Submit your work, meet writers and drop the ads. Become a member
Simon Nov 2019
Consciousness is tailored for everyone’s efforts. The software, which includes the hardware it’s circumvented towards in order to specialize the countering of what makes it special in its tip top shape that won’t be the downfall of order itself. But the countering of how one tailors our operating systems day in and day out. Like computers and their operating systems. All are specialized with there own software that makes calculations after calculations day in and day out. Sort of a repeatable process for everyone’s pleasures to invoke upon. Circumventing the hardware that mounts an all-out assault of processes exchanging daily operations both inside and out. Guess you can say a operating system is a computers consciousness. Doesn’t matter how advanced one is to claim by performance alone. Sooner or later, the obvious is in its performance through actions alone. Performance is never equal, until you have a operating system that’s proud to be awake and functioning! Now what’s this about tailoring consciousness…? Nothing… Well, not really anyways. Were all tailored ever since birth. Natural inclinations among our living conditions pits us against rougher life styles then what our own kind is actually going through on the other side of there own spectrum. Spectrum's including a posher life style. Tailoring our consciousnesses proudly without guilt or suffering paying the wages in a more illusional priority to what truly counts for something being a one-sided treating operating system. Operating systems are just that…functioning platforms for our waking states to conjure up on a daily basis. Removing this operating system, would be like removing ourselves. Seizing to exist in our fully established biological states completely! Whatever state your consciousness is divided by, don’t tear it away because yours just seems to not function up to the claims of what lifestyle you (THINK) you should be tailored by. Whether you asked or not. Thou understandably it’s not your fault to what lifestyle you were brought up by. And the poverty that produces those brims full of guilt or suffering pays more wages to what is the true operating lengths of what the world is truly founded upon. Operating systems in computers are safe because there functioning. Tailored to be the tip top and posh lifestyle that one was engineered when sold separately. Which in tune was given to a higher base operating system that’s now channeling the wills and wants of what this engineered system is occupied to function with. More priorities in all! WOOT! Our consciousness sits back while judging harshly based on not feeling, because feeling is made more then just a waking state system. Its functionality isn’t important because it’s drawn out to be a system. Hence a somebody to tailor your own self importance’s up because your awake and functioning. Consciousness is tailored to exist because it’s there to see how the vessel that binds us all together, gives us our self importance in the first place. (Snapping of someone’s functioning width gives rise to friction counting for something jaw-dropping!) Achieving the snapping mechanism in one go. Thou many services kept trying with processes battling for perfection. Forwarding the plan to notion the regards of…what…exactly, pray tell?? They say we mirror our believe system out into the world. We make mistakes which spawn greater examples for the self importance eliciting the lesson of forgone truths straight from our focused conscious could elaborate on. Just like how apparently consciousness could reflect the universes true purpose in (WHY) the operating system acts the way it does. Hiding its true tailoring arts in such a twisting bind, it’s unaffordable to even speculate on. It’s simply beyond our pray tell minds to operate on. Yet we interact with it on a daily basis. Twisting, while binding something isn’t all it’s cracked up to be. Not forgetting to include the involuntary postures shooting out the benefits to this natural, possibly biased claim. (What riches foretold such events to come…?) Obviously, nothing to what tailored these operating systems of ours. Electronic computers. Bioelectrochemical humans. Creations or creator. Tailoring their computations and biological processes to the highest degree. Everyone has a operating system that lets you consciously interact with the software that permeates the hardware holding it all together. Just like how a skull holds a brain. Which holds the nestles of mind. And mind carrying out the calculations of software bounded to the hardware that mind is also bounded by the brain. The universe is massive, yes! But a network in itself once said, (that no matter how big or massive your typical construct might seem to absolve all constraints of triumph! You need to look a little closer.) Humans dedication towards operating systems? Tailoring conscious properties?! Computers being creations of advanced operable, functioning exercises which circumvent those daily practices are too beneficiary to the thing that bounces back to a functioning mirroring mechanism playing for keeps with the lifestyle we all play ourselves in our own nestled corners. The universe is no different. But it’s not as big as you truly give it credit for. (Tailoring consciousness hears a snapping of someone’s functioning width giving rise to the friction counting for something without jaw-dropping results!) Maybe tomorrow when your operating system is all deemed redeemable by no good lucky efforts. You might start to benefit yourself among close surroundings that play you to look too far ahead of what is already tailoring you up to play the part directly towards.
Tailoring one's own awareness with the operating system that bodes well with everyday riches, produces harm to the rightful of places.
Mateuš Conrad Jan 2020
finding gravity on a bicycle...

surely... given that most people
don't write a ******* hemmingway...
and there's no william buckley jr.
doing the interview...
and there's no norman mailer...

and that: no one really bothers
with kierkegaard and that:
kant "famously" didn't marry starry crap...
why didn't i have kids
and start a family?
uh... dunno... mother's best lie...
or the best lie a neighbour brings
with her... whenever you're
being a 2nd witness without
the 1st witness being there...

and she says an "also" with regards
to her son having the same luck
with women...
when the comparison comes:
a koala bear versus a gorilla...
bonsai tiger!
like a koala is a ******* bear
to begin with...
cuddly soft-pouch toy-ah-thing!

but there's that great feat!
finding gravity on a bicycle...
my mother helped me with that...
and that famous fail of
a rotondo... well... more or less
a cricket ground egg shaped, oval...
or a rugby ball...
the shoulder on the salto bike
hard... rammed into a car....

as a child you were supposedly well
loved...
and this is modern poo'etry i hear about?
here's to: john sounding like johny...
will sounding like *****...
richard sounding like: **** and not richy...
it's cute... matthew... matti: finnish...
leonard is: leo oh leo...
why art we all not named: Li Lo Po!

of course everyone managed to spot
the tetragrammaton vowel catchers that's
hey'zeus! no... not the bloke strapped
to the mannequin of tailoring...
oh no... not the crucifix pendulum
"for us all"... by blood... by cross...
who is to exfoliate on the crucifix...
better than some well scouted for materials
on a mannequin canvas for tailoring
a suit?
the guilt?! oh the guilt!
well... thank god this metaphysician would
never address the material realm of
enjoying a... dabble with... wool...
when donning a suit...
or leather shoes... or any presence of suede...
beside the crucifix mannequin: replica
and pittance!

- but finding gravity on a bicycle is one thing...
finding gravity when swimming is another...
it's called gravity...
but some heretical circles call it:
balance...
after all... it is both gravity...
and balance... given that while riding
a bike... or swimming...
you're pretty much sure, assured:
to not be falling...

you can find gravity with newtonian hindsight...
of sure...
that's there... it involves the magicians orbs...
copernican mathematics and...
target practice when it comes to
propaganda spew...
and Steward... the lesser... Stew...
cousin of the house of Stuart...
not Steward... Stuart...
which is (again)...
a McKiteit and MacCoddlewit...
some Glaswegian *****-donor clinic
"miss-up" mix-it: tend to...
lounging busy... which is of course...
besides the "look"...

5 bazookas cleared for a salvo!
hip hip! burger-pound!
hip hip! boom shizzle shoom!
hip hip! hooray!
oh now we'z getz uz best
partay birth doy wishy-washy
"protagonists"!

but given the current Persian affair...
i couldn't help to notice...
love actually... the narrative...
the u.s.a. and england...
the Z-spezial re-la-tion-ship...

so... who's spastic... and who's fantastic?!
spaz: B-bristolian-esque joking...
never aside...
who's the spaz and who's the frizzy-fuss?!

spe-zial mother russia talks down
to dog Kiev: yes, it's in (the) Ukraine...
spezial iz not what iz?

h'america... kept a yorkshire terrier...
media leetches of england
firmly in its grasp...
cuz onez we woz: once -
the militia contra the crown...
of north virginia...

coz b'rah: a 79-year-old man
who lit himself on fire protesting
against russia's language policies
in the capital of the volga region
of udmurtia has died;
name? alberto raisin...
which sounds terrible in its
non-native spanish...

but there's something worth of gravity
without debating
the heliocentric model...
finding one's balance on a bicycle...
a posteriori events...
but... the same balance can be
translated into a swimming session...

my god my father tried to teach me...
if i was supposed to learn
to swim in the sea...
with the fear: of not seeing the depth?
isn't that like a thesaurus
congestion of: acrophobia?
isn't there a word in the borrowed
lexicon of the ancient greeks...
concerning... fearing to swim in a body
of water... where you can't see the bottom?
i could learn to swim in a swimming
pool... thankfuly all because and due to...
moi...

i also found gravity in water...
i could... lie in water and become...
the antithesis of: the body consists
of 90% of water...
yes sherlock watson & sons... ltd...
but in water i'm mostly fat...
if i find the right balance...
i float...
which is why swimming is a bit
like riding a bicycle...
you find: the center...
or gravity...

again... in this special "relationship"
of bruv-love...
between h'america and whittle brit-pop interlude...
oasis on the continent...
my my... blur, even...
breakfast at tiffany's back in the dough-dough-us...
who is the ******* SPASTIC?
in this "SPEZIAL" relationship?
i guess the english must be the SPEZIALS...

a bit like watching:
go-go-gonzales trip up on a spelling mistake...
which is all i care for...
like a comedia...
a deviation from the informal, later,
subject of language implementation...
and all this peacocking prior...

where else does gravity allow itself...
a presence of the multi-vector?
up and down... left and right...
it's not as easily explained as:
on a ledge... with an apple...
drop it... newton with a header!
a 1-all equalizer in stoppage time
an F.A. cup re-match!

gravity on a bicycle...
it's hardly a drop affair...
gravity in water...
it's hardly merely swimming...
there's that aspect of finding... buoyancy...
there's not need for you to swim...
to exhert so much effort...
that you might as well drown 10 meters
in after swimming the 'undred...

no buoyancy: no chinese fortune cookies...
i still don't know which is more grand...
beside the acrobatics of... olympic level
acrobatics...

it's not bound to youth via lifting weights...
or supreme mao tse tung's winter olympics
of: hunger strikes in Vinter...
the gravity bound to a bicycle...
or the gravity bound to swimming...
after all... the latter is a bit "funny"...

"levitation" and buoyancy...
the dracula soundtrack:
only because of gary oldman and the composer
wojciech kilar... and the given, current...
b.b.c. spin-off and how...
yes... it's that terrible...
i don't even know where those five-stars
came from!
the archetype of feminine romance novels?
the syphilitic lover? the "vampire"?

yes, no? two guesses as good as: nein - keiner...
and, quiet honestly...
nothing could make this exercise in:
not engaging in any of all the available
comments sections on any website...
any worse... than it already is...

it comes as no surprise that: i write this poo'ems
not because i don't write poetry...
but because i will neither write
a poem by standards reserved for
pedagogy or demagogy...
or write identifiable puzzle-bog-trots of...
language reserved for politicization:
and not for... counter-marxist...
"psychiatric" post-...
hardly modern or... "today's journalism"...
eh... pushing it toward a Beckett-clause...
concerning language that is not expected...
oh but i certainly do know
a difference between formal language
and... this... the informal language...
the cognitive extension that does not
require a "free speech" protection bias...

none of this was spoken...
it was seen...
weaved into "thinking"...
that's the difference... isn't it?
from my end of the tenniscourt "promenade"
i've heard nothing but clickick...
off this dead-end replica piano
of a qwer
asdf
zxcvbnm

unless my shadow spoke... or there was some
telepathic connection
with the schizoid "group-think" of me
sourcing my sometime odd...
cognitive-murmors of "thought"...
"hallucinations"...
so be it...

this defence of a freedom of speech...
how does that even extend into writing?
i will never know...
and to be honest? i don't want to know...
writing is an extension of thinking...
which is also an inversion of speaking...
but it's never speaking...
where's the audio on this piece?!

how about... plucking your eyes out,
after fating yourself with the
original curiosity to begin with?
sounds better: than... what still persists as...
not being, said!

this was written, it wasn't said...
this is not a transcript...
this is not a transcript...
if this is censored...
then my... "schizophrenia" is not even
my original thesis of: bogus
mono-lingual parody of bilingualism...
no need to cite **** sapiens
jurisprudence advocates...
lawyers... the thesaurus bargain barons etc.
this is... what's those words they use?
invasion of the tabernacle?
do my "auditory hallucinations" stem from...
these words...
a private investement in internet access...
again: nothing is being said!
because this is a "public arena"...
a "forum"...
and the eyes on the other side of this text...
are c.c.t.v. eyes?!
not private eyes?

what's the point of freedom of speech?
when the freedom to think:
and subsequently write... is bombarded
by being who: see via reading braille...
and read... comments likes dislikes and all
those other ratios?

writing is an extension of a freedom
to think... most people who speak freely
don't speak via a precursor script...
that's not free speech: that's scripted speech!
and just because it happens be placed
in a public "forum"...
that's the argument that this writing
is a freedom of "speech"?!
really?! i guess your average u.s. citizen
is more despotic than the *******
president... then...

again.. blah blah blah blah blah...
blah blah.... blah blah blah blah blah...
blah... blah blah... blah blah blah blah blah blah...

you'd sooner convince a parrot to sing
you a song in sparrow than call this "debate"...
evenly focused on one or neither side "winning".
judy smith Mar 2017
The streets of Paris were clogged by rallies and demonstrations on the Sunday of fashion week. At the Trocadero, a pro-rally for embattled French conservative presidential candidate Francois Fillon, blocking the route between the Valentino and Akris shows; at Bastille, an anti-Fillon demonstration.

The French elections — and ever-increasing security — were providing a tense backdrop to the autumn-winter collections, much like Donald Trump, Brexit and Matteo Renzi did on the fashion circuit of New York, London and Milan this season. Politics and the changing of the guard, women’s rights and diversity may make fashion seem irrelevant until you add up the value of the industry to the world economy. In Britain it is £28 billion ($45bn) — and that is small fry next to France and Italy.

