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1.6k · Oct 2012
Ocean Child
Seán Mac Falls Oct 2012
She rides the chanting waves
At the seas horizon,
In fires of star sheen and moon shine,
Sweet Niamh of the golden hair, and aqua eyes,

Princess of the green sea turtles,
Of the coral sea grottos,
Anemone naves and kelpie skins,
Trailing the rainbow schools of the whirling fin,

The whole twining ocean globe of blue is swooning
Under the milky waving skies and unfathoming deeps,
Her laughter lighting the unremembered bottom of the seas.
In Irish mythology, Niamh ( "bright" or "radiant". Niav, Neve, Neave, Neeve and Nieve ) was a goddess, the daughter of the god of the sea ( Manannán mac Lir ) and one of the queens of Tír na nÓg, the land of eternal youth. She was the lover of the poet-hero Oisín.
1.6k · Jul 2014
Unconditional
Seán Mac Falls Jul 2014
You've asked me how can I see a future when love, in all
Its numinous beauty, is waning?
I reply, the immortal stars still shine above the veil of clouds.
You say, why are the salmon swimming to their pools of origin
Only to die as they spawn?  Only to die?
I tell you their love is unconditional, like mine.
You ask me did the giant sequoia know it was shelter for the burning grasses
When they walked from the seas?  I reply yes they knew.
You question me about the lofty snow cranes that fly over the Himalayas
And I reply by describing
How the priestly flocks, chanting on their mission, honk—
Announcing the mantle steps to the heavens.
You inquire about the elephantine manatees gracing the shallow banks
And wonder if the sea mermaids remember their lives beyond the latitudes
Of capricorn and cancer?
Or you’ve discovered in the wind a new reasoning as to why
The talons of the paired eagles lock in midair as they court?
You want to understand the nimbus garden, ocean slate, of lake Titicaca
Where resides the Andean sea horse gliding above the clouds?
The whales that circle dance in unison collecting krill?
The noetic display of the birds of paradise, the songs of nameless creatures
Playing in the wilderness like a forgotten melody only lovers lips remember?

I want to tell you that true love knows this, that life in its
Prismatic shimmer is all the myriad colours of infinite existence wrapped
In time to the sublime structure of white and bones.  I must tell you
That the flower is mighty in its opening, the humming bird is a sorcerer
Who needles ambrosia with vortex wings weaving his way to the Gods.

But I am nothing beside your disbelief which has arrived, before
I can even imagine the sweet awakening, like doom, my shell is the iridescent
Hollow of the one eyed Abalone, discarded in the deep fathoms
Of the ocean pressures.

I swim the tides as you do, investigating
The endless tendril seas,
And in my chest, during the night, I woke up empty,
The only thing treasured, a golden face
Trapped inside my dreams.

                                                        ­­          
                                                             ­­                       — after Neruda
1.6k · Aug 2015
In Artemis’s Wood
Seán Mac Falls Aug 2015
.
Lovers entered a forbidden forest bower,
And as they stalked that range, with eyes glazed,
She offered up her hind. Now, with doe eyes,
Deep as his, deep in arousal's sleep, heels fell,
As he knocked and pulled her dark honey hair
And whispered, surrender, into wanting ears,
Softly he drove his hunting command, homing
To his huntress.

Her body braced, yet bade, with heat and vibrance.
Ruthlessly, he ****** his arrow deeper and then
Once more and then again.  She bucked fiercely
And defiant, goading his prodding lance ever more
Ever longer, and parting the pink lines of her white
Rose, he was, and once again, Prince to the dark
Dominion of her quarters.

In the middle of this carnal match they paused.
And looking into the forest beyond they saw
A yearling fawn, a feral Goddess, grazing still,
Bathing in a vale, virginal, wholly unmoved
By their act of venery, lustfully playing, in the innocent
Leaves.  It was as if they were among her kin, a gentle
Doe and a noble stag. From that moment on
The human hunters did not speak.

Falling, again, rolling eyes were deep in arousal's sleep.
Her back was a crescent moon pocked and wet with dew.
He could feel her heart beating in time with his piercing
Prong, her arching back glistened in the suns spittle
As it broke through the dark and vernal ceiling wood.

In the final shot her quivering buck lowered and broke
And a sound not heard, made a scene, a sweet murmuring
Shuddered and sank onto the floor of the forest leaves
With her tale, taken and told, her breathless breath,
Her nostrils cold and her heated and lanced openings
Dripping, draining; here was a New World’s beginning.

