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The raiders show

V parramatta April 14 2019


Hi everyone and welcome to the raiders show where the mighty Canberra raiders are playing the pride of the parramatta eels and seeing the raiders have won 3 lost 1 it is going to be a thrilling match and we start the entertainment with Joel from waramanga

We are the bad and mean green machine fearsome men from the ACT
We will trample over the eels today
And we will hit ‘em fight ‘em
Even if biff wasn’t allowed
I want no red I want no blue
No purple pink or orange too
There is just one colour and
That will do
The fighting men from the green machine
Come on Canberra
We have to win tonight
If we don’t put up a fight
The side will fade away fade away
Like an old rusty coin
We are the bad and mean green machine fighting fit
We are looking mean
As our opponents will be seeing green
When we beat ‘em beat ‘em and that will be the end

Thank you Joel a very good version of the green machine song and now here is Barry from Curtin

Go go the raiders
The mighty green machine
We will be up there fighting
We will never be lean
Come on raiders you are the best
Watch out eels we will put you
To the test
Go go the raiders
Better than the worst
Go go the raiders
I think I see an eel trying to first
That won’t happen because the
Raiders are great
Go raiders go raiders
The team of today
Go go the raiders
Let’s finish the round with a bang
Carn the mighty raiders
Watch the raiders burst up a Bang
That will be the eels when they lose today
Go the mighty raiders mate
Better than the rest

Thank you Barry and yes it will be fantastic to see the raiders win today
And now here Bradley from Dunlop

In an era of upsets
Good and bad can occur
But the mighty Canberra raiders
Will fight right till they are through
With strong players who perform at their best
Those players will put eels to the test
It is going to be great cool and totally rad
The raiders this year have been far from bad
Yes those eels will be at their best
But the raiders are going to put them to the test
You see we are the mighty green machine fast and mean and fighting fit
We ain’t scared of the eels
Not one little bit
Thank you Bradley
And I am saying to you that
Raiders are great
Raiders are strong
They play their best even if the game is long
They will fight the eels
They will never squeal
Come on raiders go go go
Come on raiders
Win on my raiders show
And after this break the start of the match go the raiders the lead we’ll catch ok here is the match between the green machine and the eels

Welcome back to the raiders show and now we have the half time entertainment with Keith from Monash

Yes it started like this, raiders pushing for the try line trying so hard and parramatta trying their best to get tries and when they got their first try they were happy and converted the try to make it 6-0 and the eels were finding it hard to get a try even a forward pass stopped them from breaking through and the raiders
Scored a penalty goal to make it 8-0
At the break go the raiders kick some *** go the raiders show some class
Go the raiders in 2019

Thank you Keith and now jimmy from O’Malley

Come on raiders come on come on
Come on raiders come on
We are the green machine
We are fighting fit in the ACT
If you stop us from finding our feet
We will hit ya hit ya hit ya
The eels will be toast
Croker kicked 2 awesome goals
And the raiders look awesome too
Anyhow
We fight out our aggression
The eels will be a suffering
But who cares we have the half time lead
Come on raiders come on come on
Come on raiders come on
Yes they will win this match and if
We play well the premiership
Which mightn’t be so much
Out of the raiders reach
To win 4 th game tonight will be awesome go raiders go
Thank you jimmy and now
Back to the match go raiders win the 4 th match of the year

Welcome back to the raiders show and what a great win by the raiders
19 to nil, the first time the raiders to nil twice in 5 rounds since 1990, what a win it had turned out to be and now here Harry from Braddon

Go the raiders go the raiders
Raiders clap clap clap
Raiders clap clap clap
It was a match that was very good
Beating parramatta to nil
It was an interesting match my friend
Go the mighty raiders oh yeah
We had an 8-0 lead at half time And then in the second we just went with it
The eels made too many mistakes
What a game it was go the mighty mighty raiders oh yeah
We have the broncos next week
And if we play like this
There will be a chance
All we need to push ourselves right
And knock the broncos around
Yes that is what we need to do
Raiders clap clap clap
Raiders clap clap clap
The raiders have played well this year so far will they keep it up

Thank you harry, and let’s hope they keep it up and now here is John from ainslie

Raiders clap clap clap
Raiders clap clap clap
What an opening this has turned out
To be
The best start the raiders have had
And holding the eels to nil too yo
What a fantastic win
Let’s pile on the pressure raiders
And knock the broncos back home
We are the green machine
Let’s hope we can show the youth of today why they called us the green machine
I remember back then it was great it was great
Ooh I need to get home at half past 8
But I can sing about the raiders all night
Let’s go to parramatta leagues club
And get in a fight
Raiders clap clap clap
Raiders clap clap clap
Raiders are the team to watch in 2019

Thank you John and now our last entertaining number of the night is Imogen from hawker

Come on raiders
Kick some ***
Come on raiders
Tonight you showed some class
The lord was looking down on you
One try and an almighty 2 and
3 and then a great field goal
Taking the heart out of your soul
I have been a raiders fan
For such a long time
So let’s cheer and cheer
Them over the line
Raiders clap clap clap
Raiders clap clap clap
Kicking *** tonight

Thank you Imogen and now we must go, see you next week against the broncos let’s hope raiders win 5 well we have to just see and now time for the final curtain see you next time on the raiders show

And now we draw the final curtain
And the raiders won their 4th
Out of 5 games it was like fucken war
And next week we face the broncos
Let’s hope we win, I hope so
We need to celebrate Easter
With a win go the Canberra raiders
Yeseree
See you next week everybody
Lily Audra Nov 2021
I can hear the sea bed,
I sometimes think I can hear whales and eels,
And pain escaping my body,
I feel so much all the time,
I sometimes think you feel very little and watching you succeed makes me feel worse and isn't that awful?
Eels are covered with a slimy mucus  that allows them to slither around without getting scratched,
I keep dropping myself into water,
For a second of relief,
Healing isn't linear,
And did you know eels can swim backwards and forwards.
Terry Collett Nov 2013
Helen and you
walked home from school
the long way
you wanted to show her

the man
in the pie and mash shop
cutting up eels
for jellied eels

or for the pies
how he would stand there
with his knife
and take up an eel

and holding it
firmly on a board
would cut off its head
and then proceed

to slice it up
into small pieces
and into a bucket
on the floor

and when you showed her
standing outside the shop
peering through
the window

she said
O my God
and put a hand
to her mouth

and spoke
through her hand
and added
poor eels

to end up
in someone's stomach
and the way
he cuts them up

and the pieces
still moving afterwards  
and she moved away
and walked up the road

still holding a hand
over her mouth
you don't fancy
pie and mash then?

you said
not with eels in it no
she replied
through her fingers

you smiled
not funny
she said
poor little eel creatures

yes I guess it is
a bit brutal
you said
but fascinating

to watch
I don't think so
she said
taking her hand

from her mouth
you both went under
the subway of the junction
she slightly

in front of you
her two plaits of hair
bouncing
as she walked

her green raincoat
tied tight about her
you whistled
so that it echoed

along the subway
bouncing off the walls
all along
the artificial lights

giving off
a surreal sensation
how can people eat eels?
she asked

just the sight
puts me off
don't know
guess they don't think

of it being eels as such
just as something to eat  
you said
you both came out

of the subway
on the other side
and walked along
the New Kent Road

by the cinema
she looking
at the billboards
through her thick lens glasses

are you sure your mum
doesn't mind
having me for tea?
she said

well we're not actually
having you for tea
we usually have
beans on toast

or jam sandwiches
she slapped your hand
you know what I mean
she said smiling

no Mum don't mind
you said
she invited you after all
I pleaded against it

but she wouldn't listen
you said smiling
Helen's face frowned
and she stood still

really?
she said
no I'm joking
you said

and she nodded her head
uncertainly
looking at you
through her glasses

I'm just kidding
you said
you touched her hand
she smiled

and you both walked on
and across the bomb site
the uneven ground
the puddles of rainwater