Perhaps politics and social change have influenced the French designers for there was much less street style this season and a lot more tailored, working clothes on the catwalk. They used mostly masculine fabrics but worked in such a graceful way. You need only look at Haider ­Ackermann, Chanel, Alexander McQueen, Christian Dior, Lanvin, Akris and Ellery to see this — lots of great wearable clothes.

Karl Lagerfeld wanted to fly us to other worlds (to abandon the mess here perhaps) in his Chanel space rocket. There were checks, cream, silvery white and grey tweeds, for suits and shorts and dark side of the moon print dresses that cleverly avoided the 60s’ ­futuristic cliches. Silver moon boots, space blanket stoles and rocket-shaped handbags were as space-age-y as it got. There was quiet, seductive tailoring at Haider Ackermann — tapered silhouettes in black wool and leather softened with a knit or the fluff of Mongolian lamb for a blouson or skirt. At McQueen the asymmetric lines of a black coat or pantsuit were ­inspired by the fluid lines of ­Barbara Hepworth’s sculptures, whereas David Koma reclaimed the soaring shoulderline of Mugler’s 80s silhouette for pantsuits and mini-dresses for the brand.

Christian Dior’s uniform-inspired daywear was produced in tones of navy blue with 50s-style navy belted skirts suits, long pleated skirts and some denim workwear. “I wanted my collection to express a woman’s personality, but with all the protection of a ­uniform,” explained Maria Grazia Chiuri before the show.

There was more suiting at ­Martin Grant with voluminous trousers, cummerbunds and men’s shirting. The cut was more mannish at Ellery and Celine with ­Ellery balancing her masculine oversized jacket looks with feminine bustier tops with giant puff sleeves. The mannish look at ­Celine was styled with sharp ­lapels, slim-cut trousers under crushed textured raincoats, whereas ­double-breasted jackets (a trend) and peacoats over loose-cut trousers appeared at John Galliano.

Checks jazzed up the tailoring at Akris where there were more sophisticated double-breasted jackets and swing coats, and at ­Giambattista Valli from among the flirty embroidered dresses a dogtooth coat emerged with a waspie belt and a suit with a peplum skirt.

Stella McCartney displayed her Savile Row skills in heritage checks for her equestrian-themed show. Of course, she is crazy about riding and her prints featured a famous painting by George Stubbs, Horse Frightened by a Lion. It turns out Stubbs was another Liverpudlian, like her dad Sir Paul.

Of course Hermes’s vocabulary started with the horse and there were leather-trimmed capes and coats that fitted an equestrian, or at least country theme worn with woollen beanies and big sweaters, offering a different way of tailoring, in an easier silhouette with a soft colour palette.

The highlight of the week for Natalie Kingham, buying director at MatchesFashion.com was ­Balenciaga. “Great accessories, great coats and great execution of ideas,” she says of Demna Gvasalia’s off-kilter buttoned coats, stocking boot and finale of nine spectacular Balenciaga couture gowns reinterpreted in a contemporary way. “It was wearable, modern and the must-see show of the week.” It was also, she pointed out “the must-have label off the runway with every other person on the front row decked out in the spring collection”.

Although tailoring worked its subtle charms on the catwalk, there were flashes of brightness, graceful beauty and singularity. Particularly bright were Miu Miu’s psychedelic prints, feathered and jewelled lingerie dresses and colourful fun fur coats with furry baker boy hats. Then there was the singular look evoked by Austrian-born Andreas Kronthaler in his homage to his roots, with alpine flowers, Klimt-style artist smocks and bourgeois chintz florals worked in asymmetric and padded silhouettes for Vivienne Westwood — some of it modelled by the Dame herself.

Pagan beauty, the wilds of Cornwall, ancient traditions such as the mystical “Cloutie” wishing tree led to Sarah Burton’s enchanting Alexander McQueen show, which was another of Kingham’s favourites with its unfinished embroideries inspired by old church kneelers and spiritual motifs. “I loved the artisanal threadwork and the spiritual message that was woven throughout,” she says. The artisanal and spiritual she considers an emerging trend around the shows. “It had a slight winter boho vibe but much more elevated.”

Chitose Abe shared that mood for undone beauty with her Sacai collection of hybrid combinations of tweed and nylon for an anorak, and deconstructed lace for a parka, and puffers with denim re-worked with floral lace for evening.

There was more seductiveness at Valentino and Issey Miyake. The latter’s collection shown in the magnificent interiors of Paris’s Hotel de Ville, shimmered with the colours of the aurora borealis and used extraordinary fabric technology to create rippling movement as the models walked.

Valentino was a high point. On a rainswept Sunday Pierpaolo Piccioli cheered us with high-neck Victoriana silhouettes and long swingy dresses in potentially (but not actually) clashing combinations of pink and red in jazzy patterns of mystical motifs and numerology inspired by the Memphis Group of Pop Art. The sheer loveliness of the collection was enough to drown out the world of politics only a few blocks away.Read more at:http://www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/blue-formal-dresses
Sarah Jan 2014
Insecurity is wool blanket drenched in water
laying across my nose and mouth,
every breath i take in is a wicked reminder of everything i am not.
its sharp needle points prodding my pores
ripping apart the skin of my throat with every word i'm unable to speak.
Insecurity is facing a firing squad,
every bullet comes from the mouth, every tongue a trigger, every tooth ammunition
Your feet are nailed to the ground, an iron staple of your own making lacing through your toes.
The worst thing about it is that your hands are bulletproof shields,
and if you had the strength to raise your thousand pound arms,
you could use them to block your bruised up brain.
But you can't.
So you don't.
its being uncomfortable in your own skin, a bone shattering, helpless feeling that you
cannot change this.
no amount of compliments or beautiful words whispered in the darkness can fix it
insecurity is the building blocks of my personality,
I'm constantly tailoring everyone in my life to fit it, like a worn dress
I can't walk down the hallway, down the street, through a store
without the feeling of a thousand weighty words cutting into my skin
In every war my mind wages against my body
i stand there like marble, letting the bullets eat me alive.
its time to crack my foundation down
Dorothy A Jul 2010
It was the summer of 1954. David Ito was from the only Japanese family we had in our town. I was glad he was my best friend. Actually, he was my only friend. His father moved his family to our small town of Prichard, Illinois when David was only eight years old. That was three years ago.

Only two and a half months apart, I was the older one of our daring duo. I even was a couple inches taller than David was, so that settled it. In spite of being an awkward girl, our differences in age and height made me quite superior at times, although David always snickered at that notion. To me, theses differences were huge and monumental, like the distance of the sun from the moon. To David, that was typical girlish nonsense. He thought it was so like a girl, to try to outdo a boy.  And he should have known. He was the only son of five children, and he was the oldest.

At first, David was not interested in being friends with a girl. But I was Josephine Dunn, Josie they called me, and I was not just any girl. Yet, like David, I did not know if I really liked him enough to be his friend. We started off with this one thing in common.

I knew he was smarter than anybody I ever knew, that is except for my father, a self-taught man. The tomboy that I was, I was not so interested in books and maps, and David was almost obsessed with them. Yet, there was a kindred spirit that ignited us to become close, something coming in between two misfits to make a good match. David was obviously so different from the rest. He came from an entirely different culture, looking so out-of-the-ordinary than the typical face of our Anglo-Saxon, Protestant community, and me, never really fitting in with any group of peers in school, I liked him.

David knew he did not fully fit in. I surely did not fit, either. My brother, Carl, made sure very early on in my life that I was to be aware of one thing. And that one thing was that I did not belong in my family, or really anywhere in life. Mostly, this was because I was not of my father’s first family, but I came after my father’s other children and was the baby, the apple of my father’s eye. But that wasn’t the real reason why Carl hated me.

During World War Two, my father enlisted in the army. He already had two small sons and a daughter to look after, and they already had suffered one major blow in their young lives. They had lost their mother to cancer. Louise Dunn was an important figure in their lives. She was well liked in town and very much missed by her family and friends.
  
Why their father wanted to leave his children behind, possibly fatherless, made no sense to other people. But Jim Dunn came from a proud military family and would not listen to anyone telling him not to fight but rather to stay home with his children. His father fought in the First World War, and three of his great grandfathers fought for the Union Army in the Civil War. It was not like my father to back out of a fight, not one with great principles.  My father was no coward.

Not only did my father leave three small children back home, but a new, young wife. Two years before World War Two ended, he made it back home to his lovely, young wife and family. Back in France, my father was wounded in his right leg. The result of the wound caused my father to forever walk with a limp and the assistance of a cane. It was actually a blessing in disguise what would transpire. He could have easily came home in a pine box. He was thankful, though, that he came away with his life. After recovering for a few months in a French hospital, my father was eager to go home to his family. At least he was able to walk, and to walk away alive.

This lovely, young woman who was waiting for him at home was twenty-year-old Flora Laurent, now Flora Dunn, my mother, and she was eleven years younger than my father. All soldiers were certainly eager to get home to their loved ones. My father was one of thousands who was thrilled to be back on American soil, but his thrill was about to dampen. Once my father laid eyes on his wife again, there was no hiding her highly expanding belly and the overall weight gain showed in her lovely, plump face. She had no excuses for her husband, or any made-up stories to tell him, and there really nothing for her to say to explain why she was in this condition. Simply put, she was lonely.

Most men would have left such a situation, would have gone as far away from it as they possibly could have. Being too ashamed and resentful to stay, they would have washed their hands of her in a heartbeat. Having a cheating wife and an unwanted child on their hands to raise would be too much to bear. Any man, in his right mind, would say that was asking for way too much trouble.  Most men would have divorced someone like my mother, kicked her out, and especially they would hate the child she would be soon be giving birth to, but not my father. He always stood against the grain.

Not only did Jim Dunn forgive his young wife, he took me under his wing like I was his very own. Once I knew he was not my true father, I could never fully fathom why he was not ready to pack me off to an orphanage or dump me off somewhere far away. Why he was so forgiving and accepting made him more than a war hero. It made him my hero. That was why I loved him so much, especially because, soon after I was born, my mother was out of our lives. Perhaps, such a young woman should not be raising three step children and a newborn baby.

My father never mentioned any of the details of my conception, but he simply did his best to love me. He was a tall, very slim and a quiet man by nature. With light brown hair, grey eyes, and a kind face, he looked every bit of the hero I saw him as. He was willing to help anyone in a pinch, and most people who knew him respected him. Nobody in town ever talked about this situation to my father. To begin with, my father was not a talker, and he probably thought if he did talk about it, the pain and shame of it would not go away.

One of my brothers, Nathan, and my sister, Ann, seemed to treat me like a regular sister. Yet, Carl, the oldest child, hated me from the start. As a girl who was six years younger, I never understood why. He was the golden boy, with keen blue eyes and golden, wavy hair, as were Nathan and Ann.  I had long, dark brown hair, which I kept in two braids, with plenty of unsightly brown freckles, and very dark, brown eyes.  Compared to my sister, who was five years older, I never felt like I was a great beauty.

I was pretty young when Carl blurted out to me in anger, “Your mother is a *****!”  I cried a bit, wiped away the tears with my small hands and yelled back, “No, she isn’t!” Of course, I was too young to know what that word meant. When my brother followed that statement up with, “and you are a *******”, I ran straight to my father. I was almost seven years old.

My father scolded Carl pretty badly that day. Carl would not speak to me for months, and that was fine with me. That evening my father sat me upon my knee. “Daddy, what is a *****?” I asked him.

My father gently put his fingers up to my lips to shush me up. He then went into his wallet and showed me a weathered black-and-white photo he had of himself with his arms around my mother. It was in that wallet for some time, and he pulled out the wrinkled thing and placed it in front of me.

My father must have handled that picture a thousand times. Even with all the bad quality, with the wrinkles, I could see a lovely, young lady, with light eyes and dark hair, smiling as she was in the arms of her protector. My father looked proud in the photograph.

He said to me, his expression serious, “whatever Carl or anybody says about your mother, she will always be your mother and I love her for that”. I looked earnestly in his somber, grey eyes. “Why did she go away?” I asked him.

My father thought long and hard about how to answer me. He replied, “I don’t know. She was young and had more dreams in her than this town could hold for her”. He smiled awkwardly and added, “But at least she left me the best gift I could have—you.”  

I would never forget the warmth I felt with my father during that conversation. Certainly, I would never forget Carl’s cruel words, or sometimes the odd glances on the faces of townswomen, like they were studying me, comparing me to how I looked next to my father, or their whispers as the whole family would be out in town for an occasion. It did not happen every day, but this would happen whenever and wherever, when a couple of busybodies would pass me and my father walking down Main Street, or when we went into the ice cream parlor, or when I went with my father to the dime store, and it always made me feel very strange and vaguely sad, like I had no real reason to be sad but was anyway.


- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -


That summer of 1954, I was a bit older, maybe a bit wiser than when Carl first insulted my estranged mother. I was eleven years old, and David was my equal, my sidekick. Feeling less like a kid, I tried not to boss him too much, and he tried not to be too smart in front of me. I held my own, though, had my own intelligence, but my smarts were more like street smarts. After all, I had Carl to deal with.

David seemed destined for something better in life. My life seemed like it would always be the same, like my feet were planted in heavy mud. David and I would talk about the places we would loved go to, but David would mark them on a map and track them out like his plans would really come to fruition. I never liked to dream that big. Sure, I would love to go somewhere exciting, somewhere where I’d never have to see Carl again, or some of the kids at school, but I knew why I had a reason to stay. I respected my father. That is why I did not wish to leave. And David respected his father. That is why he knew he had to leave.

