maple-cured, smoked, rawhide hands,
tarantula hands bulldozing rice onto
tines like an icebreaker ramming through

glacial bergs, Holly
Golightly on the tv, on
mute, and oh those hips,

that figure, in that black dress,
banana hands cracking Alaskan king
crablegs and ******* the juice and eating

the meat, legs spindly and hairy
and soaked in butter, dripping,
liver cooking, roasting, sloshed on gin,

cribbage board patinaed
in dust, he eats his liver, downs
another gin, cracks another leg, crab

hair caught in his teeth, Holly talking about
getting the mean reds but he can’t
hear it, his luck run out,

his luck a prize from a box of ******* Jack,
and the snarling throb in his head,
cinderblock face, cinderblock house,

3-day-stubble, has he had enough (to drink)?
not by the stubble of his
chinny-chin-chin,

liver is gone, crab is gone,
so he eats the eyes,
dowsing his ******* Jacks

in gin, yesterday wine-in-a-box
and Cheez-****, sprayed right into his
unbrushed maw, a one-person wine-

and-cheese fête classy as it gets,
he’s Mister High Society,
Cheez-**** crust in his stubble,

and a cinderblock CRASHES to the floor and it’s
lights out, and Holly, still no one
to hear her, saying

she’ll never let anyone put her in a cage.

I was relaxed, and deep in thought
The type of talk that silence brought
When just in earshot it rocked,
tick tock
tick tock
"Must be a clock"
I told myself and resumed my thought

Though as the seconds passed I could not,
Despite the will with which I fought
Do to its incessant knock
Tick tock
Tick tock
I searched for the clock
Unable to find the train I sought

I grew more and more distraught
With each and every tick and tock
That find the clock, I could not
As the silence grew more fraught
With the knock,
Tick Tock
Tick Tock
I knew the pain of Lancelot

On and on it ticked and tocked
I cursed at the unseen dreadnought
It no longer merely mocked
But each and every tick and tock
Became an unseen onslaught
TICK TOCK
TICK TOCK
T'was 11 o'clock,
When my heart felt the gunshot

Though the shots I could not block
And on and on the bullets poured
Further into the fray I bored
Each foot a cinderblock
Weighed by war
I slowly walked
Tick Tock
Tick Tock
How I'd make it answer for

Alas
With little blood left to speak for Desperately I implored
"Restrain your hands that caused such gore;
We need not fight evermore!"
But when I heard the ceaseless knock
Tick tock
Tick tock
I new my words had been ignored
And slowly collapsed to the floor

****** and bludgeoned when I hit bed rock, I had still found no clock
But tick and tock it had forgot
The church bell rang t'was 12 o'clock,
Though mortal wounds the seconds wrought
I no longer was distraught
And as I lay in the hemlock
It occurred in my last thoughts
I would miss the beating knock
tick..., tock...
tick..., tock...

My father is an old truck
Sunbleached red

Breathes broken bottles
A faulty catalytic converter throat
All the smoke trapped inside

But the nicotine helps his brain function

Cinderblock sturdy
But skinny
A single pillar holding the roof up

A man built in a time when you had to tell things it was time to die
Leave them in a field somewhere and forget about

How do you write a love poem to a car of a man
Built in a time without airbags?
A car of a man who crashed with you inside so many times
You learned about rebuilding from experience
From trial and error

And how do you forgive a man who can no longer tell you he’s sorry?

Trucks
Don’t feel
Don’t give up
Don’t hurt you on purpose

Sometimes something inside just breaks
And no one catches it
And maybe you crash
Break a nose
Black an eye

As far as I know
I am not a broken man
But I’ve learned where all the parts go

And if I am my father’s son
A mechanic more often than a car maybe
Then I will be fine

The truck is dying
And beyond repair

You forgive it for that
It is old and past its time

And maybe it can’t say that it’s sorry

But there is a field somewhere that you plan on leaving it
To collect weeds
And rust
And be forgotten

So you forgive it

§
Battle of New Britain

Lieutenant Jim G Paulos led elements
of G Company in a savage counterattack
that ousted the intruders supported
by Lieutenant James R Mallon’s improvised
platoon of H/11, which remained
to help man casualty-depleted line.

Improvise (OED):
One: to compose on spur
of the moment; to utter
or perform extempore

two: to bring about or get up
on the spur of the moment;
to provide for the occasion

Three: […] hence to do anything
On the spur of the moment

Improvised platoon
Df James R Mallon:

When most of your platoon
lies dead in the pumice sands
of the South Pacific-Japanese
bushido bullets tear flesh and spirit
out of the corporeal—husks of limp
limbs you fought to defend and they you
Japanese mortar fire, machine and small-gun fire
fifteen yards in advance of the wire
how do you bring about or get up
the courage to grab whoever—
the nearest marine
talk through ears drums burst by mortar succeeding shockwaves
forget for the time the men
you spent months training
sipping beers in Australia
laughing over bar stool drunken jokes
men you shared your dreams about after
away from the mosquitoes
away from the constant moisture
rain rain rain day and night
soaking through fatigues through skin through bone
never enough sun to dry out
air already saturated
sweat or seawater—it is all the same
now you must find new men—men you have seen,
but do not know the same as your own platoon
their life and yours in each others hands
alone in a group of stranger-brothers
always faithful
keep composure in the face
your buddy’s entrails pouring into the pumice sand
hence to do anything
on the spur kicked into your side
to block what no man should ever be asked to see
and do what you can in the moment
to save your division from enemy fire.

§
Cyclops Black Eyes

One summer e’ening drunk to hell
He stood there nearly lifeless
A gal sat in the corner
And it’s how are ye ma’am and what’s yer name
And would ye like a drink?
She looked at him, he at her
All she could do was accept one

And rovin’ a rovin’ a rovin’ she’ll go
Through his pair of blue eyes

She knew not the pumice beaches and streams
Sometimes walking sometime crawling
amongst blood and death ‘neath a screaming sky
Where Cyclops black eyes waited for him
Was it birds whistling in the trees?
Always the Cyclops black eyes waiting for them
So they give the wind a talkin’

And a rovin’ a rovin’ a rovin’ he’ll go
Away from those Cyclops black eyes

And the arms and legs of other men
Were scattered all around
Some cursed, some prayed, some prayed then cursed
Then prayed and bled some more
All he could see were Cyclops black eyes looking at him

No Cyclops black eyes waiting for her
And a rovin’ a rovin’ a rovin’ she’ll go
And never know what saw his pair of blue eyes

Could she forsee in that pair of blue eyes
Decades he’d spend drunk to hell?
Sometimes walking sometime crawling
Rovin’ and rovin’ away from those Cyclops black eyes

§
Colt 1911**

I was nineteen when I learned
my Dad his father’s Colt 1911 pistol

when Dad was young he
and his brother found
the gun—hidden in the rafters
of the cinderblock basement
their father built; magazine bullets and pistol
on one rafter—separate, except
the bullets lived in the magazine

my dad and uncle, like any
young boy, were fascinated
by the pistol; though too young
to feel and know the power
and danger in the cold blue metal

when their father and mother were
away—home alone they snuck
to the hand-laid basement
reached around the rafters
through years of dust and darkness
feeling for the colt and mag
scrape-click-pop—ca-chick
round in the chamber—“freeze!”

so played boyhood fantasies
cowboys & Indians
cops & robbers
with a lethal toy


so my dad kept it a secret
locked in a tarnished steel box
locked through the trigger guard
magazine separate
four silver, dimpled, bullets rolled round between
their queue and releaser

