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1.5k · Jul 2013
After the Elopement
Seán Mac Falls Jul 2013
Gray gathering  
Signs fell on the musty register.  Two pallid  
Faces infatuate, braiding the ley lines,
Were married in a dimly lit registry.
Outside, the sky in Dublin was a dark pool,  
The clouds were omen, birds, startled in  
Your eyes, a flashing flue of doves, all wings  
A warring coo, escaping into the dusk.

We walked a ways to that room of dreams
And dined in the Shelbourne’s Aisling room.
I was Ormond, I was Yeats and you  
Were gone. Your happy tears were notes singing
Our sorrows that day.  Our love was castaway  
Our love was time bomb.  Crossing stars, we trembled  
As we talked. Two birds setting sights on some  
Lost ocean’s horizon.  
  
                          When first we met,  
At the meeting hall, cradled in a tempest  
Eye, you gave me your name and it burned on  
The paper as it now burns in my mind  
Like Brigid’s fire.  At once, once, we were one.
Conjoined yet neither one of us a joiner.  
Anointed under the votive stars violently  
Innocent your heart, a spike, my heart  

A rail.  Our love was charmed, our love was time,  
Balm.  To what end this new beginning?
Nineteen priestesses were assigned to tend the perpetual flame of the sacred fire of Brigid. Each was assigned to keep the flames alive for one day. On the twentieth day, the goddess Brigid herself kept the fire burning brightly.

The goddess Brigid was also revered as the Irish goddess of poetry and song. Known for her hospitality to poets, musicians, and scholars, she is known as the Irish muse of poetry.
1.5k · Dec 2014
Hazel Tree
Seán Mac Falls Dec 2014
In braze, silent breeze of dreams incantations,
Shiva arms sway in the forest dark, mushroom,,
Cloud, lord with fungi, mosses whose clinging
Shades of branches, braids deep, forking stories
Of old, brooding cauldron Druids, sidles Eastern
Spindrift words of Sanskrit spake, told in veined
Sacred hands unfound, celestial spines, moulded
Green, in the windy monkish statutes of the fallen
And single handed claps of the missionary leaves.
The hazel's unusual branch formations make it a delight to ponder, and was often used for inspiration in art, as well as poetry.

The bards, ovates and druids of the Celtic day would intently observe its crazy curly-Q branches. Doing this would lead them into other worlds of delightful fantasy. Much the same way our modern imaginations can be captured by a good movie, the creative Celts were artistically motivated by the seemingly random and wild contortions of the hazel.

A more commonly known fact is that the hazel is considered a container of ancient knowledge. Ingestion of the hazel nuts is proposed to induce visions, heightened awareness and lead to epiphanies. Indeed, the legend of Fionn Mac Cumhail tells of his gaining the wisdom of the universe by simply coming in contact with the essence of the hazel nut.
1.5k · Dec 2012
Backward-man Loves His Dog
Seán Mac Falls Dec 2012
Backward-man loves his dog.
Ties him up before and after
His walks, likes to goad his pet
Too, speaking as the weather wails
And howls then dog looks down,
Sad on his master dumbfounded.
A chain is worn as it scrapes
The ground connecting dog
To his master.  They both love
The sound of it hissing as it strikes
The concrete pathways, sometimes
Man and dog feel free, not a part
Of each other, the chain may break,
And fear is for forks in the road,
The rusty pockmarked grip of his links
Have always been there on walks
Ahead and behind though it makes
Things confusing as if in a dance
And sometimes they wonder which way
They might end up after all—
And when the dark and golden
Rope, as always, is finally tied
To some old fruit tree, the man
Is happy his dog has both sun
And shade, but also has joy watching
Dog beg for ripe apples he cannot
Reach.  Some people might come
To think that dog thinks those apples
Are not for eating.  Everyone loves
Fruit, don't they?

