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"unsmiling" poems
I knocked the black door knocker on Janice's nan's door and her nan answered and said o hello Benedict Janice can't come out she let the canary out and we had a hell of a job getting it back in the cage again so I'm keeping her in I was going to tan her backside but I thought keeping her in was more of a punishment on a day like this o right I said looking at Nan's eyes and her greying hair and unsmiling face but you can come in and see her for a few minutes shame that you have to be without her though so she walked back up the passage and into the sitting room where Janice was sitting on a settee looking disgruntled it's Benedict come to see you he is only staying for a few minutes so don't think you can go out because you can't Janice nodded and looked tearful and her nan walked off into the kitchen I didn't mean to let the bird out I just opened the cage door to get it to stand on my finger but it flew out and it to ages to catch it again and Nan was so angry that she was on the border of giving a smacking but then she thought keeping me in was more of a punishment so here I am on a lovely warm day sorry about that I said where are you going? she asked I was going to Jail Park on the swings and slide I said I see she said looking at me sadly what have you got in the bag? I opened the bag it's that Robin Hood book I bought it in that junk shop on the New Kent Road she held it and opened it up and looked at the words and pictures maybe next time I can be your Maid Marian to your Robin Hood she said yes I said looking at the canary in its cage that'd be good.
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Mar 10, 2015
Mar 10, 2015 at 3:16 AM UTC
NOT TO GO OUT 1956
I knocked the black door knocker on Janice's nan's door and her nan answered and said o hello Benedict Janice can't come out she let the canary out and we had a hell of a job getting it back in the cage again so I'm keeping her in I was going to tan her backside but I thought keeping her in was more of a punishment on a day like this o right I said looking at Nan's eyes and her greying hair and unsmiling face but you can come in and see her for a few minutes shame that you have to be without her though so she walked back up the passage and into the sitting room where Janice was sitting on a settee looking disgruntled it's Benedict come to see you he is only staying for a few minutes so don't think you can go out because you can't Janice nodded and looked tearful and her nan walked off into the kitchen I didn't mean to let the bird out I just opened the cage door to get it to stand on my finger but it flew out and it to ages to catch it again and Nan was so angry that she was on the border of giving a smacking but then she thought keeping me in was more of a punishment so here I am on a lovely warm day sorry about that I said where are you going? she asked I was going to Jail Park on the swings and slide I said I see she said looking at me sadly what have you got in the bag? I opened the bag it's that Robin Hood book I bought it in that junk shop on the New Kent Road she held it and opened it up and looked at the words and pictures maybe next time I can be your Maid Marian to your Robin Hood she said yes I said looking at the canary in its cage that'd be good.
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100
Desire and All the sweet pulsing aches And gentle hurtings That were you, Are gone into the sullen dark. Now in the night you come unsmiling To lie with me A dull, cold, rigid bayonet On my hot-swollen, throbbing soul.
