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Michael R Burch Jun 2020
Sonnet: The Ruins of Balaclava
by Adam Mickiewicz (1798-1855)
loose translation/interpretation by Michael R. Burch

Oh, barren Crimean land, these dreary shades
of castles―once your indisputable pride―
are now where ghostly owls and lizards hide
as blackguards arm themselves for nightly raids.
Carved into marble, regal boasts were made!
Brave words on burnished armor, gilt-applied!
Now shattered splendors long since cast aside
beside the dead here also brokenly laid.
The ancient Greeks set shimmering marble here.
The Romans drove wild Mongol hordes to flight.
The Mussulman prayed eastward, day and night.
Now owls and dark-winged vultures watch and leer
as strange black banners, flapping overhead,
mark where the past piles high its nameless dead.

Adam Bernard Mickiewicz (1798-1855) is widely regarded as Poland’s greatest poet and as the national poet of Poland, Lithuania and Belarus. He was also a dramatist, essayist, publicist, translator, professor and political activist. As a principal figure in Polish Romanticism, Mickiewicz has been compared to Byron and Goethe. Keywords/Tags: Mickiewicz, Poland, Polish, Balaclava, Crimea, war, warfare, castle, castles, knight, knights, armor, Greeks, Rome, Romans, Mongols, Mussulman, Muslims, death, destruction, ruin, ruins, romantic, romanticism, sonnet, depression, sorrow, grave, violence, mrbtr
David R Jul 2021
we told you so,
years ago,
we said we know
the weather flow

you said:
let's put on our balaclava
our ear-muffs and our blinkers
let's hear no more of this palaver
of know-alls and world thinkers


for several decades
we show'd graphs 'n grades
as world decayed
it's no charade

you said:
let's put on our balaclava
our ear-muffs and our blinkers
let's hear no more of this palaver
of know-alls and world thinkers


we gave you ample warning
of the global warming
of the storm that's storming
the troubles that'll come swarming

you said:
let's put on our balaclava
our ear-muffs and our blinkers
let's hear no more of this palaver
of know-alls and world thinkers


and now it's here,
you see the fear,
the effect severe
for your near and dear

let's put on our balaclava
our ear-muffs and our blinkers
let's hear no more of this palaver
of know-alls and world thinkers


it's too late now to turn back
we're on a one-way running track,
humanity's tired of your wise-crack,
there's gonna be a counter-attack.

altogether now:
let's put on our balaclava
our ear-muffs and our blinkers
let's hear no more of this palaver
of know-alls and world thinkers
.
BLT's Merriam-Webster Word of The Day Challenge
#palaver
Thomas Newlove Feb 2011
The pick
All the stress that an orange has caused is painful.
It is painful for the tree from which it came.
Snatched away with promises of sweetness.
A tree mostly green, engulfing
Small speckles of that deceptive orange.
It was such a bright colour – high hopes!
Handpicked by a man only looking for the best,
Choosing poorly not for the first time.
The green leaves frantically try to reclaim what’s theirs.
Branch after branch reaching out, trying to uproot him.
Close, so close. But they are a sea apart,
At least an apple has a core, a heart.

The peel
Now it is pilfered, the painful process begins,
Never quite ending: disappointment beckons.
To try and taste these orange juices
You soldiers must bear the burden.
Each soldier, a finger digging themselves
Into the tough stressful shell.
Fingernails stained with orange blood,
Eyes blinded by the same tangy juices.
It never slips off in one go
Like a roomy balaclava,
But crumbles like the remnants of a bombing.
Brick by brick, orange by orange it crumbles.
Now it is finally undone
But neither tree nor man has won.

The preparation
The crust collapsed, but now
It is time to untangle the web the mantle holds.
First, a division – the separation of brothers
Who served side by side at birth.
Dissected by these soldiers
Acting as a bomb squad,
Searching for those hidden pips.
Found, but not without casualties –
Sticky fingers with no taps in sight.
Once removed the web is untangled.
Tired, he hopes that the stress will swiftly end
Unaware that the sweetness was just pretend.

The pain*
Finally the moment has arrived
And illogical ceremonies commence.
I fear the celebration is far too soon,
For as white touches orange and tries
So desperately to unite,
The tartly taste slays the poor man’s buds:
Igniting like petrol on his burning tongue.
He wishes he could return that orange
To the green tree to which it belongs,
To return a bullet-sprayed windscreen is not an option.
The orange, once bitten, enjoys its trance
Latching on to those pained tingling taste buds.
His orange, a disaster to undress:
Bad taste – a foolish price for such a mess.
Hint: I am English. I have lived in Ireland for most of my life. The colours are Green, White and Orange.... To sum it up in one sentence:
"What a complete mess the man made of things!"
Mateuš Conrad Dec 2016
it's scary what people want to hear,
i feel, nothing at all, to be honest,
whenever i think of fame
i feel all famous people speaking the words:
don't become even by our standards moderates...
szlafrok: bathrobe -
              szuja: lizard-like-homeless person -
then again chattering ratty too -
does that mean: if i write i'll
get a penny for a structure where a brick is
worth just as much to the letter, the word
           or the line or the paragraph?
                  cukier: sugar...
   for every brick i'll get a penny's worth?
      writing discourages you from dreaming...
only the most adapted
                   who get encouraged by
   advertisement and who fake writing will ever get
the technicolour coat of Joseph...
         writing erodes your perspective of dreams,
it actually censors your ability to do so...
    i hear them, make novels from their body-language...
        and get an itch... nothing finicky... just
barring without baritone...
      poet's alphabet st. - barring without baritone...
antinomy of anecdote... false impression memorisation,
nothing rubric bound nothing alphabetical,
         nothing Pythagorean...
      antinomy... and there was me thinking of
antimony...                  there's no cascade of the sound
encoding of b or of a...
    there's the alphabet... and then there's
the dictionary... na na mmm, ma ma nun..
                    so cool with it, fit-bit....
      or should i claim you a toyo-bot?
           a ******* Hamleys' jack-in-the-box
     chuckles?
            either way... it's all a strategic **** -
or a macaque - or mà-cá-qé!
         herald the surgeon!
             grave a in the first syllable?
a delay... let's term yhwh as surd invocations -
           mà! (and yes, exclamation marks
are part of the necessary progress -
   unless you'd prefer anti-German anti-compound
allocation of a word to be turned into syllable mince...)
         mà! alternatively that's non-ambiguous -
what's ambiguous is the second syllable...
   mà!... cà!     màcà!        it's almost like holding-off
*******...          màcà!
      and then there's the qé!        or for optical reasons
as well as for reasons for the priestly monopoly
written as macaque - my-khaki-haka...
  (haka is a dance in rugby by the new zealanders,
   and khaki is diarrhea brown, diluted brown) -
   it's almost Spanish in a sense, huh?!
   well, because it's not exactly queue -
  or: que(h)? i.e. qweh?
well yes, it's a monkey, a tiny little bonsai
of a gorilla... cute... funny... loves tea-bags
and sugar... great company on a hot Kenyan night,
gets pestered with slingshots by the courtesan
   "bodyguards" of a tourist hanky-panky free whiskey...
  the time those kenyan entertainer girls
came up to me i sorta wished to play the
white-guy-****-history-joke...
stood my ground, went to sleep on one of the lounge
chairs one night... could have been stolen by pirates...
and i kinda wished it, but it didn't happen...
   still, the application of diacritical marks to
define syllables... the grave mark above vowels is
a bit like "holding back"...
         for some reason i first wrote mà-cá-qé...
but i realised... the avalanche only comes with
the acute marking above eh!....
        grave markings means restriction, a holding back...
and by this i mean that when the acute stress is
added, no number of optically adequate spellings
can erase it...
     in this case qé for what's encoded as -que -
   and still the four surds appear whether invited or
uninvited - softened laugh, eh? as in the asphyxiating
form of breathing, and then relaxed: ha ha ha ha!
       then again, i'm wrong,
they call them macaque: ma-ca-qac....
         so as a good revisionist does:
                grave and acute without a macron:
      má-cà-qàc - ma-cac-cac - not ma... ca-que!
   macaque!          Fawlty Towers and Mánuèl...
i know... nothing - hairspray romance,
and a horse called dragonfly...
   macaqué! olé!              
                          mácáquè -
    for the love of u - or parabola...
                 truth be told? i'll never know!
why? because no one taught us the rules of how
or when to apply such demands!
   let alone semicolons or commas...
                   macaque - barbarism sentenced to:
ma       ca              qak
                or simply my kayak...
**** me... it's still a monkey whether you like it or
not taking a **** and calling that chocy part of
its inverted intestines' toad-stool.
  let's just call it a mácàq monkey... because
the -ue suffix is just getting unbearable, like
an umbrella unfolded in one's **** -
   and applying diacritics to a suffix of pure-vowels
is beyond missing an ******, and making
rationale (the part where you miss stating an olé -
the part where rational is elongated into rationál
or the non-diacritical addition of -e)....
and then they worried why people never punctuated
correctly... maybe because people never applied
diacritical marks that they went beyond,
and didn't punctuate correctly?
                       humpty-dumpty hmm hmm:
                   eggs St. Benedict's, and a falafel Sunday!
me? trying to invoke a vocab that transcends
the ******* cool, however condescending i can be,
without trying or eating rye bread to boot,
    and then wear a balaclava calling it a Gucci neckwear,
drinking rather than throwing Molotovs.
ej May 2017
when i was smaller i was very aware of how
a better, older me would look back
and look down
with malice and shame and see
what a pitiful creature. i. was.

at the time i was the sole object
of my own derision, a grim facsimile
of a human boy, and as i aged myself
in my mind i grew bigger and stronger
and meaner and more beautiful
and i. feared. him.

if i were to meet the boy i was four years
ago he would hate me, sweating under a
black balaclava, laces tied thrice to avoid
getting caught in the gears on his bike, helmet
on his belt, utterly ready. to. run.