Backward-man built his dog
A house as cold as a three-
Storied barn, out of things
He could not afford, things much
Too good for dog to not care
About, maybe man built dog's
House for himself, he cannot
Really impress his dog.
Backward-man likes to think
He knows what dog is saying.
Barks and whimpers have deep
Meanings, 'world is a good place,'
Dog says, but when pooch says,
'World is cruel,' crying, disobedient
Whines gets him a serious kick
Out of old anger from backward-
Man.  And man can be a hell-
Hound on his own, the way
He twists and unravels the things
He needs, like truth and food
And love— that goes without
Saying for backward-man hates
His woman, but loves his dog.
1.5k · Sep 2013
Path of Leaves
Seán Mac Falls Sep 2013
The ruddy footworn path is wild and long,
Tracing down all of my woodland years,
Shorter in front, longer behind, fading song,
Was its form cut by me or the grazing deer?
1.5k · Oct 2016
Zz Siren Pool
Seán Mac Falls Oct 2016
.
*Drowning seas abed
Drenched in brines ambrosial
Ocean scent of her
1.5k · Nov 2013
Elegy for a Cat
Seán Mac Falls Nov 2013
I look for Leo, his tawny dress,
His noble pride.  I see him ever,
In silent days his warmth his stride.  
Our friendship moved, grew a lease
With eyes sleepy, tempered, so wise,
Always serene.  How his waif voice
Would purrmurr, did chide and lift
Me from my human daze, my king
This spring is full of remembrances
And mornings that linger with mute
Vibrations and greetings.  How, now
I fear the carpets pressed unmoving
And times caress unsoothing.  I look
For you, with loving pause, and I cry.
1.5k · Oct 2015
Zz Aroused
Seán Mac Falls Oct 2015
Lovers dipping toes
Salt legs before diving deep
In scent of ocean
1.5k · Aug 2016
Wicked
Seán Mac Falls Aug 2016
.
I have come to the temple
Of your body.  I kneel and prey
Like a sinner.  The holy water
Beads low on your forbidden
Tabernacle, sears my touch
In cleansing flame, what I do
And what will be done is all
For unrepentant confessions
And penances.  Let me truly
Learn the sacraments of flesh
Before I bathe in your wicked
Innocence and commit my sin
At being mortal in your nimbus
Chambers, let the mercies rain
After the fall of my fellowing
Creature, for this night is blood
Sabbath, and sacrilege under
A Pagan moon and let the dawn
In the rising sun of mute morning
Be my absolution, our benediction,
Let the moving waters enfold us,
Pure as lambs, as washed babes,
Baptismal.
1.4k · Sep 2013
Haiku (unfaithful)
Seán Mac Falls Sep 2013
Snow covers valley—
Solitary raven staining world,
Love has turned black.
1.4k · Apr 2013
Bolivar Pond
Seán Mac Falls Apr 2013
And dreaming of Inisfáil, I was raised on Bolivar Pond.
Sheltered in my wake, I’d coo as the dewy’d morning dove
   And fern in my bed, I rose to greet
       The song-splayed sounds of light
   And work, I made it dropping slow
Bright in the summers swoon, I was adorned in forest eves
By rings that rang from tree to rook, and flung the wingèd down,
       Brambled in bay, garland in violet
   When blades could ***** and not make bleed,

And I was brindled by the moon’d many shades, that liken
To a brook, and mottled in my main, noted among moss
   In that glow, once knighted we must serve
       Wood, let me comb in peace!
Colored in the mantled cloth of leaves
And bonny and red, I was the brave and the boon, the deer-
Ants learned me, and herons stood muck, on stands spearing all mite
       And the vernal song sang lowly
   Swaddled in azure’s unfolding dream.

At each turn was a season, nascent life charming in marsh
Forays that brimmed the hollow rood, in clover yards, I saw
   The lilt of bees, sallied in clearings
       Brown as the yellowed beech
   Colored in sounds that beat the heart.
And forth into the field I sprang unto that shedded loam
And high was the sail that bellowed the raft that raked my pond,
       Bullied by the har-umph of frogs
   I rippled, rowing cat o’nine tailed tunes.