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6.7k
Killed Paive--July 8--1918
It’s so easy to feel so small I’m on a bus, the last one that runs on a Wednesday night, Sketching a tired face Bags under the eyes, made of black ink I’m eavesdropping on a conversation, (Does it count as eavesdropping when There are only two people speaking in an otherwise Silent bus?) My heart’s been having an existential crisis, And my stomach and chest Empty Yet heavy Someone’s hands are holding my insides And squeezing them in a fist It is exhausting It is lonely In my right ear is this beautiful song Violin and cello and A raw passion that reminds me That it’s okay To be human, and to be scared shitless I’m still listening, partly But not really It’s late I want to sleep Busses are full of zombies- Phone, earphone, unsmiling zombies And despite the Tired sketch on my lap I’m one, too The conversation slows I smile I turn and I recognize the face in front of me I’m told that this person, vaguely familiar face, whose conversation I’ve been eavesdropping on remembers one of my poems About stars And the line is on his wall A line from a poem that I wrote About stars Is on someone’s wall Even better than when Chad Oliver told me I was Quite attractive junior year of high school, And I remember writing that poem And I feel a little less useless I want to cry My body hasn’t known what to do with itself lately You see I exhausted myself in love And now that it’s gone I feel useless My heart pulls towards mediocre sketches First sips of coffee in the morning, Listening to the violin It doesn’t know what else to feel for It’s been left in this dark room Grasping for a table, **** even a stepstool, Heartbreak is exhausting Because it’s not just the heart And it doesn’t really break It just has to re-learn how to feel But I get off the bus And the night is warm, The moon is Beautiful, This white-hot luminescence Burning through the silhouettes of trees, So bright the sky is still blue 6 hours after sundown. I open my palms up to her I see the stars I open my palms up to them They guide me home
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Feb 20, 2014
Feb 20, 2014 at 1:08 PM UTC
Complimenting the Stars
It’s so easy to feel so small I’m on a bus, the last one that runs on a Wednesday night, Sketching a tired face Bags under the eyes, made of black ink I’m eavesdropping on a conversation, (Does it count as eavesdropping when There are only two people speaking in an otherwise Silent bus?) My heart’s been having an existential crisis, And my stomach and chest Empty Yet heavy Someone’s hands are holding my insides And squeezing them in a fist It is exhausting It is lonely In my right ear is this beautiful song Violin and cello and A raw passion that reminds me That it’s okay To be human, and to be scared shitless I’m still listening, partly But not really It’s late I want to sleep Busses are full of zombies- Phone, earphone, unsmiling zombies And despite the Tired sketch on my lap I’m one, too The conversation slows I smile I turn and I recognize the face in front of me I’m told that this person, vaguely familiar face, whose conversation I’ve been eavesdropping on remembers one of my poems About stars And the line is on his wall A line from a poem that I wrote About stars Is on someone’s wall Even better than when Chad Oliver told me I was Quite attractive junior year of high school, And I remember writing that poem And I feel a little less useless I want to cry My body hasn’t known what to do with itself lately You see I exhausted myself in love And now that it’s gone I feel useless My heart pulls towards mediocre sketches First sips of coffee in the morning, Listening to the violin It doesn’t know what else to feel for It’s been left in this dark room Grasping for a table, **** even a stepstool, Heartbreak is exhausting Because it’s not just the heart And it doesn’t really break It just has to re-learn how to feel But I get off the bus And the night is warm, The moon is Beautiful, This white-hot luminescence Burning through the silhouettes of trees, So bright the sky is still blue 6 hours after sundown. I open my palms up to her I see the stars I open my palms up to them They guide me home
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71
The monk stands in the shadow of the cloisters, said Benedict, his arms folded beneath his black habit, his features unsmiling, his stare out at the garth and the clock tower over the way. I watch him, feeling the sun's warmth where the shadows aren't; the flowers in the flower beds are in full bloom, the afternoon air throws birds into the sky to set free and fly. Other monks gather in the garth after the office of None; Patrick wheels out the trolley with tea, coffee and cake; we stand and talk in the brief recreational break; white clouds drift by, birds take wing above in the afternoon sky. One talks to me of his book on the abbey, the history from its origins in France until exiled here. There is the bell for the end of the break and on we go to our occupations in our rooms or church; I attend the Latin class with George and Gareth, our novice master aids us in our studies, we learn the holy sounds of the Latin phrase and chants. I love the office of Compline: the chanting in the half-dark, the evening light through high windows, the utter separation from the outer world and our communion with God in prayer and chant and song, and our hymn to Sancta Maria, and the final bell, and the prayers on wing and air, and I stand momentarily silent there.
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Jul 30, 2018
Jul 30, 2018 at 6:13 AM UTC
Benedict and the Monks 1971
Tired faces shuffle home, Unsmiling countenances, Irritated by impoverished nuances, Stress, like a hanging, stifling dome.
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May 15, 2013
May 15, 2013 at 7:40 AM UTC
the After hustle
Since a sea of unsmiling glass was caught by my lover, his sky has shifted oh so dark and I watch him taking cover. He takes the rose of winter, wonders why it doesn't bloom and it’s too bad he doesn't know he never gave it room Now all hope he has of home and hearth and my consolation drifts across the land as the wind………. of all of his frustration.