i am glad i am not him anymore and
he. knows. it.
death of z (for class)
Mateuš Conrad Jan 2017
what's with this hobby of keeping friends?
i've got two friends that
only say meow...
          and i'm kinda not rooting for
a Colombian hottie for a wife...
                 i abhor this idea of a "loner",
i haven't heard any monks being called that...
  but then again monks do live in a monastery...
why do people always seek each other's
company? what's wrong with liking your own?
it really bothers me... i mean, by current
standards of denoting this man a loner
would make Spinoza laugh...
                  is it because you need to be the quintessential
hermit living in a clay urn or in a hole
in a desert?
                              each night i drink something,
without fail: i feel better for it...
               i'm hoping it'll **** me...
but so many times people who don't known
how to drink get so ******* melodramatic
that i think about ensuring they are banned from
abusing the amber...
                        i hate melodramatic drinkers,
you either utilise the sedative of the amber to
an overcoming potential... short: Kant's
transcendental methodology... you you won't
drink and whine... or bash people about...
and that, i must say: is a rare art.
     1 litre of amber and i'm as silent as a mouse...
i'll say it again:
    there are too many melodramatic whinge-bags
out there... i don't get them...
    i mean i get them: but i abhor them...
                i could really do with a pupil,
nietzsche would do, about time he stopped dropping
those barbiturates and learned to dance!
         tanz! tanz herz im freuer!
yes, sometimes the trip was long
the N86 from romford to goodmayes and
into the brothel near the train station...
but every time i played a folk song,
usually dikanda's ketrin ketrin i'd sit on the bus
for about 40 minutes... aflame...
                i find that prostitutes are only fed the myth
of a tender touch and a complete lack
of experimental perversity... even a kiss is
the beginning of their myth-making...
   ordinary girls are fed the myth of movies,
and how it all works out...
    each time i went to the brothel i sat for the journey
time like a Sufi meditation with the
              dervish dance in my mind...
                 and that's the truth... mind you,
i have a grandfather that supports my work
and buys me cigarettes... then again he lived in a time
when he could age and get a state-pension,
as he does... he's not ailing in any sense, and he lives
in a post-communist country... and i just spent
3 weeks over there... which means my state-sponsorship
in england has amounted: that i could take out
110 quid and give it for a *******...
                and i could remember myself aflame...
  on a bus with a dervish dance in my mind...
           drunk, as usual: but that's the fun part of it...
i could wave my *** at all those
melodramatic drunks you get at parties and in other
public places who suddenly speak and only moan
how unfair it all is...
                      first time i went? well... i did go to
uni after all, the sacred land of getting a good score
for later life... what a sahara when it comes to ***!
   like with prostitutes it still turns out to be a case
of hard facts and harder choices...
                  money...
                        and­ the white historians and who else
in the etc. cul de sac are wondering why our ethnicity is
in decline... it's quiet a thing to be bemused by the freedom
of women and not addressing the point fairly...
                   the women are so free i had to find my own
freedom with a *******...
                         i got bored of too many darwinian examples
being incorporated into the act... once it's the peacock,
next it's the mantis and the black widow...
of sure... there's so much to gain if endorsing some sort
of chivarly, when next door lives a babe with a sugar daddy...
   ***-starved ******* can go elsewhere,
       wild-eyed logic and no manifesto...
literally: there's no hope for a manifesto here...
             there's no manifesto...
                    this is absolutely not a manifesto...
         i'm actually happy that as an ethnicity we're in decline...
  i found talking to other ethnicities a bit restrictive
and boring... i had to censor vocab fluidity with dams
and other ****** architectural constructs...
    so i looked at the shows on television,
a bunch of child-genuises were on...
   i never thought that spelling was like arithmetic...
   but it is... it is, oh hell it is...
  the judge says the word in that odd jumble that a word
is when you have alphabetical distinctions
   in vowel, consonant and syllable form...
    but the languasge is so different, after all
language is not really an optical language as such,
mathematical language is truly anti-phonetic...
and it comes down to the simple example:
      spell the word: onomatopoeia
  start saying the alphabet and it sounds nothing like
this word put together,
   the syllable ono-                
                       then -ma-
                               -to-        and now the tricky bit...
peya...          but what of the grapheme œ?
                you'd really be able to break your tongue
on that syllable suffix...
                       and when the children started spelling
the word: it look as if they were going cross-eyed
   trying to translate the sound into image...
    mathematical language doesn't have that problem,
do the following airthmetic (e.g.)  
   1 + 2 - 5 + 6 - 4 = ?
                                          0...
but that's different when you are told to spell the word
   renaissance -
                                  doubly more difficult if
you are told to create syllables without diacritical mark
distinctions...
               back to drink, like being asked for
a wine connoisseur's palette, when the wine you've been
given has been diluted...
   or in this case fudge packed so there are no
clear distinctions, too much french influence
      and siamese twin graphemes seperated...
excess vowel that i've heard means: kissing...
i'm sorry how the story goes,
i just can't be forced to **** a kenyan penny-picking
                tragedy with my humour...
        i'm bewildered by the arithematic
and the "arithmetic" of putting words together...
                  the internet has quietly become a war
for a freedom to talk... it's more a freedom to think
than talk...
                  and god forgive me feeling so obscure in
what i wanted to think, but given the social structure of
events happening, i had to do a minority report on
it being said, and me not typing this on
a medium of defeat, that i ended up on a warring stance...
i mean, i can understand obscurity per se,
i can't see how i can attach myself to it on a basis
of a phenomenon...
                          so unearthed we are from a structure
that a rebellion against
                  the szlachta was viable...
what the hell grows on concrete? coconuts?!
      i already said: this is hardly a manifesto...
and i truly demand it to be thoroughly agreed to...
                   then comes the shortcoming
barrage of: i knight you the nigh of not worthy...
                        and then the recycling process
bombards you with: many more squint-eyed *****
to come where you did, come from.
       urbanity has forsaken man attached to an organism,
but is feeling it right now,
                 he's attached to an inorganic farbic of testament...
i haven't walked the soil or toiled in it
to feel it's breath between winter or summer..
           i once had so much one-dimensional inclusion
in this world, then my sight was diverted,
and i came across the numbers, who took to being
***** whales and gulped me in one cascade of
the feeding...
              and i was told to walk it alone.
once actors were abhorred by society,
but then there was no office folk to compete for
utility biases when it came to giving gratitude to
pristine plumbing...
                          back when man was highly
economical... and thus actors had to be abhorred...
  to create a tsunami of sadism to keep them
staged... and true enough:
         if christ was crucified in the colliseum
there would have been fewer than none churches to
establish that event... given the colliseum is
made into a subject-trophy cabinet of holiness -
               and how the colliseum did morph...
it's sad talking about being human as excluding humanity,
as it's sad talking being human by including humanity...
               but thankfully (or not)
there's still that case of the arithmetic of the two tongues...
        say the word colliseum
                             co- -lli- -se'um.
      i mean, that means something...
  take to numbers and of the 26, care to call c = 3
               18 + 33 + 24 13 21
                            +                      2 1 2 = 5
                                                    4 3 1 = 8
                            + 58
                                    = 109
    
kabbalah is *******... mysticism was squandered with
gematria... but islam has no alternative either...
sure... if you have to establish a mirror image
of having a care for theological parasites...
   then you turn a into 1, and b into 2 and z in 26...
and then fiddle about until you get a *******'s worth
of bashing about because you couldn't write
a play entitle Macbeth...
               did any of these holy alternatives die
in Auschwitz? most of them living in America didn't
serve in the Israeli army...
                 who wonders whether they died in
Auschwitz?
                 no! they didn't!
       they were bemused by this correlation of
numbers and letters, thankfully we already can read
the opposite of the kabbalistic practices
prostate in the Deutronomy...
           say 10 a thousand times... adds a few more zeros
but leaves the 1 intact...
            please enlighten me as to who wrote the first
koranic recitation if not khadira? please! for the love
of god tell me it wasn't khadira!
         oh wait... given the hispanic um...
it's khadija - the h is silent and the j is actually a hatch...
          a bit like in the west, with y and j trying to
be a grapheme... a load of ******* *******:
and yes: i have to be crude on the matter...
   so we have the first verse written by a woman...
  or was it a bit like saying...
Aisha wrote surah no. 114... i can just picture it...
the young wife said to her ageing husband:
pray with these words, you lecherous *****!
say: say it you ageing carcass!
i seek refuge in the lord of manking,
the sovereign of mankind...
      the god of mankind...
     from the whisper of the retreating whisperer
(gabriel must have left him once the 13th wife arrived,
of god! the symmetry with jesus' disciples!)
     who whispers into the ******* of makind
(evil is in the brackets) -
from among the jinn and mankind.
conscience really can be a ****** to master.
but the geometry of the koran (glutton the q if you want,
makes no impressions on me) -
is that it starts thick... ends up anorexic...
           so much to say at the start,
but then shrinks... it's beautiful in that sense...
given the miracle of muhammad was that he was
illiterate...
  so someone had to write the words for him...
            i'm guessing khadija wrote the best part of it...
i like to think of her writing the first revelations...
    but i also like to muse that aisha wrote the latter
half of the: how do they stress the ******* q k c so much
that it sounds like it's not coming from the mouth
but coming from the nose?! qu-ran... i need
a hanky and snorkel that **** out... qu sneeze! i-ran...
          it's glutton and it's nasal, and it's almost like:
the back of the throat... and then comes the la la la all-hubris
in that song five times a day...
                but seriously... you tell me the man was illiterate
an this book exists... so who wrote it?
   women!
                                         the merchant of mecca in
Finland... left the scandinavian penninsula after one year
and never came back...
                   but how can you have so much
at the beginning and so little at the end?
   a different woman, who was literate (and the man
wasn't) wrote what needed to be said...
    i just look at the surah an-nas as a way to suggest
that the prophet: al suma mal ley *** blah blah
had been asked to repent... repent you paedo!
          that's crude, i know... and i'm drunk,
i'll wake up sober tomorrow and cook a pork curry
and think about leather shoes and shoelaces and belt...
and how camels are dirtier than pigs and how you
can eat almost all of pork offal and when i see a camel
i just think of chewing tobbacco and spitting into
a copper tin... or camel-jockeys...
        or how i think arabs are cursed with oil
and dyslexia and diabetes... how most of them will
end blind or amputee due to their diabetes...
      how a lot of them would like something more
than turkish coffee and baklava, and how
it stops looking cool after a while...
           arab oil, dyslexia and diabetes...
which probably means a palestinian balaclava
at the end of the sequence...
   i'll never know: i'm not planning to have
a stop-over shopping spree in Dubai, any time soon.
Janek Kentigern Oct 2014
Today is the day. As in customary, we shall start with the weather: The morning is clear and cool, the sunshine weak but well-meaning, the wind sweet but sharp and the trees green and chatty.

This day has been a long time coming. This day has. For too long it has skulking amongst the future pages of some misplaced internal diary. It's long shadow has been edged with fear, dreaded like an exam. Said fear melts away like yesterday's clouds, replaced by sunny optimism, for this date is now set in stone, frozen hard over night it now stares me down with oblique neutrality.

I'm not going anywhere, it whispers softly. You're fears are misplaced. Your fear of me is a your fear of death. Useful up to a point - but essentially irrational. Whatever will be will be and it will today.

The morning gather pace and after momentary brief salutations and briefer negotiations the train is boarded. The destination: no one knows. We know the names but they seem oddly sterile now, the sound cold hard lumps in our mouths, currency worn smooth: Edale, the pennines, the peaks, Absorbic. Citric. Folic, Formic Carbonic. Sulphuric. Deoxyribonucleic, Lysergic. Acid.

The absurd signposts of anonymous hamlets lazily swing by with increasing rapidity, blurring into one like the blades of a helicopter.

Post-industrial scabs and sores instantly give way to merry bucolic splendor as itchy, thick balaclava of the city in torn away. Laugh about nothing as we are hurled headlong into some postcard image of an England long lost between 'then' and 'now' where trees sing, walls are dry-stone and happy cows and sheep await noble, happy deaths; all wrapped in honey-coloured sunshine.

Rolling mounds of soft green matter undulate gently to a halt, and we emerge intrepid coloniser of a galaxy far far away. Locals eye us warily, the hot sun looks down angrily now. The baking mud coughs dust in our eyes and yellow spears of dead grass stab our tender shins. The warm fuzzy nostalgia that we are draped in gives way to...something else. Illogical patterns snake across verdant valleys, breathing and twitching. Harsh blue sky melts into hazy horizon, like oil on water. Panic sets in.

Pleading looks are exchanged and whilst reassurance is sought, none is found. Each gaunt face is scoured for hints of strength. Leaderless we wade through a sea of shimmering heat, collecting beads of sweat, losing hope of succour. We seek solace in plastic pound-shop distractions, only to find we are rendered too numbskulled to operate children's toys. Terror turns to horror. The yawning maw of madness, death is now so close we are caressed by it's putrid breath...

Release! Baking savannah morphs to cool,  mottled-green grotto and everything has already changed. All is bathed in verdant peace and ears can feel the cool lapping of a friendly stream.
Not finished.
Dada Olowo Eyo Mar 2013
Spirits, faceless vagabonds,
Cowardly ghosts that wreck havoc and destruction,
Spill innocent blood across our nation,
Now they starve us of goodwil and much needed funds.
Islamist insurgence in northern Nigeria
Kano bus bombing; March 2013
I'm old fashioned enough to remember when turquoise was not for boys, a nice enough colour and with healing properties apparently, but it's not for me.

I dress in grey,
battleship grey to
match my face on
any given day
and
it seems I've been
given
lots of days,

She says,
that I should mend my ways,
wonder if mending the car
counts.
Michael R Burch Dec 2020
Poems about Things that Break

These are poems about things that break and/or shatter: a bubble, glass, a mirror, a twig or tree limb, a thunderstorm, cities and towers in times of war, old habits, our hearts, and sometimes Love itself.



Shattered
by Vera Pavlova
loose translation/interpretation by Michael R. Burch

I shattered your heart;
now I limp through the shards
barefoot.



Dark-bosomed clouds
pregnant with heavy thunder ...
the water breaks
―Michael R. Burch



As grief reaches its breaking point
someone snaps a nearby branch.
―Yamaguchi Seishi, loose translation/interpretation by Michael R. Burch



Lightning
shatters the darkness―
the night heron's shriek
―Matsuo Basho, loose translation/interpretation by Michael R. Burch



Eros, the limb-shatterer,
rattles me,
an irresistible
constrictor.
―Sappho, fragment 130, loose translation by Michael R. Burch



My heart is unsteady as a rocking boat;
besieged by such longing I weaken with age
and come close to breaking.
―Otomo no Sakanoue no Iratsume, loose translation by Michael R. Burch



Mirror
by Kajal Ahmad, a Kurdish poet
loose translation/interpretation by Michael R. Burch

My era’s obscuring mirror  
shattered
because it magnified the small
and made the great seem insignificant.
Dictators and monsters filled its contours.            
Now when I breathe
its jagged shards pierce my heart
and instead of sweat
I exude glass.