Windy and free in the hollowed bark round the ****** bay
I trailed the bear sniffing ****, heard the hoo of a swooping vowel
   And wild in hare, dug the fox-hole up!
       Damp fires hailed the rising
   Moon, as fire-flies dinted the troutling pools
And nothing I saw in my drowning sun could nettle or thorn
My piney ways, nothing could rot my wood-craving ears
       For the kestrel’s qweet-a-quee rang holy
   In the skunk-flowered fields of Bolivar Pond.
Inisfáil (Inish-fall) ] Gaelic word meaning: Isle of destiny, island of the fall, Ireland.
Seán Mac Falls Oct 2012
Even in comment place,
Tireless self promoter,
Lowers the banal.
Seán Mac Falls Feb 2015
Her red hair so long  .  .  .
Brushing my face, hiding eyes,                                                                              
  .  .  .  A kind entrapment.
1.4k · Aug 2012
Apple and Madrone
Seán Mac Falls Aug 2012
In my garden, feral and overgrown,
I bear with branchings of the apple,
Hunched and grey, laden with fallow
Fruits, the tired, knottted fingers die
Each year, under which are baubles
Of sourness and stray, poorly drawn
Circles of fodder even hungry deer
Will not graze upon.  The elder tree
Slowly casts itself into Bonsai stone.

Down a valley, in the grades of sun,
Lay a stand of madrones in redden
Fire, with deepest eyes of burnished
Green leaves, some immortal Gorgon
So beauteous, in form and branches
Divine, of Olympian flame, held, atop
Heavenly escarpments by the loving
Skies.  I see it for what it is, my love,
Your body and hair, so tawny, so fair,
Though, ever lost to me but in dream,
Are dearly those red branches, a fable,
Your eyes, green as sea, those leaves.
1.4k · Jan 2014
Haiku ( mischief )
Seán Mac Falls Jan 2014
Lone raven cackles  .  .  .
Clouds splinter across the sky,
Mist cuts down the woods.
1.4k · Dec 2013
In Plain Sight
Seán Mac Falls Dec 2013
In plain sight, the Peacocks ply their wearisome
Colours.  Awkwardly swaying, pompously preening,
They cry to be seen, their voices are gurgling  
And gawking.  The direction of wind is their vane.

Overhead, in the secret sky fleet wings are truth.
In the sun the searing Falcon is seeing all;
His talons turn and steal away, they are mad,  
Playful fingers— they will have their say.
Seán Mac Falls Nov 2014
The hills beneath him stretched out like the curves of women.  Bent
to the clouds he fell from the earth which geared him prickly as would
a range of *******, then soaring higher, he dived, topping valleys
reshaped downy now into ridges slowly writhed before catching
under toe his own dazzled stare on a water loch of milk and coal-
haired body strewn out to her lily'd bones and still falling, he dropped
to the break of morn dribbling wet sand from his eyes and woke
in the sparring light of his least favourite day.
        In a grainish and utter room, where hanged more than two
pictures of two people, he sank down to Sunday diminished in sighs
from the four tilting walls and blew dead inward unfolding a book.
As he reached for some volume, a baby finger nicked the hair string
of his guitar and for a moment was reminded of her voice in the bedded
vibrations.  Looking on her curves she felt the soft nape of her neck
with his eyes, then those same eyes unhanded her and she, his
dejected guitar, faced him unsung in the cornered glare of his boxed
in room.  He felt frost in throes all that morning and sideways out
of doors— the sun looked back on him even colder.  It would be hours
now until the end of days, so after lunch he went for a walk and a bird
sang nearly the whole way.

  .  .  .  .  .  .  .

It was much warmer than he had fared it to be outside and having wrestled
with this idea, that the day was somehow harder than his soft, flat room,
the mere remembering was rote by him to his pangs.  He turned, thinking
toward other things, like the void of driven streets or the mimicking cruelty
of shadows, until he saw a sullen field and left the road to dust.  He knew
that if lost, walking through the lofted hills, he would end up in the ocean
so he headed higher to the crest and over then saw a stand of trees.
        And facing the water that rilled on its way, in the tall grasses he saw
patches of red, flying with the black birds and his heart, in a boat of swells,
traveled like the red patches those birds carried.  Snowed on alder trees
brushed by him, but the wind was blowing in from the west and there
were beautiful things to behold.  A red-tailed hawk striped the ceiling
of his day by the sea and built an island to his eye and then his head sank
droning into a syndrome of birds as he joined in silence with them all
singing;
        'ta— hee— tae.'      
        Showers of poppies spilled to his heel and the keel-brew of rushes and rain
tasted purple on its way perning to the sky.  At one stop in the middle of his
path, he came upon a purfled coil, a briar snake, its body shaped in question,
unmoved and long.  The dark Orphic frieze, branding his way, it would not
listen, as if she had always been there, deaf to his song.  He felt the loss
of love by echoes from his room in the out of doors.  The drumming trunks,
the stringing leaves harping and the water that gurgled by stones into poems.
A Northerly blew begrudging the trunks, the leaves and the stones and by
the woods sinking taller he felt rushes of time running as breath through
gusty trees and felt chimes of things flying buttery like feathers to a bell.

