house. You, my love, are allowed to shed the weight of all the years before, like bad disco clothes. Save them for a night of dancing ****** with your lover. You, my love, are allowed to let yourself drown every night in bottomless wild and naked symbolic dreams. You, my love, in sleep can unlock your youth and your most terrifying magic; and dreaming is for the courageous. You, my love, are allowed to grab my guitar and sing me idiot love songs if you've lost your ability to speak. Keep it down to two minutes. You, my love, are allowed to rot and to die and to live again, more alive and incandescent than before. You, my love, are allowed to beat the **** out of your television, choke it's thoughts and corrupt its mind. **** **** **** **** the ************ before the song of zombiefied pain and panic and malaise and it's narrow right-winged vision and it's cheap commercial gang **** becomes the white noise of the world. Turn about is fair play. You, my love, are allowed to forgive and love your television. You, my love, are allowed to speak in kisses to those around you and those up in heaven. You, my love, are allowed to show your babies how to dance full bodied, starry eyed, audacious, supernatural and glorified. You, my love, are allowed to **** in every single endeavor. You, my love, are allowed to be soaked like a lovers' blanket in the New York summertime with the wonder of your own special gift. You, my love, are allowed to receive praise. You, my love, are allowed to have time. You, my love, are allowed to understand. You, my love, are allowed to love. Woman, disobey, when little men believe; You, my love, are Rebellion."
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Aug 3, 2015
Aug 3, 2015 at 5:08 PM UTC
My New Year's Eve Prayer by Jeff Buckley
Here is the inimitable Jeff Buckley's poem, "My New Year's Eve Prayer," which he performed live at Sin-é in Manhattan, NYC, in 1996. "You, my love, are allowed to forget about the Christmas you just spent stressed out in your parents' house. You, my love, are allowed to shed the weight of all the years before, like bad disco clothes. Save them for a night of dancing ****** with your lover. You, my love, are allowed to let yourself drown every night in bottomless wild and naked symbolic dreams. You, my love, in sleep can unlock your youth and your most terrifying magic; and dreaming is for the courageous. You, my love, are allowed to grab my guitar and sing me idiot love songs if you've lost your ability to speak. Keep it down to two minutes. You, my love, are allowed to rot and to die and to live again, more alive and incandescent than before. You, my love, are allowed to beat the **** out of your television, choke it's thoughts and corrupt its mind. **** **** **** **** the ************ before the song of zombiefied pain and panic and malaise and it's narrow right-winged vision and it's cheap commercial gang **** becomes the white noise of the world. Turn about is fair play. You, my love, are allowed to forgive and love your television. You, my love, are allowed to speak in kisses to those around you and those up in heaven. You, my love, are allowed to show your babies how to dance full bodied, starry eyed, audacious, supernatural and glorified. You, my love, are allowed to **** in every single endeavor. You, my love, are allowed to be soaked like a lovers' blanket in the New York summertime with the wonder of your own special gift. You, my love, are allowed to receive praise. You, my love, are allowed to have time. You, my love, are allowed to understand. You, my love, are allowed to love. Woman, disobey, when little men believe; You, my love, are Rebellion."
