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Sridevi Jan 2011
Tara is a little girl…she does pinwheels and cartwheels on crowded  traffic signals and yeah …she has a small baby monkey who helps her…*


Tara
Little Tara
Tonight I leave my
Pen to sniff
hunger ghosts
Rumbling in your belly…


Yes..
sniff from
Miles and miles apart
From your own
Ragged world
Of pin wheels
And cartwheels
Emaciated monkey babes


Ah ! In this hollow
Poetic world
Is it only rhythm
I seek …

Even as cold winds
Enter those  gaps
Expanding forever
In your innocent
malnourished psyche…


Tara..
little Tara
tell me ..
how to give
a closure
to this verse…


Do I ask
You how
Your new year
Had been

Or..

Do I
Fish that
Rusted coin
From the bottom
Of my purse and
Toss it on
To your eager
Waiting palm


Tara..
Little Tara
Tell me


Helpless as I am  
Shrouded
In my opulent hypocracy


As you are

…shivering
In your humble poverty
Fah Aug 2013
(via phatphilosophers)

(via phatphilosophers)

(via phatphilosophers)
jeffrey-lebowski:

Untitled by Yayoi Kusama.
Acrylic on canvas, 45.5 x 38.0 cm. Signed and dated 1993
jeffrey-lebowski:
Untitled by Yayoi Kusama.
Acrylic on canvas, 45.5 x 38.0 cm. Signed and dated 1993
(via phatphilosophers)

These are the days that must happen to you.
Walt Whitman, from Leaves Of Grass (via violentwavesofemotion)
(via phatphilosophers)
18 HOURS AGO / LARMOYANTE
axiatonal:

Canola Flowers Field, China
axiatonal:
Canola Flowers Field, China
(via awaveofbliss)

(via awaveofbliss)

whatisadvertising:
What would modern technology and social networks look like if they were vintage ads
This is a post gathered Facebook, Twitter, Youtube, Skype, iMac, Nintendo Wii and Sony Playstation as if they were vintage ads.
(via thebronxisburning)
aplacetofindlife:

Someone Should Start Laughing
I have a thousand brilliant lies For the question: How are you?  I have a thousand brilliant lies For the question: What is God? If you think that the Truth can be known From words, If you think that the Sun and the Ocean Can pass through that tiny opening Called the mouth,
O someone should start laughing! Someone should start wildly Laughing Now!- Hafiz
aplacetofindlife:
Someone Should Start Laughing

I have a thousand brilliant lies
For the question:
How are you?

I have a thousand brilliant lies
For the question:
What is God?

If you think that the Truth can be known
From words,

If you think that the Sun and the Ocean
Can pass through that tiny opening Called the mouth,

O someone should start laughing!
Someone should start wildly Laughing Now!

- Hafiz
(via cosmic-rebirth)

meditationsinwonderland:
Chimamanda Ngozi Adiche, We Should All Be Feminists
How could I not reblog this?
(Source: bakongo)
1 day ago – 234,004 notes

artismyempire:
gentledom:
A wonderful analogy.
What I shall do today.
(Source: boyqueen, via thebronxisburning)
1 day ago – 30,054 notes

(Source: maryhadalittleblunt, via awaveofbliss)
1 week ago – 81 notes
beachsloth:

SYNESTHESIA by Joshua Espinoza
                God watches everyone’s first kiss. Although God used to be an awesome God He’s been a bit lazier as the years have progressed. Long ago God felt that raining frogs on Egypt was cool. People were turned into pillars of salt for looking at the destruction of their towns. Now God isn’t into that whole vengeful thing. Rather He realizes the importance of free will and understands it is more important than any instruction manual.
                Dreams are the ultimate instructional manual. Sub-conscious hates being a sub. Sub-conscious wants to be dom-conscious. Unfortunately such things do not happen anymore. Drinking dreams from people is potentially delicious. Flab is the hallmark of a family man or woman. Their dreams have become realities. Mere impulses of creatures become vaguely self-sustaining then fully self-sustaining. Right in the heart is where the familial love lives. Floaters in the eyes are more than floaters. When one sees floaters they see ghosts. Floaters are ghosts for the vision-impaired.
                Afterlife is big into God. Death brings people closer to God. They live in God’s domain hoping for the best. From on high the angels live on the down low. Beneath angels are the exciting ones, the ones they can and do mess up. Humans are interesting for their ability to mess up all the time and somehow remain completely loved. Every human is made in God’s image. Once people come back to God they realize how much of their decisions were good, how the evil was more than counterbalanced by the good. Living in Earth tends to make people forget how fortunate they really are.
                The world hates leaving people behind. In Heaven everything is fine. From Heaven people can see themselves from light-years away. Such distance makes it easier to see what the right and wrong decision was. Death takes the people away. Online presences remain long after the body has left. Everything has a digital footprint entirely different from their real life footprint. Sometimes it is bigger and sometimes smaller. It depends on the lust for life.
                Kissing is a form of lust. Lips love each other. Lips like locking together. That is where the key to the heart comes from, from the lips. Words flow from the mouths of babes. Life means the words work well but the tones work better. Even babies understand the importance of tone. Words are meaningless. Tones are tender. People wrap themselves up in tones, in the environmental sounds that surround them for that is what it means to be alive: it means to interact.
beachsloth:
SYNESTHESIA by Joshua Espinoza
                God watches everyone’s first kiss. Although God used to be an awesome God He’s been a bit lazier as the years have progressed. Long ago God felt that raining frogs on Egypt was cool. People were turned into pillars of salt for looking at the destruction of their towns. Now God isn’t into that whole vengeful thing. Rather He realizes the importance of free will and understands it is more important than any instruction manual.
                Dreams are the ultimate instructional manual. Sub-conscious hates being a sub. Sub-conscious wants to be dom-conscious. Unfortunately such things do not happen anymore. Drinking dreams from people is potentially delicious. Flab is the hallmark of a family man or woman. Their dreams have become realities. Mere impulses of creatures become vaguely self-sustaining then fully self-sustaining. Right in the heart is where the familial love lives. Floaters in the eyes are more than floaters. When one sees floaters they see ghosts. Floaters are ghosts for the vision-impaired.
                Afterlife is big into God. Death brings people closer to God. They live in God’s domain hoping for the best. From on high the angels live on the down low. Beneath angels are the exciting ones, the ones they can and do mess up. Humans are interesting for their ability to mess up all the time and somehow remain completely loved. Every human is made in God’s image. Once people come back to God they realize how much of their decisions were good, how the evil was more than counterbalanced by the good. Living in Earth tends to make people forget how fortunate they really are.
                The world hates leaving people behind. In Heaven everything is fine. From Heaven people can see themselves from light-years away. Such distance makes it easier to see what the right and wrong decision was. Death takes the people away. Online presences remain long after the body has left. Everything has a digital footprint entirely different from their real life footprint. Sometimes it is bigger and sometimes smaller. It depends on the lust for life.
                Kissing is a form of lust. Lips love each other. Lips like locking together. That is where the key to the heart comes from, from the lips. Words flow from the mouths of babes. Life means the words work well but the tones work better. Even babies understand the importance of tone. Words are meaningless. Tones are tender. People wrap themselves up in tones, in the environmental sounds that surround them for that is what it means to be alive: it means to interact.
(via bluishtigers)
1 week ago – 74 notes

(Source: samsaranmusing)
1 week ago – 78 notes
maymonsturr:

My mantra.
maymonsturr:
My mantra.
(via cosmic-rebirth)
1 week ago – 568 notes
foxxxynegrodamus:

***
foxxxynegrodamus:
***
(Source: lnpfeed, via awaveofbliss)
1 week ago – 1,635 notes
cosmic-rebirth:

Live joyfully, make your life a dance, all the way to the grave.
cosmic-rebirth:
Live joyfully, make your life a dance, all the way to the grave.
(Source: cookiecarnival)
2 weeks ago – 22,305 notes
“The point is not to pay back kindness but to pass it on.”
– Julia Alvarez (via cosmic-rebirth)
(Source: amandaonwriting, via cosmic-rebirth)
2 weeks ago – 275 notes

(Source: diawf, via awaveofbliss)
2 weeks ago – 2,799 notes
bl4ckhippie:

Fly.
bl4ckhippie:
Fly.
(Source: rootsrukkus, via awaveofbliss)
2 weeks ago – 750 notes

(Source: lizzlizzcomics, via bluishtigers)
2 weeks ago – 110,456 notes
meditationsinwonderland:

ॐ flower child in Wonderland ॐ
meditationsinwonderland:
ॐ flower child in Wonderland ॐ
(Source: vegan-hippie)
2 weeks ago – 139,177 notes

(Source: jrich103, via cosmic-rebirth)
2 weeks ago – 4,848 notes

pleoros:
Helminadia Ranford - Guilin,China
(via hungryforworld)
2 weeks ago – 329 notes
designgather:

Oak Room
Andy Goldsworthy
designgather:
Oak Room
Andy Goldsworthy
(via cosmic-rebirth)
2 weeks ago – 286 notes
miguu:
don’t be afraid.
lean into your genius.
let your own brilliance support you.
you are something
we have all been waiting to know.
please.
(via bluishtigers)
2 weeks ago – 339 notes

odditiesoflife:
Amazing Jabuticaba Tree
This is an incredible tree that bears its fruit directly on the main trunks and branches of the plant, lending a distinctive appearance to the fruiting tree. The jabuticaba (Plinia cauliflora) is a fruit-bearing tree native to Minas Gerais and São Paulo in southeastern Brazil. Otherwise known as the Brazilian Grape Tree, the jabuticaba is grown for its purplish-black, white-pulped fruits. They can be eaten raw or be used to make jellies and drinks, including juice and wine.
They are wonderful trees to have and are fairly adaptable to most environments but they grow extremely slow. Jabuticaba flowers are white and grow directly from its trunk, just like its fruit. The tree may flower and fruit only once or twice a year, but when continuously irrigated, it flowers frequently and fresh fruit can be available year round in tropical regions.
Common in Brazilian markets, jabuticabas are largely eaten fresh; their popularity has been likened to that of grapes in the US. Due to its extremely short shelf-life, fresh jabuticaba fruit is very rare in markets outside of areas of cultivation. So if you are ever in Brazil, be sure to try the incredibly tasty fruit called jabuticaba.
source 1, 2
(via hungryforworld)
2 weeks ago – 1,462 notes

(Source: samsaranmusing)
2 weeks ago – 118 notes

(Source: rorycwhatsyourthesis, via samsaranmusing)
2 weeks ago – 130,113 notes
oecologia:

Star Trails over Matterhorn (Switzerland) by Felix Lamouroux.
oecologia:
Star Trails over Matterhorn (Switzerland) by Felix Lamouroux.
(via samsaranmusing)

burningveins:
multicolors:
benskid:
Know where you stand.
Wow
This is kinda creepy..
(via hungryforworld)

Do not think you will necessarily be aware of your own enlightenment.
Zen Master Dogen - (1200- 1253) AD (via samsaranmusing)
2 WEEKS AGO
101fuymemes:

COLLECTION OF awesome CLOUDS
101fuymemes:
COLLECTION OF awesome CLOUDS
(via roslynoberholtzerbddd)

itscolossal:
Planetary Structural Layer Cakes Designed by Cakecrumbs

Do not resist events that move you out of your comfort zone, especially when your comfort zone was not all that comfortable.
Alan Cohen (via raeraenjma)
(via awaveofbliss)
4 WEEKS AGO / THE-HEALING-NEST
so apt
so apt
(via awaveofbliss)

(via awaveofbliss)
treewellie:

"The area between Kluane Lake and Haines Junction, Yukon, skirting the great cordillera of the Wrangell / St. Elias Mtn. range, is commonly productive of these stacked lenticular clouds … In late summer, as the sun begins to set around 11 PM, it’s beautiful to see these unique clouds, which are higher in altitude than their surrounding companions, catching the last peach coloured rays of the sun."
treewellie:
"The area between Kluane Lake and Haines Junction, Yukon, skirting the great cordillera of the Wrangell / St. Elias Mtn. range, is commonly productive of these stacked lenticular clouds … In late summer, as the sun begins to set around 11 PM, it’s beautiful to see these unique clouds, which are higher in altitude than their surrounding companions, catching the last peach coloured rays of the sun."
definitelydope:

BBQ on the balcony (by fernlicht)
definitelydope:
BBQ on the balcony (by fernlicht)
(via awaveofbliss)

Birth by Alex Grey
Birth by Alex Grey
(via receptive)

(via bluishtigers)

(via awaveofbliss)

There is a time and place for decaf coffee. Never and in the trash.
(via 17yr)
(via hungryforworld)
1 MONTH AGO / MIDWESTRAISEDMIDWESTLIVING
surreelust:

Man with His Skin by Peter Zokosky
surreelust:
Man with His Skin by Peter Zokosky
(via cosmic-rebirth)

Oh soul,
you worry too much.
You have seen your own strength.
You have seen your own beauty.
You have seen your golden wings.
Of anything less,
why do you worry?
You are in truth
the soul, of the soul,
of the soul.
Rumi, from Who Am I?   (via bluishtigers)
(via bluishtigers)
1 MONTH AGO / VIOLENTWAVESOFEMOTION
xpudding:

xpudding:
(via cosmic-rebirth)

(via thebronxisburning)

(via cosmic-rebirth)
treewellie:

La costa de la luz by Francisco Mingorance
treewellie:
La costa de la luz by Francisco Mingorance

itscolossal:
Mirror City: A Kaleidoscopic Timelapse of Chicago, San Francisco, San Diego, Vegas and L.A. [VIDEO]

(via cosmic-rebirth)

awkwardsituationist:
gmb akash documents the 350 kilometre journey from dhaka to sylhet, bangladesh made by those who, unable to afford the price of a ticket or find room to ride inside, risk death by traveling atop and between train cars
(via suntochukwu)
purpleaggregates:

White Tara The female enlightened being of long life, wisdom and good fortune When I see the signs of untimely death, May I immediately receive the blessings of Arya Tara; And, having destroyed the Lord of Death, May I quickly attain the deathless vajra body. OM TARE TUTTARE TURE MAMA AYUR PUNAYE GYANA PUTRIM KURU YE SÖHA OM TARE TUTTARE TURE SÖHA
purpleaggregates:
White Tara
The female enlightened being of long life, wisdom and good fortune

When I see the signs of untimely death,
May I immediately receive the blessings of Arya Tara;
And, having destroyed the Lord of Death,
May I quickly attain the deathless vajra body.

OM TARE TUTTARE TURE MAMA AYUR PUNAYE GYANA PUTRIM KURU YE SÖHA
OM TARE TUTTARE TURE SÖHA
(via dancingdakini)

(via guerrillatech)
hungryforworld:

Monet’s Garden. Givery, France.
hungryforworld:
Monet’s Garden. Givery, France.

(via awaveofbliss)

(via cosmic-rebirth)

Internal and external are ultimately one. When you no longer perceive the world as hostile, there is no more fear, and when there is no more fear, you think, speak and act differently. Love and compassion arise, and they affect the world.
Eckhart Tolle (via samsaranmusing)
(via suntochukwu)
1 MONTH AGO / SAMSARANMUSING
malformalady:

The golden spiral of fungus. In geometry, a golden spiral is a logarithmic spiral whose growth factor is φ, the golden ratio. That is, a golden spiral gets wider (or further from its origin) by a factor of φ for every quarter turn it makes.
Photo credit: Devin Raber
malformalady:
The golden spiral of fungus. In geometry, a golden spiral is a logarithmic spiral whose growth factor is φ, the golden ratio. That is, a golden spiral gets wider (or further from its origin) by a factor of φ for every quarter turn it makes.
Photo credit: Devin Raber
(via deeperthansoul)
polaroidsf:

Welcome to Eden
polaroidsf:
Welcome to Eden

(via bouddra)

It doesn’t interest me what you do for a living.
I want to know what you ache for, and if you dare to dream of
meeting your heart’s longing.

It doesn’t interest me how old you are.
I want to know if you will risk looking like a fool for love, for
your dreams, for the adventure of being alive.

It doesn’t interest me
J De Belen Feb 2021
Gusto mo kape?
'O gusto mo tayo nalang,puwede
'O Teka,biro Lang
Pangako kape lang talaga,Tara na
Ano bang gusto **** lasa?
Matamis ba?
Para kahit sa pagtimpla nalang ng kape ko ibabawi yung lasa ng nais ko sa iyo'y ma-ipadama
Gusto mo ba'y Matabang?
'Yung wala ng lasa
'Yung wala ng pag-asa
'Yung kulang sa timpla
Dahil napagod na.