you your mother's son
and Helen
a lucky woman's
daughter.
BOY AND GIRL IN 1950S LONDON.
Odysseus needs a job he calls pima community college art department chairperson sends her his resume she does not respond after a week he catches her on phone she says he lacks proper credentials laughs to himself his whole life never worked lucrative or reputable position gets job working at thrift store wacky group of coworkers customers store frequently smells like public latrine job expires after 7 weeks he gets better paying job working at record exchange Odysseus always loved music everyday he learns new artist or band his coworkers are at least half his age they pester him about being slow on keyboard he never learned to type neither he nor his generation could have foreseen future would revolve around keyboard he plods on register keys people smile politely kids he works with fly fast making many keyboard mistakes November 29 2001 george harrison dies of cancer he is 58 years old Odysseus recognizes he is from past world different era of contrasting standards ‘80’s behavior is totally unbefitting let alone ‘60’s beliefs it is 2002 and one badly chosen word is sure to send someone flying off the handle he watches his language carefully co-workers mostly born in 1980’s grew up in 1990’s they live indifferent to hopelessness he struggles to bear none of them believe in higher power music is their religion he wonders what their visions concerns for humanity are? they seem addicted to consumption as if it is end in itself he questions what is hidden at root of their absorption? loneliness? despair? apathy? absence of vision? where is their rage against social conversion current administration? he warns them about homeland security act privacy infringement increased government secrecy power they shrug their shoulders why aren’t they looking for answers? why don’t they dissent? do they care where world is going? he realizes they will have to learn for themselves few coworkers read literature or know painters philosophy their passions are video games marijuana “star wars” most of them are extremely bright more informed than he often Odysseus needs to ask questions they know answers to right off the bat he is like winsome uncle who puts up with their unremitting teasing “hey you old hippie punk rocker get you fiber in today? stools looking a little loose! peace out old man” in peculiar way he finds enough belonging he so desperately needs they tell him stories about their friends *** addictions eating disorders futile deaths he is bowled over by how young they are to know such stuff job includes health insurance which is something he has not had since Dad was alive having some cash flowing in he buys laptop computer with high-speed connection cell phone trades in toyota for truck opens crate of writings he abandoned in ‘80’s begins to rewrite story sits blurry eyed in front of computer screen his motivation has always been to tell truth as he knows it he wonders what ramifications his labor will bring positive or negative results? he guesses his story will sound like children’s fable in stark brutality of distant future october 2002 3 week ****** spree terrorizes maryland virginia  district of columbia 10 people killed 3 critically wounded police believe white van responsible october 24 man and 17-year-old boy arrested in blue chevy caprice juvenile is shooter assailants linked to string of random murders including unsolved shooting of man at golf course in tucson Odysseus mentions incident at work speaks of prevailing terror madness in america co-workers kid tell him he is crazy “did you see a white van parked outside the store Odys?” they seem desensitized to increasing national atmosphere of anger panic or perhaps they are overwhelmed by weight trauma of modern life lie after lie prevailing  havoc slaughter make for dull numbness in world they know suicide is compelling option december 22nd 2002 joe strummer dies from heart failure at age 50 Odysseus’s eyes wet he adored the clash everything they stood for loved joe strummer and mescaleros he plays “global a go-go” over and over listens sings along with first track “johnny appleseed” march 2003 president bush launches attack against iraq united states seems drunk with “shock and awe” zealous blind patriotism many people politicians countries around globe question unproven line of reasoning saddam hussein possesses “weapons of mass destruction” Odysseus gripes “not another **** vietnam” record company allows employees to check out take home used product Odysseus stopped watching movies in 1980’s he has lots of catching up to do particularly likes “natural born killers” “american history x” “american ******” “fight club” “way of the gun” “******” “king of new york” “basquiat” “frida” “*******” “before night falls” “quills” “requiem for a dream” “vanilla sky” “boys don’t cry” “being john malkovich” “adaptation” “kids” “lost in translation” “25th hour” “28 days later” “monster” “city of god” “gangs of new york” “**** bill” list goes on perfect circle becomes his favorite band followed by tool lacuna coil my morning jacket brian jonestown massacre flaming lips dredg drive-by truckers dropkick murphys flogging mollies nofx stereophonics eels weakerthans centro-matic califone godspeed you black emperor magnetic fields fiery furnaces dresden dolls smog granddaddy calexico howie gelb sufjan stevens warren haynes dax riggs john vanderslice alejandro escovedo sean paul elephant man bjork p. j. harvey ani difranco aimee mann cat power sophie b. hawkins kathleen edwards mia doi todd kimya dawson regina spektor carina round neko case fiona apple nina nastasia beth gibbons mirah rasputina dr. dre talib kweli immortal technique murs slug atmosphere trick daddy eazy-e tricky list goes on october 21 2003 elliott smith commits suicide stabbing 2 wounds into his chest Odysseus thinks about music when jimi hendrix stood up at woodstock deconstructing national anthem on guitar it took courage when punk emerged with ugly screechy sounds attempting to divorce itself from melodious harmonies of 1970s complacent crosby stills nash  the dead kennedys and *** pistol did not pander to conventional commercial success what they performed were desperate gutsy songs trying to reclaim music rock’n’roll is no longer about inventing instead it imitates its glorious past hip-hop and rap come nearest to risking rebellion but are caught in gangsterism infantile self-adulation no longer does music offer vision of what is or could be instead it conjures looping escapism from hopelessness of modern life he continues working at record shop for several years store contains every genre of music cinema he grows weary of retail sales weary of higher-ups constantly changing rules dictating what to do head manager is manipulative drama queen thrives on crisis once in private admits stealing from company Odysseus nods not knowing what to say head manager works Odysseus hard keeps him down atmosphere of conspiracy betrayal hang at start of each day assistant manager routinely taunts berates bullies teases regularly calls Odysseus “dumb-****” or “****-up” other times laughs after goading Odysseus to flinch eventually bully backs off and they become friends retail pushes Odysseus to brink of misanthropy corporation requires all employees to exercise overt courteousness while serving a public of disrespectful gang bangers demanding “show me black market brotha lynch mac dre why ya godda keep dat **** behind da counter? dat’s ****** up hey old man i ain’t got all day” it always amazes him when shoplifter is caught with product stuffed down his pants thief blatantly states “i didn’t do it i don’t know how that got there” thanksgiving through christmas to new years is most swarming stressful he feels like automaton greeting customer scanning product looking at screen to see if price agrees with product typing money amount counting money into drawer counting money out handing change to customer handing customer product receipt next customer cockroach capitalism packs of masses line up in endless stream of needs stupid remarks job also involves trade appraising condition value resale probability of cds dvds video games tapes vhs vinyl news of  iraq war gets dismal mounting civilian casualties suicide bombers hostages beheadings beginning of 2004 reports of torture ****** psychological abuse **** ****** ****** of prisoners at abu ghraib prison guantanamo bay white house cover-ups denials growing insurgency increasing u.s. body count other costs he thinks about men and women who are so much braver than him then comes re-election and lavish republican parties parades cheney rumsfeld tom delay and whole regime smirk portentously on tv none of it makes sense anymore “we the people of the united states” what does it mean? the dreams and aspirations of his generation have long since faded away he is citizen of forgotten past current world is barbaric place he barely recognizes there are real pirates with machetes rocket launchers on the seas big drug corporations hiding harmful findings kidnapped children abandoned children crooked politicians corruption at every level of society horrifying stories daily ******* priests slave markets extreme heinous cruelties abruptly everyone is acknowledging society is worsening life is not the same he does not understand people and certainly does not understand america or the world he remembers when all could be so good modern existence has turned everything into madness what happened to lessons of history? it is as if Odysseus fell asleep and when he woke everything is changed he is mistaken about what he thinks he knows feels pity for people america pity disgust sorrow he misses his dog
Chaotic Melodic Aug 2010
Wet
We sit on the beach and smoke,
Secrets drizzling down our throats,
Drilling for oil on the ocean floor
Where the neon jellies live.

The words get caught up in our throats,
We slither like eels in the coral reef
Where the neon jellies live,
And mate by swimming in paint.

We slither like eels in the coral reef
And ignore how wet we are,
As we mate by swimming in paint,
Greens and blues melting together.

We never care how wet we are
Or how much sea we swallow,
Our bellies swell like open eyes,
Bursting and spraying our faces

Where we can't help but swallow
What we spit at our faces,
From the oil we drilled from the ocean floor
Where the neon jellies live

And die while washed up on the shore.
© Cory McQueen
Clownlike, happiest on your hands,
Feet to the stars, and moon-skulled,
Gilled like a fish. A common-sense
Thumbs-down on the dodo's mode.
Wrapped up in yourself like a spool,
Trawling your dark, as owls do.
Mute as a turnip from the Fourth
Of July to All Fools' Day,
O high-riser, my little loaf.

Vague as fog and looked for like mail.
Farther off than Australia.
Bent-backed Atlas, our traveled prawn.
Snug as a bud and at home
Like a sprat in a pickle jug.
A creel of eels, all ripples.
Jumpy as a Mexican bean.
Right, like a well-done sum.
A clean slate, with your own face on.
Tammy M Darby Aug 2013
Royalty
She dwells in the sea- green palace of her father
The mermaid swam alone on blustery days
The seed of the water god Neptune and a river nymph
Her beauty blind the sun and his morning rays

On days of boredom
She swam with the white dolphins
Riding high on heaving rolling waves
Other times with Omura's whales dive deep
Or play in a red coral reef bay
Tickling blue ***** that walked on the sandy bottom
Exploring the dark octopus caves

Floating often with the deadly jellyfish
Keeping her scaled tail very still
Or wiggling through the raging currents of the ocean
With the graceful ribbon eels

The day passed passed
She became weary
Came time to rest her head
Returned to the flowing green kelp palace
And did sleep on a starfish bed



All Rights Reserved @Tammy M Darby August 2013.
All Material Stored in Author Base
Denel Kessler Apr 2016
Lone leatherback cruises up from the deep, pausing on the fragile reef

to feast ancient eyes upon the show, a bright parade laid out below

butterfly couples paired for life, graceful angels in black and white stripe

brilliant clowns and their toxic lovers, a plodding gang of giant groupers

puffers bob like comic balloons, humble gobies on every menu

beaked parrotfish grinding the coral down, in the ears a constant sound

cowfish blowing puckered kisses, sea stars catching fishy wishes

white-tipped, hammerhead, tiger sharks, triggerfish mean bite worse than their bark

untamed unicorns too wild to ride, dogfish snapping, biting alongside

coral trout color-shifting fools, attracting ladies in dull-hued schools

**** headed wrasse rumbling through, thick lips mumbling go get a room

sea horses nod in labyrinth caves, razor-toothed eels lying in wait

if tentacled embrace should be your fate, nudibranchs will light the way

to a place of bliss, none of this can exist, without the builders

coral and algae bewildered, the ways of man egotistical

rising ocean temperatures, carbon emissions, and el Niño

victim of abundant greed, say goodbye to the Great Barrier Reef

so massive is this magical place, one can see it from outer space

astronauts witness its demise, ninety-percent barren, bleached bone white.
NaPoWriMo2016#27
Write a poem using haiku-like, seventeen syllable long lines.
Tears that seem so plain
never enough without a reason
Always on the back of my mind,
thoughts loose like blood dripping
Can't you see I bear crystals
from picking thorns off a rose?
Every night I dive into the ocean
swimming freely with electric eels
© Cyrille Octaviano, 2014
Frau Doktor,
Mama Brundig,
take out your contacts,
remove your wig.
I write for you.
I entertain.
But frogs come out
of the sky like rain.

Frogs arrive
With an ugly fury.
You are my judge.
You are my jury.

My guilts are what
we catalogue.
I'll take a knife
and chop up frog.