Sated, solemn and softly quaking, his woman sweetly laid,
And now, doomed with her doe eyes, two lovers, fated, made;
She glowed, divine, like the rolling brook that mellowed
Slow, in the vine-dark and golden forest stable,
In Artemis’s wood.
1.6k · Apr 2013
Haiku (celebration day)
Seán Mac Falls Apr 2013
Fairground cherry trees,
Childrens' pink balloons popping,
  .  .  .  Windy petals burst.
1.6k · Nov 2012
Sun and Moon
Seán Mac Falls Nov 2012
I have seen her playing
With light, edging her hair,
In crescents so fair.

I have watched her fingers
Twirl and twine, beaming gold,
Threshing precious hold.

I have witnessed the taming
Of the sun's rays, captured,
Spinning in rapture.

And I feel for the pale moon
Who offers his frail, vestige light,
While she sleeps at night.
1.6k · Apr 2015
Zz Fateful
Seán Mac Falls Apr 2015
Lovers made a wish
Into the eyes of night gods
Playful falling stars
1.6k · Apr 2014
Haiku ( pining )
Seán Mac Falls Apr 2014
Dimples on her face,
Walking long miles without her,
Pebble in my shoe.
1.6k · Jun 2012
The Kestrel
Seán Mac Falls Jun 2012
Flies in the haze morning sputter and splay.
Water drops from leaves rolling with the blown
Blades. The windy whoo of the owls fade,
Blue buried eyes cradled in the hollow
Trees, the swamps seeker is quietly rustled,
Wings of panoply, spangle-speckle the wind,
Over the flames of autumn, talons thistle,
Crown the dominion of the fall, fade in
Sporting meadows colour, till the dive,
Balm of field, marsh, all ignites. Lever pale
Winds finger through the leaves gravely
And rake as you raid, shoulders that burning vale,
Casualties of insect, the lemming song sings
Mouse and vole flash, dark, sparkles the clearing.
1.6k · Mar 2016
Love Doomed
Seán Mac Falls Mar 2016
One dream shall ever die,
Words promised only said,
Two gold rings tossing ayes
By gleems of moon we laid,
So gentle was strike of time,
Cruel night conquering day.
1.6k · Oct 2015
Iridescence
Seán Mac Falls Oct 2015
After making love
Her body glowed like dawning
Such heavenly light
1.6k · Jul 2014
Autumn Falling
Seán Mac Falls Jul 2014
Red edging needles, pine
On blue mountain, nostrils
Of elk smoke with a bulls
Eye, scarlet stares of steely,
Steepled raven, snow drifts,
White fires in the lighted sky.
1.6k · Nov 2013
Apple and Madrone
Seán Mac Falls Nov 2013
In my garden, feral and overgrown,
I bear with branchings of the apple,
Hunched and grey, laden with fallow
Fruits, the tired, knottted fingers die
Each year, under which are baubles
Of sourness and stray, poorly drawn
Circles of fodder even hungry deer
Will not graze upon.  The elder tree
Slowly casts itself into Bonsai stone.

Down a valley, in the grades of sun,
Lay a stand of madrones in redden
Fire, with deepest eyes of burnished
Green leaves, some immortal Gorgon
So beauteous, in form and branches
Divine, of Olympian flame, held, atop
Heavenly escarpments by the loving
Skies.  I see it for what it is, my love,
Your body and hair, so tawny, so fair,
Though, ever lost to me but in dream,
Are dearly those red branches, a fable,
Your eyes, green as sea, those leaves.
1.6k · Jun 2015
Wild Grapes
Seán Mac Falls Jun 2015
.
Tangles of vine, wisps of thorn,
Roping a rocky face of granite,
High, on a hill are drops of sky,
Green hands cradle purple beads
Of the sun, whose skin is frosted
In water vail, morning days' dew
Has come, birds and bees singing
Songs to hum anew, this offering
All to ancient invitations of spring,
There will be wine and flower laid,
Before rise of moon or day is done.
1.6k · Aug 2013
Marsh Tails
Seán Mac Falls Aug 2013
In the lowland fens at the worlds end,
Like the ferryman, a blue heron waits,
Eyes of dragon fly, hover, over still water,
His legs are the oars rowing to the dead.
1.6k · Apr 2013
Haiku (Tír na nÓg)
Seán Mac Falls Apr 2013
Lone piper in pub—
Guinness waiting to be poured,
Blarney and glad dirge.
Tír na nÓg Old Irish: Tír inna n-Óc "Land of the Young" is widely known as an Otherworlds in Irish mythology and in the story of Oisín. Oisín was one of the few mortals who lived in the land of Tír na nÓg and was said to have been brought there byNiamh of the Golden Hair (Niamh Chinn Óir). It was where the Tuatha Dé Danann settled when they left Ireland's surface, and was visited by some of Ireland's greatest heroes. Tír na nÓg is similar to other mythical Irish lands such as Mag Mell and Ablach.

