Watch out for power,
for its avalanche can bury you,
snow, snow, snow, smothering your mountain.

Watch out for hate,
it can open its mouth and you'll fling yourself out
to eat off your leg, an instant *****.

Watch out for friends,
because when you betray them,
as you will,
they will bury their heads in the toilet
and flush themselves away.

Watch out for intellect,
because it knows so much it knows nothing
and leaves you hanging upside down,
mouthing knowledge as your heart
falls out of your mouth.

Watch out for games, the actor's part,
the speech planned, known, given,
for they will give you away
and you will stand like a naked little boy,
******* on your own child-bed.

Watch out for love
(unless it is true,
and every part of you says yes including the toes),
it will wrap you up like a mummy,
and your scream won't be heard
and none of your running will end.

Love? Be it man. Be it woman.
It must be a wave you want to glide in on,
give your body to it, give your laugh to it,
give, when the gravelly sand takes you,
your tears to the land. To love another is something
like prayer and can't be planned, you just fall
into its arms because your belief undoes your disbelief.

Special person,
if I were you I'd pay no attention
to admonitions from me,
made somewhat out of your words
and somewhat out of mine.
A collaboration.
I do not believe a word I have said,
except some, except I think of you like a young tree
with pasted-on leaves and know you'll root
and the real green thing will come.

Let go. Let go.
Oh special person,
possible leaves,
this typewriter likes you on the way to them,
but wants to break crystal glasses
in celebration,
for you,
when the dark crust is thrown off
and you float all around
like a happened balloon.

As a woman, and in the service of my Lord the Emperor Wu, my life is governed by his command. At twenty I was summoned to this life at court and have made of it what I can, within the limitations of the courtesan I am supposed to be, and the poet I have now become. Unlike my male counterparts, some of whom have lately found seclusion in the wilderness of rivers and mountains, I have only my personal court of three rooms and its tiny garden and ornamental pond. But I live close to the surrounding walls of the Zu-lin Gardens with its astronomical observatories and bold attempts at recreating illusions of celebrated locations in the Tai mountains. There, walking with my cat Xi-Lu in the afternoons, I imagine a solitary life, a life suffused with the emptiness I crave.
 
In the hot, dry summer days my maid Mei-Lim and I have sought a temporary retreat in the pine forests above Lingzhi. Carried in a litter up the mountain paths we are left in a commodious hut, its open walls making those simple pleasures of drinking, eating and sleeping more acute, intense. For a few precious days I rest and meditate, breathe the mountain air and the resinous scents of the trees. I escape the daily commerce of the court and belong to a world that for the rest of the year I have to imagine, the world of the recluse. To gain the status of the recluse, open to my male counterparts, is forbidden to women of the court. I am woman first, a poet and calligrapher second. My brother, should he so wish, could present a petition to revoke his position as a man of letters, an official commentator on the affairs of state. But he is not so inclined. He has already achieved notoriety and influence through his writing on the social conditions of town and city. He revels in a world of chatter, gossip and intrigue; he appears to fear the wilderness life.  
 
I must be thankful that my own life is maintained on the periphery. I am physically distant from the hub of daily ceremonial. I only participate at my Lord’s express command. I regularly feign illness and fatigue to avoid petty conflict and difficulty. Yet I receive commissions I cannot waver: to honour a departed official; to celebrate a son’s birth to the Second Wife; to fulfil in verse my Lord’s curious need to know about the intimate sorrows of his young concubines, their loneliness and heartache.
 
Occasionally a Rhapsody is requested for an important visitor. The Emperor Wu is proud to present as welcome gifts such poetic creations executed in fine calligraphy, and from a woman of his court. Surely a sign of enlightment and progress he boasts! Yet in these creations my observations are parochial: early morning frost on the cabbage leaves in my garden; the sound of geese on their late afternoon flight to Star Lake; the disposition of the heavens on an Autumn night. I live by the Tao of Lao-Tzu, perceiving the whole world from my doorstep.
 
But I long for the reclusive life, to leave this court for my family’s estate in the valley my peasant mother lived as a child. At fourteen she was chosen to sustain the Emperor’s annual wish for young girls to be groomed for concubinage. Like her daughter she is tall, though not as plain as I; she put her past behind her and conceded her adolescence to the training required by the court. At twenty she was recommended to my father, the court archivist, as second wife. When she first met this quiet, dedicated man on the day before her marriage she closed her eyes in blessing. My father taught her the arts of the library and schooled her well. From her I have received keen eyes of jade green and a prestigious memory, a memory developed she said from my father’s joy of reading to her in their private hours, and before she could read herself. Each morning he would examine her to discover what she had remembered of the text read the night before. When I was a little child she would quote to me the Confucian texts on which she had been ****** schooled, and she then would tell me of her childhood home. She primed my imagination and my poetic world with descriptions of a domestic rural life.
 
Sometimes in the arms of my Lord I have freely rhapsodized in chusi metre these delicate word paintings of my mother’s home. She would say ‘We will walk now to the ruined tower beside the lake. Listen to the carolling birds. As the sparse clouds move across the sky the warm sun strokes the winter grass. Across the deep lake the forests are empty. Now we are climbing the narrow steps to the platform from which you and I will look towards the sun setting in the west. See the shadows are lengthening and the air becomes colder. The blackbird’s solitary song heralds the evening.  Look, an owl glides silently beneath us.’
 
My Lord will then quote from Hsieh Ling-yun,.
 
‘I meet sky, unable to soar among clouds,
face a lake, call those depths beyond me.’
 
And I will match this quotation, as he will expect.
 
‘Too simple-minded to perfect Integrity,
and too feeble to plough fields in seclusion.’
 
He will then gaze into my eyes in wonder that this obscure poem rests in my memory and that I will decode the minimal grammar of these early characters with such poetry. His characters: Sky – Bird – Cloud – Lake – Depth. My characters: Fool – Truth – Child – Winter field – Isolation.
 
Our combined invention seems to take him out of his Emperor-self. He is for a while the poet-scholar-sage he imagines he would like to be, and I his foot-sore companion following his wilderness journey. And then we turn our attention to our bodies, and I surprise him with my admonitions to gentleness, to patience, to arousing my pleasure. After such poetry he is all pleasure, sensitive to the slightest touch, and I have my pleasure in knowing I can control this powerful man with words and the stroke of my fingertips rather than by delicate youthful beauty or the guile and perverse ingenuity of an ****** act. He is still learning to recognise the nature and particularness of my desires. I am not as his other women: who confuse pleasure with pain.
 
Thoughts of my mother. Without my dear father, dead ten years, she is a boat without a rudder sailing on a distant lake. She greets each day as a gift she must honour with good humour despite the pain of her limbs, the difficulty of walking, of sitting, of eating, even talking. Such is the hurt that governs her ageing. She has always understood that my position has forbidden marriage and children, though the latter might be a possibility I have not wished it and made it known to my Lord that it must not be. My mother remains in limbo, neither son or daughter seeking to further her lineage, she has returned to her sister’s home in the distant village of her birth, a thatched house of twenty rooms,
 
‘Elms and willows shading the eaves at the back,
and, in front,  peach and plum spread wide.
 
Villages lost across mist-haze distances,
Kitchen smoke drifting wide-open country,
 
Dogs bark deep among the back roads out here
And cockerels crow from mulberry treetops.
 
My esteemed colleague T’ao Ch’ien made this poetry. After a distinguished career in government service he returned to the life of a recluse-farmer on his family farm. Living alone in a three-roomed hut he lives out his life as a recluse and has endured considerable poverty. One poem I know tells of him begging for food. His world is fields-and-gardens in contrast to Hsieh Ling-yin who is rivers-and-mountains. Ch’ien’s commitment to the recluse life has brought forth words that confront death and the reality of human experience without delusion.
 
‘At home here in what lasts, I wait out life.’
 
Thus my mother waits out her life, frail, crumbling more with each turning year.
 