I was struck by the weight—heavier than I expected—I felt the years of use polished into the wood grips—thick hand grease sweat blood humidity sand saltwater gun oil mud tears life saved and taken.
At the bottom of the wood grips ticked notches deep in the grain—both sides—different numbers; “What are these?” I asked running my finger across the nocth-ticks feeling their depths their absence consciously carved with his next best tool—kabar: workhorse that can baton through five inch diameter logs, machete through two-finger branches, dig a hole to burrow while machinegun fire mows down jungle; easy to sharpen, keeps an edge; full tang to hammer temples or tent posts

“I don’t know; the only thing we have is the lore.”

fI counted seven
the number the magazine carries
eight total, if you have one in the chamber

You have to commit to fire
a 1911, the cliché: don’t pull
the trigger—squeeze
is how the 1911 fires—a button
fits the crotch of the thumb and index finger
opposite the trigger on the handle;
to unleash the hammer then
lead, squeeze the two—firm
tight at the target; no shot fired
by accident—no Marvins with the 1911.

the year is two thousand and fourteen and something isn't right

maybe it's related to the fact that there is no more history on the history channel

and the only thing the discovery channel wants to investigate
is the depth of our bank accounts

the word 'integrity' has become archaic. obsolete. unnecessary, simply, because nobody has any anymore.

whatever happened to learning for the sake of learning?

who was the sick greedy ******* who decided that it was okay to charge money for knowledge?

our youth are being put into ******* for the knowledge necessary to survive in this society

of inequality.

in the 21st century slaves toil away in classroom as well as coal mines.

and those who dare to resist the path of post-modern peonage laid before them are doomed to a life of minimum wage mundanity or constant criminal risk.

there is something to be said about the quality of our reality if we are constantly seeking mind altering substances to escape it.

i too have become a slave. and a large portion of those who read this message have as well.

our souls signed away at the dotted line, sealed within great paper phylacteries adorned with the sinister sigils of Sallie Mae.

the chains of our debt will never let go of us. even upon death our progeny will have to hoist our burdens on their shoulders.

and for those of you who know not of our *******, i bid you welcome, like a Brother greater than I once said:

"welcome to the united snakes, land of the thief, and home of the slave. the grand imperial guard, where the dollar is sacred and power is god."

if your total net worth rests below a cool few million i suggest you stay away.

silly me. silly me, silly me, silly me. after all this country was built on generation after generation of genocide, **** and fraud, codified into the laws we hold so tight and so high, how naive was i to even expect civil discourse and equality from a naturally sinister state?

cloaked in the fog of pure ignorance we the people paradoxically bear the weight of our fraudulent federal government on our backs while simultaneously parasitically depend upon it.

parapets and gaudy domiciles all built with the blood sweat and tears of the disenfranchised. soft music composed of the screams of children dying from predator drone hellfire missiles lilts through the hallways.

news flash: the illuminati and the reptilian overlords are not trying to control your mind.

this is not about pineal gland calcification and third eyes but about the systematic disenfranchisement and subjugation of every man woman and child in this unfortunate nation.

they impose harsh sentences on small time drug crimes and outsource our only sources of economic stability.
left with no upward mobility, we then resort to any means necessary to simply survive.

'the world is your oyster.' they say. and they conveniently fail to mention the fine print which emphatically states that you may only possess the oyster shucking knife if you are white, male, and upper middle class.

this is not about checking privilege and white guilt. this is about the way that this ****** up world works. about the sinister cogs turning behind the scenes.

and if you dare raise your voice in resistance you'll find yourself staring at cinderblock walls, spools of barbed wire, reinforced steel bars, and armed guards for the rest of your sad life. your enclosed inmate existence making the coffers of the prison-industrial complex even deeper.

some say we should raise our fists instead and fight. and i say to them good luck fight the world's most technologically advanced military in its own home territory. Guerilla warfare and armed millitias stand about as good of a chance and gorillas armed with sticks and stones when the enemy possesses satellites that can see your face from orbit.

and i hope you don't mine being despised by the public of the modern world when you're slapped in the face with that dreadful catch-all term that is 'terrorist'.

but we can't just sit here and let the vines of greed asphyxiate our vitality away.

so herein lies the eternal question that i pose to you:

what are we to do?

Her laughter pumps the gas, dumps the clutch shakes and rattles from each intersection
Her wet feet leave monster tracks long damp claws arching across the cement
Her hair grows brambles collecting thorns and twigs with the best of bushes
Her senses, corvid, snatching up dropped coins, pencils, paperclips
Her tongue unfettered, butterfly breath reels with snips of story and songs
Her eyes hold drops of honey, sticky sweet lashes follow the sun
sunflower cheeks blush cardamom on yellow velvet
glow butterfaced with dandelion kisses

Rough, regular under hand, stubbornly slate, unchanged unmoved.
if her soul is a garden there is a cinderblock there
holding down the sunflowers,
along with the grass at her core, it grows roots,
     but no moss.

Sheers of shimmering gloss grace her torso.
And I have broken her bones,
imploring that I love her so.
Blueberry lips belly the cold;
hold her too deep, hold her I'm told.

I.

He says Call me Mr. G.
G for Gore, Greed, that Green.
An atypical stoner
with hair wetter than his mouth.
With more ******* than a pound,
he says, With an understanding of
all the suffering in the global delusion
that is the Earth. Mr. G, his name.

Oily brunette, Mr. G., would smoke
Marlboro Green Blend -- menthol --
and spit shot out between stained lips
after each extracurricular exhale.
The saliva would land, tremendously,
and puddles of Rasta shooting stars
would lay, stretching across concrete galaxy.

Hazel eyes invaded and shamed him,
for he wished to be green, like life,
but only envisioned a contradiction:
death (see nature),
for which he learned to embrace, stoically,
like a shepherd of an endangered breed
meant to die among skewed perspective.

II.

This house could be mistaken
for a cinderblock purgatory;
between color and absence of,
eternal and temporary.

A raptor laughter purged the tension --
he abided by no accommodation of civility.
As smoke followed his hyena howl,
the landline lay suddenly of purpose.

Resin raided the clunky, black buttons;
a voice was whispered like a blue phantom:
*******' cheese, pineapple, pepperoni
-- no, extra ******' cheese, extra pep --
Sure, add some more pep with your driver:
he, she -- honestly, man -- they better have
pep-in-their-******-step-you-feel?

Minutes passed like sentient matchbooks
dropping towards a skeletal fire.
G threw the phone across the room
and, like a disenchanted drunk dance,
his words wobbled over each other,
I ordered a 'za, a pizza for the layman.
About thirty, probably thirty-one
minutes, that is.

Passing me the flower-stitched ****,
I ****** in one, maybe two, three,
blasts that I swore
had some sort of nano-insects
bite and burrow into the holes
of my sponge for a throat.

Wringing my rubbery neck,
watching my words leave my toothy cave,
I found out that G doesn't believe in beer.
Believes in souls but not beer,
believes in green men, not beer.

Alcoholic splash is what we all need,
at times. So I told him the obvious,
I'm going to get a case of
(Insert your ****** choice)
and I'll be back as soon as possible.

G stared at me and made a guttural noise,
Do whatcha please, I'll stay here and
protect us from vampires.
You know, blood-suckas.

Pale stoner vampires.


III.