David Ito’s father was a tailor. David’s parents came from Japan, and they hoped for a good life in their new country. Little did they know what would be in store for them. After the Japanese bombed Pearl Harbor, their lives, with many other Japanese Americans, were soon turned upside down. David was born in an internment camp designed to isolate Japanese people from the nation once Americans declared war on Germany and their allies. David and I were both born in 1943, and since the war ended two years later, David had no memories of the internment camp experience. Even so, David was impacted by it, because the memories haunted his parents.

There was no getting around it. David and I, as different as we were, liked each other. Still, neither he nor I felt any silly kind of puppy love attraction. David had still thought of girls as mushy and silly, and that is why he liked me. I was not mushy or silly, and I could shoot a sling shot better than he did. David loved the sling shot his parents bought him for his last birthday. They allowed him to have it just as long as he never shot it at anyone.

David Ito, being the oldest child in his family, and the only son, allowed him to feel quite special, a very prized boy for just that reason. Mr. Ito worked two jobs to support his family, and Mrs. Ito took in laundry and cooked for the locals who could not cook their own meals. Mrs. Ito was an excellent cook. Whatever they had to give their children, David was first in line to receive it.

The majority of those in my town of Prichard respected Mr. Ito, at least those who did business with him. He was not only able to get good tailoring business in town, but some of the neighboring towns gave him a bit of work, too. When he was not working in the textile factory, Mr. Ito was busy with his measuring tape and sewing machine.  

Even though Mr. Ito gained the respect of the townspeople, he still was not one of us. I am sure he knew it, too. Yet Mr. Ito lived in America most of his life. He was only nine-years-old when his parents came here with their children. Like David, Mr. Ito certainly knew he was Japanese. The mirror told him that every day. But he also knew felt an internal tug-of war that America was his country more than Japan was, even when he was proud of his roots, even though he was once locked up in that camp, and even when some people felt that he did not belong here.

If David was called an unkind name, I felt it insulted, too, for our friendship meant that much to me. How many times I got in trouble for fighting at school! My father would be called into the principal’s office, and I was asked by Mr. Murray to explain why I would act in such an undignified way. “They called David a ***** ***”, I exclaimed. “David is my friend!”

Because David and I were best buddies, we heard lots of jeering remarks. “Josie loves a ***! Josie loves a ***!” some of the children taunted. And Carl, with his meanness, loved to be head of the line to pick on us. He once said to me, “It figures that the only friend you can get is a scrawny ***!”

In spite of my troubles at school, Father greatly admired David and his father, and he thought that David and I were good for each other’s company. Mr. Ito greatly respected my father, in return, not only for his business but because my dad could fix any car with just about any problem. Jim Dunn was not only a brilliant man, in my eyes, but the best mechanic in town. When Mr. Ito needed work done on his car, my father was right there for him. It was an even exchange of paid work and admiration.

Both my father and David’s father felt our relationship was harmless. After all, everyone in David’s family knew and expected that he would marry a nice Japanese girl. There was no question about it. Where he would find one was not too important for a boy of his age. Neither of us experienced puberty yet and, under the watchful eye of my father, we would just be the best of buddies.

David pretended like the remarks said about him never bothered him, but I knew differently. I knew he hated Carl, and we avoided him as much as possible. David was nothing like me in this respect—he was not a fighter. Truly, he did not have a fighting bone in his body, not one that picked up a sword to stab it in the heart of someone else. It was not that David was not brave, for he was, but he knew the ugliness of war without ever even having to go to battle. Nevertheless, he used his intellect to fight off any of the racist remarks made about him or his family. He had to face it—the war had only ended nine years prior and a few of the war veterans in town fought in the Pacific.      

Because of the taunts David had experienced in school, I was not surprised what David’s father had in store for his beloved son.  Mr. Ito could barely afford to send one child to private school, but he was about to send one. David was about to be that child. When David told me that when school resumed he would be going to a boy’s school in Chicago, my heart sank. Why? Why did he have to go? I would never see him again!

“You will see me in the summer”, he reassured me. He looked at me as I tried to appear brave. I sat cross-legged on the grass and stared straight ahead like I never even heard him. I had a lump in my throat the size of a grapefruit, and my lips felt like they were quivering.

We were both using old pop bottles for target practice. They sat in a row on an old tree stump shining in the evening sun. David was shooting at them with his prized slingshot. I had a makeshift one that I created out of a tree branch and a rubber band.

“You won’t even remember me”, I complained.

“I will to”, he insisted. “I remember everything.”

“Oh, sure you will”, I said sarcastically. “You’ll be super duper smart and I will just be a dummy”. In anger, I rose up my slingshot, and I hit all three bottles, one by one, then I threw the slingshot to the ground. David missed all the shots he took earlier.

David threw his slingshot down, too. “For being a girl, you are pretty smart!” he shouted. “You are too smart for your own good! The reason I like you is because you are better than anyone I ever met in my entire life. Well…not better than my parents, but you are the neatest girl I ever knew in my life!”

For a while, we didn’t talk. We just sat there and let the warm, summer breeze do our talking for us. I pulle
copywrited 2010
Mateuš Conrad Sep 2018
well... feminism has had its three waves
of revisionism -

    and there i'm sitting on
the windowsill,
   smoking out of my window -

watching the moon sloth the sky like
an demonic snail -

in the misty haze of a large patch
of cumulonimbus -
    right up there at around 50,000 feet...

thinking to myself?
   why are there two orbs of varying
light concentration
penetrating the sky
   and embedding the moon
in an eerie aura?

never mind -
   i still don't know what the chemical
formula for timber is,
or what sort of material is on
the moon that allows it to reflect
light from the other side
of the Greenwich Mean Time...

last time i heard: can a rock surface
reflect light?

          well then... ah... never mind...

but feminism has had its three waves
of instigation and two subsequent
waves of revisionism -

so it made me think:
   why not a second wave of fascism?
a revisionist wave...
    well... as far as i am concerned
the Italians were much paler -
   in their intentions than the Germans...

fascism 2.0 -
and the sort of fascism that would allow
me to be men...
    drunks, foul mouthed, you name it...
athletic, not-giving-a-**** losers of
sorts, among the glam of whatever else
it is that a man is...

working on the idea,
i had to think of a list -

   hmm...

          who then?
ah!

      Stanley Kowalski
   (from a streetcar named desire)...
John Wayne
  (notably from true grit)
    Charlton Heston
(from the planet of the apes)
   Tony Curtis...
              Hemingway,
Bukowski,
               Ezra Pound...
     Clark Gable
    Gregory Peck
                   the list is seemingly
endless -
   at least in the portrayal of
said characters...
ah... ****!
   Kevin Spacey as
Lester Burnham to boot!
            ah... double ****:
Denzel Washington as
Troy Maxson...
    because apparently "being"
a "poet" is little more than
the lesser stature
of a garbage man...
             unless of course:
you fiddle into a cosmopolitan
fixture.

    oh... and certainly an appreciation
for a traditional Turkish barber
shop...

something very much akin / borrowed
from America circa 1950s...
   and an unabashed sensibility
concerning good tailoring -
   but then also the prophetic
vagabond look from time to time...

just a vague idea -
    but something along these lines -
but then again, what a silly idea -
what is racial purity in
21st century England?
   some sort of vague notion
       of an even vaguer dream?

but i guess the notion of
individualistic purity:
   the purity of the individual is related
more to: who can and who won't
be swayed by alien opinions -
2nd or 3rd party -

        which includes this opinion...

i'd subscribe to put the idea on
the following zenith:

              grammatical cleanliness -
linguistic order -
            a literary tact -
   something along these lines -

after all: the 20th century is not the end
of a theory -
given 20th century communism this,
while 21st century socialism that...
ideas prevail...
   evolve - or devolve - regress
or make alternative progress -

               also given:
    there already is a fascist movement
elsewhere, other than in England -
where: it would be completely
impractical -
                  
                       prime tenet would also
be, what it already shows:
   non-expansionism of a culture
or a people -
                           more akin to
American isolationism under
                                                  F.D.R.:
i­ have a strange sentiment
for that president.
Mateuš Conrad Sep 2018
. bye bye, ms. american pie...

ever find a hallucination
of a strawberry in a cigarette?
or a vanilla ice-cream cone
in a bottle of rye?

dear ms. amber, dear ms. amber,
dear mr, john smithy...
could i possibly take ylur daughter
to the dance?

may you be the beauty i sometimes
expected as a wife...
who heeds ****...
just listen to teenage girls prior
to the "ultimate" loss
of virginity...

to name but one...
she clearly lost her sort of bit,
Madonna music immunity....
to boot...
       abooktopia...

does that word mean anything
without a children's book
contracts by publishers?
or therefore, with?

                 i forgot to ensure
curating an interest in...
    to overcome the summary
of the crude encompassing of...
klaus doldinger....

              erinnerung...

    tod spricht vorausgehend
       zu leben...


it's almost funny...
people with the sole capacity to
recite...
merely ******,
  Himmler,
        Göring,
                   Goebbels...
      
               but i thought Nazis were
in season?
i thought society required Nazis?!
   such a pithy...
such puny recitals!
               almost all of the WWI soldiers
under Wilhelm were
deemed heroes...
      thank **** that i'm not even
a quarter German...
given... what the united powers
did converging over
Berlin... with the ***** epidemic...

    even though i'm Polish...
and i remember my great-grandmother
hiding from both the Nazis and
the Red Army...
you want a ******* villain...
i'll be a **** for you...
no problem...

                      i sort of have a fetish
for the Dritte ***** uniforms...
       lodged in a Indiana Jones movie...
**** it...
suit up and boot me in into
the act...
            i don't mind...
what you can't take away
from the Nazis that you can take
away from all other antagonists...
pristine tailoring!
     you can't match up
to whatever axis / empire of evil...
and "think"
you can out-compete
the tailoring of **** uniforms...
no chance in hell...
however many
pineapples harvey keitel
shoves up Adolf ******'s ***...
  
it's still Armani grey when it comes
to the uniformed officers
of the the Wehrmacht...
as it is the: sly "little" number...
for the Coco Chanel... SS
splinter, base, bias, *****.

if people are so desperate for
a ****?  
  can you really starve the people?
and not give them one?!
that would be most cruel...
i think people deserve a bull's eye!

you're most welcome...
   there i was, suffocating on the fact...
that you were disorientated...
and pointing at false actors of...
what you expected to be
the motivational enzyme -
sole curator,
               of forwarding history;

why didn't these people come to
me sooner?
  i would have played the **** sooner!
judy smith Aug 2016
Andrew Gn

Probably the most prolific Singaporean designer, Gn graduated from the renowned Saint Martins School of Art and Design in London and the Domus Academy in Milan before joining Emanuel Ungaro in 1992. He launched his namesake label in 1996, establishing a fan base among the Parisian high society and A-list celebrities such as Jessica de Rothschild and Sarah Jessica Parker for his luxurious fabrics and exquisite embellishments. Gn was awarded the President’s Design Award in 2007 and is stocked in all the major continents, with his atelier based in the Le Marais district in Paris.

Ashley Isham

The other Singaporean high fashion designer to hit big time in the international circuit, Isham established his namesake label in London in 2000, and is a show fixture at London Fashion Week. The label is known for its sharp, contemporary tailoring and high-octane glamour, and is a hit among film, TV and music stars as well as British royalty.

Aijek

Self-taught designer Danelle Woo creates easy-breezy, ultra-feminine pieces in sustainable fabrics. Aijek is stocked at multi-label boutiques in China, Hong Kong, Malaysia, Indonesia, Latin America, the Middle East and the United States.

Depression

The neo-Gothic ready-to-wear label’s stark, minimalist designs are stocked in Hong Kong, Belgium, Japan and the U.S., and counts celebrities like Adam Lambert and The Black-Eyed Peas as fans.

Sabrina Goh

The feted Singaporean designer stocks her easy-to-wear pieces from her namesake label at multi-label boutiques in the United States, the Fred Segal store in Japan and a London-based online store Not Just A Label.

Max Tan

The avant-garde label features experimental silhouettes and a contemporary artistic flair, and is stocked in Europe, the Middle East, San Francisco and Taiwan.

Benjamin Barker

This stylish menswear brand founded by designer Nelson Yap in 2009 now has two stores in Melbourne and offers custom tailoring as well. It also offers shipping to Australia and New Zealand via its website BenjaminBarker.co. .

In Good Company

The well-loved minimalist label with unusual silhouettes fronted by designers Sven Tan and Kane Tan is stocked in Hong Kong at Kapok, at various departmental stores in Jakarta, Indonesia, including Sogo, Seibu and Galleries Lafayette Jakarta and in New York’s Saks Fifth Avenue.Read more at:http://www.marieaustralia.com/formal-dresses-sydney | www.marieaustralia.com/formal-dresses-brisbane
magnoliajelly Jan 2014
i am sorry for having villainized you.
let me say this first:
i am so sorry for the pain i caused you.

i am also sorry for the grit
and rough
and mess you saw in
my skin. i am sorry
that i let it matter to me
that you saw these things.
i am sorry that i let you
make me feel like the
skin that i was writhing in,
that i was trying on
and tailoring (am still
tailoring) to fit me correctly
was somehow *****, somehow
not so clean. somehow covered in
the hands of too many boys
who made me unpure.
who you believed
somehow stole my
virtue with their kiss.
(like they would be so powerful
as to **** it from my lips)
i am sorry that you believed
that this caused such a gaping
space between us that we could
no longer lie next to each other.

the truth is,
i miss you somedays.

it makes me ache to know
that you missed my first
love. you missed his smile
and his stupid decisions,
and the effect he had on me.
you missed the way he brought
my mind to a lull.
my whole body to a
present moment.
you missed the disappointment,
the pain, the deep and crushing
heartbreak.
you missed the day he said goodbye.
you missed me picking up
the parts of myself i didn't
know existed in such a way
that they could fall apart.

i had seen you through that all
and you will only know of mine
through what i will tell you.

i am sorry to have hurt you.
to have lost you.
i was shedding skin and so were you.