Frog has not nerves.
Frog is as old as a cockroach.
Frog is my father's genitals.
Frog is a malformed doorknob.
Frog is a soft bag of green.

The moon will not have him.
The sun wants to shut off
like a light bulb.
At the sight of him
the stone washes itself in a tub.
The crow thinks he's an apple
and drops a worm in.
At the feel of frog
the touch-me-nots explode
like electric slugs.
Slime will have him.
Slime has made him a house.

Mr. Poison
is at my bed.
He wants my sausage.
He wants my bread.

Mama Brundig,
he wants my beer.
He wants my Christ
for a souvenir.

Frog has boil disease
and a bellyful of parasites.
He says: Kiss me. Kiss me.
And the ground soils itself.

Why
should a certain
quite adorable princess
be walking in her garden
at such a time
and toss her golden ball
up like a bubble
and drop it into the well?
It was ordained.
Just as the fates deal out
the plague with a tarot card.
Just as the Supreme Being drills
holes in our skulls to let
the Boston Symphony through.

But I digress.
A loss has taken place.
The ball has sunk like a cast-iron ***
into the bottom of the well.

Lost, she said,
my moon, my butter calf,
my yellow moth, my Hindu hare.
Obviously it was more than a ball.
***** such as these are not
for sale in Au Bon Marche.
I took the moon, she said,
between my teeth
and now it is gone
and I am lost forever.
A thief had robbed by day.

Suddenly the well grew
thick and boiling
and a frog appeared.
His eyes bulged like two peas
and his body was trussed into place.
Do not be afraid, Princess,
he said, I am not a vagabond,
a cattle farmer, a shepherd,
a doorkeeper, a postman
or a laborer.
I come to you as a tradesman.
I have something to sell.
Your ball, he said,
for just three things.
Let me eat from your plate.
Let me drink from your cup.
Let me sleep in your bed.
She thought, Old Waddler,
those three you will never do,
but she made the promises
with hopes for her ball once more.
He brought it up in his mouth
like a tricky old dog
and she ran back to the castle
leaving the frog quite alone.

That evening at dinner time
a knock was heard on the castle door
and a voice demanded:
King's youngest daughter,
let me in. You promised;
now open to me.
I have left the skunk cabbage
and the eels to live with you.
The kind then heard her promise
and forced her to comply.

The frog first sat on her lap.
He was as awful as an undertaker.
Next he was at her plate
looking over her bacon
and calves' liver.
We will eat in tandem,
he said gleefully.
Her fork trembled
as if a small machine
had entered her.
He sat upon the liver
and partook like a gourmet.
The princess choked
as if she were eating a puppy.
From her cup he drank.
It wasn't exactly hygienic.
From her cup she drank
as if it were Socrates' hemlock.

Next came the bed.
The silky royal bed.
Ah! The penultimate hour!
There was the pillow
with the princess breathing
and there was the sinuous frog
riding up and down beside her.
I have been lost in a river
of shut doors, he said,
and I have made my way over
the wet stones to live with you.
She woke up aghast.
I suffer for birds and fireflies
but not frogs, she said,
and threw him across the room.
Kaboom!

Like a genie coming out of a samovar,
a handsome prince arose in the
corner of her bedroom.
He had kind eyes and hands
and was a friend of sorrow.
Thus they were married.
After all he had compromised her.

He hired a night watchman
so that no one could enter the chamber
and he had the well
boarded over so that
never again would she lose her ball,
that moon, that Krishna hair,
that blind poppy, that innocent globe,
that madonna womb.
we have everything and we have nothing
and some men do it in churches
and some men do it by tearing butterflies
in half
and some men do it in Palm Springs
laying it into butterblondes
with Cadillac souls
Cadillacs and butterflies
nothing and everything,
the face melting down to the last puff
in a cellar in Corpus Christi.
there's something for the touts, the nuns,
the grocery clerks and you . . .
something at 8 a.m., something in the library
something in the river,
everything and nothing.
in the slaughterhouse it comes running along
the ceiling on a hook, and you swing it --
one
two
three
and then you've got it, $200 worth of dead
meat, its bones against your bones
something and nothing.
it's always early enough to die and
it's always too late,
and the drill of blood in the basin white
it tells you nothing at all
and the gravediggers playing poker over
5 a.m. coffee, waiting for the grass
to dismiss the frost . . .
they tell you nothing at all.

we have everything and we have nothing --
days with glass edges and the impossible stink
of river moss -- worse than ****;
checkerboard days of moves and countermoves,
****** interest, with as much sense in defeat as
in victory; slow days like mules
******* it slagged and sullen and sun-glazed
up a road where a madman sits waiting among
bluejays and wrens netted in and ****** a flakey
grey.
good days too of wine and shouting, fights
in alleys, fat legs of women striving around
your bowels buried in moans,
the signs in bullrings like diamonds hollering
Mother Capri, violets coming out of the ground
telling you to forget the dead armies and the loves
that robbed you.
days when children say funny and brilliant things
like savages trying to send you a message through
their bodies while their bodies are still
alive enough to transmit and feel and run up
and down without locks and paychecks and
ideals and possessions and beetle-like
opinions.
days when you can cry all day long in
a green room with the door locked, days
when you can laugh at the breadman
because his legs are too long, days
of looking at hedges . . .

and nothing, and nothing, the days of
the bosses, yellow men
with bad breath and big feet, men
who look like frogs, hyenas, men who walk
as if melody had never been invented, men
who think it is intelligent to hire and fire and
profit, men with expensive wives they possess
like 60 acres of ground to be drilled
or shown-off or to be walled away from
the incompetent, men who'd **** you
because they're crazy and justify it because
it's the law, men who stand in front of
windows 30 feet wide and see nothing,
men with luxury yachts who can sail around
the world and yet never get out of their vest
pockets, men like snails, men like eels, men
like slugs, and not as good . . .
and nothing, getting your last paycheck
at a harbor, at a factory, at a hospital, at an
aircraft plant, at a penny arcade, at a
barbershop, at a job you didn't want
anyway.
income tax, sickness, servility, broken
arms, broken heads -- all the stuffing
come out like an old pillow.

we have everything and we have nothing.
some do it well enough for a while and
then give way. fame gets them or disgust
or age or lack of proper diet or ink
across the eyes or children in college
or new cars or broken backs while skiing
in Switzerland or new politics or new wives
or just natural change and decay --
the man you knew yesterday hooking
for ten rounds or drinking for three days and
three nights by the Sawtooth mountains now
just something under a sheet or a cross
or a stone or under an easy delusion,
or packing a bible or a golf bag or a
briefcase: how they go, how they go! -- all
the ones you thought would never go.

days like this. like your day today.
maybe the rain on the window trying to
get through to you. what do you see today?
what is it? where are you? the best
days are sometimes the first, sometimes
the middle and even sometimes the last.
the vacant lots are not bad, churches in
Europe on postcards are not bad. people in
wax museums frozen into their best sterility
are not bad, horrible but not bad. the
cannon, think of the cannon, and toast for
breakfast the coffee hot enough you
know your tongue is still there, three
geraniums outside a window, trying to be
red and trying to be pink and trying to be
geraniums, no wonder sometimes the women
cry, no wonder the mules don't want
to go up the hill. are you in a hotel room
in Detroit looking for a cigarette? one more
good day. a little bit of it. and as
the nurses come out of the building after
their shift, having had enough, eight nurses
with different names and different places
to go -- walking across the lawn, some of them
want cocoa and a paper, some of them want a
hot bath, some of them want a man, some
of them are hardly thinking at all. enough
and not enough. arcs and pilgrims, oranges
gutters, ferns, antibodies, boxes of
tissue paper.

in the most decent sometimes sun
there is the softsmoke feeling from urns
and the canned sound of old battleplanes
and if you go inside and run your finger
along the window ledge you'll find
dirt, maybe even earth.
and if you look out the window
there will be the day, and as you
get older you'll keep looking
keep looking
******* your ******* little
ah ah   no no   maybe

some do it naturally
some obscenely
everywhere.
zebra Jan 2019
they danced in a dream
of bending shadows
face down
begging ***
all hungry back door paradise

ankles strapped on a foot worn floor
paint faced in whorey nights
with pin needle eyes
beded
blood crimson neon's
cut curtains
like kissing claws
so their bodies wouldn't forget
dark pleasures lightening
and biting tantra tantrums
they swallowed mad ***** blossoms of hell candy
breathing the others inhalations
foot sniffing ballet arch
in fastened Japanese melting red slippers

gazing upwards rectums prayer
solar eyed insurrection

finger by finger
clutching wrists like the grave
for bloods salty cove
an injured landscape
a dire pink desert
like bogs hold bones
a rave for a slave
covered in yellow ocher rubber sheets
soft on the feet
x rated amputee costume
made of blood and spit

look mommy no arms
a bellied tattoo
of hennaed homunculi  
burning Candomblé Jejé, skull

black eyed beauty hissing
while accordion throated
rip tie tighten
another notch please
a dizzy *******
down silver fluted gullet
in a steamed up bath house
party of blotted sockets

*** kitten
kissed dead girls thighs
tremulous and stretched
a shimmering serum
like wide tubular channels
as pontoon edges slit
through midnight howls for velvet skinned girl
who thrills
her head a veiled Jehovah
saliva wagging tongue ****
a stuttering ****** dance
a hula hot momma in rubble
slapping hot lipped kisses
over starved darkness
along telegraphs avenue
melting eyes like butter
a globed pudding spill
******* drool drops of gold
and black river gladiators
slaughter lies
with every long stroke
between cascading squeals

paraphilias mausoleum
like tumbling eels
a scapegoat pulp fiction
chiseled in cement
******* rips
drip drip drip

babbling **** bubbles
**** spasms ooze like a hot glue gun
fire spats soil cherry clover
I

He would drink by himself
And raise a weathered thumb
Towards the high shelf,
Calling another ***
And blackcurrant, without
Having to raise his voice,
Or order a quick stout
By a lifting of the eyes
And a discreet dumb-show
Of pulling off the top;
At closing time would go
In waders and peaked cap
Into the showery dark,
A dole-kept breadwinner
But a natural for work.
I loved his whole manner,
Sure-footed but too sly,
His deadpan sidling tact,
His fisherman's quick eye
And turned observant back.