Tír na nÓg was considered a place beyond the edges of the map, located on an island far to the west. It could be reached by either an arduous voyage or an invitation from one of its fairy residents. The isle was visited by various Irish heroes and monks in the echtrae(Adventure) and immram (Voyage) tales popular during the Middle Ages. Contrary to popular assumption, Tír na nÓg was not an afterlife for deceased heroes, but instead, a type of earthly paradise populated by supernatural beings, which a few sailors and adventurers were fortunate enough to happen upon during their journeys. This otherworld was a place where sickness and death did not exist. It was a place of eternal youth and beauty. Here, music, strength, life, and all pleasurable pursuits came together in a single place. Here happiness lasted forever; no one wanted for food or drink. It is roughly similar to the Greek Elysium, or the Valhalla of the Norse, though with notable, distinct and important differences.
Seán Mac Falls Jan 2013
IN THE POOL OF THE LOST MAIDEN SONG

                1

Down in the shrouded wood a wanderer walks
And dreams the dreamers story he has lived.
Sidled by the stream that sheds blue waters
By the beds, trailing the rail of loves unknown
Kiss and a voice that conjures truest bliss,
Down in the drink where sweet Ophelia sleeps;
In the pool of the lost maiden song.

And the dreamer, he is dreaming . . .
Hair, that ropes the stoic man upon his mount.
Hair, making souls’ lost ending breath a shout,
And hair that weighs the wind, teaches it to sing;
Hair, wending whirlpools waving fools to dive in.


                2

Lost at land’s end the sea lions, washed-up, wail
And buzzards coast where eagles flail, rip tides
Assail and chop the collected bones they drop;
It is a chalky bone-yard break, golden escarpments
Wake and a ******’s salty sermons shake;
Where gathering ghosts glom and chide steeping,
In the pool of the lost maiden song.

And the seeker, he is seeking . . .
Eyes that turn the sands and are mirrors,
Eyes that taught the books of Alexandria,
Eyes that shook the flesh and are seers,
Eyes that lit the pyres, burned true believers.


                3

Deep in the dark wood the waters rush, hush,
Cramp, crew and creep, melodiously tread,
Trammel, and burn as furies in keeping true
The melting moon, the onerous owl, fluttering
Things, muttering wings, cones in darkness
Flings and filmy time flicks by the wayside;
In the pool of the lost maiden song.

And the lover, he is longing . . .
Love, lithe and lyric, he sees your sweeping shapes.
Peace, parsed and pained he hears the voicing gape.
Blind, bliss’d and shamed he wears the votive drapes.
Hungered, thirsted and gone; seeks your pearly gate.


                4

Out in the forest maze the jarring sun seeps
And swirls, only to roust the traveler onward
Where soon he must meet the faces in the grotto
Down in destroyed lands by the seas’ unreasoning
Chime, deep in the dark whine of the shining mermaids,
Where the doomed cry, round the navel of the world,
In the pool of the lost maiden song.

And the doomed, they are crying . . .
“****** beauty bade us, in a star crossed chrysalis,
Made us, choose a desert’s winter of loneliness.
Heed our fate and leave this valley torn of bliss;
The many millions of locust fall in ripest fields.”
1.6k · Apr 2017
Early Spring Morning
Seán Mac Falls Apr 2017
.
Light sparkles in the clover,
Yellow and blurr of bees
Are honeyed in the sun
And robins have come,
Yanking in the gasses,
So green is the moisten
Of the painting of the dew
And all is lolling in petrichor,
The soils running with slow
Time so shortly experienced,
Oils of wood permeate the air,
Lapping brooks bream into light,
The loft kestrel swirls in meadow
And chipmunks scuttle at base of tree,
Even the wind does freshly quiet, crisply,
There as a hug waiting for body and spirit,
Patches of white are disappearing, they know—
That one day we must all return, after winter snows.
1.6k · Dec 2012
Backward-man Loves His Dog
Seán Mac Falls Dec 2012
Backward-man loves his dog.
Ties him up before and after
His walks, likes to goad his pet
Too, speaking as the weather wails
And howls then dog looks down,
Sad on his master dumbfounded.
A chain is worn as it scrapes
The ground connecting dog
To his master.  They both love
The sound of it hissing as it strikes
The concrete pathways, sometimes
Man and dog feel free, not a part
Of each other, the chain may break,
And fear is for forks in the road,
The rusty pockmarked grip of his links
Have always been there on walks
Ahead and behind though it makes
Things confusing as if in a dance
And sometimes they wonder which way
They might end up after all—
And when the dark and golden
Rope, as always, is finally tied
To some old fruit tree, the man
Is happy his dog has both sun
And shade, but also has joy watching
Dog beg for ripe apples he cannot
Reach.  Some people might come
To think that dog thinks those apples
Are not for eating.  Everyone loves
Fruit, don't they?

