Feudal, an’ Deep Swaird Scar-Faced Ah,

Th’ Lone Skye-Horror

Thad heare Ah once gleamingly wore,
Nowe! intae Theis Abysmal ay Past Fyre-Lore,
Ye a’ Skellums, see! Theis Rage o’ mine thad Ah bore
Heare! wae mah Thundir-Airn tirlin’, nae a Woe,
Taukin’ nowe Ah! wae th’ Wynde-Tone O’erhuman, fore
Abön th’ Skye-Storne wæs ay yondir Friendly Shore,
Wae a Pause wi’in mah strugglin’, nae ay any more,
Th’ Scyld Ah haudin’ unco glowin’, ‘yont th’ Castle Dore,
Whatna! Theis Airn-Wame o’ mine, Rageful ays nae afore,
Thro’ th’ Skye-Pruid ay Lightnings, an’ e’en skye-more,
*** ay standin’, ‘yont th’ Drakkar Ablaze, wae th’ Burnan Ore,
Thus Ðhunder-Imbued, Bluish Fyre becam mah flowin’ Gore,
O’er th’ Rid Rock soarin’, wrapped in th’ Auld taukin’ Lowe,
Revenge oan th’ Dust, wi’in theis Hill graven! stick-an-stowe,
Quhain! th’ Ocean abowt mah Person, th’ Gale intae twa it tore,
Quhain! th’ Return o’ Pow’r gaed tae its Guid Hel o’ Yore,
Quhain! a Firey Ember wæs mah Rubye Brooch ay hynne nowe,
‘Yont th’ Seven-Headed Beast Winged, wha Grim He swore,
Mah Frame Axe-Wounded, Rays emittin’ frae ilka pore,
Deep intae theis ay Norland Janwar’s bitin’ owre Frore,
An’ a Mirror appeared! thro’ th’ Thunderbolts, nae thair Chore,
Nae Gode bit th’ Owar-Mann! mah Steel-Ghaist, nae tae adore,
Quher! mah Battle-Scars Rid wur stylle thais unco a Soare,
Quher! th’ Cauld theare wæs tae mah Throat aye smore,
Quher! mah Sel-Reflection dazzlin’ it wæs, thro’ th’ Aurore,
Togiddir wae mah Chain Mail flashin’, tae th’ Whyte Core!

ŌFER-MANNES BEADULÉOMAN WÆLGRYRE,
NIHTES HRÍÐUM SĊĒAWERE OND WÆPENÞRACUM
UNDER HERE-GRĪMAN OÞÍEWEDE SE DWIMOR,
HWÆR SWĀ MISGEWIDERE ECGÞRACU MAÞELODE,

SIGRSÆLL EK AFSKRÆMI-LIGA MIS-YRKI,
ÞÁ EN GINSTAN MEÐ MJÖK FRÆKNLIGA
VIND-ǪLD ÞVÍ NÆST ALMÁTTIGR ALFÖÐR,

QVA RE

ALTO A SEPTENTRIONE VINTICTÆ CVM FVLMINE

DEVS RVBRA FEVDORVM SECVRE THOR NOMINE MEORVM
SPECVLO CHALIBE SIVE SCVTO MEO SOLISQVE POLITISSIMO
RVBRO IN TEMPLO CVM ILLE NVNC AIT MIHI ALTOQVE
MEA REX SIVE BELLATOR OVERMAN NOMINE SPATHA
VT INGNEVS SIT MAXIME HOC TONITRVO MEVS VIGOR
AC FVGIENDA FVLMINE ESSE CÆRVLEO HIC VMBRA
ET INTRA FLAMMAS AC RVBRA EX FEODALE VLTIONE
ALBO HIC FVLMINE AC HYDRA SEPTEM CAPITIBVS RVBRA
LIVIDO EX IGNE GRÆCO PROFVNDE HIC FACETE DICTO

ENΘΔE KAI ΔE ETI
AΦΘONΩΣ Ω OVERMAN

OΛΩΣ ΔE ΠΟΚΑΤΑΣΤΑΣIΣ ΠANTH
KAI ΔYNAMIΣ ΓE KAI AΛHΘEIA TEΩΣ
NYN ΔOΞA KAI ΔE KAI ΔAIMΩN

STAT DEMVM ILLE HIC NOMINE REX I

QVA RE

FERRO AMICTVS FEODALE IMMORTALIQVE TOTALITER EGO CVM SPATHA
VBI LIVIDA MEA SPECVLI REFLECTIONE AC VESTE CONCREVERVNT CHALYBIS FVLMINA

QVOAD

AD INFINITVM PERPETVO RECVRRENS POTENTIÆ INCREMENTO SICVT IGNEA ROTA HÆC IMAGO
FEODALIS SIVE O ΔΑIΜΩΝ GRÆCO VERBO MEA EX FVLMINIBVS IN SPECVLO LIVIDA
AC POST DE BRVNANBVRH PROELIVM ASSIDVE DE OVERMAN CRVORE POTENTIOR IGNEA

QVIA

VENIT RECVRSV POTENTIÆ HOC IDVLVM IVGITER SIVE TO EIΔΩΛON EXTRAMVNDANVM MIHI
AC HÆ SVNT LEX RATIOQVE DE OVERMAN INVIOLABILITER HAC IN LAPIDE INSCRIPTÆ

QVOMODO

FVLGORIS NATVRA OVERMAN SIVE ENAPXIKH TPIAΣ EXCELLENTIA ESSENTIÆ
HOC FVLMINORVM INCREMENTO SINE FINE AC SINE INITIO HVIVS TEMPESTATIS MAGNI AC IRÆ MEÆ

QVAQVMQVE

SVMMA EST IN SCVTO SIVE SPECVLO CONTINVATIONEM ILLE GENERANS ET VLTOR
AC MVTATIONIS INCREMENTVM TONITRVO SICVT ΔEYPO TΩ EMΩ AIMATI PERSEVERANS

QVONIAM

SIT DENVO GRÆCA CVM VOCE AC TONITRVO EX SANGVINE MEO IGNEO
FEODALE HORVM FVLMINORVM METALLICO CORPORE MEA VINDICTA SICVT

ΜOΝΗ EΣTI ΚΑΙ ΠΡOΟΔΟΣ ΚΑI ΔH ΚΑI ΕΠΙΣΤΡΟΦH
EΝ ΤΩ ΧΡOΝΩ ΦΑΣΜΑΤΑ

QVONDAM

ΤA ΠAΝΤΑ AEI ΚOΣΜΟΣ-ΛOΓΟΣ ΚΑΙ ΜEΤΡΟΝ
ΤO ΓΕ ΝYΝ ΓΝΩΣΙΣ

AC RELVCENTEM MAGNVMQVE IN SPECVLO LAVDO ET CANO VINDICEM
ET PERGITE RVBRA HAC IN ALTISSIMA RVPE HVIVS HIEMIS FVLMINA

AD QVEM

IRA CVM EXTRAMVNDANA MEA ET FEODALE CORPORE

LOCVM  FERRO AMICTVS SPATHA SCVTOQVE PERVENIEBAM NATANS
INTRA OCEANVM AD VERGENTIS OCCASVM CALEDONIÆ REGNI SICVT

OVERMAN ECGÞRACU.

You can be player,
Rigged game— losers welcome,
Feudal America.

The law of attraction says that you attract what you think.

So, there's a chance you're attracted to me
because I think about you often.

Except the law of attraction fails
when walking into a sliding glass door.

Ever done that?
It's like stubbing your toe, only it's your face.
And though it's your face that takes the hit,
it really just hurts your spirit.

Nothing about it looks attractive.

Like the other day, a hawk — a widely respected bird of prey —
flew straight into my office window
with a humiliating thud
because it thought the reflection it saw
was more sky.

Hawks are supposed to see everything!

So the law of attraction
causes blindness.

It promotes crash landings.
Or at the least, awkward tripping
over words
or the lines we drew in sidewalk chalk.
It's just a friendly game of four square, right?
I’ll wait to step into your circle
only to stumble and fall for you
with a humiliating thud.

sorry, did you hear something?

It sounded faintly like a dream just shattered,
but I think you said this is your fiance.

so
nice
to
meet
you

I hope your wedding has an open bar.

I mean, I hope your wedding sets the bar
for
your
marriage
to reach limitless heights.

And don’t mind the mess. I’ll just sweep it up like nothing happened and catch up with you love birds later (never) - watch out for the glass.

This law sounds a lot like gravity, and it too
is flawed because people fall
for people that don't fall back.
And then you get the odd man out
walking into closed doors and wanting to curse on impact,
but I will hold my tongue.
Because cursing will attract curses.
Instead, I'll bring gifts — I know,
a stuffed teddy bird —
and I'll leave one at the foot
of every sliding glass door
that doesn't open.

I realize that sounds creepy.

So I’ll just leave them by the window
(my window)
where I can watch the moon I shot for
behind the clouds.
Until another blind hawk goes down.
Then it's a less attractive view.

It's hard to get sleep in an empty bed,
to wake up in front of a fake tree in late January
and open the gifts I never got to give.

The law of attraction:
it’s an ugly Christmas sweater.

If I can't attract who I think,
then I'll repel the cold that I feel
until I'm convinced that this empty feeling
is freedom - the kind that precedes flight.

I believe in defying the gravity of my emotions.

Therefore, I don't believe in laws.
They just break.
I once believed in marriage
until it broke
and I want my daughter
to believe it was no one’s fault

This is a lawless country — think feudal Japan —
where lovers are fighters and who is to tell the masterless heart what to do.
It's a teenager
who never made it past high school
because it keeps skipping class.

Fear not: I am a grown up.
I am too old to be falling
for the pseudoscience of false hope
even if our chemistry doesn't lie.
Except our math doesn't add up.
And my history is an essay on wartime aviation
crumpled and thrown out of an open window
because I used the word 'alone' too many times
to describe what it feels like to fly solo

Alone means nothing on paper
It should be torn in half:
All and One no longer together

Anything that isn't one
must be in pieces,
and being with some One
is not the end all, be all

God was a lonely man for Christ sake

I’ll think of other words:
Alone, all one, no.
One.

Thinking attracts no one.

I'll make up a new law:
don't think. Move

Just not near anything made of glass.
It’s bad for the birds.
I got nothing but love for the birds.

Through the towns and country lanes
fortress walls and ancient stains
Roman treasures, aquaducts
the running bulls, a stroke of luck!

Cobblestone and feudal cracks
the culture weaves and summer smacks!
enchanted ramparts, medieval ruins
coliseums and communes

Aigues Mortes to Avignon
the rolling hills and castles strong
fields of grape and olive trees
cicadas singing on the breeze

Tranquil rivers, lost lagoons
horses prancing at high noon
flora and fauna in lofty decree!
say the sycamore and cypress tree

De Lumières in tomb-like calm
illuminating sounds of Brahm
Vermeer, Picasso and Van Goh
the ghosts of Voltaire and Rousseau

Les Baux-de-Provence's immersive stage
brush strokes wide from another age
chambers deep at quarry rock
the mesmerizing notes of Bach

Sacred figures, holy shrines
monestries in grand design
blocks, arches and polished stone
gladiators at the throne

Castle turrets and dungeon bars
the ancient bridge of Pont du Gard
chapel bells across la ville
spiral stairs where time stands still

Scrolls and chronicles filled with scars
church and state with dark memoirs
scholars, artists and dignitaries
in pursuit of God...and all his glory

Today, we live in a world bound together by a plethora of interlocking mechanisms and systems, some social/political, and a great many technological, but most remain economic(for reasons of simple profit and pragmatism). In a time where the rate at which new technologies are developed is being reduced by a specific ratio in relation to the complexity and modernization of the societies in which they are developed, and the impact they have on said societies can be measured to a certain degree, it is a wonder to me that human beings have not applied our gifts of invention and improvisation to other parts of our existence.
I'm not a psychologist or sociologist or anthropologist, therefore I don't want to seem as if I'm attaching weight to any of my conclusions or opinions. I'm simply trying to put down in words a condensed version of many hours worth of contemplation and conversation. That being said, it seems almost as if the further we advance into the unknown future, technologically and scientifically, we further ourselves somewhat from many of the facets of existence that can be said to make us human beings. While the limits of understanding are being extended in laboratories and universities the world over, and the fruits of the endeavor trickle down to us in the way of items such as smart phones with more computing power than a room sized processor from 1970, our social structure has not progressed at a similar rate. While back breaking poverty and oppression on the feudal level aren't daily facts of life for the vast majority of us in developed industrialized society, modern existence has created it's own demons in the demand for limitless profits in an economy(no matter how much of it is superficially called "Service industry") which is based upon finite means of production, whether they be labour or resource based. This is not what concerns me, most of the time, anyway it **** sure doesn't keep me up at night. What does keep me awake till dawn are the deeply personal experiences that have brought me to see the extremes of human suffering, the kind of suffering which is marginalized and ignored because it has no place in our 'civilized' status quo. I will say bluntly that those who do the marginalizing have never carried their friend away from a house party after she was *****, never set their shirt on fire in the middle of the street because it had ***** from the ****** on it, never bandaged the self-inflicted wounds of another (and wiped off the word '****' which she had written on herself in her own blood), nor seen a thousand year old village obliterated in about 3 seconds, never seen what kind of horror people have the capacity to inflict on each other....as I have. There are many of us who have experienced these things, many who have experienced far worse, and to them I offer my deepest respect and compassion.
The realm of the human heart is the same landscape our forefathers journeyed through in the age of Richard Couer de Lion, the questions many of us ask are the same as well. But there is a difference, and it isn't technological. The serf toiling in the dirt of medieval France had no separation between himself and the land he worked, and to a similar extant, the modern Afghani sees no separation between himself and the will of Allah, which is what binds his entire universe together. Only we here in the First World have been abstracted into units of economic output, reduced to numbers and symbols, and only we no longer know what our place in the world is, or how we relate to each other. I want to know why.

The rotten fruit shall be shaken* --- W. H. Auden

Do they somehow envision sainthood in the homeless
or extol the virtue of the millions toiling for minimum wage;
see themselves as the feudal overlords of trickle-down,
their enormous profits banquet omelets for the common good?

You know the politics whereof I speak,
the Me, Myself and I of anachronistic yesterdays,
the concave years of soup-kitchens supporting high-rise condos
and batshit crazy presidential candidates admiring selfies.  

I wonder if it's all because they can't reach ******;
impotence and pharmaceuticals which fuel our economy?
A nation moans from the exhaustion of despair with
forgotten cityscapes of odorous blacks and blues.

I REFUSE TO LOSE…
Most dudes are confused,
Stuck between the two,
Wondering if the one is really you,
Or if their mind is playing tricks,
So they just never mind, which is a terrible thing to do.
It’s easy to walk away, and just say,
“I’ll try another day”
Or “I’ll try another way”
The answer is right in their face.
Fear of commitment is what it usually boils down to,
Afraid…
Afraid they’ll give you all their trust, just to get played.

