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They tell him he is not a flower,
not soft, not meant to sway.
A man must stand like oak and iron,
unbending in the storm’s display.

But even mountains crack with time,
and rivers carve through stone.
Still, he tucks his petals inward,
pretending he is made of bone.

He’s taught that thorns are armor,
that roots must never show,
that to bloom is to be broken,
that to weep is to let go.

But flowers starved of rain will wither,
left to shrivel in the heat.
And men, too, will turn to silence,
fearing softness makes them weak.

So let them bloom, let them bend,
let them speak their pain in sight.
For a flower wilts not from the wind,
but from the absence of its light.
This poem explores the delicate nature of emotions and challenges the societal expectation that men must be unyielding and stoic. The flower metaphor represents both the vulnerability and strength inherent in all people, suggesting that emotions, like flowers, need space to grow and thrive. Toxic masculinity, however, teaches men to hide their feelings, to suppress their emotional needs, and to adopt a rigid, unbending exterior.
War ravages the sacred lands,
Those that lie where you do not see.
Conquering all, restless is the enemy;
Only Castle Hope still stands.

Brave soldiers, friends, family;
Fearless, they march into battle.
One-by-one they're slain, no chance for victory.
They now rest eternally.

Only the general's left,
He's barely breathing anymore.
A cold blade takes aim, ready to pierce the heart
Faintly beating in his chest.

It's he for whom the bell tolls.
The hour of death is drawing near.
The sword begins its descent, this is the end;
Time to go, the curtain calls.

But the blade can't find its way:
For another one blocks the path.
The general can not let go of the past,
And his Hope will never sway.

He draws strength from what once was,
Burning memories guide his blade,
Restless, he marches toward endless glory,
And it's all for a good cause.

His strength comes from what could be,
A future that's worth fighting for.
The last bastion between joy and agony,
That's what he'll forever be.
I make them smile,
not for ease,
nor for the brief bloom of laughter—
but because the world is a weight,
and lightness must be carved
by hands willing to bear the chisel.

I have seen sorrow move like a tide,
dragging its wreckage ashore,
leaving eyes hollow, shoulders bent,
hearts shaped like doors
that open to emptiness.

I have watched the weary—
not dying, but unlit,
not grieving, but undone—
souls curled inward like autumn leaves
that never learned the grace of falling.

So I place joy like a candle
in the cavern of the ribcage,
let it flicker against damp walls of doubt,
let it whisper—however briefly—
that there is still warmth, still wonder,
still a reason to lift the chin
toward the sky and call it home.

A smile is not salvation,
but it is rebellion—
against the hush of despair,
against time’s indifference,
against the notion
that we are meant to suffer in silence.

Let them call me foolish—
say laughter is fleeting,
that joy is a trick of the light.
I will still shape it, scatter it,
send it forth like a dandelion seed
that does not care
where the wind takes it—
only that it was given,
only that it was free.
Azarel 5d
Cowards cloaked in the safety of shadows,
Hiding behind fictitious names,
Preying upon fragile hearts,
Words laced with venom,
Their hands stained with tears.

What kind of monster knows the wound
Yet rips it open?
What kind of soul sees a fractured heart
And snaps it further still?

I dream of justice
Not swift or merciful,
For that would be too kind a punishment.
I dream of a slow justice, slow as molasses,
Seeping into the safety of shadows they know,
To bring an inferno, unyielding, relentless
To mirror the agony they sowed.

I will tear down the heavens,
I will shatter the earth
To find them, to use them,
To be used as kindling,
To remake the world in flames.

For the world has been far too cruel.
Every ember would sing of her freedom,
Every ash a testament to their sins,
Every cloud of smoke a warning to them all.

Your suffering will not be quick
Oh no, death is far too kind.
You will feel the weight of despair,
The suffocation of regret,
The searing of your sins
Carved into every breath.

And when I hear them plea and beg,
Cry for the Lord to save them,
I’ll ask if they think their penance was enough,
If they regret what they’ve done.


And when they say yes,
And ask for the sweet release of death,
I’ll rejoice as I am the last thing they’ll see
The gleaming smile looking back,
As their light leaves their eyes.
Mica Wood Feb 8
Fat clouds scream, “*******!”
But no one notices me,
As the bus drives by.
I saw the bus of the Christian school I attended drive by, and I blew a cloud of vapor in its direction in defiance... No one noticed.
Erwinism Jan 24
Under skies where umbrage is stitched with thoughts, I ponder, on the days, like copper, reticence is bent when voices, hushed, rise and take their place,
with colors sharp as blades, of stories then that crashed against the wall of silence.

Muted. Muted. Muted for so long.
This voice, a titan, bones crumpled in fetal position and slid into a box has been gagged for so long. The body now unfurls, a sapling having been denied of its spring for too long.

And I’m waiting for the day when I can keep my head up, when I can speak up and say my peace, say my piece.

And I’m waiting for the day, no longer I, a sunflower with shoulders hunched, head bowed, lips crimped, wilting under the star I’ve always loved, basking in the warmth and letting the shadow fall behind me, am afraid of parading the reflection the mirror holds for me. When rights are not hoisted as hopeful words scrawled on cardboard for no eyes to see.