'O baka Gusto mo naman
'Yung sakto lang
'Yung kahit may gusto kang iba
Ako'y patuloy paring aasa
At kahit mangawit man ng sobra
At magpawis man ng kakaiba sa kakahintay,
Sa akin ay ok lang
Kahit ako'y kaibigan lang naman,Mahal
Basta ikaw
At kung ang sagot sa lahat ay pag-papakatanga
Sigurado ako ang nangunguna.

'O baka gusto mo ng 3 in one?
'Cause you want me to be your number one fan
Just like my favorite man
Superman
Spiderman
And maybe a man of mine
Nako ano ba yan!
Ano ba talaga gusto **** lasa?
Ayoko ng manghula pa
Kaya sabihin mo na
Para di nako mahirapan pa na
Ipagtimpla ka pa.

Ah alam ko na!
Gusto mo rin ba yung lasa tulad ng aking pag-timpla?
'Yung nag-kakasalubong yung tamis at pait ng kapeng barako
Oo
Kapeng barako
Parang tayo
Kapag ang mga mata nati'y nag-tatagpo na akala mo naman ay may salitang tayo
Kung nakakapag salita lamang ang ating mga mata
Sigurado
Bistado
Aminado  na gusto natin ang isa't-isa.

Pero
Teka,Kape lang ba 'to talaga?
'O meron pang iba?
Sabihin mo na
Para hindi na ako umasa pa na mahulog ka pa.
Tara kape pa
Para makasama pa kita
Ang sarap lang ma-upo kasama ka sa ating tambayan
Kasabay sa pagtanaw sa ating kalawakan.

'O kay sarap sa pakiramdam noong sandaling  ika'y aking mahagkan
At batid kong ito'y panandalian lamang, Kaya
Tara kape lang
Kahit walang aminan
Dahil alam ko naman na
Tayong dalawa'y malabong mag-katuluyan.
Robin Carretti May 2018
Going
once
Hey
Buster!
1-desperately
Never want
The New Jersey
Wife-bra
That drops down
Actress Fakes
Going firm up
Hollywoods
 La Femme
Frenchie
Her Roast beans
cup
2- twins bark
pup
Bra me=
I'm +Robin Birdie
Told me
((Never Ha Me))

2-Bustiers
equally
Tara twice La
Him musketeers
- duh Harrah

Sara Smile- Huh
Santa's trainer-Shy Spanish fly
blush Fly Robin Disco pry

Twirled together
Behind the
curtain
Dorothy & Toto bra click my red slippers home-
Girl scout brownies
The bra course
boom!!
Never bust room!!
Mystic
Falls Vamp-hire
[.
[.
Trump-her
Naughty
Tara La Bra-ly
Hybrid
Which one
Is the  
Witch
wizardly bra?
The good
Linda witch
Jinx
Jalapeno
Never a
Prince
She's allergic
Like Tied- ankle
slipper

Cozy Curry
Bra Chicken
Terror Terry
Bra trader

Villalobos
Snackerro's
"La Bra land"

"One Chosen Bra"
Sultry\ steampunk
Bra- link

Blonde
niche
Patriotic
Red- blood- white
The King Elvis

 Being Launched
Queen Priscilla
size
  Tara La
"Historical" Aint nothing but a hound dog*

The girl has rocks in her head
gone stupid in bed
she couldn't lift
her underarms

Scarlett has gone-----
with her friends' lover
Never a bra
with firearms
((Never B-B Tara La))

Her
long
neck_

Vampire Diaries
Disease VD
Pour bra Scotch

"0" outcasting
Tomato Pie
Lace box
"Robin
Redbreast
take-off
wizardly
Ozfully-set

She was
born
like
that
bra
Lady
GaGa
Singer
Robin-Hood me
blood bra orders
Where's your Bra?
High Dalmatian
demand
bone-fish bra

So many Men
Gondola Tara La
Venice
Chinese
Cat-talk
Siamese bra
takeout
Catstick
_
faceoff be quick
Bra \off
this is
Taras turf
Comedy about Bras lift me not to tease me never leave with my bra on me
Krad Le Strange Aug 2017
Halika na, tara na
Hayan at giniginaw ka na
Nanginginig ang katawan
Habang ang mata'y pilit pinupunasan

Halika na, tara na
Hindi mo na kailangang itago pa
Pait na nadarama
Kay tagal nang binaon sa alaala
'Di na rin kasi kayang itago ng ulan
Bawat luhang naglalaglagan

Kaya't halika na, tara na
Sa aking payong, ikaw ay sumilong na
Hayaan mo na ang nakaraan
Sabay na lang nating bagtasin ang kasalukuyan.
Lyka Adlawan May 2018
Tagu-taguan,
Maliwanag ang buwan
Munti kong tula,
Inyong pakinggan

Ito'y patungkol
Sa kabataan
Na inaakalang
Pag-asa ng bayan

Wala sa likod,
Wala sa harap
Ano ang kabataan
Sa hinaharap?

Handa na ba kayong
Malaman ang totoo?
Pagbilang ng sampu,
Malalaman na ninyo

Isa, dalawa, tatlo
"Tara, pre! Dota tayo!"
Isa, dalawa, tatlo
"Kyah, pa-like ng DP ko"

Isa, dalawa, tatlo
"Naka-hithit na ako"
Isa, dalawa, tatlo
"Tara, shot na tayo"

Mga kabataang nakikiuso
Mga kabataang lulong sa bisyo
Kabataang imbis na ang dala'y libro
Ang palaging hawak ay sigarilyo

Apat, lima, anim
Wala nang ibang alam gawin
Apat, lima, anim
Kung hindi gadgets ay pindutin

Apat, lima, anim
"Babe, walang tao sa'min"
Apat, lima, anim
"Babe, pwede na nating gawin"

Mga kabataang napapariwara
Mga kabataang sa tukso'y nadadala
Kabataang tinuturing na Maria Clara
Na ngayo'y mas kilala na sa Maria Ozawa

Pito, walo, siyam
Nasirang kinabukasan
Pito, walo, siyam
"Aking pinagsisisihan"

Pito, walo, siyam
"Ako'y nanghihinayang"
Pito, walo, siyam
"Ibalik niyo 'ko sa nakaraan"

Totoo nga ang kasabihan
Ang pag-sisisi'y nasa hulihan
Ang ating nakaraan
Ang siyang madidikta ng kinabukasan

Ngunit hindi ko naman nilalahat
Ang nais ko lang, kabataa'y mamulat
Ang buhay natin ay parang aklat
Tayo ang gumagawa ng sarili nating kwento at pamagat

Hindi ko tatapusin ang bilang sa sampu
Dahil hindi ako ang magdidikta ng kinabukasan niyo
Ngunit sa pagtatapos ng munting tula ko
Sana'y makapagsimula kayo ng panibagong kwento

Kwento na kung saan kayo ang bida
Kwento na kung saan kayo ang pag-asa
Salamat sa pakikinig mula umpisa
Ngayon ang tulang ito'y tinatapos ko na
Uanne Feb 2019
Takot ako sa katahimikan
na dati nama'y kayang sabayan.
Tara samahan akong kumanta at sumayaw,
sundan natin bawat alingawngaw.

Takot akong maiwan
na dati nama'y sanay na may lumilisan.
Tara samahan ako at hawakan aking kamay,
ako'y tanganan at sa aki'y umakbay.
02.11.19 8:11pm
Caryl Maluping Aug 2022
Tara aton tan-awon
Balikon an nawara nga hinumduman naton
Updi ako paglingi, pag-duaw bisan la maguti
Tagi ako hin oras, alayon la pamati.
Tara aton balikon
Mga panahon na hi ikaw akon
Nga hi ikaw pa an akon kalibutan
Kalibutan nga yana imo na ginkalimtan.
Tara updi ako
Ngadton takna nga dire pa uso an tawo
Balitaw intrimis la tatawa-tawa gad usahay
Ayaw pagkawanga an oras, inin higayon nga maupay.
Babahinan ko unta ikaw hine nga aton anay storya
Ugaring kay na dire ka ada nga ine mabalik pa
An aton paglakaton in imo gintuldukan
Dalan nga anay ginsubay, yana waray na hingaradtuan.
Tara, dire ka gud ba maupod?
Bisan la ha urhi nga takna ig-bayaw an imo pagtapod
Tuguti ako nga ha imo akon igsumat
Inin sininsilyo ngan tinalagudti nga pag-aghat.