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46
From the outside he is unfinished and grotesque A figure conjured up by a devilish intelligence Out to shock the world with his ghoulish antics For who could find such glee in such contortion But as always poor **** sapiens is off the mark For inside this morbid cask of human digression Lies a trove of bountiful beauty in aesthetic abandon The beauty inside the man is the work of a maetsro Poetry that seizes the imagination is his speciality And music that arrests even the gods is his forte So be not hasty to judge what you see before you Let the scales that blind your inner vision drop off And there before your newly-tutored eyes Will lie an essence of such beauty as you can never imagine Loudly proclaiming the worth of the person inside the shell And how disability is only a layer that when peeled off Unveils the inimitable jewel inside in its range and depth
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Oct 23, 2015
Oct 23, 2015 at 3:24 AM UTC
A Layer to be Peeled Off (Ode to Persons Living with Disability)
Oh! mother where are the snow falls of yester years? Where are the great king Ashoka and the world master Sankaracharya? Where is the ujjayani that was immersed in the literary effluence of The great dramatist Kalidasa? Where is the light that shone from the piercing eyes of the warrior Queen Rudrama Devi and the Goddess Durga? Where are the snow falls of yester years? Where is the buzzing sound of the bees that came from the corridors Of the great king Shajahan? Where are the echoing sounds of the war monger The sword Thikkana?Where is the gallooping white horse climbed by the unconquerable warrior queen of Jhansi Lakshmi Bai? Where are the snow falls of yester years? Where is the fire that emanated from the broad shoulders of The inimitable king and connoisseur of art, Sree Krishna devaraya? What happened to the living breaths of Balachandra, the young warrior And brahmanaya, The great warrior and social reformer? Where are the snow falls of yester years? Where are the kings, the great poets, the warriors, the chaste queens? Where have they gone? Where are the foot prints of the golden wings of time that fanned and fled? Oh! Mother, Where are the snow falls of yester years? Where are the snow falls of yester years?
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Sep 25, 2011
Sep 25, 2011 at 1:10 PM UTC
THE SNOW FALLS OF YESTER YEARS
We celebrate 5th September as teachers’ day Sarvepalli Radhakrishnan was born on this very day He showed the Indian nation the right way His debt how can we repay? He is a universal teacher And a man of inimitable stature Wisdom and simplicity are the hallmarks of his feature Incomparable oration is his nature He rose to the nation’s highest post And tried to build a bridge between east and west His philosophical teachings are the best And his knowledge of English is very vast He is Plato’s philosopher king As President honour and dignity did he bring He brought religion a new meaning His glory and greatness I would like to sing Yours sincerely, JVL NARASIMHA RAO INDIA
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Dec 30, 2010
Dec 30, 2010 at 6:23 PM UTC
A UNIVERSAL TEACHER
So sell your daughters **** your sons Go break your spoken Vows in tongues For from these lungs I storm the loudest As my furies   Muse the proudest Wings endowed with shrouds of Nyx Baptized within the River Styx So wage petty crusades And feel Titanic wrath’s Achilles heel For in this heart   My lust will claim Entire Gaea’s Set aflame By bolts of my creative spark Be sure, I’ve never missed my mark So bend your knees And cross your hearts And mutilate Your private parts For by these hands The story spun The sickle swung And shed my young And led them to the glory sung Henceforth until the Fates are done
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Aug 23, 2018
Aug 23, 2018 at 5:36 PM UTC
Zeus the Inimitable