*january/27/2014/12:23 A.M.
i used somehow a lot
Juliana Jul 2021
I opened the gifts one by one,
knowing that the softness I felt
under the antique Santa Claus paper
was yet another bundle of fabric,
more clothes to add
to my ever-expansive wardrobe.

One by one, the patterns were revealed to me:
some plain black cotton,
a Paris print with a sparkly pink tower,
paper cutouts the size of my favorite dolls,
and at last, a sewing machine.

I remember a roomless memory,
my mother and I hovered over the machine,
the internet failing to teach us
how to maneuver the thread.

“We’ll try again later,” she said.

Now, I open the drawer under my bed,
remove a dust-covered box,
running my fingers along the top of it.
I remove the as-new machine,
my failed future.
I walk to my computer, switch taps
from a Buddhism study guide
to an empty Google Docs.

I wonder if I was a seamstress in a past life.
Did I watch my family create the cave paintings
while I sat in the corner, hide on my lap
with a splinter of bone in my hand,
feeling nothing but bliss?

Did I live in the Edwardian era,
tailoring a perfect three-piece suit,
a walking skirt, my daughter’s chemise?

Did I ever pass my grandmother
in a secondhand store,
with my goal of finding a perfect neckline,
my favorite sleeves, a plaid pattern.

Did I find them among the stained and unloved,
did I make them into something beautiful?

Was this not a flashback, but a foreshadow?
Was this a hint at my next life?
Will I do the same with my daughter,
passing down the cotton and glittered tower,
hugging with triumph when the machine roars to life?

Will I be there at her first fashion show?

What if there is no past or future.
What if my soul is me, unchanging, stable.
What if I’m a butterfly,
every passing second another cocoon?

For I am a tree,
and these memories
are my branches.

My left arm holds the present,
the current reality. I fail to sew
even a button, but my dreams
reside content.

With my right arm,
I hold another present,
equally as real.

In this world, I made my doll a dress,
a bedspread with the leftover fabric.
In this world, I am not a poet,
and I don’t often dream.
In this world, my floor is my stage,
this fabric is my home.
In this world, I know not of other realities.
In this world, I live buried in my ignorant bliss.
Amanda May 2014
"Mistakes are like constellations.
They inevitably lead your blind footsteps to places that are utterly dizzying. Tailoring that disconcerting sense of still inebriation pooling between your two ears.

But they are also lead us to places and people who liked me as much I did to them.
"
Hey you!
Oh yes, you lovely soul!
Tah-dah, this is a quote from the short piece I wrote a week ago for an English exam.
x
Madison Curtis Apr 2015
Fashion and beauty retailers from across Hull are uniting to celebrate the region's independent shops.

The sixth annual Hull Business Improvement District (BID) Fashion Week is in full swing, with more than 70 retailers taking part. During the festival, business owners will showcase their best products and offer prospective shopkeepers an insight into how they have made their companies successful. Organiser Adam Clark said the celebration offered a platform for Hull's retail sector to demonstrate its strengths.
He said: "Hull Fashion Week celebrates and promotes independent retailers in Hull city centre.

"They are one of the driving forces to what makes our retail offer unique, along with our three city centre shopping centres and department stores."
Gillian Long opened her bespoke tailoring service, **** Of The Walk, in Hull two years ago.

The Savile Row-trained tailor will be opening up her studio to give prospective customers and fellow retailers a look behind the scenes.

She said: "I enjoyed Hull Fashion Week last year, but I did think there weren't that many men's fashion retailers or designers taking part, so I wanted to get more involved to show people what is out there.

"I think the event is a great thing to raise awareness about all the different independent shops out there.

"People might not realise we are here, but if you scratch under the service you will see there are actually lots of us who are doing really well."

Family-run jewellery firm Hugh Rice is another Hull company getting involved, with a meeting at its branch in St Stephen's shopping centre today.

Sales and marketing director James Rice said it would give fellow shopkeepers a chance to learn about the latest jewellery trends and let customers try on the latest pieces.

He said: "For us, it's just great to be involved in an event on this scale.

"We are a Hull company and we want to be as involved as possible in events like this, which promote the city and promote Hull businesses."
Mr Rice said it was an exciting time to be a city centre retailer in Hull.

"Around the marina in particular, there are lots of young, trendy shops emerging in an area that has probably been a bit neglected in the past year or so," he said.

"As we move towards the UK City of Culture in 2017, it's great to see more businesses thriving and I think it has given the rest of us something to aim for."

The week will culminate with a grand finale on Saturday, hosted by BBC Look North weather presenter Keeley Donovan.

Source: http://www.sheindressau.com
Dearly Beloved in Christ

     Greetings to you in the most powerful name of our lord and savior
Jesus Christ. I am glad to write this loving letter to talk to you
today. We are glad to see your works on the website. I am also thank
Lord for giving us a great communication to share on another. Before
introducing me, we are assuring our continued prayers for your
ministry and for your dear family in all our prayers and you please do
pray for us and for our ministry in India. My name is Mrs. Jayamma, am
38 my husband's name John Victor aged 40. We have been preaching the
gospel and planting churches in 10 agency villages. we win thousands
of souls into the Kingdom of Heaven through your powerful and
spiritually filled messages.
India is a pagan country bounded by 330 million pagan Gods and there
are 880,000 villages in India where people still do not know Jesus.
Our goal is to plant churches in such areas and we as a team go over
there preach the gospel and stay over there and see that a church is
planted over there and leave a new Pastor over the work. All of our
villagers are agricultural laborers. They are very poor. We are
working for the Lord among them.       Apart from this we do have
children home with 30 abandoned children. And Old age mother’s home
with 10 ladies. We save these children and old mothers to win them for
Christ. We are accommodating them in a rented building and we are
praying for our own ministry campus. Please do encourage us and do
help these children if you are inspired  by the spirit of  Lord. The
name of our orphanage and old aged mother home is Jaya Charitable
Home. If you need more information regarding this project, we shall
send to your hon our. We really encourage you to pray and visit our
orphans and help as the Lord leads you to do so.         Our daughter
is padmaja. Our son is Lewis Kumar. They are supporting our work here.
My husband is a village doctor (First Aid) He got permission from the
government to do first Aid treatment. I work tailoring and embroidery.
I give my tithe to support to arrange good food for them, giving good
India dress (Saree blouse) they will pray for our ministry. We do also
support the widows in the church with a small monthly support and
there are so many widows who desperately need help. (James 1:27).
Please do pray for the needs of our ministry and also we are
requesting you to please visit India so that you will know that we are
a genuine ministry. If you need any references if you cannot come, we
can give you and you can contact them.
But our heartfelt invitation is for you to visit us as a team or your
family; we would be really excited in meeting you and hearing your
powerful messages. Please let us know of your schedule and please
inform our ministry activities in whatever way you can help us, or
encourage us to your churches, friends, relatives, crusade speakers
who are interested in helping with the work of Lord in India. If Lord
leads you we are wishing to conduct a big International Crusade with
your team.
Our letter is not to solicit you for funding all of our activities,
but we are only telling you of our activities and if you are only led
by the Lord, we ask you to encourage us and guide us and support us
and visit us and give your valuable suggestions and also pray for us
as God answers our prayers and fulfill our needs..
We close our letter with love and greetings and hugs to you. If you
need more information please do email us or you postal address.
Love to hear from you good news.

Yours Indian Sister
;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;­;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;­;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;
   Ch.Jayamma
    Parampeta (post) -534447
    Jangareddygudem (Mandel)

West  Godawari District, A.P., S. India
plese pray for my gospel
r Nov 2014
you came in from the cold dressed bold
under a black flag like isis on the road
to baghdad in a red ferrari going all john
le carré defecting with the little drummer
girl laurie in a deadly affair expecting
the honourable school boy when i'm used
to being a most wanted man -

now i'm no naïve and sentimental lover, baby
i'm the perfect spy and this ain't a small town
in germany but ich bin ein berliner, fraulein -
you better make this your last call for the dead

- it was (y)our kind of game playing
tinkering tailoring soldiering spying -
doodling smiley's people on the side
acting like absolute friends with fred
the constant gardener at the russia house
and red the tailor of panama
like a ***** with a straw up your nose
in the looking glass war
but if you do it again -

let me tell you a secret, pilgrim
i'll drop you where you lie -
it'll be a ****** of quality, baby
and that's a delicate truth

- you were our kind of traitor
on the blue mesa.

r ~ 11/14/14

i like john le carré
:)
Mateuš Conrad Jan 2016
sure sure, forgive & forget, but you can't do both in a one-sided simultaneousness: forgive with anger, but forget with peace, for your own sake.

that comic abstract i wrote about children
and mathematics being first learned in units
and not π, π being akin to the word onomatopoeia
in some pandemonium of reverse
of the novel, well, i know 1 is odd, 2 is even,
but when walking and drinking i went a step further:
0 (left leg forward), 1 (right leg forward),
2 (left), 3 (right), 4 (left), 5 (right),
6 (left), 7 (right), 8 (left), 9 (right)...
10 (right left), 11 (right right), 12 (right left)...
it's like that game children play,
they draw a checkers board with chalk,
squares the size of gifted feet missing tango,
schematic looks something like this:
                            1
                   2               3
                            4
                   5               6
                            7
                            8
   ­                9                10
(almost the tree of kabbalah),
so you throw a pebble onto a number
and then do a one legged kangaroo on
1, 4, 7 and 8... but numbers 2 and 3,
5 and 6, 9 and 10 you do the two-legged stomp,
pick the pebble up, and do the reverse as mentioned...
girls loved playing this game when young,
apart from the indoor game of surgeons with
asexual dolls of artificial *** and third party donors,
very horrid that game of dolls,
hide & seek was the boys' invention,
basically anything with running and camouflage
involved, be it shadow, be it anything...
i did skip like a boxer with the skipping ropes,
didn't become a boxer though...
so girls invented the profession of boxing...
behind every tyrant there's a harem of sadists...
i like this feminism they're shoving at us...
i'm one of the last boys to go to university,
it ended circa 2010... now about 60K more *******
fathom the upper tiers of psychology,
education and what not...
mathematics is still a male orientation,
no bullshitting, just: wrong wrong wrong, remainder.
it was an article in the newspaper, what can i do,
censor myself? along with the new elements
discovered, so unstable they live like *******
***** in a petrie dish the length of a male ******:
funky pumpy did all the work, mission impossible
message reads: DISPOSE OF. husband material?
tick. drinker? no no. it's like al capote's time era,
drink the problem... GUNS DON'T **** PEOPLE,
PEOPLE **** PEOPLE. you trying to make me
supermalt or something? all the black kids drank that;
white boys milked the cow from a pint bottle of milk,
ones turned into sprinters... the others turned
into dolphins. that's what i don't get about evolution
attacking theology and undermining itself
from the realm of humanities... you know black
olympic swimmers sink in the pool... clearly
i didn't bleach my skin in arabia going north...
i was a sea monkey! honest to god... the fat in me
makes me float... origins of non-aquatic monkey
sinks in blue water, a dollop of brown...
or that english post-colonial joke about another
member state of the union... you know any good
californian joke about new englanders?
an uninhibited english man (with poor taste in
tailoring) glorifies this fact: per capita,
poland is the only country with each household
having a toilet for each member of the household...
that's why they exported so many polish plumbers
to england!
when i was only but a child and i seemed to have
forgotten being one, when
i got a shock after my ****** hair / beard envy disappeared
and felt no ***** envy, and when i heard being
described as a man... i didn't write any st. paul
*******... so i delved on it...
and remembered my favourite movie from childhood
and the actors i wanted to speak the truth as:
favourite film - le bossu, swash & buckle, cut & ******
adventure starring jean marais (based on a novel
by paul feval)... and of course the three musketeers,
with richard chamberlain and oliver reed...
i so wanted to be the shogun that was chamberlain,
the philandering priest turned musketeer...
lo and behold... i ended up as athos...
not that i mind... but that time period captured
my imagination, as a child of decaying communism
in a satellite state of the soviets... the rule of louis xiv,
and the intrigue of cardinal richelieu...
i wanted to be there! just sniffing up the gun powder!
alas... not to be.
so today i braced myself for no donning an elaborate
hat with peacock feathers and remembering the yore
days of chivalry... walking the grey pavement and grey
houses with a grey sky above... if only the houses
were coloured like the houses of st. petersburg...
if only... and in the hospital after almost breaking
my index finger i did a bit of solo c.b.t. (cognitive
behavioural therapy), i sat in silence, feet not in turkish
or buddhist akimbo but like nailed to a cross,
hands crossed... in this house of pain and legal morphine
addiction, in the orthopedic ward... just sat...
eyes closed... and couldn't conjure any thought...
just nothing... is that a problem for the c.b.t. practices?
i bet it is... what sort of behavioural problems
can arise from not thinking? running a marathon?
driving a car? flying an aeroplane? exponential
flamboyance of memory brought to the fore in an examination?
loads* of examples!
i walked with this somali woman after someone misdirected her
to get to the hospital...
but the gift of all gifts came to seal the day complete
(after not finding lamb kidneys at the supermarket
for a steak and kidney pie)
was next to an islamic learning centre...
three guys ahead on my path, two talking,
one running from one edge width of the pavement
to the other, jumping on something...
he was about to rush back onto the stone
then he stuck his hand out...
his hand warmer than my heart, my hand colder
than his brain yet to be indoctrinated,
he extended it looking me in the eye and i into his,
this little ****** of about 6 or 7 too shy to talk,
his warm hand no bigger than my pinky, ring and middle
finger did a sort of high-five with me...
i guess one of my paediatric theories came true
came the high five.
Wk kortas Aug 2018
There is, one supposes, a certain nobility
In simply carrying on with the whole **** thing,
Though that assumes some epiphany,
Some clawing toward grace, or at least common decency.
He had, in some once upon a time,
Cast his lot with a better class of people, so to speak;
It had not ended well, though,
In line with how such things are resolved,
His fall not a spectacular, tempestuous thing,
But a gradual, veiled affair, not a fiery spectacle
With metaphorical medals cut away, epaulets stripped,
But a shaded silence, a shrouded yet palpable shunning.