The leather painted door was wide open
like the legs of ominous spider cave,
but the doors of a car
I had never seen before
were as closed as the lips of a VCR.
There's nothing but silence in these situations --
is this one of those situations? Grassy knoll?

Approaching the mouth of purgatory,
I entered with the hesitancy of a lost dog.
On the plastic covered couch,
two people sat atop the invisible cloud
above the patterned fabric
and above the fingers of time.

Blonde hair sprouted from her scalp,
raining down upon vanilla shoulder blades,
her chest a harbor for two pale, freshly mounds,
with crooked, beige diamonds in the center.

She trembled when G said, Meet Steph
-- can I call you Steph, Steph? --
Meet Steph, the artist formerly known as
Stephanie, holding up her licence,
Vanmeter, of 441 1/2 Locust Ave.

That's creepy, huh, Steph? Locust Ave?
Are you something that lives in the ground,
comes up every several years, making noise?
Has this been years in the making?
Are you bound to make noise in my house?

You know this is a house, right?
Whatsa matter, unfamiliar due to ya
living-in-the-*******-ground
or is it because you share a house,
an apartment, Steph? Is it one of those?
Pizza deliveries ain't paying the bills?

G gets up, I, a coward, approaching him
about to say -- Hold up, brother, he says.
Not another move, pulling his hand from
behind her shaking, confused head,
a silver cannon an extension of his arm.

She's here to **** our blood,
She's here to ****. our. blood.
Whether she means to or not,
I know you don't think you want to, Steph,
I know you don't mean to,
But you're here to
drain-us-like-the-Red-Cross.

I tell G that she isn't,
What have you done, G,
You need to let her go
before this gets worse.
That cliche dialogue.
Because these things always do,
cliche or not.

Brother, you don't understand these things
-- It's impossible for a godless man
to understand the mechanisms
of something bigger, something holy --
but you need to listen, G said, You need to --
she tried to move, quickly,
but G grabbed her by her blonde strands,
pulled her back towards the couch,
She swiped at his eye, drawing blood.

There was a pause, a deathly silence,
by the hair, she was rendered motionless,
Oh, no, he echoed, Love, you shouldn't,
You ought not do those things.
Looking at me, he asked me to listen,
Always remember this wasn't your fault.
Sometimes, you can't be in control

Holstering her neck with his gun hand,
G picked her up, slamming her,
head first,
into the drug covered,
resin sprinkled
coffee table.

He dropped on top of her,
Looked at me, Remember, okay?
and beat her head with the **** of the gun,
until the cracking of a larger M&M; shell
muffled towards all eardrums,
maybe even hers.

With blood,
that could be mistaken as war paint,
swimming across his jaw and neck,
and sprinkled on his forehead,
G whispered, You are free,
and I was never sure
who he was talking about.

My feet left before I did,
I was suddenly in my car
with only the ignition
and G's voice registering.
I passed car after car,
pastel metal wagon after
metallic matte creation,
not sure if I ever saw him,
not sure if he ever existed,
if I ever existed.

IV.

Sheers of shimmering gloss grace her torso.
And I have broken her bones,
imploring that I love her so.
Blueberry lips belly the cold;
hold her too deep, hold her I'm told.

Waking up in a cavern darkness,
my dreams disintegrate from my eyes,
swirl in my headspace, evaporating to
heaven knows where.

Scattered pitter-patter
drowns midnight Seattle,
killing and washing away
cluttered, modern filth,
******* carnivorous minds
into hungrier gutters.

This is the part
where the screen of my life reveals:
SIX MONTHS LATER,
in yellow, stenciled letters.
But what it wouldn't say is
how I still feel like I'm dipped
in the ink of Ithaca, NY.

If this were the indulgent
autobiography of my life
it wouldn't say that
the distance doesn't matter,
because that'd be a lie;
I feel like I have only escaped myself.

The rain swells, sounding as
thick as blood, swishing around
the veins of the city.

Stephanie dies every night,
disappearing and reappearing
behind secret doors only she can open.

When she comes to me in sleep,
she is baptized in green, head caved,
Forget-Me-Nots sprouting
between fragmented skull
and select spots of brain soil,
the flowers singing jazz
with a different voice, every time.

One time she spoke.
With blueberry lips that belly cold,
she sounds like my mother:
I am so proud of you, she statically says.
You saved me. Remember.

V.

To be continued.

I.
Well you know that I sip on my sadness, my dear,
filthy palms, filled to the brim.
And I know that you watch trains
passing by, dizzy eyed, still drunk with sin.
Your teeth reek of reality lately,
You smile facts, figures and cracked calcium.
Now, once more with cupped hands
leaking, shaking delirium up to your chin.

Well I know that I’ve missed the point, honey
I should get it tattooed on my wrists,
but you know you talk like firecrackers
so flinching gets awful hard to resist.
I make believe that I’m right like craters
make moons believe.
So I’ll comment on comets and ignore
truths popping between parentheses.

My delusion has your lips liquored up,
but I notice your tongue...

II.
You say,
“It’s fiction we live in. You play in pastels
and fake hollywood rhythms and I’m tired,
staring up at your screen.

You're addicted to this diction. My voice is lost,
screaming these words you keep stealing
and twist for yourself what they mean."

III.
Your lips liquored up,
but I notice your tongue's not numb.
Drink deep, darling. Let's inoculate.

IV.
And you say,
“It’s fiction we live in. It’s intended for men
like you, bottled, up-ended,
but I've watched you drain out in my palm."

It's this clothing, from bedpost to box-spring,
It's all wax-coats and smoke screens,
live lit-candle lasting
When did skin begin to fit wrong?

V.
So they say, one day
Or, one day, they say,
we’ll find ghosts sewed to the seams
of Fringe Wolf bones picked clean
who waltz wicked and crooked a foxtrot to show
that sometimes loss is beautiful.
And when I ask for your hand you’ll look tragic
like this dance was only ever for me
and my feet always fall off beat
Like I beat off any discreet romancing
To pretend that this dancing was
Anything more than masturbatory.
I guess I do dance the way I drink:
Heavy handed and troglodytic
And a little listless, but I always fight it.
So while you walk away, I’m drowning drunk in cinderblock boots; Toe-tapping a slurred S.O.S. like some song you kept whispering.
You keep whispers like keepsakes.
You speak so soft but
Baby, your voice sticks with me
like sickness.

VI.
And you say,
“It’s fiction we live in. It’s intended for men
like you, bottled, up-ended,
but I've watched you drain out in my palm."

Alright, it's fiction that we live in
It's intended for men like me, bottled, up-ended,
but at best I just seeped through your teeth.

VII.
I stitched script to my chest like a scarlet letter vest that attests there's no Soul here worth Saving but ******* come save me anyway.
Your voice sticks
to my ghost-sewn, sea-floor bound foot steps like sickness.
Tread lightly, my love. Let's inoculate.