Mirror Images
by Michael R. Burch

She has belief
without comprehension
and in her crutchwork shack
she is
much like us ...

tamping the bread
into edible forms,
regarding her children
at play
with something akin to relief ...

ignoring the towers ablaze
in the distance
because they are not revelations
but things of glass,
easily shattered ...

and if you were to ask her,
she might say―
sometimes God visits his wrath
upon an impious nation
for its leaders’ sins,

and we might agree:
seeing her mutilations.

Published by Poetry SuperHighway and Modern War Poems



Second Sight
by Michael R. Burch

I never touched you―
that was my mistake.

Deep within,
I still feel the ache.

Can an unformed thing
eternally break?

Now, from a great distance,
I see you again

not as you are now,
but as you were then―

eternally present
and Sovereign.



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Not the blossomings of song nor the adornments of music:
I am the voice of my own heart breaking.

You toy with your long, dark curls
while I remain captive to my black, pensive thoughts.

We congratulate ourselves that we two are different
but this weakness has burdened us both with inchoate grief.

Now you are here, and I find myself bowing:
as if sadness is a blessing, and longing a sacrament.

I am a fragment of sound rebounding;
you are the walls impounding my echoes.



Bubble
by Michael R. Burch

.................Love
..........fragile elusive
.......if held too closely
....cannot.........withstand
..the inter..................ruption
of its.............................. bright
..unmalleable.............tension
....and breaks disintegrates
......at the............touch of
.........an undiscerning
..................hand.

I believe this is my only shape/shaped/concrete poem.



Because Her Heart Is Tender
by Michael R. Burch

for Beth, on the first anniversary of 9-11

She scrawled soft words in soap: “Never Forget,”
Dove-white on her car’s window, and the wren,
because her heart is tender, might regret
it called the sun to wake her. As I slept,
she heard lost names recounted, one by one.

She wrote in sidewalk chalk: “Never Forget,”
and kept her heart’s own counsel. No rain swept
away those words, no tear leaves them undone.

Because her heart is tender with regret,
bruised by razed towers’ glass and steel and stone
that shatter on and on and on and on ...
she stitches in damp linen: “NEVER FORGET,”
and listens to her heart’s emphatic song.

The wren might tilt its head and sing along
because its heart once understood regret
when fledglings fell beyond, beyond, beyond
its reach, and still the boot-heeled world strode on.

She writes in adamant: “NEVER FORGET”
because her heart is tender with regret.

Published by Neovictorian/Cochlea, The Villanelle, The Eclectic Muse (Canada), Nietzsche Twilight, Nutty Stories (South Africa), Poetry Renewal Magazine and Other Voices International



Break Time
by Michael R. Burch

for those who lost loved ones on 9-11

Intrude upon my grief; sit; take a spot
of milk to cloud the blackness that you feel;
add artificial sweeteners to conceal
the bitter aftertaste of loss. You’ll heal
if I do not. The coffee’s hot. You speak:
of bundt cakes, polls, the price of eggs. You glance
twice at your watch, cough, look at me askance.
The TV drones oeuvres of high romance
in syncopated lip-synch. Should I feel
the underbelly of Love’s warm Ideal,
its fuzzy-wuzzy tummy, and not reel
toward some dark conclusion? Disappear
to pale, dissolving atoms. Were you here?
I brush you off: like saccharine, like a tear.



Breakings
by Michael R. Burch

I did it out of pity.
I did it out of love.
I did it not to break the heart of a tender, wounded dove.

But gods without compassion
ordained: "Frail things must break!"
Now what can I do for her shattered psyche’s sake?

I did it not to push.
I did it not to shove.
I did it to assist the flight of indiscriminate Love.

But gods, all mad as hatters,
who legislate in all such matters,
ordained that everything irreplaceable shatters.



Mate Check
by Michael R. Burch

Love is an ache hearts willingly secure
then break the bank to cure.



Water and Gold
by Michael R. Burch

You came to me as rain breaks on the desert
when every flower springs to life at once,
but joy’s a wan illusion to the expert:
the Bedouin has learned how not to want.

You came to me as riches to a miser
when all is gold, or so his heart believes,
until he dies much thinner and much wiser,
his gleaming bones hauled off by chortling thieves.

You gave your heart too soon, too dear, too vastly;
I could not take it in; it was too much.
I pledged to meet your price, but promised rashly.
I died of thirst, of your bright Midas touch.

I dreamed you gave me water of your lips,
then sealed my tomb with golden hieroglyphs.

Published by The Lyric, Black Medina, The Eclectic Muse, Kritya (India), Shabestaneh (Iran), Anthology of Contemporary American Poetry, Captivating Poetry (Anthology), Strange Road, Freshet, Shot Glass Journal, Better Than Starbucks, The Chained Muse, Famous Poets and Poems, Sonnetto Poesia, Poetry Life & Times



Resemblance
by Michael R. Burch

Take this geode with its rough exterior―
crude-skinned, brilliant-hearted ...

a diode of amethyst―wild, electric;
its sequined cavity―parted, revealing.

Find in its fire all brittle passion,
each jagged shard relentlessly aching.

Each spire inward―a fission startled;
in its shattered entrails―fractured light,

the heart ice breaking.

Published by Poet Lore, Poetry Magazine and the Net Poetry and Art Competition



In the Whispering Night
by Michael R. Burch

for George King

In the whispering night, when the stars bend low
till the hills ignite to a shining flame,
when a shower of meteors streaks the sky
as the lilies sigh in their beds, for shame,
we must steal our souls, as they once were stolen,
and gather our vigor, and all our intent.
We must heave our husks into some raging ocean
and laugh as they shatter, and never repent.
We must dance in the darkness as stars dance before us,
soar, Soar! through the night on a butterfly's breeze:
blown high, upward-yearning, twin spirits returning
to the heights of awareness from which we were seized.

Published by Songs of Innocence, Romantics Quarterly, Poetry Life & Times and The Chained Muse



Distances
by Michael R. Burch

There is a small cleanness about her,
as if she has always just been washed,
and there is a dull obedience to convention
in her accommodating slenderness
as she feints at her salad.

She has never heard of Faust, or Frost,
and she is unlikely to have been seen
rummaging through bookstores
for mementos of others
more difficult to name.

She might imagine “poetry”
to be something in common between us,
as we write, bridging the expanse
between convention and something . . .
something the world calls “art”
for want of a better word.

At night I scream
at the conventions of both our worlds,
at the distances between words
and their objects: distances
come lately between us,
like a clean break.

Published by Verse Libre, Triplopia and Lone Stars



The Ruins of Balaclava
by Adam Mickiewicz (1798-1855)
loose translation/interpretation by Michael R. Burch

Oh, barren Crimean land, these dreary shades
of castles―once your indisputable pride―
are now where ghostly owls and lizards hide
as blackguards arm themselves for nightly raids.

Carved into marble, regal boasts were made!
Brave words on burnished armor, gilt-applied!
Now shattered splendors long since cast aside
beside the dead here also brokenly laid.

The Greeks erected shimmering marble here.
The Romans drove wild Mongol hordes to flight.
The Mussulman prayed eastward, day and night.

Now owls and dark-winged vultures watch and leer
as strange black banners, flapping overhead,
mark where the past piles high its nameless dead.



Once Upon a Frozen Star
by Michael R. Burch

Oh, was it in this dark-Decembered world
we walked among the moonbeam-shadowed fields
and did not know ourselves for weight of snow
upon our laden parkas? White as sheets,
as spectral-white as ghosts, with clawlike hands
****** deep into our pockets, holding what
we thought were tickets home: what did we know
of anything that night? Were we deceived
by moonlight making shadows of gaunt trees
that loomed like fiends between us, by the songs
of owls like phantoms hooting: Who? Who? Who?

And if that night I looked and smiled at you
a little out of tenderness . . . or kissed
the wet salt from your lips, or took your hand,
so cold inside your parka . . . if I wished
upon a frozen star . . .  that I could give
you something of myself to keep you warm . . .
yet something still not love . . . if I embraced
the contours of your face with one stiff glove . . .

How could I know the years would strip away
the soft flesh from your face, that time would flay
your heart of consolation, that my words
would break like ice between us, till the void
of words became eternal? Oh, my love,
I never knew. I never knew at all,
that anything so vast could curl so small.

Originally published by Nisqually Delta Review



Eras Poetica II
by Michael R. Burch

“... poetry makes nothing happen ...”―W. H. Auden

Poetry is the art of words: beautiful words.
So that we who are destitute of all other beauties exist
in worlds of our own making; where, if we persist,
the unicorns gather in phantomlike herds,
whinnying to see us; where dark flocks of birds,
hooting, screeching and cawing, all madly insist:
“We too are wild migrants lost in this pale mist
which strangeness allows us, which beauty affords!”

We stormproof our windows with duct tape and boards.
We stockpile provisions. We cull the small list
of possessions worth keeping. Our listless lips, kissed,
mouth pointless enigmas. Time’s bare pantry hoards
dust motes of past grandeurs. Yet here Mars’s sword
lies shattered on the anvil of the enduring Word.



The Higher Atmospheres
by Michael R. Burch

Whatever we became climbed on the thought
of Love itself; we floated on plumed wings
ten thousand miles above the breasted earth
that had vexed us to such Distance; now all things
seem small and pale, a girdle’s handsbreadth girth ...

I break upon the rocks; I break; I fling
my human form about; I writhe; I writhe.
Invention is not Mastery, nor wings
Salvation. Here the Vulture cruelly chides
and plunges at my eyes, and coos and sings ...

Oh, some will call the sun my doom, but Love
melts callow wax the higher atmospheres
leave brittle. I flew high: not high enough
to melt such frozen resins ... thus, Her jeers.



Old Habits Die Hard
by Gulzar
loose translation/interpretation by Michael R. Burch

The habit of breathing
is an odd tradition.
Why struggle so to keep on living?
The body shudders,
the eyes veil,
yet the feet somehow keep moving.
Why this journey, this restless, relentless flowing?
For how many weeks, months, years, centuries
shall we struggle to keep on living, keep on living?
Habits are such strange things, such hard things to break!



Having Touched You (The Boy in the Bubble)
by Michael R. Burch

What I have lost
is not less
than what I have gained.

And for each moment passed
like the sun to the west,
another remained

suspended in memory
like a flower
in crystal

so that eternity
is but an hour
and fall

is no longer a season
but a state
of mind.

I have no reason
to wait;
the wind

does not pause
for remembrance
or regret

because
there is only fate and chance.
And so then, forget...

Forget that we were very happy
for a day.
That day was my lifetime.

Before that day I was empty
and the sky was grey.
You were the sunshine,

the sunshine that gave me life.
I took root
and I grew.

Now the touch of death is like a terrible knife,
and yet I can bear it,
having touched you.

I wrote this poem as a teenager after watching "The Boy in the Plastic Bubble" with John Travolta playing a young man with a defective immune system who risks death for a chance at love.