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Mar 23, 2014
Mar 23, 2014 at 2:26 PM UTC
Sea of Unsmiling Glass
in all the photos he was a young man - my father handsome and smiling a useful smile i tried to find one from later when he was a bystander on my street - older, unsmiling, obsolete - there were none i wish i had known how he felt now that i do. r ~ 11/25/14
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Nov 25, 2014
Nov 25, 2014 at 7:23 AM UTC
obsolete
When I look at your photograph, my son, there beside my bed, the one of you in dark suit and glasses, dressed as a Blues Brother for the work's Christmas party gig, I have to smile, yet at the same time hold back the tears, as days become weeks and weeks become months and months years, since your untimely death soon after. Silent now the jubilation, rare the celebration, low key if at all the laughter. The only photograph where you're not smiling, where you stare back in fixed unsmiling mode, as if you had some inner clue or foresight of your fate one month ahead when you would be no longer here, but dead.
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Jul 21, 2017
Jul 21, 2017 at 4:37 AM UTC
YOUR PHOTO MY SON.
throw fireworks at little brothers, laugh, until they start crying, then hide make mom cry, a lot. worry her, a lot. make everyone who loves you cry, at least twice run your ******* up a flagpole, steal a flag smoke cigarettes at school through bad ***** and insincerity get drunk, then kiss everybody borrow people's things make them regret lending to you throw up in such a way it'll ruin a party throw up in someone's bed leave it for them later buy cheap drugs, steal cheap clothes, exploit the good nature of others spit at someone's feet start useless arguments, especially with bigots, especially when drunk, especially when you need to impress people get kicked out of something holy and sacred, in the process, shame your grandparents flip the bird, yell impolite things and trivia at friends, strangers, anyone set a plastic trashcan on fire, leave it somewhere important forget about it pierce your face, more than once pierce somewhere not on your face show people you shouldn't say trite thoughts, dress them up with $10 words look pedantic, unsmiling, and snooty put everything off, procrastinate until it ***** you up, wonder what happened finally, stay awake at night, remembering all this, then pity yourself, you ******* *******
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Apr 17, 2013
Apr 17, 2013 at 9:42 PM UTC
how to be an *******
Mona Lisa, mona linda, O emblem of western beauty! A hundred greedy eyes rest on you, Drinking you in. Crowds and crowds gather To feast on your unsmiling face, Your stiff posture, your Lifeless gaze. Within the golden frame you are Frozen in time And unable to escape those relentless gawks. Life imprisonment With an audience of 2 million. Adoring fans, passers-by Cry out in praise! “Beauty, beauty, beauty!” Do they know what they see? Bland Western beauty standards served up on a plate. Fresh from Ireland and ready to eat. Dreams of wealth and success Wrapped up in pale white skin And short blonde hair.
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Aug 4, 2018
Aug 4, 2018 at 4:54 PM UTC
Mona Lisa, mona linda
Auntie took me to Milly's place across the parade ground Milly let us in and Milly said to her daughter Elsie show Benny the blue budgie Elsie looked at me sternly and unsmiling budgie wants to sleep Elsie said budgies don't sleep in the day Milly said show Benny the bird Elsie sighed and walked to the other room where a birdcage was hooked up to a metal stand I saw the blue budgie on a perch that's the bird Elsie said glumly looking at me what's it's name? I asked why'd you want to know? She said so I can talk to it I said talk to a bird? She said mockingly boys don't talk to birds I studied the blue budgie hello blue bird I said the budgie chirped and flapped its wings it's name's not blue bird Elsie said what's it's name then? I said not telling you she said and walked off is it Elsie too? I said she turned and gazed at me no it's a boy bird boy birds aren't called girl names she said Milly came in the room to fetch a couple of plates are you talking to Billy? She asked me yes I said he chirped at me Milly smiled that's good she said Elsie glared at me as her mother walked back out the room hello Billy I said to the budgie the bird chirped again Elsie stood next to me and stared at the budgie perhaps he likes you she said I don't know why I looked at the budgie I like you I said quietly Elsie stared at me do you? She said I nodded I don't know why she added and walked away nor do I my voice uttered softly to Billy Elsie had gone and the bird flapped its wings and flew across the cage to the other side I did like her I didn't lie.
