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~
"The cradle rocks above an abyss, and common sense tells us that our existence is but a brief crack of light between two eternities of darkness." — Vladimir Nabokov

Clockworks and Ferris wheels
mix time and laughter into their spin
and then comes twilight
and a vacant lot
of endless cycles:
hide and seek in a night-time labyrinth
and then the night walks begin
this fear of emptiness
—time is not a straight line

a warning to the curious:
don't ever trust the stars
to guide you
in the black hit of space
the warmth of our flare's lifespan
is a true testament to the skill and sorcery
found in every limb, larynx
and lovelorn heart
of this dimming voidance
~
You are
the river that runs
beneath this city.

You lend
the beautiful but empty
buildings a beating heart.

And the buildings were essential.

They were a part
of the lives unfolding
in their shadows.

Sometimes it
almost seems like
they are listening.

I'm sinking inside them.

Tell me a story
about an outgoing road,
the house where you grew up
near the Sea of Azov.

I think
I flew there once.

The birds
that perch inside my chest
sing loud, sing soft.

Maybe they
will sing again for us
tomorrow.

~
~
I.
Killing Mary Poppins
with a spoonful of sugar,
the sugar from the medicine
on the other side of town,
the town called Silent Hedges
And A Bit Of Fluff.


II.
Only a display model,
her name is Marmalade;
skin white like the moon,
she wears her ****** stranger dress;
one of her sisters is dying,
the other never lived;
God is a far off concept,
the fuchsia colored ball on
an overhead power grid
points her way to salvation.


III.
Morning became something else:
bright decline,
cold things start to burn,
tragic saxophone
among the beckoning,
everything's a symptom:
tax exiles, imperialists,
girls talking nitrous
--mouths full of soil,
Virginia Reel around the fountain
(do-si-do),
ready to buy up impossibles
as the dominoes fall.


IV.
Memory is a chemical
to the girl who cried champagne,
like ceiling stars
during the prodigal summer,
she played the game
on all fours,
and found a drawer
full of quarantine polaroids,
some with blood in her mouth,
others, of rain on her birthday.

~
such majesty

a nightjar call


eyes of a tragedy

after the fall


sprawling winter

baleful

gleaming


pale steps

hinter


ever redeeming


those before

swallowed whole


a horizon to go
Invariably,
You prefer to come
To me in the dark.
"You're more my temperature then,"
You once said.
I'm not much of a thermometer,
But I am the eurythmy
To each syllable you give
In such settled shadow.
A play of murmurs and fingertips,
You once named this.
Always I see a wreath in your hair,
In colors of Persia,
Textures of night,
And the soft blended lines
Of you I know
Infallibly.
Vespertine - occurring in the evening.
~
She is not our shrine,
she prays differently
with eyes wide open,
fingers on votive offerings,
preferring her solitude
in the Tea Garden, drinking light

Tomorrow on the tarmac
one flowered suitcase,
stamped for the city of neon people,
will travel to her song,
the pilgrimage of anemic lovers

Her hoisting from water,
(ampullae in hand),
and the unique boutique
growing out of
an alabaster chamber
bring monks out of hiding

The center line of her,
where the flower blooms forth
and learns by observation,
is still an unvisited temple

Until in season of calligraphy,
when she releases the Kogai
from her hair and sits with friendly toes
outstretched in the warm intimacy of
shared water

~
Derail your anxious train of thought

Open your inner spirit

And enter the dream corridor
like a leaf from a tree in its dying season

Coma come quiet
Airless linger delight

Sacrificial pasts
give you the power
to leave places

The world won't get better
but you will
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