Published as the collection "Poems about Things that Break"

Keywords/Tags: break, breaking, breakings, shatter, shattered, shattering, delicate, fragility, fragment, touch, cruelty, brutality, abuse, stress, love, pain, relationships, society, mrbreak, mrbbreak
break, breaking, breakings, shatter, shattered, shattering, delicate, fragility,  touch, relationships, society
Nat Lipstadt Jun 14
“Once more unto the breach, dear friends, once more”
(Henry V, by WILLIAM SHAKESPEARE)

Morning into Mourning

<>

I speak it softly, for though battlefield is steeped in quietude
of the lively greenery, endless lawns of healing fields
surrounded by multitudinous shades of blue waters,
my eyes piercing , joining in
as sunrising separates the veil
dividing light from dark, new from prior,
a went-before and a
soon-to-be
and a familiar-what-to-be-hereafter,
but a skyed breech it is,
with sun ray stairs inviting my
upright ascension into this newness

Welcoming the exposure of my trembling, though it is not fear that causes my shaking, but the colored warmth barely warming, yet,
stoking, stroking the drape of chill
away, away! from my night-sealed pores

the majestic surfacing of the waters peinture impasto, with its roughened but genteel thick, dabs, dots, swirls, swishes belie the overall atmosphere of calm it conveys, and Shakespeare’s rallying cry of men rises to the mind forefront, for the bay is my battlefield,
the day’s new light the breeching of the sky’s
envelopment of our world, summons to rise and
step forward intimately into the tableau of morning

into the breech, into the unknown,
to lift one more poem from breast,
shed tears of welcome, and death fears banished,
a battle to the unknown from the foretold past,
and, but


you shout
no!
<>
tis a day like all others,
of rectitude sans gratitude
another quantity of known drudgery, another,
“Woke up, fell out of bed
Dragged a comb across my head
Found my way downstairs and drank a cup”

The breach is within me,
a splitting of the head,
laid flat out upon my desk,
writing down scrupulously
officiously,
the same figures inconsequentially,
letters deranged, daily merely rearranged,
prison vista,steel and glass appearing with
the same exactitude of every day ever prior,
the sun invisible, the unceasingly unchanging
dark deep of the shadowy of manmade canyons…

speak to us no more of views, vistas,
but the fistulae, the empty places
where interconnected dots and dash’s,
light and ombre blends of dark ochre  
gradations of bland de~gray~ding
are our time’s patchworks of familiarity,
cursed with annualized daily reciprocity,
a *** for a tat,
a woolen watch cap,
a  black Balaclava,
drawn over our heads
lest the drudgery be too readily apparent!


<>
mere mortal am I,
mortal wounded by our disparate
and desperate differing points
of view,
and we split ourselves in two,
hoping for a way forward of
reconciliations,
successful hostage negotiations,
pushing these contradictions,
back inside my heads,
until confronted
once again,
and find new words coming,
to bind me of the divisions between
or even,
to blind
me to the gaps between
my left and right
brain.

for I am both men,
one and the same,
forever
battling


until the morrow, then…
morning into mourning
June 14 2024
tween 3:30 AM ~ 10::00 AM
fitful sleep, fistfuls of vision's pieces
Donall Dempsey Aug 2016
RUNNING THROUGH HISTORY
( for Grandfather Sheedy )

I, a creature of flesh
& mud.

Mostly mud I
train...run...running

across Curragh
Plains...pain. . .pain.

School cross country
running is - not:

my forte.

I, being constantly told I
am not my grandfather.

Obviously.

I plod after grandfather's
famous footsteps

inheriting only his calf muscles
but not...his stamina.

I am all skin & bone
merely my mind keeping me going.

Grandfather Sheedy is
running on into history.

I, the clod forever
running after his fame

into many a Curragh
sunset.

I run back through
time.

"In the year of the world
4608. . "

The Annals of the Four Masters
a running commentary in my mind.

I run through
my mythological past

the ghosts of kings famous
before time began.

Cobhthack Gael is still
killing Laoghaire Lore.

He highfives me as I
stagger past.

St. Brigid casts her cloak
it covers the entire plain.

I greet and thank her
with a wordless nod.

The Curragh Camp of today
coalescing into being

thanks to the Crimean
Campaign.

I recite Tennyson to
startled furze bushes.

"Furze bushes to the left of me
furze bushes to the right of me. . ."

into my mind rides
the 17th Irish Lancers

leading the Balaclava Charge

their mascot terrier Jemmy
following close behind

barking at the Russian guns

surviving it all
to roam around where I am

raoming now.

My Uncle  Tossie's
familiar greeting

"How ya...howya...how ya
are ya winning...are ya winning!"

Grandfather and Uncle
Balaclava dog & mythological

kings and saints

all urging me on
claiming I can do it.

I can & I will
...come. . .last.

Me the non-runner runner

driven by
history
"Ar son Dé...faion spéir cá raibh tú?"

The Academy didn't do art so the only way I could do so was to go to the Convent on a Saturday. I did this for about 6 months before throwing in the paintbrush! I was always told there:  "You are not your sister June...are you Donall!"

Alas the mere me I was was good. . . for nothing! So I knew who I was not as good as but  - not what I was actually good at. Alas the story of my life!

Brother Laurence our Science teacher for some God forsaken reason introduced  cross country running all of a sudden!  He was lovely man with an energy that that almost burst out of his body as if he were a human dynamo. He always had a little smile just Mona Lisa'ing on him as if he were constantly amused at something or as if he had just told himself a very good joke in his head.
It was just as if it were an English school and we were good old chaps! It was like being in a boy's own story but it was really  "Hard cheese!"

When Brother Laurence got totally exasperated with my lack of prowess he( to not risk swearing )would step into the Irish.

"Ar son Dé...faion spéir cá raibh tú?"
( "For God's sake..in God's name where were you!" )

I not being good at the auld Irish would always answer: "Amuigh  faoin spéir!" which was the title of a well known nature programme at the time. It mean out under the sky!

Some time later I answered with: Ag Dia amháin atá a fhios!" which translates at "God only knows!" He laughed at this and said: "Ahhhh Dempsey...at least the running has taught you a bit more Irish than repeating television programme names to me!"


I was more interested in reading LP Hartley's THE GO BETWEEN. It was my mind that was running and covered not in mud but in glorious words. I ran shouting Gerard Manly Hopkins to the skies to comfort the agony of chest and legs and to soothe my poor troubled mind. Or the Wreck of the Deutschland: "Thou mastering me..."

All it did was make me more aware of my own history that was right on my doorstep. And it was the history I was more interested in than being a mud splattered waif. Oh I knew the loneliness of the long distance runner!

I was surrounded by Sheedys....Sheedys to the right of me....Sheedys to the left of me and I had before me that most lovely of men **** Sheedy whose kindness knows no bounds so Grandfather **** Sheedy lived on in our minds. I thought he deserved a poem so this is that...poem!

I adore the Four Masters' phrase: "...in the year of the world..."
Eyes glued shut to keep the night out and there's no use having a light so you put the light out until the morning cuts in and you have to go out,
yes!
the day breaks in like a burglar
creeping,
like ivy up a pergola.

There is frost on the roofs of the vehicles
that hang on the roadsides like icicles
and I think,
Extremities
was not a Greek philosopher.

I pull the ripcord and float down quite casually
into a Tuesday or it may be a Wednesday
either way
it's just another day to get through.
Emma Johnson Feb 2010
How low do you have to be? Stuck in a crawl
Stuck in a place, counting cracks on walls,
Wish my tears would run like waterfalls
I need my mind treated for a full overhaul.

Can’t seem to speak or say what’s on my mind,
People use me; my weakness is being to kind,
I only wish I could speak up sometimes,
So I don’t lie when I say I’m fine.

Atheist, was never saved, I wonder about karma,
My mind builds up, erupts, thoughts flow like lava,
I need to become my own mind master.
Choose to wear an emotional balaclava.

© Emma Johnson
r May 2014
I missed my revolution.
What's a boy to do?
Don a balaclava for jaysus?
Smoke a fat havana?
Think I'll buy me a beret.
Brush up on mi español.
Grow a fumanchu.
Move fifty years down south.
Find me a spanish speaking babe
to dance the dance in a red dress
shouting viva la vida all night long
till the sun comes up
and roosters crow
at hungry dogs
in a dusty street.

r ~ 5/24/14
\•/\
   |     Che in a beret in the merry        
  / \           month of May.
John F McCullagh Oct 2017
In that valley of death the Highlanders made their stand.
To live or die
but not retreat
in the Empire’s hour of need.
The British redoubts had been overrun by the Russians
in the desperate morning fight.
If not for the brave men of the Ninety third
The allies would be put to flight.
The Russian Calvary with sabers slashing
came at them from all points.
The highlanders were not dismayed
by the sound of the Lancers steel.
The thin red line wavered but held
then drove them from the field.
Their courageous stand has been sadly forgotten.
They were passed over by the Press.
For that same day the Light Brigade
were led to the slaughter next.
The precursor action on the field of balaclava, just prior to the Light Brigade's fateful charge into history
good to hear back from you yet sorry to hear about the difficulties.

.i were doing well with transport, using the buses and walking about.

.now we have the omicron creature here guess my leisure bus rides will be curtailed, essential travel only.

.it were a pleasant interlude encouraged by the grandson and another seasoned  traveller.

.so we move forward differently once again.

.while you and remain in mind.

.you with a balaclava now!
Mateuš Conrad Jan 2023
that depiction of  a scene in Marie-Antoinette...
between
Louis-Stanislas, Comte de Provence -
brother to Louis XVI...
    who would become Louis XVIII
and his wife...
        Princess Maria Giuseppina of Savoy...
where she nagging him to provide
her with a child to stop pestering him
from doing... whatever it was that he was
doing... him remarking...
get your ugly face out of my moon light!

whether it is true via a fictional depiction:
never mind that!
i can trace back to the scene where
both of them are lying in bed
and he's trying to get a *******:
god, that face, there is nothing worse
than an ugly smile on a woman
and i have seen some ugly smiles on women:
beautiful women with ugly smiles...
ugly women with very beautiful
smiles, the paradox...

so he's jerking off while she interrupts
him implying: a man beating a dead horse...
checks under the cover:
well... a dead mouse...
woman's violence thus worded...
subtle, cunning, satanic -
grown-women and the supposed forever-infantile
state of man's mind:
to hunt, to explore to merely exist
by the sustenance of thought alone...
well... she did arrive from Savoy:
which i finally found out was part of Italy
with a Frida Kahlo monobrow and
a 9am moustache shadow beneath her nose...
***-fluff... well... no wonder:
i don't expect Elizabeth I of England
was much to look at...
    perhaps if Picasso hid her in his cubistic
monstrosities of fake-geometry handling...

in which direction?
only last Sunday... what a shift!
i was escorting about 8 police officers
to these two disgruntled women...
woman and daughter...
apparently these two "gangsters" were
threatening them... threatened them with knives...
with balaclava gang-members coming
to the ice-rink to "sort them out"...
something was fishy...
the daughter looked alright...
almost perfect physiognomy...
but the mother's ears... wonky...
i'd be more proud to have the ears of a rugby
player than those ears...
myopic... sickly looking...

me and the police officers managed to find them
bring them down for questioning /
give incident reports...

prior to these two gangsters, "gangsters"
came up to me asking: 'are you the security guard?'
yup... they started chatting to me
before the two women launched at me
with criteria unheard of...
i'm final on this point...
women to me are semi-solipsistic...
they don't even know it...
they don't know it when they wear a mask
of pretending but as quick as honestly
comes unapologetic and demands
impartial equilibration of getting to know
the situation: the mask... sort of... slips...
a lying woman is hardly an architect...
there's only the initial shock of a lie that
she figures will pass-on and through
and will be believed when she makes
a sloppy second stab on any given matter
in the vicinity of the original (lie)...

      this duo should have been ashamed!
truly! a mother and daughter double act
is the worst kind... a father could never persuade
a son to follow suit... but a mother can always
(seemingly) persuade her daughter to replicate
terrible behaviour...

in this instance? the "gangsters"...
when the police officers were questioning the women
i went up back to the ice rink to pick them out...
they were sitting in the polar opposite location
to the women...
"gangsters"...
      as i extended my index finger and asked
them to come with me downstairs
(tugging at an invisible fish-line)
i told them they were not in trouble...
the worst that might happen to them was...
they might get a free police escort home...
a free ride home...
names? Freddie and Georgie...

      turns out these "gangsters" were two
13 year old boys... 13 they said: they looked more
like 8... then again... at least one came from
a single-mother household and had
two older brothers and a younger sister...
under-nourished kid... i looked 13 when i was
8 looking at them...

the women were questioned giving fictional
statements: most probably...
i just sat down with Freddie and Georgie
and talked... this, that... and the other...
Georgie was named Georgie because he was
born on St. George's Day...
Freddie? that's short for Fredrick...
my "supervisor" interrupted me:
no! no one calls their children Fredrick...
it's Freddie...
then Freddie jumped in: i'm sometimes called
Frederico! hey presto!
that's not Friedrich... it's Frederick in Spanish...