VIII.
So when they ask for me at the after party
With neon eyes and harlot tongues,
You can tell them I traded this stale air in
For forest fires and tornado lungs.
Because I’ve been reading up in matchbooks
how to dance with disastrous fate,
and I'm finding my rhythm so wake silent
or sleep long, my love. Let's inoculate.

i. reward ten thousand dollars
it scares me to think you will drive me home one day, one night, one night when i am very drunk and the stars do not glisten because there are no stars left! i am sure of the reason:
upon being conceived you swallowed them all whole. this is not purposefully clandestine so much as misunderstood knowledge:
in our lifetime these celestial objects will be mistaken, much like a well-intentioned teratoma, for
cancer
countless times you will be plucked, yet unripe, from the fire that will as soon liquify your flesh and cleanse your soul

ii. wanted, dead or alive
psychosis is not a watershed.
it is an amalgamation of the bugs who have crawled up your legs and gorged themselves on your fruity blood before hibernating
it is a room of walls plastered with ******* of nauseating pale cadavers, of empty homes, of longing hands, of breast buds and tied legs and virginal lips and bare ***** and stained sheets
it was in you forever and there is nothing to blame but an imbalance, for
you are the duality of...girlhood.
you are soiled ******* and unkempt hair, abused plush dolls and sticky hands, infected wounds and sunburn sting, stale cereal and coloring pages
you are satin veils and vain slumber, tired tears and starving entrails, hesitant touch and static vhs, shrill laughter and breathy song
you are itchy bug bites. you are snow in my eyelashes.
you are a lissome angel pregnant, god bless you, with a fetal (fatal?) evil; perhaps my fear begins here, or perhaps it greets me when your aura bites my eyelids...alack!
it must be so. **** orange light suffuses my thin veins. the sun exudes apprehension and abruptly the car is totaled and
this is why you cannot drive me home. even when i have become quite inebriated:
it is not natural for the air to be so warm; only ere our galactic body closes her eyes.
surely you will **** me. you are no creature of the night. run me over; crush me between your toes; let my nectar grow trees in the cracks of this, our, every godforsaken town.

iii. have you seen me?
her neotenous thighs stick, like sap, to the concrete floor, water seeps beneath the cinderblock. dust collects between her fingers in which she clutches, with the brutality of youth, a softened - if garishly colored - carton of apple juice. four-o'clock sun pierces the thick glass window (if one will call it such) and she feels listless; rather than squint she pores over the illumination with intent that, in her unsuspecting naivete, she is not yet aware she holds. before she ***** in enough light to blind her she hears a voice that feels familiar:
come upstairs
soon enough it will be ruefully forgotten
soon enough she will realize she was bagged and thrown in the trunk
too late she will wish to exact her revenge

carrying Kalashnikovs on their backs,
the rebel mules have panic in their eyes
and resting at the back?
fear filled pupils that dilate
with every corpse seen vacating itself
of tissue and blood,
smell the perfume of gun barrels
and those lonely enough to be culled,
picked off by a trained eye
and a government lie and
a man laid down in an apartment block out of sight up high.

civilian fathers laying spread on the back of a flatbed,
cinderblock walls that offer no protection but that of protecting the dead,
sharpen another knife for another internet viral video of another guy without a head
and finally, cat walk model rebels wearing beaded shrapnel necklaces, gorgeous and chrome red.

and they’ll try give them away around,
a daily sound of the everyday
so they can have a price that they can pay
for the ordinary,
for the sane,
for America’s definition of the lame.

person feels a wave of heat through their neck and face when struck with a thought of their ex boyfriend. a ninth grader gives them a ***** look. person leans against a cold cinderblock wall and relaxes their face. focus on the empty space between the eyeballs and the brain. feel the limp arms and identify the beat of a pulse running through them. repeat after me: self care is boring.

paul laurence dunbar knows why the caged bird sings. he never wanted to be an elevator operator. it's a point of privilege. person asks a ninth grader if a bird could see the wind, the river, the sun. "oh... no..."

one thing person notices time and again is that when these students drop something they do not pick it up. they let someone else do it. where person is from it is not like that. students would not help person like that, they think.

person remembers one time, when they themselves were in the ninth grade, dropping their lunchbox in a crowded hallway and picking it up swiftly in the next step without slowing down. a tall boy behind them said "smooth". person felt proud at the time. person feels good remembering this.

You’ll find them in all such establishments,
(Be they graceful small-town former Victorian homes,
Or cinderblock edifices mindful of some campus multi-faith center)
Sitting in the basement, cheek-to-jowl
With moldering burial records and banking statements,
Yellowed newspaper clippings, faded prayer cards
Small squared-off boxes hastily tabbed together,
Ostensibly temporary containers which have acquired
An unintended and wholly unwelcome permanence.
The whys and wherefores of their subterranean placement
A mixed bag of foible and outright foolishness:
Unresolvable squabbles concerning possession and burial,
Families that skipped out on the bill, leaving mom behind,
Cases of outright not giving a good-*******.
And so they remain, in lieu of repatriation and redemption,
To sit for something akin to perpetuity in some cases
(Members of the profession resolute in their respect
For the dignity of life,
Though their sincerity enjoys less unanimity)
While others wait for mass burial
Once legal niceties have been satisfied,
While still others, in care of firms not so scrupulous
About crossing their t’s and dotting their i’s,
Are flung, albeit somewhat surreptitiously, out the back door,
The remains to take flight if the grass is dry and the wind is brisk,
Otherwise to be left to the vagaries
Of curious birds and creped soles.

0.  I was just trying to breathe

Every inch of my story line
I drank like coffee that you need so badly
You don't notice the taste of ash
it leaves in your throat
and when I breathed out smoke,
slowly gliding from my tongue,
you'll know, the words I can't choke
the ones I hung to dry,
but left them outside
through a crisp winter season
and returned just in time
to catch the lullaby as it dissolved into water.
I couldn't wait any longer.
I broke them into icy pieces
that fit back in my mouth.
I held them there long after I breathed
the blizzard that had formed in my stomach.
I couldn't swallow, I couldn't breathe
and I couldn't wait for you to leave.

So I locked my icy breath in my hands
and looked for silent corners between buildings
so I could begin to understand
how to squeezed out the blood from the words I've been spilling

I. White Moonlight

I went up the mountain side
listening to the canyon's song.
Dancing beneath the tree lines, I soaked
in the pines and cypresses.

I ran to the west, searching for a place to rest.
Fell asleep in the foothills
and had to run home to catch the light
Running in the dark, I would not beat the night.

[I was a villager traveling through
There came the White Knight with red hair in view
offered a space, a safe place for the night]

The white knight held out his hand to an aching soul.
Accepted.
Trusting the purity in a path lit by moonlight
Unknowingly, I would never trust white again.

II. Static

Deceived and seduced by the safety and warmth of white,
There was a subtle yellow tint in your light
that began to scream from its origin and fight against the walls
A cinderblock room colored in skin absorbed my calls

There was air trapped in my bones
that halted movement and created unfamiliar vocal tones
There were no cuts or bloodstains,
but all that was white drained to red
as he wrapped my limbs in reins
(to) make them dance, make them spread
Dance for the White Knight
make them move as you please, White Knight.

This body was a delicate ship that had been sunken
from a night spent in a dungeon
with a monster disguised as a man
whose touch would shave inches from my wingspan
Now these limbs do not belong,
the pressure outlines of your unwelcomed hands
Whimpers became the lyrics to my muted, morning song

I didn't know, how minutes can become tattooed in your veins
with each breath, a gentle push of blood through your body
you begin to taste the ***** again
the red clouds invade and bring me back to the monster's den

Now he holds these layers as the corners all peel
from a defeat long ago, a kidnapping, a delicious steal
The potency of your dominance
the power you must have felt
in watching a flower melt

III. Silence

The moon is now a cold light,
but nothing is wrong.
A response clean as white-
A secret
to be naked and unprotected for so long.