Incomprehensible
To him, my other life.
Sometimes on the high stool,
Too busy with his knife
At a tobacco plug
And not meeting my eye,
In the pause after a slug
He mentioned poetry.
We would be on our own
And, always politic
And shy of condescension,
I would manage by some trick
To switch the talk to eels
Or lore of the horse and cart
Or the Provisionals.

But my tentative art
His turned back watches too:
He was blown to bits
Out drinking in a curfew
Others obeyed, three nights
After they shot dead
The thirteen men in Derry.
PARAS THIRTEEN, the walls said,
BOGSIDE NIL. That Wednesday
Everyone held
His breath and trembled.

II

It was a day of cold
Raw silence, wind-blown
Surplice and soutane:
Rained-on, flower-laden
Coffin after coffin
Seemed to float from the door
Of the packed cathedral
Like blossoms on slow water.
The common funeral
Unrolled its swaddling band,
Lapping, tightening
Till we were braced and bound
Like brothers in a ring.

But he would not be held
At home by his own crowd
Whatever threats were phoned,
Whatever black flags waved.
I see him as he turned
In that bombed offending place,
Remorse fused with terror
In his still knowable face,
His cornered outfaced stare
Blinding in the flash.

He had gone miles away
For he drank like a fish
Nightly, naturally
Swimming towards the lure
Of warm lit-up places,
The blurred mesh and murmur
Drifting among glasses
In the gregarious smoke.
How culpable was he
That last night when he broke
Our tribe's complicity?
'Now, you're supposed to be
An educated man,'
I hear him say. 'Puzzle me
The right answer to that one.'

III

I missed his funeral,
Those quiet walkers
And sideways talkers
Shoaling out of his lane
To the respectable
Purring of the hearse...
They move in equal pace
With the habitual
Slow consolation
Of a dawdling engine,
The line lifted, hand
Over fist, cold sunshine
On the water, the land
Banked under fog: that morning
I was taken in his boat,
The ***** purling, turning
Indolent fathoms white,
I tasted freedom with him.
To get out early, haul
Steadily off the bottom,
Dispraise the catch, and smile
As you find a rhythm
Working you, slow mile by mile,
Into your proper haunt
Somewhere, well out, beyond...

Dawn-sniffing revenant,
Plodder through midnight rain,
Question me again.
Ariel Baptista Jan 2016
Fall and follow down the river
Walking the sacred streets in silence
How imbued with the ethereal mist of prayers are these tables
These wooden chairs I sat in and wrote the diaries of my youth
I wrote lies with causal power
Constructed the material from ideas
Spoke over the waters and found land

Eat a candy cane to cover the scent of rolled tobacco on your breath
And get on a plane
Green busses down cobblestone lanes
Follow them like purple orchids on the terrace

Fall and follow down the river
A brown bench,
Balding fog
Sit like kneeling at the altar of the saint of childhood innocence
Repeat her prayers
Chant her mantras
Sing her hymnals
Ritual tower chimes with hell’s fear behind it
Rope and brass that dare not fall or falter
Down the river
Ripples like innumerable green eels screeching through the sacred heart of our Lord and city centre

Mornings like Masala chai and sunshine
How infinite and unceasing the heartbreak of those who love too deeply
How inevitable the prolonged fall of the great
Like eighteen razor blades
Shot through the sunrise
Bitter fruit of memory merciless
No amount of sacrifice can atone for the imperfections that lie beyond the boarders of my control
But I hail Mary nonetheless

Fall and follow down the river
Mother Mary cannot hear over the pounding power of the current
So seal your lips with black clay
And do not cry
For there is nothing more to mourn
Morning comes ripping down the track like a freight train
Tarantula clouds and sunbeams scamper over the sockets of your log-laden irises
Bleeding indigo from parallel razor blade canyons
Filled with the ghosts of things you were never promised

Masala chai oversteeped like the strong scent of river memory
Tremble tell me I’m forgiven
In your white robe anointing oil
Tell me I’m the chosen one
Incense and ****** knees from kneeling at sandpaper pews
Getting drunk of Eucharist, the Holy See,
Oceans of archives, history, prophecy,
Frankincense and myrrh,
Frankenstein, the Light, the Vine and highways through the suburbs
Jump off bridges
Fall and follow down the river