8.18.20
Siday
Parang kailan lang tayo'y nagkasama.
Puno ng ngiti at maliligayang sandali.
Madalas tayong magkausap,
Chat sa gabi, text sa umaga.
Magdamagang pag-uusap sa skype
hanggang sa sumikat ulit ang araw.
Kinaumagahan, nagtatanungan ng
"May lakad ka ba?"
"Gusto **** sumama?"
"Tara, saan?"
"Kahit saan, basta kasama ka."

Minsan gusto kong tumigil ang pagtakbo ng oras
tuwing magkausap at magkasama tayo,
ang bilis kasi, kasing bilis
ng pagtibok ng puso ko tuwing
tinititigan mo ako sa mata.
Di mo namamalayan ang pagtakbo
ng oras 'pag masaya ka.

Kasing bilis rin ng pagtakbo ng oras
pagbabago ng atensyon na ibinigay mo.
Ewan ko na lang ngayon,
kung bakit kadalasan
iniiwan mo na lang ko ng basta-basta.
Hindi ko alam kung saan ako nagkulang.
Kung pwede pa nga lang makasama
kita sa lahat ng oras, ginawa ko na.
Pero hindi rin pwede
kasi may kanya-kanya tayong buhay.

Siguro minahal kita ng sobra-sobra
kaya hindi ko nakita
ang mgapagkukulang at pagkakamali ko.
O kaya ay laro lang sa iyo ang lahat.
Para kasing pinakilig mo lang ako saglit
tapos iniwan mo ako kung kailan mahal na kita.
Iniwan mo ako ng wala man lang sinabing dahilan.
Talo muna ngayon.
Hindi pa naman katapusan ng mundo kaya ngingitian na lang kita.
KING EOCHAID came at sundown to a wood
Westward of Tara.  Hurrying to his queen
He had outridden his war-wasted men
That with empounded cattle trod the mire,
And where beech-trees had mixed a pale green light
With the ground-ivy's blue, he saw a stag
Whiter than curds, its eyes the tint of the sea.
Because it stood upon his path and seemed
More hands in height than any stag in the world
He sat with tightened rein and loosened mouth
Upon his trembling horse, then drove the spur;
But the stag stooped and ran at him, and passed,
Rending the horse's flank.  King Eochaid reeled,
Then drew his sword to hold its levelled point
Against the stag.  When horn and steel were met
The horn resounded as though it had been silver,
A sweet, miraculous, terrifying sound.
Horn locked in sword, they tugged and struggled there
As though a stag and unicorn were met
Among the African Mountains of the Moon,
Until at last the double horns, drawn backward,
Butted below the single and so pierced
The entrails of the horse.  Dropping his sword
King Eochaid seized the horns in his strong hands
And stared into the sea-green eye, and so
Hither and thither to and fro they trod
Till all the place was beaten into mire.
The strong thigh and the agile thigh were met,
The hands that gathered up the might of the world,
And hoof and horn that had ****** in their speed
Amid the elaborate wilderness of the air.
Through bush they plunged and over ivied root,
And where the stone struck fire, while in the leaves
A squirrel whinnied and a bird screamed out;
But when at last he forced those sinewy flanks
Against a beech-bole, he threw down the beast
And knelt above it with drawn knife.  On the instant
It vanished like a shadow, and a cry
So mournful that it seemed the cry of one
Who had lost some unimaginable treasure
Wandered between the blue and the green leaf
And climbed into the air, crumbling away,
Till all had seemed a shadow or a vision
But for the trodden mire, the pool of blood,
The disembowelled horse.
King Eochaid ran
Toward peopled Tara, nor stood to draw his breath
Until he came before the painted wall,
The posts of polished yew, circled with bronze,
Of the great door; but though the hanging lamps
Showed their faint light through the unshuttered
windows,
Nor door, nor mouth, nor slipper made a noise,
Nor on the ancient beaten paths, that wound
From well-side or from plough-land, was there noisc;
Nor had there been the noise of living thing
Before him or behind, but that far off
On the horizon edge bellowed the herds.
Knowing that silence brings no good to kings,
And mocks returning victory, he passed
Between the pillars with a beating heart
And saw where in the midst of the great hall
pale-faced, alone upon a bench, Edain
Sat upright with a sword before her feet.
Her hands on either side had gripped the bench.
Her eyes were cold and steady, her lips tight.
Some passion had made her stone.  Hearing a foot
She started and then knew whose foot it was;
But when he thought to take her in his arms
She motioned him afar, and rose and spoke:
"I have sent among the fields or to the woods
The fighting-men and servants of this house,
For I would have your judgment upon one
Who is self-accused.  If she be innocent
She would not look in any known man's face
Till judgment has been given, and if guilty,
Would never look again on known man's face.'
And at these words hc paled, as she had paled,
Knowing that he should find upon her lips
The meaning of that monstrous day.
Then she:
"You brought me where your brother Ardan sat
Always in his one seat, and bid me care him
Through that strange illness that had fixed him there.
And should he die to heap his burial-mound
And catve his name in Ogham.' Eochaid said,
"He lives?' "He lives and is a healthy man.'
"While I have him and you it matters little
What man you have lost, what evil you have found.'
"I bid them make his bed under this roof
And carried him his food with my own hands,
And so the weeks passed by.  But when I said,
""What is this trouble?'' he would answer nothing,
Though always at my words his trouble grew;
And I but asked the more, till he cried out,
Weary of many questions:  ""There are things
That make the heart akin to the dumb stone.''
Then I replied, ""Although you hide a secret,
Hopeless and dear, or terrible to think on,
Speak it, that I may send through the wide world
Day after day you question me, and I,
Because there is such a storm amid my thoughts
I shall be carried in the gust, command,
Forbid, beseech and waste my breath.'' Then I:
Although the thing that you have hid were evil,
The speaking of it could be no great wrong,
And evil must it be, if done 'twere worse
Than mound and stone that keep all virtue in,
And loosen on us dreams that waste our life,
Shadows and shows that can but turn the brain.''
but finding him still silent I stooped down
And whispering that none but he should hear,
Said, ""If a woman has put this on you,
My men, whether it please her or displease,
And though they have to cross the Loughlan waters
And take her in the middle of armed men,
Shall make her look upon her handiwork,
That she may quench the rick she has fired; and though
She may have worn silk clothes, or worn a crown,
She'II not be proud, knowing within her heart
That our sufficient portion of the world
Is that we give, although it be brief giving,
Happiness to children and to men.''
Then he, driven by his thought beyond his thought,
And speaking what he would not though he would,
Sighed, ""You, even you yourself, could work the
cure!''
And at those words I rose and I went out
And for nine days he had food from other hands,
And for nine days my mind went whirling round
The one disastrous zodiac, muttering
That the immedicable mound's beyond
Our questioning, beyond our pity even.
But when nine days had gone I stood again
Before his chair and bending down my head
I bade him go when all his household slept
To an old empty woodman's house that's hidden
Westward of Tara, among the hazel-trees --
For hope would give his limbs the power -- and await
A friend that could, he had told her, work his cure
And would be no harsh friend.
When night had deepened,
I groped my way from beech to hazel wood,
Found that old house, a sputtering torch within,
And stretched out sleeping on a pile of skins
Ardan, and though I called to him and tried
To Shake him out of sleep, I could not rouse him.
I waited till the night was on the turn,
Then fearing that some labourer, on his way
To plough or pasture-land, might see me there,
Went out.
Among the ivy-covered rocks,
As on the blue light of a sword, a man
Who had unnatural majesty, and eyes
Like the eyes of some great kite scouring the woods,
Stood on my path.  Trembling from head to foot
I gazed at him like grouse upon a kite;
But with a voice that had unnatural music,
""A weary wooing and a long,'' he said,
""Speaking of love through other lips and looking
Under the eyelids of another, for it was my craft
That put a passion in the sleeper there,
And when I had got my will and drawn you here,
Where I may speak to you alone, my craft
****** up the passion out of him again
And left mere sleep.  He'll wake when the sun
wakes,
push out his vigorous limbs and rub his eyes,
And wonder what has ailed him these twelve
months.''
I cowered back upon the wall in terror,
But that sweet-sounding voice ran on:  ""Woman,
I was your husband when you rode the air,
Danced in the whirling foam and in the dust,
In days you have not kept in memory,
Being betrayed into a cradle, and I come
That I may claim you as my wife again.''
I was no longer terrified -- his voice
Had half awakened some old memory --
Yet answered him, ""I am King Eochaid's wife
And with him have found every happiness
Women can find.'' With a most masterful voice,
That made the body seem as it were a string
Under a bow, he cried, ""What happiness
Can lovers have that know their happiness
Must end at the dumb stone? But where we build
Our sudden palaces in the still air
pleasure itself can bring no weariness.
Nor can time waste the cheek, nor is there foot
That has grown weary of the wandering dance,
Nor an unlaughing mouth, but mine that mourns,
Among those mouths that sing their sweethearts' praise,
Your empty bed.'' ""How should I love,'' I answered,
""Were it not that when the dawn has lit my bed
And shown my husband sleeping there, I have sighcd,
"Your strength and nobleness will pass away'?
Or how should love be worth its pains were it not
That when he has fallen asleep within my atms,
Being wearied out, I love in man the child?
What can they know of love that do not know
She builds her nest upon a narrow ledge
Above a windy precipice?'' Then he:
""Seeing that when you come to the deathbed
You must return, whether you would or no,
This human life blotted from memory,
Why must I live some thirty, forty years,
Alone with all this useless happiness?''
Thereon he seized me in his arms, but I
****** him away with both my hands and cried,
""Never will I believe there is any change
Can blot out of my memory this life
Sweetened by death, but if I could believe,
That were a double hunger in my lips
For what is doubly brief.''
And now the shape
My hands were pressed to vanished suddenly.
I staggered, but a beech-tree stayed my fall,
And clinging to it I could hear the *****
Crow upon Tara."
King Eochaid bowed his head
And thanked her for her kindness to his brother,
For that she promised, and for that refused.
Thereon the bellowing of the empounded herds
Rose round the walls, and through the bronze-ringed
door
Jostled and shouted those war-wasted men,
And in the midst King Eochaid's brother stood,
And bade all welcome, being ignorant.
Peanut Jul 2015
Ayoko nang bumalik sa reyalidad,
Bagamat naroon ang mga taong
Nanakit sa akin.