huh? what's this? English language trying
to attempt the diminutive form of endearment
by shortening a person's name?
Fredrick becomes Freddie...
Edith becomes Edie...
Matthew becomes Matt
Peter becomes Pete
Samuel becomes Sam
Alexander becomes Alex?!
that's not a diminutive form... nor is it some
variation of endearment that diminutive form
exacts...

zdrobnienie...
        and if this supposed "diminutive" exists
in English... English is too rigid in its form of words...
attache of suffixes -less and -ness and -lessness...
as if something is missing rather than merely shrunk...

in ****** it's thoroughly apparent among nouns,
not merely in given names of people...
e.g. it's not simply Matthew becomes Matt...
i.e. where's the door, door prior...
to wipe my shoes on, i.e. the doormat?
it's ugly! it's horribly self-assured in faking
the diminutive approach...

spread across all, ALL nouns...
sun: słońce
little sun: słoneczko
river: rzeka
little river: rzeczka...

oh! ah ha ha! today i heard the car manufacturer
correct its pronunciation of a letter...
the Czech manufacturer SKODA
actually bothered to stress the Jan Huss'
demand for caron (crown) atop the S...
i actually heard SHKODA...
            crown in Czech... a rugby goalpost
in English... one arm of the Tetragrammaton...
otherwise a: H = Z in ******...
  ŠKODA = szkoda (pity) = oh well...
  oh well = pity... oh well ≠ oops...

and what has English to give "us" when it comes
to the diminutive form? ugliness...
ugliness of names...
Frankie, this lesbian coworker of mine
who, oddly enough has a child... a daughter:
so she wasn't a lesbian all along...
but now she's a butch lesbian...
muscular, i asked her how long it took her to
get a six-pack... 3 months...
she's looking for a gym-rat buddy...
she was thinking of me...
a mohawk haircut... not terribly attractive...
but... what, a, gorgeous, smile!
my "supervisor" giggled about gay-conversion
therapy with her...
Frankie = Francesca... now... correct me if i'm wrong...
Francesca sounds ace of spades ****...
Frankie... gender-neutral is...
like the rest of a gender-neutral world-view...
thing thing thing thing thing thing thing nothing
nothing thing thing thing thing thing thing
anemia
thing thing thing thing anemic thing(s): nothing
thing cube *** asexuality thing thing thing
black thing thing thing thing white thing thing
thing, thing thing thing, nothing, thinking thing
thinking nothing (god); thing thing thing -
but that's English for you... other European
languages have the masculine and the feminine
form... you couldn't get away with transgenderism
in any other language: except for English...
the grammar allows for this phenomenon to take
place! thing thing thing thing...
i know that the French would agree with me...
the Moon is male... the Sun is female...
in English there's a forced-vagueness associated
with gendering "things"... nouns...
loosely, borrowing from Latin:
Luna is a girl's name... alias of the Moon...
and Sol is a boy's name... alias of the Sun...

    the words themselves have a trickle of hope
for gendering objects according to ***...
the Moon in the English instance is a male...
even though he was given a female name prior
and the Sun is a female even though she was
given a male name prior, prior id est in Latin...

i don't think it's enough to simply speak a language:
a parrot can speak a language of human "concerns"
if the precursor of women talking all giddy to an AI
chat bot in the form of SIRI is anything to go by
the engineers must have thought of a parrot...
Hello Polly... Polly wants a *******...
that's how the advent of "intelligence" probably
emerged: simulation of the marriage of
a parrot and an echo...

        it's not enough to speak a language...
there's more to language than simply speaking it:
there's also the aspect of: knowing it...
digging trenches... i don't want to require of myself
to know the grammatical-categorical beside
the clarifying distinctions of what a noun is:
what a verb is... adverb... but then i gloss over
and forget the categorisation of words...
i know what a locksmith knows:
I = key
      O = keyhole
        Φ = I + O = i put a key into a keyhole
i turn the key:
                  I + / + O = Θ
upon turning the key the door U opens:
  Ψ! whether that's Poseidon's trident
or whether that's what psychologists
of today spew: the non-existence of god
and the self: "self" riddled by some
variation of Damocleses' sword...
      authority of thought within the confines
of: ought-i?!

      i walk through... i doubt i will have any serious
readers in this language...
it will take me... at least a bout of gangrene
of blue mingling with green and gold
to arrive at my resting plateau of hope that's
Paris... my love for Paris...
my love of being a stupid 18 year old...
  
wouldn't you believe: i think it was forever a
stupid affair to translate Finnegans Wake into
any language beside the original:
which is literally not so much original as:
originally muddled... since how many languages
are borrowed?

i sat with the "gangsters" until the end: beginning
of their ordeal... i too was given the police-taxi
back home once upon a time...
but then again that time i was given a free-ride
home... some clever ****** thought it was absolutely
necessary that i get alcohol poisoning
in a Seven King's nightclub by the roundabout...
with the floor... sickly sweet covered by carpets...
warm ***** and orange juice... ugh...
i stepped off the bus and collapsed
onto the pavement... i was woken up by
a helpless bystander and a police-officer...
subsequently taken home in a cage...

shameless women... mother & daughter...
but here i was, the "security guard"... trying to explain
to the boys: i know its not fair...
i know... i know... the women will be believed first...
Sally Challen - walked free after killing her
"abusive" husband with a hammer-blow
to the head... i wish Richard (Challen)
was bitten by a hammerhead shark...
  i truly do...
        at least the shark would have been hungry...
**** knows what Sally's inferno of thinking
conjured up prior... it's hardly decent to believe
women... these days... i'd rather play a poker
face gambit on the truthfulness of children...
at least with children there's no ****** inference
bias up to... well... that "bias" ends once they
(the girls) enter a medieval plump *** distinction...
14... maybe 13...
          
      confirmed though...
  once the boys were sent home this other woman
approached me and my "supervisor" and mentioned
an ongoing scenario with the "inbreds"...
a female ******* ring? hmm... maybe...
      Freddie! i know it's unfair... i know...
ladies first... i know she has chicken-nugget looking
ears... she looks like she was born from
a lust of her uncle for her mother and yet
her daughter is some random quickie-fix
while she banked on pure luck... i know, i know...
i'll sit this one out with you...

Frankie in the meantime was planning a date with her
new found ****-loves-**** relationship...
her girlfriend from... near Oxford(?)
was supposed to come down to see the ice hockey match...
already booked a room in the hotel...
but then apparently the girlfriend's car started leaking oil...
so Frankie was left walking alone to an alone-hotel-room
while the gay-conversion jokes rained...
butch *****: but a smile that could melt
any ****-disciple...
              i said my bye-byes and pretended to go home,
early...
did i? nope..

i decided to test my limp-biscuit "problem"...
i went to the brothel...
who was available? only one... the girl with the first
letter: L... not Linda...
i asked for her description: the blonde one...
ah... that one... the one that thinks she ultra-SPAZ
SPACE-X "special"... i'm spezial *** too!
the one into body augmentation...
first her **** wouldn't fit... too small...
prior to the first: 0... i.e. her lips weren't purse enough...
pout not enough bloom of a baboon's ***...
fine fine...

oh i hate pretending to be a Catholic priest
in a brothel... do i have a rubber ear or something?
are these confessions?!
i must be a Catholic priest of sorts: of imitation....
do you know a Catholic "priest"
that doesn't ask for a confession from a *******
after she performs oral *** on him...
and subsequently spews all that "life is crap"
*******?
      last time i heard Catholic priests were ferocious
anti-*** pro-*** with the choir boys...
one **** in one ear one **** out the other...
there are at least three avenues of the "tested"
woman... the vaginal approach...
the **** and the oral... hey presto! your *******
"trinity"... i'm not going to stop *******:
what i didn't receive in my glorified youth
i will not spare in my old age...
beat the child who discovered self-pleasuring
aged 8... before the production of *****
with what he said: "that funny sensation":
not, NOT: feeling... sensation... the tingling
of the choir of Eunuchs...
before the production of ***** arrived...
to squirt...

i write in English... i might have English readers...
me? i'm waiting for French translators...
i don't care one iota over a fabric of fractions
of I/O = an iota over a omicron:
joke in Latin: what's an Ψ without an iota?
an Upsilon or an Omega?
watch the curvatures...
and the sinking ship of a ship that was
never supposed to sail... Ω + I = bow down...
exfoliate: psychology:
logic of soul & the non-existence of god
or soul...
Enlightenment? Renaissance or:
Re-convalescence?
                oh... right... right... this be the first?
the times of the first illness of
post-colonial capitalistic restructuring having
defeated the "ancient" enemy of the communist
harpie-up: rouse-down...
    
solo-project "detail-lost detail-friendly"
advertisements... must be a island-dwelling folk
"thing"... hence the persistent writing of English history:
the Norman invasion: must be celebrated!
the Anglo-Saxon lineage must be celebrated!
via pity, pillage, **** and... unwanted women!
i don't want to mingle with these native women!
i'm here like a kindred hope of:
sending a postcard from Hawaii...
thinking about a beauty from Grenoble...
while at the same time having a burning effigy
of a girl from St. Petersburg...
but rather succumbing to the magnet of a pair
of eyes from the Carpathian region of Moldova...

me? i just landed the prize of writing within the confines
of the Medieval version of the Lingua Franca...
English is the language of commerce...
i know it tries to: in vain... to be this insomnia tongue
of the former British Empire...
spoken "elsewhere": everywhere...
but no... pockets of resistance...
Kashmir... teach those sieving through
poppy-mud the artefacts of Braille in Arabic
concerning the region having giving
Alexander the Great the grand limp **** of
a sword with a sheaf of Afghanistan...
how those men must have loved those women...
terribly not surprised that i don't love
those in my vicinity...

                expandable in times of war...
now? expandable in times of peace...
                if not turning one's bright cheeks for
some **** slapping: turning into a quasi-celibate monster
listening to prostitutes telling me of their woes...
thanking me for listening to them...
with L: her ******* done, her lips done...
next? her liposuction belly and arms...
not the effort of exercise in sight...
the quickie monstrosity...
then her teeth: i showed her my clearly aligned teeth
like the stampede of the Polish-Lithuanian
hussars before the siege of Vienna...
      smile: clearly aligned constellation of stars...

two women in the past have revealed dreams about
me they had that came true:
Ilona - she actually sketched it...
and showed it to me...
i was standing in a Judas' pose with my back turned
before her kneeling: arms outstretched
as if to be crucified...
long hair... naked upper body...
holding a sword in my right hand:
that's before the Russian invasion
    of Ukraine... before i wandered into the forest
and found my Cossack shashka...

another dream: displaying photographs of girls
before Danielle... apparently i was happy...
that last email i received from Danielle was
almost 7 years ago...
i think i'll send her a reply...
          
          it might be almost a decade apart...
compliment? hardly...
          but i guess that's how we always were:
why oh why Disney took the reins on
the imagination of youngsters and not
something from Studio Ghibli...
  America is decadent: pederastic...
America was a borrowed civilisation:
hence? its short-lived stature of a status of
faking civilisation: via: "culture"...
its culture is parasitic...
          America has no civilisational focus...
its an extension of Europe...
in times when Europe doesn't appreciate
"said" extensions...
China is a civilisation...
Russia and India are civilisations...
America is a culture...
it's not a civilisation...
              