To live beyond the need to organise daily commitments due to others, to step out into my garden and only consider the dew glistening on the loropetalum. My mind is forever full of what is to be done, what must be completed, what has to be said to this visitor who will today come to my court at the Wu hour. Only at my desk does this incessant chattering in the mind cease, as I move my brush to shape a character, or as the needle enters the cloth, all is stilled, the world retreats; there is the inner silence I crave.
 
I long to see with my own eyes those scenes my mother painted for me with her words. I only know them in my mind’s eye having travelled so little these past fifteen years. I look out from this still dark room onto my small garden to see the morning gathering its light above the rooftops. My camellia bush is in flower though a thin frost covers the garden stones.
 
And so I must imagine how it might be, how I might live the recluse life. How much can I jettison? These fine clothes, this silken nightgown beneath the furs I wrap myself in against the early morning air. My maid is sleeping. Who will make my tea? Minister to me when I take to my bed? What would become of my cat, my books, the choice-haired brushes? Like T’ao Ch’ien could I leave the court wearing a single robe and with one bag over my shoulders? Could I walk for ten days into the mountains? I would disguise myself as a man perhaps. I am tall for a woman, and though my body flows in broad curves there are ways this might be assuaged, enough perhaps to survive unmolested on the road.
 
Such dreams! My Lord would see me returned within hours and send a servant to remain at my gate thereafter. I will compose a rhapsody about a concubine of standing, who has even occupied the purple chamber, but now seeks to relinquish her privileged life, who coverts the uncertainty of nature, who would endure pain and privation in a hut on some distant mountain, who will sleep on a mat on its earth floor. Perhaps this will excite my Lord, light a fire in his imagination. As though in preparation for this task I remove my furs, I loose the knot of my silk gown. Naked, I reach for an old under shift letting it fall around my still-slender body and imagine myself tying the lacings myself in the open air, imagine making my toilet alone as the sun appears from behind a distant mountain on a new day. My mind occupies itself with the tiny detail of living thus: bare feet on cold earth, a walk to nearby stream, the gathering of berries and mountain herbs, the making of fire, the washing of my few clothes, imagining. Imagining. To live alone will see every moment filled with the tasks of keeping alive. I will become in tune with my surroundings. I will take only what I need and rely on no one. Dreaming will end and reality will be the slug on my mat, the bone-chilling incessant mists of winter, the thorn in the foot, the wild winds of autumn. My hands will become stained and rough, my long limbs tanned and scratched, my delicate complexion freckled and wind-pocked, my hair tied roughly back. I will become an animal foraging on a dank hillside. Such thoughts fill me with deep longing and a ****** desire to be tzu-jan  - with what surrounds me, ablaze with ****** self.
 
It is not thought the custom of a woman to hold such desires. We are creatures of order and comfort. We do not live on the edge of things, but crave security and well-being. We learn to endure the privations of being at the behest of others. Husbands, children, lovers, our relatives take our bodies to them as places of comfort, rest and desire. We work at maintaining an ordered flow of existence. Whatever our station, mistress or servant we compliment, we keep things in order, whether that is the common hearth or the accounts of our husband’s court. Now my rhapsody begins:
 
A Rhapsody on a woman wishing to live as a recluse
 
As a lady of my Emperor’s court I am bound in service.
My court is not my own, I have the barest of means.
My rooms are full of gifts I am forced barter for bread.
Though the artefacts of my hands and mind
Are valued and widely renown,
Their commissioning is an expectation of my station,
With no direct reward attached.
To dress appropriately for my Lord’s convocations and assemblies
I am forced to negotiate with chamberlains and treasurers.
A bolt of silk, gold thread, the services of a needlewoman
Require formal entreaties and may lie dormant for weeks
Before acknowledgement and release.
 
I was chosen for my literary skills, my prestigious memory,
Not for my ****** beauty, though I have been called
‘Lady of the most gracious movement’ and
My speaking voice has clarity and is capable of many colours.
I sing, but plainly and without passion
Lest I interfere with the truth of music’s message.
 
Since I was a child in my father’s library
I have sought out the works of those whose words
Paint visions of a world that as a woman
I may never see, the world of the wilderness,
Of rivers and mountains,
Of fields and gardens.
Yet I am denied by my *** and my station
To experience passing amongst these wonders
Except as contrived imitations in the palace gardens.
 
Each day I struggle to tease from the small corner
Of my enclosed eye-space some enrichment
Some elemental thing to colour meaning:
To extend the bounds of my home
Across the walls of this palace
Into the world beyond.
 
I have let it be known that I welcome interviews
With officials from distant courts to hear of their journeying,
To gather word images if only at second-hand.
Only yesterday an emissary recounted
His travels to Stone Lake in the far South-West,
Beyond the gorges of the Yang-tze.
With his eyes I have seen the mountains of Suchan:
With his ears I have heard the oars crackling
Like shattering jade in the freezing water.
Images and sounds from a thousand miles
Of travel are extract from this man’s memory.
 
Such a sharing of experience leaves me
Excited but dismayed: that I shall never
Visit this vast expanse of water and hear
Its wild cranes sing from their floating nests
In the summer moonlight.
 
I seek to disappear into a distant landscape
Where the self and its constructions of the world may
Dissolve away until nothing remains but the no-mind.
My thoughts are full of the practicalities of journeying
Of an imagined location, that lonely place
Where I may be at one with myself.
Where I may delight in the everyday Way,
Myself among mist and vine, rock and cave.
Not this lady of many parts and purposes whose poems must
Speak of lives, sorrow and joy, pleasure and pain
Set amongst personal conflict and intrigue
That in containing these things, bring order to disorder;
Salve the conscience, bathe hurt, soothe sleight.

It took him a week to master thought-diversion. He would leave home to walk to work and the moment the door was shut it was as though she followed him like a shadow on snow. If he wasn’t careful the ten-minute walk would be swallowed up in an imagined conversation. He had already allowed himself too many dark thoughts of tears and silences. He saw her befreckled by weeks in a light he had only read about. She would be a stranger for a while, a visitor from another world (until she gradually lost the glow on her skin and the smell of Africa became an elusive memory). He was frightened that he would be overwhelmed by her physical grace enriched by   southern summer and the weight of her experience, having so little to offer in return. So he practised thought diversion: as her shadow entered his consciousness he would divert his attention to China of the Third Century and what he would write next about Zuo Fen and her illustrious brother.

Sister and brother Zou gradually took on a fictional life. This he fuelled by reading poetry of the period and his daily beachcombing along the shores of the Internet. He built up an impressive bibliography for his next visit to the university library. Even in the Han Dynasty there was so much material to study, though much of it the stuff of secondary sources.

One morning he took down from his library shelf Max Loehr’s The Great Painters of China and immediately became seduced by the court images of Ku Kai’chih. This painter is the only artist of this period of Chinese antiquity to be represented today by extant copies. There was also a possible original, a handscroll in The British Museum. It is said Ku was the first portrait artist to give a psychological interpretation of the person portrayed. Before him there seems in portraiture to have been little differentiation in the characterization of figures. His images hold a wonder all their own.

As David looked at the book’s illustrative plates, showing details from The Admonitions of the Instructress to the Palace Ladies, the world of Zuo Fen began to reveal itself. A ‘palace lady’ she certainly was, and so possibly similar to the image before him: a concubine reclines in her bamboo screen and silk-curtained bed; her Lord sits respectively at right-angles to her and half-way down her bed. The artist has captured his feet deftly lifting themselves out of square-toed slippers, whilst Zuo Fen drapes one arm over the painted bamboo screen, her manner resolute and confident. Perhaps she has taken note of those admonitions of her instructress. Her Lord has turned his head to gaze at her directly and to listen. Restless hands hide beneath his gown.