    .  .  .  .  .  .  .

        But at the deeper woods opening he lost his way and became fearful,
not wanting to enter.  The tallest ones, red giants with faces of evergreen
canceled out the closing sky and so he changed his way back as before
to the rounded hills.  And weary from his climb he rested on the back of her
body in lands overlooking down from the brae he saw the ocean swelling
and the stars being born in wild flowers as the hills at dusk were dissolving.
        After two eternal moments in peace, he rose again in the Highlands,
to the braise and harvest smell of musted hay, cottage chalk and bleating
wool.  Now holding the girl draped in tartan, this time without caring he fell
into the black woods of her mien.  And the milk of her body dripped out into
his and slid back waveishly until she was all hair from black becoming straw
in their bed and feathers when the raven appeared.  And the flooding waned
when she flew through an opening unraveled in the thatching roof, shredded
above the funny moors.
        In seconds he was swiped clear, before the shy song lamenting when
the doors, by tidal weathers, blasted open into the mackerel sky, gathering
too like vapours with the dawn, he wafted up, swept away into the airs
on Highland shoals.  Now sailing above the speckled clouds in a darting
school of other drifters, he heard himself singing in heights of sways
throughout the tangle of wandering bark that stretched by branching coral
midway to the moon.  A great oak tree made of lime pierced the end of blue,
nadir to its zenith and into the heavens all starry.  And ringing its trunk was
a line drawn of which beneath lay the drowning world.  It was as if each layer
were one part oil, the other part water.  Looking down, way, way down
and down even farther, he saw the running seeds of striped minnows
who swam by up-streaming a wide river.  To catch up he dropped, again,
all dressed in the colours of rain, with those gladly miners.  But they swam
above the river between the rounded hills.  And the waters ran runny, now
unwrinkling as does the bowl that holds the Milky Way, when someone
dappled by in whisper saying,
        "Come with us twice the road is easy!"
"Where are we?" To himself he mused, as she blew away and by, like a long
dragon flying.  He let his body to sink with the weeds and sedges he saw,
to a beam held with barely a nail hanging, the age old sign set, spiriting him
back again to his place.  Back to the point that draws itself, as does the wind
that winds through the rushing reeds, back to the sun rising note after moon
underwater and from such still sounds was he a reel, just when the post
that was always sheering spoke out and said;
"Welcome!  .  .  .  "
        "Welcome to Minerva."
The aisling (Irish for 'dream, vision', pronounced [ˈash-ling]), or vision poem, is a poetic genre that developed during the late 17th and 18th centuries in Irish language poetry.  

In the aisling, Ireland appears to the poet in a vision in the form of a woman, usually young and beautiful. This female figure is generally referred to in the poems as a Spéirbhean (heavenly woman; pronounced 'spare van'). She laments the current state of the Irish people and predicts an imminent revival of their fortunes  .  .  .


Minerva ( Athena ) was the Roman goddess of wisdom and sponsor of arts, trade, and strategy. She was born with weapons from the godhead of Jupiter.  From the 2nd century BC onwards, the Romans equated her with the Greek goddess Athena. She was the ****** goddess of music, poetry, medicine, wisdom, commerce, weaving, crafts, and magic.  She is often depicted with her sacred creature, an owl usually named as the "owl of Minerva", which symbolizes that she is connected to wisdom.

The celtic Gauls revered Minerva ( their name for the goddess being 'Brigit' ).  In this poem the name refers to a mythic place in dream.
1.4k · Jul 2013
She Came Upon a Meadow
Seán Mac Falls Jul 2013
She came upon a meadow, then she undressed;
And when she was naked, the meadow blushed.