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Mar 30, 2016
Mar 30, 2016 at 12:12 PM UTC
I DIDN'T LIE 1951
Auntie took me to Milly's place across the parade ground Milly let us in and Milly said to her daughter Elsie show Benny the blue budgie Elsie looked at me sternly and unsmiling budgie wants to sleep Elsie said budgies don't sleep in the day Milly said show Benny the bird Elsie sighed and walked to the other room where a birdcage was hooked up to a metal stand I saw the blue budgie on a perch that's the bird Elsie said glumly looking at me what's it's name? I asked why'd you want to know? She said so I can talk to it I said talk to a bird? She said mockingly boys don't talk to birds I studied the blue budgie hello blue bird I said the budgie chirped and flapped its wings it's name's not blue bird Elsie said what's it's name then? I said not telling you she said and walked off is it Elsie too? I said she turned and gazed at me no it's a boy bird boy birds aren't called girl names she said Milly came in the room to fetch a couple of plates are you talking to Billy? She asked me yes I said he chirped at me Milly smiled that's good she said Elsie glared at me as her mother walked back out the room hello Billy I said to the budgie the bird chirped again Elsie stood next to me and stared at the budgie perhaps he likes you she said I don't know why I looked at the budgie I like you I said quietly Elsie stared at me do you? She said I nodded I don't know why she added and walked away nor do I my voice uttered softly to Billy Elsie had gone and the bird flapped its wings and flew across the cage to the other side I did like her I didn't lie.
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101
**The young woman, plain, was unsmiling behind the control panel, a ribald passion filled his veins, her mien has to do something, the airfield was deluged by waves of grief, among them was those robust women, he tried to forget but couldn't who may defeat the purpose, if he takes a second look. She gave her word to fly the single engine airplane "Don't fear darling, i am an aerobatics specialist if need arises i wouldn't hesitate to crash land, take care of your hurt, bleeding lonely heart". How reassuring! never would he turn back, after this difficult take off awaited life long. No more entries in this log book. Her dark make up, was feline an added attraction that gave him a libidinous surge, an ******** with ample promises, to last till he reaches his destination final, from where the return flight, is even unthinkable the lady pilot winks. This Cessna to the unknown, has the aphrodisiacal scent of wild orchid flowers he once discovered in the far stretches of the Western Ghat mountain ranges and ******** secretions of one particular lover a reminder perhaps death wants to carry as it happens**
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Apr 21, 2014
Apr 21, 2014 at 6:03 AM UTC
The last Cessna flight passes beyond the curtain of horizon
Why cannot here be peace on this many colored world there could be where the circles of pain and hate burn ever moving into victims freezing hearts from loving movement to the stillness of the never born the unsmiling grip of payment where shrieking heard cry they owe for what they did though righteously deny the fee that comes breathing vilely above ignorant heads feeding of words that know no better cursed to echo what went before for the circle only knows this here  past is the future there future the past and without breaking the endless spinning change shan't be able we all cry for a hero to change our ways though to step forward is too much though when they come as one treat them as have been treated and expect them to be better hope they will be better beg them to be better while we tear them screaming down to equality in the dark and pain from where escape only exists in the fragmented dream of peace.