Ayoko nang bumalik sa reyalidad,
Dahil sawa na akong masaktan ng
Paulit - ulit.

Dito na lang ako sa aking mundo,
Mundong aking nilikha,
Mundong kung saan ako ay masaya,
Dahil ako lang ang naghahari,
Naghahari at nag-iisa.

Ngunit kahit ako ay nag iisa,
Ang mundo ko rin ay para sa iba
Para sa kagaya ko na nagdusa sa isinumpang reyalidad

Malaya kang makakapasok sa aking mundo,
Malayang gawin ang lahat,
Bagamat hindi kita sasaktan,
Malaya karing makakalabas sa aking mundo,
Kung balak **** subukan ulit ang reyalidad,
At pag ikaw ay nasaktan muli,
Bukas parin ang aking mundo,
Upang may masilungan, may maiyakan

Basta ipangako mo lang sa akin,
Wag mo rin sana ako saktan,
Ang mundo ko ay sa iyo rin,
Sa iyong-iyo nang walang hanggan.
Ikaw, gusto mo ba sa aking mundo? Tara!
Para sa taong inapi ng reyalidad
Keithlyne Oct 2018
Tingin sa kanan at kaliwa ng pasilyo,
lalakarin ang dulo ng kahit wala ng  tayo.
Tingin mo saan ako dadalhin nito?
Pipilitin kahit sira na,
yan ang totoo.

Teka, iisip nalang ako ng bago,
yung mapapasaya ka kahit sa malayo,
Tutal doon nagmamahal ako kahit papaano.
halika sabayan mo naman ako.

Nakakatuwa sa unang hakbang diba?
Parang ayaw mo ng tapusin pa,
parang  sa bawat kapit hindi na bibitaw sa saya.
halika samahan mo ko, tara?

Mukang nasa kalagitnaan na ba?
Oh sadyang dama ko lang ang kaba.
Pangangamba'y nasa iyong mata.
Dito lang ako, Wag magalala

Nilamon ng dilim na nabalot.
Iniisip papaano na ako tatakbo sa takot.
Nasaan ka? bakit di na kita madama?
bumitaw kana pala.

Maliligaw magisa sa dilim.
Tanging tanglaw ang alala at lihim.
Abutin man ako ng takip-silim,
tiyak na ikaw padin ang isisgaw sa pang-anim.

Mahal,  masaya akong maglalakbay.
Mahal, hayaan **** ako'y mangalay
Mahal, naging totoo ang aking inalay
Mahal,  tanong ko lang,
Ikaw pa ba ay sasabay?

Oh tignan mo, layo na pala nito.
Kinaya kong wala ka dito. Mahirap, oo. Masakit? panigurado
pero sapat naman dahil dala ko ang iyong litrato.
Gwyn Biliran Nov 2016
Samahan mo akong kumawala, iwanan natin ang mundong ito sinta.
Ikaw ang nais makasama sa pag-iisa, ikaw ang aking pahinga.
Maglakbay tayo patungo sa kawalan, ang ingay at gulo ng mundo'y ating takasan.
Hanggang kailan ito magtatagal?
Walang kasiguraduhan, pero pinapangako kong hindi kita bibitawan.

Tara roon sa dalampasigan kung saan mistulang ang mundo'y tayo lang ang nilalaman.
Hayaan **** ang iyong mga kamay ay aking hawakan habang tayo'y nagsasayaw sa ilalim ng buwan.
Ipikit ang iyong mga mata at damhin ang pag-ibig ko, sinta.
Ituloy natin ang pagsasayaw na walang ibang musika kundi ang aking pagkanta.
Mga noo'y magkadikit habang ang mga mata'y nakapikit.
Higpitan ang iyong kapit, huwag kang matakot lumapit.

Sa maiksing panahong tayo'y nagkakilala, ako'y iyong tunay na pinasaya.
Ikaw sa akin ay tunay na mahalaga. Hindi kayang ipaliwanag ang nadarama.
Huwag kang mangamba, sa puso ko ay mananatili ka.
Halika sa mga bisig ko, mahal.
Panahon natin ay di na magtatagal.
Ang pagtatapos ay nalalapit, yakapin mo ako nang mahigpit.
Nalalabing oras ating sulitin, pangakong ito'y ating uulitin.

Huwag ka nang malungkot, huwag nang sumimangot.
Huwag nang pumiglas sa aking yakap, damhin ang ihip ng hanging kay sarap.
Kasabay nang pagtatapos ng gabi ay ang pagtatapos ng ating nakaw na sandali.

Dahil tayo ay alon at dalampasigan, tinakdang magtagpo kahit panandalian.
Tayo ay alon at dalampasigan.
Ako ang alon at ikaw ang aking dalampasigan, ang lugar na aking pahingahan, aking takbuhan, aking pansamantalang tahanan.
Ako ang alon at ikaw ang aking dalampasigan; ako sa'yo ay lumalapit, pilit kumakapit, ngunit kailangan kong lumisan.
Ako ang alon, ikaw ang aking dalampasigan; malayo man ako saglit, ako'y babalik at aasang tadhana'y pagtatagpuin tayo ulit.
worlds converge in a papercup
come, come you on the tambourine
me on the harmonica
let's make music without the adjectives
let's live on the jingle-jangle of coins
 
tara na! this pavement
is our carnegie; metaphors
sans adverbs -- no illusions, no fantasies.
you and me and this street --
dancing like gypsies on a prairie
 
later tonight, while the moon watches over
we'll upstage the stars
with **** adverbs & adjectives
Meri aankho ka tara hi , mujhe aankhe dikhata hai
Jise har ek khushi de di , wo har gam se milata hai
Jubaa se kuch kahu , kaise kahu , kisse kahu maa hu
Sikhaya bolna jisko , wo chup rahna sikhata hai ||

Sula kar soti thi jisko
Wo ab shab bhar jagata hai
Sunai loria jisko , wo ab taane sunata hai ||

Sikhane me usse kya kuch kami meri rahi sochu
Jise ginti sikhayi galtiya meri ginata hai ||

Tu gahri chao hai gar zindgi ek dhoop hai Amma
Dhara pr kab kaha tujh sa koi swaroop hai Amma
Agar ishwar kahi par hai usse dekha kaha kisne
Dhaa par tu hi ishwar ka koi roop  hai Amma ||

Naa ucchai sacchi hai naa ye aadhar saccha hai
Maa koi cheej sacchi hai naa ye sansaar saccha hai
Magar dharti se ambar tak yugo se log kahte hai
Agar saccha hai kuch jag me to Maa ka pyar saccha hai ||

Jara saa der hone par sabhi se puchti Amma
Palak jhapke bina darwaja ghar ka taakti Amma
Har ek aahat par uska chouk padna fir duaa dena
Mere ghar laut aane tak barabar jaagati Amma ||

|| Puchta hai Koi Dunia me Mohabbat hai kaha
Muskura deta hu mai or yaad aa jati hai Maa ||