But I’m not confused nor afraid,
See, I’m confident in my confidence,
I know that you’re the way.
You’re the path that god has paved,
And I won’t be led astray.
I’m not like those other dudes,
Confused minds have made them fools,
Fear filled hearts have changed their moods,
I’m smarter, so many mistakes, I know, I grew,
It’s altered my personality and my point of view,
On love, relationships and even you,
You see I’m ready to do, what I know have to,
Packed my thoughts, I’m ready to move,
But there is a problem between us being two,
And my love that problem is you.
Still I REFUSE TO LOSE.
Most girls know what to do,
Confident on who to choose,
No hesitation, no interludes,
No deep thinking, it would just prelude
To lose, who they wanted to give all their love to.
It’s easy to say, “We’re meant to be”,
“He’s meant for me”,
And “Just wait, you all will see”,
Or “I do!”, really fast, before the question has been asked.
Fear of loneliness is the problem
When you look inside,
Afraid…
Afraid they’ll be alone for the rest of their lives.

But those girls are nothing like you.
You're unsure what to do,
Indecisive with your decisions.
Your insecurity has you imprisoned,
Steel bars made from your blurred vision,
And you’ll never break the tension.
You’re not like other women,
Your mind is not confined,
It’s just your heart being blind.
You’ve made mistakes but have yet to grow,
Past regrets will stunt your growth,
You have to Learn, Live and Love to make the most,
Throw away those futile, feudal thoughts,
And let me show,


You don’t have to worry
About those problems and mental feuds,                                                                                 When you REFUSE TO LOSE.

The Airn-Wanderer:

WÆPEN WUNDUM SUNDORGENGA

Waes Ah! Waes Ah, noo!
Beguid! an’ Greatly, unco Greatly Hye, IT!
Wi'in Abysmal-Deep Primal Fyre, IT!
Great Fair Thor's Orrah!
Lookin’ yondir! lookin’ yondir, noo!
Afore avidly, unco avidly
Drank hynne Ah! Great Warlike Orrah!
The Gowblat o’ Noble Precious Gowd Shimmerin':
Gleamin’ further, IT! Ane an' the Same, hynne!
Wi' the Verra Glare frae Bein' o' Power Supreme!
Gift Invincibly Purified IT, hynne!
Thad Enraged Wotan’s ain Verra Chalice o’ mine,
An’ Toast frae Hye-HEREHAND!
Great, in Fyre Ragin' noo, Ullr's Orrah!
Frae Noble Valhalla Rairan Deep
Wi’ ITS Metal Fiery Soul, hynne!
Orra Skye-Substance, orra Skye-Schorcin’ o’ mine!
Noo, verra unco! Core-Martially stylle grabbin’,
Wi’ Black Leather Glove
O’ Total Dazzlin’, an' Verra, Verra ​Core-Abysmal, IT!
Whyte-War, hynne!

ÞUNORE HWÍT CEALLA,

Fyre-Flowin’, the Verra Northumbrian Mead!  
Livin’, Tasty wi’ Pow’r, Great Warlike Orrah!
Niflheim-Watery, IT!

BEADWE, MĪN SWÆTAN,

Frae yon Ironclad Norþan-hymbre!
Frae Hel Itself Delicious,
Unco dyrinkin’, downe the hatch!
Hynne Ah,
My by-gone Days left orra Aflame:
Great Vision! Great Bellum! noo dyin’ o’ mine!
Whileas stylle waes hynne Ah!
Thro’ the Bare Highlands Dreary,
‘Yont South Ruins’ Bluish Burnan Wa,
Deep-Wanderin’,
In search for the Verra Lightnin’ Raed,
An' Flashin' Guide o' mine Devastatingly Immortal!

BĒOWES RĒADA FÝRTORR,

O’er Thae Cauld Moorlan Heights hynne,
Leisurely, implacably, Great Warlike Orrah!
Amyd Hye Rocky Smeddum all abowt me
Strollin’,
Intae the Verra Mirk Unfathomable,
Airn-Flesh o’ mine, hynne
Throwin’,
An' my Wise an’ Bold an’ Proud!
Sensual Noble Dame,
Gerðr galdrs Scho!

MĪN FÆÐMLICE OND BRYNIGE CWÝNE
SÉO HYGEÞRYMME ÁDRÍEGEÞ,

A' Oor Inflamed Naychts! Verra Wyntry Naychts!
Afore the Sacral Stane-Hearth:

WINTRES WÍDERFEORLIC HEORÐ,
HWÆR ÆFRE OND LÍGBRYNE
ÚSERE BRÆD GEMETEÞ,

Stylle deep-burnin',
Guid, Verra Guid Bleezan Orrah!
Scho unco weall! Scho unco weall! Ah say!
Rememberin',
In Lang Robes o' Deep Crimson Fyre, noo!
Her Superior Womanhood,
Full! An' divinely, orra divinely!
Thro' Her Glowin' Mystery Sinuous, o'er endowed!
Hynne stylle, unco ardently! in Primal Lowes, fully Sinuous!
Whare, Thys weall! weall! Scho unco knew!
Ah! Guid, Verra Guid Thundir's Orrah!
Used tae ay lose! nae abeigh!
Wi'in an Abyss Interminable an' Endless Contynent!
Ay, Great Guid Orrah! Masell!
An’ Verra Firey! sinuously Trowe! Verra Soul!
Unco tightly, wi' Norland Passion
Stylle profoundly Wemenlie o' Hers!
Shrouded,
Scho saw me! Scho orra saw me!
Noo, wi’ Courage Ablaze an’ unco Wreððe
Ascendin’
To orra desire! to orra possess,
To hae IT! To unco hae IT! back again!
Ah! LEOFLIC IREN HÁTAN!
The Lone Airn-Wanderer, SUNDORGENGA, Ah!
Frae yon Auld Götaland:

LAND GUMCYNNES GEAT-MÆCGUM,
BEADWE-HEARPENÆGLES EORÐRÍCE,

My ain Lost, the OVERMAN'S HIS-SEL!
Great, Great Mjölnir's Warlike Orrah!
Wi’ Bluish Skye-Gore, frae Thae Cauld Heights
Unco! Verra, Verra Guid O'erhuman,
Hynne, neist tae the Forgotten Firey Ruin!
Totally 'Yont-Human! The DAZZLIN' OVERMAN'S AIN!
Ah noo say! Ah noo tae the Moorlan Stormy Cluds yell! Orrah!
Skye-Imbued

Thundir-Bluid:

NORÐÞUNRES WÆLDRÉOR

Tae feel IT hynne! Tae unco feel IT:
Great Guid Warlike Orrah!
Total, unco Total, in Full New Skye-Gore IT!
Verra, Verra Thor-Hye!
Frae afarre! yet tae me Verra, Verra Skye-Close!
Rumblin' Skye-Destruction o’ mine!
Hynne Total Skye-Rebirth O'erhuman,
An' the Roaran', unco Skye-Roaran', IT!
Great Kvasir's Warlike Orrah!
Afore the Verra Disc o' the Full Mowne Murky,
Orra, unco, IT! in the East Dreary skye-risin', IT!
'Yont-Human, Great Jörð's Orrah!
Supreme Transformation!

WULFES GENIWUNG,

Wi' the New Skye-Knowledge Scorchin'
Owre, owre imbued!
An' in the Soarin' Zenith-Fyre
Deeply, deeply hawkan IT, hynne!
Thro' Thad Cauld Moorlan Secret
Ah am noo about to owre yell,
Frae the Thundir's yon Rumblin'
Verra, Verra Skye-Pride!
Intae my Veins Fiery
Fore’er an’ e’er, wi’ Ragin’ Skye-Bluish Hue
Noo flowin’,
Com on! Com on, hynne!
Dearest Mountayn-Thunderbolt o’ mine!
Taukin’ Ah noo am to ye stylle!
Struck me deep! struck me noo, Ah yell!
Great Fair Thor's Orrah! deep,

ÍSENSCÚR,

For fully Covered! orra Skye-Covered hynne!
In Feudal Skye-Airn Indestructible
Am Ah heare! for ye noo!
Tae attract hynne! out o' Thad Norland Verra Blue!
As the Skye-Magnet attracts the Rare Shinin' Metal,
Yer deadly Skye-Rage wpon Airn-Skynne o' mine!
Tae catalyze hynne yer loudly tellin',
Frae Yon Abysmal Distance! Lone Skye-Voice,

SCÍRHAM IC! BEADWE LÍGETUNG,

Whyle Ah stylle! intae Hye Lowes unco climb
Thad Cauld Rocky Soil,
Whyle Ah stylle unco tell
Thad Vision, most Solitarie o’ mine,
Whyle Ah stylle restlessly, implacably seek
My ain Lost Skye-Sel!
The Hye, Verra Hye! Adamantine Person o' the OVERMAN!

SUNSCÍNE SEOLF OND LINDGEBORGA,

Want Ah! truly unco, want Ah! owre want Ah, hynne!
Beguid an’ Great Guid! Hôm Loga Himna Orrah!
Noo, richte noo!
This kin Ah! still noo unco truly yell!
'Yont yon Whunstane Stronghold's Mirk Well!
Feel, unco o'erhumanly live, hynne!
Thad Continual Flashin’
Frae the Grayish Leaden Moorlan Cluds
Noo the Zenith-Sunne Invisible behynde
Hye-glorifyin’!
Thro’ the Verra Tundir Voice o'er an' o'er echoin,
In shape o’ Norland Hammer frae the Battle, IT!
Intae Veins Skye-Bluish o’ mine!

NORÐANWINDE! BLÓDWRACU OND FÆHÞ,

Next tae my Feudal Airn-Side noo still wounded
By Enemy an' Cowardly, tae Human, tae Cowardly!
Frae the Distance, hynne! shot at me!
Still Mortal Arrows!
Nae Fear, hynne! tae Earthly! tae Miserable,
Surpassingly Miserable, IT! unto the Verra Core!
To the Hye Fair-Haired Gods,
In Strang Norland Dignity an' Supreme Pow'r,
An' Skye-Vengeance frae Enraged Sacral Thule blowin'!
Noo! thro' Noble an' Future Skye-Gore o' mine schawe!
In my stylle the Verra Lightnin':

VICTORIAE SANGUINISQUE SIGNUM
OVERMAN

Noo implacably approachin'!
An’ ye! Sweyt an’ Scaur Enemies, not Quhone all ye!
Ye still cannae, cannae hear?
Yell an’ Furious Bellum, aye!
Frae Loud Thundir-Voice o’ mine?
Skye-Crash frae my Battle-Wounds IT:

MĪN HEORUDREÓR GLADAÞ,

Wi'in yer ignoble ears noo!
Wnto the Sacral Open Blue
Risin’ unco Freed!
Ye still want to *** to orra Heaven?
Hynne, heyre Ah am!
Com on! Com on! All ye Cowards!
Thys is whate Ah orra cam for!
Fecht me! Hand-to-Hand Strang!
Do signal the Attack!

ÞINE UNEARH GÚÐÞRACU OND GEWEALC,
ÞUNORRÁDE, MĪN HILDERÆS!

Glitterin’ Skye Axe-Blade o’ mine winna, IT
Cease to wait to orra shatter,
In a single Thundir-Blow, all yer Targes!
Com on! Com on hynne! ye Cowards!
Do noo hae the Warlike Verra Guts to taste
Gleamin' VARGS UNDA Alone o' mine!
O'er ye thys single Thundir-Blow pourin'!
Ye want still to unco give
Unto Enraged Airn o’ mine, Wonner IT, lo!
Yer Hand-to-Hand, hynne Feudal an’ Essential
Battle-Bluid?

HEOLFRE ANWIG,

Wha hynne want to be the First?
Wha hynne ready is noo to unco suffer
Frae my Verra Skye-Airn noo Skye-Flashin'!
Gunnþinga Called, IT!
Hys, alongside the Skye-Foreign, Nadir's ain!
Miserable, tae earthly, tae human orra Defeat?
Fecht Ah! for the Glare an’ Hye Glory O'erhuman
Frae Bein’ as Pow’r, Bluish-Firey IT!

ÞUNORES HAMOR,

Hynne heyre glowran at ye Ah unco stand!
Wi’ Great Clan-Vermillion Wyld Wraith o’ mine
Hye, Norland-Fair, an’ orra Warlike!
Wi’ Battle-Axe o’ mine gleamin’,
Unner yon War-Glare, ne’er, ne’er settin’,
An’ the Sunne’s ain Disc Refulgent,

BLŌDE ANWEALD, HWÍTE HEAÐUSIGEL,

Wnto deep the Wanwordie World, Mirk hynne, IT!
Richte, orra Ancestral an' Warlike Richte!
Greatly, unco greatly! Flamin'-Firey an' Zenith-Supreme, IT!
Verra Iron-Curse Blindin'!
An’ He cam! the Thunderbolt at length
Unto me He orra cam!
Thus struck waes Ah!
My Flesh, an' Bluid, an' Spirit!
Intae Thor's ain Skye-Force
At once turnin'
Tae greatly, tae unco! Verra Guid Orrah! see
Thro' Nyow Total Skye-Blindness O'erhuman o' mine!
Altogether hynne noo, Great Guid Saxon Orrah!
The Forerunnin’ Presence noo Devastatin’
Wnto me, stick-an-stowe, noo orra IT! comin',

IRSERN-SCÉAWERE IC,
CWIOFYRES BURHWEARD,
BÆLÞRACE OND BRYNEWIELMA GEBORGA,

Frae thowa, IT! in Primal Wreððe

Skye-Essences
Or
Twæȝe Strang Sunnes

Hwenne! Beguid an’ Great, Great Warlike Orrah!
Out-owre Hye Mountayn Glade, sic unco Wide:
The Cauld Vitrified Fort  
Wha's Sharp Surroundin' Gleamin' Wa
Thro' Hye Heat Monumental generated!
TAP O' NOTH waes:

FÆRBRYNE GLÆSFÆTES STANWEORC,

In Thundir-Bluid an’ Frame,
An' further unco Skye-Imbued Ah!
Wi' the Earthly Unidentified Energy
Frae thad Towerin' Verra Steid,
Noo still walkin’,
At length thare surveyed hynne Ah!
Wi’ Fyre-Sight, Deep-Penetratin’ IT,
An’ Auldfarran, Lucid Reason o’ mine,
The Heaven’s Blue Verra Vault:
Proud Storm-Shrine, Dearest o’ mine!
Ane wi’ my Skye-Rage Hye,  
An’ the Atmosphere, waes IT, waes IT,
Intolerably close, yet unco Potent, Heimdall-Divine!
Hynne beheld Ah, lo!
TWA ESSENCES O’ FYRE!

