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In Nero’s private stage,
Disaster was
His audience. Rome mimics fallen Troy in play.
What was reflected in Nero’s eyes
when he sang of the swirling patterns
of fire? When Rome was caught burning;
When conspiring led to its fall.

Fire engulfed Rome with fiery teeth.
The clouds hide or faint into black smoke.
The skies bleed heavily with rust
Its brassy color mixing with the
*** of burning seas, like oceans melting

Could you not feel the sun’s weight?
Now it is incomparable to
Molten seas and softened lead!

Blood spilt from sea-point, waves wallow the cries
Of the fallen. Like a bellowing sound marching
Against caverns of ears, Copper soldiers
Melt into clouds oozing with emotion,
Shattering their now empty metal hearts,
Hollow hearts that outlive the muteness.

It is awakened when
Spark and light is absent.

(Paolo Jerome D. Cristobal / June 26, 2009 - Alabang)
2nd Prize Winner - POETRY CATEGORY - Cesar S. Tiangco Literary Awards 2010
Half man, half tree:
Describe limbs with leaves
And when the reader reads, looks only at
One part: wood
but not sees

(Paolo Jerome D. Cristobal / 2010 - Parañaque)
This is not really inspiration, like the usual feeling that a poet waits for. I just know that i was deeply moved by this commercial by the National geographic channel about a certain group of people, or a family who had warts that looked like the bark of trees. This is for them.
The Albatross
Lone de-odorizer of the toilet
Its smooth contour covered in a clear blanket
Wrapped around with cheap plastic,
Adorned with cheap silk, the semi-lucent plastic
Like unwrapping a yema
It smells very sweet. Very, very.

You seldom notice this white bird
In your long hours of comforting, brooding
Hungering for attention beneath the swollen toilet
Asking for unwanted pleasures
The toilet asks "why must I feed?”
The Albatross mums in its silent reprieve.

Still you didn’t notice the wounding
Of your smooth oily toilet
In long comforting hours of sleep;
No, only excretion is wanted here.

The albatross takes away the scourge
The scourge beneath your noses
And still you didn’t notice
The glory in its inexistence

(Paolo Jerome D. Cristobal / June 28, 2008)
Part of the winning collection as 1st Runner Up in Poetry in te Cesar S. Tiangco Literary Awards 2009
It no longer exists.

The wind; a passing gale sweeps
my laurels.
The desert is filled, too many
my voice.

Origin, a return to birth.
A sword of blazing fire, winged
halts me.

Where are you Eden?

I look and look,
the desert is filled with voices too many,
which is mine or do i have any?

The sun no weeps, I sing.
Myself, I find, thick of leaves
I carry, it sings no longer green.

Winged fire sword ablaze,
use I, leaves dry. Outstretched,
brown, my arms, fail to sky

afire. Feet my burns, I no walk longer.
Stiff, I root my tree to flower.
Fragrant white flowers, settle.

Pray I to you, of hope I joy.
Bring life to water, Frame of sky
Bring, Abba, Father.

(Paolo Jerome D. Cristobal - February 1, 2011)
I...I think of it as a prayer. Read it line by line, each line a pause at the end.
*Title renamed from 'Finding Eden' to' Garden: Eviction'
She visits us every time
The building needs repainting
And every time she visits us
We ask her:

“When will you be back?”

You say you will only be
A jeepney ride away.

We sing; the choral chimes with the wind.
Dry leaves always settle down
Where the wind stops.
Only it does not. But, it settles, and always
Wherever the wind leads them to grow

Apart.

Maybe that’s the purpose of apartments.
Always seeming to leave, to stay only
For sleep, not rest.

We kept talking every time
How our phones ring each other.
You answer questions, always you do so
Not with a no, it was difficult for you;
Nor a yes; but always you say:

“I’m right here”

“5 minutes”

passing through regular public commute;
you are always nearby,
always stuck in heavy traffic.
I can even see you every time,
Always there,
And always smiling.

The last time we smiled together
You told us:

“I am always here – a whisper away”

Only you are there

Not here.

(Paolo Jerome D. Cristobal / July 25 2013 - Parañaque)
The gods of fire and storms seem to call.
Do you not hear that his end is near?
The deep is swallowing up the light.
Skies burn, winds drip emotions.
But unlike Fishes, multitudes of clouds
Dissipate like crowds, oceans
darken with grief as sun seems dulled.
Stars move with the procession
Of boats with floating lamps.
Fishermen’s vessels cross, slicing waves
underneath, spraying salt water on eyes.
Crisscrossing nets spread
Like wings of dove.
Overbearing waves heavy with boats
answer call of coming
School of fish.