        ‘Honoured Lord, as we have talked lately of flowing water and the symmetry of love I am reminded of the god and goddess of Xiang River’.
       ‘In the Nine Songs of Qu Yaun?’
       ‘Yes, my Lord. The opening verse has the Prince of Xiang say: You have not come; I wait with apprehension / And wonder who makes you prevaricate on your island / When I am so splendidly and perfectly attired in your honour?
       ‘Hmm. . . so you favour this new gown.’
       ‘It is finely made, but perhaps does not suit the light of this hour’.
       ‘Let the Yangzi River flow calmly, / I look for you, but you have not come.’
      ‘I gaze at the distance in a trance, /  Only to see the grey green waters run by.’
        ‘Honourable Companion, I fear you feel my mind lies elsewhere . ‘
       ‘I know you ride the cassia boat downstream.’
       ‘Indeed, my oar is of cassia and my rudder of orchid’.
        ‘I fancy that you build a house underwater, thatching it with a roof of lotus leaves . . .’
       ‘Well, if that is so, drop your sleeves into the Yangzi River and present the thin dress you wear to the bay of Li.’
       ‘I am in awe of my Lord’s recall of such verses . . . I love the Lady of Xiang’s description of the underwater house . . . with its curtains of fig leaves and screens of split basil.’
      ‘But will you send me all the spirits of Juiyi mountains to bring me to your side . . . will they come together as numerous as clouds?’
      ‘My Lord, my nose perspires . . .’
      ‘I offer my jade ring to the Yangzi River / and yield my jade pendant to the bay of Li. / I gather galingale fronds on an islet of fragrant grasses, / still hoping to present them to you. / If I leave, I might not have another chance. / So I’d rather stay here and linger a little longer.’
        ‘I gather the powerful roots of galingale / hoping to offer them to you who are still far away. / If I leave, I might not have another chance. / So I’d rather stay here and linger a little longer.’
      ‘Even though your nose perspires and your ******* harden . . .’
        ‘Kind Lord, you have taken the wrong role in the dialogue. Surely it is the Plain Girl who gives such advise to the Yellow Emperor.’
        ‘And I thought only men read the Sunujing . . .’
        ‘You forget I have a dear brother . . .’
       ‘With whom you have read the Sunujing! . . and no I have not forgotten . . . he sought permission to travel to the Tai mountains, some fool’s errand my minister states.’
         ‘He may surprise you on his return.’
        ‘Only you can surprise me now.’
       ‘My Lord, you know I lack such gifts . . . I hear your sandals dropping to the floor’.
      ‘I sail my boat ever closer to the wind / and the waves are
stirred like drifting snow.’
     ‘I can hear my beloved calling my name. / I shall hasten so that I can ride beside him.’


She seemed so child-like in that singular room of the garden annex. Her head had buried itself between the two pillows so only her ever-curling hair was visible. Opening a small portion of the curtains drawn across the blue metalled-framed French windows, he gazed at her sleeping in the dull light of just dawn. Outside a river-mist lay across the autumnal garden where they had walked yesterday before their tour of the estate. Unable to sleep he had sat in their hosts’ kitchen and mapped their guided walk in the rain, noting down his observations of this remote valley in a sprawling narrative. On the edge of moorland it was a world constrained and contained, with its brooding batchelor-owned farms and the silent legacy everywhere of a Victorian hagiographer and antiquarian. As he wrote and drew, snapshot-like images of her intervened unbidden. She both entranced and purposeful in a physical landscape she delighted in and knew how to read. Although longing to lie next to her he had sat gently for a moment on her bed, feeling the weight of her sleeping form move towards him as the mattress sagged, his bare feet cold on the stone floor. He placed his poem on the empty companion pillow, and returned through the chill of unheated rooms to the desert warmth of the Agared kitchen.


Lying in your arms
I am surprised to hear a voice
That seems in the right key
To sing what is in my heart.

After so many dark
inarticulate hours
I,  desperate
To express this love
That drowns me,
Suddenly come up for breath
(after floundering in
the cold water of night)
to find there were words
like little boats of paper
carrying a tea light,
a vivid yellow flame
on the black depths,
floating gently towards you . . .

Oh log of memory
record these sailing messages
So carefully placed, rehearsed,
Launched and found complete.

Knowing I must not talk of love,
Knowing no other word
(feeling the shape of your knee
with my right hand),
knowing this time will not
come again, I summon
to myself one last intimacy
before the diary of reason closes.

Zou Fen often wrote about herself as a rustic illiterate, country-born in a thatched hut, but given (inexplicably) the purple chamber at the Palace. As the daughter of a significant officer of the Imperial Court she appears to have developed a fictional persona to induce and taste the extremes of melancholy. Otherwise she is mind-travelling the natural world from her courtyard garden, observing in the growth of a tiny plant or the flight of distant bird, the whole pattern of nature. These things fill her rhapsodies and fu poems.

As a young man Zuo Si had wild flights of fantasy. He imagined himself as a warrior. In verse he recalls reading Precepts on the Art of War by Ssu-ma Jang Chu. With a scholar’s knife he writes of quelling the barbarian hordes (the Tibetans) in their incursions along the Yang-tze. When triumphant he would not accept the Emperor’s gift of a title and estate, but would retire to a cottage in the country. Then again, as a student scholar, he describes failure, penury and isolation ‘left stranded like a fish in a pond, without – he hasn’t a single penny in his account: within – not a peck of grain in the larder.’ He was never thus.

Like all good writers sister and brother Zou were the keenest observers. They took into and upon themselves what they saw and gathered from the lives of others, and so often their playful painted characters hide the truth of their real lives. David looks at his dishevelled poetry and wonders about its veracity. He always thought of Rachel as his first (and only) reader; but what if she were not? What would he write? What would his poems say?

*I lie on my back in her bed.
On her stomach, her arm on my chest,
She props herself against me
so that I see her face in close up.
She gazes
out of the window

I don’t think I have slept at all,
My own bed was so cold.
She warms me for a while.

All night
I’ve been thinking
what to say to her,
and now I am too weary
to speak.

I am in despair,
Yet I ache with joy
At having her so close.

I wish I knew who I was,
What I could be,
What I might become.

A voice tells me
that such intimacy
will not come again.

BOOK I

     Deep in the shady sadness of a vale
Far sunken from the healthy breath of morn,
Far from the fiery noon, and eve's one star,
Sat gray-hair'd Saturn, quiet as a stone,
Still as the silence round about his lair;
Forest on forest hung above his head
Like cloud on cloud. No stir of air was there,
Not so much life as on a summer's day
Robs not one light seed from the feather'd grass,
But where the dead leaf fell, there did it rest.
A stream went voiceless by, still deadened more
By reason of his fallen divinity
Spreading a shade: the Naiad 'mid her reeds
Press'd her cold finger closer to her lips.

     Along the margin-sand large foot-marks went,
No further than to where his feet had stray'd,
And slept there since.  Upon the sodden ground
His old right hand lay nerveless, listless, dead,
Unsceptred; and his realmless eyes were closed;
While his bow'd head seem'd list'ning to the Earth,
His ancient mother, for some comfort yet.

     It seem'd no force could wake him from his place;
But there came one, who with a kindred hand
Touch'd his wide shoulders, after bending low
With reverence, though to one who knew it not.
She was a Goddess of the infant world;
By her in stature the tall Amazon
Had stood a pigmy's height: she would have ta'en
Achilles by the hair and bent his neck;
Or with a finger stay'd Ixion's wheel.
Her face was large as that of Memphian sphinx,
Pedestal'd haply in a palace court,
When sages look'd to Egypt for their lore.
But oh! how unlike marble was that face:
How beautiful, if sorrow had not made
Sorrow more beautiful than Beauty's self.
There was a listening fear in her regard,
As if calamity had but begun;
As if the vanward clouds of evil days
Had spent their malice, and the sullen rear
Was with its stored thunder labouring up.
One hand she press'd upon that aching spot
Where beats the human heart, as if just there,
Though an immortal, she felt cruel pain:
The other upon Saturn's bended neck
She laid, and to the level of his ear
Leaning with parted lips, some words she spake
In solemn tenor and deep ***** tone:
Some mourning words, which in our feeble tongue
Would come in these like accents; O how frail
To that large utterance of the early Gods!
"Saturn, look up!---though wherefore, poor old King?
I have no comfort for thee, no not one:
I cannot say, 'O wherefore sleepest thou?'
For heaven is parted from thee, and the earth
Knows thee not, thus afflicted, for a God;
And ocean too, with all its solemn noise,
Has from thy sceptre pass'd; and all the air
Is emptied of thine hoary majesty.
Thy thunder, conscious of the new command,
Rumbles reluctant o'er our fallen house;
And thy sharp lightning in unpractised hands
Scorches and burns our once serene domain.
O aching time! O moments big as years!
All as ye pass swell out the monstrous truth,
And press it so upon our weary griefs
That unbelief has not a space to breathe.
Saturn, sleep on:---O thoughtless, why did I
Thus violate thy slumbrous solitude?
Why should I ope thy melancholy eyes?
Saturn, sleep on! while at thy feet I weep."