Sulane ke lie mujhko to khud jaagi rahi amma
Sirrhane der tak aksar meri baithi rahi amma
Mere sapno me pariya phul titli bhi tabhi tak the
Mujhe aanchal me apne le ke jab leti rahi amma ||

Badi choti rakam se ghar chalana jaanti thi maa
Kami thi par badi khusiya lutana jaanti thi maa
Mai khushhaali me bhi rishto me bas duri bana paya
Garibi me bhi har rishta nibhana jaanti thi maa

Laga bachpan me yu andhera hi mukaddar hai
Magar maa hausala dekar yu boli tumko kya dar hai
Koi aage niklne ke lie rashta nahi dega
Mere baccho badho aage tumhare saath hai amma

Kisi ke jakhm ye dunia to ab silti nahi amma
Kali dil me ab to preet ki khilti nahi amma
Mai apanapan hi akshar dhundta rahta hu rishto me
Teri nischal si mamta to kahi milti nahi amma

Gamo ki bheed me jisne hume hasna sikhaya tha
Wo jiske dam se tufanoo ne apna sar jhukaya tha
Kisi v julm ke aage kabhi jhukna nahi bete
Sitam ki ummr choti hai mujhe maa ne sikhaya tha || ||
Copyright© Shashank K Dwivedi
Web- skdisro.weebly.com
email-shashankdwivedi.edu@gmail.com
Follow me on Facebook - https://www.facebook.com/skdisro
Maa
Jab aankh khuli to amma ki
godi ka ek sahara tha
uska nanha sa anchal mujhko
bhumandal se v pyara tha.....
uske chehre ki jhalak dekh
chehra phulo sa khilta tha
uske stan ki ek bund se
mujhko jeevan milta tha
haatho se baalo ko noocha
pairo se khoob prahar kia
phir v us maa ne puchkara
humko jee bhar ke pyar kia

Mai uska raja beta tha
wo ankho ka tara kahti thi
mai banu budhape me uska
bas ek sahara kahti thi
ungli ko pakad chalaya tha
padhne vidlaya bheja tha
meri naadani ko v neej
antar me sadasaheja tha

Mere saare prashno ka wo
fauran jawab ban jaati thi
meri raho ke kaante chun
wo khud gulaab ban jaati thi
mai bada hua to college se
ek rog pyar ka le aaya
jis dil me maa ki murat thi
wo ramkali ko de aaya

shaadi ki pati se papa bana
apne rishto me jhul gya
ab karwa chauth maanta hu
maa ki mamta ko bhul gya
hum bhul gye uski maamta
mere jeevan ki thati thi
hum bhul gye apana jeevan
wo amrit wali chaati thi

Hum bhul gye wo khud bhukhi
rah karke hume khilati thi
humko sukha bistar dekar
khud geele me soo jaati thi
hum bhul gye usne hi
hotho ko bhasha sikhlayi thi
meri neendo ke lie raat bhar
uss maa ne lori gaayi thi

hum bhul gye har galti par
usne danta samjhaya tha
bach jau buri najar se
kala teeka sada lagaya tha
hum bade hue to mamta wale
saare bandhan tod aaye
bangle me kutte paal laye
maa ko vridhaashram chod aaye
apano sapno ka mahal girakar
kankar -kankar been laye
khudgargi me uske suhag ke
aabhushan tak cheen laye

Hum maa ko ghar ke batware ki
abhilasha tak le aaye
usko paawan mandir se
gaali ki bhasha tak le aaye

to be continued ........(next part may be in next week)
Copyright© Shashank K Dwivedi
email-shashankdwivedi.edu@gmail.com
Follow me on Facebook - https://www.facebook.com/skdisro
a m a n d a Aug 2013
(for tara)

fourteen years ago
    we became sisters
  and found instant
        (colorful) reflections of
ourselves
    in each other

you are
   the sole observer
of the
humble and
        beautiful beginnings (they always seem so nice)
   the l  i  f  e
     (the dream, tara, the dream)
the hope
    the utter despair
and ruin
         of my love. of my heart.

you are
   my moon
in synchronous orbit
   checking on me
pulling me into you
   when i am
nothing, tara,
but a wretched
   sobbing
heap...

listening to my
  incoherent sobs
for hours
your voice soothing,
"i know, amanda, i know..."

and now
   as i barely have
my face
above water
...gasping for air
   i see you plunge
into the water
beside me
s
i
n
k
i
n
g

tara
you are me
   and i will catch you
and drag you
   out of this *******
if it's the last thing i do

i don't know why
   we cannot see
in ourselves
    what we so plainly
see in each other

but in the mirror
  i see first your beautiful smile
(so genuine)
    the way you naturally
physically reach out to
   people and touch them lightly
on the arm or hand or shoulder...
it radiates this warmth around you
      that is magnetic and puts everyone at ease

then your
   ******* beautiful hair
that i have been
     jealous of for
fourteen years
  beautiful tumbling
waves that shine in the light
...then those eyes
  amber deep
with a sparkle
to go with
   that smile and laugh
and i'm sorry, girl
  but your body
is banging...
you have always looked
    like a spanish dancer
  to me...like you should
have on a tight, shiny red dress
    and should be moving those hips
and bumpin that ***
  all over the floor
hair flying...eyes sparkling
men's jaws simply laying on the floor.
  
when i look in the mirror, sister,
that is what i see
and i am proud
“Top of the Morning to ‘Yuh, Guv’nuh.”*

Oh, to be father of a
Cockney flower girl,
To be Eliza Doolittle’s
Dear old Dad,
Alfred P. of that surname.
Oh, to be a cockney dustman,
On this fine day,
Another fine day in
Northern New Mexico, as I
Sell my daughter to
‘Enery Iggins, or
Some equivalent
Princeton poofter.
I am Rhett Butler,
Daring blockade-runner,
Persona –non-grata*
For any decent
Family—including my own,
Charleston Carolina.
In time, I crave
Social acceptance for
Bonnie Blue—my ill fated
Would-be equestrian offspring;
I surrender my daughter to the
Upper Class.
Mohabbat ne yaha logo ko kya se kya bana dala
usse jo heer samjha to mujhe ranjha bana dala
mili mujhko na wo iss baat se shikwa nahi fir v
usse pakar v naa paya ajab kissa bana dala !

akela jab v chalta hu tujhe hi saath pata hu
jami se aashma tak mai tera ehshas pata hu
khudaye ishq ne mujhpe v kya aisa sitam dhaya
mai girna v jo chuahu to sada upar hi jata hu !

tujhe mai pyar se dekhhu ya nafrat ka hawala du
jo jeevan me bhara ** tam to fir kaisa ujala du
mujhe to ishq ne barbaad kar tara bana dala
chamakta hu falak par mai jaami ko kya ujala du !

jaami se ashma ka ** safar tu saath chalta hsi
bina tere mujhe jeevan v ab abhishaap lagta hai
mujhe gum naa judai ka khuda meri yahi sun le
naa tu mujhko samajhti hai naa wo mujhko samajhta hai !!!!
Copyright© Shashank K Dwivedi
email-shashankdwivedi.edu@gmail.com
Follow me on Facebook-https://www.facebook.com/skdisro
THE PRISMS Jan 2015
By Arcassin , Lexi , Tara and rach


:::AB:::: Conversations with out any words,
:::AW::: Creates a blissful peace between two souls,
::::RH:::: A bond without voices to cause constraints,
:::TO::: Listening closely, Without any of they're ears.,
:::AB:::: Rivers never get too mellow or narrow,
:::AW::: More narrow then the thoughts that cause simple minds,
:::RH:::: Simple minds that quake in the presence of such a holy river,
;:::TO::: colliding together  only be ruined by the waves of salt,
::::AB:::: And as I realize , and look inside that my soul burns for a higher judgment,
:::AW:::: A Judgement that quickens ones heartbeat,
::::RH::: Pumping my blood, reiterating judgement awaits once this fragile body tires,
:::TO:::  So far apart yet so close, never finding the key too his heartbeat.
:::AB::: While I'm waiting til she finds it, I'm still fading and bleeding,
:::AW::: The key awaits in the depths of the river,  cleansed of all unholiness.
Welcome to our HP :)
Keith Wilson Feb 2018
Welcome to Tara and Bernie
my pair of German Shepherd puppies

