A few drivers,
mid-summer afternoon

lean against the divider,
paint peeling

some perch on it lightly---
indulge in hot group-talk;

the waltzing-shadow
of a banyan tree
opposite side of the
auto-rickshaw stand---

a street-art, delicate, dark-hued;

the phantom arms
hug
the disparate crew
in a tight family-embrace,
its breath tousling their hair

and it---
protects them from
the Mumbai heat!
@Sunil Sharma

I hope that the
Bread
Tastes good,
Because I’ve left my
Bones
In “it.”

I’ve left the bones born
Man
And bones born
Woman,
Bones once a baby
And bones now broken,
Bones bitter,
Bones bled,
And soon bits baked
Only by dust,
In “it.”

I hope that it
All
Tastes great,
Because we’ve all chained our
Souls
To “it;”

And “it” will continue to feast,
Come the hours we’d ‘ever starve,
“It” will continue to oppress
And until we say “no!”
So say, "NO!"

the invisible hand is in my pocket
pilfering everything
and there's nothing i can do
to stop it from robbing me blind

it does not guide it only destroys
personal expression under the
whims of an outmoded model of economics
capitalism
a philosophy that subscribes
to the metaphysical conclusion
that a spiritual malady
plagues every human heart
a harsh chorus that rings like a melody
of triumph in the multi-million dollar
mansions of the 1%

convinced we're born selfish
it seeks to reward us for our own malpractice
an edict predicated on social darwinism
that forestalls the possibility of future charity
as it drowns in the throes
of misanthropy and butchers any hope
of philanthropic community or basic humanity
to vanquish our more maleficent impulses

relegated to paying taxes
to ensure the illusion of security
while our money finances endless
war and police brutality rather than
healthcare or education
they know if they keep us sick and dumb
they can get away with ******

if the population shirks in horror
from the looming specter of terrorism
they can justify ubiquitous surveillance
that robs us of our right to
self-determination but
people should not be afraid of their governments
governments should be afraid of their people

they say we can't be trusted
that this is for our own good
but i'll call their bluff that
bull on Wall St. is full of ****
and like a matador i'll entice it to
lower its horns and charge
when itsjust a hairsbreadth away
i'll turn to one side and let it skewer
the slave-driver raising his whip behind me
that same skulking shadow that turns
veterans into homeless wanderers begging
for loose change in Central Park
a pale horse haunting the aspirations
of college students it
leaves the poor and
oppressed shivering after dark and
overburdens broken backs
god doesn't hold up the world
like Atlas we shoulder the globe

now watch us shift the weight

brought down by the people you tried to suppress
this is not some petty expression of vengeance
but the rallying cry of a dream deferred
exploding out to meet your injustice
mark my words

we're taking over the world

Striking poses or putting noses out of joint, Jack Dash was never afraid to clash, to abash bosses, exposing injustice, making a splash to turn our eyes to the unjust slash to rights of men on the docks.
A boxer, a poet, a son of the ancient Borough, with heavy weight words and feather weight fists, he galvanise his brothers.
Firebrand or fire fighter he took to the fight with every fibre of his underdog frame, calling stevedores to flame to life their struggle for their rights to challenge closed doors, with a chirpy charm that was sure to disarm the hardest of hearts.

England lies below the ground
Chiselled out of diamond,
Blackened halls where men would dance
On floors of obsidian, twice removed from the stars.
Parlours made of coal.
Where man and beast alike would toil
Birth would grant them pigment
But birth’s decision was in vain,
When the sun began to fall, they would arise, of colour all the same.
Nowadays the men walk free;
Above
Drink pints in the morning, offer empty yells,
To that guy who came here to escape the shells,
To the girl who arrived here with three degrees,
And now scrubs floors down on her knees,
To the guy who works for minimum wage,
He could be writing upon this very page.
Spirit crushed under coal when the mines closed down
Now England lies below the ground.

If I had words and rhyme enough to show
That when on thirsty soil my roses grow,
In stinging, ice-wrapped cage my songbirds sing
A lilting tune that ushers in the Spring.
Then such a poem will, of course, prove true
That God has worked His miracles anew
Through friends so dear as life from life renewed,
Such sweetness, oh, such blessedness reviewed!
In mind and heart they’re two: Nenette, Andrew.