Softly she tread, floating above the clover
Seas.  Suddenly lost, bold honey bees forgot
The scent of flowers blooming.  Iridescent wings,
Humming birds, monarchs, dragons, flying in
Procession and the mushrooming dew now rising
Began to swell, raining upwards into the mystic
Blue heavens and the trees beyond that clearing
Stood longingly amazed, so green their spying
Gaze, when all the myriad flowers loosely fell
And all the gathering of colours faintly dimmed.

She came upon a meadow, then she undressed;
And when she was naked, the meadow blushed.
1.4k · Jan 2014
Haiku ( snowy owl )
Seán Mac Falls Jan 2014
One fence post taller—
Holds round black moons full of death,
Silent wings falling.
1.4k · Jan 2015
Haiku ( forlorn )
Seán Mac Falls Jan 2015
Beach walking alone.
Never, short as Donegal strands,
Endless— without her.
1.4k · Jan 2014
Quarry
Seán Mac Falls Jan 2014
Wings beat to overtake.
Now, above you like a fire shot
In a silent film the rush begins.
Wings fold inward, the air turrents,
Streams, as a ball swirling in a tube,
Grey bullet in the barrel,
The slide to the **** and the talons,
Make their mark before the hitch.
Soft plosives bearly sounding,
Crake, blood cupped in the claws,
From the breast and the rose  
Heart, now in a tail spin,  

Nostrils whine in the fall.  
No jury just but a sup of the faded  
Heart by one raging one.  
The wilted wings are stirring  
To the last as the pointed  
Wingman ferries, the wholly bred,
Quarry of perfection, jolts  
And jilts, and His scythe of feathers
Holds sway in the whirl.
As the God-made creature
From high heaven flies
The mourning dove must die.
1.4k · Sep 2012
Marsh Tails
Seán Mac Falls Sep 2012
In the lowland fens at the worlds end,
Like the ferryman, a blue heron waits,
Eyes of dragon fly, hover, over still water,
His legs are the oars rowing to the dead.
1.4k · May 2017
I Will Kiss . . .
Seán Mac Falls May 2017
.
Rose of your ear,
Lantern in your eyes,
Forest of branching hair,
In Inverness of your midlands,
I shall broach lit vernal deltas,
Kiss deep into darkling depths,
Climb the leaved trunks of thigh,
Drunk in the moisted, muted sighs
Of promise, tendered to surrender,
I shall know your ripened *******,
As bloom of moon paints moons
At night, I will be ****** in milk—
That offers itself to leeching babe,
With little, lithe fingers you rake one,
A wan vagabond, *****, homeward,
I shall know your flowing wetness,
Below my desert, with purpose,
I am lost, in sleep and dream,
May I never wake, may I
Sleep, never, may eye
Always open, keep
In tableaus of oil,
Strokes, hues,
Glittering
Of you.
1.4k · Dec 2014
Little Moon
Seán Mac Falls Dec 2014
She speaks in tongues and earthwards—
Angels fall listening how to know divinity
From lips that open and close as do tides
Slip, blooming with the face of the moon.

She walks in airs of splendour and light—
Shoulders kin, her child riding on a beam
Vanquishing the sun with celebrated night
Set in reflection on lake waters, little moon.
1.4k · Jun 2015
Meeting
Seán Mac Falls Jun 2015
.
*In a forest clearing deep in wood,

I spied the grace of doe and fawn

And stopped my track as I should,

To set my gate about face in song.
1.4k · Oct 2012
Haiku ( pining )
Seán Mac Falls Oct 2012
Dimples on her face,
Walking long miles without her,
Pebble in my shoe.
1.4k · Feb 2013
Inis Mór
Seán Mac Falls Feb 2013
I have a curled photograph
With waves that crest behind you
And your hair, golden veins,
Tangled in the sun that caves,
There you sit— my open secret,
Atlantic,
Frees my wrested heart
At the fortress—
Altar,
Dún Aengus.

In that place, that wanting place,
High— on the jagged edge
I captured you,
Your eyes were ocean,
Atlantis,
Never so deep, never so
Lost.
Inishmore (Irish: Árainn Mhór or Inis Mór) is the largest of the Aran Islands in Galway Bay in Ireland. The island is famous for its strong Irish culture, loyalty to the Irish language, and a wealth of Pre-Christian and Christian ancient sites including Dún Aengus.
1.4k · Jun 2014
Smoke
Seán Mac Falls Jun 2014
So many words between us—
The caustic breech of abatement, ruin
Runs atonal, in recitals of indifference,
How even the ****** birds now sound
Discordant and rain crushes as it falls,
Ballistic.