No longer hidden, walk with neither shackles or shame, unapologetic without otherness and doubt, to stand tall, shedding the cloak of unseen, burst into darkness like new born light for everyone to see.

Under the crushing weight of novelty, head stuffed inside a crown for the surd, Humanity watered down until it turns into a pulp of flesh, no more. No more, I say.

Pay me no nods, nor embrace, nor tokens, but vows that we would dine at a table and see the beauty of existence in your eyes, take comfort in your smile, and speak my mind as you freely could, when you get out of line. If you don’t know, feel free to unbuckle my shoes, fill them, take root in them, walk miles in them, get spat in them, get persecuted without a reason in them, take a number, stand in line, keep your mouth shut in them, go home in them, if there are holes, feel the burn of friction, weep, weep, weep and be laughed at, be told what you feel is not real in them. Maybe yearn for a word or two and let somebody, anybody know you are crumbling into them, like a cinderblock too weak to cradle fire any further in them?

Maybe only then, that in them, you’ll take my callused hand to sand yours, and we'll find the stars that guide us home to peace, and in that space, our voices intertwine, the beating of hearts are in synch, with heads held high.

Let me, in confidence, be worthy of the space I claim and of equal measure know what it’s like to live free and not keep waiting for the day.
Sara Barrett Jan 12
Freedom, they said, was for all,
But it became a privilege—
rationed, conditional.
Laws were written in the ink of fear,
Meant to bind us but never them.
Papers dictated our worth,
Time slots our movements.
For what felt like endless seasons,
My world shrank to walls and whispers.
A yard became my horizon,
A car my only escape.
Truth was silenced,
Questions outlawed.
They called it protection,
But it felt like exile.
The Constitution became fragile glass,
Shattering under the weight of hypocrisy.
Freedom was not free;
It was a cage lined with lies,
Its door held shut by fear.
I lost more than days—I lost trust.
The land of the free stood still,
Its anthem drowned in passive compliance.
This poem reflects the emotional landscape shaped by pandemic measures in New England, where silence became a prison for many. The enforced isolation and restrictions led to feelings of confinement, as laws and guidelines dictated daily life. Yet, within this silence, there emerged a defiant spirit—a refusal to accept oppression. The juxtaposition of fear and resilience highlights the struggle against societal constraints, resonating with the collective experience of navigating uncertainty and loss during the pandemic. Through poetic expression, the complexities of human emotion are unveiled, capturing both despair and the unwavering hope for freedom.
Kian Dec 2024
The fossils hold no names,
no mourners to cradle their edges,
no elegies to weave their flight into memory.
And yet, they linger,
etched stubbornly into the earth’s spine,
defiant in their refusal to disappear.

The soil sings softly for them to yield,
to smooth their edges,
to fold into the quiet churn of becoming.
But they cling—
not to life,
but to the shape of it,
the weight of what they once were
locked in stone that pretends
it is still bone.

I press my hand to the ground,
feel the echo of their resistance,
and I know them,
for I too am a creature
carrying what time has asked me to release.
I too grip the brittle edges
of what is no longer,
keeping its form
even as it threatens to break me.

We are kin in this rebellion,
this quiet mutiny against forgetting.
Not because the world remembers us,
but because we remember it—
the curve of what was,
the ache of its passing,
the shape of a weight
that cannot be returned.


                     Not alive.


           Not gone.

                                    Only refusing to let go.
the kinship between the persistence of the past and our refusal to let go of what time demands we release
Kian Nov 2024
The world does not stop.  
Its hands grind the hours to dust,  
indifferent, relentless,  
a machine that tears beauty from its roots.  

They pave over wildness,  
turn green to gray,  
and laugh as they vanish into cities  
built to collapse.  

And I hate them for it—  
for the way they pass by  
what remains,  
too blind to see the tender rebellion  
of a wildflower rising through cracked stone,  
the stillness of a hill beneath an endless sky.  

At fifty-five miles per hour,  
they reduce the infinite to a blur,  
a place they will never touch.  

But I love the quiet, the overlooked.  
The way moss clings to damp stone,  
the faint pulse of water through soil,  
the hum of life in a field mouse’s frantic dash.  

A single blade of grass,  
standing unbroken beneath the frost,  
carries more grace than the world  
they call progress.  

For I, too, am a speck of dust,  
being ground down by causality,  
spun within the great indifference  
of all that moves and does not see.  

And yet I persist—  
a small thing against the weight,  
an ember clutching at its warmth,  
a whisper in the deafening void.  

I want to scream,  
not to stop the world,  
but to make them see.  
To make them hear the voice of moss,  
the whisper of grass,  
the soft rebellion of the unnoticed.  

I want them to kneel  
and lay their palms to the ground,  
to feel what still endures beneath them—  
not in grandeur,  
but in the quiet things  
that will outlast their noise.  

Let them say I was hollow.  
Let them call me bitter, or ruined.  
But let them know this:  
Every fragile thing that stood defiant  
held a piece of me within it,  
a weight to steady its roots,  
a breath to fan its fire.  

And when they forget,  
as they always will,  
I will remain in the places they passed,  
small and unseen,  
but unbroken.
Asher Nov 2024
silent strength within,
words and bodies claimed in vain
minds untamed, fierce free
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