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"depository" poems
Climb into bed and... Hearth embers of body heat circulate, Tourists on self-guided walking tours, Exploring the cabalistic eighteen chai holies of the Human body, temple depository of spark divine. Heat sparkles cross over the isthmus of Touching Toes, Continental negotiators, swapping free heat for icicles, 2 X 10 interstitial connections, now land masses filled, Global warming credit trading par excellence Fingers, jew wandering, exiled to freedom, Intertwined within soft-edged, graying sea grasses, Coverlet over pounding chest, Hands illegally mining tousled head hair,   Nestling, nesting, without proper permits Lick away the rumbling hoarseness Coating a neighboring sleepy throat, Gate crasher bringing surround-sound comfort, Seeking to seal and still the groans, Escaping prisoners of the ills of the wearied mind Your favorite parts inspiring, demanding Song, word, drawing or simple quenching, Tonic of revival, an affirmation of self, Existence proofs met through need I write this for me, for her, for you. Suckers for iron pyrite, most will skip this polemic, What you don't know about me could be a Hit show on prime time cable TV. Like a cute commercial that makes you smile, For a product you'll never buy, I write this for me, for her, for anonymous you, I am the voyager, you the ****** Middle of the night envisioner, Re-writer of The Gift of the Magi,^ If I die today, I leave this as my last Will and Testament, Just another love poem You'll never read.
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Jan 22, 2014
Jan 22, 2014 at 10:59 PM UTC
Just another poem you'll never read
Climb into bed and... Hearth embers of body heat circulate, Tourists on self-guided walking tours, Exploring the cabalistic eighteen chai holies of the Human body, temple depository of spark divine. Heat sparkles cross over the isthmus of Touching Toes, Continental negotiators, swapping free heat for icicles, 2 X 10 interstitial connections, now land masses filled, Global warming credit trading par excellence Fingers, jew wandering, exiled to freedom, Intertwined within soft-edged, graying sea grasses, Coverlet over pounding chest, Hands illegally mining tousled head hair,   Nestling, nesting, without proper permits Lick away the rumbling hoarseness Coating a neighboring sleepy throat, Gate crasher bringing surround-sound comfort, Seeking to seal and still the groans, Escaping prisoners of the ills of the wearied mind Your favorite parts inspiring, demanding Song, word, drawing or simple quenching, Tonic of revival, an affirmation of self, Existence proofs met through need I write this for me, for her, for you. Suckers for iron pyrite, most will skip this polemic, What you don't know about me could be a Hit show on prime time cable TV. Like a cute commercial that makes you smile, For a product you'll never buy, I write this for me, for her, for anonymous you, I am the voyager, you the ****** Middle of the night envisioner, Re-writer of The Gift of the Magi,^ If I die today, I leave this as my last Will and Testament, Just another love poem You'll never read.
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37
Texas 1959, And today Out of Time Oswald...  The CIA Admits As Role Prime To Play Lee Harvey... Until the Time He could be used... And hid behind The Asassination of Castro He Failed Still Playing Him along... to their Avail The Victim of the Ruse..... Never Realised his Use..... in the End They Plied him with ***** Hookers  and  Promises..... Trips to Cuba and Secret Meetings A Snipers Rifle with Desperate Leanings Keeping him fed with Lies The CIA Cast the Die Feeling Let down by JFK that Day Over the "Bay of Pigs" His Truce they regarded For A weakness that Moscow Would Subvert Somehow For the President Folded Then Came that Fatal Texas Day In 1963, Lee Harvey at the Depository Smiling Waving JFK in a..... White Lincoln Town Car Parade The Shot Rang out where he sat Blood splattered on Jackie's Pillbox Hat Jack Ruby ready was Very Fast To make sure the Truth Didn't Last The CIA Made Numerous Omisions Of Evidence to the Investigation Commision Keeping it all Hid away, Till the CIA Historian Opened the file of Lies, from the day..... The President Died.................................... All the Work here is licensed under the Name ®SilverSilkenTongue and the © Property of J.Flack
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Mar 12, 2016
Mar 12, 2016 at 11:31 PM UTC
Lee Harvey Oswald
An old curiosity shop a lost world depository dark dusty as pharaoh's tomb worming squirming carefully through where 'Breakages Must Be Paid For'. Stopped clocks claiming time is up sofas trailing their entrails peeved pictures offered for their frames and bureaux bursting with bumf. Rummaging through dank passages searching inner chamber book stocks classic novels at six old pence thumbed pages bought for improvement. Nelson Collins Clear Type Press Dent and Everyman in distress Dumas Dickens and Conan Doyle countless cultural references.