The pinprick stars are merely eyes
Undraped to the worn soul's veil
And gorgon time roils setting our feet
In the crust of wishes and delusions
Kept.  

The bullet riddled skies in absence
Of colour are but particulates of lime
To the moonless night.  Words have no
Eyes, they can only finger.

O the sorrows of the untouched—
The cruelty of the sightless and bent blind,
Drab vermillion stars felled like forced tears.
1.4k · Sep 2012
Grace Word
Seán Mac Falls Sep 2012
Was there a word,
Plain or shimmering,
Cast of gold and mercy,
In the bathing light of forgiveness,
Tempered with down and feather,
Wrought of worthiness and pride,
The mellow flame of tenderness
And shearing morning sun,
One tabulation of saving flesh,
The tapping root of the knowledge
Tree, the forge of stainless metal
And touch, stone direction,
One healing humour, cardinal
As blood, forceful as the salt
Journey bearing the pines
Of lodestar coordinates,
Spotting the Xanadu ex
Of the lost lovers?
1.4k · Sep 2015
Zz Eucharist
Seán Mac Falls Sep 2015
Lost chalice is found
Blood whines of creation cupped
Deep in the flower
1.4k · Apr 2015
Zz Aspen
Seán Mac Falls Apr 2015
Aspen stands by stream
Shouting out the noonday sun
Dwarfed by foothill mountains
1.4k · Oct 2012
Zz Haiku ( arousal )
Seán Mac Falls Oct 2012
She was under dressed,
Fall chill, spark of ******* rose,
Soon to be undressed.
1.4k · May 2013
In Plain Sight
Seán Mac Falls May 2013
In plain sight, the Peacocks ply their wearisome
Colours.  Awkwardly swaying, pompously preening,
They cry to be seen, their voices are gurgling  
And gawking.  The direction of wind is their vane.

Overhead, in the secret sky fleet wings are truth.
In the sun the searing Falcon is seeing all;
His talons turn and steal away, they are mad,  
Playful fingers— they will have their say.
1.4k · Oct 2014
Love | Hate
Seán Mac Falls Oct 2014
Love is a flower open to the sun,
Hate is a cavern, a hole, craven,
Black, empty, a dank drowning,
Under light.  Love is one season,

Hate is transitory. Love is eternal,
Of vast nebulas, to outer reaches
In galaxy are nurseries with stars
Being born, light, alive with light.

Love is the lasting of conquerors,
The first line, defense, existence,
Love takes all in one communion,
Breaking the dark as the morning
Sun.  Love is conundrum, love IS.

Hate is a construct, the blotched
That bleeds where life is seeding,
Rot better to cut, spoil unneeded,
Hate will come to nothing, for life
Is love, love is all and everything.
1.4k · Jul 2013
Rua ( Red )
Seán Mac Falls Jul 2013
Rua
Dearg,
Rua, roselet,
Gruaige na fíniúna agus scarlet
Fíonchaora, drown me i do deoch
As liopaí, fíona, Ruby, flesh an paisean
Torthaí agus adharc de neart,
Earthen meirge de pebbled cré
Tarraing mé mar uisce seeping
Isteach uiscígh ársa, ualaithe, i bhfolach
Faoi vastness Sahára
Sands. Tá mé scamall de aisling
Drifting, itching, edging chomh maith do chothromú
Hills. Do ******* sruthán mé mar gaile,
Tá do chluasa le haghaidh doves neadaithe
Agus do shúile, tá an spéir ag fanacht, cogaíochta
Le farraige, le haghaidh a dath,
Is é an ghrian wandering strainséir
Mar a thiteann sé, dar críoch gach lá, faded
Mar an fathach gásach de Antares faint,
Eclipsed ag do heavenly
Foirm, do lasair Vulcan
An tsolais.
Rua  ( Red )