Backward-man built his dog
A house as cold as a three-
Storied barn, out of things
He could not afford, things much
Too good for dog to not care
About, maybe man built dog's
House for himself, he cannot
Really impress his dog.
Backward-man likes to think
He knows what dog is saying.
Barks and whimpers have deep
Meanings, 'world is a good place,'
Dog says, but when pooch says,
'World is cruel,' crying, disobedient
Whines gets him a serious kick
Out of old anger from backward-
Man.  And man can be a hell-
Hound on his own, the way
He twists and unravels the things
He needs, like truth and food
And love— that goes without
Saying for backward-man hates
His woman, but loves his dog.
1.6k · Nov 2013
Beneath the Wave
Seán Mac Falls Nov 2013
I remember that day on Mount Tamalpais.
We picnicked under the loving sky
On Bolinas ridge, atop Wicklow hill,
The maiden’s breast.  We found those apple trees,
Who’d gone wild and fell into their world.
A blossom on the way.

I took your picture and you developed into
A sea-horse, or was it a mermaid?  The ridge
Was foaming about you and birds were swimming
Like fish underneath.  We found a tree, an umbrella
Left at the beach.  The coral-grass became our bed
And wine turned into water.

A spiral dance in arms of anemone, it was
All embrace!  That reef was spawning heaven.
At the treasure chest under the sea maiden,
Like children on highland pap, we played
At the beach that day in a castle above the clouds,
Beneath the wave.
*The name Tamalpais was first recorded in 1845. The meaning of the name is not well-established and there are several versions of the etymology of the name. One version holds that the name comes from ostensibly Coast Miwok words for "coast mountain" (tamal pais). Another holds that it comes from the Spanish Tamal pais, meaning "Tamal country," Tamal being the name that the Spanish missionaries gave to the Coast Miwok peoples. Yet another version holds that the name is the Coast Miwok word for "sleeping maiden" and is taken from a "Legend of the Sleeping Maiden."[13][14][15] However, this legend actually has no basis in Coast Miwok myth and is instead a piece of Victorian-era apocrypha.*
1.6k · Oct 2018
By the Druid Stone
Seán Mac Falls Oct 2018
.
I came to a courtyard of my own making,
To a cottage by the sea at the worlds edge.
I furnished it with my left over life, complete,
Barren and colourless and I wrote the newest
Book of psalms out of tinder and flame, a tome
Of grey and useless poems, unheard of songs
And reams of flesh.  There in the lightest dark,
By the Druid stone that was placed just for me,
I planted a creeping yew tree.  And the moon
Sang in celebration and silence like a fallen
Priest.  
                    Under the covering hazel trees,
That sprung to life after the longest winter,
Which taught me to forget my name, I now
Struggle with light and my body, warring, torn
Is fading slow, like the always arriving, down
Turning solstice, the climates of the mind,
Where it is digging the never ending shallow
Hole only the spreading eternal yew, that I
Planted, will ever know and only the Lazarus
Moon shall ever rise above.

I came to a courtyard of my own making,
Was it dream that led me there or my eyes?
.
1.6k · Mar 2013
Haiku ( sensual )
Seán Mac Falls Mar 2013
Wild poppies swaying,
Her long red hair unbridled,
  .  .  .  Tantric was the dance.
1.6k · Mar 2014
Haiku ( shallowness )
Seán Mac Falls Mar 2014
Hollow is the rube  .  .  .
To be bereft of one's soul,
  .  .  .  What a pure mindfuck.
1.6k · Oct 2014
Haiku ( black bird )
Seán Mac Falls Oct 2014
I stack the round stones
From the river, my sculpture grows—
Crow will knock it down.
1.6k · Jul 2013
Haiku ( forlorn )
Seán Mac Falls Jul 2013
Beach walking alone.
Never, short as Donegal strands,
Endless— without her.
1.5k · Feb 2013
Anatomy of a Mermaid
Seán Mac Falls Feb 2013
Her fine hands are gentle
With lithe and spiny fingers
Of bone and fin.