          America is a culture-state
whereas China is a civilisation-state...
power-hungry-mongrels... god help us if they become
fiendish pseudo-Mongols!
America would require for Europe to
disappear: and for that to be the case:
it must... Europe must burden itself
with an ethnic anemia for America
for "become" a civilisation...
      
              whatever the "Jew" failed to employ
in his exile in Europe will not:
doubly will not achieve in North America...
Marcus Garvey or H. P. Lovecraft bedbug-love-buddies
aligned...
              struck by the wave of heightened:
wow! the Arabs joked about Moses and the 40
years in the desert... no wonder the camel-jockeys
never left... waiting for dragons of myth
to turn into dinosaur sludge post-locomotive
crescendo of wealth!

      my ***** your ***** anyone's AI bore...
that's globalism: the free-market free-world
enterprise... except for:
what's outside the realm of orbits...
in the vacuum: in the unknown:
clearly now known:
there are foundations: there are restrictions...
there are forests worth of the impaled that
suffered worse fates than the "supposed"
ultimatums of gods unto men with those
that were crucified... please! spare me!

boo! who?! boo! who?!
i might write in English...
but i'm not English...
i'm not exactly happy about an English speaking
audience... i'm waiting for the translators...
i'll be dead before my wishes come
true...and all the better... given
the climate of the currency of these times:
i.e. wasting each and each other's time...
while solidifying an abstraction
of prisoner enactment of "safe" space!
bah!

oh woo woo... quote me a sea that didn't woo
a river into its basin of:
the challenge of horizon:
how does the water of the sea disparage itself
from the water of the river:
and: with those floating cauliflowers of
clouds... allow for the reign of rain
to come and give man of the land
the beauty of spring and the harvest of summer
and of autumn... and the melancholy of
the darkened nights of winter
where the libido is so frail?
one leaf left conjoined, on the
last tree in the entire world
that was planted not only in
the barren desert but also in the
midst of an eternal sandstorm
that ravaged and blinded any earthling
organism that was brave enough
to ask for a taste. except one man
was blind enough already, and his shaggy
gray dreadlocks shielded his weak spots
while he trudged on for miles in his
balaclava, listening for the wind
in the closest space to crack and give
a sign. and then there was the tree –
not flowing in the wind but solidifying
into stone as the clock struck
15,000 years and the leaf blew away and drained the secrets
from its roots and locked them
away for the Titans to find. the
man was 2,000 miles away, and he
had just run out of water in the
desert when he realized that the
shift was happening already. so he
laid down and packed the sand on
nicely and waited patiently for
the Titans to take him under and
ask him questions about life up
above.
Donall Dempsey Jan 2018
RUNNING THROUGH HISTORY( for Grandfather Sheedy )

I, a creature of flesh
& mud.

Mostly mud I
train...run...running

across Curragh
Plains...pain...pain.

School cross country
running is - not:

my forte.

I, being constantly told I
am not my grandfather.

Obviously.

I plod after grandfather's
famous footsteps

inheriting only his calf muscles
but not...his stamina.

I am all skin & bone
merely my mind keeping me going.

Grandfather Sheedy is
running on into history.

I, the clod forever
running after his fame

into many a Curragh
sunset.

I run back through
time.

'In the year of the world
4608.. '

The Annals of the Four Masters
a running commentary in my mind.

I run through
my mythological past

the ghosts of kings famous
before time began.

Cobhthack Gael is still
killing Laoghaire Lore.

He highfives me as I
stagger past.

St. Brigid casts her cloak
it covers the entire plain.

I greet and thank her
with a wordless nod.

The Curragh Camp of today
coalescing into being

thanks to the Crimean
Campaign.

I recite Tennyson to
startled furze bushes.

'Furze bushes to the left of me
furze bushes to the right of me...'

into my mind rides
the 17th Irish Lancers

leading the Balaclava Charge

their mascot terrier Jemmy
following close behind

barking at the Russian guns

surviving it all
to roam around where I am

raoming now.

My Uncle  Tossie's
familiar greeting

'How ya...howya...how ya
are ya winning...are ya winning! '

Grandfather and Uncle
Balaclava dog & mythological

kings and saints

all urging me on
claiming I can do it.

I can & I will
...come...last.

Me the non-runner runner

driven by
history
jad Jul 2014
It was midday and the clouds loitered around the edges of the sky as if they were suspicious of the sun. Beams of light ricocheted off of goggles and snow and beads of sweat that were caught in my oldest brother's beard.  The hike up was our way of earning our run. The hard work and constant determination to get what was important to us made the view and the ridge taste so much sweeter. Finally able to rest, I planted a granola bar in my mouth and squinted through a frame of icy eyelashes to see a sight I had seen before, every day for the past week, but still punched the air out of my lungs. The powder was up to my thighs and the snow lovingly seeped its way into my boots just to kiss my toes with painful numbing. I wiggled them to try tickling some sanity and warmth into them. I only hoped that my toenails wouldn't fall off, but they would inevitably be purple. I pulled up my balaclava to dodge the lunges of frostbite's ravenous teeth. Each nip of cold, the company of my brothers, the view, and the raw interaction with the mountain created a moment that reeked of a dream: a seemingly perfect balance between pain and pleasure.
      The hype of the day kept us from settling our thoughts and quickly my siblings were bounding down the mountain on tele-skis, skis, snowboards, and giddiness. My mind was simultaneously crowded and opened by the superfluous love shared between myself and the people I shared this moment with, the people I look up to, the people who raised me.  My four brothers' elated screams echoed off the mountain ranges that boxed-in the valley below. I joined their chorus of "Shred the Gnar!" and yodels, knowingly embracing the carefree and somewhat foolish mindset of Mother Nature's glee. My skis led the way and found fresh tracks. The lines of the songs that blasted into my ears were translated into the lines that I skied. The music shuffled from Wu-Tang Clan to the Tibetan Monks Of Gaden Sharste & Corciolli but the abrupt change of pace did not hinder my contentedness. I have gained a knack for happily going with the flow, knowing that what the universe hands me is often what I need. The peaceful bellowing of the monks allowed me to take a moment to appreciate that my life is this one on top of this mountain not limited by my economic state with this physically fit and capable body and this working mind. While just minutes before, the fearlessness of Wu-Tang's hip-hop allowed me to bring an angst and stoke for life into my current experience, while also finding the gangster within me. The random shuffling of songs only fed my innate addiction to change and let my enthusiasm multiply and blossom.
Although childish in our hearts and in our unpracticed aerials, we were not childish in our perspective. We had a shared mature understanding of the bigger picture. This was a vast understanding of the world that comes with being a small, overrated mammal sliding on some sticks down the biggest thing it could get its hands on. Each of us took our fair share of tumbles and we iced them each with cacophonous laughter that got muffled by mouthfuls of snow. To be atop a mountain, to go almost unnoticed by a mountain really teaches the skill of not taking things too seriously. In one instance, I grabbed some air and landed scattered into a disorganized pile of all my gear. But my commitment to the bettering of my skills, my world, and myself, let me rise from even my greatest wrecks and the most deadly of wreckage, not unscathed but changed and always for the better. With such a brutal fall, I gained the experience necessary for landing it next time...and the next time, I did.
         After reaching the bottom, without hesitancy, we followed our spontaneous urges to pursue more. Every run I took and every moment spent on that mountain came from a drive to experience and learn. It was based off of my ceaseless search for something new...or for the rad or for the gnar or for swagger or for living a life that could inspire. The seed of this search was planted in me by my five older siblings who all held within their bellies a fire of the same breed. And we sewed that common thread together on ridge lines and in powdered fields where nature is in perfect harmony with man and my head is in perfect harmony with my heart...where my intelligence and ambition trust one another and I trust them because they have gotten me this far and I know they are not tired yet.
Mateuš Conrad Dec 2016
it usually starts with a canvas of white,
frowned upon,
but later, the canvas endears
     and makes anyone the flag-bearing
idiot to ensure that everyone: keeps marching,
    rather than procrastinating -
on and on and on...
    it's not out of defeatism -
                           regardless -
can you imagine Hamlet meeting Macbeth?
    i do, pretty much all the time,
that's why i am not: matrimonial.
    i can't think of having a woman and then
think of providing her a kettle, or
an ironing board...
                           'tis music, that gratifies the soul...
there's no: more more more! in music,
there's either eloquence... or silence...
such as the pleb-kindred musings
of someone who inherited a soul in
a different tongue, and the same inheritor,
dragging such fakery into the abyss...
on a navy pattern patent of St. Andrews:
Aphrodite sat and whispered -
that her heart stopped beating.
  punctuation marks, eye... worth a measure
unparalleled in man to ditto in
a millimetre, centimetre, kilometre...
and so forth...
but diacritical marks! a hot bagel conundrum!
are punctuation marks kindred of
diacritical marks?
to my suspicion, they are...
    Cow Gate... Edinburgh, where the filth
throngs in abandoned churches...
and everyone gesticulates: to a haggis
we'll just juggle... pardon pairing
ol' mctweed - we'll just juggle.
thankfully the anglicans didn't anticipate
anything having worth beyond a comma
with what went above a letter, rather than
in-between words;
    maybe the semicolon is a clue,
as to why it wasn't translated into
               diacritics? the Greeks are utilising
the "squared" version of punctuation...
why aren't you?
    borrowing from German i see...
let's take a word from German and hyphen!
- - - - - - - - - - - - - - - - - -
               what's the word?
  don't know... any skilled cobbler would
tell you: hoof! you cranky ol' *****!
and when did it matter to be "hateful" of women?
well... when someone mattered in saying:
that man desires to pass on his genes.
****! was i ever so vain as to claim a need
for passing my genes toward a chronology?
then again... what's the most important
logical compound that saturates and signifies
existentialism? etymology...
why? well... etymology is an incubator module...
it constricts the eyes to see what's
fervent in claiming building blocks...
the rest is bound to the neanderthal wall
called: Israel here... Palestine with balaclava
over there...
        you gonna count matchsticks with
a neanderthal before you create a campfire?
flint-stones away! bazooka that array
of fireworks! soundtrack provided by
Handel!
    so can i sop? Darwinism has exhausted
itself... but etymology hasn't...
we know that by proximity-resemblance
we turned to ape to shake, the narcissus...
and a thousand ape-**** tantrums later
we're mobilised reason...
         fair enough...
i still think ape is not worth a question
about concerning diapers...
how did the **** and bladder muscles
devolve, for the tongue to evolve...
my goodness!
       a trinity, holy! and glorified on
the groundwork of leeches succumbing to penance
and dieting!
        we gave away the prowess of
       a sturdy ****, to invite a strengthening
of the tongue, and subsequent amusement:
homosexuality... kangaroo fight-talk.
      but it got me going,
watching 20 useful idiots, and etymology.
some words aren't really bound to etymology,
as one can say: diacritical marks ensure
  that words (not sentences) are prescribed
ciphers of punctuational demand... or rhythm.
       the title? the diacritical mark used?
      Denmark in polish: Dania.
  England in polish: Anglia.
                  Germany in polish: Niemcy.
   Dane in polish: Duńczyk.
an englishman (anglo) in polish: anglik
  a german in polish: niemiec.
  orthography is orthodoxy, a strict authority,
orthography stresses when an when
diacritical marks ought to be used,
so it all looks pretty, and well dressed...
what's the synonym of orthography translated
into post-syllable punctuation?
       a dependency to create fakes...
we create these punctuation marks by faking
a breath... or keeping one under water...
   ... = just an ambiguity of trailing whereby
neither . nor , nor ; nor : really matter.
       they are though, indicators in how
one could write a whole book whereby
punctuation marks don't exist,
               or at least a chapter, like Joyce,
and everything would turn out
to be a drumroll crescendo of applause...
but then again, insert but one diacritical mark
into a body of Joyce's Ulysses or Finnegan's Wake...
and the whole thing disintegrates...
  just one diacritical mark on a letter,
and as sure as ****... the whole poncy
artifice of not using punctuation marks is
double exposure as to not have used
diacritical marks, and exposed the world
to Australian, American, Canadian,
New Zealander, Irvine Scōtish and Velsh...
      sure, what's the big deal?
the very subtle way of saying ethnic cleansing...
     no, not a leftist sorta: oh deary me
type of Mary Poppins...
      it's crass, because it's lazy...
and the fact that English creates so much
diacritical diversity, is because it doesn't use
it when encoding... which makes it perfect!
for emoticons and acronyms,
   and all manner of linguistic mayhem!
it was only about syllables mate... to be honest,
it only took a comma above a letter to
say whether it needed pinching a higher-tier
of a sound that originated in a ch sound...
never mind you eroding your memory
to say cheap vs. Chopin...
         and there goes bilbo baggins...
                             in a shopping trolley.
Reece Apr 2013
Resonant alley beside a block of council flats
The bass booms from a car with three doors open
Four spliffs burning under flickering street lights
The British winter rains drench our hooded heads
(We plan the heist)
Deafened by the disenfranchised rapper from the speakers
Blinded by the darkness of the car and my peers
Balaclava, hoods up, gloves on, tools out, smoke out
Jump from the whip, vexed boys, looking for a payday
We move rocks by day but night time comes, we get shady