Red,
Rua, roselet,
Hair of vine and scarlet
Grapes, drown me in your drink
Of lips, of wine, ruby, flesh of passion
Fruit and horn of plenty,
Earthen rust of pebbled clay
Draw me in as the water seeping
Into ancient aquifers, laden, hidden
Under the vastness of Sahara
Sands. I am a cloud of dream
Drifting, itching, edging along your rounded
Hills. Your ******* burn as I steam,
Your ears are for nesting doves
And your eyes, the sky is waiting, warring
With ocean, for its colour,
The wandering sun is a stranger
As it falls, ending each day, faded
As the gaseous giant of faint Antares,
Eclipsed by your heavenly
Form, your Vulcan flame
Of lumen rouge light.
1.4k · Jun 2012
In Order the Heart
Seán Mac Falls Jun 2012
In order the heart, keep running without knowledge
Of the living torch, of the soiling fires that wipe
Hopes memory, the boiled blood must breathe
In a sea of borders, of waves and rushing tides.

In order the heart, beats time, though it knocks,
Near breaks, as the wind that swoons is divining
Treasure, the jewel in the box of flesh must hold,
Must shore the rivers of the branching bleed.

In order the heart, is closed, and dry of touches
Towering keep, let the eye know mercy, let the seas
That travel with the bones never feel the marching
Desert, the hollow caves of the discarded lovers.
1.4k · Nov 2013
Haiku ( simpatico )
Seán Mac Falls Nov 2013
Sunflowers rising—
Piercing eyes of earth and sky,
  .  .  .  Sun flies with eagle.
1.4k · Sep 2013
Ocean
Seán Mac Falls Sep 2013
I was with the ocean last night and your body
Was its vessel, overflowing.  Words were frail,
Drops indwelling about the shapeless sky,
Water reaching for its own height and breath,
Like touch, were as desperate letters exchanged,
Endlessly read, until like loamy vellums, they
Disappeared in our hands.  Inklings of tide-
Pool and driftwood.

                               My blood was a river that ran
Its course.  Members feeding your deltas and birds
Breeding where the water-russet sheds on pampas
And inverness.  Eyes like wing through ever—
Green, empties the fossil shell.  Fire, brimming
Mountaintops that were, for countless millennia,
Sleeping.  Did I mention that the earth moved?
No?  Her displacement was involuntary.

Then came the waterfalls, lifting throughout
Time.  The scent, searching for its identity,
The wave, calling to its own name— Ocean,
O— cean.  And flowers, opening like galaxies
In the after-light.  A universe of face and hand
With hunger for salt-rain and then the cloud
Burst-blue and spilt and spun more redolent,
Deities, in joyous creation.

I breathe, in your ocean, like a child unborn.
1.4k · Mar 2015
Haiku ( conundrum )
Seán Mac Falls Mar 2015
Always see one worn  .  .  .
Lone shoe in streets and alleys,
  .  .  .  Never see a pair.
1.4k · Jan 2013
Haiku ( searching )
Seán Mac Falls Jan 2013
Woodpecker drifting,
Starry red-head loves old trees,
His wandering bark.
1.4k · Jun 2015
Tao of Weird
Seán Mac Falls Jun 2015
Same ******* Peacocks
Trending over and over
What's wrong on HP?
1.4k · Mar 2014
Haiku ( stinky flower )
Seán Mac Falls Mar 2014
Florida just reeks  .  .  .
Plenty of mindless ***** there,
  .  .  .  Must place to retire.
1.4k · Feb 2017
Starlings
Seán Mac Falls Feb 2017
.
*Dull grey starlings come
Parade on gardens not won
Never too soon— gone
1.4k · Dec 2013
Heron Preys
Seán Mac Falls Dec 2013
The heron spreads his wings and preys.
His stony stand a beachhead sloughing
The salt sea, a sepulchered wading.

Leaven the broken bred, unshell
The teeming waters, a fisher of mermen
Unlordly low this lying father,
His wings are palms,

His rock a mount, his wings a bay,
And deafness, tears in the outer shores
And exaulted seas the forgiven waves,

Swells the briny blood and kelp.
Vains are streaming to the fisher king,
Lordy he lands the lying father
His wings are psalms.

A tiny flood that arcs the sky
Marks lord in miniature, a King
Fisher flies, His wings are
The waters calmed.