Pained hands blister the night.
With Eyes that flicker like lamps.
They Be still and know of Sun’s
promised light.

(Paolo Jerome D. Cristobal / June 25, 2009 - Alabang)
2nd Prize Winner - POETRY CATEGORY - Cesar S. Tiangco Literary Awards 2010
So should a seed
does grow must leave
its home:

Earthly walls,
empty shells
he covers himself with.

In nakedness
must Adam gather up
sewn up leaves.

While surrendering
into the dark
and foreboding earth:

Miles wide and miles deep.
Alone, into the sweltering
and blistering heat of the sun.

Armed with but
a leaf for Mercy!
cries his clothelessness to the wind.

So must a flood pass
once, twice, over and endure
in callousness and tenderness.

(Paolo Jerome D. Cristobal / August 5, 2014 - Bulacan)
I say it the ocean
that it runs
deep. But water
it is not,
quickly swept up
by the wind.

Nor is it driftwood
that rides the tides
undecided. I Say it is
the rudder that steers
the ship. Not the sail
that the wind does blow,
but the ropes
which carefully guide us
to which direction
we choose to go.

It is the rope
that binds us not
against our wills,
but that of which we
hold on to
in the darkness
of our minds
where light does not
our eyes show
nor in winds
that tell us No.

For M.D.R.

(Paolo Jerome D. Cristobal / 06/10/14)
From the far cry of a hawk caught in mid-flight
Recalls a voice of awakening:
Your dreams of flight hover in the distance,
The ever so distant call of the sun-eagle.
The ripples of golden waves,
Mounds and mounds of it piled up.
All these add up to your helplessness.

Do clouds always move with such impassioned grace?

At nighttime, he dreams of flight. It is the moonlight now
That casts its veiled form, her voice in the distance.

(Paolo Jerome D. Cristobal / September 27, 2011)
Draft Entry, Draft Title, no title yet
Tapos na
ang bilang.

Si Eunice
Nahuli na

Nasa likod
ng pintuan

Paalis na
kasama sila

Gab at Sam.
Uwian na

Na'san ka?
Ginagabi ka na.

Hanggang Kailan
ka magtatago

kung wala namang
maghahanap?

(Paolo Jerome D. Cristobal / October 26, 2011)
Taguan  literally translates to 'hiding place', Tago means to hide, or hidden. But in the context of the poem, Taguan is simply a game of hide and seek.

1st stanza - The countings are done
2nd stanza - Eunice has already been caught
3rd stanza - at the back of the door
4th stanza - leaving along with
5th stanza - Gab and Sam. It's time to go home
6th stanza - Where are you? It's already late.
7th stanza - Until when will you hide
Last stanza - if no one would look (for you)?

I already translated the whole idea of the stanza, so don't take it all as the exact meaning of the word.
Paige White Jun 2020
Uncovered rooster
Quiet; sliding frog retrieved
Storm front tails collide
Small observations during the storm
And here you are
Child, come to me.
This. What it used to be.
The entrance to your
Marble home.

The pillars.
the four corners that held
your baby clothes, old toys.
Like a wicker basket
In flames, now blackened
And covered
With the thick vines
And mired in green.

Nothing withstanded
The once and Great war.
The nights lit up
like fire-flowers blooming
in summer. Every thing
Burned away. Nothing
sacred was left. Doors and
Walls no longer stand.

You touch what is left
Grazing your fingers
On the roughness of
This old, old skin. Tired.

Now.

Only the stairway
Is  left.
The only portion left
Clothed with marble
Not carved away
by scavengers.
It looks sad
now that it leads
nowhere.

It led only to sadness
If you try to remember
What is no longer there.

With finality
You pick up your things
And go.
Content with the past
That it once held you
In its brown,
But now white and bony arms.

For Nick Joaquin

(Paolo Jerome D. Cristobal / Augsut 12, 2014 – Bulacan)
Qualyxian Quest Feb 2023
The sadsack Catholic Church
Priestly pedophiles
Excluding women
Both ******* and homophobic
The Knights of Columbus
Cristobal Colon-izer
A (possibly Jewish) sadist
Who did not discover America
Ruled his colony as a tyrant
Was gold obsessed
Had women *****, their tongues cut out
Paraded naked in public
And inaugurated genocide
The slave trade, a legacy of Hate.

             Crush the Infamous thing!

— The End —