They are brother and sister
which is quite nice

They are rather large puppies
for eighteen months old

Bernie is 'laid-back', nothing bothers him
He has paws like a tiger

Tara is always in trouble, into everything
She chewed Bernie's bed, poor lad had nowhere to sleep

Sometimes they are a couple of witches
but I wouldn't be without them

I love them to bits
THE PRISMS Feb 2015
By tara & arcassin

TO
"I wonder If I ever cross your mind,
I wonder If you remember that night.
Do you think of me, When you see her?
Do you regret a thing?
(Baby I do.)
I'm not stupid enough too think there was anything there but lust that night,
But do you remember those stars shinning so bright?
Do you remember that drive, On that Tuesday night?
How you held your hand in mine?
How you got me drink after drink,
Do you remember how we first kissed?
I don't.
I don't want too sit,
And think about you,
But ever time I drink,
The liquor reminds me of you,
You took away something so new, And turned it into something so blue.
Baby, You did it when you knew it wasn't for you.
How dare you sleep at night?
Do I ever cross your mind oh?
Do I ever cross your mind oh?
Did it ever cross your mind?
How dare you sleep at night?"
AB
"I wonder If I ever cross your mind,
I wonder If you remember that wonderful sight,
Do you think of me, When you see him?
Do you reminisce a thing?
(Baby I do.)
I'm not optimistic to ever think of any lust , but just only us,
But do you remember those summer nights?
Do you remember the public pool we use to sneak in?
How you sang the lyrics to every song even though its not right?
How you get so tipsy simply creating sin,
Do you remember how we touched in the end?
I don't.
I don't want tt live
And cooperate on you,
But ever time I take the pain,
The liquor reminds me of you,
You took away something so lucid, And turned it into something so true,
Baby, You did it when you knew I was coming for you
How dare you pay the price?
Was I ever in your eye sight?
Girl how could up you pay the price oh?
Did i just run out of time?
How dare you pay the price?"
From tara and me
Your mouth is the Tara'a (תרעא), the Sentinel of Hall of the Mysteries and your lips are the Gate of the Palace of Love Palace, the chamber where they live all poetry.

Your kisses are consent to allow me to come in and read all the poems that God has written in your skin.

Your body is the temple of the Divine and I love contemplate you naked without veils that hide your attributes, the mysteries of your sensuality.

When, to my eyes see you naked , God is revealed in your nakedness and the heavens unveil all the mysteries, singing through your mouth, the Seraphim mystical songs loaded secrets of the Garden of Eden “*

Esotérika - The Mystic ****** Poetry Deepak Sankara Veda

Note: Tara'a (התרע'א) is a Aramaic term meaning "Opening - The passage from this world to the world of Heavenly Palaces (היכלות)”.

2) - The Watchtower (luminous creature) that guards the entrance to the Celestial Palace.
Anna Sep 2011
Bakit nga ba kailangan magplano?
kailangan isipin ang kinabukasan
problemahin ang mga susunod na araw

Bakit kailangan tayong pahirapan?
kung mga bagay na naisip mo para sa hinaharap
ay pwedeng magbago at maglaho na lamang
  
Bakit hindi na lang gawing simple ang buhay?
kung san walang hinanakit at paligsahan
at tanging saya ang nararamdaman

Hwag ng magisip
palayain ang mga sarili
sa problemang walang humpay
tara't sumabay na lang sa agos ng buhay
SøułSurvivør Apr 2022
Tara grew up, planted
Firm in the loam
Like that southern plantation
A farm was her home

She shot up like a sapling
She swayed with the breeze
Wind scented with lilac
And magnolia trees.

Around her the horses
Needed nurturing care
Then they needed exercise
Tara was there.

Now a physical therapist
She helps folks along
When they are feeble
She helps them to be strong.

That's how I met you
It is to this end.
I need to be strengthend
I'm glad you're my friend!


💜 Cathy
For my physical therapist. Thank you!
Peter Cullen Jun 2014
Inhale.....,
Exhale.....,
The holy grail,
is deep within your mind.
Breath In....,
breath out....,
dont scream or shout,
seek and you shall find.

Sitting on the ancient hill,
where High Kings once were crowned.
The Stone of Destiny in light,
thats sometimes lost and found.
Then the Sun it rises, bringing sight,
to tired eyes.
That Star that burns
for all of us,
shining in the morning sky.
Guiding some to madness,
others to a shadowed truth.
On The Hill of Tara,
reconnecting with our roots.
Dapat matakot tayo sa batas.
Kung walang pangil ang batas,
Tahasan lang ang paglabag.
Kung mali ang halo ng batas, latak ang batayan.
At kung walang batas,
Tara magkanya-kanya na lang tayo.

Modernong bayani, tayo yan.
Tayo ang aani ng bayang
may punla ng dugong nag-aalab.

Kahit saan, may rebelde't aktibista;
May kamaong lalaban para sa bayan;
may magpapaapi't magagapi;
may kakapit sa patalim
At susulong nang walang pagkukunwari.
Hindi luma ang pagbabago;
Kahit pabagu-bago pa ang tibok ng masang Pilipino.

May bagong balita,
Patay na si Juan Tamad.
Bangon Pilipinas! Bangon na!

#042416
JISKI DHUN PAR DUNIA NAACHE ,DIL AISA EK TARA HAI
JO HUMKO BHI PYARA HAI AYR JO TUMKO BHI PYARA HAI
JHUM RAHI HAI SAARI DUNIA JABKI HUMARO GEETO PAR
TAB KAHTI ** PYAR HUA HAI  KYA EHSHAN TUMHARA HAI

JO  DHARTI SE MABAR JODE USKA NAAM MUHABBAT HAI
JO SEESHE SE PATTHAR TODE USKA NAAM MUHABBAT HAI
KTARA*2 SAGAR TAK ** JATI HAI HAR UMR MAGAR
BAHATA DARAIA WAPAS MODE USKA NAAM MUHABBAT HAI

PANAHO ME JO AAYA ** TO USPE WAR KYA KARNA ?
JO DIL HARA HUA ** USPE FIR ADHIKAR KYA KARNA ?
MUHABBAT KA MAZA TO DUBANE  KI KASHMKASH ME HAI
JAB ** MALUM GAHRAI TO DARIA PAAR KYA KARNA

BASTI BASTI GHOR UDASI  PARVAT PARVAT KHALIPAN
MAN HIRA BEMOL BIK GAYA GHIS GHIS REETA TAN CHANDAN
IS DHARTI SE US AMBAR TAK DO HI CHEEJ GAJAB KI HAI
EK TO TERA BHOLAPAN HAI EK MERA DEEWANAPAN

TUMHARE PAAS HU LEKIN JO DURI HAI SAMAJHTA HU
TUMHARE BIN MERI HASTI ADHURI MAI  SAMAJHTA HU
BAHUT BIKHARA BAHUT TUTA THAPEDE SAH NAHI PAYA
HAWAO KE ISHARO PAR MAGAR MAI BAH NAHI PAYA
ADHURA ANSUNA HI RAH GAYA YU PYAR KA KISSA
KABHITUM SUN NAHI PAYI KABHI MAI KAH NAHI PAYA...