The otters bask and preen, mermen
Jostle in the laddered rays of the sun
They mark their surf, insouciant play,

Wavering the fisher of men, he sways,
Simply they circle in song singing hours,
Dancing as do the murmuring waves,
Their strokes are psalms.
1.4k · Oct 2018
All Hallows' Eve
Seán Mac Falls Oct 2018
.
Rain fell in commotions—
The birds would have none of it,
The moon bellowed in ghostly white,
Faced in the sprite, ringing indifference
Of low fading stars, trees in posted dark
Scratched the grasslands of the fallen
Firmaments and the small creatures
That are holed up in days, scurried
With the creep of night and moan
Of oceans slide, mangled clouds
Clutched the murky burn of sky
And smallish eyes everywhen
Shuddered in the frosts
Of a shuttering rose.
.
From Wikipedia:
Samhain Gaelic festival marking the end of the harvest season and the beginning of winter or the "darker half" of the year. Traditionally, it is celebrated from 31 October to 1 November, as the Celtic day began and ended at sunset. This is about halfway between the autumn equinox and the winter solstice. It is one of the four Gaelic seasonal festivals, along with Imbolc, Bealtaine and Lughnasadh. Historically, it was widely observed throughout Ireland, Scotland and the Isle of Man. Similar festivals are held at the same time of year in other Celtic lands.
.
1.4k · Jan 2015
Haiku ( wraith )
Seán Mac Falls Jan 2015
Owl flies in woods  .  .  .
Rush of death in the still air,
  .  .  .  Without any sound.
1.4k · Jan 2013
Marsh Tails
Seán Mac Falls Jan 2013
In the lowland fens at the worlds end,
Like the ferryman, a blue heron waits,
Eyes of dragon fly, hover, over still water,
His legs are the oars rowing to the dead.
1.4k · Nov 2014
Haiku ( sorceress )
Seán Mac Falls Nov 2014
Raven haired woman—
Bathes in lake with sinking moon,
Black swan drowning light.
1.4k · Nov 2013
Blueberry Picking
Seán Mac Falls Nov 2013
Blueberry picking was no chore.
In the hoary-head of blue things,
Stuff was easy, and ripe for the picking,
Bunching blue-baubles in baskets over-ripened
Of berries.   On special mornings, due southwest
In lazy hills, round my home, — bells  
Were breaking, in quiet sections of the Canton,
Massachusetts woods, and playing by them,
We rounded blue notes, some friends and I,  
Plucked-out tunes to the breeze, on leafy-
Instruments, and pulled our weight, into moil-moisted  
Bushels, (one batch of blue was more than a ton  
Of any other fruit!)  
Toiling, till the sky would peek  
And spill its hue.  Foragers were we, as teaming
Minnows round a polk-a-dot reef, feasting on some great  
Blue-Fin’s roe, brave savages, painted in the glow of ember-
Light, of burnished yellows, and bushy-blanched browns
Drenched by dew and dappled in the stipple
Of sun-brushed fire, all the colours making patterns, even  
Box Turtles knew.   How merry it was we made our labors,
Why it was wicked!  And muggy from the heat of cool  
Indigo stars, we squenched our thirst, in glugs  
Of kisses, each following the greatest by far,  
And one soft day, we did notice the crown
Of a Princess, set on top of each full  
Noble-blooded faery-pearl dropped
As if to commemorate all  
The things that were worth  
Knowing, stuff that was ripe,  
Easy, and rapt
In blue.
1.4k · Jun 2014
Haiku ( numinous )
Seán Mac Falls Jun 2014
Bright moon, perfect, full,
Her *******, unbound in starlight,
Heavens outnumbered.
1.4k · Feb 2014
Mars Poetica
Seán Mac Falls Feb 2014
Today, a poem should be palatable, cute
As a Kiwi fruit,

Dumb
As a horse battalion's scudding run,

Strident as out of tune horns
Of basement bands where the gloss has grown—

A poem should be bloodless
As the slight of words.

A poem should be film of ocean brine
As the reel unwinds,

Cleaving as the gear greases
Spoke by spoke the light smearing breeze,

Blowing, to the temple outhouse
Exalting all the ****** functions—

A poem should be not true:
Equal too.

For all the history of vanity
An empty room and a bass relief

For lust
The keening masses and no light above the stream

A poem should not be
But mean.
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