My youth cools the coffee
My stomach burns the atmosphere
encapsulating me
Teeth marks stains on my pillowcases
In the day, there is outward harmony
Like carefully crisscrossed shoelaces
Night falls with the sound of silent sobs.
My walls begin to melt.
They are turning yellow
Reliving how it felt
to be betrayed by something white.
I can't live through the day with anticipation of the night
when that white light floods in
I try to tear you out from beneath my skin

IV. Don't Try to Love Me

The luxury to be still.
Motions that were quiet
Set the music to your gaze
as you reopen the tears
When will you open the steel curtains,
you drape around your heart?
I run my fingertips and I can’t find
how you’ve cloaked the mistakes in your architecture
There is nothing poetic about solitude
Let me pinpoint the coordinates of your pain
Let me find the exact longitude
Let me be your constant latitude
I know you are alive

You live in some unknown torment,
I once saw you writhe in the night
and under the moonlight

He didn’t know
How I was preoccupied
I had to settle the background noise
the constant buzz between my ears
that fills my head so I could never hear
How much he could have loved me.

V. Patience

How sweet to be loved by you
You are warm weather in February
You are the reflection of a mountain in a reservoir
mais mon humeur est noire

We were in a large room lit
by one lamp in the far corner
when words poured from my jaw of glass,
I guess I could have asked
but it seems no one knows
the cadence and way words can flow
into our hearts and puncture the soul

How sweet it was, to think I could be loved by you
You are figurine of my fears
A January wedding in three years
A shadow mapping an escape plan
Yet I lace my fingers in your hand

You don't belong with me
but when the delicate words
trembled from your lips
and your voice stopped
with my stare
Both your hands in my hair
I wish I knew how to tell you,
but I couldn't remember why
you had to be someone to just pass the time.

VI. Deliberate Return

It should have felt like
a lifted weight
so I could move through
an unlocked gate

brush your teeth on my neck
and your cheeks across my chest
I thought last time was the last time
Tiny drops became the anthem
And the tears found a quiet path
To roll onto my belly
Between you and me

I could still taste the poetry you left in my mouth
the deception and interception
of my growth
and of my youth

My clothes hung off my back
darkness from all the sleep I lack
Trying to wash out the scent of you
after 6 years, I thought I'd be through
but you've kept me here and I've let you

I am a lost warrior in the meadow
Treading water every night
Trapped in an internal fight
You held me in the shadows
Grabbing at the wildflowers in my breath
But I just kept breathing in the echoes
Of a time I must let go

The mist of my trouble followed me in March
I’d sit with tea and say things like ‘I feel better, but maybe not tomorrow’
There was no promise
Just moderate disbelief
No security in my sleep
So when I shook your outline out of my sheets
Laid in bed where I once lost my youth
I wish that this was not my truth

VII. Shuddering While Healing

There is a section of the river where
the current sends it’s shivers
The wind dances with the tree branches in slow motion
(but) I was grown with my toes on the edge of the ocean
Leaning in with your hand and handsome love songs
about relentlessness and forgiveness
You sang a gold song
like a January river
flowing beneath the ice
You thought your love could break through
that shallow ceiling, but I couldn't hear the tapping
as you drowned beneath my feet
I was submerged in the cross currents
pulling me and hugging me caught in the center
how I heated up and bent you
then left to wade in the river
how you stayed next to me
and remained never bitter

I can't find the line
and I can't ask you to throw me one
because I'm dragging you in as I float through
tracing the fire I began on this river
with my fingertips
and remembering how I was grown on the shore
but how I can never be sure
if the breath in my ear
is someone to be trusted
or if the breath in my ear
is that monster crawling near
taking the color, once again, from my atmosphere.

VIII. Fragile

The sweet kisses he planted on my shoulders
and the moves he made were full of truth
The guilt he felt should have been mine
but the longer he stayed the more I felt fine

For the other’s love was simply beige
And outlined in black
I didn’t want excitement
I didn’t want lust
It was not enticement or boredom
It was from the buildup of rust
between my bones.
And I listened to your breath against my shoulder through the phone.
It hit me like an ensemble
predicating the concerto.
You were just an instrument.
And here I thought I was the conductor
just dreaming of ways to escape.
And I don’t sleep well when I’m next to him either.
Because I’m dreaming of ways to relate.
And I don’t sleep well when I’m alone.
Because there’s no one left to blame.
So now trying to be tame
Searching for an answer
in a small place like alone

IX. Releasing

What it means to be powerful
I saw it in shades of red
To find your feet still melt the snow
To find the only security is within
the confounds of your frozen bones
I was sure that diving meant drowning
but I've been drowning on the shore
Since you touched me and wanted more
Since you saw me raw
I evolved into a monster
scratching and clawing at your dungeon's door
You can't keep me here forever

You displaced my trust in balance
and turned something beautiful into something *******
But if I can see your belly button,
then you were born once too.

What does it mean to be powerful?
I can do it in soft baby blue
I can do it with the haunting memory of you,
but I don't want you with me anymore
So, good night white knight.
You don’t get to have this moonlight
and soon I will no longer be afraid of the color white.

X. Tenderness

Tenderness.
That was the name of my pain.
It was not the bitterness
that makes us take down photographs
or change the song.
It was not about bitterness.
It’s about tenderness
and distance

I learned that the silent pauses
between gusts of wind causes
more sound than running facets.

I learned when you’re ******* for feelings
You start to feel the weight of the ceilings
We just hold on our backs and call it 'dealing.'

Trying to achieve the humility of a willow tree
Turning yellow in the slow descent to winter
But I’m not going to wait to give you what you need
White knight, tonight, I leave
Because I know you’ve been living in me like a splinter
Strong enough to puncture
Weak enough to be removed
This glass castle is just a structure
That could be improved

But you already made a house
And now you’re trying to pick out decorations
Let me tell you, humans are not decorations
Another human should be a matched foundation
I think you almost saw that too
When you felt the vibration of the wind from me to you

Terrified because it’s never about growing
it’s about pride.
Too scared of showing
the days we cried
cried so hard it became
the anthem of our week.
No, we can never show we are weak

Terrified
The fragility of our pride
So we disconnect, in order to protect.

Let me tell you, no one describes this life as a glide
If they do, they lied
Everyone is terrified or uninteresting
Yet we are all putting up walls and distancing

Farther and farther
What would it feel like if I asked you about the sound of tenderness?
Or what it looks like to be repaired?
We are so afraid of being unprepared
we don’t hear how the wind
sounds like children growing
How healing feels like the roll of the river
and just because you shiver
does not mean you will be cold forever
and those silent pauses between gusts of terror
when we are just a step away from pulling that lever
are the moments we should reflect on
These are all those things that cause us
to be terrified
and learn to be tender

XI. Happiness Doesn’t Leave a Mark

How do I tell you
that every day used to be a battle?
One that I fought because I had to
so I could get up and fight the next day.
It was never about winning.

This is a Saturday night kind of pain.
The kind you feel that doesn't belong to you.
But at least you are no longer numb.

I want to show you where I'm from.
That childhood house that saw too many ways
to shatter plates on holidays
When I left, I grew back wings
and flew through the haze
You see, plates and whites are just things
but you can make anything a symbol
and when you see that this is no signal,
this is a sign. That I can be standing here with you
and still die
but this time, maybe I’ll let you inside
because
I've been too many people to start anew
I've loved the color blue
Loved a man with an amber hue
I was damaged in a yellow room
but I cannot match a color to you

My mother,
She said "the weakest point in a rope
is where it connects to another
and your insides are tangled"
You see, I can live with the knots
I want to look at you and know
You can trust this knot to hold
You know I'll pull through
You're not so scared
of a scar, or a few
Because I want to share where I've been with you
*and that includes the happiness too.