Your origami snapper came along tucked into my wallet things like that don't travel well but I managed they suffered a lesion to the spine snappers are apparently weak there maybe we can work on growing a backbone together handmade gifts mean the most less, when it was made in whimsy and flimsy more, because it gave me false hope maybe it's a sign like a uke-playing octopus maybe friendship is all I need right now your origami snapper is a great listener It sits on my desk Either mocking or pondering, I can’t tell Snappers are hard to read that way Maybe if we showed more emotion you’d            notice but action requires reaction and somehow the origami rose I made forgot it’s origami thorns But there could be blood on my hands From a beautiful friendship I so recklessly slaughter pulling up roots like weeds adding wistful thinking to inimitable memories
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Jul 10, 2018
Jul 10, 2018 at 11:34 PM UTC
Origami Snapper
You were the architect of the nation And loved it with great passion You flew the eternal dove For your inimitable greatness I bow You were the true disciple of Bapuji And dearly called chachaji You were an Arjuna In the war of independence You loved the dear kids And treated them as tender buds You wore a rose in your button hole Elevating India is your noble goal We fulfill your beautiful dream And follow your spiritual cream We love our children As they are our true vision
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Dec 25, 2010
Dec 25, 2010 at 4:39 AM UTC
CHACHAJI WITH TENDER BUDS
I wanna live with a cinnamon girl I could be happy the rest of my life With a cinnamon girl. A dreamer of pictures I run in the night You see us together, chasing the moonlight, My cinnamon girl. Ten silver saxes, a bass with a bow The drummer relaxes and waits between shows For his cinnamon girl. A dreamer of pictures I run in the night You see us together, chasing the moonlight, My cinnamon girl. Pa sent me money now I'm gonna make it somehow I need another chance You see your baby loves to dance Yeah...yeah...yeah - song by my all-time favourite artist ....the inimitable NYoung :) 4 June 2013
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Jun 4, 2013
Jun 4, 2013 at 12:12 AM UTC
Cinnamon Girl
First kiss. O dulcet, glorious, first kiss! Undeniable, absolute and sweet. Honeyed naivety. Breathtaking bliss. Nigh naught in life can possibly compete. Your kiss. O mellifluous, first true kiss! Delicate symphony of pure passion. My heart surrenders; it cannot resist The sounds of soft, diaphanous satin. Our kiss. O inimitable first kiss! Melody of sweet spontaneity. Intoxicating and velvet abyss. True desire; nay mere velleity. Heavenly pleasure ‘tis the first, sweet kiss Heart and mind will forever reminisce.
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Nov 22, 2010
Nov 22, 2010 at 5:57 PM UTC
O FIRST KISS!
Frozen moments, embraced, visions of luminous things, unpretentious pearls dancing; embers of memory linger, elegy of the lachrymose, this horizoning self lying low in saturnine tranquility and repose – paternity lost to the provisional. The cross of lassitude, forming scars of loss; estrangement, preface to ineluctable autonomy. Earthen treasure - immortal footprints, the migration of fair maidens across my effusive heart. Venus trio in bloom, aesthetic allusion, ephemeral incarnations of beauty - perishable fruit, transcending the plebeian. Aerial substance- the hermeneutic, betraying desire’s ambrosial tyranny; The permuted passage - savor the sojourn, submit to the fated peregrination. Purple orchids blossom, immortal creatures, culminating in perfection from the sheath respectively, each plume, singular, the continuum of splendor, mediate the inviolable. Eternity compounding, time and essence suffuse the already and not yet into an orbiting mosaic. The susurrant devotions of a satellite father, summon the quest - both, and, absence and proximity, conduits of distress and peace ironically, solace and terror traverse the same path. Plunge though, deep, the depth of pain; deeper, sweeter the taste of pleasure. Engender and witness, window into preeminence, surface azure, the sacred - inimitable gravity of grandeur, ma petite, you - are lived poetry seen and heard; cosmic order, a mediating heuristic - to love is to see, in the dismal, gift of distance. child of delight, evermore, Don’t I hold you? Beauty and strangeness, music found in linear, secret places beyond the tangent, purview of limitation, arousing imagination - infinititude as near as it is far. Long loneliness - dissonance that resolves; perceiving, the tertiary refrain - as exquisite verse, and matchless liqueur, sublime gratuity derived through doors of surrender. Daughter, in adoration and wonder, I hold you.