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Jun 6, 2015
Jun 6, 2015 at 1:24 AM UTC
Peace
I don my pale green hoodie, blending into the seafoam crowd Unsmiling eyes and unlaughing lips united in a tightly held breath Silent metal walls curve over our pale heads Cold, dull and smeared with printless finger marks White floors and white faces waver under the ripples of quiet breath Tension strangling whatever might have been left over
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Jul 2, 2012
Jul 2, 2012 at 3:04 PM UTC
the crushing
frock coated mourners all men standing on the roof tops while a silver haired woman speaks through a megaphone with a Calvinistic zeal though her voice is lost in the howling wind smile unsmiling smiles terracotta soldiers stand in rows around this grotesque assembly while large disembodied heads at the beginnings of thoroughfares impede any progress sinister flags smirk from countless one roomed wooden houses the terracotta soldiers laugh for they know they are but dust then the high frocked coated male mourners smile unsmiling smiles and say to us "the future we bequeath to you" there is a lifeboat in the street but no water we sob...sob...sob....sob for there is no future the birds all fly away no future just an unknown place determined only by the mediocrity of its frothing melancholy what have they done jesus what have they done
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Jul 6, 2014
Jul 6, 2014 at 9:40 AM UTC
Future there is no future
last night I had a poem inside me, I lost it on the highway in the Christmas of red and white continuous light on either side there were other thoughts, in other cars - their webs spun & ready the wind beat against my window, holding the tail of it -- "there's still time"   but I just looked back at you, driving. hands sure, your unsmiling lips somehow still holding, kind. and remembered this sizzling, poppin' n' fizzing feeling and could have written pages and pages and instead just burned
0
Nov 16, 2015
Nov 16, 2015 at 1:49 PM UTC
Untitled
You know I’m strong. Even if you can’t do this, I’ll be strong. The ocean is still an ocean,                   the sky is still a sky But an ocean without its horizon a sky full of dark clouds. My world is still here though. There is still the dark mist that hides the sky, and the huge grey cliffs which bury all the directions, and the sun, the moon and the stars. There is still the stillness in the ravens’ crow. The heavy waves still roll             and drown my white naked feet unto the shore. And I know I still exist. I still walk and breathe. Partly breathe, but it doesn’t matter. For I still can and that’s what should be. Even if you’re like this for the next decades, for you I will always be strong. If you say you’ll die if you start loving me, then don’t. For I won’t die if you don’t but I will if you die. The world is still here and I don’t really care if it won’t turn. But please, be still. Stay as far as you’re near. Let those eyes be as empty as they are. Dark, distant, a glance of nothingness, I don’t care. We are both blinds anyway. And I am always kind. Even when I know you are not behind your skin when I touch you,              I won’t complain. I can’t feel anything either. As long as you stay with me like this forever, in this forever where there’s no night or day, you know I’ll be strong. Even if you’re just a ghost, unfeeling, soundless, staring straight at the grey, hushed waters, I won’t let myself know you are. I can feign. For even if you’re like this beside me, even when your heart had crossed this isle and left me for another, even when your chest is only filled with air, just the ocean’s air, as long as your body, your face, your unsmiling face is here, you are mine. Mine. And I will stay like this with you even during the soft perils of a morning’s light hail or drown with you when the abyss of the ocean consumes this little heaven of mine. For you know, I am strong and I can always be. Even if I know that you being here is a lie, and that my world is half-living and I am half-alive, as long as I can still sleep on your silent ***** and I can still lean on your cold arms, you will always be adorned, and worshipped. And I will lie on your lap as I stare at the white sky, watch and taste your dry mouth from the splashes of the rushing waves, then feel the thin silhouette of your face, your hands, your feet, your chest, your hair, your soul from all the shadows around me. Oh dear! I can just do anything and everything for you! Believe me, I can do all these! I really can! For you know I am strong. I really am. These feelings are immortal and I have already immortalized you,              here, in this isle,                 in my little-found heaven, where I am always strong.