BRYNEWIELMUM CAMPWUDA,

Intangible, Untouchable, Impenetrable, baith Thay,
O’er the Whole Uranic Skye-Arch,
Their Skye-Dominion an’ Primordial Skye-Dignity
Unco haudin’:
The Essence o’ the ΛOΓΟΣ an’ the Essence o’ the REAL, Thay:

STĪELENRA-HEÁÐUSIGELA FÝRBÆREAN
GÆDERSCYPE OND GLÉDEGESA
ÞĀ HLŪDE BECWÆDON,

Twa! Tangible, Visible MICHTY SRANG SUNNES!
Twa, hynne! Let me stylle noo distinctly remember!
Unco Martially an' Norland Colourful!
Great Orrah! Rotatin', Thay A'! Thay A'!
Great Lone Sight o' mine!
Splintered nae! Round Shields o' War Dazzlin':
Ský Skǫglar frae the Auld Wondie Hólmganga, Thay!
Frae Auld! Verra, indeed Verra primevaly Auld!
Thro' Deep the Firey Tyme Conquerin', an' Ruthless,
An' towardis the Fleysche, Fallacious hynne Mortal, unforgivin'!
Crucial Gory Soil in yon 537 A.D. CAMLANN called
Thad haes bin, IT! a Witness tae my ain Shed Battle-Bluid!

BRYTENCYNING,
IC WIÞGEHÆFTE HINE, BLÁCAN ÁNWÍGE,
EFENLÍCAN GÚÐHERE BLÆDE,

Meany, Meany Kingdomes, an' Onslaughts,
A' Bluish-Ironclad Thay, ago!   
Hynne noo, whileas Ah stylle speak, Immortal am, an' waes awready!
Yet Thad nae, nae enough IT proved
Afore the Presence Devastatin' o' the OVERMAN!
Stylle, Ah knew, HE noo in waitin'!
HE WHA! HE WHA! HE WHA unco:
The Verra ENS! thro' the Dazzlin' Skye-Bluish Revenge o' HYS,  
Hynne Mine!
Tae the Yieldin' Ground o'ershadows! an' in an Ultimate Whyte War
Flashin' tae Fathomless Eternity, in Gore Shinin' defeats!
Intense Meanin' Primordial o' Battle Fierce baith Thae!
Hynne unco embodyin',
Afore thys, thro’ Verra Lowe penetratin’,
An’ wi’ Hye, Verra, Verra Skye-Hye!
Thundir-Bluid Thunderous
Awa, awa flowin’ IT, orra!
Loneliest Vision o’ mine:

GEBYLD,

When, Great Thundir’s Orrah!
Wi’ a speed Wicked yet Prodigious, lo! Sublime,
Closer, closer, wi’ the Impetus frae Twa Skye-Rams Wyld
They orra cam!
An’ in a Common Skye-Embrace!
Their Dazzlin’ Blades o’ Vibrant Steel!
Hynne crossin’,
Thus unco, owre imbued waes, waes Ah!
Wi' Thad Verra Hye Steel-Glare, Ah!
Wi' Thad intae Deep Fyre afore Wounded Step o' Mine meltin',
Feudal, unco Feudal Skye-Knowledge, an' Airn-Revenge!
An' advanced wi' Firm Martial Gait hynne, towardis
The Lonely Gleamin', Flashingly Firey,
Rewb-Gem o' Moorlan War Forgotten,
Thro' ITS Sheer Inner Foirce hynne unco Reddenin'!

HERECIRME, RÉOD GIMCYNN,

Whileas the Stellar Wynde silently ensued
Frae Thad Last Titanic Encounter an’ Battle,
Wi’ unco deafenin’ Core-Clash,
Frae Thor’s His-sel, again,
The Whispered Warlike Voice!
Hynne intae Ane Nucleus Whyte
At length blendin’, afore wnto me
Noo orra comin’ IT:

The Shield-Blinding:

DÆGSCIELD GEBLENDAÞ

For rendered orra, orra sightless!
Waes Ah noo,
Yet still able to distinctly behold,
An’ e’en deeper, unco deeper! Great Warlike Orrah!
The Verra Dazzlin’ Core, IT!
Wi’ Verra Bluish Flash, an’ the Skye-Gore
Frae Thundir-Eyes noo o’ mine
Sheer Sharp, IT!
For Thad Sudden Thundir-Blindin’ o’ Mine!
Ah am noo taukin’ abowt,
Great Dunnottar’s an’ Tantallon’s Orrah!
Gift Supreme frae Hye the Zenith-Skye!
Orra Skye-Generous hynne, IT!
Intae an All-Powerful, unco All-Powerful, Ah say!
An’ All-Seein’ Thundir-Force
Thundir-O’erhuman, hynne frae the Thundir ‘Yont-Human!
IT, in Hye Fyre! Skye-turned,
An’ New Unknown Fiery Demons IT
Orra, orra! unveiled:

ÁGLÆCAN WUNDORSÉON,

Athwart Noble Airn-Person o’ mine,
Thro’ the Cauld Blast frae Thad Moorlan Wynde
O’er an’ o’er fallin’,
For the Verra Skye-Vision o’ the OVERMAN,
Guid Orrah! Great Warlike Thundir’s Orrah!
Unco Profound IT waes!
An’ unco killed IT the Unprepared,
For waes IT for nae Unworthy Skellum  
To Feud an’ Sword Foreign!
An’ the Whole Wnivers, in a Verra Flash,
Thro’ the Same Auld an’ New Thunderbolt
Ah waes lookin’ for,
Penetrated IT orra waes:
THE HERACLITEAN, DEVASTATINGLY PROPHETIC, IT!
FIERY SKYE-FORCE!
FRAE THE VERRA AIRN-PERSON
STEEL-CONCRETE, IT!
DAZZLINGLY 'YONT-TELLURIAN AN' SKYE-CENTRAL!
O' THE OVERMAN:
THE 'YONT-HUMAN HYNNE NAE HUMAN!
THAD LIKE CONQUERIN', RAGIN' WHYTE-FYRE,
WI'IN THE YIELDIN' MURKY MIRK VOID SHINES!
INCANDESCENT O'ERHUMAN VERRA BODY!
THAD MINE AIN, AH KNEW,
SUNE AN' SYNE! UPON THAE BENS DREARY,
IT SHALL, GREAT GUID ORRAH! BE!
AN' WHA'S NOBLE AN' SOLEMN NAIM
HYE! HYE! THE ETHER'S AIN SKYE-SUBSTANCE
INTAE ALL-FERVID LOWES AN' METALLIC BRILLIANCY
TURNIN'

ΥΠΕΡ-ΚΕΡΑΥΝOΣ

WAES! THUNDIR-CONSCIOUS, AN’ DIRECTIN’,
THUNDIR-DESTROYIN’, HYNNE CRAETIN',
O’ER ALL THUNDIR-DOMINATIN’,
TO THE INFINITE UNCO THUNDIR-GROWIN’,
MINE AIN BLUISH MOORLAN BLUID
TO THE INFINITE ORRA THUNDIR-FEEDIN’,
Together hynne wi’ my Arteries o’ Skye-Blue
In Baith Spirit an’ the Verra Flow,
When orra struck again waes Ah!
Wnto Verra Death, an’ e’en ‘yont! waur e’en waur!
Skye-Waur, Great Warlike Orrah!
Towardis the Verra Dazzlin’
Skye-Weregild o’ Gowd:

GOLDWEARDA FORNÉÐAN,

For the Loneliest Vision o’ mine
To in Fyre, still unco blinded Ah!
Distinctly behold,
At bein’ hynne, Great Warlike Orrah!
The Sole Ironclad Witness
O’ my by-gone Path Aflame,
Intae ‘Yont-Human Will o’ mine!
Noo unco forged, Great Hye Orrah!
Wnto the Auld Bluid-Rock o’ Rebel Sacrifice
Far awa! in the Snowy Caucasus
Nae longer IT chained!

HRINGUM SWEORCAN,

Meanwhile, lo! At my Mirk Cloaked Back,
Behold ye! Another Identical Skye-Fusion!
For Twa Dazzlin’ Whyte Glows,
Symmetrical Unco Mirrors They,
As if frae Myrddin’s ain Magic,
To View o’ mine orra appeared:
Perfect Pow’r o’ Infinite Reflection, They!
Mine ain Past, my ain Future!
Baith embodyin’,
An’ waes stylle Ah!
Intae the Verra Middle o’ the Glare
Standin’
Wi’ Gleamin’ Claymore drawn, Dearest o’ mine!
Thundir-Hurt stylle, afore noo the

Destroyer of the Past:

ÍSIGE CWYLMING

An’ noo, Guid, Verra, Verra Guid o’ Gowd
Warlike Orrah!
Thus willed Ah! the OVERMAN!

BISENE WRECEND,

Freish an’ Auld! Airn-Feudal an’ Strang!

DUGUÞMIHTUM OND HEORUSWENGE,
ĒACEN BIÞ ŌFER-MANN,

Wi’ Michty Inner Energy o’ mine
Great Feudal Orrah! unco Alone!
Wha's Sole Hye Naim Firey OVERWILL!
IT unco, oan the Gory Battlefield, Ah weall knew IT waes!
Frae the Verra Skye-Dragun! A' Destroyin' hynne HE!
Intae the Deep Fyre, wi' HYS Beastly Wings thus orra spread,
Unco, prodigiously o'er A' HE hoverin',
Towardis the Past allwayes Dreadful e'en, hynne!
Wi’ HYS Scales o’ Enraged Gowd,
The Shinin’ Horror wi’in the Skye, IT!

FÝRDRACAN GLÆD GRYREBRÓGA
SÉ FORÞGEWITENNESSE UNWYRCÐ,

Skye-Perfect! intae the Mirror-Glare Image o' mine, HE!
The OVERMAN o' Deep Fyre,
Th'gither wi' my ain Reflected Bluid, hynne!
Noo, in Feudal Tartane-War stylle thundir-flowin'!
More intensely! o'er an' o'er in Steel hynne,
HYS Supreme Presence greatly tae the Infinite!
Orra skye-increasing!
Intae the noo Unleashed Skye-Pow’r!
Unto my Wounded Spirit o'er an' o'er
Hynne HE skye-returnin’!
As ane wi’ the Moorlan Rumblin’ Thunderbolt
Ah waes lookin’ for,
The Sacral Dazzlin’ Chain Mail Ablaze:

SCÉAWERE-HRÉOH,

In the Skye-Identity e'en most Skye-Asolute IT!
My ain! HE orra, unco flashingly wearin’,
Thus willed Ah! Past o’ mine back IT!
In Feudal Person o’ HYS, my ain! empowered:
GORY GHAIST! by-gone Immortal o’ mine IT!
Still orra Alive an’ Fiery!
Flowin’ an’ flashin’
Thad not Identical unto ITSELF IT waes!
Hynne unto ITSELF most identical!
Quhenne! in Feudal Airn-Flesh o’ HYS,
Great Warlike Orrah!
Thro’ Ragin’ Skye an’ Earthly Pride at once IT,
Most fleshily, intae Hye Fyre Purifin’
Waes incarnated,
Thus willed Ah, Future o’ mine, tae, hynne!
Wi’ the Iyce Cross o’er Moorlan Coat o’ Arms,
Frae Noble Dundarg’s Hye Wa,
In Feudal Steel, Greater, unco Greater IT!
Shimmerin’,
For the Past lived in the Verra Bluid o’ HYS,
Thynce thro' Hye Firey Gore Immortal:  

FULMINE VICTOR
MAGNUS INVICTUSQUE
OVERMAN

Let me Thys, NOBLE GLAMIS’ GREAT ORRAH!
Truly, unco truly yell! waes IT potentiated,
An’ sae waes the Future, stylle my Verra, Verra Ain!
Wnto Dazzlin’ Airn-***** o’ mine  
Wi’ Increasin’ Ocean’s Rage Tempestuous
Fore’er returnin’,

CRÆFTUM OND RÝNE STÍELE!
BEADUWÆPEN,

Intae Single Will O’erhuman
An’ Unforgivin’ Continuum, as Ane,
Whare Ye! Dearest Hye Thundir o’ mine!
At the Verra Skye-Zenith,
Still silently dwell!  
Hynne willed Ah! my ain Image
Frae the Past! Frae the Future! wi’ unco Force,
At once IT emergin’,
Towardis the Past! Towardis the Future! wi’ orra Dignity,
At once IT rushin’,
Intae the Implacable Spiral o’ Becomin’
Thad Ane wi’ the Verra Vortex o’ Return
IT! Great Warlike Orrah! waes,
The Past burnin’, the Future hynne IT affirmin’,
An’ unto the Verra Skye-Core!
GREAT HÖÐR’S AN’ WOTAN’S ORRAH!
Directed,
Noo afore my ain wi’ Fyre Wounded Eyes,
Thro’ each Revolution, ITS unco Strength,
Great Warlike Norland Orrah!
Unto the Fathomless Fiery Infinite
Increasin’:
The Verra Mountayn Thunderbolt!
Ah waes lookin’ for,
For the Increase o’ Pow’r ne’er Identical
Unto itself IT waes,
Hynne waes unto Itself most identical!
As noo met wi’ Ah

THE DESTROYER O’ THE PAST,
THE CREATOR O’ THE FUTURE,
O’ LYFE FORE’ER CHANGIN’
THE GREAT AFFIRMATOR,
HYE SKYE-VEINS O’ HYS
O’ERHUMAN, MY AIN!
THE IRONCLAD INCARNATOR
AN’ THE FEUDAL WITNESS!
O’ MY BURNAN MOUNTAYN-PATH
DYIN’:
THUNDIR-FRAME O’ MINE, HE!
STRONGER! STRONGER!
O’ER AN’ O’ER,
UNTO MY BY-GONE DAYS BLEEZAN,
AN’ THE ROARAN’ FUTURE!
AS MOLTEN SKYE-GOWD INCORRUPTIBLE
NOO RETURNIN’,
WHAR IMMORTALITY ITSELF HYNNE,
IN FORE’ER INCRESIN’
HYE FYRE AN’ BATTLE-GORE,
O’ERSHADOWED IT WAES,  
INTAE DEEP THE WHYTE SPIRAL,
SKYE-RECURRENCE INCANDESCENT, IT!
ANE WI’ THE LONE IRONCLAD IMAGE
UNTO VERRA, VERRA PERFECTION!
SKYE-SPECULAR O' MINE!
SCORCHIN' AN' SHININ' AN' UNCO TANGIBLE, HE!
THE CLOAKED SKYE-FIGURE
THAD WAES NOO
'YONT THAD AULD FORGOTTEN WA,
MY BLEEDIN' SKYE-COURAGE
IN WARLIKE SILENCE AWAITIN',
FRAE THE DEPTHS O' THE ROTATIN’ SKYE-ENERGY,

WEALHFÆRELDES DÆGWÓMA,

PROUDLY AN' INVINCIBLY SKYE-STANDIN'!
WHAR, GUID SKYE ORRAH!
FIERY WOE INTAE FEUDAL STEEL MELTIN',
DEEPER AN' NOBLER IT PROVED!
AN’ WI’ DAZZLIN' SKYE-REVENGE
O'ER AN' O'ER, GREAT THOR'S ORRAH!
IT SUPREMELY, IN BLUISH NORLAND AIRN FLASHED!