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Jan 19, 2012
Jan 19, 2012 at 5:25 PM UTC
Venus in Bloom
Frozen moments, embraced, visions of luminous things, unpretentious pearls dancing; embers of memory linger, elegy of the lachrymose, this horizoning self lying low in saturnine tranquility and repose – paternity lost to the provisional. The cross of lassitude, forming scars of loss; estrangement, preface to ineluctable autonomy. Earthen treasure - immortal footprints, the migration of fair maidens across my effusive heart. Venus trio in bloom, aesthetic allusion, ephemeral incarnations of beauty - perishable fruit, transcending the plebeian. Aerial substance- the hermeneutic, betraying desire’s ambrosial tyranny; The permuted passage - savor the sojourn, submit to the fated peregrination. Purple orchids blossom, immortal creatures, culminating in perfection from the sheath respectively, each plume, singular, the continuum of splendor, mediate the inviolable. Eternity compounding, time and essence suffuse the already and not yet into an orbiting mosaic. The susurrant devotions of a satellite father, summon the quest - both, and, absence and proximity, conduits of distress and peace ironically, solace and terror traverse the same path. Plunge though, deep, the depth of pain; deeper, sweeter the taste of pleasure. Engender and witness, window into preeminence, surface azure, the sacred - inimitable gravity of grandeur, ma petite, you - are lived poetry seen and heard; cosmic order, a mediating heuristic - to love is to see, in the dismal, gift of distance. child of delight, evermore, Don’t I hold you? Beauty and strangeness, music found in linear, secret places beyond the tangent, purview of limitation, arousing imagination - infinititude as near as it is far. Long loneliness - dissonance that resolves; perceiving, the tertiary refrain - as exquisite verse, and matchless liqueur, sublime gratuity derived through doors of surrender. Daughter, in adoration and wonder, I hold you.
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Investment Principles: Staying the course, your owned love will not fail you ~~~~ Staying the course means going against your own emotions at times. when weeping is easier than squaring the jaw, gritting teeth Staying the course means thinking and acting for the long term even when it doesn’t feel right in the short-term. *lost loving, when the other walks away, and being brave is the only path, brace, and excise that stooped shoulder, stand straight!* Staying the course means preparing not predicting. *predict only that hope is eternal, perpetual and maybe, just, around the corner* Stay the course means doing nothing when that’s what your plan calls for. ~~~ steady the breathing, ok, now! wipe the tears, be resolved that once tasted, love, is human, though inimitable, and your sunrises will return inevitable and the return on investment unbelievable
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Jun 23, 2023
Jun 23, 2023 at 8:30 AM UTC
Sound Investment Principles: Staying the course (your owned love will not fail you)
Your father Is ordering Gold bangles For you You ought to be glad The glimmer In that eyes When you were born While wearing those Tiny bangles on you For the first time Are inimitable I feel envious Of that bangle And that world of yours Without me. I declare war With your father For no reason Although certain That I would disappoint as usual I too had bought A karivala * In the third life itself Sure that you would come I’ll wear That On your hand On the morning Of The fourteenth life I have preserved the karivala In saline water Lest it Gets blighted I deserve the honor Of being the first poet To have preserved a black bangle Meant for his girl friend In saline water. Translation : Shyma p
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Dec 5, 2015
Dec 5, 2015 at 10:31 PM UTC
Letters to Violet -17
*the cost of 'a post-strophe fee' is a pouted heart placed in parentheses* (yet still on that ledge:) 1. like the tail of a kite caught on a wire or high branch of a tree waiting to be eased off and breezed out free it hangs upside down seeing 'everything' tipsy-style as its force is slow-drained 2. this apostrophe is the mere tail-end of a dragon (in a pit of exhaustion) dragged in deepest-red ink leaving an inimitable trail with emphasis on sincerest care brackets are just (two curves) which jealously guard all what lies inside while giving so much love in indivisible power-curls 3. better to let nature runs its course of rivers flowing and wild winds while beetles walk on stones yet while trying to make a mark with missives in the sand the waves make sure to wash them all away best then to let know in this now that some things never die (it's enough for veracity to flap its weary wings) 4. flee then this finest core-duel likely there's always..maybe the next now (all the previous were not quite squandered in cold flight but unexpected loss) and no use hiding from one's (own) shadow for kites will take off and fly high in the sun where shadows have no place to hide *futile wondering if it really (has to) spell catastrophe it does not* (it really does not :) S T. Saturday. 27 July 2013
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Jul 27, 2013
Jul 27, 2013 at 10:42 AM UTC
(apostrophe's cost)
She made it vanish every trace of it, with her inimitable feminine magic. Fully erasing my post ****** hatred led me from the front to an exploration of ardent, ****** acrobatics that took us through the ***** dynamics of ****** healing, non peril! Wasn’t she an all terrain ace? Aviator making me fly without wings above the fluffy  soft caressing clouds The toughest driver on roads of all kind,keeping pleasure at the acme through out her drive. What a swimmer was she,making me swoon in sensual waters.