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Jul 24, 2013
Jul 24, 2013 at 4:35 AM UTC
To My Immortal Beloved
You know I’m strong. Even if you can’t do this, I’ll be strong. The ocean is still an ocean,                   the sky is still a sky But an ocean without its horizon a sky full of dark clouds. My world is still here though. There is still the dark mist that hides the sky, and the huge grey cliffs which bury all the directions, and the sun, the moon and the stars. There is still the stillness in the ravens’ crow. The heavy waves still roll             and drown my white naked feet unto the shore. And I know I still exist. I still walk and breathe. Partly breathe, but it doesn’t matter. For I still can and that’s what should be. Even if you’re like this for the next decades, for you I will always be strong. If you say you’ll die if you start loving me, then don’t. For I won’t die if you don’t but I will if you die. The world is still here and I don’t really care if it won’t turn. But please, be still. Stay as far as you’re near. Let those eyes be as empty as they are. Dark, distant, a glance of nothingness, I don’t care. We are both blinds anyway. And I am always kind. Even when I know you are not behind your skin when I touch you,              I won’t complain. I can’t feel anything either. As long as you stay with me like this forever, in this forever where there’s no night or day, you know I’ll be strong. Even if you’re just a ghost, unfeeling, soundless, staring straight at the grey, hushed waters, I won’t let myself know you are. I can feign. For even if you’re like this beside me, even when your heart had crossed this isle and left me for another, even when your chest is only filled with air, just the ocean’s air, as long as your body, your face, your unsmiling face is here, you are mine. Mine. And I will stay like this with you even during the soft perils of a morning’s light hail or drown with you when the abyss of the ocean consumes this little heaven of mine. For you know, I am strong and I can always be. Even if I know that you being here is a lie, and that my world is half-living and I am half-alive, as long as I can still sleep on your silent ***** and I can still lean on your cold arms, you will always be adorned, and worshipped. And I will lie on your lap as I stare at the white sky, watch and taste your dry mouth from the splashes of the rushing waves, then feel the thin silhouette of your face, your hands, your feet, your chest, your hair, your soul from all the shadows around me. Oh dear! I can just do anything and everything for you! Believe me, I can do all these! I really can! For you know I am strong. I really am. These feelings are immortal and I have already immortalized you,              here, in this isle,                 in my little-found heaven, where I am always strong.
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70
Yiska sits on the sofa staring. Music on the radio, background noise. Naaman walks the length of the locked ward, right hand in his dressing gown pocket. White bandage, blood stained, wrapped around his left wrist. Avshalom’s razor did the job unsatisfactorily, he muses, feeling the soreness where the wound’s wrapped. Yiska taps the sofa seat and beckons for Naaman to sit beside her. He sits down, hands on knees. She’d found him in the locked ward washroom wrist slit, blood drenched. She talks to him, low voice, muttering words. The nurse at the desk eyes them. Slit wrong way, Yiska says, the Romans had it down to a fine art. Naaman senses the wrist throb. He smells her soapiness, wants to wrap himself into her. Some deem it a sin to take your life, she says. Doesn’t matter a **** once you’ve gone, she adds, tracing a finger along his artery. More ways than one to go, Yiska says, reaching the bandaged wound. Naaman says, I know, I tried each in turn, failed me each. She smiles. That hanging **** was a no no, she says. Need to go beautifully, not boggled eyed with protruding tongue like some rabbit hung. The nurse takes his hand and feels the bandage hold. She unsmiling looks at both, their conversation dumbed. Naaman senses the nurse’s hands trace a line around the wound. Unimpressed, she moves away, eyed by Yiska’s dark stare, watches the nurse talking to another standing there. Makes work for them, Yiska says, no feathers in their caps if you break through to the other side. Naaman sniffs her soapiness, warms to her nearness, seeks to dissolve into her otherness. Sylvia had it off to pat, Yiska says, head in the oven dozed to a death. Sylvia? Naaman asks, his eyes skimming along her thigh where night gown showed. Plath, she says, the poet, back in 63. Naaman drinks in her dark valley where her night gown gapes, his black dog mood barks in his brain. Look, Yiska says, pointing her finger window wards, after the freezing snow, comes rain.
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Jul 14, 2013
Jul 14, 2013 at 9:40 AM UTC
AFTER THE SNOW THE RAIN.