For, lo! the Verra Blank frae the Past
Together wi’ ITS Inevitable Feud-Foreign Woe
Hauntin’
Thad cannae be avoided hynne!
Mirk an’ Invisible, IT!
It nae longer existed! It nae longer existed!
For unco filled noo IT waes
By the Devourin’ Lone Lowe an’ the Verra Frame:
The Chain-Mailed, Heated in Airn War-Wame
O’ THE OVERMAN! HE:
WILL, AS THE VERRA INNER ENERGY!
VIGOUR, AS THE VERRA INNER WILL!
FRAE THE PAST, FRAE THE FUTURE!
TANGIBLE, VISIBLE, INCARNATED,
NOBLE WYLD DRAGON,
SKYE-BEAST O’ MINE,

GRYREBRÓGA OND FÆRGRYRE,
WUNDORA WYRM! ÚHT-SCEAÞA HÉ!

FYRE-WOUNDED IN NAE GOWD-CAGE, HE!
O'ER SKYE-SPIRIT O' MINE,
HE! HYNNE, UNCO SKYE-FLYIN'!
WI’ HYS SKYE-GORE O’ER THE BARS INVISIBLE
TRULY MINE AIN! GREAT GUID ORRAH!
DOWNE, DOWNE! NOO
LIKE THE PUREST RHODIUM
WI' THE FYRE-BLUISH
SKYE-ARTERIES O' THE LONE THUNDERBOLT
AH WAES LOOKIN' FOR
AGAIN UNCO BLENDIN',
Unto at Braemar the Verra Battle-Gore,
Afore the Lang Hour, in Kyng Eochaid’s
Martial Hidden Lore,
By the Force o’ Flowin’ Lava
Frae the Cauld an’ Dreary Highlands Implacable
Echoin’
Thad Becomin’ as Increase in Pow’r
IT, Great, Great Orrah! waes,
Backwards intae Tyme! Intae the Future hynne!
For the OVERWILL kan IT!
Destroye the Feud-Foreign Gory Bygane!
When o’er the Gleamin’ Skye-Cuirass
O’ the HYE OVERMAN ALONE!
IT lies visible an’ yieldin’ an’ razed an’ burnin'!
When o’er the New Soil o’ Dazzlin’ Alabaster
Conquerin’
Intae Deep the Future, thro’ Renewed Rage
An' yon Incandescent Skye-Thundir!
Ah waes lookin' for,
HE! My Specular Skye-Incarnation!
Fore'er orra creates!
Whileas thae words, in Roaran’ Wreððe,
Flame-Wounded,
Ah still loudly whisper,
But lo! Great Warlike Orrah!
THE IYCE CROSS FIREY
O’er Mirk War-Tartan, Dearest o’ mine!
Next to Dundarg’s Hye Wa, Ah well remember!
Embroidered,
Close to my Ruby Brooch strangely IT,
Unco strangely, like a Verra Premonition
Gleamed, afore noo

The Mirror-Fusion:

WĒOHES MELTAN

When, lo! Airn an’ Thundir!
Great Immortal Warlike Orrah!
Thro’ the Loud Whisper o’ the Thundir
Ah waes lookin’ for,  
The Image o’ the OVERMAN
Detached ITSELF, lo!
Frae baith the Surfaces in the Twa Opposed Mirrors:
Frae baith thae Reflectin' Skye-Furnaces Gleamin'!
Afore Noble Feudal Person o' mine,
Unco Sightless! Still unco Skye-Sightless!
E'en more! noo unco Sightless!
HE hynne, orra Ah beheld cam!
Wha’s Supreme Hieland Emanatin’ Force
Frae the Directin’ Skye-Lightnin’, IT!
Ah waes lookin’ for,
Na orra, orra Prodigious Sight!
Nae e’en Vör’s, or Heimdallur’s, or Snotra’s Ain!
If nae in Thundir Skye-Blinded as noo Mine!
Cuid, cuid IT! humanly, still tae humanly!  
This noo Ah! in Thad Skye-Fyre ‘Yont-Human!
Soarin’ heare in Dignity o’er Tap o’ Noth’s
Black Vitreous Smeddum an’ Cauld Martial Sand,
Cannae, cannae doubt!
Thro’ Thad Flashin’ Skye-Reflection withstand,
Frae the Past! frae the Future, hynne!
Great Warlike Orrah!
To encounter Spirit Ablaze o’ mine,
To Unleash Wyld Beast Immortal
Thad My Verra Mountayn Path  
Guarded still,
Some Bluish Bluid Stains IT leavin’
O’er the Michty an’ Pure Glass still:
My ain! frae the Clash o’ Life,  
An’ noo! Great, Great Warlike Orrah!
A LIGHNIN’-SHADE IRONCLAD!
Unto me, ITS Skye-Bluish Garb o’ Hye Skye-War!
In an Identity an’ Heat, e’en the Most Absolute!
To Verra Perfection reflectin',
Towardis Feudal Person o’ mine IT noo!
Wi’ Slow Skye-Gait,
Devastatingly, IT advanced,
An’ when afore me at length
IT standin’,
Thro’ the Loud Sound o’ the Thundir, lo!
Ah waes still lookin’ for,
In a Great Whoosh an’ Roaran’ Rumble
Non-Human Deep Voice, IT!
Frae the Past! Frae the Future!
Frae the Verra Brunan’ Throat
O’ the LIGHTNIN’ HIS-SEL!
Ah waes still looking for,
Wi’ Spiral Exhalations unner the Form, schorcin’ IT!
O’ Just Anger frae Primeval hynne Most Real
Forgotten Feudal Lore
The Hand-to-hand Wapin-Storm Harsh!
An’ Skye-Revenge, still Mine Ain!
Unco an’ owre loaded,
As Maddenin’ Heated-Airn, IT again!
Unto the Cauld Blue Vault o’ the Verra Skye
Wi’ orra, orra Dignity
Lonely risin’,  
Thae Verra Syllables!
The VERRA SKYE-INCARNATOR O'ERHUMAN!
Intae Deep noo, Great Orrah!
The Abysmal Skye-Core Bluish-Aflame, IT! o' the

Total Specular Skye-Force:

BRYNEWELMES WORDHLÉOÐOR

The Skye-Conscience, Víðarr-Hye o’ mine!
Most distinctly! Great Warlike Orrah!
HE, THE BLUISH INCARNATION HYE
O' THE HYE LIGHTNIN' ITSELF!
Ah waes lookin' for,
Wi' a Skye-Cowntenance Storm-Hidden
Flashin’ frae Deep the Obscured Skye-Mirk
Thro’ a Battle-Scar intae the Fyre gleamin'
O'er HYS left Sword-Offended Cheek:
Thys cuid Ah! unco Blinded, see!
Intae Deep the Skye-Unknown,
Still, Great Guid Glamis’ Orrah!
Stick-an-stowe a Wonner, Mine Ain!
Thro' HYS remarkably Echoin',
Non-human, hynne 'Yont human!
VERRA SKYE-RUMBLIN'!
Noo unco earthily uttered:

YE, WOLF-WOUNDED!
AN’ PROUD, IN BLACK TARTAN O’ WAR
MUFFLED,
KEEK AT ME! KEEK AT ME NOO!
IN NAE TAE EARTHLY TOWMOND!
DO NOO HYNNE LISTEN TAE ME!
YE, NOO FYRE-IRONCLAD WOUNDED!
THE HYE NORLAND GODS INTAE OWRE FYRE
STYLLE HYNNE HONORIN'!
BETTYR BIDE AN' DIE OAN THE NOBLE BATTLEFIELD GORY,
AN' STYLLE, 'YONT BAITH LIEFES AN' DEATH,
FORE'ER ALIVE HYNNE BE!
THEYNE BIDE A MISERABLE LIEFES!

WULFE BLŌDGA HEONAN!
ÞŪ BLADESUNGA OND LÉOMENA HEOFONFYR,
WACA BYRNSWEORDES WIÐ GEHATUM!

FOR DAINGEROUS! VERRA, INTAE THE FEUDAL FYRE DEEP, IT! DAINGEROUS!
MUST TREOWE IDEAS, IN VERRA HYE LOWES, BE!
FOR THE VERRA MICHTY, WHYTE ZENITH-SUNNE
AN' THE ALLWAYES UNKOWN MIRK DEATH!
THE SAME THAY! GREAT THOR'S NORLAND ORRAH! ARE,
FOR THE SELECTED FEUDAL MAN, IRONCLAD HE!
AS YE, IN THAE HYE LOWES, UNCO ARE!
NOO AFORE ME! INTAE THE AULD LONE TARGE-REFLECTION
THAD IS, WAES, AN' SHALL IT BE, THINE!
HYNNE, HEARE AH AM! FOR FRAE THE AULD SHIELD-MIRROR YER RICHTE SKYE-VENGENCE!
FOR YER AIN SKYE-FORM AFORE YE HATH RISEN NOO!
FOR FREISH VALUES ARE NOO OWRE NEEDED!
WI'IN DEEP PRIMAL SKYE-FYRE UNCO SKYE-LIVED!
SAE, SKYE-LIVE THAIM! UNCO DRAM THAIM A’!
WHATE'ER THE RISK INFERNAL, AN' MOORLAN AMBUSH!

GÁSTCWALE HELRÚNENA FORNÉÐAN,

THRO’ HYE BLUISH SKYE-LOWES, SKYE-DESTROYIN’ THAY
WI’IN YER AIN LONE SKYE-VOICE IT NOO!
FRAE AFARRE! FRAE UNCO AFARRE RUMBLIN’,
FOR CURSED IS THE FLEETIN' HOUR!
AN' SAE MUST BE CONQUERED, IT! GREAT ORRAH! AYE!
IN YER SUPERIOR BLUID NOO O'ERHUMAN, MINE AIN!
FOR BRANDED HAE AH
RUDDY SKYE-FLESH O’ MINE
THAD WAES, IS, AN’ SHALL IT BE!
BY THYS VERRA, VERRA SKYE-IMAGE HYNNE,
YER AIN!
WI’ THE IYCE-CROSS FIERY
FRAE HYE THE THUNDIR’S LOUD VOICE,
IN NAE WHISPER DAMNABLE, NOR AIRN-FOREIGN!
AH NOO ORRA TELL:
YER SYMMETRICAL LONE SKYE-FORCE:
THE VERRA LONE THUNDIR-BLUID!
YER AIN LONE SKYE-WRAITH IRONCLAD!
THRO' ETERNAL SKYE-POW’R,
AN' OUT O’ THE BLUISH LONE SKYE-REVENGE
O’ER AN’ O’ER UNCO, O’ERHUMANLY MIRRORIN’!
TO YE HYNNE OWRE IN DEEP FYRE RETURNIN’,
YER AIN WANTIN’ SKYE-HALF, HYNNE!
TH'GITHER WI’ YER SKYE-SPIRIT!
IN HYE LOWES NOO UNTO THE CORE SKYE-DABBED!
A' THIS! A’ THIS! AH SAY! AH TRULY YELL!
TH'GITHER WI' THE LAST SKYE-PRIZE!
INTAE HYE THE SKYE-BLAZE,
THE HAIL ENEMY LAND HARSH NOO
FRAE CAULD HORIZON TO CAULD HORIZON
OWRE CROSSIN’,
A' THIS! A' THIS! AH ALLON, TRULY!
YER MIRROR SKYE-DOWBILL IMMORTAL!
THRO' STEEL CORE-METALLIC, IN HYE SKYE-FYRE AM!
ABYSMAL LAVA-BLUID O’ MINE!
FLOWIN’
FRAE HYE RED HEL, IT! THY LANE BEHOLD!
YER AIN!
INTAE DEEP THE FUSION-GLARE,
BLASTED SKYE-FURNACE IT!
UNREACHABLE, UNFATHOMABLE, MOST TANGIBLE, IT!
THE VERRA FRAME
LESURELY, NEXT TO YE IN BATTLE
STROLLIN’!
THE LONE INCARNATION
AN’ THE SKYE-ROAR
FRAE THE VERRA THUNDERBOLT
YE WERE LOOKIN’ FOR
HYNNE YER FUTURE, YER BYGANE:
NAE DIFFERENCE! THAA ARE MINE AIN!
INTAE THE HYE FYRE, FRAE YER TANGIBLE
SKYE-WILL! THAD AH NOO HEARE AM,
FOR SKYE-ENERGY CANNAE DERIVE FRAE NOTHINGNESS!
NOR UNTO NOTHINGNESS KIN IT RETURN!
HYNNE WILL, 'YONT DEATH,
THRO' THE LANG AN’ BLUISH
SKYE-LOWE
YE WERE LOOKIN’ FOR,
IMMORTAL AS CONQUERIN' PROVES,
STILL, WI'IN RAGIN' AN' VISCERAL
DEEP PRIMAL FYRE, YER AIN!
FOR YE SHALL STILL LIVE YER LIFE AGAIN,  
THIS TYME INTAE THE HYE SKYE-POW'R!
WI' ITS NEW ESSENCE SELF-OVERCOME,
HYNNE DO UNCO LIVE NOO!
THAD VERRA GORE HEARE,
FRAE MY BLEEZAN OPEN SCARS, YER AIN!
FOR THE WORN PAST DWELLS DEFEATED
IN THE FUTURE AS EMPOW'RED!
INTAE THE STEEL-BLUISH IMAGE AH HEARE AM!
NOO AFORE THINE SKYE-BLINDED EYES
THRO' THE LONE HYE LOWE WOUNDED,
THAD ARE ALSO MINE!
IN NAE SPECTRAL FYRE, HYNNE!
STICK-AN-STOWE, AN' VERRA VERRA SUNE!
YER AIN!
WI'IN THE HYE ZENITH-THUNDIR HYNNE,
YE WERE LOOKIN' FOR,
O'ER AN' O'ER FORE'ER LIVIN',  
AN' THRO' THE HIELAND FLOWIN 'LAVA:
THE BECOMIN' IN POW'R FORE'ER RENEWED
THRO' THAD SKYE-BLUID HYNNE!  
FLASHINGLY STREAMIN'
AS A CONQUERIN' WYLD FYRE-RIVER
FRAE NOBLE HYNNE SUPERIOR GORE,
DOWNE, DOWNE!
INTAE THE VERRA WHYTE CHASM, AN' FLASHIN' ABYSS!
FRAE YON SHARP AN' SHININ' AN' TOWERIN' MIRK ROCKS!
AN' THIS SACRIFICIAL BLUISH BLUID INCANDESCENT
FRAE O'ERHUMAN LIFE STILL WOUNDED, MINE!
WAES, AN' IS, AN' SHALL IT BE!
BEHOLD YE! UNCO SEE YE, NOO!
YE, O'ERHUMANLY BLINDED!
HE WHA! THE DREARY VOID O' DARKNESS
CANNAE, CANNAE! IN ANY MANNER NOO KNOW!
HYNNE IN HIELAND SKYE-RAGE,
AN' HYE! O'ER THE FEUDAL THRONE IMMORTAL,
AN' HEARE! OAN THE SURFACE O' THIS SKYE-MIRROR!
WAES, AN' IS, AN' SHALL IT BE!
WI'IN THE MELTIN' UNTO THE COSMIC CORE
SKYE-GLARE, YER AIN!
AN' NOO! DO ADVANCE!
DO TAKE A STROLL INTAE THE HYE SKYE-GORE!
GANG AYONT! GANG AYONT! AH SAY!
'YONT EVERYTHING! ‘YONT LIFE AN’ DEATH E’EN!
GANG AYONT!
AN' WHATE SHALL YE IN THE END SEE?
AT THE BOTTOM O' THE WHYTE CHASM FIERY?
YER FLASHIN' IN AIRN IMAGE ALONE!
THAD IS MINE AIN!
HEE HAW, HEE HAW ELSE, AH SAY!
WI’IN THE SPECULAR SKYE-POW'R INCARNATED,
THE VERRA SUM AN’ COMMUNION O’ THE ETERNAL TENSIONS
IN BECOMIN’ DWELLIN’ AH HEARE AM!
THRO’ THE LOUD SING FRAE THE THUNDIR HYNNE!
BY HYE SKYE-VENGEANCE FORE’ER INCREASIN',
O'ER AN' O'ER TO YER SPIRIT HYNNE RETURNIN',
YERS HYNNE MINE!