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Apr 23, 2018
Apr 23, 2018 at 2:33 PM UTC
****** Healing
The men kept to themselves: they were waiting for the swiftness of the last cyclists. The women kept to themselves: they were expecting the death of a boy on a Japanese schooner. They all kepy to themselves- dreaming of the open beaks of dying birds, the sharp parasol that punctures a recently flattened toad, beneath silence with a thousand ears and tiny mouths of water in the canyons that resist the violent attack on the moon. The boy on the schooner was crying and hearts were breaking in anguish for the witness and vigilance of all things, and because of the sky blue ground of black footprints, obscure names, saliva, and chrome radios were still crying. It doesn't matter if the boy grows silent when stuck with the last pin, or if the breeze is defeated in cupped cotton flowers, because there is a world of death whose perpetual sailors will appear in the arches and freeze you from behind the trees. it's useless to look for the bend where night loses its way and to wait in ambush for a silence that has no torn clothes, no shells, and no tears, because even the tiny banquet of a spider is enough to upset the entire equilibrium of the sky. There is no cure for the moaning from a Japanese schooner, nor for those shadowy people who stumble on the curbs. The countryside bites its own tail in order to gather a bunch of roots and a ball of yarn looks anxiously in the grass for unrealized longitude. The Moon! The police. The foghorns of the ocean liners! Facades of ***** of smoke, anemones, rubber gloves. Everything is shattered in the night that spread its legs on the terraces. Everything is shatter in the tepid faucets of a terrible silent fountain. Oh, crowds! Loose women! Soldiers! We will have to journey through the eyes of idiots, open country where the docile cobras, coiled like wire, hiss, landscapes full of graves that yield the freshest apples, so that uncontrollable light will arrive to frighten the rich behind their magnifying glasses- the odor of a single corpse from the double source of lily and rat- and so that fire will consume those crowds still able to **** around a moan or on the crystals in which each inimitable wave is understood.
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2.3k
Landscape of a ******* Multitude
The men kept to themselves: they were waiting for the swiftness of the last cyclists. The women kept to themselves: they were expecting the death of a boy on a Japanese schooner. They all kepy to themselves- dreaming of the open beaks of dying birds, the sharp parasol that punctures a recently flattened toad, beneath silence with a thousand ears and tiny mouths of water in the canyons that resist the violent attack on the moon. The boy on the schooner was crying and hearts were breaking in anguish for the witness and vigilance of all things, and because of the sky blue ground of black footprints, obscure names, saliva, and chrome radios were still crying. It doesn't matter if the boy grows silent when stuck with the last pin, or if the breeze is defeated in cupped cotton flowers, because there is a world of death whose perpetual sailors will appear in the arches and freeze you from behind the trees. it's useless to look for the bend where night loses its way and to wait in ambush for a silence that has no torn clothes, no shells, and no tears, because even the tiny banquet of a spider is enough to upset the entire equilibrium of the sky. There is no cure for the moaning from a Japanese schooner, nor for those shadowy people who stumble on the curbs. The countryside bites its own tail in order to gather a bunch of roots and a ball of yarn looks anxiously in the grass for unrealized longitude. The Moon! The police. The foghorns of the ocean liners! Facades of ***** of smoke, anemones, rubber gloves. Everything is shattered in the night that spread its legs on the terraces. Everything is shatter in the tepid faucets of a terrible silent fountain. Oh, crowds! Loose women! Soldiers! We will have to journey through the eyes of idiots, open country where the docile cobras, coiled like wire, hiss, landscapes full of graves that yield the freshest apples, so that uncontrollable light will arrive to frighten the rich behind their magnifying glasses- the odor of a single corpse from the double source of lily and rat- and so that fire will consume those crowds still able to **** around a moan or on the crystals in which each inimitable wave is understood.