     As when, upon a tranced summer-night,
Those green-rob'd senators of mighty woods,
Tall oaks, branch-charmed by the earnest stars,
Dream, and so dream all night without a stir,
Save from one gradual solitary gust
Which comes upon the silence, and dies off,
As if the ebbing air had but one wave;
So came these words and went; the while in tears
She touch'd her fair large forehead to the ground,
Just where her fallen hair might be outspread
A soft and silken mat for Saturn's feet.
One moon, with alteration slow, had shed
Her silver seasons four upon the night,
And still these two were postured motionless,
Like natural sculpture in cathedral cavern;
The frozen God still couchant on the earth,
And the sad Goddess weeping at his feet:
Until at length old Saturn lifted up
His faded eyes, and saw his kingdom gone,
And all the gloom and sorrow ofthe place,
And that fair kneeling Goddess; and then spake,
As with a palsied tongue, and while his beard
Shook horrid with such aspen-malady:
"O tender spouse of gold Hyperion,
Thea, I feel thee ere I see thy face;
Look up, and let me see our doom in it;
Look up, and tell me if this feeble shape
Is Saturn's; tell me, if thou hear'st the voice
Of Saturn; tell me, if this wrinkling brow,
Naked and bare of its great diadem,
Peers like the front of Saturn? Who had power
To make me desolate? Whence came the strength?
How was it nurtur'd to such bursting forth,
While Fate seem'd strangled in my nervous grasp?
But it is so; and I am smother'd up,
And buried from all godlike exercise
Of influence benign on planets pale,
Of admonitions to the winds and seas,
Of peaceful sway above man's harvesting,
And all those acts which Deity supreme
Doth ease its heart of love in.---I am gone
Away from my own *****: I have left
My strong identity, my real self,
Somewhere between the throne, and where I sit
Here on this spot of earth. Search, Thea, search!
Open thine eyes eterne, and sphere them round
Upon all space: space starr'd, and lorn of light;
Space region'd with life-air; and barren void;
Spaces of fire, and all the yawn of hell.---
Search, Thea, search! and tell me, if thou seest
A certain shape or shadow, making way
With wings or chariot fierce to repossess
A heaven he lost erewhile: it must---it must
Be of ripe progress---Saturn must be King.
Yes, there must be a golden victory;
There must be Gods thrown down, and trumpets blown
Of triumph calm, and hymns of festival
Upon the gold clouds metropolitan,
Voices of soft proclaim, and silver stir
Of strings in hollow shells; and there shall be
Beautiful things made new, for the surprise
Of the sky-children; I will give command:
Thea! Thea! Thea! where is Saturn?"
This passion lifted him upon his feet,
And made his hands to struggle in the air,
His Druid locks to shake and ooze with sweat,
His eyes to fever out, his voice to cease.
He stood, and heard not Thea's sobbing deep;
A little time, and then again he ******'d
Utterance thus.---"But cannot I create?
Cannot I form? Cannot I fashion forth
Another world, another universe,
To overbear and crumble this to nought?
Where is another Chaos? Where?"---That word
Found way unto Olympus, and made quake
The rebel three.---Thea was startled up,
And in her bearing was a sort of hope,
As thus she quick-voic'd spake, yet full of awe.

     "This cheers our fallen house: come to our friends,
O Saturn! come away, and give them heart;
I know the covert, for thence came I hither."
Thus brief; then with beseeching eyes she went
With backward footing through the shade a space:
He follow'd, and she turn'd to lead the way
Through aged boughs, that yielded like the mist
Which eagles cleave upmounting from their nest.

     Meanwhile in other realms big tears were shed,
More sorrow like to this, and such like woe,
Too huge for mortal tongue or pen of scribe:
The Titans fierce, self-hid, or prison-bound,
Groan'd for the old allegiance once more,
And listen'd in sharp pain for Saturn's voice.
But one of the whole mammoth-brood still kept
His sov'reigny, and rule, and majesy;---
Blazing Hyperion on his orbed fire
Still sat, still *****'d the incense, teeming up
From man to the sun's God: yet unsecure:
For as among us mortals omens drear
Fright and perplex, so also shuddered he---
Not at dog's howl, or gloom-bird's hated screech,
Or the familiar visiting of one
Upon the first toll of his passing-bell,
Or prophesyings of the midnight lamp;
But horrors, portion'd to a giant nerve,
Oft made Hyperion ache.  His palace bright,
Bastion'd with pyramids of glowing gold,
And touch'd with shade of bronzed obelisks,
Glar'd a blood-red through all its thousand courts,
Arches, and domes, and fiery galleries;
And all its curtains of Aurorian clouds
Flush'd angerly: while sometimes eagles' wings,
Unseen before by Gods or wondering men,
Darken'd the place; and neighing steeds were heard
Not heard before by Gods or wondering men.
Also, when he would taste the spicy wreaths
Of incense, breath'd aloft from sacred hills,
Instead of sweets, his ample palate took
Savor of poisonous brass and metal sick:
And so, when harbor'd in the sleepy west,
After the full completion of fair day,---
For rest divine upon exalted couch,
And slumber in the arms of melody,
He pac'd away the pleasant hours of ease
With stride colossal, on from hall to hall;
While far within each aisle and deep recess,
His winged minions in close clusters stood,
Amaz'd and full offear; like anxious men
Who on wide plains gather in panting troops,
When earthquakes jar their battlements and towers.
Even now, while Saturn, rous'd from icy trance,
Went step for step with Thea through the woods,
Hyperion, leaving twilight in the rear,
Came ***** upon the threshold of the west;
Then, as was wont, his palace-door flew ope
In smoothest silence, save what solemn tubes,
Blown by the serious Zephyrs, gave of sweet
And wandering sounds, slow-breathed melodies;
And like a rose in vermeil tint and shape,
In fragrance soft, and coolness to the eye,
That inlet to severe magnificence
Stood full blown, for the God to enter in.

