The sun and its veil drags along the humdrum path, like an old dog’s broken tooth, lodging itself into a decrepit chair. Right up its ****; where it belongs and longs to be loved. It suffocates, coagulates, and discombobulates the bowery citizens within the pearl atolls. By the rims of the gates, Moses receives ******* while a sojourning sheik blasts the radio. Meanwhile, the teats of Atlas are duly pounded as the mortals are aroused and grounded. Never beholden to ecumenist beauty, life lives on, defying questions. It festoons its lexicon of self-defeat and the synonyms that we waste sun on; A halcyon is redacted before long. I am left at the teeth of a sycophant and a broad-shouldered man who I adore in dangerous elan. Epigrams foist themselves upon the masts, the masts that sail us o’er the soot of the ocean, and land us flippantly onto the crystalline concentration line which is a-gaping wide.
The orifice of a primordial awaits us.

I try to grasp.
It slips away
I give up it wrath
It's back to stay

So it seems that I only dream
The more I let go the easier it becomes
I shed my skin a snake
I go for a swim in a lake of gold
What are these feelings I cant shake
Are these lies I have been told?
I am tender, I want to awake
In this life I have always been old
So I let my heart of hearts unfold

Beings with trunks for ears, duct tape for eyes, and nozzles for digits…… Oh, what horror is this? I do not dream of the world anymore, just the rotten carcass of my amygdala. Suchasmall space to wade through…. so cold, yes? Coconuts falling down pants, with pinstriped sections separated by a ragged burlap fur. Googly eyes, slick and shiny, privy in decadence. A skinned raccoon goes soulless in splendour as it receives ******* from a malnourished Mickey Mouse. Corkscrews enter the ears.

“Oh hell yea, they’re suffering! They’re believing that they can go home, but aren’t getting any closer to the Entropoid Valley which leads to Kubla Khan, by whom they were cremated and born. Instead, they’re here, whiling away their days for boys who are bringing the death of days.”
“Hold your thoughts, lad!” Yells the Cameraman of the Head.
“I’m here, I’m in your head ImhereImhereImThere. You’ve no right to chastise the boys who have not kissed the horror. They’ve seen it, yes. But they haven’t captured it, you see. I am the camera, in my ribs are the film reels, the oscilloscope in my uvula, the trigger rested in my right earlobe. I tell you, there is strength in their brutality, I can bring you the tribal taste.”
“Man, we was just talking about centrifugal farce.”
“Centripetal.”
“No, was it?”
“Wasn’t it?”
“Hey! I believe-“
“Can’t be”
“Shan’t be”
“Oh, whatever. Those bullets find their way to the ***** anyhow.”
“Anywho.”
“Hey, grab your Coca Cola, Clean. We’re ‘bout to miss the show. The cameraguy could record it if he wants.”

Sewer rats bottleneck into a Carnival of Depravity. Due to the bizarre circumstance of their fingers, they allow their limbs to become limp. As Valkyries, they are aware of the juxtaposition of their clown pantaloons and their hobnailed mudboots. In this benefit carnival, a ferris wheel runs amok. Within it, GI’s holler their way through the vermillion skyway, zippoing the dented carapace with their M16s. In a true practice of youthful bliss, the 5.56 returns to the cosmos. However, the bullets, streaming out and homewards, are soon constrained to the circular path of the wheel itself.
“Centripetal farce!” goes Lance.
“Hey what, man?” whimpers Mr. Clean.
“Well, y’see: centripetal fOrce makes an overwhelming amount of sense. So much so, that when superimposed on the Carnival Cavalcade™, it must make no sense, for it’d shake us all up something mad.”
“So, the bullets aren’t real?”
“Oh, they’re plenty real. Just touch it, it’d melt you, starting with the neurons, cat. Other than little blue reality though, it’s out there. Its dancers are not chained to any concrete block of nature.”
“Oh, they’re sufferin’?”

By the 1960s, a disillusionment with Nationalism and war was permeating within the public consciousness.

Man: jazz. Jazz! Everything sounds like jazz when you lend your hears an oscilloscope. You know what j-a-z-z sounds like? Well, it’s sweet, serendipitous or nonsensical, nihilistic. Modern in stainless steel or anachronistic in brass. Jazz! So what? Jazz sounds like anything that’s everything and vice versa. It’s a limb of that omniscient looker up and over: the tune itself. Oh, the tune? It’s what lies between your fingers when you’re writing, forging, loving, giving, perishing. You strut with the frequency of a conduit, but an unaware one at that. A change is gonna come in mere years, I know that much. Everyone will be deloused in the pain of the world; Mother Sympathy for all, even the charlatans who hide behind their crimson fur! All I’m saying is, whoever brings it ought to be from this place. I can’t fathom a recalcitrant extraterrestrial handling our own business at the expense of their planet’s water supply. I’m excited for whatever comes, believe me. So long as it ends me and with me.