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Oct 17, 2015
Oct 17, 2015 at 6:28 AM UTC
Room for Improvement
Seven New Poems for Seven Days #2: Hover^ My Children: Ancestral homes oft possess, a unique scent, product of an atomizer, a memorizer Musty time, the odor of faded and shadow, hollow, yet hallowed. Somewhere along the road, a residence transforms from home to shrine-storage unit-hospital room-tomb-records depository. Dust, expired perfumes, the sweet odor of crumbling, yellowing books, disinfectant, stale medicine chests, years of furniture polish, sabbath candles. It is my smell - the parfumerie of my history, a customized blend, a commissioned work in 1964, entitled, more accurately, emitted, "Her-Story." Photographs, memories, and paper scraps my very own Preservation Hall Jazz Band. Yet the most potent firing pin for historical retrieval, the molecules of scent. Soon all will be dismantled, discarded, just plain dis'ed. Confused and disenchanted, my departure orderly but, in a disordered fashion. unable to seed one last kiss upon your forehead, nonetheless, surreptitiously enter your neurons though my entity, away, across the miles-wide Hudson River. For three days, I will hover invisible, implanting myself once more, slapping your mucous membranes, transversing this pathway, an additive to your cells, nuclei, where my markers always reside. Adding one more ingredient to your inner vision, strengthening the formless structure, my altered state. This odor, keep close, fresh, no becoming musty too, my scent, the last of your senses knowing me, a true keepsake. *Hold me close and hold me fast. This one last magic spell I cast. This one last magic smell I set fast. You cannot hold it, but it will cradle you. You cannot see or touch it, but when contact comes, You will see me, hold me, as in the days of your youth, When you loved me best, And I, you.*
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Jul 27, 2013
Jul 27, 2013 at 4:37 PM UTC
Seven New Poems for Seven Days #2: Hover
Seven New Poems for Seven Days #2: Hover^ My Children: Ancestral homes oft possess, a unique scent, product of an atomizer, a memorizer Musty time, the odor of faded and shadow, hollow, yet hallowed. Somewhere along the road, a residence transforms from home to shrine-storage unit-hospital room-tomb-records depository. Dust, expired perfumes, the sweet odor of crumbling, yellowing books, disinfectant, stale medicine chests, years of furniture polish, sabbath candles. It is my smell - the parfumerie of my history, a customized blend, a commissioned work in 1964, entitled, more accurately, emitted, "Her-Story." Photographs, memories, and paper scraps my very own Preservation Hall Jazz Band. Yet the most potent firing pin for historical retrieval, the molecules of scent. Soon all will be dismantled, discarded, just plain dis'ed. Confused and disenchanted, my departure orderly but, in a disordered fashion. unable to seed one last kiss upon your forehead, nonetheless, surreptitiously enter your neurons though my entity, away, across the miles-wide Hudson River. For three days, I will hover invisible, implanting myself once more, slapping your mucous membranes, transversing this pathway, an additive to your cells, nuclei, where my markers always reside. Adding one more ingredient to your inner vision, strengthening the formless structure, my altered state. This odor, keep close, fresh, no becoming musty too, my scent, the last of your senses knowing me, a true keepsake. *Hold me close and hold me fast. This one last magic spell I cast. This one last magic smell I set fast. You cannot hold it, but it will cradle you. You cannot see or touch it, but when contact comes, You will see me, hold me, as in the days of your youth, When you loved me best, And I, you.*
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45
~ Who can circumnavigate Avalon's depository and the palpable swoop down toward earthier terrain? Yet, here I am. Where is your gravity taking me, Kahn? This building is an invitation, and I am humbled in this sense of arrival. The books are stored away from the light. So a man with a book goes to the light, the serenity of light. And therein lies the hidden meaning. But you won't let it become just a building; you want it to remain much a ruin; it's all somehow sinister in its celebration. Occasional distraction is as important in reading as concentration. And I'm reading between the lines in a corner carrel, looking out at academic crop circles; I grapple with each texture: it's this combination of imposing austerity and weathered familiarity that you seize upon to make your current landscape hospitable. This building is an instrument, creates a sound in my head akin to music; and this music remains a glowing source of solitude, all driven by a desire to be hidden but sought after—a celebration of all things lost and unnamed. Here I find closure by opening a book. ~