     He enter'd, but he enter'd full of wrath;
His flaming robes stream'd out beyond his heels,
And gave a roar, as if of earthly fire,
That scar'd away the meek ethereal Hours
And made their dove-wings tremble. On he flared
From stately nave to nave, from vault to vault,
Through bowers of fragrant and enwreathed light,
And diamond-paved lustrous long arcades,
Until he reach'd the great main cupola;
There standing fierce beneath, he stampt his foot,
And from the basements deep to the high towers
Jarr'd his own golden region; and before
The quavering thunder thereupon had ceas'd,
His voice leapt out, despite of godlike curb,
To this result: "O dreams of day and night!
O monstrous forms! O effigies of pain!
O spectres busy in a cold, cold gloom!
O lank-eared phantoms of black-weeded pools!
Why do I know ye? why have I seen ye? why
Is my eternal essence thus distraught
To see and to behold these horrors new?
Saturn is fallen, am I too to fall?
Am I to leave this haven of my rest,
This cradle of my glory, this soft clime,
This calm luxuriance of blissful light,
These crystalline pavilions, and pure fanes,
Of all my lucent empire?  It is left
Deserted, void, nor any haunt of mine.
The blaze, the splendor, and the symmetry,
I cannot see but darkness, death, and darkness.
Even here, into my centre of repose,
The shady visions come to domineer,
Insult, and blind, and stifle up my pomp.---
Fall!---No, by Tellus and her briny robes!
Over the fiery frontier of my realms
I will advance a terrible right arm
Shall scare that infant thunderer, rebel Jove,
And bid old Saturn take his throne again."---
He spake, and ceas'd, the while a heavier threat
Held struggle with his throat but came not forth;
For as in theatres of crowded men
Hubbub increases more they call out "Hush!"
So at Hyperion's words the phantoms pale
Bestirr'd themselves, thrice horrible and cold;
And from the mirror'd level where he stood
A mist arose, as from a scummy marsh.
At this, through all his bulk an agony
Crept gradual, from the feet unto the crown,
Like a lithe serpent vast and muscular
Making slow way, with head and neck convuls'd
From over-strained might.  Releas'd, he fled
To the eastern gates, and full six dewy hours
Before the dawn in season due should blush,
He breath'd fierce breath against the sleepy portals,
Clear'd them of heavy vapours, burst them wide
Suddenly on the ocean's chilly streams.
The planet orb of fire, whereon he rode
Each day from east to west the heavens through,
Spun round in sable curtaining of clouds;
Not therefore veiled quite, blindfold, and hid,
But ever and anon the glancing spheres,
Circles, and arcs, and broad-belting colure,
Glow'd through, and wrought upon the muffling dark
Sweet-shaped lightnings from the nadir deep
Up to the zenith,---hieroglyphics old,
Which sages and keen-eyed astrologers
Then living on the earth, with laboring thought
Won from the gaze of many centuries:
Now lost, save what we find on remnants huge
Of stone, or rnarble swart; their import gone,
Their wisdom long since fled.---Two wings this orb
Possess'd for glory, two fair argent wings,
Ever exalted at the God's approach:
And now, from forth the gloom their plumes immense
Rose, one by one, till all outspreaded were;
While still the dazzling globe maintain'd eclipse,
Awaiting for Hyperion's command.
Fain would he have commanded, fain took throne
And bid the day begin, if but for change.
He might not:---No, though a primeval God:
The sacred seasons might not be disturb'd.
Therefore the operations of the dawn
Stay'd in their birth, even as here 'tis told.
Those silver wings expanded sisterly,
Eager to sail their orb; the porches wide
Open'd upon the dusk demesnes of night
And the bright Titan, phrenzied with new woes,
Unus'd to bend, by hard compulsion bent
His spirit to the sorrow of the time;
And all along a dismal rack of clouds,
Upon the boundaries of day and night,
He stretch'd himself in grief and radiance faint.
There as he lay, the Heaven with its stars
Look'd down on him with pity, and the voice
Of Coelus, from the universal space,
Thus whisper'd low and solemn in his ear:
"O brightest of my children dear, earth-born
And sky-engendered, son of mysteries
All unrevealed even to the powers
Which met at thy creating; at whose joys
And palpitations sweet, and pleasures soft,
I, Coelus, wonder, how they came and whence;
And at the fruits thereof what shapes they be,
Distinct, and visible; symbols divine,
Manifestations of that beauteous life
Diffus'd unseen throughout eternal space:
Of these new-form'd art thou, O brightest child!
Of these, thy brethren and the Goddesses!
There is sad feud among ye, and rebellion
Of son against his sire.  I saw him fall,
I saw my first-born tumbled from his throne!
To me his arms were spread, to me his voice
Found way from forth the thunders round his head!
Pale wox I, and in vapours hid my face.
Art thou, too, near such doom? vague fear there is:
For I have seen my sons most unlike Gods.
Divine ye were created, and divine
In sad demeanour, solemn, undisturb'd,
Unruffled, like high Gods, ye liv'd and ruled:
Now I behold in you fear, hope, and wrath;
Actions of rage and passion; even as
I see them, on the mortal world beneath,
In men who die.---This is the grief, O son!
Sad sign of ruin, sudden dismay, and fall!
Yet do thou strive; as thou art capable,
As thou canst move about, an evident God;
And canst oppose to each malignant hour
Ethereal presence:---I am but a voice;
My life is but the life of winds and tides,
No more than winds and tides can I avail:---
But thou canst.---Be thou therefore in the van
Of circumstance; yea, seize the arrow's barb
Before the tense string murmur.---To the earth!
For there thou wilt find Saturn, and his woes.
Meantime I will keep watch on thy bright sun,
And of thy seasons be a careful nurse."---
Ere half this region-whisper had come down,
Hyperion arose, and on the stars
Lifted his curved lids, and kept them wide
Until it ceas'd; and still he kept them wide:
And still they were the same bright, patient stars.
Then with a slow incline of his broad breast,
Like to a diver in the pearly seas,
Forward he stoop'd over the airy shore,
And plung'd all noiseless into the deep night.

BOOK II

Just at the self-same beat of Time's wide wings
Hyperion slid into the rustled air,
And Saturn gain'd with Thea that sad place
Where Cybele and the bruised Titans mourn'd.
It was a den where no insulting light
Could glimmer on their tears; where their own groans
They felt, but heard not, for the solid roar
Of thunderous waterfalls and torrents hoarse,
Pouring a constant bulk, uncertain where.
Crag jutting forth to crag, and rocks that seem'd
Ever as if just rising from a sleep,
Forehead to forehead held their monstrous horns;
And thus in thousand hugest phantasies
Made a fit roofing to this nest of woe.
Instead of thrones, hard flint they sat upon,
Couches of rugged stone, and slaty ridge
Stubborn'd with iron.  All were not assembled:
Some chain'd in torture, and some wandering.
Caus, and Gyges, and Briareus,
Ty

“It really sickens me that you can’t take this life straight,” she said.

Her eyes were afire with a pink halo of hatred that smote her compassion. She reached for her coat and wrenched the cheap motel room door open. It made a small dull thud as it hit the brittle plaster wall. (I hoped my deposit would cover the damage.)

She was one surreal moment’s breath away from leaving me there for good.

“You’re a lonely old man because you’re a selfish old *******,” she said.

She disappeared down the walkway like some direful wraith caught in the night wind. The curt sound of her red highheeled shoes clicking the worn concrete. The inexplicable proof of her existence ferried away in a sea of incandescent tail lights that shown from the highway.  

Maybe she was right. Maybe I can’t take this life straight and never hope to. And, maybe I am selfish. But, I’m only selfish because I’m so **** lonely all the time. That’s the ***** of it. Life is a never-ending toilet bowl flush of selfishness, drunkenness, *****, and utter loneliness.

It took me too many years to figure out that the problem wasn’t her, or even with other people for that matter, it was with me.

It’s only when we figure ourselves out that we realize that we’ve been doing a lot of things wrong with our lives. Listening to the wrong voices in our heads. Taking the wrong advice from strangers. Avoiding the admonitions of those who really love you. These things happen all the time. None of us has the answers. I don’t know anything.

In fact, after all the years I spent searching for meaning in academia perusing dusty libraries and old bookstores for that gem of knowledge, I can tell you definitively that only ignorance is bliss. That it’s even true when it comes to dating. The less you think you know the better you are.

I guess this is where the train stops for me. Time to get off. Try something else. Take to the woods and grow a manly neck-beard like Thoreau did in Walden. Adhere to the early American philosophy of rugged individualism and all that. Too soon would I realize that life isn’t about solitude, or a separation from others; rather it’s about the connections we make. Solid connections.

The hedonistic Epicurus tells us to live a life of pleasure through the temperance of desire, and warns us not to seek what is inappropriate for us mortals, but to enjoy our mortal needs.

I do not know if Epicurus ever found a mate, a friendship, or even a partner to share his most intimate thoughts with besides his raucous audience, but I do know he died in isolation away from society. I’ve never been a hedonist. I’m far too traditional for all that.

My sordid love life is more akin to Ovid’s Metamorphoses and the tragic story of Echo and Narcissus.

I’ve been Narcissus for too many years to count and what’s worse I was in oblivion. For too long have I been unto myself. Admiring only myself. The time has come to choose. Either die like Narcissus or live and love with Écho.

