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Poems

Close your eyes,
my beauty, oh my
***** little demon,
my succubus,
my muse,
me silly reason for,
silly being.
Feel my heart.
It wont stop beating.
Faster and faster,
slothily increasing,
it wants to burst, explode,
and I say, let it be so,
I feel the blood pour out unevenly,
the circulation failing,
as I smile greedily,
The **** of death coming from
deep inside of me,
spilling from my intestines and out onto
the kitchen ceiling,
where I am stuck
where my mind breathes,
where these halucinations that we call
our reality,
these lies we tell ourselves,
to sleep just a little,
bit more comfortably,
the hate we have ourselves,
of our worldly greed,
that we deny and then,
**** hungrily,
the shame in our hearts,
as we think about society,
and what they want from us,
and how we bow to,
artifical ceilings and devices,
I look down from above,
upside down or
in fact, right side up,
die my little heart die,
burst, burst!
Feel the ecstasy and do not reverse,
I say to myself,
as no one is listening,
and why should they?
I'm just  a death kid,
versing.
Joyce Aug 2015
On a good day, the Sun shines on you.
You are in a Disney movie, stretching your arms,
As the first light of day hits your toes.
And all the sores of the previous nights,
Reduced as mere soap suds down the drain.
Last night's shower is a preview of the first one today, and coffee smells like the freshest brew straight from a pre-packed foil. Nothing beats the thrill of a morning cup.
Life is a sitcom, waiting for the supporting characters to show up and raid your ref, and then! The punchline.
You plan your day.
You invite a good day.
You laugh out loud.
On your best day, you lounge.
You drink your cup and eat breakfast straight from the pan, and the pan loves you for calling the kettle black.
You write your notes on some discarded tissue previously used to wipe off dust.
You are free versing with the staunchest disregard for tones and rules of archaic poetry; sometimes, disavowing a semblance of order.
Because the best is you.
It is now.
And you are but a small supporting character,
Patiently waiting for the chime of the next five punchlines
Martin Narrod May 2014
Memory

     is  the birth of cool, it is rapture and ignominious spokesmanship unearthed. Packed into a slatted-wood crate, milking the obsession from cash-toting hands. Freeing itself from your bottom lip while life ticks itself away on a digital stock-exchange display. I am down and you are up, and you save pennies while I search for Chrysanthemums and vanilla-scented candles. Scent is my fifth grade spaceship,
     I hide it in my pocket and take it into the forest when the week is over. Adventure is the part of our story that's caught in between complaining about money and having clean sheets. Tuesday, Thursday, Friday and Sunday my hands mend themselves back from bleach, their crevices cave under bright lights, I go to the garden strip and put dirt on my face, over my shoulders, and on my back. I make a altimeter from an alarm clock, and worry what will happen if your feet should ever touch the ground.
Relief
     is a sarcophagus, the satiny silk chrysalis I weave into invincibility. I make myself a small child with a demon-proof lair, no one comes in, not even you.  I see

     how drugs take out your heart and put you anew, fresh: orange, pink, ultramarine. A wave is a soft gesture for twilight, a slow walk among the greying statue towers, bliss extracted from person to person tedium. How you exclaim about **** music as if your temple home was unfocused by jazz or synth-electro.
     I forgot your room of quiet had no bells, no hope, and no notes of resolve. Tragedy was the desert of your six to sixteen, while I made an opus out of crystal glasses and Cran-Raspberry jars. Then it was the relief, Neptune's hands on your *******, red dots of ecstasy connecting you to a higher vibration. You felt it was time to start exercising. I didn't **** you for modifying your perception of color, degrading in a salt pool- I didn't own your ****** it was just a place I went into to write.
    
    Three years later. I was growing backward, I was sixteen, making you the muse in my doorway, a James Bond goddess unraveling my fingers on her silky skin, except your golden crown was really a turban of snakes, and instead of silk I was groveling underneath you. That was the sweat that Ryan Shultz said I garbled up into two pedestal doves, I aimed by eyes straight at the city of gold, and then inside me shucked out every piece of self-respect and vitrified my spirit, castrating my lips and my tongue for something to come to or come at, he said I lived under pointed stars and that lying isn't a good way to get over past phases of silence.

     A few days ago, it all game back to me, in a random series of songs on an iTunes playlist. One memory from an isolated beach outside a strawberry patch near Santa Cruz, a second, two hands cupped over the ears, my face closing in on her smoothed-out pink bottom lip on an over-exagerated car ride to the San Francisco airport, and the third was the mention of non-vegan banana cupcakes with cream cheese frosting, a birthday I celebrated several years earlier. All of them in the coda.
    
     Verse four unbelievable. It caught me straying from the next stressor at hand. What's next? I move my cold hands from a keyboard versing strange relapse of mind, or I tear out another page, whip across town, and peel stamps onto a postcard to send.
     They were all tails from a memory. A slowing ghost that cooed at me from far away, beating me up and down, pulling my eyes away from a scent I continually tried to remember.