When noo, Great Warlike Orrah!
Upon thae Verra Words, thro’ my Ain
By noo Thundir-Voice!
In an' unco Skye-Rumblin',
Wi'in Thad O'erhuman Blaze wi' hye force condensin'
Intae a NEW THUNDIR-FRAME Skye-Concrete
In aspects o' PURE BLUISH HEAT!
HUMAN ALTOGETHER NAE LONGER, IT! tone,
Ah distinctly hearin’,
When noo, Guid Sundrum's Orrah!

The Fyre-Bringer:

FÝRHEARD HEREWULF OND HEREWÆÐA

A Thoosan Black Banners, in Hye Glorious Lowes,
Orra issuin’,
An’ wnto yon Whyte Chasm the Salute wavin’,
Wi’ the Hue o’ Red-Hel IT imbuin’,
HE, Hynne Ah: the Freish an’ Auld Titan
Far awa, far awa! wi'in the Dreary Caucasus!
Frae ayont yon Suthron, hynne!
Ah kin clearly see!
Rebel hynne Creator, HE!
HE, Creator hynne Rebel!
The OVERMAN! comin’ o’er, still approachin’,
Intae noo deep the Skye-Dance Everlastin’
Thro’ HYS AIN hynne MINE
Skye-Thunderous Sound
Ah waes lookin’ for,
Dominatin’,
Frae Thae Simmetrical Verra Fyre-Mirrors!
Still glarin’
Ne’er e’er to yield, the Twa Skye-Surfaces!
Nor in human, tae human!
Unco Gory Misery, nor Skye-Foreign Blasphemy,
Nor Damnable an' Cowardly Affront
To e'er wane!
At length thro' the Hye Vigour Supreme
Frae the Overwill Alone!
Dearest o’ Mine! Inner Energy Abysmal:
Still Uknown, IT!
An’ in Skye-Reverge freed!
A Thoosan Black Banners, in Fyre, Ah say!
HE, hynne Ah issuin’,
When noo, Great Guid Orrah!
The Skye-Bluid o' the OVERMAN:
Theis! oan Thae Countless Mirk Banners floatin'
In Hye Honour o' the Zenith-Sunne!
Wi'in abysmal whyte runes waes noo graven,
Hye Selective an' Skye-Supreme proved!
Nae, nae IT, for all!
For nae everybody is worth withstandin'
The Return o' Pow'r's Noble, an' Flashin'
Supreme Force, an' Infinite Speed, an' Spiral Revolution!

CÁFNES ÞRÝÞBORD,

Tae the Skye-Limitless fore’er,
In the Form o’ Hye Steel Feudal
Skye-soarin’,
ITS Verra Great, Verra Guid,
Great Guid Auld Carham’s Orrah!
Burnan Wheill o’ Universal Core-Energy
Skye-Central, Skye-Abysmal, IT!
Alongside the Rational Force frae the Thundir-Impetus
Thad waes, is, an’ shall IT be the OVERMAN’S AIN!
In Hye Lowes increasin’,
Tae the Skye-Infinite, hynne!
Most Renewed, most Identical,
Intae the Verra Spiral most Empowered!
The Worthy ENS, unco hynne Joyful, IT!
Immortal owre feastin’,
For intae Thae Rapid Coils o' Glorious Fyre hynne,
Frae Thys MICHTY TARGE O' SKYE-ENERGY PERENNIAL!
Nae for all! Immortality is solemnly worth
Thro' Thad Increasingly Growin'
Feudal Skye-Rebirth Steel-Mirrorin'!
Wnto ragefully Bluish-Ablaze an' Core-Feudal
Noble Hye Perfection!
An' in Eternal Steel Unconditional, IT!
Dwellin',
The Human, tae Human!
Gory Chains o’ Promethean Slavery
Bluish wi’ the Verra Reverberation
Frae the Lightnin’ O’erhuman
Ah waes lookin’ for,
They suddely becam!
An’ at length, Great Warlike Orrah!
The Lonesome Blindin’ Frame o’ Gowd,
Wha’s Sole Hye Thundir-Naim

Overman Skye:

SCEAWERES IREN-EALWEALDA

IT orra waes! Frae the Twa Dazzlin' Mirrors
In Perfect Symmetry emanated wi’in
The RETURN O’ POW’R!
Burnan’ Vortex-Event Universal, IT!
In Slender Lines o’ Whyte Fyre,
The Verra Core Heat
Reachin’,
Intae Infinite Reflections o’ Primordial Pow’r
Frae the Twa Lookin' Glasses, Blindin' They!
O’er All, Great, Great IT!
Njörður's ain Battle Orrah!
Limitless Dominion, an’ the Feudal Rule
Steel-haudin’,
WHILEAS WAES AH! WAES AH!
GUID, VERRA GUID EILEAN DONAN'S
WAR-TARTAN ORRAH!
STYLLE CHAINED IN BLUISH GORE, MY AIN!
HYNNE THE OVERMAN'S AIN, TAE!
WNTO THE AULD AN' HYE! VERRA SKYE-HYE, IT!
THUNDIR-GLEAMIN' BLUID-ROCK O' SKYE-SACRIFYCE:
NAE LONGER! NAE ORRA SKYE-LONGER!
An’ ITS central Rays an’ the Verra Lowes
Intae Ane Flashin’ Ironclad *****
Polarizin’,
A Thoosan Tymes Greater, Mightier hynne:
The OVERMAN!
O’er an’ o’er unto me returnin’,
‘Yont the Reddenin’ Pillars o’ Immortal
Skye-Renown!
‘Yont Death, the Mirk Unknown!
An’ ITS Feud-Foreign Fear,
Whyle, lo! the Steel-Vibration gleamin’
Frae Máni's ain Verra Crescent,
Dusky-Red, IT!
Waes, waes, in yon Murky West
Still IT unco risin',
Unfathomable, an' Potent, an' Dreary,
Unto the Stane Circles’ Builders
Wounded frae Life, at Skara Brae,
Appearin’,
At right angles to the Chain-Mailed *****
Noo orra descedin’
To cross the Region o’ the Heart:
Let IT fall intae the Verra Abyss!
Yet the Sceadewe! Great Wotan's Orrah!

ÓÐENES HÁLIGE CRAWE,

IT stylle leisurely stood,
In Hys Mirk Bluid Bleedin’,
Crossed hynne by the Verra Thunderbolt!
Ah waes lookin’ for,
An’ Hys, frae Kyng Rædwald the Gift!
Mask o’ War IT, lo!
Wi’ Black Fyre bleedin’,
Upon the Cauld Soil, together wi’ Hys Cloak,
Waes IT thrown,
Hynne Hys Mirk Warlike Self unveilin’,
Still Mine Ain!
Nae Gory Fear! tae owre hide:

SCEAD UNDER HELME HEARD BIÞ,
MĪN FORESCÝWA RÉADAÞ.

Let me climb the intellectual bandwagon of Chamara Sumanapala of the Sunday Nation in Sirilanka, to recognize a world literary fact that Taras Shevchenko was the grandfather of literature that paid wholesome tribute to Ukrainian nationalism. In this juncture it has to  be argued that it is ideological shrewdness that has taken Russia to Crimean province of Ukraine but nothing like justifiable law and constitutionalism. Let it also be my opportune time for paying tribute to Taras Shevchenko, as at the same time I pay my homage to Ukrainian literature which is also a cultural symbol of Ukrainian statehood. Just like most of the European gurus of literature and art of his time, Taras Shevchenko received little formal education. The same way Shakespeare and Pushkin as well as Alexander Sholenystisn happened to receive education that was clearly less than what is received by many children around the world today.
Like Lucanos the Greek writer who wrote the biblical gospel according to saint Luke, Taras Shevchenko was Born to parents who were serfs. Taras himself began his life being a slave. He was 24 years a serf. He spent only one fourth of his relatively short life of 47 years as a free man. The same way Miguel Cervantes and Victor Marie Hugo had substantial part of their lives in prison. Nevertheless, this largely self-educated former serf became the headmaster, the guru and fountain of Ukrainian cultural consciousness through his paradigmatic literature written basically in the indigenous Ukrainian language. He was a prototype in this capacity given that no any other writer had made neither intellectual nor even cultural stretch in this direction by that time.
And thus in current Ukraine of today, Taras Shevchenko is a national hero of literature and collective nationalism. But due to the prevailing political tension between Ukraine and Russia, his Bicentenary on March 9, 2014 was marred by hoi polloi of dishonesty ideology and sludge of degenerative politics. For many us who derive pleasure from literature and diverse literary civilizations we join the community of Ukrainians to remember Taras Shevchenko the exemplary of patriotism, Taras Shevchenko the poet as well cultural symbol of complete state of Ukraine.
There is always some common historical experience among the childhood conditions of great writers.  In the same childhood version as Wright, Fydor, Achebe, Nkrumah, Ousmane and many others, Shevchenko was born on March 9, 1814 in Moryntsi, a small village in Central Ukraine. His parents were serfs and therefore Taras was a serf by birth. At the age of eight, he received some lessons from the local Precentor or person who facilitated worshippers at the Church and was introduced to Ukrainian literature, the same way Malcolm X and Richard Wright learned to read and write while in prison. His childhood was miserable as the family was poor. Hard work and acute poverty ate up the lives of the family, and Tara’s mother died so soon when he was nine. His father remarried and the stepmother treated Taras very badly in a neurotic manner. Two years later, Taras’s father also passed away. Just in the same economic dint poverty ate up Karl Marx until the disease known us typhus killed her wife Jenny Westphelian Marx.
The 19th century Russian Empire was largely feudal, Saint Petersburg being the exception, just like the current Moscow. It was the door and the window to the West. Shevchenko’s timely and lucky break in life came when his erratic landlord left for Saint Petersburg, taking his treasured serf with him. Since, Taras had shown some merit and knack as a painter, his landlord sent him to informally learn painting with a master. It was fashionable and couth for a landlord to have a court painter in those days of Europe. However, sorrow had to build the bridges in that through his teacher, Shevchenko met other famous artists. Impressed by the artistic and literary merit of the young and honesty serf, they decided to raise money to buy his freedom out of serfdom. In 1838, Taras Shevchenko became a free man, a free Ukrainian and Free European.
As it goes the classical Marxist adage; freedom gives birth to creativity. It happened only two years later, Taras Shevchenko’s collection of poetry, Kobzar, was published, giving him instant fame like the Achebean bush fire in the harmattan wind. A kobzar is a Ukrainian string instrument and a bard who plays it is also known as a Kobzar. Taras Shevchenko also enjoyed some literary epiphany by coming to be known as Kobzar after the publication of his collection.
He was dutifully speaking of the plight of his people in his language, not only through music, but even poetry. However,  there were unfair and censuring restrictions in publishing books in Ukrainian. But lucky enough, the book had to be published outside Russia.

Shevchenko continued to write and paint without verve. Showing considerable merit in both. In 1845, he wrote ‘My Testament’ which is perhaps his oeuvre and best known work. In his poem, he begs the reader to bury him in his native Ukraine after he dies. Not in Russia. His immense love for the land of his birth is epitomized in these verses. Later, he wrote another memorable and compelling piece, ‘The Dream’, which expresses his dream of a day when all the serfs are free. When Ukraine will be free from Russia. Sadly, Taras Shevchenko came to his demise just a week before this dream was realized in 1861.
Chamara Sumanapala wrote in the Sirilanka Sunday Nation of 16 march 2014 that, Taras lived a free man until 1847 when he was arrested for being a member of a secret organization, Brotherhood of St Cyril and Methodius. He was imprisoned in Saint Petersburg and later banished as a private with the Russian military to Orenburg garrison. He was not to be allowed to read and paint, but his overseers hardly enforced this edict. After Czar Nicholas II died in 1855, he received a pardon in 1857, but was initially not allowed to return to Saint Petersburg. He was however, allowed to return to his native Ukraine. He returned to Saint Petersburg and died there on March 10, 1861, a day after his 47th birthday. Originally buried there, his remains were brought to Ukraine and buried in Kaniv, in a place now known as Taras Hill. The site became a symbol of Ukrainian nationalism. In 1978, an engineer named Oleksa Hirnyk burned himself in protest to what he called the suppression of Ukrainian history, language and culture by the Soviet authorities.

Collaborate with Society, By Chris.
                  In the world of our benefactors or such, others calling
                        Others collaborators.  As if such a term were,
                             Shameful.
                            I ask you, what greater endeavor exists than
                                That of collaboration?
                            For example in our current unparalleled enterprise
                               Refusal to collaborate is simply a refusal to grow
                                Which some insistence on suicide if you will.
                                       Did the lungfish refuse to breathe air?
                                              It did not,  
                                    It crept forth boldly while its brethren
                                                            rema­ined in the
                                             Blackest ocean abyss.  
                                     With lidless eye forever staring at the dark.      
                                         Ignorant, is it not? Doomed despite their
                                                       internal vigilance.          
                                            ­ Would we model ourselves on the
                                                                ­trilobite?
                                        Would that mean all accomplishments of
                                                       humanity
                                         Could fade, nothing more than a layer of
                                                     broken,
                                          Plastic shards, thinly strewn across a fossil
                                     Bed, sandwiched between a burgess shell, and
                                              Eons worth of mud? In order to
                       Be true to our nature and our destiny, we must aspire
                                                 to
                            Greater things we have outgrown our cradle.
                    It is feudal to cry for mother’s milk when our true
                                        sustenance
                        Await us, Among the stars!  Therefore I say yes! I am
  a collaborator! We all must collaborate, willingly, eagerly, if we
                 expect to
              Reap the benefits of unification. And reap we shall!  Civic
       deeds do not go unrewarded,  and contrary wise complicity
                          with people's cause  will
      Not go unpunished. So please, be wise… Be safe, be aware.
              We have plunged humanity into free-fall...
Now, is the moment to redeem ourselves.