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o' turtle in your tank why do you cry? belly-ache or heartache; which is it this time, turtle? o' slow creature idle too long it's time to move on moss collects upon your back inimitable armour to mundane pebble you transform in your tank tell me what ails you young reptile do you long for the taste of sweet algae in a pond? or has it been too long? have you forgotten what it’s like to be a turtle? o' solitary being have you given up? the glass has bound you these twenty-odd years have you grown frightened of what awaits outside? you retreat at the sight of the earliest light o' forlorn prisoner hold your breath a while longer for freedom is bestowed upon the patient
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Sep 14, 2012
Sep 14, 2012 at 5:35 AM UTC
tenacious turtle
"Ah, young Sir, indeed it is in your lines on your smooth palm as I indeed felt the moment when I saw your noble face and your inimitable manner…" "What is it? What is it? O speak your mind, young gypsy; speak the truth, speak with no fear" "Ah, young Sir this curved line that runs across your gentle palm tells you must certainly have some of the blood of the Caesars running through those bold veins of yours" "Ah, true, true indeed sometimes I have felt it too" "And, young Sir this straight line that cuts that curve on your most delicate palm ah – it indicates even some lineage of prophets and a history of past holy men which line now culminates in you" "Oh, indeed, indeed I have had such intimations indeed at the House of God when I kneel in holy prayer; and I have had such whispers and stirrings within my ***** indeed…indeed…" And when the gypsy is gone it is then that the young man of such esteemed rank and high nobility and of such holiness he feels his gold ring also gone…
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Aug 1, 2011
Aug 1, 2011 at 7:44 PM UTC
The Fortune Teller
Blamed it Irresistible gravity around Blamed it Sinking in the ground Faster than the speed of light Blamed it all On a tunnel of hyperspace Faster than the speed of light Waiting for explanations Hope and retributions Waiting for you A moment passes Or is it a year? Questions become mundane A moment passes Inimitable carrier Waiting for explanations Faster than the speed of light Blamed it On nothingness And blamed My existence ****** in with no escape The tape stuck in my head My resistance Slowly being replaced By despair instead
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Mar 6, 2015
Mar 6, 2015 at 12:10 PM UTC
Despair
Les être, le cosmos, la terre et le vin (Dédié à l’incomparable génie Charles Baudelaire) Les ceps murissent longuement sous l’énigmatique lueur des cieux, irisés par les ondes astrales du Cosmos et ses grands vents de feu. Des gelées de janvier aux averses d’avril, le vigneron soigne ses vignes. qui souffrent des fournaises de l’été jusqu’à la bouilloire dorée de l’automne. Le vin est d’abord fruit des astres et des cieux, mais aussi de la patience et de l’art du vigneron. Il y a une magie du vin qui vient sceller les noces mystiques de l’azur, de la terre, du cosmos et des graves. Il existe dans le vin comme une consécration des noces d’or de la terre, des pierres et de l’azur, Qui lui donne son caractère âpre ou velouté, son goût inimitable, sa vraie signature, son héraldique. Un palais exercé saura toujours en déceler l’empreinte pour y trouver sa genèse et gouter ses merveilles. Mais c’est le vigneron qui consacre ces noces avec son savoir, son doigté, sa manière d’opérer le grand œuvre des vendanges. Le choix de la date des vendanges dépend de l’intuition humaine et correspond au sacre de l’automne. Au moment où les grappes pèsent et ou les raisins sont gonflés comme de lourds pendentifs, alors que les raisins mûrs sont prêts à sortir de leur enveloppe dorée pour se transformer en élixir. Le vigneron prend la décision sacrale de celle dont dépend la qualité du vin à naître. Et les vendanges vont se