An eye for an eye
And a stitch for a stitch
Mile for mile river prayers define and drown me
Thick slabs of scripture separate me from my sisters
Masala chai and sunshine
Vaseline and pale northern light clear the black river clay from your pores
Embrace the snow
Teach yourself to love the suffocating questions that burn and blind you
Retroactive sacrifice still requires fresh indigo blood
Donate freely.
Fall and follow
Down the river
To the sea
Salt water heals all razor blade wounds
Even the self-inflicted
The choices you make to be good or great are swallowed in the moon tide
Sticky tie-dye bruises erase themselves with time and prayer
Like cups of strong Masala chai.
Now when they came to the ford of the full-flowing river Xanthus,
begotten of immortal Jove, Achilles cut their forces in two: one
half he chased over the plain towards the city by the same way that
the Achaeans had taken when flying panic-stricken on the preceding day
with Hector in full triumph; this way did they fly pell-mell, and Juno
sent down a thick mist in front of them to stay them. The other half
were hemmed in by the deep silver-eddying stream, and fell into it
with a great uproar. The waters resounded, and the banks rang again,
as they swam hither and thither with loud cries amid the whirling
eddies. As locusts flying to a river before the blast of a grass fire-
the flame comes on and on till at last it overtakes them and they
huddle into the water—even so was the eddying stream of Xanthus
filled with the uproar of men and horses, all struggling in
confusion before Achilles.
  Forthwith the hero left his spear upon the bank, leaning it
against a tamarisk bush, and plunged into the river like a god,
armed with his sword only. Fell was his purpose as he hewed the
Trojans down on every side. Their dying groans rose hideous as the
sword smote them, and the river ran red with blood. As when fish fly
scared before a huge dolphin, and fill every nook and corner of some
fair haven—for he is sure to eat all he can catch—even so did the
Trojans cower under the banks of the mighty river, and when
Achilles’ arms grew weary with killing them, he drew twelve youths
alive out of the water, to sacrifice in revenge for Patroclus son of
Menoetius. He drew them out like dazed fawns, bound their hands behind
them with the girdles of their own shirts, and gave them over to his
men to take back to the ships. Then he sprang into the river,
thirsting for still further blood.
  There he found Lycaon, son of Priam seed of Dardanus, as he was
escaping out of the water; he it was whom he had once taken prisoner
when he was in his father’s vineyard, having set upon him by night, as
he was cutting young shoots from a wild fig-tree to make the wicker
sides of a chariot. Achilles then caught him to his sorrow unawares,
and sent him by sea to Lemnos, where the son of Jason bought him.
But a guest-friend, Eetion of Imbros, freed him with a great sum,
and sent him to Arisbe, whence he had escaped and returned to his
father’s house. He had spent eleven days happily with his friends
after he had come from Lemnos, but on the twelfth heaven again
delivered him into the hands of Achilles, who was to send him to the
house of Hades sorely against his will. He was unarmed when Achilles
caught sight of him, and had neither helmet nor shield; nor yet had he
any spear, for he had thrown all his armour from him on to the bank,
and was sweating with his struggles to get out of the river, so that
his strength was now failing him.
  Then Achilles said to himself in his surprise, “What marvel do I see
here? If this man can come back alive after having been sold over into
Lemnos, I shall have the Trojans also whom I have slain rising from
the world below. Could not even the waters of the grey sea imprison
him, as they do many another whether he will or no? This time let
him ******* spear, that I may know for certain whether mother earth
who can keep even a strong man down, will be able to hold him, or
whether thence too he will return.”
  Thus did he pause and ponder. But Lycaon came up to him dazed and
trying hard to embrace his knees, for he would fain live, not die.
Achilles ****** at him with his spear, meaning to **** him, but Lycaon
ran crouching up to him and caught his knees, whereby the spear passed
over his back, and stuck in the ground, hungering though it was for
blood. With one hand he caught Achilles’ knees as he besought him, and
with the other he clutched the spear and would not let it go. Then
he said, “Achilles, have mercy upon me and spare me, for I am your
suppliant. It was in your tents that I first broke bread on the day
when you took me prisoner in the vineyard; after which you sold away
to Lemnos far from my father and my friends, and I brought you the
price of a hundred oxen. I have paid three times as much to gain my
freedom; it is but twelve days that I have come to Ilius after much
suffering, and now cruel fate has again thrown me into your hands.
Surely father Jove must hate me, that he has given me over to you a
second time. Short of life indeed did my mother Laothoe bear me,
daughter of aged Altes—of Altes who reigns over the warlike Lelegae
and holds steep Pedasus on the river Satnioeis. Priam married his
daughter along with many other women and two sons were born of her,
both of whom you will have slain. Your spear slew noble Polydorus as
he was fighting in the front ranks, and now evil will here befall
me, for I fear that I shall not escape you since heaven has delivered
me over to you. Furthermore I say, and lay my saying to your heart,
spare me, for I am not of the same womb as Hector who slew your
brave and noble comrade.”
  With such words did the princely son of Priam beseech Achilles;
but Achilles answered him sternly. “Idiot,” said he, “talk not to me
of ransom. Until Patroclus fell I preferred to give the Trojans
quarter, and sold beyond the sea many of those whom I had taken alive;
but now not a man shall live of those whom heaven delivers into my
hands before the city of Ilius—and of all Trojans it shall fare
hardest with the sons of Priam. Therefore, my friend, you too shall
die. Why should you whine in this way? Patroclus fell, and he was a
better man than you are. I too—see you not how I am great and goodly?
I am son to a noble father, and have a goddess for my mother, but
the hands of doom and death overshadow me all as surely. The day
will come, either at dawn or dark, or at the noontide, when one
shall take my life also in battle, either with his spear, or with an
arrow sped from his bow.”
  Thus did he speak, and Lycaon’s heart sank within him. He loosed his
hold of the spear, and held out both hands before him; but Achilles
drew his keen blade, and struck him by the collar-bone on his neck; he
plunged his two-edged sword into him to the very hilt, whereon he
lay at full length on the ground, with the dark blood welling from him
till the earth was soaked. Then Achilles caught him by the foot and
flung him into the river to go down stream, vaunting over him the
while, and saying, “Lie there among the fishes, who will lick the
blood from your wound and gloat over it; your mother shall not lay you
on any bier to mourn you, but the eddies of Scamander shall bear you
into the broad ***** of the sea. There shall the fishes feed on the
fat of Lycaon as they dart under the dark ripple of the waters—so
perish all of you till we reach the citadel of strong Ilius—you in
flight, and I following after to destroy you. The river with its broad
silver stream shall serve you in no stead, for all the bulls you
offered him and all the horses that you flung living into his
waters. None the less miserably shall you perish till there is not a
man of you but has paid in full for the death of Patroclus and the
havoc you wrought among the Achaeans whom you have slain while I
held aloof from battle.”
  So spoke Achilles, but the river grew more and more angry, and
pondered within himself how he should stay the hand of Achilles and
save the Trojans from disaster. Meanwhile the son of Peleus, spear
in hand, sprang upon Asteropaeus son of Pelegon to **** him. He was
son to the broad river Axius and Periboea eldest daughter of
Acessamenus; for the river had lain with her. Asteropaeus stood up out
of the water to face him with a spear in either hand, and Xanthus
filled him with courage, being angry for the death of the youths
whom Achilles was slaying ruthlessly within his waters. When they were
close up with one another Achilles was first to speak. “Who and whence
are you,” said he, “who dare to face me? Woe to the parents whose
son stands up against me.” And the son of Pelegon answered, “Great son
of Peleus, why should you ask my lineage. I am from the fertile land
of far Paeonia, captain of the Paeonians, and it is now eleven days
that I am at Ilius. I am of the blood of the river Axius—of Axius
that is the fairest of all rivers that run. He begot the famed warrior
Pelegon, whose son men call me. Let us now fight, Achilles.”
  Thus did he defy him, and Achilles raised his spear of Pelian ash.
Asteropaeus failed with both his spears, for he could use both hands
alike; with the one spear he struck Achilles’ shield, but did not
pierce it, for the layer of gold, gift of the god, stayed the point;
with the other spear he grazed the elbow of Achilles! right arm
drawing dark blood, but the spear itself went by him and fixed
itself in the ground, foiled of its ****** banquet. Then Achilles,
fain to **** him, hurled his spear at Asteropaeus, but failed to hit
him and struck the steep bank of the river, driving the spear half its
length into the earth. The son of Peleus then drew his sword and
sprang furiously upon him. Asteropaeus vainly tried to draw
Achilles’ spear out of the bank by main force; thrice did he tug at
it, trying with all his might to draw it out, and thrice he had to
leave off trying; the fourth time he tried to bend and break it, but
ere he could do so Achilles smote him with his sword and killed him.
He struck him in the belly near the navel, so that all his bowels came
gushing out on to the ground, and the darkness of death came over
him as he lay gasping. Then Achilles set his foot on his chest and
spoiled him of his armour, vaunting over him and saying, “Lie there-
begotten of a river though you be, it is hard for you to strive with
the offspring of Saturn’s son. You declare yourself sprung from the
blood of a broad river, but I am of the seed of mighty Jove. My father
is Peleus, son of Aeacus ruler over the many Myrmidons, and Aeacus was
the son of Jove. Therefore as Jove is mightier than any river that
flows into the sea, so are his children stronger than those of any
river whatsoever. Moreover you have a great river hard by if he can be
of any use to you, but there is no fighting against Jove the son of
Saturn, with whom not even King Achelous can compare, nor the mighty
stream of deep-flowing Oceanus, from whom all rivers and seas with all
springs and deep wells proceed; even Oceanus fears the lightnings of
great Jove, and his thunder that comes crashing out of heaven.”
  With this he drew his bronze spear out of the bank, and now that
he had killed Asteropaeus, he let him lie where he was on the sand,
with the dark water flowing over him and the eels and fishes busy
nibbling and gnawing the fat that was about his kidneys. Then he
went in chase of the Paeonians, who were flying along the bank of
the river in panic when they saw their leader slain by the hands of
the son of Peleus. Therein he slew Thersilochus, Mydon, Astypylus,
Mnesus, Thrasius, Oeneus, and Ophelestes, and he would have slain
yet others, had not the river in anger taken human form, and spoken to
him from out the deep waters saying, “Achilles, if you excel all in
strength, so do you also in wickedness, for the gods are ever with you
to protect you: if, then, the son of Saturn has vouchsafed it to you
to destroy all the Trojans, at any rate drive them out of my stream,
and do your grim work on land. My fair waters are now filled with
corpses, nor can I find any channel by which I may pour myself into
the sea for I am choked with dead, and yet you go on mercilessly
slaying. I am in despair, therefore, O captain of your host, trouble
me no further.”
  Achilles answered, “So be it, Scamander, Jove-descended; but I
will never cease dealing out death among the Trojans, till I have pent
them up in their city, and made trial of Hector face to face, that I
may learn whether he is to vanquish me, or I him.”
  As he spoke he set upon the Trojans with a fury like that of the
gods. But the river said to Apollo, “Surely, son of Jove, lord of
the silver bow, you are not obeying the commands of Jove who charged
you straitly that you should stand by the Trojans and defend them,
till twilight fades, and darkness is over an the earth.”
  Meanwhile Achilles sprang from the bank into mid-stream, whereon the
river raised a high wave and attacked him. He swelled his stream
into a torrent, and swept away the many dead whom Achilles had slain
and left within his waters. These he cast out on to the land,
bellowing like a bull the while, but the living he saved alive, hiding
them in his mighty eddies. The great and terrible wave gathered
about Achilles, falling upon him and beating on his shield, so that he
could not keep his feet; he caught hold of a great elm-tree, but it
came up by the roots, and tore away the bank, damming the stream
with its thick branches and bridging it all across; whereby Achilles
struggled out of the stream, and fled full speed over the plain, for
he was afraid.
  But the mighty god ceased not in his pursuit, and sprang upon him
with a dark-crested wave, to stay his hands and save the Trojans
from destruction. The son of Peleus darted away a spear’s throw from
him; swift as the swoop of a black hunter-eagle which is the strongest
and fleetest of all birds, even so did he spring forward, and the
armour rang loudly about his breast. He fled on in front, but the
river with a loud roar came tearing after. As one who would water
his garden leads a stream from some fountain over his plants, and
all his ground-***** in hand he clears away the dams to free the
channels, and the little stones run rolling round and round with the
water as it goes merrily down the bank faster than the man can follow-
even so did the river keep catching up with Achilles albeit he was a
fleet runner, for the gods are stronger than men. As often as he would
strive to stand his ground, and see whether or no all the gods in
heaven were in league against him, so often would the mighty wave come
beating down upon his shoulders, and be would have to keep flying on
and on in great dismay; for the angry flood was tiring him out as it
flowed past him and ate the ground from under his feet.
  Then the son of Peleus lifted up his voice to heaven saying, “Father
Jove, is there none of the gods who will take pity upon me, and save
me from the river? I do not care what may happen to me afterwards. I
blame none of the other dwellers on Olympus so severely as I do my
dear mother, who has beguiled and tricked me. She told me I was to
fall under the walls of Troy by the flying arrows of Apollo; would
that Hector, the best man among the Trojans, might there slay me; then
should I fall a hero by the hand of a hero; whereas now it seems
that I shall come to a most pitiable end, trapped in this river as
though I were some swineherd’s boy, who gets carried down a torrent
while trying to cross it during a storm.”
  As soon as he had spoken thus, Neptune and Minerva came up to him in
the likeness of two men, and took him by the hand to reassure him.
Neptune spoke first. “Son of Peleus,” said he, “be not so exceeding
fearful; we are two gods, come with Jove’s sanction to assist you,
I, and Pallas Minerva. It is not your fate to perish in this river; he
will abate presently as you will see; moreover we strongly advise you,
if you will be guided by us, not to stay your hand from fighting
till you have pent the Trojan host within the famed walls of Ilius—as
many of them as may escape. Then **** Hector and go back to the ships,
for we will vouchsafe you a triumph over him.”
  When they had so said they went back to the other immortals, but
Achilles strove onward over the plain, encouraged by the charge the
gods had laid upon him. All was now covered with the flood of
waters, and much goodly armour of the youths that had been slain was
rifting about, as also many corpses, but he forced his way against the
stream, speeding right onwards, nor could the broad waters stay him,
for Minerva had endowed him with great strength. Nevertheless
Scamander did not slacken in his pursuit, but was still more furious
with the son of Peleus. He lifted his waters into a high crest and
cried aloud to Simois saying, “Dear br
Eleete j Muir May 2018
Health department signs litter the grass areas,
"Do not make contact with the water;
Swimming forbidden".
Less than twenty years ago I learnt to swim here
And fish too, once i even drowned!
Sometimes my friends and I would
Catch Eels then sell them
To the local Chinese restaurant.
I treasure those memories of my childhood.

This fresh water lake surrounded
By trees taller than buildings
My beautiful haven from the city, hidden
Between main roads and highways
that only the locals know.