©  Chris .B 2017

You shake up my insides
You fill my stomach with butterflies
You hurt my thoughts and brain
You give me so much pain
You make my heart beat faster
You create a horrible disaster
You make my legs feel like noodles
You make my mind seem very feudal
You shoot me with arrows like cupid
You make my actions look stupid
You cause a lot of drama and commotion
Because of all of these emotions

Tea sprouts wildly
by the roadside:
jade splayed fingers

flaming the earth
in warped green flicks.
Mild, astringent,

the aroma drifts
into the
triviality

of the present.
Looking over
my backyard fence

toward the road,
quick, damp-green scent
antiquates my

vision: Eisai,
holding seeds from
Kyoto, hikes

across border
hills into a
feudal Japan.

The tea-lined road,
framed by my
imagination,

is an anachronism,
a snapshot that’s
double-exposed.

The legere sacristy of pure love blazing
Feline confluence across ethereal plains
Arched angelic collusion of things sepulchral
The arcane occidere travisty of
Transmogrification canonized
Darkling eminence ordained;
The verity aura of radiance
Twilights tidal blood- dye magenta,
Germane sleek meagre wealth chiming lo!.
Finitudes golden prayer draping flounded
Brutality tithing the zenith with mealy
Doer aptitude majestically turbulent
Sacrificing thoriums weld feudal
Of heavens deceitful soothsayers,
Fellow djinn of Gotterdammerung
Soli of vilest stoic jingoism.


ELEETE J MUIR.

“It is the voice of years, that are gone! they roll before me, with
  all their deeds.”

  Ossian.


NEWSTEAD! fast-falling, once-resplendent dome!
Religion’s shrine! repentant HENRY’S pride!
Of Warriors, Monks, and Dames the cloister’d tomb,
Whose pensive shades around thy ruins glide,

Hail to thy pile! more honour’d in thy fall,
  Than modern mansions, in their pillar’d state;
Proudly majestic frowns thy vaulted hall,
  Scowling defiance on the blasts of fate.

No mail-clad Serfs, obedient to their Lord,
  In grim array, the crimson cross demand;
Or gay assemble round the festive board,
  Their chief’s retainers, an immortal band.

Else might inspiring Fancy’s magic eye
  Retrace their progress, through the lapse of time;
Marking each ardent youth, ordain’d to die,
  A votive pilgrim, in Judea’s clime.

But not from thee, dark pile! departs the Chief;
  His feudal realm in other regions lay:
In thee the wounded conscience courts relief,
  Retiring from the garish blaze of day.

Yes! in thy gloomy cells and shades profound,
  The monk abjur’d a world, he ne’er could view;
Or blood-stain’d Guilt repenting, solace found,
  Or Innocence, from stern Oppression, flew.

A Monarch bade thee from that wild arise,
  Where Sherwood’s outlaws, once, were wont to prowl;
And Superstition’s crimes, of various dyes,
  Sought shelter in the Priest’s protecting cowl.

Where, now, the grass exhales a murky dew,
  The humid pall of life-extinguish’d clay,
In sainted fame, the sacred Fathers grew,
  Nor raised their pious voices, but to pray.

Where, now, the bats their wavering wings extend,
  Soon as the gloaming spreads her waning shade;
The choir did, oft, their mingling vespers blend,
  Or matin orisons to Mary paid.

Years roll on years; to ages, ages yield;
  Abbots to Abbots, in a line, succeed:
Religion’s charter, their protecting shield,
  Till royal sacrilege their doom decreed.

One holy HENRY rear’d the Gothic walls,
  And bade the pious inmates rest in peace;
Another HENRY the kind gift recalls,
  And bids devotion’s hallow’d echoes cease.

Vain is each threat, or supplicating prayer;
  He drives them exiles from their blest abode,
To roam a dreary world, in deep despair—
  No friend, no home, no refuge, but their God.

Hark! how the hall, resounding to the strain,
  Shakes with the martial music’s novel din!
The heralds of a warrior’s haughty reign,
  High crested banners wave thy walls within.

Of changing sentinels the distant hum,
  The mirth of feasts, the clang of burnish’d arms,
The braying trumpet, and the hoarser drum,
  Unite in concert with increas’d alarms.

An abbey once, a regal fortress now,
  Encircled by insulting rebel powers;
War’s dread machines o’erhang thy threat’ning brow,
  And dart destruction, in sulphureous showers.

Ah! vain defence! the hostile traitor’s siege,
  Though oft repuls’d, by guile o’ercomes the brave;
His thronging foes oppress the faithful Liege,
  Rebellion’s reeking standards o’er him wave.

Not unaveng’d the raging Baron yields;
  The blood of traitors smears the purple plain;
Unconquer’d still, his falchion there he wields,
  And days of glory, yet, for him remain.

Still, in that hour, the warrior wish’d to strew
  Self-gather’d laurels on a self-sought grave;
But Charles’ protecting genius hither flew,
  The monarch’s friend, the monarch’s hope, to save.

Trembling, she ******’d him from th’ unequal strife,
  In other fields the torrent to repel;
For nobler combats, here, reserv’d his life,
  To lead the band, where godlike FALKLAND fell.

From thee, poor pile! to lawless plunder given,
  While dying groans their painful requiem sound,
Far different incense, now, ascends to Heaven,
  Such victims wallow on the gory ground.

There many a pale and ruthless Robber’s corse,
  Noisome and ghast, defiles thy sacred sod;
O’er mingling man, and horse commix’d with horse,
  Corruption’s heap, the savage spoilers trod.

Graves, long with rank and sighing weeds o’erspread,
  Ransack’d resign, perforce, their mortal mould:
From ruffian fangs, escape not e’en the dead,
  Racked from repose, in search for buried gold.

Hush’d is the harp, unstrung the warlike lyre,
  The minstrel’s palsied hand reclines in death;
No more he strikes the quivering chords with fire,
  Or sings the glories of the martial wreath.

At length the sated murderers, gorged with prey,
  Retire: the clamour of the fight is o’er;
Silence again resumes her awful sway,
  And sable Horror guards the massy door.

Here, Desolation holds her dreary court:
  What satellites declare her dismal reign!
Shrieking their dirge, ill-omen’d birds resort,
  To flit their vigils, in the hoary fane.

Soon a new Morn’s restoring beams dispel
  The clouds of Anarchy from Britain’s skies;
The fierce Usurper seeks his native hell,
  And Nature triumphs, as the Tyrant dies.

With storms she welcomes his expiring groans;
  Whirlwinds, responsive, greet his labouring breath;
Earth shudders, as her caves receive his bones,
  Loathing the offering of so dark a death.

The legal Ruler now resumes the helm,
  He guides through gentle seas, the prow of state;
Hope cheers, with wonted smiles, the peaceful realm,
  And heals the bleeding wounds of wearied Hate.

The gloomy tenants, Newstead! of thy cells,
  Howling, resign their violated nest;
Again, the Master on his tenure dwells,
  Enjoy’d, from absence, with enraptured zest.

Vassals, within thy hospitable pale,
  Loudly carousing, bless their Lord’s return;
Culture, again, adorns the gladdening vale,
  And matrons, once lamenting, cease to mourn.

A thousand songs, on tuneful echo, float,
  Unwonted foliage mantles o’er the trees;
And, hark! the horns proclaim a mellow note,
  The hunters’ cry hangs lengthening on the breeze.

Beneath their coursers’ hoofs the valleys shake;
  What fears! what anxious hopes! attend the chase!
The dying stag seeks refuge in the lake;
  Exulting shouts announce the finish’d race.

Ah happy days! too happy to endure!
  Such simple sports our plain forefathers knew:
No splendid vices glitter’d to allure;
  Their joys were many, as their cares were few.

From these descending, Sons to Sires succeed;
  Time steals along, and Death uprears his dart;
Another Chief impels the foaming steed,
  Another Crowd pursue the panting hart.

Newstead! what saddening change of scene is thine!
  Thy yawning arch betokens slow decay;
The last and youngest of a noble line,
  Now holds thy mouldering turrets in his sway.

Deserted now, he scans thy gray worn towers;
  Thy vaults, where dead of feudal ages sleep;
Thy cloisters, pervious to the wintry showers;
  These, these he views, and views them but to weep.

Yet are his tears no emblem of regret:
  Cherish’d Affection only bids them flow;
Pride, Hope, and Love, forbid him to forget,
  But warm his *****, with impassion’d glow.

Yet he prefers thee, to the gilded domes,
  Or gewgaw grottos, of the vainly great;
Yet lingers ’mid thy damp and mossy tombs,
  Nor breathes a murmur ‘gainst the will of Fate.

Haply thy sun, emerging, yet, may shine,
  Thee to irradiate with meridian ray;
Hours, splendid as the past, may still be thine,
  And bless thy future, as thy former day.

The New year 2013, in trepidation slips faintly;
              head-long in India while it bleeds shockingly. .

The patient Sea awaits its souls rained  rudely.
while somebody blocks their brooks brutally.
Poor parents awaits nurses as patients patiently
for nurses to nurse ere their pulse falls abruptly.
For thirteen days we forgot the feudal FDI fully
Our M.Ps’ empathy poured in media profusely.
“Thirteen” an accursed number mourns lowly
holding high the news of **** or hope crudely
News of corruptions and the corrupted partly
merge or submerge in clamour in vain freely.
The reckless leads a life carefree fearlessly
And they glide in politics scot-free wryly

              Pharaohs wield the  power to save and to ****
              Challenging God’s sole unique authority, still.
              The twinkling starry eyes, of my darling, fill
              In me Calm  Nature’s emerald hope and Will.

70 years of supposed independence
Yet no real freedom for women
In a society dominated by men
Drowned, is a woman's voice
We need Azadi from Patriarchy
Money and power aren't everything
Without love, life is nothing
Above all, are relationships and life quality
Is there no end to ****?
Why is marital **** legal?
Our system is so feudal
Marriage is such a shame
Marred by domestic violence
Divorce, a traumatic experience
No freedom to choose her career
Family is supposed to be better
No freedom for inter-religious marriage
If she does, it's labelled Love Jihad
Frankly, we are tired
Demand an end to this carnage
She can dress as she pleases
She can roam at night
She can marry anyone she loves
To question her, you have no right

Underinterrupted silence,
none to gather at the gates.
Sell your warey wagon's axle,
feed, the castle masticates.

Oh the joyous altercation,
angled, dangling neatly down.
Hold your elder father's picture
underneath your writing gown.

Words defy the lonesome meeting
of the dogs in golden chains.
Herds arise of loathsome chieftains.
Battlecries as arrows rain.

Open book of monstrous brethren,
teach them how your pages turn.
Loving violence, kindred-hateful;
gutted, for a beat you yearn.

I'm serious.  I expected more in a place so near the Bay Area, the most
liberal city in America, San Francisco, that
I would not be kind of ahead of my time but somehow agrarian culture, no matter
how high end does seem to breed a kind of conservatism,
how could it not when it resembles feudal wealth, with busy little foreigners
living in tents doing all the work, as the serfs of yesteryear, days bygone in another land
or not, bearing a resemblance perhaps to the South, well, at least they do get paid and
can't be beaten physically, at least not in public but I digress
my ideas, more than a few of them, from my female vocal cords, and feminine visage
and curves that fill out my dress and full head of hair which is becoming increasingly rare
in men my age still, here.
What I said, suggested, noticed, presented was only heard or appreciated when it was later said
suggested or presented by a male, usually about six at least months later in the endless chatter of meetings and chance discoveries
And I know this is not the place for me
where only a male voice
where only a male package between one's legs
a very primitive way of determining what gets heard,
a way that resembles that of dogs who sniff each other and not
humans who have frontal cortexes and high order thinking
had what I said come from the less shapely, thinner lips of a testosterone laden individual
I think
in this place
they would have been heard
and absorbed long ago

Och! Airn an' Thwndir!
An' Urquhart's Wae Verra Hel!
Great Warlike Glamis' Firey,
An' Hwmyd Loch Doon's Orrah!
Downe! Downe! tae thad howch owre miserable!
Ye a' swithe hame, hame! wae ma Airn ***!
An' weile 'yont yondir Suthron!
Waefu', waefu' heyre Ah! War-Ironclad heyne Ȝell,
Wae burr-thistle’s Gowlin’ Storne Micht!
Frae ma verra, verra! Ah ageyne!
Tae the Cauld Enraged Wynde
Unco! intae Æternall Battle Scorchin'
Towardis Moorlan Chain Mail-***** o' mine!
O'er an' o'er IT! increasingly thro' Force returnin',
Wae ma verra Blacklyn Tartan o' War heyne,
An' Silvery Brooch, wi'in yondir Lone Sceadewe!
Unco! wae the Rubye Stane deep-shimmerin'
Naixt tae Carham's Gory Landis, an' the Targe-Hell,
Thro’ nowe Tune Martial, stick-an-stowe Ȝell!
Airn-Curse Core-Firey, Hye-Flamin' IT!
Heyne unco rychte Airn-Moorlan o'er ye a'!
Ah, bye nowe the FEUDAL OWAR-MANN!
'Yont thad Auld Whunstane Tower-Shrine
Togider wae Lang Titanium-Claymore, Airn-Dazzlin'
An' ne'er, ne'er, IT! stick-an-stowe tae wane!
Wi'in theis Bluish Fyre syne! Verra War-Swaird Rairan IT,
Intae Thae Hringiren Æternall, Thwndir-Devastatin' o' mine!

QVOAD FEODALE MEA CVM RVBRA SPATHA
ET RELVCENTE HOC SCVTO AC FVLMINE NIVEO
SCOTORVM INTRA HANC TEMPESTATEM MAGNAM
QVÆ FLOS IGNEVS EST TONITRVO NOMINE ALTO
NEMO GELIDO HOC LOCO IMPVNE ME LACESSIT.

Several million years have past,
since the cosmos dumped it's trash.
But the book said
that it didn't happen that way.

And as this minstrel looks around
at this "drunk on ancient dogma" town
wanting Heaven, all they do is pray.

Celtic faces black with coal,
patiently await the dole.
Smoke and cough and cough and smoke, to Wally World they do fly.

For there's a caustic cross upon their hill,
protected by a local still.
Or is it the other way around in the wettest county, that is dry.