I’d like to walk in the sunlight, drink from the cool springs, and with a Shakespearian passion bask in it’s eternal glow and live inside the warm,  but ever ethereal, love of another’s heart.

To love another with such Shakespearian passion would lead me to realize that the only thing my love can save is myself. And, all the time this duality would haunt me—to unequivocally know that without the tenderness of Echo in one’s life there is only the vain Narcissus.

For now you know the duality, that is also the tragedy, of this man. Let that echo in your ears and see if it does not ring with the truth of all men.

what is this love
for I have beheld it
cast in metamorphosis
a love that makes
transformations on the mind
permissible transformations
improvisations of the self
in ****** intensity
which emphasises the drama
of sometimes, dark, violent
and repressive potentials
vicious energies of hate and ambition
that propel the enactment
of intense and exhausting experience
of vigorous vertiginous chaos
indomitable in its desires
what is this love
is it a registered predicament
made memorable by vivid language
that would butcher in ritual
gratuitous memories and testify
to an urgency of unwisely relinquished emotion
what is this love
does it flourish in flawed
and unreasonable understandings
accumulated upon the mind
in vicarious thrill of sympathy
where traits are highly exaggerated
and eagerly anticipates
the oppressive weight of the past
that functions upon a common collapse
of distinctions
or does it manufacture artificial precepts
pretending in attractive collaboration
to associate fiction rather than fact
what is this love
is it that by treaty or inheritance
with loving ferocity would embalm all tears
and hide all those collaborations
in flared conflagrations of the heart
and yes create a turmoil in the mind
hotter than a thousand summers
and vividly stamp upon a twisted body
a moral viciousness of fathomless malice
that wouldst close its ears
to the admonitions of conscious
and thus through an improbable
incantatory verbal rite
touch the hidden order of all things
in disassembling nature
what is this love
if only it was known

Poor kitty cat, crazy dazed cheshire cat
Thinks by offing the parents
The offspring offed will be
So scratches both the top and roots
Of this family tree
This disillusioned kitty cat
Can't seem to understand
That by scratching a leg
You do not bite a hand
This addled backwards kitty
Has much to learn these days
And harsh admonitions
This ***** do not faze

There is a certain moment
in a man’s life
when the *****
of ladies
around him suddenly
and irrevocably
evoke the image of
a stray feline
from his childhood.
Rigid, near the bushes
with a sharply arching back,
engorged ****
and ***** tail.

Their watchful eyes, playfully intent,
reflect
the drops of rain
falling from the naive face
of an eager boy approaching
too close.
Paws haltingly skitter-gone.

Since this observation,
the hallways of our campus
tend to sway,
like the leaves beside
my grandma’s house
with the plastic window-well covers
not yet shattered by the hail
on that spring evening
after the little league
when I nearly had one.

The windsock next door
on my father’s farm
let each subsequent summer pass,
undetected on the heals
of a breezy, desert thunderstorm.
Before it was so tattered by time
unreplaced and frayed
next to the yellow, coregated shed
where you can still see the dent
from my sister crashing that old golf cart.

Years from then, she did her small, black
Honda in Colorado
with a T-Bone
on a U-Turn.

And my dad was in the hospital that winter
but all I remember is a pointless half-time
football toss sponsored by a cola-
company during a Nebraska game.
The people, trained like chimpanzees,
to test their skill one time
and get that life-sized check.
I remember thinking
"What sunken imprint on a folding bed
does it refill?"
After Dr. Pepper's rotation had
ended.

And these books I read
are shaken branches
behind the fleeting beauty.
Their words, silent admonitions for
desire.
The invitations
from those inky bodies,
their full form and sharp curves,
are not meant for my eye.
Momentarily,
their presence ***** my head and purses
my lips,
beckoning
another species--
a life-form
less aware.

I am glad each cat slipped past that
unread sign-post
and made it to the horse pasture.
Unlike those three moldered fur puffs
each bunny became
beneath my bed.

I hope they had their litters--
and their offspring had their litters.
And the nation of cats had its litters.
And the world of cats had its litters.
And the universe of cats had its litters.

But it must stop somewhere,
with cats.

Who is this man of which you speak

A hallow man, with a set of theatrical masks

That project grotesque shadows upon the world

A monster of evil, a creature ,yes a creature

Whose moral viciousness is vividly stamped

On his twisted body who believes

He has been cruelly cheated by dissembling nature

Yet has with skill a fathomless malice fashioned

Aye and calls for the closing of ears

To the admonitions of conscience

And to vicious energies of hate and ambition

Yes and gives to the eyes coordinates locating an illusion

Whilst he would still the lips with distance

That evaporates in a poignant lament

Of shrouds and gaping graves

Of deformed and emaciated children

Forced to hide in the darkness

The darkness that shadows his words and actions

Gives to us the unbearable fear of abandonment

That would mutate and change places

With the frequent futility of human endeavor

Who is the man of which you speak

It is a man who tosses pebbles

We ventured in to the garden of night's Eden
two intrepid adventures seeking a fruit forbidden.
Night delights in it's prospects of dangers kept hidden
in the darkest part eyes go blind is laid out  it's biggest plan,
in frozen silence of deeper layers, lie in wait the predators
they told us, but we were deaf to the admonitions then.

Her hot  breath on my naked chest, where sweat poured like rain
felt not ticklish, as earlier, this, is a secret tap of the finger of fear ,
we didn't flash the light, not to alarm the beasts, held the breath.
In the percolating drops of wet green light,of fluorescent moon
she points up to a tree branch, close by and I view  in disbelief:
A python, its speckled noose ready, keeps vigil, darkly dreaming,
intently listening to the ascending aria of a nightingale's song.

let us perceive the world anew

and call to account that which

produces intolerable wrongs

of devious motivations

and let us give vindication

to a universal imperative

more powerful than

the pious injunctions of any belief system

whose lies cause such struggle of speech

to produce weird tormented admonitions

in hallucination

that pollutes with a tenacious

intractable meaningless vitality

She's watching me
but she's never said a word
I know not her face
her touch
her aroma
I've only seen her eyes,
in the stars
for years
and I'll never know why,
her beauty claims the heavens
why,
her light cures the blind
and robs sight from the foolish
indeed,
I've stared too long
transfixed and fiendish, for just a taste
I would make love to her even if she has no body
I would kiss her splendor with my words
caress her aches with fragrant whispers
charm the bones of her imagination with tender glances
and consummate our bonding with admonitions of love.

I need no more than words
to know she loves me,
if she would but speak
yet she only stares...
Her smile is the constellations, I know
and her breath is the sigh of the sun
her arms are the rings of Saturn
and her ******* the moons of Jupiter
yet, I am but a man
I cannot make love to these things
so I pen this yearning,
bold
true...
Sitting under her, the Cosmos,
with passion, I enjoy the view.

When I was young, my grandmother would tell me stories
about her grandparents.
There were stories about the origins of the universe.
Legends that connected me to my world.
Embedded in the stories were admonitions to live a worthy life.
Sometimes, when I walk out with my daughter to pick berries,
I think about those lessons . . .

Mama, we have to pick all the blackberries so the bugs don't get any . . .

There's plenty of berries for you, me, and the beetles, baby girl.

I don't like the beetles. See that one?

Where? Oh, look how beautiful and shiny his wings are. . . the beetle respects us. We should respect the beetle.

What about the birds? Do we have to share with them?

Plenty of berries for them, too.

But, why, mama?

Because we are supposed to share with others. Don't eat so many, there won't be any left in the bucket.

I only eat the ones I pick . . .

Alright, girl.

Mama. . . ?

Yes?

Do you want to pick blackberries by yourself now?

Are you wanting to go and play? Go on, then, baby girl.