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Mar 29, 2024
Mar 29, 2024 at 10:52 AM UTC
Invitation of Books
As thoughts come on this day in the quiet of my blind comes a lonesome whistle in the distance of my mind. Days became years, when we walked like children past single bomb shelter knee tucked isles, chests in the fiery furnace thunder in the winter room. We are still innocent, No whistle, no siren to mark today, we will never forget and in silence a mind wanders. Among cheering crowds are snapping pendants, JFK littered sidewalks and brown buildings on Elm street that watch with haunting eyes. White kid gloves carefully turn pages at a book depository while she reaches for bits and pieces of his mind A- line dresses mural ******* the anguish of morning pearls. Stripes and Stars sing denial the world is debutante numb rain sounds on the sill like woodpeckers on tin, she cries out and over again, all the king's courses, all the king's gin can not put an egg back together again. They are still innocent, No whistle, no siren to mark the day, and we shall never forget the days became years... when we walked with the silence of innocence.
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Jun 11, 2015
Jun 11, 2015 at 12:10 AM UTC
Walk of the Innocent
I left my heart in a dumpster. My life in a gutter. I shutter when i whisper, We once loved one another. As cold naked in the alley, Under street post lamps. Dark and damp, dark and damp. I lay heaving cramps. Everything is ugly its all grey, As dust storm in the dead sea, Every blink, sand will fling, to my eyes in my dreams. The dust cant cover up your trashed out corpse. Holes in your neck and feet, I listen to your voice. Save me. Save. Longing and craving. Save me. Save. Death for today. This desert of the city behind the pizza parlor. I haven’t left this spot since it happened. In between this depository for waste and my own waste of space. Phantoms **** themselves, picked on by rats and freegans, and murderous ruffians of soul. Everything here in this xeric hole. Kills. Just kills. No. Save me. Save. I couldn’t my darling now your lost to this **** And with you alone my body shall die. I shall lay with it here under this deadlampost moonlight. We lay exhumed, tissues being destroyed by fungi, destroyed and hungry, dead and corpsing, mute, yet singing. exalted, grieving. love couldnt save us, yet the powers that be, neglected our bodies, lead our essence to become one with the streets.
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Mar 17, 2013
Mar 17, 2013 at 6:34 PM UTC
The Dump
together, more than a century it occurs to his fresh coffee'd brain, as he, sliding in behind, half-assedly, as in half in/half off the bed, but the rest, the best, nestled, ensconced, in a serpentine curvature connected smiling too loudly, titter~muffled giggle at the passing by, a funny bone notion, that combined, conjoined, together, more than a century, well, and well more, than that, a depository of collections, nuances, cross filed, so that our recollected told tales, have been all heard before and will again be retold with a swelling newness to newborn readers, checking out the classics the roar of my suppressed soundings, clearly too louding, sleepy hoarse asks the inevitable "what's the chuckle," so accustomed she be to my, unexpected laughs expectorated, menagerie of multiplicity of muckled roars and guffaws, tee hee's, she will n'ere be satisfied with a non-answer,, with a wiley evasion to her invasion of my innermost "occurs to me we are a very historical (never employing that olden adjective) library, two cuddling librarians, who are compelled to our shelves, to add a new book daily" she laughs and kindly requests, my immediate departure, for having caused her by mine awoking and her evoking laugh, to be kicked out of the library for excessive noise making not the first time, and not the last, he laughs, uproariously, in the deepest of his innermost, hidden in the silent stacks of their library, in a demilitarized zone, neath two pillows soft by, lest he be shushed vociferously, by his once again, softly sleeping, co-conspirator librarian
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Feb 28, 2016
Feb 28, 2016 at 7:29 AM UTC
together, more than a century (an early morning love-story)