Who is this vagabond I see,
he walks the streets in search of thee?
With the stench of cheap addiction in the air.

While rats guard a yellow stream,
Arthur's long forgotten dream.
He mumbles verses, but no one sees him there.

And down at Ruby's so many more
just can't seem to find the door.
They use to know the game, but have forgotten how to play.

Wild Bill you old crazy sot,
"The Seven" have, but you have not.
Maybe you can show us, show us all the way.

Dr. Stangename counts his jack,
prescribing hits of "hillbilly smack".
Let's pull a tooth and buy another day of cheap grace.

Watch high above the S.S.D.I.,
a once frozen war machine will fly.
While Arthur's dream crumbles into space.

I climbed The Pinnacle to find,
the fallen star had left behind
a bowl of cryptic confusion, guilty illusions in it's wake.

I told a lady with a PHD,
"Now woman in Afghanistan are free".
But she just sneered and said, "for heaven's sake!"

Listen you can hear the swords,
of the ancient feudal lords.
Clans of clans, left over ways of thinking.

Children, bearing children, beg.
While "The Seven" sit upon the keg.
Deeming them not wise enough for drinking.

It wasn't always this way.
Arthur almost had his hay day.
That's when the devil's broken promise beget a faithless town.

And in the years when King Volstead reigned,
some rode on the gravy train.
The ***** were in their court, and they sold his Crown.

I hope someday this rhyme is moot,
and we all get to share the loot.
And they let the ghost of "Ragtime Harney" play.

For it clearly isn't working here,
just like a party with no beer.
There's no reason for anyone to stay.

Up the road it's "a hundred wet",
and I'll see you there I bet.
You'll give them the prize, that you could have won.

And while you smoke and spit and chew,
power-ball and bingo too.
The lesser of the evils, like self righteous boll weevils,
fearing truth upheavals just like this one.

This is a hell of a way to get to Heaven,
livin' your life at the mercy of "The Seven".
Dying to get out. Dying, you stay in.

While "The Seven" get rich, by keeping you poor.
The keepers of the keys to the barrel house door.
And don't tell me that's no sin.
This is a hell of a way to get to Heaven,
a hell of a way to get in.

ROOM. 148
(Benjamin.)

This morning,
as I showered.
I saw the face of
Genghis Khan
appear,
just fleetingly
in the suds,
as the swirled at the drainpipe
he brandished,  a grinning leer
and then was gone.

This morning,
in my coffee,
institution brewed.
There he was Van Gogh,
Vincent,  from when,
he still had an ear.
Today, blue paint,
smudged his nose.

In the carpet, after
the cleaning lady had
come.
Amy Whitehouse
visited n'said,
"Rehab might have been
useful afterall."

They the faces, concerned,
and attached to bodies,
encumbered by white cloth.
Tell me, this is non-classic
pariedolia, a symptom of a larger syndrome.

And  if I wanted, to improve
my state of well being,  
that I should not
have any further....hmm
conversations...huhuh,
with the people.

I see in,
the woodgrain of the  
dining  table,
or the man in the
light's moonlike  cover,
or the chap in the door,
of the communal bathroom's
stall wall.

Yet I won't listen,
I don't trust them.

And besides, my buddy Freud
who pops up with the toast.
Told me today,  
"They don't know,
what they are,
talking about.
Not at all, not at all."
In any case,
my muses pariedoliac,
are far better
conversationalists.

With them, I have a ball!!!


ROOM 212
(Gwendolin.)

Today, I am good!

But some days.

My mind, is a battlefield
and I the maniac,
with the finger.
Hovering over the big red button.
So wanting to:
slam my hand down and end it, all.

On other days,
I barely have the energy within,
to lift my head from the
grey, black sludge,
I am drowning in.
On those days,
breathing is sisyphean task and the world is a *******
ball.
Balanced precariously,
on a weary and depressed Atlean hand,
as he drops defeated to the sand.

Then, there are the days I am so up and bright and bubbly
I am appalled and I exhuast myself with my happiness.


But truly, the worst days are,
when,
I am all this and more.
Those are the days,
that my mind becomes,
a feudal state.
Where I am foresaken
to the rage of mutiple realities, engaged in battles for prime position.
I struggle valiantly,
to hold, the bastion of sanity,  painstakenly created and found, in the smallest corner,
of my brainspace,
But they rage and rant
and roil and take,
my precious sanity,
and soil it,
in their mindless games.

And at the end,
of those days.
I am left to pick up
what is left of me
All the tattered pieces
and start all over again.

But the medication helps
smooth me out a lot, it does.

ROOM 179
(Bob.)

"Hello, do you have
a word for me?"

"Blatherskite, oh
you beautiful thing"

"Wordscore 21"

We can begin now,
I know I am not normal.
That I think differently to most.
My mind, is a mendicant,
beggarly thing.
Sitting in library corners.
It's arms held up in supplication, palms outstretched
begging alms, of dictation.
And slathering like a dog,
at a feasting table
snatching at syllables
and sentences.

I sit for hours engrossed
in thesuari
and would gleefully
stab your back multiple times
if you  carried a rare dictionare.

I am a wordaholic
words they are my
sorrowing addiction.

My scrabble tiles,
runic of my affliction.

When stressed the
smoothness
of a spelling bee
is my only solace.

I want to be very clear
I do not see my
addiction
as a affliction
adversely
affecting,
autonomy
but, the
surgeons
of the
psyche
differ,
in their
extrapolation,
of my
lexigraghical
pre occupation
apropos,
vis a vi,
my life
and functionary
state, therewith.
So my tiles and I,
stationarilary
codepend
in this spatial
reality,
until my
mind can find
a state
of equilibrium.

And to be brutally honest
with you.
I don't think that will be
soon,sooner, soonest.

On a power cable
trembling
before the wind
that plays havoc with trees and tiles
of cottages and hovels

a typical feudal lord, violent
power-drunk, indifferent;

Up there, on that throne---

sits a lonesome Kingfisher
regal, haughty, detached
from the ground zero

a visitor from the far-off heavens

a pleasing sight
on this rushed
Mumbai early- morning.

a creature, tiny, vibrant
dressed in  a multi-coloured coat
worn earlier
by an agile harlequin
doing acrobats in an Italian court,
for the seventeenth-century audience;

the feathered guest
lightly sitting
on that high perch

a stoic
silhouetted against the
immensity of a dark-grey sky
threatening rain.

@Sunil Sharma

So tired
Back to work and then there's this social event and that social event
and the last one is the best one and I'm still trying to get over not having
last years job that was taken from me and given to you and still
trying not to even think about this because this is a whole new year and

Driving past Napa Valley's Wineries
Hotels, Buses, wine
Everything wine and I don't know where I'm going
My GPS broke, and the directions are drive straight and you'll see it

Suburbia has turned into true wealth
I've gone back in time, wine Haciendas on hill tops
like feudal mansions, waiting for the peasants to do the actual
work of wine, the dirt and the sweat of wine as the owners
twiddle their thumbs and worry about the stock market and their wine

I arrive at my Castle.  For a few moments I will be allowed to taste
the lifestyle of the wine and pretend that I too belong in this castle
watching grapes ripen and waiting for the teaming hordes to do my work
and the mechanical wine processors sit idly waiting for the grapes and I feel a tinge of
sadness and fear for the grapes to be processed like in a slaughter house
until I realize they are only fruit, and not mammals

And on the hot deck overlooking the beautiful, silent valley with grapes ripening before
our eyes the only chair left is next to you

I sit down and look to my right and I see the woman who I feared would take my job and now did
and I wonder how it is that this has happened that I've driven for miles in the hot sun
through miles of grapevines only to be made to sit next to you who jealously drooled over
my job and could never say anything good about my work and then you won.

And we talk and I'm very clever and you don't like that because I'm supposed to be stupid
and it's supposed to be obvious why you got the job not me and not some seniority thing
and you say nothing nice, and it's only me keeping up a charade of conversation that
could turn ugly at the drop of a pin but doesn't due to my skill
and you then leave made uncomfortable by the evidence of my continued existence
and lack of dumbness

And it's only later that I realize in my imagination I wanted to hurl you from the deck
and into the wine press

What Walt Whitman Knew About Democracy


For the great American poet, the peculiar qualities of grass suggested a way to resolve the tension between the individual and the group.


When Walt Whitman began conceiving his great volume of poetry, “Leaves of Grass,” in the 1850s, American democracy was in serious danger over the issue of slavery. As we celebrate National Poetry Month this month, the problems facing our democracy are different, but Whitman still has a great deal to teach us about democratic life, because he saw that we are perpetually in danger of succumbing to two antidemocratic forces. The first is hatred between Americans, which Whitman saw erupt into civil war in 1861.

The second danger lies in the hunger for kings. The European literature and culture that preceded Whitman and surrounded him when he wrote “Leaves of Grass” was largely what he called “feudal”: It revolved around the elect, the special, the few. Whitman understood human fascination with kings and aristocrats, and he sometimes tried to debunk it. But mostly he asked his readers to shift their interest away from feudalism to the beauties of democracy and the challenge of sustaining and expanding it.

Whitman offers one metaphor for the grass after another, and one feels that he could go on forever.

This challenge is what inspired him to find his central poetic image for democracy, the grass: “A child said, What is the grass? fetching it to me with full hands.” Whitman says that he can’t and won’t offer a literal answer to the question. Instead he spins into an astonishing array of “guesses.” The grass “is the flag of my disposition, out of hopeful green stuff woven”; it’s “the handkerchief of the Lord…Bearing the owner’s name somewhere in the corners, that we may see and remark and say Whose?”

To Whitman, “the grass is itself a child…the produced babe of the vegetation.” “Tenderly will I use you, curling grass,” he writes. “It may be that you are from old people and from women, and from offspring taken soon out of their mothers’ laps / And here you are the mothers’ laps.” He offers one metaphor for the grass after another, and one feels that he could go on forever.



But mainly Whitman’s grass signifies American equality: “I guess it is a uniform hieroglyphic,/And it means,/Sprouting alike in broad zones and narrow zones,/Growing among black folks as among white,/Kanuck, Tuckahoe, Congressman, Cuff,/I give them the same, I receive them the same.” Whatever our race and origin, whatever our station in life, we’re all blades of grass. But by joining together we become part of a resplendent field of green, stretching gloriously on every side.

Whitman found a magnificent metaphor for democratic America and its people. Like snowflakes, no two grass blades are alike. Each one has its own being, a certain kind of chlorophyll-based individuality. Yet step back and you’ll see that the blades are all more like each other than not. Americans, too, are at least as much alike as we are different, and probably more so. America is where we can be ourselves and yet share deep kinship with our neighbors.

And who are our neighbors? Kanuck, Congressman, Tuckahoe, Cuff—Canadian, legislator, Virginia planter, Black man, all of the teeming blades of grass that we see around us. When you stand back far enough, you can’t see any of the individual blades, but look closer and there they are—vibrant and unique, no two alike. We say “e pluribus unum,” from many one. But who could have envisioned what that would look like and how it would feel before Whitman came along?


MORE IN IDEAS


The grass is Whitman’s answer to the problem that bedeviled his contemporary Ralph Waldo Emerson: how to resolve the tension between the individual and the group. Emerson is sometimes hopeful that the two can cohere. When you speak your deep and true thoughts, no matter how controversial, he believed that in time the mass of men and women will come around to you. Each will say, ‘this is my music, this is myself,” Emerson says in “The American Scholar.” But mostly he is skeptical, believing that society is almost inevitably the enemy of genius and individuality.

Whitman’s image of the grass suggests that the one and the many can merge, and that discovery allows him to imagine a world without significant hierarchy. Can any one blade of grass be all that much more important than any other? When you make the grass the national flag, as it were, you get to love and appreciate all the people who surround you. You become part of a community of equals. You can feel at home.

We can look at those we pass and say not ‘That is another’ but ‘That too is me. That too I am.’

In “Leaves of Grass,” soon after he offers his master metaphor Whitman rises up to view American democracy from overhead. The poem’s famous catalogues of people doing what they do every day are quite simple: “On the piazza walk five friendly matrons with twined arms;/ The crew of the fish-smack pack repeated layers of halibut in the hold,/The Missourian crosses the plains, toting his wares and his cattle,/The fare-collector goes through the train—he gives notice by the jingling of loose change.”

This is your family, these are your sisters and brothers, Whitman effectively says. In general, we walk the streets with a sense of isolation. But if we can move away from our addictions to hierarchy and exclusive individuality, and embrace Whitman’s trope of the grass, our experience of day-to-day life can be different. We can look at those we pass and say not “That is another” but “That too is me. That too I am.” Or so Whitman hopes.

Of course, the benefits that Whitman promises do not come for free, or simply by reading his poem. We’ve got to meet his vision halfway, by being amiable, friendly, humane and nonhierarchical. This repudiation of hierarchy is not so easy; it’s not clear that even Whitman himself pulls it off. Isn’t he trying to be a great poet, the first truly American bard? But his effort matters. He knew that democracy is always vulnerable, that the best hope for human happiness could disappear from the earth. But Whitman would not let that happen without a fight.

—Mr. Edmundson is a professor of English at the University of Virginia. This essay is adapted from his new book “Song of Ourselves: Walt Whitman and the Fight for Democracy,” published this week by Harvard University Press.

Copyright ©2020 Dow Jones & Company, Inc. All Rights Reserved. 87990cbe856818d5eddac44c7b1cdeb8
Appeared in the April 17, 2021, print edition as 'What Whitman Knew About Democracy.'

In the beginning
there is a class
of creatures we call Gods
that much later
we realize are just mono-
instances of god.

From the tower
I babble tongues,
coded messages and ciphers
that you implement
in your daily rituals
and obsessive behaviors.

In R, it's something like,
christ <- god(moral compass)

In Ruby it could be
buddha = God.new

And perhaps a nihilist or we
would find happiness in

10000.times do
pushRock = buhdda.take(me)
end

It's all pidgin for me,
unstructured glimpses at a world
that's moving and changing
faster than my non-existent
grandson can comprehend.

It's all a network
of +1 and like'd
firing mix media,
reinforcing a nascent
thought stream,  
back-propagating our legends
and fairy tales, Grimm
reminders of epic Odyssey |
5 Armies in film |
Warring States |
loping dog with a severed hand
in Akira black & white mouth
repossessing Spaghetti Westerns
back into our feudal *****.

Fire, firing
into the Monsoon rain.
Always in the Hemingway
rain of symbols and Matrix
green code.

And in my cupped hand,
I catch glimmering fireflies,
instances of Gaiman's
American gods, Tricksters,
Coyotes, and my faithful
Dog smiling at me.