(Gunshots ring out, the bells of death
Never forget what you did
A life on the hands of a boy
Blood on the sheets as I cry myself to sleep)

Jump back in the ride, laughing with careless disregard
Count out the stacks and divide up the product
Pull up at the dole office and smash a few windows
Sirens fly by and give them the finger
Fast enough from the scene and we're back in the yard
Waking up the kids with the banging of the doors
Waking up the fiends as we dish out the draws

(It's a war out here and your people are dying
I killed a man today and felt nothing
Breed your soldiers and look the other way
Just another careless life that we lost today)

Fall into bed with my girl and some bud
Burn it all down to keep the insomnia at bay
I tell her I need to get out the game some day
She tells me she wants a new handbag today

(The rain never ceases and the kids wake in tears
Every day on the road, is a day full of fears
There's no real reason for any of us to be here)
Preach love.
One block, one ghetto, one Khrushchyovka, one hood, one project, one favela, one council estate, one Panelház at a time, we can change the world.
Rob Sandman Dec 2017
Started off simple you were smokin joints with your mates,
14years old hangin around at the school gates,
a juvenile delinquent,little pain in the ***,
a father at 15 grew up way too fast,
the Irish system failed you,kicked you out at 16,
moved in with your girl,a baby raised by 2 teens,
no real education so crime is your path,
tried your hand at a blag+ended up in pats(Irish Juvenile Detention),

So whats the matter sonny? life's not like the flicks,
criminals get caught,so get used to the nick,
but **** it now you're 18 thinkin' you're an O.G.,
and when you end up in the joy(Mountjoy Prison) you say listen to me,
got your apprentices in robbin,sellin poppin off fightin,
feelin like a crime titan,think you're Irelands mike tyson,
do a few more blags court dates count up,
another girl gets pregnant so the problems mount up


"I've seen the needle and the damage done, a Syringe in a Vein is like a loaded gun"

You could get a job,but **** that work's for dopes,
you spend your days dodging court dates,bangin' out dope,
snortin coke with your mates,all hard as nails,
while the real crims sit back and count their sales
all you are is a customer,forget the smiles,
there'll be another fool parted from his money in a while,
your mate johno flipped out from a long coke binge,
now he's sittin in the john o gods(Christian Rehab centre),shivering and cringin',

That'll never be you,you got a real game plan,
got a cousin who's a driver on Securicor vans,
so you hire out a shotgun,on with the bally(Balaclava),
hit the van in broad daylight,and run for an alley,
but guess whats waiting? a Special Branch team(Armed Gardai),
get the **** on the ground! is what they all just scream,
now you're banged up bigtime,a 10yr stretch
got your first bag of gear(Irish name for Smack) from a kid named fletch

CHORUS.
"well every cloud's got a silver lining  these years,
the only silver you see is tin foil for your gear,
you gave your life for a buzz that passed way to soon,
its only now you get to see the dark side of the spoon"



well its release day,Seven years down the line,
three years in remission for good behaviour time
went in the Joy a teenager,comin out a man,
with a habit that's longer than a nuns,*******
went from hash and pills to a sharper doom
your life's over,now you're on the dark side of the spoon

so you slip into the underworld,but no more blags,
robbers don't trust junkies,and your hooked through the bag,

you whine about your bad breaks,how you coulda been big,
cos you're a shadow of yourself man,smack is a pig
you're too busy to contemplate,its rob,rob,rob,
and your arms are fulla craters,so there's still no job,
you got your girl hooked too man,ain't you great,
you look at life through eyes gummed up with hate,
social welfare have put you on a methadone course,
but that ***** just as bad,it just makes you worse,

your lifes flying by now in a haze of drugs,
morphine,Oxy,blueys(******) anything for a buzz,
Skip on a few years...**** what does it matter,
days pass like mist,the gears all that matters
your girlfriends screamin' ,babies long gone,
for both of you the needle sings a sad sad song,
look behind ya - your progress is as straight as a die,
another Irish ****** ****** up your life til you die,


The smack dealers are laughin' ,Politicians don't care,
you're a skinny,pale sweaty robbin' smack nightmare,
you gave away your whole life for the solace of a spike,
it didnt cost 4million,its cheap,it cost a life(the Spire in Dublin cost 4 Million(at least) to *****, and is coloquially known as "The Spike")

who the **** can you blame?,you made your own decision,
when you first creased a vein with a simple incision,
infusion of the drug is all you care about now,
the Dark side of the Spoon,there's no way out now


Well every clouds got a silver linin' but these years,
the only silver ya see is tinfoil for your Gear,
gave your life for a buzz that passed WAY too soon,
life's over now, you're on the Dark side of the Spoon

Chorusx2,fade.
This is a distinctly Irish view of the ******/****** Epidemic,
I wrote it over ten years ago and have lost many friends through Overdoses,Disease and misadventure since then,
I have explained some of the "Irish Slang" in it, but hope that people will take the rest in without needing crib notes!,
I am always available to talk if anybody feels that ANY Drug is getting the better of them,
I offer non-judgemental non denominational common sense advice to all,
If you would like to see and hear The Dark Side of the Spoon put to music with a Slideshow video I put together many years ago here is the link,
please comment and let us know what you think!
https://www.youtube.com/watch?v=osgodk0H7Ko
Mateuš Conrad Mar 2016
the internet is getting quirkier than expected,
lucky to be in the age brackets of 20 - 30
and single... it's like a *******
   freak-show out there!
hey, i dig midgets,
and the crass and the oompa loompas:
reservation for odd spelling and vocabulary
also welcome:
i'll wear a ****** on my head
and pretend to be wearing a balaclava
ready to outline a the end of a terrorist
plot if you tell me you're dyslexic backwards:
shrapnel and palette tourists of a broken
shell with the snail asking where ceramics came from?
i sent a postcard from there, i reserved the blank
space with words: i had three wishes, one of them
wasn't here (where's a jinni when you need one?
those scandinavians and gold herrings! /
slavs and gold ferns... well, play my trombone
will you?)
Mateuš Conrad Jan 2017
sometimes it just feels like
having to make an interjection,
accompanied by,
and listening to, and making do away the
slightest spiderweb tickle...
sometimes it just feels like
you writing something and your muse is
      only an insomniac radio d.j.,
and it really does feel
like a freefall sometimes,
having taken the time to possess
a library of music, giving it all
up to simple turn on the radio....
it can appear pointless at times...
but then you can hardly stomach
the need for adverts...
    and because of adverts you started
building up a music library...
but then again, once more:
you end up only writing
for a niche... i live a few miles from
London, but given my holiday to
the most obscure place in Poland...
London is about as far as the moon
from where i'm criss-crossing...
tango of a daddy-longshanks spider...
confirming that with the
crown beheld by Edward IV...
        was radio, always the necessary
blockage, the necessary sound
when you woke up?
i built a music library
and became prone to listening to the radio
at 3a.m.... nice... real nice,
i'm about to do a Borat impersonation
with the words: jak sie masz?
   i.e. how are you?
don't know, given a jew asked it,
i'm starting to wonder what it means
to be alive in Tel Aviv these days....
and that really is: balaclava worth
a statement on it own.
  if i knew i'd come back to listening
to the radio, i wouldn't
care to make a compendium of obscure
music, i'd throw the television out,
and i'd read a poem more often than
taking to the ritual of ingesting
a newspaper...
    see the ailment?
      bound to wishing to be blown up
in a terrorist attack?
    for most days, i feel like
a street-cleaner of the past ought-nots
and did-in-fact happenings,
later slimmed into a new year's eve
firework sadness concealing
  a claim to a celebration.
Mateuš Conrad Nov 2016
they say that 2000 years without Israel
will necessarily bleach your skin,
that ancient fable of the Mediterranean
olives, turning into haram pigmentation
that god forbade to eat:
     ask them: why so pale, so like us?
why are you so pale, brother?
                  too few of us have seen ghosts,
unless they be ghosts of our former selves.
everyday, people disappear with their
selfless acts - everyday: puff! gone.
i never write to entertain or distract,
i'm a non-oratory sort of guy,
i imagine myself like a larynx punching
bag that people speak into -
a persona non grata, but otherwise a
persona esse: that necessarily is.
grata... grata... grata... gratis means
free - i really don't have that vindictive
american woman, stay away from me
sort of attitude: one peg, two peg, three;
but i do like that ancient seemingly
under-used word - frajer -
whereas said in anglo: frayer -
or *******.       the whole bejesus
and           yacht debate asking for saintly
interludes in the general grime of ****
said, **** done - and of that inherent vice
in us? the part where the ants took to
the tarantula and impregnated themselves
with the venom: and turned on each other -
as any civilised thing ever could be.
          what's the difference between
blues and punk?
     an extra chord?      see me blink?
           white boy blues: punk -
three chords -            and so the Mongolian
horde hoarding skulls in Baghdad -
and that's me, sitting ever so lightly,
pretty orange like a peach: apathetic tongue
in the ivory bull terrier grip of a handshake -
a girl might have once said: with
the pulverising stare, he could sit on the pavement
and across the street a fox took to
goosebump nibbles, while a girl walked
past the fox and the fox didn't stir from the spot.
wet snare *****: that's what they called him -
but on top of all that: everyday, the world
crashes in: newspapers? i call them avalanches.
they have non-filter: condoms with a slit in
them - and every time she's gagging
for legislation into birth control,
the Chinese dicta has been revised,
     and she's thinking of honey honey feed
me homely snug and cuddle: scented lavender
candles on your way out, including
the autographs.
   i once claimed that the television is akin
to the Platonian anecdote of the cave -
       now i'm starting to realise it's the outdated
variation of a campfire:
               vatra: and soon our hushed
capacity to tell familiar stories -
once it was talk of whole bodies: now
dismemberment and disembodiment -
                         soon enough a *** or a Juan
in Spanish - soon too łen or when -
łej           or way - those are not: chiral twins.
from what i can remember i found it hard
forgetting my northern Swahili -
         ****** hard, i couldn't have that post-colonial
tattoo done on me -
            but it still haunts me,
how one man took apart the Pharisee Israel apart
and where people had coppery visage: dimmed
gold of the skin, and one has to compensate that
taking apart with his own ethnicity in a biographic
similitude - been there, done that,
off the Unesco map for a century or two,
a Napoleonic haven sort of bollocking,
       **** 'ed over 'ere: old MacDoogle e ah e ah oh,
ha ha. Catholic shortening Mc
         Protestant on a wild surf of St. Thomas' Gospel
and all things trans...
as it should be known: transphysics -
god is dead, poetry is dead, metaphysics, is dead:
nou vogue: TRANS! ***** slap that ****
across the knees: say gnostic (surd g), then say
diagnostic... seem: or properly understood.
******* wankers and cowboys and other
ulterior gunslingers; but the prima ballerina aesthetic
found when excavating the ęglish?
                never talk ***** in public:
really, really vocalise that Cockney bulldozer
vs. culture when vocalising more tongue and less
**** when ******* - appearances are everything
after all - talk pretty, talk lily -
talk rose: and when it comes to the knitty gritty:
slosh!        i mean diarrhoea slosh -
            i mean: not unbuttoning a shirt but
ripping it open: fanciful that: equating courtesy
and otherwise doing the Frankenstein to a limp
**** with words of encouragement...
        (oh the sarcasm i enjoy hiding in symbols)
but i never understand why we talk pretty
and play ***** - why not talk ***** and play pretty?
       this revised "aversion" / ~aversion toward
fascism is really taking hold of people:
        the only difference is that there are so many
charismatic sprechen pseudo Deutsche -
                   i'm starting to feel left out;
still though, concerning the first point:
they really are pale -
                 2000 years without Israel:
it will definitely take them 500 years to get that
Mediterranean hue back of palms olives and dates -
        understandably the siding with
balaclava Palestine:        'cos you're white and
you said ku klux sneezing - or from what i heard
of recent history, my fellow colonial thingy-ma-jigs
     are internalising inherent violence of
the past and shoveling it all at the young -
   many o' man's woes as nothing more than
an evasive self: kindred of the lunatic.
me too: i too wish to have been able to stage
a confrontational and subsequently condescending
conversation with my great-great-great-grandfather,
       but i ain't got the **** or the V, and
                                  not much about the Welsh-middle
of the longbowmen and Churchill's cigars;
funny thing... smoking cigarettes, you get this
taste flashbacks... just now i recounted the taste
of my first love's ****** juices mixing in with my
phlegm cough-up... surely memory is not cognitively
abstract, like tattoos aren't really abstract:
to prove a point i coughed up a memory
of wild strawberries yesterday: well... fair enough:
today it's a memory of eating out (as they crudely say):
Poseidon's pearl.
does **** have to be constantly floral or aquatic?
    oh the cascade into faux pas and cliche: endless!
Mateuš Conrad Apr 2016
a horror movie is advanced in scares if the protagonist uses the word mother or father, as a way to calm the scared child into an enshrined audience made believable, cinematic entertainment clasping pop-corn burps... well, isn't the child born?*