And a vision appeared to the Poet in the night
The vision of The Holy Spirit in the wild wood:  
‘By  one thing  only
By nuclear weapon alone
Sin enters  the world
And death by sin
Who shall deliver us from this death?
Lord raised up Savior from the dead
You too won’t die
As  His Spirit dwells in you.
Beware of the nightmare leading nowhere
And  bigot’s extremism claws:
O what delight, as consecrated rose worships the altar,
Inner chapel and sanctuary:
Angels and heaven smile.
This Ultimate Reality
(Symbol of the greatest and noblest,
Mankind has striven for
Generation after generation)
Reborn as Christ
Reveals His creative fecundity
Infinite manifestations.
Our perfection
Our ripe blooming
Our sunlight and singing
Our reconciling dry philosophy
With light of Love
And this alone is our true sovereign.
By this knowledge alone
The timeless is united with time:
Liberation from the human wheel
Otherwise our disaster is irremediable:
Satanic spell will work
New weapons develop
New violence within States.
The only battle worth fighting is Peace
The spirit will defeat the canonshots
This is the reverend aisle of a true temple
Never forget the admonitions
I insist
Self-sacrifice is regeneration
And the moment of birth_
Living  among charlatans, poseurs, terrorists
Doing acts of love and charity
Sorting out diamonds among the dross.”

And a vision appeared to the Poet in the night
The vision of The Holy Spirit in the wild wood:  
‘By  one thing  only
By nuclear weapon alone
Sin enters  the world
And death by sin
Who shall deliver us from this death?
Lord raised up Savior from the dead
You too won’t die
As  His Spirit dwells in you.
Beware of the nightmare leading nowhere
And  bigot’s extremism claws:
O what delight, as consecrated rose worships the altar,
Inner chapel and sanctuary:
Angels and heaven smile.
This Ultimate Reality
(Symbol of the greatest and noblest,
Mankind has striven for
Generation after generation)
Reborn as Christ
Reveals His creative fecundity
Infinite manifestations.
Our perfection
Our ripe blooming
Our sunlight and singing
Our reconciling dry philosophy
With light of Love
And this alone is our true sovereign.
By this knowledge alone
The timeless is united with time:
Liberation from the human wheel
Otherwise our disaster is irremediable:
Satanic spell will work
New weapons develop
New violence within States.
The only battle worth fighting is Peace
The spirit will defeat the canonshots
This is the reverend aisle of a true temple
Never forget the admonitions
I insist
Self-sacrifice is regeneration
And the moment of birth_
Living  among charlatans, poseurs, terrorists
Doing acts of love and charity
Sorting out diamonds among the dross.”

Addendum to title:
Boyhood Digs in Collegeville, Pennsylvania 19426

Oft times forced exposure therapy spelled rustling quiet
Pyrrhic punitive onslaughts noisome moody linkedin kicks
jarring inxs harbored grievances foo fighting essence
denoting cannibalized august boy aghast to confront reality
returning home meant compromising autonomy
acceptable collateral casting leftist strides rite
constituting timid steps circumscribing childhoods’ end,
comprising reluctant trudge treading toward adolescence
where wold wide webbed magic ride
rode ruff shod o’er carped hooked
synthetic threads re: fibrous veld
whence extolled impressive footprints
measured triangular wedges rung duff feet
expediently dragged churlish badinage afoot
stretching across Scottish tartan
Harris Tweed unwelcome matt despite frustrated parents
whose vitriol unleashed tough-love,
smacked regularly quasi planned
threatened ultimatums venomous viz witches
yawping against my brand
falling out of good graces,
though hatching escape merely fanned
actions hightail me to bedroom, a secure space,
not exceptionally grand
yet despite rapacious and relentless rage
against the sole son, who hand
did lee managed inciting wrath
of me papa and late mama,
this parcel of land, now entombs nostalgia
namely 324 level road, Collegeville,
Penna, 19426 make believe pal Joey and this creator
passively succumbed to withstand
invisible jetblue lobbing onslaught of slingshot barbs,
wharf fear to rely on self way past primetime,
which solo endeavor didst demand
absent belief, confidence and faith in innate survival skills,
hence countless admonitions recurred
razed quest qua pursed lips
those who begat their only male heir,
provoking predictable panned
da moan he hum in tandem
with concomitant wickedness akin to eland
caught in cross hairs getting pistol-whipped
with many barking explicit derogatory gerund formed
expletives, that did not dislodge this immobile body electric
defying logic, now in retrospect clueless why I suffered to withstand
incessant verbal, venal, and n’er vampire weakened blows
inexplicable, how this soulful, ruminating,
and tortured walking wounded blithely weathered turpitude  
though devoid of sense and sensibility, how no man iz an island
though at times incontinent, where jocund this bard for’er opened
Pandora’s box, but hindsight softened cleft pride and prejudice
whereat bulldozed site of once grand “Glen Elm” tears me up inside
fading memories refreshed, via priceless gift
from beloved younger sister
unwittingly mitigated hammer blows of pain to confront the void,
whence away from obliterated complex edifice grief felt ******!

And a vision appeared to the Poet in the night
The vision of The Holy Spirit in the wild wood:  
‘By  one thing  only
By nuclear weapon alone
Sin enters  the world
And death by sin
Who shall deliver us from this death?
Lord raised up Savior from the dead
You too won’t die
As  His Spirit dwells in you.
Beware of the nightmare leading nowhere
And  bigot’s extremism claws:
O what delight, as consecrated rose worships the altar,
Inner chapel and sanctuary:
Angels and heaven smile.
This Ultimate Reality
(Symbol of the greatest and noblest,
Mankind has striven for
Generation after generation)
Reborn as Christ
Reveals His creative fecundity
Infinite manifestations.
Our perfection
Our ripe blooming
Our sunlight and singing
Our reconciling dry philosophy
With light of Love
And this alone is our true sovereign.
By this knowledge alone
The timeless is united with time:
Liberation from the human wheel
Otherwise our disaster is irremediable:
Satanic spell will work
New weapons develop
New violence within States.
The only battle worth fighting is Peace
The spirit will defeat the canonshots
This is the reverend aisle of a true temple
Never forget the admonitions
I insist
Self-sacrifice is regeneration
And the moment of birth_
Living  among charlatans, poseurs, terrorists
Doing acts of love and charity
Sorting out diamonds among the dross.”

my old street,  
a perfect bicycle drag strip,
needed no gutters--all rains drained
into the bay  

but today,
the lane where
I learned to drive, is a place gulls dance
and killdeer prance

this river
is a dozen inches deep
at street’s end, but a yard and growing at the bay
where the hot dog stand once steamed  

the melting monsters
were a million miles from us, you know;
a threat to a Titanic, though  surely inconsequential
to the Atlantic, or so it seemed

all the hype about heat, carbon emissions,
ozone’s demise, and other gassy notions, we thought
belonged in tomorrow’s world of worry  

but tomorrow became today,
and now it’s commonplace to say,
"the shoreline receded--that neighborhood’s gone."    

a continent constricted,
a lowly inch a year, by greed or divine design?
retribution from an earth that never forgets?
or a fickle force we cannot fathom?  

I am ancient now, though I recall those admonitions,
ambiguities that fueled futile debate, until it was too late
and here I be, watching waters at low tide, lapping
against my feet on a once dry and driven street

she was blonde but now brunette,
her guy in the States dumped her
  with force with a divorce,
he hopes to become a citizen of the USA,
being married to a Canadian girl got in the way
what an inconvenient truth and full of dismay,
something about a Presidential Pardon, for those
from a certain central america country,
the tears were real as she reeled in the wake
of his void promises to appear here,
you know love is just another word,
until you prove yourself worthy of her affections,
not a set of misdirection of your affectations,
that tells all,
with out a touch,
and at first blush,
your love was an
illusion, it was all a
trick, you
...
there was no
promise from
the land of liberty,
no love without
conditions, only admonitions
that it has to be about
you, and will you call
her back when it does
not go through?
With her age and her beauty,
I hope she grabs dignity and
feigns a hearing disorder,
and if you ever try to cross
the border...make sure your
headed south.


©DWE102013

<>
“Stop this day and night with me
and you shall possess the origin of all poems,
You shall possess the good of the earth and sun,
(there are millions of suns left,)
You shall no longer take things
at second or third hand,
nor look through the eyes of the dead,
nor feed on the spectres in books,
You shall not look through my eyes either,
nor take things from me,
You shall listen to all sides
and filter them from your self.”