together, more than a century it occurs to his fresh coffee'd brain, as he, sliding in behind, half-assedly, as in half in/half off the bed, but the rest, the best, nestled, ensconced, in a serpentine curvature connected smiling too loudly, titter~muffled giggle at the passing by, a funny bone notion, that combined, conjoined, together, more than a century, well, and well more, than that, a depository of collections, nuances, cross filed, so that our recollected told tales, have been all heard before and will again be retold with a swelling newness to newborn readers, checking out the classics the roar of my suppressed soundings, clearly too louding, sleepy hoarse asks the inevitable "what's the chuckle," so accustomed she be to my, unexpected laughs expectorated, menagerie of multiplicity of muckled roars and guffaws, tee hee's, she will n'ere be satisfied with a non-answer,, with a wiley evasion to her invasion of my innermost "occurs to me we are a very historical (never employing that olden adjective) library, two cuddling librarians, who are compelled to our shelves, to add a new book daily" she laughs and kindly requests, my immediate departure, for having caused her by mine awoking and her evoking laugh, to be kicked out of the library for excessive noise making not the first time, and not the last, he laughs, uproariously, in the deepest of his innermost, hidden in the silent stacks of their library, in a demilitarized zone, neath two pillows soft by, lest he be shushed vociferously, by his once again, softly sleeping, co-conspirator librarian
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59
inspired by TC Tolbert's poem, ""Dear Melissa"                                         ~~~ joined skin cells shed and shredded, two bodies, a compositoy, an experiment in the temporary, now, lost under lock and key, at a secure depository, remote, undisclosed location, kept unheated in a dark cool place to preserve their combinatory slow, half-life decaying oratory the body is never an accident, even though we mostly are, accidental tourists, two collision-prone comets, lark, rambling rambunctious adventurers, on a half-day tour only, leaving behind commingling blinking dust vapor trails,  emissions of a tour bus journey rerouted while under orbit sail some cells, microscopic, preserved digitally, aged to imperfection, thrash my eyes, making me speak in tongues I do not recognize, but fluently possess, no wonder there, the memory place fairly empty, room aplenty for passerby's and the imagery                                                           of the vaguest of dearly departed skin is not the only mot shed,                                                        sloughing of woeful words, shelled                                                           ~~~ Dear Melissa TC Tolbert a curve billed thrasher is cleaning its beak on the ground— we are closer now than ever—sitting in shadow—I never want to scare anyone—not really—I have a friend who loves people who come out suddenly—in the dark—                                           pleasure is the same distance as pain from here— that’s my skin on your sweater—both hands stripped now—I know I am someone to you I am entirely—practicing Spanish on the computer—gesturing to the neighbor instead of speaking—                                           to sharpen the body is never an accident— someone I know I am not—letters are inseparable from loss—moving what can be still moved—one is sweeping the mouth— what ever isn’t skin—take it off—
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May 7, 2016
May 7, 2016 at 5:39 PM UTC
"the body is never an accident"
inspired by TC Tolbert's poem, ""Dear Melissa"                                         ~~~ joined skin cells shed and shredded, two bodies, a compositoy, an experiment in the temporary, now, lost under lock and key, at a secure depository, remote, undisclosed location, kept unheated in a dark cool place to preserve their combinatory slow, half-life decaying oratory the body is never an accident, even though we mostly are, accidental tourists, two collision-prone comets, lark, rambling rambunctious adventurers, on a half-day tour only, leaving behind commingling blinking dust vapor trails,  emissions of a tour bus journey rerouted while under orbit sail some cells, microscopic, preserved digitally, aged to imperfection, thrash my eyes, making me speak in tongues I do not recognize, but fluently possess, no wonder there, the memory place fairly empty, room aplenty for passerby's and the imagery                                                           of the vaguest of dearly departed skin is not the only