you know, i walked past these fields
like a thief thieving insects
to stop buzzing around my head
like orbits of planets
and you know what one thought
i had? i need to take a ****, i need
to take a ****... i need to make
a Balaclava of a face...
i need a hunch... i need impromptu!
**** sakes let me take a dump!
that's me with six beers:
let's turn it into an 18th century:
O eerie sky, might i suggest...
****** no, we already have a trumpeter
and a violinist!
so there i was on the gridlock of traffic
drunk like a lulled skunk
kicking a pole laughing out:
'but you promised me pole dancers!
but you promised me pole dancers!
ha! ******! ha ha! hey! wake up!
i'm not ready for the amber in between
passing traffic and incidents recorded via r.i.p.
rather than v.i.p.!'
i'm serious, there i was on an island
of concrete kicking a street-lamp
awaiting a pole-dance... knickers off! off off off!
didn't happen.... the laugh remained...
i was walking home as if i could...
well, i knew where it was, how i got there
is just another brothers Grimm storytelling excuse
to not grasp a hammer to call everything outside
of manual labour slouching in sloth.
Francie Lynch Feb 2015
It growls again
Like a hungry pact,
A grumbling
Belly-empty grind.
Its hoary arms
Touch my back,
I feel its breath
On my neck;
I quicken my pace
Past the gated community
Where family and friends
Stay secure
From this snap of wind,
The reach of its sleek, lean paws.

Swirling, circling
'Round my head,
I pull down my balaclava
Like a soldier of fortune,
I constrict my scarf
Mouthing an Ave Maria,
And turn home.
"And at my back / I always hear/ Time's winged chariot / Hurrying near." Andrew Marvel.
Mateuš Conrad Mar 2016
‘ola ‘ippies!
howsh the shlombo ‘aggis?
neve’ tried it? ah... tut tut;
i'm telling you,
they're from birmingham!
no river, no flow!
please direct your concerns
to the L postcode and leave
your address;
we'll be with you shortly -
please do not panic if one of
our employees is wearing a balaclava:
it might be police officer.
Jamie F Nugent Jul 2016
You wear shyness like a balaclava
At least we still see those eyes,
And all their infernal nirvana,
As they study the room clockwise.

Like a mental gymnasium,
You exercise my patience,
As I fill in the silence like
The staic, station to station.

Burning my fingers again,
It's just me and the ashtray,
Something of a Charlemagne,
Or least it's just feels that way.

A future full of plans defers
When you latch the door,
A completed mess stands
Disappointed in a downpour.

-Jamie F. Nugent
sobie Sep 2014
I woke up on a perfect winter morning while the sun slumbered behind snowing skies. My crusty eyes opened without any dark circles of obligation for once and my breath filled me with a flourishing freedom. I lied there for a moment and merely existed, before the pounding of my heart and rushing of my blood pulled me forth to take on the world once again. This restlessness of the ocean inside me guided me as I transitioned from who I was towards a me more capable of grander and love. On this morning I felt a freshness of mind that set me forth with strong strides in the winding direction of a future so enlightening and so ideal in its flaws, and what could I do with myself but seek out a sweet adrenaline to satisfy a piece of my wandering soul? I decided to go. I, with a deep intuition and knowing, left my doorstep with oatmeal on my lip, skis on my back, and the intent to make decisions and create the life that is genuine to me and to this world that I have found worth being part of. My mind was waiting for me in the mountains and my soul was with me in the snow. So, in good company, I bounded forward on the road. My brothers sat beside me and we shared the bumps of the potholes that put hiccups in our laughter. These memories in making were tinted through golden filters of familiarity and understanding. Onward and ahead, we saw the mountains looming with a million-year-old confidence that I sought to adopt. While I held slight fear in my heart for what was to come, I also held my own sweaty hand as comfort. I was full of vulnerability and courage and I still sat giddy in the car because I knew I was living and nothing could be greater.
Soon it was midday and the clouds loitered around the edges of the sky as if they were suspicious of the sun. Beams of light ricocheted off of goggles and snow and beads of sweat that were caught in my oldest brother's beard. The hard work and constant determination of the hike up was a way of earning our run and it made the view taste so much sweeter. Finally able to rest, I planted a granola bar in my mouth and squinted through a frame of icy eyelashes to see a sight I had seen before, every day for the past week, but still punched the air out of my lungs. The powder was up to my thighs and the snow lovingly seeped its way into my boots just to kiss my toes with painful numbing. I wiggled them to try tickling some sanity and warmth into them. I only hoped that my now purple toenails would not fall off. I pulled up my balaclava to dodge the lunges of frostbite's ravenous teeth. Each nip of cold, the company of my brothers, the view, and the raw interaction with the mountain created a moment that reeked of a dream: a seemingly perfect balance between pain and pleasure, just the right mixture to allow for maximum appreciation.  
The hype of the day kept us from settling our thoughts and quickly my siblings were bounding down the mountain. I felt freedom in the love I had for the mountain and for my four brothers whose elated screams echoed off of the mountain ranges. I joined their chorus of mountain yodelling and embraced the carefree mindset of Mother Nature. My skis led the way and found fresh tracks. The lines of the songs that blasted through my headphones were translated into the lines that I skied. The music shuffled with an abrupt change of pace that did not hinder my happiness. The random shuffling of songs only fed my innate addiction to change and let my enthusiasm multiply and blossom. With a knack for going with the flow, I knew that what the universe hands me is often what I need, and today I needed to listen to the soothing tones of The Tibetan Monks of Gaden Sharste & Corciolli as I sped down the slopes.
Although childish in our hearts and in our unpracticed aerials, we were not childish in our perspective. We had a shared understanding of the bigger picture, an open-mindedness that comes with being a small, overrated mammal sliding on some sticks down the biggest thing it could get its hands on. Each of us took our fair share of tumbles and we accompanied each with cacophonous laughter muffled by mouthfuls of snow. To be atop a mountain, and to feel its indifference to you, really teaches the skill of not taking things too seriously. I grabbed some air and crashed into a disorganized pile of all my gear. But my commitment to the bettering of my skills, my world, and myself, let me rise from even my most deadly of wrecks not unscathed but changed and always for the better. With such a brutal fall, I gained the experience necessary for landing it next time...and I did.
     After reaching the bottom, without hesitancy, we followed our spontaneous urges to pursue more. Every moment spent on that mountain came from a drive to experience and learn. It was based off of my ceaseless search for something new... or for learning or for the rad or for the gnar or for swagger or for living a life that could inspire. The seed of this search was planted in me by my five older siblings who all held within their bellies a fire of the same breed. And we sewed that common thread together on ridge lines and in powdered fields where nature is in perfect harmony with man and my head is in perfect harmony with my heart...where my intelligence and ambition trust one another and I trust them because they have gotten me this far and I know they are not tired yet.
The callous of you flail like the moon and you used to set every morn between these arms, now muddled with grease and sweat,
Every time I blink I see bokehs of you, ramming straight ahead at every juncture,
sans collision.
I’ve left notes to forget us and
I’ll rummage through every broken channel in search of my soul.
I feel a taste of my teeth in between the skeleton of leaves, the aftertaste of reminisce and a new found deep.
The skies have woven a path and lead to where the gorge stooped over the balaclava of the Earth.
I felt everything and nothing, a conch kept close to the heart, tidal waves jugular with your half moon eyes crashed against my chest, a chill travelled down my spine reinvigorating my sense of purpose.
I felt alive for the first time.
After you.
I know I’ve strode far towards the shore, the light piercing through every pore, an insatiable waning for ever more,
my lungs throb and my hands strife in the direction of the uprise.
My heart beats on, repeating a song of redemption, playing
“I’ll learn to swim in these lonely waters, at every horizon where I met me,
where the sun swallowed the sea.”
The wind exhaled with me, in unison with the spirit.
I was one with the wilderness,
the wilderness one with me.
Hey guys. I'm sorry for my disappearance for a long while. I was just caught up in the pangs of life :)
CC Jan 2015
metaphorical balaclava
Something you said last night
SMS
SMH
Wired brain
Wired body
Let's go get some tonight
OK
I said OK
Let's runaway
We're not gonna get married
But I love the way you make me feel
Alive
Alive again
Alive
Immoral
Untied
Breaking the rules
And it's not for you
I'm not doing it for you
It's so beautiful
Donall Dempsey Nov 2017
'THE PAST IS ANOTHER COUNTRY."

July 16th
day after my 61st birthday

in the year of our Lord
2017.

And with a flick
of a switch

Big Ben strikes
half past ten

but in the July
of 1890.

The Past is
present again.

I wash up a cup
as Trumpeter Landfried

sounds the charge
as he did at Balaclava

as if 1854 had never
faded away.

And now the kettle boils
Earl Grey in a blue and yellow cup.

Florence Nightingale enters and
interrupts, with:

"When I am...no longer..."
she says so quietly

inserting a pause
like a book mark in her voice

then deigns to go on
again.

"...even a memory...just
a name..."

I sip my tea
as Lord Alfred recites

in a heavy pendulous voice
"The Charge of the Light Brigade"

thanks to Mr. Edison's
brown wax cylinders

as they bring back the Past
even with a trace of

fungus upon it
to live another day

and Florence's voice
once under glass

steps out of the museum
into the newly fashioned

light of 2017
blinking

here she is again:

"...I hope my voice may
perpetuate

the great work of
my life."

Just then the phone
rings and I

tumble back into
the here

and now.
In 1890 it was found that many survivors of the famous Charge were destitute and it caused a minor political scandal. A Light Brigade Fund was set up and so Tennyson, Miss Nightingale and Trumpeter Martin Landfried were all brought in and plonked in front of this new fangled invention...some kind of talking machine and urged to recite, speak and blow so that monies come be raised for the brave few who fought the foe. And so comes to be that just on the cusp of voices being recorded we can the long-dead-never-thought-to-be-heard manifest themselves before us and speak to us as John Lennon once said: "This is John speaking to you in his own voice!" Or as Prime Minister Gladstone once put in back in the scratchy old days of 1888 "...to receive the record of my voice..."

The full transcript of the Nightingale recording says: 'When I am no longer even a memory, just a name, I hope my voice may perpetuate the great work of my life. God bless my dear old comrades of Balaclava and bring them safe to shore. Florence Nightingale.' In fact, two versions of this recording exist the second has slightly altered wording to the first, which was presumably a practice session.
And Martin Lanfrie's text is thus:

‘I am Trumpeter Lanfried. One of the surviving trumpeters of the Charge of the Light Brigade at Balaclava. I am now going to sound the bugle that was sounded at Waterloo, and sound the charge as was sounded at Balaclava on that very same bugle… on the 25th of October, 1854.’

The Tennyson I think you may know!

There is also a recording of Robert Browning reading in 1889...the year of his death in Venice.

It was recorded in a dinner party given by Browning's friend the artist Rudolf Lehmann, on May 6th, 1889.

Colonel Gouraud, the sales manager of Edison Talking machine, had brought with him a phonograph and each of the guests was invited to speak into it. Initially reluctant, Browning eventually relents and can be heard reciting from his poem 'How They Brought the Good News from Ghent to Aix'. Unfortunately, he forgets the words after a few lines, tries again and then gives up, but can be heard expressing his astonishment at this "wonderful invention".
"I'm terribly sorry but I can't remember me own verses...but one thing I will remember all my life is the astonishing moment by your wonderful invention. Robert Browning!"

They all give him a few hurrahs all the same!

Although the recording is very inaudible, it is still worth to hear one of the greatest poet of Victorian era.

— The End —