Yiska sits on the sofa staring. Music on the radio, background noise. Naaman walks the length of the locked ward, right hand in his dressing gown pocket. White bandage, blood stained, wrapped around his left wrist. Avshalom’s razor did the job unsatisfactorily, he muses, feeling the soreness where the wound’s wrapped. Yiska taps the sofa seat and beckons for Naaman to sit beside her. He sits down, hands on knees. She’d found him in the locked ward washroom wrist slit, blood drenched. She talks to him, low voice, muttering words. The nurse at the desk eyes them. Slit wrong way, Yiska says, the Romans had it down to a fine art. Naaman senses the wrist throb. He smells her soapiness, wants to wrap himself into her. Some deem it a sin to take your life, she says. Doesn’t matter a **** once you’ve gone, she adds, tracing a finger along his artery. More ways than one to go, Yiska says, reaching the bandaged wound. Naaman says, I know, I tried each in turn, failed me each. She smiles. That hanging **** was a no no, she says. Need to go beautifully, not boggled eyed with protruding tongue like some rabbit hung. The nurse takes his hand and feels the bandage hold. She unsmiling looks at both, their conversation dumbed. Naaman senses the nurse’s hands trace a line around the wound. Unimpressed, she moves away, eyed by Yiska’s dark stare, watches the nurse talking to another standing there. Makes work for them, Yiska says, no feathers in their caps if you break through to the other side. Naaman sniffs her soapiness, warms to her nearness, seeks to dissolve into her otherness. Sylvia had it off to pat, Yiska says, head in the oven dozed to a death. Sylvia? Naaman asks, his eyes skimming along her thigh where night gown showed. Plath, she says, the poet, back in 63. Naaman drinks in her dark valley where her night gown gapes, his black dog mood barks in his brain. Look, Yiska says, pointing her finger window wards, after the freezing snow, comes rain.
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58
The iron monster tempts her closer with a rusty soul glistening bolts and a wide-mouthed brim of steel and secrets. Her eyelids fall to her lashes anticipating the dreams that weigh heavy on her heart of underwater cities and of things that were meant to be. The drop isn’t much too far but she hangs onto its copper body and for once she is afraid. But the clouds serve as a witness and the friendly waves down below call to her. The sun approaches quietly once more, just like yesterday just like she practiced. Except today she isn’t interrupted by unsmiling visitors Mr. Ford, Mr. Lincoln and their friends with their minds pumping and their engines roaring.
0
Jun 23, 2010
Jun 23, 2010 at 6:40 PM UTC
cowboys in the sky
One Sunday evening after tea, Benny's old man said: do you want to go see a horror film? Yes, he said, that'd be good, but it's an X film and I won't get in (He was about 12 then). Put your long trousered suit on white shirt and tie, and we'll see what they say. He Brycreemed Benny's hair, polished his black shoes. He said: if anyone asks how old you are say nothing, I’ll tell them. So off they went and stood in the queue at the cinema. Benny felt a bit conspicuous standing there, but he put on his unsmiling face, stared at no one, and squared his shoulders. When they got to the ticket office his old man said: two adults please, and gave her the money; she gave him the tickets. They went past the usherette who just looked at Benny, but nothing. They found two seat and sat down. Soon after the lights were lowered and the Pearl & Dean adverts began. Benny was then inconspicuous one of the crowd. He had been taken as an adult, and got into see an X film: Doctor Jekyll and Mr Hyde. He sat there with a smile, and with a bit of schoolboy pride.
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Aug 12, 2016
Aug 12, 2016 at 1:42 AM UTC
SCHOOLBOY PRIDE.
christ you hang tinsel on a wooden cross (drooping) your unsmiling figure by the christmas tree tinseled too silver clever ringlets wreathing hung by hands delicate ornaments dote 'pon the boughs swinging swaying in some unfelt breeze they jounce those lovely sparkle sprinkled spheres mingle in the arms of pine and soft cinnamon smells cru mbl i ng wafts increase from the hot busy pocket of the kitchen into soon sleeping hands my body enters to the sound of small laughter
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Dec 24, 2011
Dec 24, 2011 at 8:30 PM UTC
Untitled
You both rode your bicycles to the small church along the lane and parked your bikes against a tree in the churchyard out of sight from the lane will there be anyone in there? Milka asked as you tried the old wooden door don't think so people only come here one Sunday in the month you said you opened the door and walked in it smelt of damp and oldness and no one was there you walked up the aisle and looked at the old pews and stained glass windows people still come here? she said guess so you said kind of old isn't it you stood looking back at her her dark hair brought into a ponytail her jeans and green top do you like the place? you said for what? she said to visit you said been to better places she said moodily thought you were going to take me somewhere we could be alone and kiss and such she added looking around the church we are alone you said yes but hardly the place to kiss and do things she said we can kiss here you said then what? she said she walked down the aisle looking about the place you watched her we could have ridden to the pond place and did more she said let's just sit and get the feel of the place you said she reluctantly walked back to you and you sat in one of the pews together I wonder how many couples have walked down this aisle as man and wife? you said a few unfortunate couples I guess she said you smiled some make a go of it you said don't get any ideas she said I'm not ready for that stuff yet do your brothers still needle you about going out with me? you asked not any more they got bored with it in the end besides you're their friend and I’m just their sister they said you ought to see a quack after going out with she said unsmiling and my mother trusts me with you which is annoying why annoying? I wanted her to be worried that I was doing things and have her look at me like I was a no good ***** you laughed what for? to see her reaction she trusts me you said well she shouldn't Milka said not after what we have been up to it's not always what you do it's what people think you do that makes them judged you you said I don't like this place she said let's go elsewhere ok you said and so you got out of the pews and walked out of the church and got on your bikes and rode off into the Saturday morning air giving her moving hips as she rode a happy stare.