Sitting on sandstone rocks
I see my reflection amongst the lily pads.
Beyond the depths an entanglement of
Roots, seaweed and *******.
Natural mandalas made by tadpoles
Ripple across the murky brown surface
Whilst a rather large water dragon
Sun bakes on the riverbank
And ducks glide by reminding me
Of the canoes we used to capsize
And I appreciate how simple life
Used to be.

ELEETE J MUIR
This poem was written back in September 2003
Francie Lynch Sep 2014
Strange question indeed,
So I asked one and all;
Explain to me:
“What's a plumber's ball?”

Family and friends
Heeded my call,
But none could confine,
Refine or define it,
Yet Paul was sure
He could design it.

Still, none could satisfy
My caterwaul:
“What the hell is a plumber's ball?”

Does it sweat the pipe
Or wiggle the snake:
Can it clamp the ******
For Heaven's sake?
Could it snap on the ****-hole cover?
All these queries
Made me wonder.

Has it something to do
With hardness leakage,
Or ******* the ball-****
To stop a seepage?
Has it anything to do
With a saddle valve dripping,
Electric eels,
Or two pipes mating?
And, I heard of male and female fittings,
And should I worry
If I'm standing or sitting?

If you're discharging the head
Or elongating the pipe,
Does the plumber's ball
Help it snug tight?
Is it in my tank,
Or in my bowl,
Beneath the floor
Near the drainage hole?
Is the plumber's ball
In the back of the truck
(Jeff laughed and said
One could rub it for luck).

I asked Michel
If he could tell,
He sensed it was something
He could smell.
I sought out Ray,
Perhaps he'd know,
But he was on call
To restrain a back-flow.
I couldn't ask Gary
For his wisdom and sense,
He was wigglin' the snake
To unclog a wet vent.
Henry, Rick, Scotty and Brian,
Gave shameless answers
I couldn't rely on.

It's not a crapper, tail piece
Or Johnnie-bolt,
Or catch basin, reamer,
O-ring or pipe dope.
So I searched the Net
With a fool's wonder,
And read of ball-checks,
Gas ***** and plungers.
I know it's too late
To ask Rolly or Ross,
For both of them knew,
And that's our loss.
And Ernie's gone golfing
So I can't ask the Boss.

With final resolve
I fell to my knees,
To pray St. Ferrer
With grace intercede.
His silence left me
In a state of depression;
Had Ferrer washed his hands
Of the plumbing profession?

So nothing could settle
My wherewithal,
I still didn't know,
What's a plumber's ball?

Suddenly, it hit me,
He's never wrong,
The Dalai Lama of dip-tubes,
I'll ask John.
Where others did falter,
John's a rock:
He knows the difference
Between a gas and ball ****.

With a knowing smile
He embraced our Hall:
Here, good friend, is your Plumbers' Ball.
Penned for the occasion of  Saucier Plumbing and Heating 79th anniversay Ball.
Rolly and Ross were the original owners.
St. Ferrer is the patron saint of plumbing.
If you have such an event to attend, feel free to modify the above.
Says I to my Missis: "Ba goom, lass! you've something I see, on your mind."
Says she: "You are right, Sam, I've something. It 'appens it's on me be'ind.
A Boil as 'ud make Job jealous. It 'urts me no end when I sit."
Says I: "Go to 'ospittel, Missis. They might 'ave to coot it a bit."
Says she: "I just 'ate to be showin' the part of me person it's at."
Says I: "Don't be fussy; them doctors see sights more 'orrid than that."

So Misses goes off togged up tasty, and there at the 'ospittel door
They tells 'er to see the 'ouse Doctor, 'oose office is Room Thirty-four.
So she 'unts up and down till she finds it, and knocks and a voice says: "Come in,"
And there is a 'andsome young feller, in white from 'is 'eels to 'is chin.
"I've got a big boil," says my Missis. "It 'urts me for fair when I sit,
And Sam (that's me 'usband) 'as asked me to ask you to coot it a bit."
Then blushin' she plucks up her courage, and bravely she shows 'im the place,
And 'e gives it a proper inspection, wi' a 'eap o' surprise on 'is face.
Then 'e says wi' an accent o' Scotland: "Whit ye hae is a bile, Ah can feel,
But ye'd better consult the heid Dockter; they caw him Professor O'Niel.
He's special for biles and carbuncles. Ye'll find him in Room Sixty-three.
No charge, Ma'am. It's been a rare pleasure. Jist tell him ye're comin' from me."

So Misses she thanks 'im politely, and 'unts up and down as before,
Till she comes to a big 'andsome room with "Professor O'Neil" on the door.
Then once more she plucks up her courage, and knocks, and a voice says: "All right."
So she enters, and sees a fat feller wi' whiskers, all togged up in white.
"I've got a big boil," says my Missis, "and if ye will kindly permit,
I'd like for to 'ave you inspect it; it 'urts me like all when I sit."
So blushin' as red as a beet-root she 'astens to show 'im the spot,
And 'e says wi' a look o' amazement: "Sure, Ma'am, it must hurt ye a lot."
Then 'e puts on 'is specs to regard it, and finally says wi' a frown:
"I'll bet it's as sore as the divvle, especially whin ye sit down.
I think it's a case for the Surgeon; ye'd better consult Doctor Hoyle.
I've no hisitation in sayin' yer boil is a hill of a boil."

So Misses she thanks 'im for sayin' her boil is a hill of a boil,
And 'unts all around till she comes on a door that is marked: "Doctor Hoyle."
But by now she 'as fair got the wind up, and trembles in every limb;
But she thinks: "After all, 'e's a Doctor. Ah moosn't be bashful wi' 'im."
She's made o' good stuff is the Missis, so she knocks and a voice says: "Oos there?"
"It's me," says ma Bessie, an' enters a room which is spacious and bare.
And a wise-lookin' old feller greets 'er, and 'e too is togged up in white.
"It's the room where they coot ye," thinks Bessie; and shakes like a jelly wi' fright.
"Ah got a big boil," begins Missis, "and if ye are sure you don't mind,
I'd like ye to see it a moment. It 'urts me, because it's be'ind."
So thinkin' she'd best get it over, she 'astens to show 'im the place,
And 'e stares at 'er kindo surprised like, an' gets very red in the face.
But 'e looks at it most conscientious, from every angle of view,
Then 'e says wi' a shrug o' 'is shoulders: "Pore Lydy, I'm sorry for you.
It wants to be cut, but you should 'ave a medical bloke to do that.
Sye, why don't yer go to the 'orsespittel, where all the Doctors is at?
Ye see, Ma'am, this part o' the buildin' is closed on account o' repairs;
Us fellers is only the pynters, a-pyntin' the 'alls and the stairs."
Lora Lee Sep 2017
Sometimes
         I feel a well
                   dug deep
         into my heart
  I try to stop it
but it quickly
becomes ocean
  and overflows  
     into great tsunami
          rises over all the levees
             rushes past dams                  
               breaks down tall
                   city structures,
              edifices crumbling
           in its path
     all the squid and octopi
    skitting forth
in wild pulses,
tentacles entangled
     in doorways and rooves
        slipping through narrow
                window-openings
                   as they pour ink
                       in clouds,
                         shifting shapes
                          in cephalopod excitement
                            while blue whales
                            and humpbacks
                               breach over bridges,
                             phosphorescent jellies
                          light up
                       the dark streets of
                      my arteries
                     electric eels illuminate
                    the alleyways of
                   desolation's thick syrup
                     and I cannot stop it even
                            if I wanted to,
                   these darkened,
                     swirling waves
I am both floating and flying
like a jumping manta ray
curling around the ferries
bobbing in seahorse iridescence
weaving between buses
as if they were corals

And when the storm subsides,
colorful rockpools form,
rich in diversity
It is there,
in between the
multicolored ***** and
succulent shellfish,
in a mermaid's
       voluptuous smile
and turquoise eye
that I see you,
so crystal clear
                I could reach out              
                      and bring you to me,          
                         holding you tight
                         until the
                gentle break
     of
          morning
https://www.youtube.com/watch?v=zVGQWw4Ap6o
Joseph Valle Dec 2012
There was a Truth
in murk-settled water.
I'll sit at the surface
and remember past wrongs.

Stirred lake was below us,
the eels and a catfish,
but towered above
the sun shone down warm.

A dead masquerade,
you kicked for the surface.
Your body, it rippled
a silhouetted sky.

Dead hum underwater
our eyelids were liquid.
My jellyfish back
absorbed the tanned rays.

Ingest your diffraction,
a hunger astray.
A dry-land discov'ry:
it was my legs aflame.

The murk was in you.
The murk was in you.
Dear God, I was clean.
Dear God, I was clean.