And so he is here, in this fading little city
Perched forlornly on the banks of a nondescript little river,
Having taken an apartment above a pair of offices
(One occupied by a seemingly ancient and disinterested lawyer,
The other by an ostensible private investigator)
Which is sufficiently large and reasonably warm
Come the seemingly perpetual winter.
He lives, if not in such a manner
As he was once accustomed to, comfortably enough:
He has his practice, and an adjunct position
At the little cow college down the road in Alfred,
And there are the occasional women,
Sad divorcees marooned in this hill country,
Dewy-eyed undergraduates unable to discern
Suit coats that are a bit shabby and somewhat passe
(There is a haberdasher in Buffalo whose garments
Are in the neighborhood of up-to-*****,
And he could certainly manage a trip
Down to New York for better tailoring,
Though he would be traveling in places and circles
Where he is not remembered fondly.)
Stepping outside, he encounter snowflakes,
Light and unprepossessing,
But he studies the sky anxiously, apprehensively
(One learns that he must pay Nature its due fealty in these climes,
And give into the primal, the instinctual)
For he knows what can transpire
When the wind blows off the big lake out west just so,
Turning innocuous flurries into a malevolent blankness,
Making the landscape inscrutable, alien, utterly terrifying.
**** Diver was the male protagonist in Fitzgerald's final completed novel, Tender Is The Night.  Not unlike his progenitor, his landing was not a particularly soft one
Devashish Kumar Aug 2015

It was a complete mess.
Loads and loads of things,
From soiled hosiery to paper cups
From books to each piece of clothing I ever had
Were thrown everywhere around in the room.
The whole place looked robbed.

Cleaning the room and keeping things in order
Was never my responsibility.
It was hers.
She would nag about it all the time.
She would ask
What I’d do without her.
This was the one question I never wanted to know the answer.

May be that was why,
I was reluctant to clean the place.
Deep down, I believed,
If I waited long enough,
She would figure I could not manage without her
And she would come back
And clean up the mess.

But weeks had gone,
I still had no clue about her whereabouts.
Why would she do that to me?
I was the love of her life.

“Enough is enough.
I am going to clean this mess.
I don’t need her.”
Enraged, I decided to start with books.

Books were the second best thing in my life.
They’d keep my company always.
Then I saw the book, which she bought me
When we moved to the countryside.

As I picked that book,
A small turquoise-y peacock feather fell.
The falling feather brought to me
A series of memories-
A mix of sad and happy moments with her.

After we moved here, we went to a park
In hope, it would cheer me up.
And it did cheer me up.
We played, we laughed.

At a distance, there was a peacock,
Boasting its colourful feathers.
I’d never seen a peacock before.
Amazed, I found a feather it had left behind.
Which I insisted to keep.
She placed it in the book
We just bought.

I still tremble sometimes,
When sights of my drunkard father beating her cross my mind.
He would abuse her and do sick things to her,
Still she would say he was my father
And I ought to respect him.
How could I?

And one time, he beat me.
He beat me with a belt
Because she bought a ‘stupid’ book for me
Instead of a bottle of bear.
That was the last time
I’d seen him.
She decided we would move away
Without any second thoughts.

“You’re meant for great things.”
She would always say.
She did odd jobs,
Tailoring, waitressing, private tutoring,
So that we could manage my school bills, rent
And square meals a day,
Probably ignoring health and physical wellness.

She sacrificed everything for me.
When she’d me, she left her job to look after me.
After we moved here,
Things were supposedly normal.
But she was going great troubles
To make ends meet,
With a smile on her face, she kept going.

At that instant, I knew she would never leave me.
She was still watching me,
Probably telling the stars
About her 'childish' son.
“I will make you proud.”
I promised to my Mom, my hero.

…  And I am still trying.

Dedicated to all the mothers, who sacrifice their everything, for the sake of their children.
Mateuš Conrad Jun 2016
ᚠ                       Φ

             F

Θ                       ᚦ

                                     no explanations
exist within a geometry outside
the circle, only architecture, sole,
yet the sole geometry of architecture
is an encircling, a lifting,
and had i wrote my poetry
in the comfort of rising beyond Marx
is socio-political schematic i would,
but i rather talk to scaffolders than to poets,
i'd rip my heart through enough thin
veil to prove it so that i shared an entombing of lips
wholly bodied with one! i rather!
care for this ******* Parisian princess
in your divorce as best you can...
i kept a cat for seven years before my neighbour
decided it was time to un-wed affection
to an animal neither tilling for ably feeding
to instead choose his daughter as my wife:
i rejected feeling no compass of conversation...
the cat died, i went into the graveyard and dug
a gravestone out and buried my cat in
the moonlight: don't ever come across me and my pet!
you killed half the intelligence that was me!
*******! humanity engaging with humanity
it plagiarises as itself an ownership to suit puppet
strings like it might tailoring,
POLAND ****** EUROPE!
POLAND ****** EUROPE!
POST COLONIAL NATIONS SEEK NEW *******
TO CRAFT THE LOST COTTON BUDS INTO
GRANULE CEMENT SET! POLAND ******
EUROPE! POLAND ****** EUROPE!
POLAND ****** EUROPE! POLAND ****** EUROPE!
MAMA RUSSIA! PAPA PRUSSIA! HOSANNA! HOSANNA!
LAUREL LEAFS AS I SAT ON THEM! THE CROWN
OF KING TU-154...
ROMANIA DONKEY DON QUIXOTE!
WHOOP WHOOP! WHOOP WHOOP GREK IZLAND
CORFU! then the postman comes with my jealousy
as within reach of hope to attain old age...
(snigger)... i hope i don't... i want million
dollar baby's truth to wake me.
judy smith Mar 2017
There is something discombobulating about feeling a shudder and a tilt, the models in front of you apparently moving slowly sideways, as the stand with your show seat starts to move in circles.

At the same time, the models at the Céline show seemed to be going off in all directions. Popping in and out of the black holes of space were models - young or older - wearing a smart green masculine trouser suit, a striped shirt, a white belted raincoat, something furry and - unexpectedly - a tunic and trousers printed with black wheels and checks skittering before your eyes.

All this and the bodies and arms of shadowy people behind the plastic backdrop. I rushed backstage to try to make sense of the show chaos (sorry: artistic intrigue), but designer Phoebe Philo did not want to talk when I asked her the point of her dramatic presentation of her Autumn/Winter 2017 collection.

"Just ideas coming together with lots of ideas," said the designer. "Just lots and lots of ideas and how they impact each other."

Around me, Phoebe's team were hugging and sobbing and clutching each other, as if this show were their last. Overview notes provided by the public relations people seemed even more confusing, apart from telling me that the installation (that required more electric cables and wires than I have ever seen above a fashion runway) was by French artist Philippe Parreno.

''The Céline AW17 collection explored Phoebe Philo's storytelling design process of how a collection is created and the notion of how changes result in impact," read the statement. "Further, the collection relates closely to the interconnected nature of women's lives and possibilities for women."

Before I read this, I had thought of Phoebe as the English designer who has her children running around backstage and who made practical but classy clothes for today's woman. She threw into the mix a few charming pieces like the fluffy flat sandals that have been picked up by other designers across the world.

With all that on offer, why did the new Céline collection have to complicate things so much?

Take away the moving seats and impossible-to-follow criss-cross of the models and there was the Céline look that any woman would crave: the bold, floor-length tailored coat; a tuxedo with its hemline sweeping right down to the ankle. The tailoring looked bigger, oversized even, which is in tune with the Eighties-style square shoulders that we have seen elsewhere this season.

Phoebe seemed to be offering a hardened version of the serenity she once found in streamlined clothes. An example of the new severity would be a plain, long sleeved dress with a hemline at mid-calf. Its softer side was a blue shirt elongated to the ankle and worn with trousers.

Ultimately, Phoebe offers 21st century elegance with the smooth lines disrupted by a tangle of fringe at the hem or what appeared to be a big blanket over one arm.

I received an overall impression of longer - to the ankle - length, a sense of sobriety and a few fanciful things for evening. What I missed in the hurdy-gurdy of the presentation, is, as yet, unknown.

With exquisite workmanship and Victoriana melded with pop, Pierpaolo Piccioli had a new vision of romance for the digital era.

Prudishness and pop - can the two really meld together? Yes! If the Victorian-style cape is in a vivid, sugary, postmodern pink and the dress underneath a colourful geometric pattern, recalling the Memphis era.

At Valentino, the 1880s met the 1980s with sensational results as designer Pierpaolo Piccioli dismissed the feminist vibe that has reverberated through the Autumn/Winter 2017 season yet created a collection that was respectful to and joyful for, women.

Just looking at the designer's four moodboards was a history lesson, as Pierpaolo whizzed me through dark Victorian carved birds, bright Memphis furniture, coral with a religious connection to Medusa - so much from the past crammed into one collection.

Yet on the runway, the result was far from overloaded, as the history of coral was subsumed into the necklaces all the models wore and the deflated Victorian silhouette - long and high waisted, but slim where a crinoline once was, seemed perfectly acceptable as a romantic vision of the 21st century.

"I wanted to add deepness and romanticism to the modernity of the shapes, so these are absolutely items that you can wear separately - a white shirt or the skirt with your own sweater," said Pierpaolo. "I think fashion is made for dreams, but sometimes you want a dream that is daywear."

The Valentino studios are at the heart of the matter, apparently finding it as easy to toss off a tailored coat with a mid-calf hemline nudging Victoriana bootees, as it is to make a soft, light dress to flow underneath. The detail and delicacy of the dresses seemed like an extension of the haute couture, but the designer was eager to point out that the clothes came from the Italian factory dedicated to Valentino.

Whether it is so easy visually to mix a sorbet pink top with tiny ruffles down the arms that flowed into a cherry ripe panelled skirt, the result was surprisingly calm. Even the dresses patterned with Memphis pop blended in with the plainer, pleated versions. And just when you thought that the show's high romance was over blown, the designer would slip in a black top over a pair of sloppy velvet trousers or calm a Memphis patterned dress with a tailored coat. A severe black jacket could be worn with anything already in the closet from an LBD to blue jeans. Like the tailored coats, it kept ripe femininity in check.

"For me it is important to keep the lightness, otherwise it doesn’t feel confident and if you don’t feel that you don’t feel beautiful," said Pierpaolo. "I think if you feel confident you can even be able to show your sensibility and really feel stronger."

However you rated the clothes - too fancy, too froufrou, too historical - there is no denying that Pierpaolo has created a vision that is respectful to women and which makes them feel beautiful. In a churning political universe, Valentino offers a small, still voice of calm.

Demna Gvasalia revisited Cristóbal’s silhouettes with surges of modern colour, print and volume.

Balenciaga haute couture has been revived for the first time since Cristóbal himself closed the house nearly half a century ago. The last nine outfits shown by creative director Demna Gvasalia, on the huge carpet patterned with the word 'Balenciaga,' had their roots in the legacy of grandeur left by the noble Spanish-born couturier, who died in 1972.

Demna, who started in fashion by building street-smart, unadorned clothes, deliberately named just Vetements (the French word for clothing), has turned towards the grandeur of the original designs that are part of the Balenciaga legacy.

“I thought 100 years was a good reason to make couture available again,” said Demna backstage. “We're not going to do a couture line or show during couture, but these pieces will be made to order – basically for people who want to buy a couture dress from Balenciaga.”

The grand offerings – the polka dot dress with bustle back, the layers of dark pink taffeta, and a slim black gown, all with large back bows, were not the only historic links. The show opened with tailored coats which were worn with a drape over the left shoulder, reminiscent of the way that the models of an earlier era would walk with their heads up, shoulders rounded and stomachs sunk in.

“I studied how the pieces are worn and I found these images from old mood boards of Cristóbal where women are standing with their coats like this,” the designer explained. “The idea was to bring this kind of elegance, the gesture of wearing those pieces, but take it into a kind of cool and make it more modern. You can also wear it in a normal way, but it is constructed so that one part is larger and then you can also pin it up. And this is what you see basically in all these books.”

Demna's way of rethinking with his brain what he had seen with his eyes is exceptional – and the reason why he seems able to update the house as if he were growing new shoots from existing roots.

The arrival of vivid colour signalled a change of pace, as every figure stood out in the farthest reach of the enormous sports stadium. The hosiery especially perhaps, in grass green, and cut-away waistcoats like harnesses in pastel colours, took the image of Balenciaga back to the early days of Nicolas Ghesquière and his futuristic period at the house.

Demna is also drawn by the flowers that were a part of the Cristóbal Balenciaga look; by showing a patterned skirt with big, bold, brightly coloured sweaters, he gave print a modern feel.

The show was not perfect. Mini dresses in the floral patterns and bright hose looked out of place. But the overall effect was precise but theatrical, with the couture creating a dramatic ending.

Choosing Demna may have been a gamble by François-Henri Pinault, CEO of Kering, the luxury group that owns Balenciaga. But the designer has turned out to be able to answer fashion's most difficult challenge: finding the balance between old and new, tipped towards the future.Read more at:http://www.marieaustralia.com/cocktail-dresses | www.marieaustralia.com/****-formal-dresses
judy smith Jan 2017
Women on the march was the story of the weekend. And so it was with perfect timing that 23 years after he diversified into designing for women, Sir Paul Smith included clothes for women on his Paris catwalk during menswear fashion week for the first time. The designer has scrapped his slot showing womenswear during London fashion week in favour of a blockbuster Paris show in which clothes for both genders are shown together.