Song of Myself (1892 version) by WALT WHITMAN

                                                      ­§§§

*These admonitions are the ten conditionals
commandments of straight talk,
boy,
you’ve spent a life lessening and lesson-learning
and all laid before you for taking, gaining,
but for what? for naught?

Start this day, having spent my night with you,
possessing less than what is my now
completed,
this,
my unfinished commencement,
provisioned, a simultaneous beginning and finishing,
emptying a void of
fulfilling questioning.

What does this life desire of me,
that it granted and then removed,
the knowledge of perfection?
leaving me striving, writhing,
shivering unceasingly,
in my saddened, bursting, hacking
and hackneyed chest.

I walk the same cobblestone streets,
observing the descendants of your ancestral tugs
portaging, paying homage to East River tides,
carrying those goods,
the origins of all poems,
from where? to where?
unknown,
but always past our conjoined eyes.

And yet do I look, with our merged eyes,
filtered by a century’s discoloration,
forgive me Walt, for now recalling sights
that you first observed,
that I witness first hand,
100 and fifty years later,
sharing a stolen wisdom with you.

Todays new millionth sunrise bids me stand,
observe the river traffic from my kitchen window,
accept that my takings are debts,
a few, even paid back,
yet, most still owed,
for the origins of all my poems,
are oddly and oddity old,
unoriginal, second, third handed
as I look through the eyes of the dead,
and yours too,
this my unoriginal,
original sin....
(pretending  I am a poet)



                                                   §§§§§

6:24AM
Manhattan Island,
By the East River
Thu. May 14, 2020

were I to merely conject
ills just transribe
but not plan society
in a drama of written verse
but not propose the cause nor solution
in my mind's eye
thereby definition I
with all true thought and admonitions
to my being misguided
take second reason the upper berth
on this waylaid  train
running wild over tracks
through woods runaway
wild verily
ask me anything
I shall proposition you
with causes and admonitions
lay your faults on the parallel tracks
like penelope strapped
awaiting the next freight
as I waltz off swaying
to and fro
certain in my cause and dizzy
destination, a circular straight line I have focused on
that changes day to minute to
second, with my fuzzy
harsh breath I take
and nearly pass out,
certain
to wit I have what to
where I need to hash out and brevity
is not my best attribute,
nor is humility.

Poets, one and all,
Make your words sing,
Never fall, like a tower
Which babbles as it breaks,
Never loose vane admonitions,
Nor tear a tale of fancy, rather seek 
A song of remembrances and revelry 
So that others may share in such 
Gifts as Gods are wont to make.

It's hard not to get angry
At the cricket in the closet
During repeated ratatats
Of the rain on the roof.
Relying on the radiator
Ramboing the reluctance
Resident in the rafters.
Warm winter wishes
For a will of the wisp winter
Waken to wisdom
Rather than rash reminiscence
And rootless resentment.

Bountiful blankets build
A buffer and bulwark
Against my acrimonious
Admonitions assailing
The ghastly gods of nature,
That get together and muster
A team of terrifying titans
That have twisted spring
Into a frozen thing
To, like last year, once again
Punish the thin-skinned.

I won’t leave my toes out,
My piggy toes or my snout
Where a breeze can tease
Or threaten to freeze
From nails to knees.
Oh, please. This one night
Do it right, heed my plight;
Some unspoken vow to keep,
To let a chilly soul sleep
Else I shall weep
In a winter this deep.

"If it rains
While the sun shines,
It'll rain again tomorrow,"
Dad said,
Toting a post driver
And a steel post on his strong shoulders,
"Might as well finish this job."

I groaned under his tirelessness,
Grudgingly admired his grit,
Unwillingly followed,
Lugging posts and wire
Down gravel cactus slopes
Into green poison ivy ravines.

June sweat replaced the summer shower,
And black flies plagued us.
I can still hear him sputtering, "Jupiter!"
Can see him under the sun, leather gloves flailing
Clouds of gnats or mosquitoes,
His brown skin glistening.

I would have given nearly anything
To have been away from there,
Roaring down a gravel trail,
Motorcycle spewing clouds,
Carrying me away from chores,
From Dad's incessant stories,
His impromptu songs,
His admonitions about money,
About weather, about cows,
About anything but fun.

"If it rains while the sun shines,"
And all I could do was look for excuses
To be away,
To run away,
To hie myself away....

All those years are gone,
The work in the rain and the sun,
The exhaustion of following a man
Who never seemed to tire,
Wishing I were away.

He's not here or there or anywhere.
His ashes lie a couple of feet down
In a prairie grave marked  by granite,
Set in concrete my brother and I hand mixed
Beneath a hot June sun,
No rain in sight,
Nothing but high clouds and a steady wind,
Ready to ******* back East,
Away from these gravel hills,
And I am reluctant to leave.

The FBI has a faction
That's bordering on insurrection
As it tries hard to influence
The current presidential election.

One member even reported,
"This is Trumpland." Not very smart.
There clearly are some scoundrels here
Trying to upset the applecart.

Basing their findings on a sham book,
They're leaking "secret" information.
Politics shouldn't eclipse their main
Task, which is investigation.

Members of the FBI
Can vote for anybody they please.
However, they have to be very careful
Not to misuse their expertise.

I guess in any organization
You'll find some who abuse their positions.
An independent agency,
The FBI must heed admonitions.

(11-4-16) By Bob B

Poets, one and all,
Make your words sing,
Never fall, like a tower
Which babbles as it breaks,
Never loose vane admonitions,
Nor tear a tale of fancy, rather seek
A song of remembrances and revelry
So that others may share in such
Gifts as Gods are wont to make.

He is, to his way of thinking, the only one wearing shorts;
The nine young men with him, baggy-wearing and body-pierced,
Swoosh-adorned from head to toe,
Sporting something which seem close kin
To blown-up Bermudas or women’s culottes.
Back in the day they would have been laughed right off the courts,
But it is not his day any longer, as he is constantly reminded;
He wears shorts that merit the term, old leather Converse All-Stars
Cracked and faded as the berm of the back roads
In this out-of-the way locale,
A faded and decades-laundered jersey
Bearing the name of a long-defunct auto dealership.
The kids call him “Jumping Toyota.”
Yo, Toyota—no dunkin’ on us tonight, OK?
Hollering and laughing as they dap and jump-and-bump,
Mimicking playground ballers in cities
They have never been within three hundred miles of,
And he smiles in grim resignation,
Knowing he might get a fingertip on the rim on a good day.
His game is strictly cerebral, horizontal now,
The muted, pastel joy of a solid, timely pick
Or well-thrown bounce pass
Has become his vehicle of blacktop epiphany,
And he eases up now and then on the offensive end
To provide succor to tendons and ligaments
Which, in spite of admonitions to himself
That at your age you need to take it easy, *******
Will still register their protests a very few hours from now
Leading to tortured grimaces and the occasional audible grunt,
As he holds his place on the third-shift line at the Alcoa plant
Bringing his co-workers to ask him,
In that hazy place between bemused and stupefied
Man, don’t tell me you’re still playin’ ball?
Once in a while, though, he will still drive hard towards the tin
And, eighteen again for the a snapshot of a moment,
He will stop on a dime and drop a jump shot
Making no noise whatsoever
Save for the whispery snap of the bottom of the net,
Sound every bit the same as it was
Before his knees and ankles went rogue.
Outside the chain-link fence, a young man plugged into his iPod
Bobs his head in time to some unheard song
As he leans in an approximation of nonchalance
Against a great old elm tree
(Branches bedraggled and drooping,
Giving it the air of some old warlock gesturing in mock-menace
Though his wand has gone a-gleaming,
His magic having deserted him as well)
Which bears a large painted orange circle
Signifying its imminent destruction.

Poets, one and all,
Make your words sing,
Never fall, like a tower
Which babbles as it breaks,
Never loose vane admonitions,
Nor tear a tale of fancy, rather seek
A song of remembrances and revelry
So that others may share in such
Gifts as Gods are wont to make.