A seat at the table
to pray for the lake.
But what does it matter?
Wash my hands to eat.
Jasmine Riley Mar 2016
I live for the electric moments
Moments when my heart jolts
and shivers feel like gunshots.
I live for the moments when its just
me and you.
i live for these moments
what happens when they run out?
what then?
When my back is against the wall,
who is there through it all?
when my breathe is knocked out of me
and my mind starts to sputter out,
what do i do?
Poetic T Jul 2014
She was a creature of the sea
Half woman,
Half fish,
She wanted more to see, Than the fish of the deep,
She had seen the ships that sailed on by
Those that had sunken to the depths,
Tasted sailors hearts
As they sunk to the deep.
She had a Taste for those up above
But her father forbid it,
As she had tasted human flesh
She had been seen stripping it from the bone,
For the ships that sank
Where her doing to the depths they fell.
She enjoyed them warm,
Hearts,
Eyes,
Tongues,
Which she ripped out
With there drowning screams,
Then the let overs she feed to her
Friends of the deep.
She asked the witch, who knew her evil heart,
She said you have the hunger
I will help this once, a spell cast.
Black eels magic,
Eye of man,
Merman's gills,
Black death oil spilt,
What was once fish, make woman complete,
She woke upon a shore
A prince came upon, His heart she heard,
Then did awake, what is your name
She went to talk, but no voice did speak,
The witch had tricked her,
Curses spoke with no voice to speak.
She was taken to a castle, fed and dressed
Her clothes showed her womanly figure
Her ******* turned many a mans head,
For those that insulted,
There corpse thrown in to the deep,
But with one thing missing,
A hole where a heart did once beat.
She was of too ways she fell in love,
But the heart that beat smelled divine
hunger,
craving,
Hearts beat,
A kiss would seal his fate, but the witch
Had taken the voice of the siren of the deep,
She used her womanly ways
There was more than one way to hook a man
With out speech.
So she did what she did and he was hooked
At sea they were to wed
Not one kiss had pasted there lips
But the day had come dressed in white
This sinful woman of the deep,
Vows were said
Man to woman,
Woman to man,
In life and death you are no both wed,
The kiss tasted sweet, she could taste it
She felt the heart beat against her *****
And to the bedroom they did retreat,
Lust and passion a new experience
To make love in water was wet
To be dry and wet beneath Satin sheets
He took her deep, she was in two hearts
As they came together screams heard
No worries to those outside
There vows were sown or at least you think
For the moment of ecstasy as both did explode
Under the sheets
She took his heart and devoured it whole
The look of fear left frozen on his face.
The ship did scream all through the night
As one after another, beats did stop there beat.
She went to the hull punched through with ease
Sea water filled as it sank to the deep,
Others finished what was started
But Ariel was holding her love in her arms
A tear on cheek, but not of love
Because royalty tasted better than any other
Stripped to the bone
His skeletal form lost to the deep.
She was now back in true form,
She was a princess a hunter of the deep
One last heart she did taste
Corrupt as hers
The witch had betrayed,
Now her essence is
Devoured,
Consumed,
Her power now Ariels
Beware the princess of the deep.
Chimera melons Mar 2010
Distasted disaster dooms
Truehoods falsely spoken
Falsehood & true galoshes
Numbrella mousetrap
****** void twice
And More And Morel eels
all rights taken away by the patriotic act and given back by the tree spirits of the amazon rainforest
Peeka Sep 2014
Sharks swim in circles round stoic sunfish
Ancient eels hide, watch out- they bite
Sea turtles hover near the glass
Wide eyes in the audience
At what to them is mysterious.
Both feel wonder, a sense of danger
Unpredictable natures, could they relate to each other?
Peered in a little longer, leaned in a little closer
Saw in the reflection
Fish out of water.
Separated by land and sea- no matter
The lowest fish in the water
Sees what life has to offer.
On an apple-ripe September morning
Through the mist-chill fields I went
With a pitch-fork on my shoulder
Less for use than for devilment.

The threshing mill was set-up, I knew,
In Cassidy's haggard last night,
And we owed them a day at the threshing
Since last year. O it was delight

To be paying bills of laughter
And chaffy gossip in kind
With work thrown in to ballast
The fantasy-soaring mind.

As I crossed the wooden bridge I wondered
As I looked into the drain
If ever a summer morning should find me
Shovelling up eels again.

And I thought of the wasps' nest in the bank
And how I got chased one day
Leaving the drag and the scraw-knife behind,
How I covered my face with hay.

The wet leaves of the cocksfoot
Polished my boots as I
Went round by the glistening bog-holes
Lost in unthinking joy.

I'll be carrying bags to-day, I mused,
The best job at the mill
With plenty of time to talk of our loves
As we wait for the bags to fill.

Maybe Mary might call round...
And then I came to the haggard gate,
And I knew as I entered that I had come
Through fields that were part of no earthly estate.
Jay Kay Jan 2017
"Life is Hard
And So am I"
He sang.
I listened.
And I laughed.
And a tear fell into my lap.
Because the world is soft
And round
And wet
And sad
And I'm too sensitive
For these difficult times.
Marie-Chantal Oct 2014
It's an animal beastly thing wrapped up warm in stigmas headlines daydreams sleepdreams ice cream headspin. pain.
Sirens call in my upper chest or my abdomen, maybe. a ****** sea. fish of mens' hooks eels and seaweed wound around aorta blood pumping mind squeezing toes cracking new blister dried fluid. cracks and flakes a flushing cycle, not over the **** yet.
salty eyes heavy chest silver parcels unending quest not shiny particles. Head spin crack of dawn hey look the moon is gone. observed the craters they were my neighbours a hole in my heart like the one......
Don't play mean i try and try green bean carrot pencil brush pen, still here? Run! too hard. Curdling scream turns sour on my tastebuds my tongue has been dissatisfied. Add it to the list! lately I know these things should not have been acknowledged. Bed. No. Kitchen work? Yes. Hurts me through and through and I know it's because it is me and it cannot be handled but it settled in the pit of my stomach and it made itself a happy home. I HATE IT.

BLOOD:
juice
gore
cruor
claret
hemoglobin
sanguine fluid
clot
plasma
vital fluid


why would I ever use blood?

Porous salt bruises help mind chooses slugs and moths but i want insects like ladybird bees. Keep me weak and feed me lies because not once did you see me you only looked right past me. how does it feel, little peach, to be dishing out bowls of dinky lies. i ate it you were trusted you were good there's just so many people coming.

when the moon rises and the sky twinkles lights about you its easy to be sad but its time for you to *blossom
A total stream of consciousness. It is utterly lacking in another y structure or logical punctuation/capitalisation. I'd love to hear some feedback
Andrew Rueter Jun 2017
I fell in love with you
More accurately
I fell in love with the feelings you transferred into me
But those mutinous emotions betrayed me
The moment you did
The withdrawal from your love was too intense
I desperately needed something to replace those feelings

I always said I could run from anything
as long as it didn't involve running
But after walking with you for so long
It's hard to change my pace
The path too tough to face
Your memories fueled the chase
Until I found my escape

The kneading needles turned me fetal
Shocked my veins like eels
Fetuses aren't the most ambulatory
The race became a marathon story
Your effervescent ghost pursued me
Breaking the sound barrier to reach me
I floated vacantly in the stew of your noise
The needles touched me
The way you wouldn't
The needles bled me
The way you would

Then the race ended as abruptly as it started
Only to begin another race
...But things were different this time

Slugs waved as they passed a sprinter
Tormented by a lane filled with needles
The hostile crowd watched with pity
As a once great athlete
Was forced to acknowledge his janitorial duties
The fickle mob cheered with triumph
Upon his valiant return
He was quicker than ever before
And the masses exalted him
He ran faster than everybody
And waited for nobody
Anxious they might reveal his secret
That his speed was derived from his feather weight
After the needles hollowed out his insides
Ira Desmond Dec 2018
Last night,
I dreamt that the friend of a friend had died.

His body floated lifeless on the surface of the Pacific,
tossed about between the Bering Sea whitecaps

like an orca’s seal-pup plaything
while the Arctic wind whipped

and beat the freezing cold water
across his pallid face and through his chestnut hair.

Then his body
began to sink,

its silhouette appearing
against various monotone

canvases of blue
on its trip downward:

a vivid cornflower,
a pelagic cerulean,

a chasm of cold cobalt,
a starless twilight,

a forest of indigo,
a velvet curtain of navy.

Finally,
as it reached the deepest possible shade of midnight—

only a quantum away from black—
it stopped sinking.

There, in that void,
where daylight and color are considered but outlandish theories,

strange fish of all and shapes and sizes
began to surround the decomposing corpse:

Greenland sharks hailing from the frozen arctic,
mantis shrimp from the mangrove labyrinths,

eyeless electric eels from undersea caves near the Galápagos,
vampire squid rising cautiously up out of their World War One trenches,

scores of spindly ***** and pale worms that had ventured far beyond
the safe familiarity of their alien geothermal worlds.

At first, they approached the corpse gingerly,
nibbling only the tips of its hair and fingernails,

and then suddenly, voraciously,
they consumed it—until not even a skeleton remained.

Now, only a single point of light was left
there floating in the void.

And from this single point of light,
where just a moment before the corpse had floated,

a brilliant white lattice structure emerged,
unfurling as would a fern across a forest floor.

It fanned out onto the seabed
and then swept upward, upward

back toward those reaches of sea
where color is known

and fresh air gleefully permeates
that foamy outer membrane that skirts the base of the sky.

Scores of familiar fish began to lift up the crystalline structure—
schools of shimmering sardines,

stately, dignified manta rays,
skipjacks, bluefins, and white-tips,

brilliant cuttlefish, humble pufferfish,
shifty barracuda, gargantuan whale sharks,

all of them
beating their tails in concert

to carry this lattice away,
this measure of a life,

this husk of a soul
at last freed from its earthly bindings.

The fish were carrying it somewhere deeper,
somewhere darker,

to a place that I understood—
even from the inky depths

of my dreaming mind—
that I could not enter.

But then again,
I knew that someday

I would.
I need the beach
sand in the places
where
it's hard to reach

the sea
clotted cream and
strawberry jam for tea

You
at my side when
the tide comes in

bingo and
sin, oh!
the devil
says no
so

sand eels
fishing reels
catch of the day.

B and B
you and me
double room
ideally.
God loafs around heaven,
without a shape
but He would like to smoke His cigar
or bite His fingernails
and so forth.

God owns heaven
but He craves the earth,
the earth with its little sleepy caves,
its bird resting at the kitchen window,
even its murders lined up like broken chairs,
even its writers digging into their souls
with jackhammers,
even its hucksters selling their animals
for gold,
even its babies sniffing for their music,
the farm house, white as a bone,
sitting in the lap of its corn,
even the statue holding up its widowed life,
but most of all He envies the bodies,
He who has no body.

The eyes, opening and shutting like keyholes
and never forgetting, recording by thousands,
the skull with its brains like eels--
the tablet of the world--
the bones and their joints
that build and break for any trick,
the genitals,
the ballast of the eternal,
and the heart, of course,
that swallows the tides
and spits them out cleansed.