mot shed,                                                        sloughing of woeful words, shelled                                                           ~~~ Dear Melissa TC Tolbert a curve billed thrasher is cleaning its beak on the ground— we are closer now than ever—sitting in shadow—I never want to scare anyone—not really—I have a friend who loves people who come out suddenly—in the dark—                                           pleasure is the same distance as pain from here— that’s my skin on your sweater—both hands stripped now—I know I am someone to you I am entirely—practicing Spanish on the computer—gesturing to the neighbor instead of speaking—                                           to sharpen the body is never an accident— someone I know I am not—letters are inseparable from loss—moving what can be still moved—one is sweeping the mouth— what ever isn’t skin—take it off—
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50
grass blade sways beetle legs strain egg depository folded fine silk spun / black dotted shiny shell protecting delicate protuberances from sun and hungry passersby / slight discoloration weighty mass embryonic future scrambled breakfast / weeks burn summer slips away tiny impersonators emerge ravenous and carrying fresh mandible / grass blade torn asunder fattened babes spreading bright wings seek fresh shoots for dinner /
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Aug 23, 2016
Aug 23, 2016 at 12:26 PM UTC
Birth of the Beetle Babe
All is violent, all is bright. Miracles of life dying in hindsight.. Life's many mysteries hidden in plain view and I am left blind and happily unaware. If we are all sinners, then we must, too, be saints. Creek flowing rapidly and I am but a trickle. Single depository, making milk and depleting life's resources. We are all friends, We are all friends. Enemies of enemies. Empty promises and glasses full of regret. Contracts signed in blood & feces. All is violent All is bright. All is violent. All is bright.
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Oct 16, 2016
Oct 16, 2016 at 1:28 PM UTC
The Deed is Dead
my girlfriend is a situation like mother she speaks in episodes of jarring emotion that i both despise and love hours of confusion follow us where our paths kiss she tickles my bloodstream. like mother her dreams are flammable bound by chains of rule too vogue tear the center spread, lover start an ancient fire of rebellion. she reeks of ivory towers, winery and sweat enveloped in her sweet debris a depository of nervousness recurring desires when we meet mother would be proud while i push away her dreams to the edge of the world. nice-time girls abhor me my situation has doubts her flickers of love could they fail to ignite my warmth in the chaos outside.
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Jun 8, 2016
Jun 8, 2016 at 5:50 AM UTC
mother girlfriend
Tyranny was among laity with grit in societal gain a taste of luxury detained might blast it perpetually again and virtually waiting in awe made nothing of superfluous jaws while the maker ought crack his boos into numismatic desire and a depository of living proof tonight we could tract the lore.
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Nov 9, 2016
Nov 9, 2016 at 1:03 PM UTC
Tyranny Amongst The Crowd
The New Year looms, a blank page awaiting the first wondrous words of winter. The poet sheathes his pen. The poet sheathes his pen, an instrument of imperfection, awaiting the first incisive inspiration of the looming New Year. The New Year looms, the depository of the past, awaiting activation. The poet sheathes his pen, practicing a passive role. Practicing a passive role, the New Year awaits consecration: December 31st whitewashed of all its sins. The poet unsheathes his pen.
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Dec 29, 2018
Dec 29, 2018 at 3:38 PM UTC
2019
Poetry that which transcends the self it's the voice that speaks of life and humanity of which each poet is a part- the self that incorporates the common human heart- the 'I' becomes the 'we' suffering that's singular assumes the plural the same thread that runs through the fabric of every single life where each act of the drama is played out--alone but to end in the blend that bears the name: ' Our Oneness In Life's Sojourn'-- one person's tears fall into a mysterious sea that is the depository of all tears---the ultimate home that opens its doors to every weary traveller who bears no name but requires no ID to enter-- poetry then is our  own face in the shared mirror it's the message the focal point the quintessence of a universal religion.