WRITTEN BY  : SHASHANK KUMAR DWIVEDI
                                          1993shashank@gmail.com (FACEBOOK)
A MAN I praise that once in Tara's Hals
Said to the woman on his knees, "Lie still.
My hundredth year is at an end.  I think
That something is about to happen, I think
That the adventure of old age begins.
To many women I have said, ""Lie still,''
And given everything a woman needs,
A roof, good clothes, passion, love perhaps,
But never asked for love; should I ask that,
I shall be old indeed.'
Thereon the man
Went to the Sacred House and stood between
The golden plough and harrow and spoke aloud
That all attendants and the casual crowd might hear.
"God I have loved, but should I ask return
Of God or woman, the time were come to die.'
He bade, his hundred and first year at end,
Diggers and carpenters make grave and coffin;
Saw that the grave was deep, the coffin sound,
Summoned the generations of his house,
Lay in the coffin, stopped his breath and died.
Let me climb the intellectual bandwagon of Chamara Sumanapala of the Sunday Nation in Sirilanka, to recognize a world literary fact that Taras Shevchenko was the grandfather of literature that paid wholesome tribute to Ukrainian nationalism. In this juncture it has to  be argued that it is ideological shrewdness that has taken Russia to Crimean province of Ukraine but nothing like justifiable law and constitutionalism. Let it also be my opportune time for paying tribute to Taras Shevchenko, as at the same time I pay my homage to Ukrainian literature which is also a cultural symbol of Ukrainian statehood. Just like most of the European gurus of literature and art of his time, Taras Shevchenko received little formal education. The same way Shakespeare and Pushkin as well as Alexander Sholenystisn happened to receive education that was clearly less than what is received by many children around the world today.
Like Lucanos the Greek writer who wrote the biblical gospel according to saint Luke, Taras Shevchenko was Born to parents who were serfs. Taras himself began his life being a slave. He was 24 years a serf. He spent only one fourth of his relatively short life of 47 years as a free man. The same way Miguel Cervantes and Victor Marie Hugo had substantial part of their lives in prison. Nevertheless, this largely self-educated former serf became the headmaster, the guru and fountain of Ukrainian cultural consciousness through his paradigmatic literature written basically in the indigenous Ukrainian language. He was a prototype in this capacity given that no any other writer had made neither intellectual nor even cultural stretch in this direction by that time.
And thus in current Ukraine of today, Taras Shevchenko is a national hero of literature and collective nationalism. But due to the prevailing political tension between Ukraine and Russia, his Bicentenary on March 9, 2014 was marred by hoi polloi of dishonesty ideology and sludge of degenerative politics. For many us who derive pleasure from literature and diverse literary civilizations we join the community of Ukrainians to remember Taras Shevchenko the exemplary of patriotism, Taras Shevchenko the poet as well cultural symbol of complete state of Ukraine.
There is always some common historical experience among the childhood conditions of great writers.  In the same childhood version as Wright, Fydor, Achebe, Nkrumah, Ousmane and many others, Shevchenko was born on March 9, 1814 in Moryntsi, a small village in Central Ukraine. His parents were serfs and therefore Taras was a serf by birth. At the age of eight, he received some lessons from the local Precentor or person who facilitated worshippers at the Church and was introduced to Ukrainian literature, the same way Malcolm X and Richard Wright learned to read and write while in prison. His childhood was miserable as the family was poor. Hard work and acute poverty ate up the lives of the family, and Tara’s mother died so soon when he was nine. His father remarried and the stepmother treated Taras very badly in a neurotic manner. Two years later, Taras’s father also passed away. Just in the same economic dint poverty ate up Karl Marx until the disease known us typhus killed her wife Jenny Westphelian Marx.
The 19th century Russian Empire was largely feudal, Saint Petersburg being the exception, just like the current Moscow. It was the door and the window to the West. Shevchenko’s timely and lucky break in life came when his erratic landlord left for Saint Petersburg, taking his treasured serf with him. Since, Taras had shown some merit and knack as a painter, his landlord sent him to informally learn painting with a master. It was fashionable and couth for a landlord to have a court painter in those days of Europe. However, sorrow had to build the bridges in that through his teacher, Shevchenko met other famous artists. Impressed by the artistic and literary merit of the young and honesty serf, they decided to raise money to buy his freedom out of serfdom. In 1838, Taras Shevchenko became a free man, a free Ukrainian and Free European.
As it goes the classical Marxist adage; freedom gives birth to creativity. It happened only two years later, Taras Shevchenko’s collection of poetry, Kobzar, was published, giving him instant fame like the Achebean bush fire in the harmattan wind. A kobzar is a Ukrainian string instrument and a bard who plays it is also known as a Kobzar. Taras Shevchenko also enjoyed some literary epiphany by coming to be known as Kobzar after the publication of his collection.
He was dutifully speaking of the plight of his people in his language, not only through music, but even poetry. However,  there were unfair and censuring restrictions in publishing books in Ukrainian. But lucky enough, the book had to be published outside Russia.

Shevchenko continued to write and paint without verve. Showing considerable merit in both. In 1845, he wrote ‘My Testament’ which is perhaps his oeuvre and best known work. In his poem, he begs the reader to bury him in his native Ukraine after he dies. Not in Russia. His immense love for the land of his birth is epitomized in these verses. Later, he wrote another memorable and compelling piece, ‘The Dream’, which expresses his dream of a day when all the serfs are free. When Ukraine will be free from Russia. Sadly, Taras Shevchenko came to his demise just a week before this dream was realized in 1861.
Chamara Sumanapala wrote in the Sirilanka Sunday Nation of 16 march 2014 that, Taras lived a free man until 1847 when he was arrested for being a member of a secret organization, Brotherhood of St Cyril and Methodius. He was imprisoned in Saint Petersburg and later banished as a private with the Russian military to Orenburg garrison. He was not to be allowed to read and paint, but his overseers hardly enforced this edict. After Czar Nicholas II died in 1855, he received a pardon in 1857, but was initially not allowed to return to Saint Petersburg. He was however, allowed to return to his native Ukraine. He returned to Saint Petersburg and died there on March 10, 1861, a day after his 47th birthday. Originally buried there, his remains were brought to Ukraine and buried in Kaniv, in a place now known as Taras Hill. The site became a symbol of Ukrainian nationalism. In 1978, an engineer named Oleksa Hirnyk burned himself in protest to what he called the suppression of Ukrainian history, language and culture by the Soviet authorities.
Arcassin B Jan 2015
By Arcassin , Lexi , Tara and rach


:::AB:::: Conversations with out any words,
:::AW::: Creates a blissful peace between two souls,
::::RH:::: A bond without voices to cause constraints,
:::TO::: Listening closely, Without any of they're ears.,
:::AB:::: Rivers never get too mellow or narrow,
:::AW::: More narrow then the thoughts that cause simple minds,
:::RH:::: Simple minds that quake in the presence of such a holy river,
;:::TO::: colliding together  only be ruined by the waves of salt,
::::AB:::: And as I realize , and look inside that my soul burns for a higher judgment,
:::AW:::: A Judgement that quickens ones heartbeat,
::::RH::: Pumping my blood, reiterating judgement awaits once this fragile body tires,
:::TO:::  So far apart yet so close, never finding the key too his heartbeat.
:::AB::: While I'm waiting til she finds it, I'm still fading and bleeding,
:::AW::: The key awaits in the depths of the river,  cleansed of all unholiness.
Me and my team ❤❤
JJ Hutton Dec 2012
Funny. I have a similar problem. When a waitress drops in to take a drink order, I can never look her in the eye. Guilt, I suppose. There’s nothing she’s doing for me I can’t do for myself. Legs work. Hands work. Let me walk to the water dispenser and press the glass into it. Let me pick up my food. Let me carry it to my table. You take it easy, sweetheart. So, instead of meeting her pupils, I find myself reading and re-reading her nametag. A silent mantra. Tara. Tara. Tara.

Thank you for saying I should be “held by my edges.” That’s a candy-coated take on the truth. A more accurate description would have been “*******.” Oh, the toxic mix of shame, alcohol, and letter writing. I’m a new man, though. Cologne and everything. I’m even done drinking. Well, after I finish this beer. Still had one in the fridge. Anyway, I’m sorry.

No, women like Heather don’t disappear cleanly. Or with grace. In the silent moments, she always looked at me like I might hit her. She’ll probably tell friends I did. Everyone enjoys a good story. She called Friday. Said she’d taken some X. Dancing on her couch. I could join her or just watch. I just hung up. Did I tell you she’s really into Anime? And she attaches faux foxtails to her belt. I’m not sure if one of those traits is responsible for the other. Wish she didn’t know where I lived.
Chit Jun 2020
Hay naloko na
Nasira ang cellphone
Ubos na rin ang ipon
Pano na ang FB, IG at ang ibon

Sumaglit sa kanto
Internet ang dinayo
Nang may kaba sa puso
Sa pagbasa ng iyong komento

"Musta? Tara kita tayo!"
Walong pantig
Na sa aki'y nagpanginig
Ngunit saglit lang ang kilig

Bumalik kasi ang kahapong kay pait
Na muling nagpasikip sa aking dibdib

At sa wakas, tama na
Naunawaan ko na si tadhana

Sa nasirang cellphone
At ubos na ipon.
The truth and compassion is barely hidden behind the glint in his eyes..
The kindness is concealed in the strength of his embrace..
The love multiplies with the simple caress of his hand on the body..

And yet I'm drawn back to his face
The emotion saw raw
I want to reach out to him
Letting him know
It's ok to let me in
To drown in the hollow
Of my breast
To allow me his tender rest
His hair carressed upon
My pounding heart
He plays the role of in control
But I'd have him fall apart
To let me in through crevices
Where once was stone
His heart ......

A collaboration with Tara Cook

©TC (1)
©MV(2)
Was asked to finish off a poem for a very dear friend.....

— The End —