There is an industry-wide trend toward unisex catwalks, but the move felt organic for Paul Smith, whose womenswear has its roots in men’s tailoring. First on the catwalk was a woman in a trousersuit in the black-and-green check of Black Watch tartan, alongside a man wearing a tailored coat in the same fabric over beige trousers.

Backstage, the designer said putting the show together has reminded him why he started designing for women in the first place. “Grace Coddington and Liz Tilberis, all these incredible women, were dressing supermodels like Linda Evangelista in my clothes for men,” he recalled.

But one of the secrets of Paul Smith’s cheery, straight-talking brand is that it is more sophisticated than it lets on. The womenswear on the catwalk was not simply borrowed-from-the-boys, but fine-tuned for the female body. The attitude and fabrics are taken from menswear, but the tailoring – a higher and more defined waist, a longer jacket, a strong shoulder – is calibrated to flatter the female form.

A dandy aesthetic running through the men’s velvet suits and fitted waistcoats was adapted for women with colourful Fair Isle-knit sweater dresses, and silk blouses with a painterly feather print.

The show was staged under the glass roof of the grand École Des Beaux-Arts, just a few streets from where Sir Paul Smith staged his very first fashion show in a friend’s apartment on the rue de Vaugirard, that time to an audience of 35 people, with friends as models and a soundtrack he had compiled on a cassette.

But it was very British, not just stylistically but in the emphasis on British-made fabrics – in many cases modern, lightweight versions of fabrics Smith first used in the 1970s. The brightly coloured feathers, which appeared on men’s suit linings as well as silk womenswear, were inspired by an illustrated 18th-century book of British birds.

In the face of the unstoppable rise of a sports aesthetic in menswear, Smith remains a staunch defender of the suit. “People think that suits are stuffy, or that you can’t move in them,” he said backstage. “But it’s not true.” Soft, narrow suits were styled for life outside the office, worn with trainers and with poloneck knits.

The Paul Smith show was followed by Kenzo, also showing men’s and women’s collections together for the first time. In London, Burberry and Vivienne Westwood have both recently merged their collections for men and women. The trend for unisex catwalks, which is driven both by the rise of a genderless, sports-influenced aesthetic and a social media appetite for catwalks that are newsworthy moments, appears unstoppable.Read more at:http://www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
Beauty is not flowers, given by a lover.

Nor is it meadows and birdsong.

And definitely not the pantomime of Weddings, with their

Hyperbolic declarations and parodies of tailoring on

Bodies too well-fed to house them.



Instead, it is the soft curl of cigarette smoke, blue

And graceful against the grime of a steamed window.

Or in a poky kitchen, the remains of our meal crusting on

Our plates, too absorbed were we in conversation

To even remember the taste.



It is the chuntered breath, just after,

When we are both trying to ignore how bad

We smell, and getting slightly annoyed that our heartbeats are out of sync

And thinking how nice a drink or a shower would be.



It is seagulls beside a river, in a military line, with

White trails of ****, Jackson Pollocking down the wall

On which they stood, and how they all took flight one by one

Like dominoes as I approached.



It is certainly not sunsets.  After all, they occur every day

And can be captured in a photogaph.  It’s the accompanying silence

That makes sunsets special, and that is better found in libraries anyway.

It is somehow more impressive to silence human tongues than watch

The suns tired routine once again.



On a bus full of rowdy, starched schoolboys with filmy faces,

Posturing about experience, Beauty is the one boy reading.

Beauty is not safety.  It is daring and bold.  Or perhaps it is quiet and

Trying to be ignored,  I don’t know.  Perhaps we shouldn’t care a jot.

Beauty is that thing that should be ugly,

But is not.
Mateuš Conrad Jan 2016
for the ****** act, there's too much
tailoring and use of toiletries
for it to be as expected: spontaneous
and exciting; too many stereotypes;
it simply said: just wait for my mouth
to be a toilet-fresh minty winter for
the kiss before oral.*

oh, between the drunken me entertained
by the lack of movement among
static things, and promises of soberness
to be rewarded with the rewards of
television and listening to politico talk?
what would i choose... hmm... drunk
by the minute, ******* sanity!
or in comparative issues, anyone branded
a schizophrenic (who doesn't put
a baby into an oven and run out of the
house on the streets naked) is met
with an army, what i like to call "health experts",
every citizen becomes a doctor, enlightened,
ridiculous like a handful of lice -
they all gained a doctorate talking *******,
they're the plumbers for each surgeon required,
know all know how bunches of loosely stated
definitions of idiots (boney m in the background:
poo poo rhapsodic utility made us all tsar's last rasp):
wear a kimono! kimono worn, what now?
dance the polka! danced the polka, what now?
freeze the danube! i hate these people,
they're the laziest theorists, they have better theories
than the theorists who prescribe pills for
de-activation of some sort of behaviour,
and that's only one footprint outside the realm
of easy living: creases, pyjamas, slurred speech
slurps of tomato soup.
psychiatric terms are metaphorical for / in poetry:
as seen by the casual inference of depression
whenever the average citizen says he / she are sad:
psychiatric vocabulary exploits a communicative
simplicity by staging an enforced "eloquence,"
not that it is related to socrates attacking the act
of rhetoric by a question (mark), since
rhetoric doesn't believe in being questioned,
nor does it believe in the existence of the question mark,
to be put on the spot, to be stopped from the bull-charge:
just imagine utilising rhetorical conviction
when the pre-script failed you when interruption
and question was utilised? for rhetoric to fail
it takes a comma (,) to turn into a question mark (?),
deciphered as winded and worth a digression
when the speaker is interrupted (via the full-stop):
socratic rhetoric was based on a flux of question,
at the time when rhetoric was spoken and acted
upon without a single question: socratic rhetoric
was indeed a rhetoric of questioning.
Mateuš Conrad Apr 2016
yeah, thank **** for that, and i want to be trans-zoological,
well, that won't happen in a millions years...
i want fur to keep me warm
and obstruct the chance of skin cancer
from suntans - i want a tail instead
of the puny coccyx - i need to be
a natural gymnast -
but **** no, you won't give me one,
nor the fur - you'll just say:
skin the fox, give him a comb-over,
done... like **** done -
make me trans-zoological
ortho-gender or meta-gender or something,
i like the idea of a panda bamboo diet
or a koala's eucalyptus diet,
and one pair of clothes for life,
no shampoo - modern monkey
akin to ancient monkey,
back then the problem was nits & gnats,
modern problem is odour and knitting /
well, tailoring for the cuffs and neck-tie nooses
for the well attired beetroot turkey faces -
mouths like a toilet although less edgy
with fluoride and sugar -
one monkey said to another...
'smell that?' 'yeah, a horrible bake.'
'that's what i thought too!'
'geniuses in pairs, no einstein would emerge.'
'fell fame and the famished.'
so there you have it, pampering was
intended to name the practice of toiletry -
take a **** spraying household perfumes
to doubly hide "something",
um... om... a ******* ****... what a mystery!
you do know that german electro music
evolved post-Kraftwerk - vey vork... vow!
now who's the gummy glutton bear
readied for a rub rub of tummy in the sauna tub?
mm chuckles as the cheeks are pinched
by an odd auntie to create a sound imitating
******* with ******* -
you have to excuse the punctuation
lacking a punchline evidence, work it out,
it's not exactly a times table of mathematics -
**** goes here at 90 degrees, **** goes there at
350 degrees... Simjit's your uncle...
i told you: i have, no, social, status,
i'm not a maid apparent to be wedded by a king...
via ******* and bureaucratic entitlements
via henry viii...
no wonder the after-fact (artefact)
of how Islam is practised... the founding mother
of Islam was Abraham's concubine...
a *****... Islam (the movie): the *****'s revenge!
i can see it now, in Los Angeles, hands readied
for the picturesque "thinking outside the box" moment...
yeah, founding mother of Islam was Abraham's *****...
she was sent off into the desert,
came back in a Niqab after meeting ***** satan
telling her: stop running between those two
elevations! and there we have it, holier than the ******
birth story - they're all virgins now -
former ****** with their former chores
readied for the silent movies cinema -
well, guess what... chuckles! and muttley!
judy smith Jul 2016
THE CROWD at Raf Simons’s Spring 2017 menswear show at Pitti Immagine Uomo in Florence seemed more uptight than usual, yet that’s exactly how Mr. Simons intended it: Scattered among the wound-up throngs of editors, buyers and gate-crashers were 266 secondhand mannequins, some seated stiffly, others frozen into upright positions, all clothed in archival pieces from his 21-year career in fashion. Though the dummies were arresting, the Belgian designer, 48, later downplayed this unconventional look back. “The pieces weren’t chosen with a certain kind of curatorial intention,” said Mr. Simons. “I didn’t want it to look like a typical kind of retrospective.”

Mission accomplished: Between the spooky setting in a cavernous former train station, the wooden mannequins and his decision to show “off calendar” (forgoing his usual Paris Fashion Week time slot), it all felt more like a Robert Gober art show than a museum tribute. Mr. Simons is, after all, still hard at work, his every move watched by industry insiders amid speculation that he may be joining Calvin Klein—after concluding 3½ years as creative director of Christian Dior’s women’s collection, in 2015.

Mr. Simons continued to riff on his signature elegance in his Pitti Uomo menswear show. The cornerstone of the collection was a series of loose, photo-enhanced shirts, knits and jackets created in collaboration with the Robert Mapplethorpe Foundation: voluminous pieces emblazoned with images of Debbie Harry or eroticized flowers by the photographer, who died in 1989.

Much like his designs, our chat with the usually circumspect Mr. Simons reflected a broad array of preoccupations and influences. He was outspoken about tailoring (“so much bad suiting out there”) and his design process (“no system, no rules, no structure”) but also about mobile phones, the African countryside and ’70s dance music.

One of my favorite spots in the world is: Puglia in Italy. There’s a house by the sea I go to, and outside, it’s just a horizon line. It’s that feeling of eternity: It allows you to think. If you put me there, I wouldn’t need love or anything anymore.

Between the country or the city, I prefer: the country. I live in Antwerp, a city that’s kind of like a village.

A place I’d like to visit again is: Kruger National Park in South Africa. It’s mind-blowing how it sits so far away from anything you’ve ever experienced in a city. There were no people, no proof of human life, just animals and animal behavior. It’s survival of the strongest, which is fascinating.

One thing I’ve had forever is: A yellow T-shirt with a black print on it from the movie “The Shining” that goes way back to when I was a teenager.

If I could be granted one wish, it would be: solidarity. That may sound emotional—politically emotional—but with everything that’s happening, I wish everybody would just let each other be in peace.

A current band I love is: The **. At first they seemed weird but they overwhelm me—massively—all the time with their intelligence. They may be the group that’s had the most impact on me in the last five years.

An old album I still listen to is: Kraftwerk’s “The Man-Machine” [1978]. My 1998 show was called “Kraftwerk” because I had four boys in red shirts in it who looked like replicas of the band members.

If I could tell my 20-year-old self one thing, it would be: grab and protect love when you find it. Cherish it, focus on it, concentrate on it.

My dream client would be: anyone, really. When I design, I am thinking about a lot of people, not just one. It’s more about connecting to a certain kind of generation or a certain kind of person that will connect to what we do.

I always wear: Adidas Stan Smiths. I have had periods where I only wore Stan Smiths, maybe from age 15 until I was 25.

The place that most inspires me is:everywhere. Some people have to go for a swim or have a holiday to be inspired, but for me, it’s there when I walk out the door.

My favorite movie directors are: Stanley Kubrick, Todd Haynes and Alfred Hitchcock.Kubrick’s movies are so visually striking, especially “2001: A Space Odyssey” and “Eyes Wide Shut.”

I collect: art. I started collecting more than 15 years ago. Cady Noland, Richard Prince,Cindy Sherman, Isa Genzken, Rosemarie Trockel, Charlie Ray, Robert Gober are artists that have made a huge impact on me on all levels, emotionally, conceptually, visually.

The hardest part of a man’s wardrobe to get right is: the tie and suit. [There is] so much bad suiting out there in terms of fit, style and fabric. So, when I design, I don’t start with fit or fabric, but with meaning. The phrase “suit and tie” has a special place in our vocabulary.

One of my favorite books is: The Christiane F. book [“Zoo Station: The Story of Christiane F.”—about a teenage ****** addict]. The movie [1981] was an amazing interpretation, but the book is more striking.

I feel most proud about: simple things like being able to handle love and friendship and family. Or taking care of my dog. Of course, I do also feel proud of what I do.

I am a big fan of: furniture design, especially French or Swiss designers such as Jean Royère, Pierre Jeanneret and Jean Prouvé as well as Japanese-American designer George Nakashima. I love how beautifully designed furniture sits in history—it’s unpretentious.

The one thing I always travel with is: my sweatshirt from Vier, a skateshop in Antwerp. “Vier” is the Dutch word for four. I always take it on flights because I refuse to put on the pajamas they give to you.

I wish I could always be with: my dog, Luca, a Beauceron, who behaves like everything except a dog—more like a cat or a frog. She’s still a baby.

The one thing I wish didn’t exist is: mobile phones. I am old enough to remember how it was before them. There was something much more beautiful about not having one. We communicated in such a different way with each other.Read more at:http://www.marieaustralia.com/formal-dresses-2016 | www.marieaustralia.com/vintage-formal-dresses
judy smith Feb 2017
It’s an annual tradition that London Fashion Week opens every February with the newest of the new—the bang-fizz of The Central Saint Martins’s M.A. graduation show. These are the people who are destined to shape the fashion world—not least because they are talents gathered from everywhere. The class of 2017 has students from China, Taiwan, Bulgaria, Slovenia, Gibraltar, and the United States as well as Britain. This is just normal in London, a city that has built its reputation as a creative capital on the strength of talents from all over: all backgrounds, all nationalities. In the face of Brexit, and its possible future curb on immigration, London has its Muslim mayor Sadiq Khan, the city’s elected representative, who stands up for the vitality of diversity and interfaith harmony every day with his social media campaign from City Hall, #Londonisopen. In his words: “We don’t simply tolerate each other’s differences, we celebrate them. Many people from all over the globe live and work here, contributing to every aspect of life in our city.”

