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There’s an outfit for each kind of day,
one for work, and one to play.
One for silence, one for charm —
I dress to keep their peace from harm.

I match their tone, their pace, their cue,
become the me they’re walking through.
A shifting shape, a face that fits —
but never quite the one that sits.

I dress in layers not for style,
but just to wear a safer smile.
A thousand looks, a thousand designs —
but none align with what’s in mine.

And every mirror looked back at me
But none of them knew who to be
I learned to read the room so well,
I lost the voice I used to tell.

But fabric wears, and so did I,
the cost of always living shy.
I’ve worn their sizes, played their part —
let fashion hide a restless heart.
But now I pull the stitching tight —
and walk in clothes that finally fit right.

© Copyright 2025 - Limes Carma
I am flawed, lost in the depths,
Since I heard the silence beneath their steps.
Their map is lean—lines, signs and names,
Not seeing beyond the truth they claim.

Through their shortcuts, they place me in a cage,
A simple outline, they miss the weight behind the stage-
What’s soft, unseen, warped by age,
With complexity they cannot engage.

This map of mine holds space, nuance, weight,
Unmarked roads and altered states,
It charts the shifts of inner skies,
The truths that flicker in disguised eyes.
It honours detours, dwells in pause,
And bends around unspoken laws.

They see it, flawed, lost, estranged,
Too raw, too complex, too unarranged.
But their neat world cannot gauge the cost,
Of all the knowing they’ve lost

Let them follow lines well-laid,
Their scripted paths in safe charade.
But don’t hold me to your labels and limits,
Drawn from shortcuts and fleeting minutes.

Let me be, let me fly,
To map my uncharted sky
A: A pump?
B: A pulse.
A: A ****?
B: A nurse.
A: A dump?
B: A purse.
A: A lump?
B: A curse.

A: An illiterate curse? Like the King of Suicide-Land?
B: Yes, and his land beyond this limited veil.
A: You mean my curtains?
B: The agreement you signed while asleep.
A: I don’t remember.
B: You weren’t supposed to. That’s how contracts work here.
A: So I signed away my thoughts?
B: Just the ones with teeth.
A: I liked those. They bit back when I cried.
B: That’s why they were taken.

A: And the King?
B: He governs with a broken wristwatch and a hymnal full of typos.
A: Sounds professional.
B: His grimoire is made of expired passports.
A: How charming.
B: He doesn’t speak anymore. Just shivers.
A: I think I’ve heard of him! When the showerhead told me—
B: That’s his embassy. In your bathroom.

A: Is this real?
B: You’re asking the wrong room.
A: The wrong room?
B: Yes. This room only answers while wearing someone else’s shoes. Try the hallway, it lies best.

A: And my dress?
B: Tomorrow evening.
A: Does it bleed?
B: Only when you wear it backwards.
A: That’s the only way I wear anything now.
B: Good. Then you’ll fit right in.
An internal monologue about conformity.
When did children lose their love of learning?

When they were told to conform,
To forget their being,
To discard interests, agency, creativity

My own complicity
In the stifling of identity

Authenticity, a digression of the self,
A dissolution of swarming
Complexities

When did I gain my love of learning?

The burning crucible
Of curiosity

Set aflame by rejection of conformity

Constraints, curriculum, crushing expectations
and a world disintegrating
fires of digressions

When is conformity an expression of authenticity?

When is authenticity just another form of conformity?
A diversion at play,
A separatist dismay.
To inform you of worry,
So that now you’re sorry.
No self for you,
You have what comes due.
Colors they besiege,
To fill their barbaric siege.
Tell them woe thee.
And now, worries see.
Weakness in what is selfless,
Holy what they draw out.
They slander what they spout.
They are superior,
For their inferior.
Nonsense at play,
So don’t let it dismay.
History repeats,
But you have the cheats.
Let them be,
So they can end what they see.
Do not worry, as long as you know what is what, let it pass like a wave in your journey.
Gustavo G Apr 30
I am weird  
Born weird  
And in the desperate urge not to be  
I tried to take another form —  
A shape made from a mold that wasn’t mine.

And the pain of not fitting into what was expected off me…  
Turned into despair.

Claustrophobic, crushed  
Inside a mold that was never made for my shape.

And the pain?  
The pain of the molds  
Was greater than the despair itself.

Still, I go on
Still…  
Weird.
Mariah Apr 24
No real wonder
How I got it
The skeleton
In my closet
I felt left out
So I bought it
If you don't have trauma, store bought is fine.
Andy Denson Mar 22
inspired by tony labrusca's portrayal of josé rizal

babae likes me contained.
me—a tupperware full of lumpia.
i'm soggy, *****.
*****—inday—i'm gwapo. fried uy.

sorry. soggy.
druggy. sorry.

my chest tattoos?
yes, they can be removed.
will that be provided in my—

nevermind. thank you.
she opened her purse.
hard candy.

waving me away.
sorry carb-eating lad.
she is just ******* hard candy.
cgeh. babay. cgeh bi.

jose, they say you wrote novels.
but i wonder—
did you ever write yourself out?

did you watch your own ink
bleed into the soil?
did you wish for something softer?

in the way i am devoured. hero forgotten.
in the way i am swallowed
whole—one piso coin
by lovers, by history, by a name
they gave me before i ever
spoke too. ii
This poem weaves together personal identity, societal expectations, and historical resonance. The imagery of food (lumpia, hard candy) juxtaposes with themes of erasure and visibility, tying into both personal struggle and the weight of history. The references to José Rizal invoke a parallel between artistic creation and self-sacrifice, questioning how much of oneself is lost in the process of being seen.
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