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Dec 21, 2017
Dec 21, 2017 at 6:46 PM UTC
THE VOICE OF POETRY
*the delta (Δ) & the nabla (∇): so formed... it is more than just the star of david... for moses came first, behold: the pyramids of giza and mt. sinai... so unto the second geometry to complete the star: the nabla, a name derived from the instrument - harp. king david was famous for playing a harp and writing the psalms.* let's see what sort of people we are dealing with... well, for starters, i was brought up to hold one, all and every book as some sort divinity - or at least a divinity in the geometric aspect - rectangular: akin to what tha nazis did to the ******** i did to the star of david - i turned it: so what was once the inversion of hierarchy & therefore power - Δ | ∇ - what is revealed? reading rug - and an open book... twist the star, and you'll see it... so from an early age i was taught to treat all books as sacred - western slavs sometimes put flowers into book, and wait, and wait, until the flower is flatenned, and dried - call it what you like, the closest i've come is a sacred form of mummification - floral mummification inside a book... but the english? i've seen it sometimes on the tube: they don't have the decency to use bookmarks - for goodness' sake! i sometimes used toilet paper! what do they do? they fold the edge of page they're ended up on... me? i have a simple bookmark, given it's lodged between two pages and i sometimes can't remember where i ended, so i have ᚱ written on one side, and ᛚ on the other: thank god for the book depository - every time i order a book from them, i get a bookmark. obviously i don't mean all - but i've seen more folded edges than i have bookmarks - pedantic, yes: but books require tender hands, and... would top wear a white shirt that has ironing creases on it? so why would you read a book that doesn't look pristine? obviously there's a second-hand fetish for books... who turn out to be a bit like prostitutes... but you know: with those kind of books, as with those types of women: you can't bypass the madonna-whore complex: that's one thing i'm 100% for in freud. protecting the decency of books - is the foremost act of expressing a stance for elevated humanity.
0
Aug 4, 2017
Aug 4, 2017 at 8:22 AM UTC
the delta (Δ) & the nabla (∇)
*the delta (Δ) & the nabla (∇): so formed... it is more than just the star of david... for moses came first, behold: the pyramids of giza and mt. sinai... so unto the second geometry to complete the star: the nabla, a name derived from the instrument - harp. king david was famous for playing a harp and writing the psalms.* let's see what sort of people we are dealing with... well, for starters, i was brought up to hold one, all and every book as some sort divinity - or at least a divinity in the geometric aspect - rectangular: akin to what tha nazis did to the ******** i did to the star of david - i turned it: so what was once the inversion of hierarchy & therefore power - Δ | ∇ - what is revealed? reading rug - and an open book... twist the star, and you'll see it... so from an early age i was taught to treat all books as sacred - western slavs sometimes put flowers into book, and wait, and wait, until the flower is flatenned, and dried - call it what you like, the closest i've come is a sacred form of mummification - floral mummification inside a book... but the english? i've seen it sometimes on the tube: they don't have the decency to use bookmarks - for goodness' sake! i sometimes used toilet paper! what do they do? they fold the edge of page they're ended up on... me? i have a simple bookmark, given it's lodged between two pages and i sometimes can't remember where i ended, so i have ᚱ written on one side, and ᛚ on the other: thank god for the book depository - every time i order a book from them, i get a bookmark. obviously i don't mean all - but i've seen more folded edges than i have bookmarks - pedantic, yes: but books require tender hands, and... would top wear a white shirt that has ironing creases on it? so why would you read a book that doesn't look pristine? obviously there's a second-hand fetish for books... who turn out to be a bit like prostitutes... but you know: with those kind of books, as with those types of women: you can't bypass the madonna-whore complex: that's one thing i'm 100% for in freud. protecting the decency of books - is the foremost act of expressing a stance for elevated humanity.
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57
A word is banal, An inspiration revelatory. Poets must channel, From too meager a depository. The rhyme is too dull, The sharpness of inspiration cuts deep. A poem is null, That misses the feeling that made you weep. Why should I bother, Poets undertake too lofty a goal. Just write another, That gets no more than the shrug of a soul. What matters the font, When overwhelmed feeling what I must prove. I write what I want, Hoping it captures the power to move. Words are too meager, To describe what makes my soul animate. So why so eager? A poet’s burden is to bear words’ weight.
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Oct 10, 2018
Oct 10, 2018 at 12:02 AM UTC
The Poet's Burden
blue of our planet birthplace depository we must fathom
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Aug 17, 2019
Aug 17, 2019 at 4:26 PM UTC
Oceanography