Hey you
You on the corner of space and slow time,
With the Wednesday smile that looks like you stole it from a prankster
Are you for real?
Or are you that sidesteppin passerby
Who took two steps off the sidewalk and one into me
Took a knife to the inside of my skull
Wrote down a life I forgot wasn’t mine
Cause sometimes I’ll admit I can’t tell the difference
I’ve been throwin baseballs of the back porch of my soul
Since the day the monster under my bed grew teeth
Hoping for someone to catch up catch them and catch me too
I’ve been running since the day I met God on the banks of a backwards river
Spinning this world like a record played one too many times
Sk-sk-skipping across all the riffs we used to glide over like it wasn’t a sin
He and his pals foolin us for the fun of it
Burnin a driftwood fire just to watch the colors change
I traded in my bibles for a pawn shop prayer
Cause everyone knows that bookstores are just pawn shops
For ideas that people were too drowned to keep on drinking
To keep on keeping


Hey you
Imagine we became all the words we breathed
Out of fairytale pages turned cigarette papers
the night you became a constellation
Us, riding a magic carpet woven from strings
Stolen from Fate when she wasn’t looking
I’d never been one for shoplifting
But that night we made off like barefoot bandits riding on a broken hymn
With nothing but chains of laughter round our ankles
I, the night dancer and you, the day singer
And we two seeing both sides of the moon
Sing me the song that day sung the first time she realized
That the night was more than a coat her dad told her to wear
Because it was raining
The universe ringing with the words of convenience store philosophers
Things people are too scared to write anywhere but on the walls
Of public bathroom stalls so far from the city that
Blackberry picking still involves thorns
I wished I was an ant so that I could carry
Things that were bigger than me without breaking
So that my biggest worry would be microscope lightning
It wouldn’t matter if you only wore your turban on nights so cloudy you thought God couldn’t see you
Cause when’s the last time somebody judged an ant on their headwear?


Hey you
Sometimes when I’m with you I mistake myself for a queen
And right now I’m ruling these words shamelessly
My subjects whose only job is to grow fields of sunflowers in December just for you
Let it sink in
Let it be known that my physical transition fails to interrupt my meditation
That I’ve never known a dream that did anything but embroider the ether
The air between us quit smelling like a cinderblock romance
Your hands a kinetic ignition to my saltwater synapses
That connect in double-time to the electric current runnin from your heart to mine
If you’re just some sidesteppin passerby that took two steps off the sidewalk and one into me
It’s too late cause I’m dreaming of you like pumpkins in spring
I already burned down my fortress of forget-me-nots
When I tried to write your name with a side-split matchstick
I can still see you amidst a mountain of ceiling tiles and plywood floors
Closed doors that I knocked down because they wouldn’t open
You are a brick
I have no shovel
I have hands
Will you take them?

I sat outside
Lauren's LS classroom
While everyone else was at lunch
Chewing up and equal mixture of
Soggy bread and lunch meat.

I sat outside
While my back went numb
Against the cinderblock
From leaning a little too hard.

I sat outside
While other kids
with different schedules
Wrote elongated essays for English
Just to make 500 words.

I sat outside
Of Lauren's LS
While she tried her hardest
To explain to me
Why I got 17b wrong
And
Of course
How to fix it.

And I sat outside
Doing test corrections
For a poisoned class called
Geometry

I sat outside
Because of my 57% score.

I sat outside,
And I decided to study.

I loved you with all of me and that’s all I could do in the end.

I tried everything I could to make you see my value but you closed your eyes.

So we walked away from each other.
It seemed to be easier for you, as if you weren’t fully there in the first place
While I clung, I clung like I was holding onto a frayed rope
The idea of you, the lifetime I thought we would live together, the future I believed was a reality.

I fell in love with our ideas.
The words we said together through our hot breath.
The sound of the echo of our laughs in a room.

The good times.
I held on to those memories of you even in a **** storm of bad.

For years I called out your name through that same storm
Hoping you would hear my voice and find your way back to me
Believing we would collapse into each other again and everything would be how it was, how you said for so long things would be.
But the thunder was too loud. The clouds covered your face
And the lightening struck the earth hard and severed the ground right between where we stood together.

I loved you like a child loves
Deeply
But doesn’t know how to express.
I loved you with flaws and rough edges and plenty of mistakes
But with kisses and kindness too.

I loved you with poems and songs,
Romance and gestures that were seldom reciprocated.
I felt you on what I believed was a beautifully real level, but it was one sided.
The pain that hides within you I held it and tried to learn how to best kiss it softly.
I understood your intricacies, deeply and tried to sort through the confusion of why you are the way you are. I gave you excuses but I also had expectations.
I tried to be gentle, but I wasn’t always
and for that part of me I apologize.

I am coming to the realization that
A part of me will always be in love with a part of you.
A part of me will always miss the shape of you in my bed and the weight of your hands in mine. How we would giggle like young kids, So in love with love and how you would hold me close in the night.

But I am walking away from the you I thought that you were
And realizing that you weren’t ever really that person to begin with.

I am walking on broken glass away from the idea of us
Every step hurts
But maybe there will be less pain on the other side. Someday.

I still carry the good with me in my pocket
I have to remember you like that too
To remind myself it wasn’t just you,
I was part of the problem too.
Or I won’t be able to make steps away from the same place I’ve been standing in for years.

I have been weighed down by the cinderblock in my throat for as long as I can remember,
The words that never came out
The lead in my feet
My resistance to acknowledge and heal the ugly sharp parts of myself that have cut you.

The weight of the bad
needs to be acknowledged while I hold hands with the good memories too.
that’s the hardest part..

Things were not all bad.
You were not entirely a bad person
nor was I,
There was a time when what we were was beautiful and those versions of us will live in my heart always.
We are just simply two people with
Too much.

These streets knew feet in days gone by,
bustling sidewalks, crowded storefronts,
laughter, light and dancers leaking
out of smoke-filled bars.
Cars would wind through intersections,
blood cells between neighborhoods.
From The Corner came The Roar.

He remembers how the Autumn sounded
                       back in '84
when Alan Trammell brought The Series home,
the arcing shot off Gibson's bat,
the rolling wave of soaring voices.
                      Old English
                             "D"
              tattooed on the hearts
                        of a city
     who's been hurting since the 50's.

Bless You Boys.
Ya did it--
went and Sparked up Michigan
and lit a dimming town again
in Corktown's widening eyes.

In 20 years, though, losses pile up.
55 and starved for signs
of trends reversing, luck upending,
impending relief or just some kind of
                  something.

Sickening, cloying rapid decay
       as neighborhoods die.
These streets know crumbling cinderblock
walls and blistered paint coats don't
cover ribcages starting to show--
steel girder bones--and windows blown
out, like teeth lost from a well-spoken mouth,
allow the Lake Michigan wind to howl
                      out the tale--
            through oxidized bones--
       of just what it looks like
      when economic war hits home.

Heartbeats still find footing
in Motor City streets, beneath
         the Old English "D,"
but mind the scoreboard smart;
the Tigers lost a hundred games
                    in 2003.