mener dans une atmosphère d’excitation et de sentiment de franchissement du danger. Désormais le vin sorti du pressoir va murir dans des barriques de chêne Le bois peut apporter sa chauffe méthodique afin que se mêlent au jus des arômes de bois et de forêts, C’est sûr, cette année, les forces de la nature et de l’Homme nous préparent un grand vin. Aussi quel honneur et quel rite magique que d’en boire les premières gorgées dans des coupes d’argent ou des verres de cristal, avant même que le vin ne soit fait et tiré pour en détecter les grands traits et les failles. Enfin, vient le moment de boire, comme une élévation des cœurs et des esprits. L’on ne boit bien qu’en groupe, qu’avec de vrais amis, sa chérie ou des belles. Boire c’est d’abord humer et découvrir par le nez les secrets d’un terroir et des pampres, puis humecter ses lèvres afin de s’imprégner des sucs et des saveurs, et puis boire surtout, c’est œuvre de finesse, d’expression de l’Esprit et de bonne humeur; qu’il y ait de l’ivresse, fort bien, mais jamais d’ivrognerie Paul Arrighi ; Toulouse(France), le 3 novembre 2013
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Nov 4, 2013
Nov 4, 2013 at 10:36 AM UTC
Les être, le cosmos, la terre et le vin (Dédié à l’incomparable génie Charles Baudelaire)
Les être, le cosmos, la terre et le vin (Dédié à l’incomparable génie Charles Baudelaire) Les ceps murissent longuement sous l’énigmatique lueur des cieux, irisés par les ondes astrales du Cosmos et ses grands vents de feu. Des gelées de janvier aux averses d’avril, le vigneron soigne ses vignes. qui souffrent des fournaises de l’été jusqu’à la bouilloire dorée de l’automne. Le vin est d’abord fruit des astres et des cieux, mais aussi de la patience et de l’art du vigneron. Il y a une magie du vin qui vient sceller les noces mystiques de l’azur, de la terre, du cosmos et des graves. Il existe dans le vin comme une consécration des noces d’or de la terre, des pierres et de l’azur, Qui lui donne son caractère âpre ou velouté, son goût inimitable, sa vraie signature, son héraldique. Un palais exercé saura toujours en déceler l’empreinte pour y trouver sa genèse et gouter ses merveilles. Mais c’est le vigneron qui consacre ces noces avec son savoir, son doigté, sa manière d’opérer le grand œuvre des vendanges. Le choix de la date des vendanges dépend de l’intuition humaine et correspond au sacre de l’automne. Au moment où les grappes pèsent et ou les raisins sont gonflés comme de lourds pendentifs, alors que les raisins mûrs sont prêts à sortir de leur enveloppe dorée pour se transformer en élixir. Le vigneron prend la décision sacrale de celle dont dépend la qualité du vin à naître. Et les vendanges vont se mener dans une atmosphère d’excitation et de sentiment de franchissement du danger. Désormais le vin sorti du pressoir va murir dans des barriques de chêne Le bois peut apporter sa chauffe méthodique afin que se mêlent au jus des arômes de bois et de forêts, C’est sûr, cette année, les forces de la nature et de l’Homme nous préparent un grand vin. Aussi quel honneur et quel rite magique que d’en boire les premières gorgées dans des coupes d’argent ou des verres de cristal, avant même que le vin ne soit fait et tiré pour en détecter les grands traits et les failles. Enfin, vient le moment de boire, comme une élévation des cœurs et des esprits. L’on ne boit bien qu’en groupe, qu’avec de vrais amis, sa chérie ou des belles. Boire c’est d’abord humer et découvrir par le nez les secrets d’un terroir et des pampres, puis humecter ses lèvres afin de s’imprégner des sucs et des saveurs, et puis boire surtout, c’est œuvre de finesse, d’expression de l’Esprit et de bonne humeur; qu’il y ait de l’ivresse, fort bien, mais jamais d’ivrognerie Paul Arrighi ; Toulouse(France), le 3 novembre 2013