He does not envy the soul so much.
He is all soul
but He would like to house it in a body
and come down
and give it a bath
now and then.
s u r r e a l Jun 2016
i thought you were a painting at first,
with the way those dyed eyes matched mine,
with lips as full as a novel and as red as lower worlds,
made me think you were a painting--of something most divine.

i thought you were a painting at first,
with the way those small hands rose as mine did,
with the way those lips tasted of cookie dough and warm sugar,
with the way those eyes never seemed to leave me for naught,
and abandon me in lakes.

i thought you were a painting at first,
when i approached and eels ignited my mind--
with the thought--the picture-- the painting of you, O dear,
and set my mind within seas--clouds--of gladiolus's.

i thought you were a painting at first,
with that ever-always smile,
for do you not bleed at the mouth,
with that kryptonic sunshine?

i thought you were a painting at first, my love,
when my hand touched your sadistic smirk,
knowing i couldn't truly reach you,
and the heathers over-lapse me.

i thought you were a painting at first,
when my cheek touched your cool one,
and stained it with cherry pop blush,
for i know it's your favorite,
as you wear it to bed, all-while.

i thought you were a painting at first,
when i froze and my mind sung eulogies,
at my death at your satin feet,
for your beauty reaches past heaven.

i thought you were a painting at first,
when my smile synced with yours,
when they poked our eyes,
when they wrinkled our noses,
and when the sun shone still--even though ours were enough.

i thought you were painting at first,
until our lips met 'neath blue light,
and the shivers i bled,
fueled our world a-night.

for, dear, i thought you were a painting at first,
when i could see my heart beat--pace as yours,
and the moon and sun morphed--into entity,
and made us water lilies birthed with ravens.

i thought you were a painting at first,
when God told me,
'for you are the most beautiful person i have birthed from my lungs,
and spoke my heart to,
for you--and your painting here--are the only things that dance to my world.'

i thought you were a painting at first, my love,
when i bleed into pots and saw you doing the same,
now i know when my time is scuffed 'neath the barren sand,
your blood--our resin--stains lots.

lots.

lots.

for i know you're a stunning painting, O love,
for you lock many hearts.
i'd hope to own thrice of many,
so you could master theft over, and over, and over again.

i know you're a wondrous painting, O dear,
when people beg you to pose,
so they could see that beauty too, O love,
and kiss it a wish.

i know you're a masterpiece, love--
sweeter than melted butter,
and the finest of berries,
for you're worth--worshiped--much more than,
such mundane things.

i know you're a vintage classic, O wonder,
when my eyes turn blinding stars,
and fill up night skies.

for i knew you were a--

masterpiece...

master... piece...

master...   piece...

master.

for i knew you were a human, O master,
when my eyes gloss over in drunken clarity,
and my lips spill cider;
my hand becomes water at your touch,
for the pool knows no words,

to bask in my beauty.
So caught up within our beauty we don't see the world 'round us.
Stanley Wilkin Jul 2016
Beneath the water lived a nymph, beautiful as
A flower, if you like woman with petals
Growing from out of their face
And lips adorned with myriad metals
Moving silently with infinite grace.

Fishermen who caught her, in alarm
Tossed her back with dismayed cries
Fearful that she would do them harm
When she exposed her fangs, darting from her eyes,
Forked tongues from each palm.

But apart from all that, she was a delightful creature
As proud as a catwalk model
Sexuality impressed into each feature
Death in each cuddle,
Poison injected from each freshly opening suture.

At the sea’s dark bottom lived the nymph
Devouring fish raw, terrifying sharks and barracuda,
Dining on shellfish and prawns for lunch;
Darting amongst Angel Fish and eels, a hungry aficionada,
Tearing into shreds what she could not crunch.

Gentle with her own kind until coition
Was complete, when if hungry she devoured
Her temporary mate without undue consideration,
No please or thank you. Feeling duly empowered
By her actions, as confirmed by her explosive, acrid indigestion.

No longer young, her children dead,
She glides through the water from China to France
A preposterous seaweed hat upon her head
And in several places, impaling her scaly flesh a serrated coral branch.
Her sartorial taste filling even the sharks with fin-quaking dread.

The last of the kind. The others are (literally) toast.
Protected by animal charities here and abroad
She gladly subsists on ambitious swimmers who venture far from the coast
All she can now catch or afford.
A capricious tyrant until the last, when, victim of a fisherman’s boast

She was hoist up like iniquitous cod
Out of the sea, paraded on the deck while she struggled for breath.
Shot at. Abused. Poked and speared with a steel tipped rod,
Dragged into the harbour, pummelled close to death.
Screaming out, as she in unexpected agony died: “I thought, I truly thought, I was god!”
I

I, in my intricate image, stride on two levels,
Forged in man's minerals, the brassy orator
Laying my ghost in metal,
The scales of this twin world tread on the double,
My half ghost in armour hold hard in death's corridor,
To my man-iron sidle.

Beginning with doom in the bulb, the spring unravels,
Bright as her spinning-wheels, the colic season
Worked on a world of petals;
She threads off the sap and needles, blood and bubble
Casts to the pine roots, raising man like a mountain
Out of the naked entrail.

Beginning with doom in the ghost, and the springing marvels,
Image of images, my metal phantom
Forcing forth through the harebell,
My man of leaves and the bronze root, mortal, unmortal,
I, in my fusion of rose and male motion,
Create this twin miracle.

This is the fortune of manhood: the natural peril,
A steeplejack tower, bonerailed and masterless,
No death more natural;
Thus the shadowless man or ox, and the pictured devil,
In seizure of silence commit the dead nuisance.
The natural parallel.

My images stalk the trees and the slant sap's tunnel,
No tread more perilous, the green steps and spire
Mount on man's footfall,
I with the wooden insect in the tree of nettles,
In the glass bed of grapes with snail and flower,
Hearing the weather fall.

Intricate manhood of ending, the invalid rivals,
Voyaging clockwise off the symboled harbour,
Finding the water final,
On the consumptives' terrace taking their two farewells,
Sail on the level, the departing adventure,
To the sea-blown arrival.

II

They climb the country pinnacle,
Twelve winds encounter by the white host at pasture,
Corner the mounted meadows in the hill corral;
They see the squirrel stumble,
The haring snail go giddily round the flower,
A quarrel of weathers and trees in the windy spiral.

As they dive, the dust settles,
The cadaverous gravels, falls thick and steadily,
The highroad of water where the seabear and mackerel
Turn the long sea arterial
Turning a petrol face blind to the enemy
Turning the riderless dead by the channel wall.

(Death instrumental,
Splitting the long eye open, and the spiral turnkey,
Your corkscrew grave centred in navel and ******,
The neck of the nostril,
Under the mask and the ether, they making ******
The tray of knives, the antiseptic funeral;

Bring out the black patrol,
Your monstrous officers and the decaying army,
The sexton sentinel, garrisoned under thistles,
A ****-on-a-dunghill
Crowing to Lazarus the morning is vanity,
Dust be your saviour under the conjured soil.)

As they drown, the chime travels,
Sweetly the diver's bell in the steeple of spindrift
Rings out the Dead Sea scale;
And, clapped in water till the triton dangles,
Strung by the flaxen whale-****, from the hangman's raft,
Hear they the salt glass breakers and the tongues of burial.

(Turn the sea-spindle lateral,
The grooved land rotating, that the stylus of lightning
Dazzle this face of voices on the moon-turned table,
Let the wax disk babble
Shames and the damp dishonours, the relic scraping.
These are your years' recorders. The circular world stands still.)

III

They suffer the undead water where the turtle nibbles,
Come unto sea-stuck towers, at the fibre scaling,
The flight of the carnal skull
And the cell-stepped thimble;
Suffer, my topsy-turvies, that a double angel
Sprout from the stony lockers like a tree on Aran.

Be by your one ghost pierced, his pointed ferrule,
Brass and the bodiless image, on a stick of folly
Star-set at Jacob's angle,
Smoke hill and hophead's valley,
And the five-fathomed Hamlet on his father's coral
Thrusting the tom-thumb vision up the iron mile.

Suffer the slash of vision by the fin-green stubble,
Be by the ships' sea broken at the manstring anchored
The stoved bones' voyage downward
In the shipwreck of muscle;
Give over, lovers, locking, and the seawax struggle,
Love like a mist or fire through the bed of eels.

And in the pincers of the boiling circle,
The sea and instrument, nicked in the locks of time,
My great blood's iron single
In the pouring town,
I, in a wind on fire, from green Adam's cradle,
No man more magical, clawed out the crocodile.

Man was the scales, the death birds on enamel,
Tail, Nile, and snout, a saddler of the rushes,
Time in the hourless houses
Shaking the sea-hatched skull,
And, as for oils and ointments on the flying grail,
All-hollowed man wept for his white apparel.

Man was Cadaver's masker, the harnessing mantle,
Windily master of man was the rotten fathom,
My ghost in his metal neptune
Forged in man's mineral.
This was the god of beginning in the intricate seawhirl,
And my images roared and rose on heaven's hill.
Steve D'Beard Jun 2014
I sip my beer, the relief of foam
the last remnant of civilisation
like a porcupine shawl
alcohol is the spine slice
beneath the skin
welcoming me in.

Electric lights shining bright
eels wriggling in a pool of light
like Frankenstein reborn
the monster within
the feathers of a passing dove give flight.

Sometimes I feel like grilled asparagus
the breathlessness of sentiments
wrapped in tin foil
the coil of perfection at gas mark 7.

Sitting in my bathtub and a 3 piece suit
electric toaster bubble and squeak
and fidgety machete at the ready
the voice in my head says, 'hey man, steady!'
the institute transmutes its underplay
I opt to not execute on this occasion
instead soak up the libation of liberation.

Safe in the knowledge;
tomorrow is another day.

— The End —