Though years of service each have taken toll
On weary shoulders, cares and burdens fall
But Love-lit eyes and smiles keep such as veiled
As fragrance from the heel-crushed violet.

Praise Him who made you both as beautiful
As summer rain.

The two hundred pound waitress
Was smoking and patting
At her nearly two-foot-high hair.
The cook was scrubbing
The scunge off the griddle
Old Zeke was drunk in a chair.
A lonely song was playing
For the twenty third time.
The jukebox was just that old.
Young Biff was mopping
In the light of a weak bulb
He knew the water had gone cold.
Still he scrubbed at the colorless
Old linoleum floor, sulking
One more job to get through.
When the door to the café
Quite suddenly opened
And paper and napkins flew.

It was Biff's friend from school,
Most folk thought him a fool,
Jokey Jerry, his Dad and a girl.
His whole mind was taken
By the sight of the vision.
The most beautiful girl in the world.
When they sat at the counter,
Biff washed his hands
And hurried the waitress away.
He put a menu between them,
Between Jerry and the girl,
Asked what she would have today.

She laughed into her hand
And fluttered her lashes.
They were just for a moment alone.
Then his friend asked Biff
"Gimme change all in quarters
And where is the john and the phone?"
So, now with the mood broken
All too abruptly
He took all their orders and blushed.
He offered her some pie
That was made by his mother
Told her she must taste the crust.
The cook began to fry
The food they had ordered
As Biff gazed into her brown eyes.
His friend, the girl's brother
Sneaking behind them
Set fire to Biff's apron ties.
When the smoke rose enough
That somebody noticed
The girl let out a small sound.
Biff began to flail
At his smoldering backside
And wailed as he ran all around.

Quickly circling the room,
He stepped into his bucket,
Which went along with him as he ran.
Then bounced off the leg of
A customer's chair and they fell,
Hamburger, the chair and the man.
The patty flew out
And landed on the waitress
Who screamed and jumped to her feet.
And elbowed the cook
Who was cleaning her glasses
Which then fell into the hot grease.
She shrieked as she reached
For the tongs to retrieve them
And woke up the drunk by the door.
Zeke began to sing,
"Alouette", out of tune.
And "Hallelujah, praise the Lord!"

Oh his journey around the café
Raising all kinds of havoc
Biff found himself by the windows.
Somehow set fire to Hazel's
New book-ordered curtains.
Jerry's Dad yelled, "Thar she blows!"
Thinking rather quickly
Since he was nearest the danger,
Dad threw his iced-tea at the flames.
And most of the canary yellow
Took-two-weeks-to-get-them
Café curtains with the drawbacks were saved.

Biff was still standing,
The bucket on his foot,
So he bent to pull it away.
Around the corner came Lem,
A very large fellow
Who didn't see Biff in his way.
He sent Biff careening
Through the checkered-cloth tables
To end in the corner, in the dirt.
The shreds of his dignity
Were scattered around him
As tattered as his ruined pants and shirt.
But the beautiful ladylike,
Lovely sister of Jerry
Dared anyone else to make fun.
She took Biff's hand
And smiling, she told him.
"Darlin', this is how legends are begun."

The bricks of the human world are dying.

Others are being born as we speak,
But others still are dying
And the world is dying and changing with them.

Some are dying in bleachy hospital rooms
With blood-smeared hands,
But others are not.

The world is dying in fields
With a back lain-upon by fresh harvest,
Hands caked in loam
And a face creased by sun.

The world is dying in factories,
Gazing its brains out through the smog
And over clamorous machinery,
Bleeding tears into cheap t-shirts.

The world is dying in offices,
Dreams pulled out and splayed about
Like a salmon's innards
Upon the printer-paper butcher board.

The world is dying at sea,
With salt-crusted hair
And burning, split calluses,
Beety droplets staining the passive blue.

The world dies in death:
In rusty mill bones
And hollow farms
Rented out to memories.

The world is dying,
And where is the ceremony?
Where is the procession?
Where is the twenty-one gun salute?

The world goes into many graves
Packaged in a homemade box,
With Duty fulfilled
And not a single note of "Taps".