Her eyes are opal,
Essence of emerald and topaz,
A hoard of treasure.

Her hair is sea gathering
And dances in the blue currents
Deadly as the sea snake.

Her skin is coral,
Made of mineral and sorcery,
A fatal beacon.

Her lips are urchin,
Set in a whirlpool of face,
A spiral of doom.

Her voice is dream,
Rocking the lost wrecked ships,
Ground into sand.

Her long tail is fable
Of paradise, beyond faraway seas,
Cyclones and waves.
1.5k · Jun 2015
Zz Desire
Seán Mac Falls Jun 2015
True I look at her
This girl is only my friend
But eyes betray me
1.5k · Mar 2013
Ode to the Otter
Seán Mac Falls Mar 2013
River gift, flowing upstream and down
Cresting with the bumpy waters tow,
Slick as an eel, you move and fro to play,
Warm in the gleaming sun that rides
With you each day,

                              you have shone, great
Knowledge of salmon, found the pearl
In the dark mussel, bend as even light
Must, piercing the waters of the under-
World, lording the fey, riparian borders,
Like a God.
1.5k · Jun 2012
The Blue Falcon
Seán Mac Falls Jun 2012
The Blue Falcon, cross the spire,
Waits in the gables of the white
House.  Wounded in youth by crush
Of air, spent, a wisp perched
In the aerie dark with a view of mountains
Blue as ice under glacier.  The wooden
Church from the other side clutches
The sky but the Falcon blue is lost
In a tuft of cloud that bobs but never
Kills.  On this strike he is sheathed in stealth
The dull talons slip as they dry
In the tented air, the songbirds at play
In the high-ground underneath warble
And chide but the Falcon cannot hear
The Falcon near.  His heart is soft
And muted in the breast, his ears
Are dumb to their tickling-songs.  

Before the Falcons time, over
The tilling fields, dropped his world
In the spoils where splendour burst in green,
Rain meant the feathers ran and the woods,
A banquet of game, were bounty's breach
Fording blue currents he was
A fisher in the sun, but the sun
Sank in his drowning sky no store
From plateau to quarry the drought of days
Moved a castle felled in the dancing
Dust, his wings broke in the shuttered
Eye of the sun and etched his form
Into grey silhouette.  

Now, the Blue Falcon, jeered
In the branches of the rooted air
Above the yellowed grass, under the pines
And a great blue mountain, stirs a Druid
Shape, vaporous, in the cauldron
Of the attic in the white house
A throw of stones crossways from
The sacred yews of the steeple spire.
1.5k · Jun 2014
Night Meadow ( Sonnet )
Seán Mac Falls Jun 2014
Under the primrose stars, the lovers
Lie abed, on green, threadbare croft
Of sleeping daisy, clover and moss,
Trails with hushed air, an embroidery
So fine as to stitch blushing heart fall
And wrap the waters full of stillness
In graces, winding, soft, granulating
Time, wings flutter and hum, winsome
Sparks, fire white, flying as little suns
Burst confetti, in sweet encampment,
Of grass and sapling wood, innocents,
Charmed are wholly twining, in moon
Rise a lantern to the winking heavens,
Out of their skins they are climbing.
1.5k · May 2014
Haiku ( succulent )
Seán Mac Falls May 2014
Her lips misty moist  .  .  .
Spring bursting purple lilacs,
  .  .  .  Ripe aureolas.
1.5k · May 2014
Haiku ( Kelpie )
Seán Mac Falls May 2014
Dreams lost when waking,
Sea spray, tangled kelp wafting,
  .  .  .  Briny taste of her.
kel·pie
\ˈkel-pē\
noun
: a water sprite of Scottish folklore that delights in or brings about the drowning of wayfarers
Origin: perhaps from Scottish Gaelic cailpeach, colpach heifer, colt.
First use: 1747
1.5k · Dec 2013
Siren
Seán Mac Falls Dec 2013
Her languid voice
Drew me in, drooped,
And tentacle hair wrapping,
My feet fell before hers,
Sinking in the faraway lost pool,
The mortality in the sands,
And even the stars, snuffed
Out of darkness and fire
Became the light of the world,
The hushed day breaking
With welling waters and salt.
How can dream be lived,
Within dream?  Must I swear
As I fall into bliss?
1.5k · Nov 2012
Haiku ( sprites )
Seán Mac Falls Nov 2012
Feathers twitching twigs,
Leaves drop, black cat rustling,
Gnomes in the garden.
1.5k · Dec 2014
Haiku (unfaithful)
Seán Mac Falls Dec 2014
Snow covers valley—
Solitary raven staining world,
Love has turned black.
1.5k · Jan 2013
Haiku ( clueless )
Seán Mac Falls Jan 2013
Libertarians—
Anarchists on a trust fund,
Fools with conviction.