Vernarth in the evening of his life is called again to raise his sword, perhaps following the paths of Paul of Tarsus, precisely here his Word would begin in the figure of a Hoplite who will redeem the oppressed, who will reinforce the growth of the seeds, that will give hope to those deprived of Faith when they have to face their own Apokálypsis that would allow them to take with them when embarking on this adventurous daring in pages of life that follow that for many will be unknown. The seer's paranormal experience in Patmos will vivify his commendable virtue of confessing himself as a defender of Life and Death from the same intermediate final point, to then reach the nexus of gratitude that compensates that leads to make amends when leaving his abode naked and return every six months to Sudpichi in Solstice, and Equinox in Spring to Patmos explaining the premiere of this final event.

Vernarth's distinctive and codes will swell an intertestamental Biblical event, made up of crude abstract and demonstrative images that from so much decanting could be assimilated to what the Mashiach did in the Siloam Cistern, more than water being the same Hydor that is born from the origin and reaches the end of the erudition. The desperate desire to limit the spirit of a soldier is clouded within his own microclimate, wishing for a possibility that lies in the impossibility and fruits of the fan that separates the Universe from the Earth. From here the Faith is professed by the reflections of all those who have lived in a body of Flint, as were their parents freed by Vernarth, letting rest the readings of the sunset to those who from Flint have become meteorites that wander through the universe. As possible Christians to re-convert after a pre-tribulation or a new order, separated from what deprives us of new incursions. The Apokálypsis according to Vernarth does not diverge from Saint John; rather it tends to seclude itself from all the windstorms of divinities that are intermingled in its mysteries from all the exuberances of an endless gospel, which moves the hair of the Yahweh with the scent of lavender even within the pantheon itself after three days. The mystery of not understanding that a common man bears stamped on his body all the signs that give observance of a Passionate John that is in all of us having to share his silence within us, as suggested by the silence of which we are fertilized by clairvoyance’s of Patmos more than the consequences of some supra desire of Vernarth to cover some hint of autobiography, but more generously than the doors of his Megarón or Dypilon, be clairvoyance that shows us that the doors are the unknown within what is and we cannot Observe, V.G. as is illustrative in Spinalonga when Marie des Vallées settles at the point of the salvation of Theus and Vikentios all behind the transom as a consistent metaphysics of the unfulfilled desires due to burdens of other souls in salvation entrusted to resplendent beings. This is testimony to buried or invariable enemies such as Edomites with the affinities of the Seleucids or Pharisees with the Primitive Christians in the channel of each word that interprets the opposite diameter adaptable to a prayer that circulates the course of what an exegete does well If the original word of Vernarth's testimony of never perishes to aspire to do as the manah on the flowers that well deserve to perch on the Xiphos, where the central nerve of its shoe is the Baldric, many times it turned only in the battlefield when Vernarth used both hands, what a mystery! Here is the glossary of what is double-edged and double-handed metal when its length is pointed to the edge of the world where the Sun at its tip let the Light penetrates. Each unknown hemisphere will be possible to slice with both edges of each Xiphos as interpenetrated bronze and iron until it dissolves in the light of the Spring Sun.

All the causes were weighted to a grandeur where the messages of recomposing all the patrimonial legacies that would be the influence that everything could decline in the grandeur of bloodcurdling screams from the temples, which remained in the dark because they did not know who to unbind from the co-responsibility of seven churches of the Hellenic Elegies; from Ephesus to Laodicea trying to remove from the jaws atrocious empires that sentenced policies with more than a thousand years without having any more than a macular century. Vernarth in the depth in which nothing bothers him incites his sensitivity with what reduces the pain in his compassion of the 1st century, which will never stop passing through the well-deserved waking time in all the streets of Greece in which all his traces are they shuddered in challenges that deserved to be from a great classroom that is oversized more than any possible Odeon to fill with spectators from a well-to-do society and satisfied as it seems today with a high price paid for an unworthy degree.

Also, his apocalyptic metaphysics flees by whole perverted societies, and not half due to points of tension of his overwhelming immorality, and defense of all nature that does not corrupt itself, perhaps from an echo locked up when converting from Laodicea to Ephesus as if he were to remake Vernarth's Inverted "V" as the initial contact point of these seven derivations of his decline. The barbarians are at the foot of the very door that enters rather by inertia, and decline from the extinction of the Sun to later redefine it through cycles from spring to winter as we will see that it will emerge with the Duoverse manifested, after trampling on the beast that feeds on of pain and ingenuity from which all our destinies are focused to be swallowed by the snout of a battalion of enemies that migrate from the beast, but they do not realize that this is how calls should be made to all the empires that leave to his abandoned combatants, left on burning pyres immune, punished by flames that will never consume him, who were dazed and with their temper will come out alive with bodies that do not belong to us, annoyed at not prospering because of this anti-divine ****, understanding that the harshness of our tears will not make us neutral or worthy of the joys of suffering together what belongs to us in a body already sacrificed, this is the Apocalypse of flourishing images that are directed in processes of slaughtering the lamb that I cannot and will not be able to identify with the apparent strength of knowing how to be forgiven or undermine the riches of a leadership that for long millennia hoarded riches and never delegated its feigned goodness to us where the grass grows and twists from its root, rethinking days to count and increasing the agony of counting the simulated strengths that never let us enjoy.

It must be understood that all the opposing forces merged with the numbered days of a new rebirth, with the cries of Vernarth from Hyperborea, the pre-tribulation from Erebus or Sheol, from the anguish of the pectoral or Lynothorax from which the days counted in the same distance of traveling in the Purgation or Katartirio of the total confinement of which could be mentioned shouting in the acoustics of the Valley where the last word will remain. We place ourselves in the extravagance of which the rays of luminance deliver us the entire body of credibility to reach the step of happiness that will flow from the first and inaugural vision that confirms the first of the first of the alchemy that has been positivist, even of what paradoxically resurrects not expecting to be who we expected it to be, but despair is cast down in an act in which Vernarth dares to let go of the Mashiach's hand, to go help his parents from being petrified by the Flint that It would be provided for the end of the world with the prompt assistance of St. Jerome of Estridon as it was for an act where the Dragon calmed down, and stopped moving its tail, perhaps from the Green Dragon of Slovenia or its offspring for spreading within the world expelling fire with scales, horns that could be trusted from the Ibex of Valdaine, the Dragon of the Stained Glass of the Cathedral of Avignon hitting with its tail the Portals of Saint George, stating that such time the Nibelung Ring Cycle with Siegfried or secular specimen of the Draconian descent of the Merovingians, of the very Greek Drakon that began to subjugate Patmos in the year 76 AD. C. in between and badly wounded between the rocks of the Wind Tunnel of Profitis Ilias or as the dragon could be welcome, and if it were Lohikäärme Finnish descent stopping Soviets on their borders of blood that roars fire from the deepest corner of their land. The Greek serpents were born in the seas for several miles around where there were no other species but them, because if they had they would have been devoured by the great Ha-Shatan with ten horns and seven heads, much of the literary inspiration of San John is in Greek, but it is more likely that he originally came through the Near East. In the embryonic Roman Empire, each military cohort had a particular identification Signum (military standard), after Trajan's Dacian wars in the east, the military standard of the Dacian dragon entered the legion with the Sarmatian and Dacian cohorts: a large fixed dragon at the end of a spear with large open jaws of silver and with the rest of the body formed of colored silk. With its jaws facing the wind, the silky body was inflated and undulating, resembling a windsock, the Dragon continues to travel along roads that are the marks of the chariots without any mercy to those who awaited them at their destination with legions throwing hot breath that only Saint Jerome of Stridon knew how to mitigate. This huge lizard will continue to lay siege to the evil that cannot contain it, just like the basilisk in the Raedus Codex to imbue the never-burning blades of fire from the Apocalypse of Saint John, by chance with the fiery semblance of a Wyvern in the dome of the cathedral of Saint Nicholas in Slovenia, swallowing his own fire. With a fateful language of birds that would codify Siegfried that the end of everything comes from the seas of Patmos with heated water.

That winged creatures will come copiously to quiet the world to the world of Miðgarðsormurinn perhaps in Jämtland, besieging the Soviets like a serpent more than winged in vigor that shakes the Celtic tree with its Birch and Beech in Solstice or a dragon that was not with wings glued with wax that crashed when falling before reaching Sicily as is the case of Daedalus and Icarus, or the Lindworm dragons that expelled fire from the Mörser 16 howitzers of the Second World War. All these wealthy treasures are fundamental pieces of all the paradigms that form the prelude to a History that has blinded us without giving rest to everything that surrounds us, not even lavishing Christian burial with evil eyes that are characteristic of the dragons that they spit fire from your back, stalking a Britannia Pendragon.

Much of the banners, heraldry, and heraldry bear this emblem of beings made up of male and female offspring to form as a family the antigen of Slavic Bulgarian humanity, as a dissident figure that was torn from the edges of the Apocalypse to protect the crops where probably Rains of gold would come for his crops if he were male, and female if it were a prophecy of bad deeds to denigrate the farmer's seeds. Strong-blooded dragon would be Zmiy, Ukrainian carrying a four-legged beast, and on each leg a Cornucopia for golden petals that are collected from other maidens who will never stop being lush, protecting the arteries that rain healthy blood from Ukrainian maidens like the Zmei. From Zsablas that carry the Polish Smok on their backs that will be reborn from this apology of the Dragon of the Apocalypse that freed them from the Katyn Forest, on the banks of the Vistula where Bogdan drank water with his Zsablas to go free the Heroes of Smolensk and each Polish officer who had a Dragon stamped on his forehead, and also on the Coat of Arms of the Cracovians in Piasts of Czersk, fleeing from the cellars of some Warsaw revolt.

The climbing of the Basilisks of the Profitis Ilías Wind Tunnel will reign throughout Hispania as a prophetic emanation from the mouth of San Juan in Asturias and Cantabria with the magnificent silhouettes of the mountains in the Dragon Saw, followed by gargoyles that come to life in the peaks as a young Hoplite who wears his Áspis Koilé polished to annoy the dragon, which is nothing more than the basilisk when he was tricked by the Raedus Codex by mistaking them for his own offspring, thus allowing those who went to the Investiture of the Himation. It will be the eponym of Sugar, a Basque masculine god, who is often associated with a serpent or a dragon, but can also take other forms. His name can be read as "male snake".

Marielle de Quentinnais shows us in Saint George and the Dragon in the era of the Antipopes in Avignon, of which Saints and Blesseds would fight with the powers of the Dragon as in this sub-sequence that was released from Forli, with great similarity to the Mercurial Ambrosia due to Saint Mercurial as the laurel of Christianity over the idolatry in which terrified people did not sleep because of the frightful tremors of Forli and Forlimpopoli. Possibly, Saint John, the Apostle helps them put the stoles around the cornered Dragon's neck. Every evil force that is not defeated is a postponement of that moment in which it will fall surrendered, as it was from the original of the Dragon Hunters like Saint John of Patmos styling in the acroteras, and ledges of the Megarón that points to the Aegean seas to see if some of them are coming regurgitating the intact body of Margarita de Antioquia, that burst from the black belly of the Dragon saying "Draco vivit in Homine, non in Legendis" "The dragon lives in Man, not in Legends"

Having established Draco Vernarth Apocalypsis liturgy "Apocalypse of the Liturgy of the Dragon of Vernarth" the message continued along the path of Hydor where precisely the defenseless doors will be protected towards the enthronement of Silence with the ardent hope of Salvation as evidenced by the Pauline message "Marana Tha” building the coming of the Eternal that with all its dimensions will transform the collapsed world, tearing the senses that can reach the trade that transforms the ritual that is entrenched in the genetics of eternity in the tail of the Dragons that have formed classes and subclasses of heraldry of the Black Templar Knights, who roam on the run, creating the confusion that the medieval feudal mysteries were the continuation of an antiquity even if hostilities did not exist unless the tails of the basilisk of Patmos are crossed with some science from Ephesus to Pergamon , with the providence of a god in extinction that s ea disobeyed by his troops, and is bloodily decimated by the suffered trances of evil from which the ill-fated Knight is transformed into his own Dragon bled and immolated.

The end is not made with a mere vision of a Draconian Liturgy, from the year 72 AD. the Roman legions of Palestine were uncrossing where voices were heard like an occupied face of land but free of religious authority, which in one way or another saw the contemplative passage of half kindness or benevolence of a Caesar that would later be followed by the chins of fire of the Dragon, always escorted by Vernarth who lived and heard everything succumbing to imperial systems that were attached to filings of Hebrews that burned on their backs, to corners not sharpened by Greek spears to corner the frequency of a detractor of symbols of the Apocalypse, that was embodied in Vernarth with sumptuous flint that adhered to the Áspis Koilé or smaller Peltas that became prosaic to arrows that adhered to the tin shaft to vindicate itself in the foliage, as a recurring expression of the apocalyptic mentality assumed by recognizing that the Apocalypse is lived inside, and nothing on the outside that corrodes more than its own entrails. Indeed, everything private and non-transferable exhorts us to the end of the melodrama from where we must share hearts for those who keep their manners, and make the opening of the Kassotides a tiny possibility of change after Vernarth realizes that he has the furthest possible the dung of the Human Dragon, creating a dominant culture that recovers what enables us to preserve in its own Identity, illuminated and reinforced by conviction.

Vernarth, a few steps from falling from the abyss, makes his prophecy to ask the sky, the Mashiach, and Spílaiaus to release the chains of Kairós, so that the genre of granting life revives the system of the flame of the omega point, which then is reversed in celestial spasm, strongly grasping the tail of the dragon that will transport him with three lightning bolts and trumpets with the seven trumpets that will leave them in Delphi according to the nature of the Cassiotis or Kassotides moat, as a praiseworthy insurrection of being reached by a metaphorical being in Daniel as an apocalypse that will indicate that rain of light and fire will flow from on high, but they will all be directed from Patmos to Delphi.

Vernarth joins the Maccabees to obstruct the Seleucids, as the two books of the Maccabees tell, who start a ****** guerrilla war against the oppressor, and the prophet Daniel chooses a totally alternative and non-violent path. This shows that the worst militia of an armed man is to break with the sovereignty of his oppressed soul, and then be batoned in literary artifice like books from the present to a past with leaders buried in the ruins of lost civilizations, as in the case of the Seleucids and Edomites in open bread on themselves by Mikaiyáh, Archangel Saint Michael. Behold Vernarth where each gloss of contracted episodes never disengaged from the muscular tail of the Dragon that evidenced his vision of St. John, in such expectation that it resolutely rose from the heights of the Iridescent Nimbus, subduing all empires in the tail of the Dragon. The dragon that shakes the resistance of the ungovernable walls, but not the law of the powerful who makes himself believe, but the muscle piece that is rooted in Tel Gomel, is nothing more than the Holy Scripture of the duality of Saint John the Apostle / Vernarth; both as a monosemic (uni-meaning) and univocal lexicon that penetrated with all the desire of the heart moving them together, to decipher after the year 96 AD, towards the unveiling of Sardis to Laodicea with the Iscaton that is subtracted from the Dragon's Tail.