Nowhere will that be better demonstrated than in what’s to come in London Fashion Week. In defiance of dark times, its youth and multicultural camaraderie is about to roll out the welcome mat. Expect to see it coming from all directions, in kaleidoscopic variety. On the Central Saint Martins’s runway, there’s Gabriella Sardena’s wildly decorative glam-femme collection to look forward to, for example (she’s the one from Gibraltar). Day one, there’s also the opening of The International Fashion Showcase at Somerset House, where emerging designers from 26 countries, including Ukraine, Russia, Khazakhstan, India, Romania, Czech Republic, Egypt, and Guatemala, will put forward their viewpoints on the theme “Local and Global.”

Stand back for a blast from New York, too. Michael Halpern, one of the latest Central Saint Martins M.A. graduates (class of 2016) will unleash his first multi-sequined disco-fabulous collection in a presentation that is being aided and abetted with volunteer help from Patti Wilson and Sam McKnight, held at a posh venue laid on for free in the heart of St James on Saturday.

Fighting gloom with glitter is a London thing. Ashish Gupta, born in India, longtime London trailblazer for LGBTQ rights, is the king of that. Given last September, when he took his bow in a T-shirt emblazoned IMMIGRANT, admirers will surely be packing his Ashish show to the rafters. These times demand a standing up for pride in identity. Osman Yousefzada, more quietly creative, with his strong art-world following, will be coming out with a statement about his British-Asian roots: “Before, we were rarities, trophies and exotics from distant lands…some of us fleeing famine, war, or persecution,” he writes. “We were thought of as good labourers, businessmen and women—hungry, reliable and eager to succeed…and then some wanted to close the doors. Today, I bring you colour, opulence, texture, tailoring, a modern woman in different hues who isn’t scared to stand out and have fun, and embrace the beauty and difference around her.”

London is open to more newcomers. The Ports 1961 women’s show has relocated here from Milan this season. It’s actually a homecoming of a sort: This collection, placed on a woman-friendly lifestyle-centric wavelength somewhere on the continuum between The Row and Céline, has in fact been designed by the Slovenian-born Natasa Cagalj (also a CSM M.A. alumna) from a studio in London’s Farringdon all along. Two more “returners” to the schedule are Hussein Chalayan and Roland Mouret, long rooted in London since the ’90s, who are repatriating their shows from Paris.

It’s a whole London creative community picture, in fact—one that makes a complete commercial nonsense on every level of the “Little Britain” xenophobia of the send-them-home faction in U.K. politics. Cohesion and creativity, the welcome and support given to the newest, from everywhere—that’s the flag that flies over London Fashion Week. Scotland, Ireland, Greece, Austria, America, Serbia, Canada, Syria, India, Germany, Pakistan, Nigeria, Turkey, Ghana, New Zealand, Portugal—come one, come all, says fashion. There’ll be protest and prettiness, resistance and humor—that’s a given this week. Here’s glitter in your eye!Read more at:http://www.marieaustralia.com/formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
judy smith May 2016
WHILE many little girls grow up fantasising about their weddings, Amber Tan Sze Min was always dreaming about designing bridal gowns. Many also grow up letting go of their childhood ambitions, but Tan was strongwilled, although it meant momentarily giving in to her parents' wishes.

She dropped out halfway through her pre-university course, and ended up studying graphic design. It was only after graduating that she could pursue a two-year diploma in fashion design at Kuala Lumpur's Raffles College of Higher Education, and thereafter flew to the UK to major in womenswear at the University of the Arts London.

"I wanted to prove to my family how much I wanted to design. It's not something that you'd get just because you say you want it. So I stood firm throughout the years, and showed my passion for it," recalled Tan.

Last February, the pint-sized lass introduced her bridal wear label AMBERSZE to the public for the first time at The Wedding 2016, a bridal fashion event by model and event management company Andrewsmodels.

It was never in her plan to debut as a bridal designer though – it lingered but only in the back of her mind as an eventual project – but her innate interest inevitably unveiled itself. "I have loved bridal gowns for a long time so I was making them before AMBERSZE even existed, and posting behind-the-scenes photos on social media. And that led people to identify me as a bridal designer.

"I wasn't planning to do it this soon but the opportunities knocked on my door, so one year ago, I decided to bring alive all my ideas and sketches," shared the 29-year-old.

Thankfully and finally, Tan's family recognised her resolution and embraced her penchant for designing. The Klang local considered herself lucky that she was able to kick off her start-up with her family's financial support.

"They always say fashion is a rich man's world. I couldn't understand this until I started the business, and saw a lot of truth in that statement. Everything involves money," said Tan.

She added that much of the capital was channeled towards building the brand and getting it out via media coverage and advertisements.

Another chunk of the money went into producing the dresses – all hand-made, by the way.

"Whether they sell or not, that's another story," she noted.

DRESS DNA

For the next eight months, Tan set off on a lonely journey of blood, sweat and tears. With only an assistant to help sew and embroider the garments by hand, Tan was dabbling in everything from designing, material sourcing, running the business, to doing public relations and accounting work.

Now that she has a team – including three assistant designers – behind her, Tan can take a step back and take the helm as a creative director, still designing but more focused on furnish-ing concepts and ideas – that never stray far from the company's philosophy of self-representation.

"I believe everyone likes Vera ****. I admire that she has her own thought behind everything. Likewise, my collections have to have their own thoughts and research to back them up.

As a designer, you have to stay true to yourself and not copy from existing designer pieces," opined Tan, who's also an avid reader.

AMBERSZE marries the essence of haute couture with new trends, by which Tan simplifies and demonstrates the former using translucent fabrics, for instance.

"So you can see the skeleton of the corset," she highlighted.

The play of sheer fabrics and coordinates (crop tops and skirts) may sit on the less traditional, or even risqué side of the spectrum, but Tan is confident that the personal tastes and styles of today's brides are shifting towards modern pieces that epitomise their true selves – as compared to the popular princess gown offered by most bridal boutiques.

"Nowadays, people want something new that show off their taste, fashion sense or status. Something to represent themselves, I would say.

That's where AMBERSZE comes in to serve," said the eldest of three siblings.

BEYOND BRIDAL

Of course, customising one of the most important dresses of a woman's lifetime can come with the occasional odd requests and a mountain of pressure.

Especially with a clientele that varies from pregnant to offbeat brides, as well as celebrities.

AMBERSZE's track record is a week for designing, and two to three weeks for production, but Tan recommends that brides make an appointment at least three months before D-Day.

"I usually get to know the bride's interests and taste, whether they prefer urban or classic designs. Whether the wedding's going to be indoors or outdoors; at the garden, beach or zoo!

Some brides may want certain fabrics which require a bit of sourcing too.

"To me, design is not just something pretty. You have to solve problems for your customers," said Tan, who also designs bridal veils, headbands and waistbands.

Besides tailoring her clients' dream wedding dresses, Tan has plenty to juggle in the meantime.

AMBERSZE boutique-***-studio is in the midst of moving to Sunway city, and alongside an evening wear collection due to launch in September, the label is also rolling out a ready-to-wear (RTW) line at the same time.

"The RTW line is going to be resortstyle to complement our hot climate, carrying 20 to 30 womenswear pieces. They're simple and modern, yet will not lack of nice detailing," she hinted with a smile.Read more at:www.marieaustralia.com/formal-dresses-perth | www.marieaustralia.com/plus-size-formal-dresses
Mateuš Conrad Mar 2016
a cat sleeps in my bed,
and cautiously i inspect
snake eyers in fur
as if that *******
tailoring skin with leather
for care of cavern canvases:
as i am minded to care for
twin skeletons of ape and man
and eyes of mammal and lizard!
i am the familial tie as egg as thought
engraving the study of wombs
like the study of space and time,
for this is where the equations manage
balance! engraving upon engraving
to a shadowy replica
that you might keep both fish
and spiders in aquariums.
Mateuš Conrad May 2016
may i ask, which pronoun are you searching for, and if in which model, which pronoun-verb in the Cartesian duo function could you ever ask me what pronoun occupies f(∴)? you see, mathematics doesn't sincerely pledge i think with i am, given dues to f(∵), given geometric intersection, both are Gemini, unequivocal, David's abstract.

perpetually open eyes, never acknowledging a blink,
Venetians cascading on Byzantium, near blink near conscience,
but never near an Ottoman consequence;
how ***** into role of Janissary: fear the impaler and all
who reign in his caste disguised... yet you encourage
that they come.... what tailoring of suit
so well disguises the blood? a heavy collar or the lightly
mandated to feel a "conscience"?
i like freaks like him, i too cared to wear many
masks, is that worth a psychiatric evaluation,
you spared me no trust,
your secret dealings could have spared me
my health, what you fear is double-jeopardy,
including a seclusive f.b.i. reclusive supposedly paranoid...
please leave all your badges of officiation to
an affiliated organisation of governance behind
including your firearms, and other scientific
conditionings prejudiced against the church v.
Galileo... please leave dogmatism to students and
anomaly encounters to professionals as stated by
the entitlements of doctorate...
the plot has no identifiers worthy of investigation,
unless everyone was brainwashed into thinking
that goldfish held a greater memory span in a
fish tank than all the people in the world, atmosphered,
and later impregnated by nothing other than
vacuum and astronomical interactions of simple
alphabetical greek into complex chemistry? or
could a world conspiracy come about as simply
the words: she was worth a 1000 Greek ships
worth of **** to later ascribe the capital
of love as Paris? the raw animal is worth more in
his ontological environment than in a zoological one,
cages enliven violence rather than envision them
in either subject or the culprits mind...
it's the added prospect of seclusion that animates
a piquant status of memory to a kindred
fingerprint cloning deviation, a susceptible replication
environment: esp. through no familial motive, other than an
individualistic swarm-like reaction to an insecticide:
however much the individual invigorates a
suspect accommodation to an equilibrated pluralism
within a status ascribed to an: individual.
i admit, the psychological rhetoric is the new
invention of the wheel... it goes on and on forever,
i fear for those hapless idiots studying the logic
of excluding soul (as an absence of thought), god,
and free will to ever return to the rational / sane world
of afternoon tea, given they specialised in these
specified wording to a rubric equatable to 1 + 2 = 3.
you'll learn no more human secrets than that of
a *sloane's viperfish
... otherwise you're entering a realm
of perfected adaptability with some quasi-science
via fiction and conspiracy, that leave you no more than
an agent of the priesthood and a loss of a good
niche of ******... well, is't the priesthood
pathetic so jealous as to have lost the reigns having
kept them for so long? oh yes, the public will react...
regarding the next nutritionist's fact...
it's called adaptability i may say, leave them to it,
you kept to your symbolism for too long,
we learned the crux like we learned to say X
three times ensuring we watched ****...
oh i'm not jealous, i won't be the one having to
orphan the ******* sons, as your church had to keep
them to keep up pretences... all they have to keep
up is the stability of universally recognising a
centimetre, which, like satan said of the kingdoms
to be given, the Orientals sort of ignored with
the grievance demanding an explanation for
the ineffectiveness of thus said temptation.
Mateuš Conrad Oct 2015
she starts off with, you can’t cry, real men don’t cry, you have to be sahara, which means: it’s my party and i wanna cry, it’s my party and you’re going be the dried-out potato for my party on a shoulder. ***** i don’t want to catch clinical depression, i’ll cry at all of it as much as i want, because it’s beautiful and i’m not army material to break down at seeing torn bits and a solider’s ‘mama mama mama!’ spice girls have a song, metallica too, what’s the length of the the border between germany and switzerland? roughly that of belgium and the netherlands.

but any man can sing sha shtil -
makh nicht keyn gerider
der rebe tantsnt und tancen vider
sha! shtil! makh nicht keyn gevald
der rebe tanz und tanz gevald
un ven der rebe tanz* -
but so few with the orchestra of rain
and starlings to accompany him -
and so fewer with a husky voice sounding
softer and therefore purer -
or reading an abhorring article of a book
review about ex-servicemen
and reminding oneself of walking into
a world war i memorial
picking up a cemetery cross from an ikea storage room
of graves, putting it on the shoulder,
walking with it, and as unlikely as any man
putting it against the fluttering ponce of the poppy wreath
where the celebratory spectacle of grievances takes
place for society, against the current,
taking up a stone cross from the graveyard
and with a rock-hard slam putting it over
the fake poppy guilt by the monastery of conceit
in order... not to look politically correct... but to prove a ******* point.
but then the article is erased by ezra’s canto xxii read aloud
to the fondness of giggles and stomachs in stitches of gleed pain:
‘yeah, but most of the civilians **** up
their relationships anyway! and why is drinking
such a cardinal? it makes sense of poetry
and there’s hardly a catholic sip from the grail in sight,
am i really the size of an insect to brood over
getting drunk from a sip?!’
that's the problem with me, i read ezra pound with less
relish for the r-trill and more relish for a hannibal
lecter accent: ah, a girl from arkansas or a p.r. ohio girlie with a ph.d.,
well ain't that a lovely set of cares and cow **** to mind
while i slouch into pythagorean retraction of the triangle:
my head's shaped a square - push that revision in! ah my lovely,
ain't you a pretty sputnik sighting of ******* that's worth the stars -
is that tailoring ***** from the papa's ***** too tight or just right?
it’s what makes beauty so charismatic in venturing
into it intellectually: you have to be numb-skulled
with wine etc. to say it’s worth the entertainment
beauty services acquiring mascara and lipstick gloss
to exfoliate, to incubate with seduction
of a mantis, a black widow, knowsley or wandsworth.
F A Pacelli Jun 2019
too many times 
we live to please others 
tailoring our vision
to meet expectations of the crowd 
but we feel a twinge of heaviness 
knowing something is amiss 
that we are prisoners in our life
 
defy the crowd
ignore everyone else
live for yourself and be selfish
let your light shine
judy smith Dec 2016
Ports 1961 just announced their company’s collaboration with iconic sportswear and boxing brand Everlast, made famous by the world’s greatest boxers and actors. The collection is now available in stores and on farfetch.com. Milan Vukmirovic, menswear creative director, has revived his Everlast classics such as the “Rocky” hoodie and other essentials. They are all adorned with a trademarked star camouflage motif. Unveiled on the catwalk at the runway show that opened Milan Men’s Fashion Week, this collaboration is a tribute to the fighter inside us all.