Underneath the burning building in my gut
So much is preserved safely
In the memory where you are smiling
I find peace
I want to be lonely in private
But there is no space for that

Under the rubble
Compound fracture of bitter jawline
That same smile a photo
Warping in fire

I want to preserve you
Like a wasp in amber

But we are not as slow as that
Not as gentle

The theory is
Two objects fall at the same speed
Regardless of mass
Except for people
We do not fall for each other at the same pace

I felt like the man with the rescue dog
That heard your heartbeat
After the cement settled
And the wood grew cold
White ash
Black cinderblock paperweights
Your body preserved under
Layers of broken building
But you felt safe
Because you set the fire

And I was the man that found you
Some secrets can’t stay buried

We were cave people
Found and revived

I’m not new to this
Just rusty
Just dusty
There are burn marks on our bodies
And I have almost forgotten how mine got there

There were things you thought you should go back for
Things you wanted to leave behind
But in the saving you took what you could carry
There was baggage in your desperation
To save what you thought was important

When you burnt yourself to the ground
You forgot that fire is a funny thing
It lives too
And you can’t control it

There were some houses
Left standing
Whole acres unlit for no reason

Not everything gets burned

And there is a photo of you
Cigarette hole dimples
A smile that brings me peace

And you brought with you
Bits of burning ribcage
And smoke filled lung
To hide your heart minimally

I brought nothing
Mine is slightly weather calloused now
But it works just fine
It’s just rusty
Just dusty

So take this
What is left of my burning breast plate
Carved message on the inside
like an oversized locket
Underneath the black and white negative of your film strip

“Thank you for trying”

The movement of her body was entirely too loud

She is desert throat gasps
When the water is so good
She doesn’t stop for air

Can hear her comin’
Her rusty train wreck tremble
On loose tracks

Her collapse is a cinderblock rain
The crumble is so much quieter than the crash
Her crumble is so much quieter than the crash

Her hands shake as she swipes her EBT card for the fifteenth time
She puts back the bacon this time
Throws down 5.50 for the Marlboros

She talks to herself
Angrily
Slams ever door she enters
Every door she exits

Her children think she is crazy

She is crazy

She is a body built
On passive aggression
And the threat of a shaky foundation
When the earthquake hits

Any day could be my last day you know

Her son turns up the tv
Her daughter plugs her headphones into her cd player

Do you all think I am talking just to hear myself talk?
And if you don’t stop sleep talking
Telling me you’re going to **** me
I am sending you to the hospital

The boy mutes the tv
Dries his eyes before they’re wet
He shakes his head
Begs her not to do that
Says he doesn’t know he’s doing it
Says he doesn’t want to **** her

She walks away
And he is left wondering

I remind him later
That we were not raised on truth
So it’s hard sometimes
To trust people

I put a lock on his door
Tell him to shut himself in at night

As for the mother
We don’t talk anymore

Like I said
She’s crazy
And I’ve got too much of that myself already

Somewhere a door is slamming
Somewhere cinderblocks are crumbling quiet
There is a sizzle like slowly cracking glass

I feel it crawl my spine
It crawls his

The girl misses it
Head buried in pop culture
Going deaf in trying to drown out
Her mother’s noise

Do you think I am talking just to hear myself talk?

As a poet I ask myself the same thing

Ask how far the apple can fall from the tree

If any one of us are lucky

It will be just far enough

The restaurant where I often eat has a raw cinderblock shell to show the world
It was painted a long time ago, when a new owner bought it out
It was meant to beautify, it didn't work
But I guess it's the thought that counts.


On the East wall, near one corner, is a rectangle of thick white paint
in a field of grime. Always fresh, always clean.

It is marred by a series of looping black slashes.
Stare at them for long enough, relax the muscles behind your eyes, let them slip out of focus
And you'll start to see letters
In the dipping and diving bands of black.
It's writing
An alien calligraphy
People as woefully uncool as you or I weren't meant to decode it

There is energy in the strokes though.
It's a performance frozen at it's moment of completion
You can see velocity, grace, excitement, a little fear, and a deft, darting contempt.
All of these things in the broad and narrow ribbons of paint.

When I'm in the right sort of mood, with a full stomach and a lazily sunfried imagination, with the heat from the asphalt making things in the middle distance quaver,
I can make out the dim shape of the artist.
See where they stood, the sweep of their arm
the turn of their head, wary of witnesses.
Days in and out, it goes on.
Bare white one day,
blackened, besmirched, beautiful the next.

The snowy rectangle grows thicker.

Why the owner never stakes out his restaurant one night, I'll never know.
Why the artist doesn't venture beyond that one little pen, or choose a new wall entirely
will remain a mystery, probably for all my breaths to come.

It's like some mad story penned by a poor, gibbering lunatic.
Each is doomed to a war neither can win, and neither can lose.
I bend double I'm laughing so hard

They take it so seriously.
But then, don't we all have our petty conflicts?

He is red
Flakes of skin breaking away from his arms and face
He smiles stretching the cigarette stain on his white mustache

You young people have got it all wrong

Let me tell you a story
Don’t worry it’s a funny story

He looks behind him to make sure he can soak up my time
I tell the cashier to stay and check if anybody comes

One time there was this really dumb bird
Had a nice beard like yours
Real busy guy
And he waited til winter to fly south

If this story is about me I’m not sure

Some of us work real hard
And still manage to justify that we have nothing

I wonder if he knows I can see the boogers in his nose

The bird finally took off for home
But it began to rain
He kept flying
Then it started to hail
The hail beat his wings
It was getting hard to flap
His body began to shiver

He smiles again
It makes his lips crack and bleed a little
Underneath the stretch of yellow
He exhales and his breath smells sweetly of beer

It began to snow
Lightly at first
Though it was cold it was easier to fly
But the snow fell thicker
It coated his body
His heart slowed
He began to feel really tired
He started to descend
He was dying

He places a hand on mine for a moment
His is comfortably rough
Shovel callous rough
Cinderblock stack rough

If that touch was for me or him
I’m not sure

All these stories are just ways we beg people to stay
This poetry is just a way to keep you here
Touch you with my rough and tremble
So you can look at my cracked broken and ******
A little longer

The bird kept falling
Until he hit the earth
And you know where he landed?
Right in a big cow patty
But the warmth of the fresh ****
Melted the snow
Gave him his life back
So he rolled around in it and began to sing
He sang and sang and sang
And a hawk heard the singing
It was winter
The hawk was hungry
And he ate that bird with the nice beard

He slaps the counter separating us
Eyes widen to mounds of earth
Two big fat piles of cow **** staring at me and smiling

I don’t feel like laughing

And the moral of that story young man
Is if you’re covered in **** and somehow happy
Keep your mouth shut

These stories are just reasons
And I don’t feel like laughing

I laugh anyway

No need for dramatics but cinderblock house arrangment tempo
Is not equal to the federal concordance
Checking back
No
No
No wait
equals

