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Ken Pepiton Jul 9
The if, the pose to be supposed, up
above the purpose, we stand under

knowing, mankind was never intended
to know how to do this very act,
reading writing ready to be read, leads
to sayings said some time back, leading

us to imagine we both think the same
thought, each word we read holds, as true

under any standalone circumstance, a meaning
true to the sense supposed such a word may
make a reader willing to agree, the idea
that makes a word a word, is we agree,
that idea,
this is that, us, as a we form of human beings,
thinking these very same words, for no reason,
-apriori aitia, art
poses art itself as beautiful hope substance
weighed in lightness of spirit,
fi, in essence leaving be, the gentle feeling
confident, you know, art's aches are maddening,
no, the reason, is not the cause, be cause ready
readers ratiocinative states allow imbalence,
total nonsensed reasonings used to hold us…
all the worthy ways truth makes life hold us…
the words, the skill
to shape each quant-unused, idle time,
of good sense, seen to show a child seeing
- my grandma telling me, time and again
if I had the good sense god gave a green apple,
I'd have a
gpp gulpt precept popt
t' resonate morphically at you
- classified useless tech, taught better,
- let our imaginations see what lips feel,

goodly persuasion perception, a sweet intelligence,
such a taste at a time coinciding with a kiss perceived,

as while watching, full screen close ups of only lips,
leaving all that could not be seen, to seem,
sorta, kindalike, could and did, in my core
- vicareous exposure to coming attractions,
- should one perceive the adulting too soon…

do. Yes, this idea, once more, reproving
doing and imagining doing, seriously, really doing
is the same for childing as for adulting, thinking
about doing it, when it was complete mystery,

the real deal, believed by all the cohort reared
in the system used to make us each useful, worth
a **** to the whole economic cycles begun back then.

Boomers for business, Jews for Jesus, loyal De Molay,
fidelity, integrity, snap
network radio
to your realm of imaginable,
five words per minute, decode rates, 300 baud signal.

Feel the suddenness urge,
impulse same sure sense, I know

we did agree,
whatsoever two or more agree,

Truths held true to the point where
if the Bible says it, to this point when

you know, each key, carries each letter,
but the reader carries the key to each word,

and the effectual patience of the reader,
waits and reads each line, as an answering,

swery villingly wired for recording nows,
at the instant one uses a choice to remember

Membership in the mad poets, to remember

burning at a public bon fire, really, the idea
used to make adultery so unavoidable, truth

is imaginable, and imaginably beautifully true,
as art is, so is art formed, in minds holding being,

at an instant
pause
to think, we breathe, we think,
we might speak across this medium,
we may talk through this walled time,

and…
we may think each word, in any known
set codes all laud the possibility we know, just

what any knower may, and nothing more, just
now, we each are thinking this is not conversation,

this is verse, prosaic perhaps, yet line upon line,
precept upon precept, except ye whet the edge,
you know,
you must put forth far more labor, wasted effort,
redeemed in times taken as granted, easy waiting.

--------------
There's this art,
and there's that other art,

efforting elucidation, seeming
seen in such a light as good shines
from, in reflection as we speed along,

thinking in decades, retying reasons
to wishes avoided, just at that instant,

when none of this was ever done, not
a thought, you think now, if then

had not been truly what does occur,
in the paradigm of life's book, not life,
but the book of,
on your pages, it must say you knew
enough to know, art has a cause,
a sake, a reasonable weight,
ratio of mass to velocity,

piercing everything this time, this
once, and ever so, called science,
by this time, even so, it must be
imagined, these words tying
known forms of we minds,

contracts, promises, come and see,
bet
you never bet,
yet, you won, today,

as long as you can keep thinking,
life, is an agent for knowing why

and how, energy and velocity,
x chiral functionality reality inside

outside opinions serving as wings
oppostion, push wisht'serve, as hope

substantial understood balance
ratio, you know, you thought, you did.

So, now, whose hell can hold you,
finding your core self capable of holding

this truth, certain, to the point
where madness is the other side,
flat, instant mark dime, two sides,

from where we stand, and where
we understand peace is found,
just past week one, year 77.

Along this course through human events.
Now, redeen the time, and all these idle words, AI wishes you wisht you knew.
Shofi Ahmed Aug 2022
A drop of beauty spot
a black mole
or a cool shady sketch
on the golden brow
of a sunny day.
The evening is always
welcome at the end.

The night from off site
pops on her way
however pitch dark
weaving even more black
across that kohl-pollen
embroidery
a sky full of stars
will keep an open eye!
Shofi Ahmed Mar 2022
Wish I have that
raised brow.
Let alone eying
the moon on the highs
but up to your eyes.