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Jan 22, 2014
Jan 22, 2014 at 3:49 AM UTC
SATURDAY MORNING RIDE.
You both rode your bicycles to the small church along the lane and parked your bikes against a tree in the churchyard out of sight from the lane will there be anyone in there? Milka asked as you tried the old wooden door don't think so people only come here one Sunday in the month you said you opened the door and walked in it smelt of damp and oldness and no one was there you walked up the aisle and looked at the old pews and stained glass windows people still come here? she said guess so you said kind of old isn't it you stood looking back at her her dark hair brought into a ponytail her jeans and green top do you like the place? you said for what? she said to visit you said been to better places she said moodily thought you were going to take me somewhere we could be alone and kiss and such she added looking around the church we are alone you said yes but hardly the place to kiss and do things she said we can kiss here you said then what? she said she walked down the aisle looking about the place you watched her we could have ridden to the pond place and did more she said let's just sit and get the feel of the place you said she reluctantly walked back to you and you sat in one of the pews together I wonder how many couples have walked down this aisle as man and wife? you said a few unfortunate couples I guess she said you smiled some make a go of it you said don't get any ideas she said I'm not ready for that stuff yet do your brothers still needle you about going out with me? you asked not any more they got bored with it in the end besides you're their friend and I’m just their sister they said you ought to see a quack after going out with she said unsmiling and my mother trusts me with you which is annoying why annoying? I wanted her to be worried that I was doing things and have her look at me like I was a no good ***** you laughed what for? to see her reaction she trusts me you said well she shouldn't Milka said not after what we have been up to it's not always what you do it's what people think you do that makes them judged you you said I don't like this place she said let's go elsewhere ok you said and so you got out of the pews and walked out of the church and got on your bikes and rode off into the Saturday morning air giving her moving hips as she rode a happy stare.
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I choose a table in the middle To feel like I'm part of the rush. Regulars are identified by their silence Receiving their drinks without need for a word. I stumble over my order... One small? tall? short? Fat ameri-frappe please hold the dairy... I'm certain I did it wrong Every hole in the wall has its own lingo To distinguish those in the know From those who wandered in I'm a wanderer, without a doubt The man behind me is impatient He's one of the silent ones Unsmiling in his dress shirt I wish I were a real person like him Who knew to say short instead of small And didn't sit alone at tables Writing phrases no one cares to read.
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Jul 2, 2016
Jul 2, 2016 at 11:08 PM UTC
Coffee Shop
dogs snarl and yowl as she approaches: her silken dress trailing the ground, her ashen face, unsmiling. lady of the night: she leads her army of ghouls with cold, heavy chains that make a sickening sound as they stroke against the black concrete. she is unseen, but watching, cold malice in her shadowed eyes. she can see the sweat beading upon your pallid face as you struggle to wake, gasping. heed her unnatural beauty, for it is too dark to see her true face. she parts the road thrice and awaits your decision. a smile curls her lips: she is warning you.
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Apr 28, 2020
Apr 28, 2020 at 6:11 AM UTC
Hekate