A true highlight of the menswear collection, Ports 1961’s signature men’s bow sneaker was also a hit. Their bow sneaker features a distinctive suede bow on top instead of laces or more predictable fasteners. Each pair of bow sneakers is raw-cut, hand-stitched and hand-knotted to be uniquely distinctive to the wearer. As well as bow fasteners, the sneakers can also be opened and closed with a central zipper in the heel for convenience and ease of wearing. These sneakers are available in fabrics and shades to match this season’s garments in classic raw-cut suede and leather. For comfort and durability, they feature hardy rubber soles.

Fashion East Men’s presentation for autumn/winter ’17 offered a significant designer lineup. Fashion East, with the continued support of Topman, was excited to reveal a double billing of bright, emerging talent. Sponsored by London Fashion Week’s Menswear, the showcase featured up-and-coming designers Charles Jeffrey Loverboy, Feng Chen **** and Per Gotesson.

A Central St. Martin’s MA graduate, Jeffrey is an illustrator with a radically creative style. For his Loverboy label, his cast included artists, musicians and friends who stomped stylishly down the runway. They created a club-night scene that the audience identified with immediately. Jeffrey’s tailoring was impeccable. His signature knits collaged with chainmail showed up with Swarovski bug-encrusted boxers and foam accessories.

**** was born in Beijing, but her business is based in London. She launched her label Feng Chen **** in 2015 after the completion of her MA at London’s Royal College of Arts. ****’s 2017 collection explored and celebrated connectivity in the digital age. She combines functionality with an astute attention to detail and puts a strong focus on outerwear pieces as the core of her collection. Her clothes are available in New York City.

Gotesson is originally from a small town in the province of Smaland in Sweden. This London-based designer is also a graduate of London’s Royal College. His looks are voluminous denim pieces in classic blues and monochromes juxtaposed and worn with white tops. The collection played with proportions and was an experimental take on the designer’s own wardrobe. “It’s about scale and about finding balanced pieces between either huge or small,” he explained.Read more at:http://www.marieaustralia.com/mermaid-trumpet-formal-dresses | www.marieaustralia.com/backless-formal-dresses
Mateuš Conrad Sep 2016
poetry written in English
just reminds me of
agent orange in Vietnam:
               or the anorexic
   tailoring of some city-state
fashion week -
            twenty girls
     to one Mongolian yak;
it actually sounds as horrid as it sounds...
premature depression of
its users... when old age should be
reserved depression...
    their old age has dementia
reserved for all its worth of accomplishment...
   sadness in youth when old age should receive it...
and dementia in old age when
                youth has nothing demented to give...
only another imitation of Catcher in the Rye
or a David Copperfield -
                   or the faking of cult:
  when old age should deem itself sad,
it's their youth that's sad...
   and its elders demented -
                    because its youth
can't allow old age to fathom sadness of an
all encompassing accomplishment;
                 my excuse is?
   i never ventured into colonialism -
                  i can't, by reason, integrate into
using the tongue completely -
            for i have no tattoo that says:
slave owner no. 10256901 -
              or no ****** guilt at not doing
the better runner from King Fuji-Moochou
   of Ivory Coast selling me to the pink pimple-skinned...
   **** me... it's great not having that sort of guilt
imbued in me grappling with history,
and the first offender: **** Germany as the
prime excuse making me pristine, holy
by comparison... ha ha! as if! Mao killed off
   many more than you care to believe.
                  all i have is Lithuanians telling me:
you ****** us over... while i ask a Lithuanian
girl to kiss me in a pub... and she does...
             oh god... sanctus polonius pseudo israelii.
Mateuš Conrad Jan 2016
were we but souls fed to the crows
and worms that had us as only that?
no wonder our thinking turned morbid
and said: earth our home, fire our enemy,
coffin our mansion our flat our roaming-room,
coffin birthmarks it's earthen superiority over fire
which fire entombs given sway; let us chopin the rest,
and have us as a spelling mistake
to akin rock an armadillo rolling with
stoppages of "roll a *****, rock out with a poet
asserting ***** the by-product and poetry the
begotten famished youth!"
for the head to pop-up less readier for blow,
than blow on helium than horsey ready a hark...
macho australian flex, and biceps to give to
blown-up treadmill versus catwalk loot,
she ***** cha cha cha lip-gloss for a footprint,
she wore it with a fascination for language,
getting bored with sign symbols > > > (sharp bend /
quick & trendy instant graphic ooh):
in the real world red started trending,
and black was a usual tuesday for karl lagerfeld
who said: wear the same ****, over and over again,
and play the anorexic ******* to wear different
**** every day... be a fox among chameleons...
wear the same black tunic, turnip, tuck and shackle
otherwise known as a waistcoat all year round...
and they'll all puppeteer themselves around you
gladly ogled eyed all year round:
it might be summer in the sky, but on the catwalk
it will be silver birch dressed in khaki for oaken
wrinkles... and so on, and so forth... worth a rot...
had i turned to x-ray white suit and black shirts...
but the girls would have minded to adorn
a waste i claimed to be simplified by:
keep them thin, keep them anorexic...
the fatter the model the more materials we'll
waste tailoring: chubby gets the boot, the kick,
we need thin models, because the chubby ones
take up too much geography when cutting a leopard skin
print of silk for underwear.
Anais Vionet Jun 1
It's the weekend (Friday night). Lisa and I are hangin’, music’s playing, and we’re rummaging through my suitcase, for an outfit option, for me, tonight. Call it cliché, but we like going out - and getting ready to go out with a friend, beforehand, is one of the rituals of beauty culture.

Let’s get poetic!

If the sun is gonna shine
in an endless blue (climate-changed) sky,
if the temperature’s going to climb,
until eggs on sidewalks fry,
then it’s lighter, summer-wear time.


I made sure Lisa and I had two days, in Paris, to shop the Rue Saint-Honoré. ***** 5th avenue, the 1st arrondissement is la capitale of fashion - after all, it’s Coco Chanel's old haunt. Now, we have Armani, Chloe, Dior, Michael Kors, Hermès and Versace - just to name a few - I mean, gag a fashionista.
Looking for bargains? You’re in the wrong place.

If you’re down and thinking the world is turning to.. well, something bad, then you NEED some fashion, some beauty and some elegance. You don’t even need to buy anything - browsing is sumptuous.

The boutiques are sound-proofed - so the world won’t intrude - and thickly carpeted so even your steps are muffled - or marble floored, polished to a fractured brilliance under the lit spiderwebs of fallen-star-lights. And the fragrances - no cap - the very air is different - it smells like aged money - that was a joke - they take new money these days.

What’s important, in these palaces of style, are the whispered promises of unattainable beauty. Just browsing will up your game, because inspiration is everywhere, in sheens that put butterflies to shame, supima-cottons as soft as a sigh, and dresses that swirl like magic - and so many accessories.

Lisa and I are young and easily ignored. Sales staff in these boutiques wear a leotard of arrogance, that fits like skin - the arrogance of people talking down to lesser folk.

Lisa gasped when she saw a delicate, white ecru-cotton and silk-poplin mid-length shirt-dress by Dior. “Look at this,” she said softly, running her fingers along the delicate hem. I checked the tag, it read: €2770 ($3000).
At that moment, a salesgirl - who looked to be 25ish - stalked over with a "look but don't touch" vibe that implied we weren’t worthy to touch the merchandise - or maybe be there at all.

I bristled for Lisa, who’d withdrawn her hand as if burnt. I fished my phone from my clutch (it has a card-carry-case attached) and waved my black Centurion® Card (which can serve as a fu^k-you passport),
“Have you got this in a French-36?” I jibbed, obstreperously (of course I know Lisa’s size). If my return-rudeness stung the salesgirl, there was nothing she could do with it.

An older lady that I assumed was her supervisor joined us, all smooth smiles and low honey voice, “Hello ladies,” she said, as she glided around us like a wraith. “Go see (about the dress),” she told the young clerk, dismissively.

The original salesgirl gave us a brittle smile that came and went like an eye blink, “Oui,” she said, smartly, while spinning away like a top.
“Would you like a glass of wine or champagne?” The supervisor purred.
“Non, merci (No thank you),” I said, smiling curtly.
“We have it,” the original sales girl announced a moment later.
“We’ll take it,” I pronounced.
“NOo,” Lisa said, jerking as if electrically shocked.
I waved my hand, as if scattering dust, “My treat.”

Lisa insisted on trying it on. It fit like a dream and she looked like a supermodel (My dress needed tailoring - the bust taken in sigh). So, at least we know what she’s wearing tonight.
.
.
songs for this:
Glamor Girl by Louie Austen
Baby You’re a Superstar by NuDisco
Comme ci, comme ça by ZAZ  
.
Our cast:
Lisa, (roommate) 20, Manhattanite ‘glamor girl’ (who’d bristle at that description but it’s hundo-p true.) - my bff. A fellow (pre-med) molecular biophysics and biochemistry major.
From Merriam Webster’s “Word of the day’ list: Obstreperous: aggressively noisy.      https://www.merriam-webster.com/word-of-the-day/

no cap - for real
Mateuš Conrad May 2016
we're smiling, pouting,
**** knows where to
mind a sourcing of interpretation...
in terms of honesty this reinvention
of Narcissism is bewildering...
i want to know who the smile
is intended for...
or where it's going...
with original intent it's hardly
"original"; there are specifics in
the medium,
there's a sender,
an address, and a recipient...
but you're working out calculations
in caricatures of where there is
blatant intention like Columbus
and the West Indies alignment
                                 very well hidden
to postpone precursor Mandarin
tip toeing on the Californian beaches
for a historical patent
that's all the more necessary
in currency of globalisation, en-grouping,
loss of ethnicity, capital 1 million Chinks
tailoring my underwear.
Mateuš Conrad Mar 2016
bring them slaving, bring them tailoring, harvesting and matchstick sharpening a well measured strike; i'd rather die among them than among either of these or either friendships, as might be easily counted equal should the utopian dreams be finally fulfilled - i rather hang with them than have such dreams fulfilled for a gory nice radio broadcast of: ooh ooh, here's an advert woo ah ah, monkey doodle do do do... James Bond's the name, Saharan Martinis is the game... storm me a sly cold one of those, shake the Copernicus cranium while you're at it - i.e., get the womaniser's reality straight while you're at it: flashy wristwatch chequer check check (minding the winks)... 9.30a.m.*

if there is hope
in me, let me see it!
none of this
distancing as argument,
a worthwhile
read like a document's
small print; let me see it!
if i can't forget your promise
i can't make it!
let me see the small print
and cherish the pre nuptial
as an equal!
what are you now? nazis of
the female genitalia enforcing?!
Mateuš Conrad Mar 2016
it's language, of course i'll be desperately self-conscious and worried and ashamed like i had been caught with a thong, attempting being a transvestite; i'm a man, i ought to be on a building site! instead i have about a hundred chinese per head tailoring and making things tick... what is this ****?! what, everyone had a poetic potential in them? so poetry has become an excuse, the art of excuses? hey! eh! play the jockey part, i'll do the moaning from now on... be the cashier at a supermarket, i'll do the dying bit of the existential convention of the many trades being advertised to foetuses! well obviously when you make music free all art forms will follows; everyone forget Newtonian causality? good... which means you'll all be artists... in your spare time; i do truly wish i had the inhibitions of a labourer, a smithy, at least then i'd know my life was full; rather than being a scarce exhibitionist as guiding the normalised feeling of inertia, coupled with hopes via the digits of readership.*

i can't do anything more
to this poem:
a Hackney hipster (live editing);
i can feel the shame of not
owning a cupboard and putting
it in there, dyslexia what have you,
html typos etc.,
i guess i'm just worried
by the speed of your reading
misappropriating it to
a different meaning, and
undesirable activity via quote into influence
of expression that shocks people
and gives them straitjackets of hope.
Malvika Oct 2017
There's a woman standing in the line for cheese
and I see a sadness in her eyes
and a mouth full of lies.
She's gonna tell him,
I spent it on tailoring your vest,
and he won't believe her
and I suppose you can guess what comes next.
she doesn't know it yet,
but when she takes the goat cheese back home
her daughter will tell her she wanted brie
and her son will sell his father's shirt
for pick up drug money.
you dont know it yet,
but this line will cause death.
C S Cizek May 2014
I don’t need to act profound
to feel like a poet. I don’t have
to unnecessarily waltz around
the truth because I can’t always
fill a stanza. I don’t have to rhyme
to get my point across.
I don’t have to curse life
or write my sorrows. I don’t
have to manipulate the emotions
of others. I don’t have to manipulate
my own. I don’t have to write for anyone.
I don’t have to appease anyone because that’s
not poetry. It’s not about tailoring your mind
to meet the expectations of others. It’s not about
always speaking eloquently. ****
anyone who tries to establish rules for poetry.
Poetry has no guidelines, only the ones
we establish ourselves.

— The End —