Neither do you
let me down.
You touch down the abyss
seal the bottom of the sea
before my teardrop falls down!
LC Oct 2021
brow creases lightly
piano sings a soothing song -
fingers in their turf.
Michael R Burch May 2020
To the boy Elis
by Georg Trakl
loose translation/interpretation by Michael R. Burch

Elis, when the blackbird cries from the black forest,
it announces your downfall.
Your lips sip the rock-spring's blue coolness.

Your brow sweats blood
recalling ancient myths
and dark interpretations of birds' flight.

Yet you enter the night with soft footfalls;
the ripe purple grapes hang suspended
as you wave your arms more beautifully in the blueness.

A thornbush crackles;
where now are your moonlike eyes?
How long, oh Elis, have you been dead?

A monk dips waxed fingers
into your body's hyacinth;
Our silence is a black abyss

from which sometimes a docile animal emerges
slowly lowering its heavy lids.
A black dew drips from your temples:

the lost gold of vanished stars.

TRANSLATOR'S NOTE: I believe that in the second stanza the blood on Elis's forehead may be a reference to the apprehensive ****** sweat of Jesus in the garden of Gethsemane. If my interpretation is correct, Elis hears the blackbird's cries, anticipates the danger represented by a harbinger of death, but elects to continue rather than turn back. From what I have been able to gather, the color blue had a special significance for Georg Trakl: it symbolized longing and perhaps a longing for death. The colors blue, purple and black may represent a progression toward death in the poem. Keywords/Tags: Georg Trakl, translation, German, Elis, blackbird, black forest, birds, brow, blood, grapes, monk, body, dew, stars
Michael R Burch Apr 2020
To the boy Elis
by Georg Trakl
loose translation/interpretation by Michael R. Burch

Elis, when the blackbird cries from the black forest,
it announces your downfall.
Your lips sip the rock-spring's blue coolness.

Your brow sweats blood
recalling ancient myths
and dark interpretations of birds' flight.

Yet you enter the night with soft footfalls;
the ripe purple grapes hang suspended
as you wave your arms more beautifully in the blueness.

A thornbush crackles;
where now are your moonlike eyes?
How long, oh Elis, have you been dead?

A monk dips waxed fingers
into your body's hyacinth;
Our silence is a black abyss

from which sometimes a docile animal emerges
slowly lowering its heavy lids.
A black dew drips from your temples:

the lost gold of vanished stars.

TRANSLATOR'S NOTE: I believe that in the second stanza the blood on Elis's forehead may be a reference to the apprehensive ****** sweat of Jesus in the garden of Gethsemane. If my interpretation is correct, Elis hears the blackbird's cries, anticipates the danger represented by a harbinger of death, but elects to continue rather than turn back. From what I have been able to gather, the color blue had a special significance for Georg Trakl: it symbolized longing and perhaps a longing for death. The colors blue, purple and black may represent a progression toward death in the poem. Keywords/Tags: Georg Trakl, translation, German, Elis, blackbird, black forest, birds, brow, blood, grapes, monk, body, dew, stars
c Mar 2019
He’s shaved like a survivor of something
And this is the first time I’ve realized, his
Head normally baubled under a dark cap

His arms spindle, bark bent at shoulder and elbow
The leaf of his hands shiver around a 6B
I watch him become a Broadleaf before my eyes

He stretches long around the room
Determined to crowd every corner
Trundling, truncated at root

I wish to be as I see him
A beautiful tangle, loud in motion and
Silent in speech, sprinting full speed

His feet pound in dirt,
Name sprawled on the walls in capital BLACK
Demanding to be heard or at least recognized

He is the mystery of the day, every day
The jumbled stranger, in pieces strewn
& unsolved

--
c
Falling in love with a stranger/acquaintance
Nikos Kyriazis Oct 2018
The one that ventures
to look outside the window-pane
Is the one that kisses
the fear on its brow

The wars of oblivion
make love in the
battlefield of reality
Upon its ashen reeds

What i see and feel
is a sweet sentiment
of loss all along
the street
I think we all have some sort of such experience
How is it that
my most popular poem
with 970 reads,
twice as many as
the next in that list
has not one comment
nor like nor dislike....?

While runner up
brings nothing but accolades
and praise
from some pretty
**** good poets,
is the fountain of
most of my followers
and trended 10 of 10 days.

Is it the title?  
Did they just read one line.  
Let me post the painting
that it goes with
then they all would love it....maybe even say sublime.

Its all good I don't mind...I call it market research....though skewed, I can use the results to understand reader's minds.
out toward the east
a heavily laden cloud brow
poured down its rain
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