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Nathan Squiers May 2014
I've trekked across the deserts 'til there was sand beneath my skin,
And I've swam under the oceans 'til I started growing fins.
I've found myself in perils from which none before could escape.
From frozen caves to scorching skies; from rolling sands to sinking mud.
And, after all my travels, I've decided to go back into the Blood.

I have scaled so many mountains, my hands began to take their shape.
I've fallen victim to the dangers of all natures of landscape.
But through it all there was not a single war I couldn't win.
You see, I was born of far worse; birthed from a visceral flood,
And, after all my travels, I've decided to go back into the Blood.

A product of the darkness, I am proud to wear my sin,
Like a badge to prove my source to every place I've been.
And, though I am immortal, I'll wear my cape upon the cape,
When the End of Times arrives to carry all into the Scud.
But on this day my travels wish me to go back into the Blood.
I was inspired by the late & great Robert Frost's style of feeding the following stanza's starting rhyme in the prior's body. Utilizing this rhyming "bridge", I decided to focus on trying to convey a brief-yet-eternal story that takes my love of vampire lore into account with classic, Odyssey-style grandeur (somehow a Nordic-like concept with "The Scud" came into being--I might play more with that idea in a future piece). In either case, here's a hodgepodge of nomadic, vampire-driven, Frost-inspired gnarliness.
Martin Narrod Apr 2014
angry men who do not know I do not have a dollar or a cig to spare. Ugly irrefutable contagion-handed howlers. Angry mischievous heathens that pantomime on 6:00a.m. sidewalk, Wicker Park gallow stop-sign, choreographed gutter-punk drunk walk. And of all he wants and could ever want splits down his gooey membrane brain in the outline of a noun shaped fragment of a clause, "Couldja spare 80¢ for the train," but of course I don't spare on the ellipsis or the period. Semi-colons I won't! My rubber-bottomed leather boots lash out, heavy scraping sounds trail this mirrored shadow half an angle behind me.

*****!! Blonde framed sunglasses from American Apparel, a gift from my sister in a folded Ray-Ban case is scattered on last nights bedroom floor, my girlfriend has certainly not noticed, the gloom-coated morning sun spray has not noticed; but I have unzipped a fissure in the ocular lens. My heart skips a beat. Her bedroom might as well have swallowed them whole. Now the house can halt and have the shade, swaying in Spring air in 10:22a.m. shadows. The aviator himself Howard Hughes would strike me with his 488 aircraft. Edwin Starr in his invincible sinister calypso of War would turn me round. I was sturdy as a rock until I began to forget my forgottens. These unknown unknowns I knew I needed. I'm over a quarter-century on to noon going nowhere- and quite blindly.

But then, still she could stand upright and find me. Her neck crooked, looking onward through the East, the gristly roots of rhubarb buried in her searching fingernails. She's threaded worse, and of course if I could just tell her- this is the kind of nursing which requires acute temperament and flexibility. I am thus on a journey to strike nonsense and fear from the idiotic vocabulary that put this nonsense in my head. Split through me like a butter knife into my apotropaic. Perhaps tar water could cure my ails. If not, certainly a sliver of vanilla would set me straight. Or if could just rain rain rain all day, then I'd make do without, but she is at school. My pistons are racked and nervous, and I'm not going anywhere but my rucksack stoop. I am camped in midwestern Spring soup. Fog, rain, and shade. The nightmare of day.
Inspired by William Butler Yeats 'Beautiful Lofty Things'
Poetry is the altruistic apogee of the individualistic emotional egoist.

The lack of feeling, and the lack of empathy,
the petty attempt to hide them with creativity.

It’s truly astonishing how we can fool ourselves into thinking we’re kind
When we’re just wasting our time, pretending to see when we’re blind.

How could we ever emulate our chemical imbalances on one another?
The only way to do it is the kindly overrated feeling of love and affection.
And why would we need words, if we’re sure about our love for each other?
Oh, we’re puzzled to believe that our puny poetry represents felt perfection.

Yet we just walk through the valleys of lyricism,
Lost in our own wishes for joy or demise
And yet we become shadows of perfectionism
Filled with the detachment we criticize.

Our representation is our perdition
We've lost ourselves in our own mission.
Not particularly proud of the fourth quatrain.

— The End —