What professor 25

Stevie - your name is echoing as loud as your laugh through my thoughts
(Reverberating against each cinderblock wall in the hallway of my mind)
Making dreams of you to easy to lose; I awake drenched in sweat as if I had to swim laps around a lake created by my past mistakes.
Hoping for a hope of an exhausted sleep that will allow any type of mental escape from the memory of your face for now.
My eyes stare down upon this paper -where black pen ink kisses blue printed lines and cannot deny how dismal the ambition of my shivering soul has become knowing "home" is here even when the day is done.
Surrounded by bricks, brick talk, different licks &South Side spots.
I swim... alone for now. In this aquarium crowded with sea serpents who's shady intent is always apparent. Its possibly (actually most likely probably) by poise or tails told of incriminating feats. White walls. Mopped floors. White socks. ***** feet.
My pulse has to scream your name at my heart repeatedly or it will ceaseskip a beat and flounder low & get lost lost in this tiny fishbowl sea.
To understand statements made like "I miss you more than you know" (written) will never show even as and even though it's the emotion behind the letters sent that continues to grow (envelope&stamp 76cents).
I begin to become engrossed with fear that the same mind that amplifies my life with endless summer images of you is the same one (unkind) making semidark and never alone time, too much time before I realize...
Before I realize I dont know (how) - what to write
Typing
Deleting
Dreaming
Fearing
I forgot my thoughts and left my ability to write with my other personal items that are still 30 days out of sight.
Is it possible to finish something that may be a somewhat, sort uv'-a poem, even if you don't know where it begins? Where do I begin again?
I wish these wishywashy lines I try to describe could outline my heart and outlaw me trying to say "I love you, I miss you, I NEED you next to me my muse" so you can take away these shady midnight shadow trails of literature debauchery.
Feeling lost, my mind must have left to find its Soul... or maybe its Sole ability.
I forgot how to write.
So, now, I wish upon this fluorescent and never absent star, that these last letters placed together when read by you will caress your soul and. Gently.whisper. He loves her truly (and her of course my love is you).
His whisper of forever .

It is grey and snowy here
And I kinda miss the sun
She said

Woman
I am wishing you the warmth only a lover can offer
Via breathy nothings into your ear

Fills you like a balloon
And stands you so still
That your shadow on the snow
Looks more like a stain

I know you
Like the snowy backdrop of my foggy thoughts
When poetry is all that is left
To know who we are
And what we’ve become

It is us trapped in the porcelain distance
Between scalding hot coffee
And your shaking palm

So this is me
Wishing you warmth
And love
And burning belly cinderblock butterflies
The kind that don’t make you tremble
Just settle
Into the comfiest spot you know

Still cold?
I didn’t think so

Your long fingers tap on my nervous heart.
I love your fickle soul
and freckled shoulders.

You say you won't find peace of mind
in a cinderblock room
or on a piece of notebook paper,
so you crumple up your doubts
and hide your body with mine.

My shrunken lungs cannot draw breaths
not used to say your name.
I will be a blanket to warm your bones
from your downdraft hopes.
I will comb your hair with my fingers
on the days you don't wake.

But my heart breaks
on battlefields you will never hear of.
I lick wounds
you will never know to see.
I train my trembling hands
so they may gently soothe you in sleep.

I can love you better than I can fix myself.
I will fight becoming what I fear
in order to be all that you need.

Your lips tasted like smoke
From the buildings you watched burn
While standing dead center

Our bodies are practiced in the art of
Collapsing

If these walls could talk
They’d be livid from your laughter
And semi-suicidal for paint thinner
To cause just enough wither so the broken glass can finally fall out

I will gladly buckle at the backbone
Bulging out my belly to
Reveal all that beauty inside

If it means you’ll forgive me
You can take it

Because I am sorry seven ways to Sunday
Just seven days till Sunday
Seven chances not to **** up before
I have to beg for your forgiveness again

This is the church of falling apart

The church constructed of the things
Tempers make
I am one baseball bat bash away from being broken and saved

You might’ve told me you were trouble
I should’ve noticed
After I saw you smash a
Cinderblock through a car window
Just to take a pack of smokes from the dash

And you could have called my bluff
After I ****** your best friend behind your back
For the fifteenth time

Lemme catch your deer in headlights again
Because our last conversation wasn’t ****** enough
Lemme bend willingly into your bed
And fall into whatever mess we forgot to clean up the night before

Stop quaking my fault lines with your fingertips
I know laughter when I hear it
I can see your sneers in the dark

And I can light a match
Light a cigarette
Burn a house down

This is the church of falling apart

No one ever asked forgiveness while standing

The church where the shape of prayer is a ball
Hands clasped behind neck
Head between knees
And morse code  shivers

Signaling

I don’t really know why you hate me so much
But Please
Forgive me

Over the bridges to the north side of town
fluorescent flickers, the beer billboards are bigger
Where you live.
We don’t really have billboards on the east side of the rail yard
Where I live.
But I don’t find you in the elementary school
shut down, infested by the deadly spiders.
or patriarchs inebriated, stumbling back to
cinderblock houses where no one really waits up anymore.
Every soul a flickered star. Maybe dying,
finding last comforts in the black velvet of night.
No, I don’t find you hiding in the hateful corners
of your brother’s triangle folded flag that rested
on a coffin.
Or the alcoholic bottle your mother hands me with a friendly smile.
Tiny threads of crumbling concrete barely connect my world with yours
I might be dreaming, at night lying in the grass of the tallest hill
Where you live
Holding me selfishly, the night is black in my eyes
and the view is not so clear back to
Where I live.

We sat in the snow and cracked schemes to soften our mortality, like if when we died the soil grew up and over our bodies to pull them back to her instead of leaving them like shells to fall where the living had dug uninvited into the darkness.
And You
You were just some
sidesteppin passerby

Who took two steps off the sidewalk and one into me

Took a knife to the inside of my skull

Wrote down a life I forgot wasn’t mine

I’ll admit now it had been a long time.
I’d been throwin baseballs of the back porch of my soul

Since the day the monster under my bed grew teeth

Hoping for someone to catch up catch them and catch me too

I’d been running since the day I met God on the banks of a backwards river 

Spinning this world like a record played one too many times

Sk-sk-skipping across all the riffs over which
We used to drift like it wasn’t a sin
Before we slipped into a chemical mist
And the trembling of our fists
Became mixed with the hum of the night
And left us listless
The fog it curled its fingers like a gauze round our bones
it was a soft fear.
It was a soft fear.
Imagine we became all the words we breathed

Out of fairytale pages turned cigarette papers the night you became a constellation

Us, riding a magic carpet woven from strings

Stolen from Fate when she wasn’t looking

I ain’t never been one for shoplifting

But that night we made off like barefoot bandits riding a broken hymn

I, the night dancer and you, the day singer

And we two seeing both sides of the moon

Sing me the song that day sung the first time she realized

That the night was more than a coat her dad told her to wear

Because it was raining

The universe ringing with the words of convenience store philosophers

Things people are too scared to write anywhere but on the walls

Of public bathroom stalls
That night, I realized something.
Our love was an easy veil to wear.
Till forced perspective tugged at the seams of our sobriety
I was never brave enough to break.  
My memory is a womb.
My memory is a womb.
Let it be known that my physical transition fails to interrupt my meditation

Putting your life into revision never called into question my salvation
I’ve never known a dream that did anything but embroider the ether 

The air between us quit smelling like a cinderblock romance

Your hands a kinetic ignition to my saltwater synapses 

Connecting in double-time to the electric current running from your heart to mine

Lift me like a lost key
Triumphant like used furniture
I see you now your hair is long.
Your hair is long
In your left hand is a brick.
In your right, a summer morning I have yet to wake up in.

Should have
put a bullet in the brain
Should have
doused it with kerosene
and lit a match
Should have
tied a cinderblock
to the worthless wretch
and chucked it in the lake
But the most rotten things
resurface
and eat the sweetness
that you spent
two years
building
Should have left
well enough alone
instead of
leaving the coffin door
wide open
for the wickedness
to crawl back out