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*Lightning Enchantress & Her Diamond Absolutes, Moaning Fluxes Of Her Satellite Pursuits., Phantasmal Intents In Her Indigo Silhouettes. ***** Eyes & Animatronic Bliss, Her Cherry Lips Calling For Her Symphonic Kiss, Inimitable Raindrops & Iridescent Perpetuity, Condensed Laments Of Her Kaleidoscopic Sphericity, Purple Palisades & Platinum Charades, Pheromone Verses Of Her Propelled Shades, Shapeshifting Reveries Of Her Hourglass Fictions, Charming Archangels Concealed In Her Convictions, Glasshouse Perspectives Emitting Luminescent Predictions, Magnetic Canvas & Her Stainless Vibrations, Her Aesthetic Amour Diffusing Amplifications, Satirical Saga In Her Spiritual ****** Lyrical Charlatans Of Her Velvet Creativity, Crystal Flowers & Supernatural Dreams, Befuddled Effigies Of Her Cryptic Realms, Her Feral Gleams Illustrating A Prophetic Queen. - 02:32 AM  -*
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Apr 12, 2017
Apr 12, 2017 at 5:48 PM UTC
Purple Palisades & Platinum Charades
The poet tries with her words to create something new something hitherto unconsidered, unthought, unspoken She rakes the dirt for language that is inimitable and rare Fighting her way out of prosaic platitudes Searching deliriously for a sharp-edged jolt of ingenuity that will awaken and inflame In this great pursuit of something clever to say, she overcompensates, birthing a few stanzas of exaggerated hogwash that inspires more dismay than satisfaction Out the window her poem goes A little crumpled ball of melodrama and stale cliché Then the poet sits in silence smoldering with displeasure wanting nothing more than to finally write something that works It is when, radiant with disappointment, she relinquishes her fantasy of excellence that the true poem begins With rosy wings and eyes like screaming bullets it sails forth to proclaim to declare to profess without apology or contrition the wildest truths of her soul It is out of this realm of deflation and defeat that true originality is bred Just a murmur at first, just a glint, but listen, listen as it swells into an exquisite roar and watch, watch as it rises from the decay of the past to flare in a new light
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Apr 21, 2014
Apr 21, 2014 at 8:36 AM UTC
Out of darkness comes light
Your father Is ordering Gold bangles For you You ought to be glad The glimmer In that eyes When you were born While putting those Tiny bangles on you For the first time Are inimitable I feel envious Of that bangle And that world of yours Without me. I declare war With your father For no reason Although certain That I would disappoint as usual I too had bought A karivala In the third life itself Sure that you would come I’ll wear That On your hand On the morning Of The fourteenth life I have preserved the karivala In saline water Lest it Gets blighted I deserve the honor Of being the first poet To have preserved a black bangle Meant for his girl friend In saline water. trans : Shyma p
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Jan 28, 2016
Jan 28, 2016 at 10:53 PM UTC
Letters to violet - 17
Ugly little pigs, hooting and howling they revel in slush as if there is no bliss like this and nothing is worth seeking outside this pit, full of slimy stuff. How long they entertain him with their inimitable gift! Dirt gets a new status, dainty news, with the cute litter working on it. What thought passes his mind? "Fair is foul and foul is fair, No angel would look as nice in such a cesspit, holy pig!"
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Jan 6, 2014
Jan 6, 2014 at 11:53 AM UTC
Gifted
Clogging real life, lost in the Great Barrier Mind. It's attacking, Again. Never seen, Never touched. Yet this affection, Grows stronger. Everyday. Inquisitiveness Of his whereabouts, Appearance, Temperament and His love of religion. Who is he? Descendant? Age? Every detail, Unknown and Unseen. Yet I profusely yearn. Yearning for his bejewelled devotion. Yearning for his inimitable self. Yearning for his yearns for me. That is If it subsists.
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Jan 18, 2014
Jan 18, 2014 at 1:49 PM UTC
Yearn