Only right country,
Libertarian heaven—
  .  .  .  Sweet Somalia.


Regulations ****—
Breathing is free and easy,
With Chinese gas mask.


John Wayne was a God,
We act with guns for Jesus—
Vengeful, cold dead hands.
Seán Mac Falls Nov 2014
The hills beneath him stretched out like the curves of women.  Bent
to the clouds he fell from the earth which geared him prickly as would
a range of *******, then soaring higher, he dived, topping valleys
reshaped downy now into ridges slowly writhed before catching
under toe his own dazzled stare on a water loch of milk and coal-
haired body strewn out to her lily'd bones and still falling, he dropped
to the break of morn dribbling wet sand from his eyes and woke
in the sparring light of his least favourite day.
        In a grainish and utter room, where hanged more than two
pictures of two people, he sank down to Sunday diminished in sighs
from the four tilting walls and blew dead inward unfolding a book.
As he reached for some volume, a baby finger nicked the hair string
of his guitar and for a moment was reminded of her voice in the bedded
vibrations.  Looking on her curves she felt the soft nape of her neck
with his eyes, then those same eyes unhanded her and she, his
dejected guitar, faced him unsung in the cornered glare of his boxed
in room.  He felt frost in throes all that morning and sideways out
of doors— the sun looked back on him even colder.  It would be hours
now until the end of days, so after lunch he went for a walk and a bird
sang nearly the whole way.

  .  .  .  .  .  .  .

It was much warmer than he had fared it to be outside and having wrestled
with this idea, that the day was somehow harder than his soft, flat room,
the mere remembering was rote by him to his pangs.  He turned, thinking
toward other things, like the void of driven streets or the mimicking cruelty
of shadows, until he saw a sullen field and left the road to dust.  He knew
that if lost, walking through the lofted hills, he would end up in the ocean
so he headed higher to the crest and over then saw a stand of trees.
        And facing the water that rilled on its way, in the tall grasses he saw
patches of red, flying with the black birds and his heart, in a boat of swells,
traveled like the red patches those birds carried.  Snowed on alder trees
brushed by him, but the wind was blowing in from the west and there
were beautiful things to behold.  A red-tailed hawk striped the ceiling
of his day by the sea and built an island to his eye and then his head sank
droning into a syndrome of birds as he joined in silence with them all
singing;
        'ta— hee— tae.'      
        Showers of poppies spilled to his heel and the keel-brew of rushes and rain
tasted purple on its way perning to the sky.  At one stop in the middle of his
path, he came upon a purfled coil, a briar snake, its body shaped in question,
unmoved and long.  The dark Orphic frieze, branding his way, it would not
listen, as if she had always been there, deaf to his song.  He felt the loss
of love by echoes from his room in the out of doors.  The drumming trunks,
the stringing leaves harping and the water that gurgled by stones into poems.
A Northerly blew begrudging the trunks, the leaves and the stones and by
the woods sinking taller he felt rushes of time running as breath through
gusty trees and felt chimes of things flying buttery like feathers to a bell.

    .  .  .  .  .  .  .

        But at the deeper woods opening he lost his way and became fearful,
not wanting to enter.  The tallest ones, red giants with faces of evergreen
canceled out the closing sky and so he changed his way back as before
to the rounded hills.  And weary from his climb he rested on the back of her
body in lands overlooking down from the brae he saw the ocean swelling
and the stars being born in wild flowers as the hills at dusk were dissolving.
        After two eternal moments in peace, he rose again in the Highlands,
to the braise and harvest smell of musted hay, cottage chalk and bleating
wool.  Now holding the girl draped in tartan, this time without caring he fell
into the black woods of her mien.  And the milk of her body dripped out into
his and slid back waveishly until she was all hair from black becoming straw
in their bed and feathers when the raven appeared.  And the flooding waned
when she flew through an opening unraveled in the thatching roof, shredded
above the funny moors.
        In seconds he was swiped clear, before the shy song lamenting when
the doors, by tidal weathers, blasted open into the mackerel sky, gathering
too like vapours with the dawn, he wafted up, swept away into the airs
on Highland shoals.  Now sailing above the speckled clouds in a darting
school of other drifters, he heard himself singing in heights of sways
throughout the tangle of wandering bark that stretched by branching coral
midway to the moon.  A great oak tree made of lime pierced the end of blue,
nadir to its zenith and into the heavens all starry.  And ringing its trunk was
a line drawn of which beneath lay the drowning world.  It was as if each layer
were one part oil, the other part water.  Looking down, way, way down
and down even farther, he saw the running seeds of striped minnows
who swam by up-streaming a wide river.  To catch up he dropped, again,
all dressed in the colours of rain, with those gladly miners.  But they swam
above the river between the rounded hills.  And the waters ran runny, now
unwrinkling as does the bowl that holds the Milky Way, when someone
dappled by in whisper saying,
        "Come with us twice the road is easy!"
"Where are we?" To himself he mused, as she blew away and by, like a long
dragon flying.  He let his body to sink with the weeds and sedges he saw,
to a beam held with barely a nail hanging, the age old sign set, spiriting him
back again to his place.  Back to the point that draws itself, as does the wind
that winds through the rushing reeds, back to the sun rising note after moon
underwater and from such still sounds was he a reel, just when the post
that was always sheering spoke out and said;
"Welcome!  .  .  .  "
        "Welcome to Minerva."
The aisling (Irish for 'dream, vision', pronounced [ˈash-ling]), or vision poem, is a poetic genre that developed during the late 17th and 18th centuries in Irish language poetry.  

In the aisling, Ireland appears to the poet in a vision in the form of a woman, usually young and beautiful. This female figure is generally referred to in the poems as a Spéirbhean (heavenly woman; pronounced 'spare van'). She laments the current state of the Irish people and predicts an imminent revival of their fortunes  .  .  .


Minerva ( Athena ) was the Roman goddess of wisdom and sponsor of arts, trade, and strategy. She was born with weapons from the godhead of Jupiter.  From the 2nd century BC onwards, the Romans equated her with the Greek goddess Athena. She was the ****** goddess of music, poetry, medicine, wisdom, commerce, weaving, crafts, and magic.  She is often depicted with her sacred creature, an owl usually named as the "owl of Minerva", which symbolizes that she is connected to wisdom.

The celtic Gauls revered Minerva ( their name for the goddess being 'Brigit' ).  In this poem the name refers to a mythic place in dream.
1.5k · Feb 2013
Inis Mór
Seán Mac Falls Feb 2013
I have a curled photograph
With waves that crest behind you
And your hair, golden veins,
Tangled in the sun that caves,
There you sit— my open secret,
Atlantic,
Frees my wrested heart
At the fortress—
Altar,
Dún Aengus.

In that place, that wanting place,
High— on the jagged edge
I captured you,
Your eyes were ocean,
Atlantis,
Never so deep, never so
Lost.
Inishmore (Irish: Árainn Mhór or Inis Mór) is the largest of the Aran Islands in Galway Bay in Ireland. The island is famous for its strong Irish culture, loyalty to the Irish language, and a wealth of Pre-Christian and Christian ancient sites including Dún Aengus.
1.5k · Jul 2014
Zz Haiku ( arousal )
Seán Mac Falls Jul 2014
Wine, spinning, we dine,
Candles and moon making love,
.  .  .  Sparkle in her eyes.
1.5k · Nov 2012
Haiku (unfaithful)
Seán Mac Falls Nov 2012
Snow covers valley—
Solitary raven staining world,
Love has turned black.
1.5k · Oct 2012
Haiku ( wandering )
Seán Mac Falls Oct 2012
Lost in dream forest,
One cloud drifting in blue sky,
Still searching for her.
1.5k · Jul 2013
After the Elopement
Seán Mac Falls Jul 2013
Gray gathering  
Signs fell on the musty register.  Two pallid  
Faces infatuate, braiding the ley lines,
Were married in a dimly lit registry.
Outside, the sky in Dublin was a dark pool,  
The clouds were omen, birds, startled in  
Your eyes, a flashing flue of doves, all wings  
A warring coo, escaping into the dusk.

We walked a ways to that room of dreams
And dined in the Shelbourne’s Aisling room.
I was Ormond, I was Yeats and you  
Were gone. Your happy tears were notes singing
Our sorrows that day.  Our love was castaway  
Our love was time bomb.  Crossing stars, we trembled  
As we talked. Two birds setting sights on some  
Lost ocean’s horizon.  
  
                          When first we met,  
At the meeting hall, cradled in a tempest  
Eye, you gave me your name and it burned on  
The paper as it now burns in my mind  
Like Brigid’s fire.  At once, once, we were one.
Conjoined yet neither one of us a joiner.  
Anointed under the votive stars violently  
Innocent your heart, a spike, my heart  

A rail.  Our love was charmed, our love was time,  
Balm.  To what end this new beginning?
Nineteen priestesses were assigned to tend the perpetual flame of the sacred fire of Brigid. Each was assigned to keep the flames alive for one day. On the twentieth day, the goddess Brigid herself kept the fire burning brightly.

The goddess Brigid was also revered as the Irish goddess of poetry and song. Known for her hospitality to poets, musicians, and scholars, she is known as the Irish muse of poetry.
1.5k · Sep 2016
Zz Afterglow
Seán Mac Falls Sep 2016
.
*Bright as any dawn
After dark breaks universe
Wildflowers open
1.5k · Dec 2014
Hazel Tree
Seán Mac Falls Dec 2014
In braze, silent breeze of dreams incantations,
Shiva arms sway in the forest dark, mushroom,,
Cloud, lord with fungi, mosses whose clinging
Shades of branches, braids deep, forking stories
Of old, brooding cauldron Druids, sidles Eastern
Spindrift words of Sanskrit spake, told in veined
Sacred hands unfound, celestial spines, moulded
Green, in the windy monkish statutes of the fallen
And single handed claps of the missionary leaves.
The hazel's unusual branch formations make it a delight to ponder, and was often used for inspiration in art, as well as poetry.

The bards, ovates and druids of the Celtic day would intently observe its crazy curly-Q branches. Doing this would lead them into other worlds of delightful fantasy. Much the same way our modern imaginations can be captured by a good movie, the creative Celts were artistically motivated by the seemingly random and wild contortions of the hazel.

A more commonly known fact is that the hazel is considered a container of ancient knowledge. Ingestion of the hazel nuts is proposed to induce visions, heightened awareness and lead to epiphanies. Indeed, the legend of Fionn Mac Cumhail tells of his gaining the wisdom of the universe by simply coming in contact with the essence of the hazel nut.
1.5k · Aug 2012
Haiku  ( swan )
Seán Mac Falls Aug 2012
Cloud, moving waters,
Ripples, soft white leaf on lake—
Shape of neck spells name.
1.5k · Feb 2013
The Osprey (the sky fisher)
Seán Mac Falls Feb 2013
The coastal shoals are your dominion.
No salmon, or smelt, nor bottom flounder
Had ever left the sea until you struck,
You are wraith to the kelp beds dream.
1.5k · Nov 2014
Estranged
Seán Mac Falls Nov 2014
Here I tread on a woodland promontory—
With wings and wind conjuring the rains,
All is vastness and shroud, open, empty,
Even the light is carried away in silence,
My flesh all but smearings on the tableau,
Foothold of dream within disrupted dream,
Our hands once reached out into forever,
Now my soul is seeping from veined cairns,
Cut chains, mist, rains hollowing the wind.
1.5k · Jan 2014
Quarry
Seán Mac Falls Jan 2014
Wings beat to overtake.
Now, above you like a fire shot
In a silent film the rush begins.
Wings fold inward, the air turrents,
Streams, as a ball swirling in a tube,
Grey bullet in the barrel,
The slide to the **** and the talons,
Make their mark before the hitch.
Soft plosives bearly sounding,
Crake, blood cupped in the claws,
From the breast and the rose  
Heart, now in a tail spin,  

Nostrils whine in the fall.  
No jury just but a sup of the faded  
Heart by one raging one.  
The wilted wings are stirring  
To the last as the pointed  
Wingman ferries, the wholly bred,
Quarry of perfection, jolts  
And jilts, and His scythe of feathers
Holds sway in the whirl.
As the God-made creature
From high heaven flies
The mourning dove must die.
1.5k · Jun 2015
Mellifluous
Seán Mac Falls Jun 2015
Songbirds listening
Her fresh voice in my garden
Wind chimes grew silent
1.5k · Oct 2013
Haiku ( sensual )
Seán Mac Falls Oct 2013
Silent pond ripples—
She dips her toes in water,
Soft *******, stiffen.
1.5k · Sep 2013
Haiku (unfaithful)
Seán Mac Falls Sep 2013
Snow covers valley—
Solitary raven staining world,
Love has turned black.
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