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1.
From my
uneasy bed
at the L’Enfant,
a train's pensive
horn breaks the
sullen lullaby of
an HVAC’s hum;
interrupting the
mechanical
reverie of its
steadfast
night watch,
allowing my ear
to discern
the stampede
of marauding
corporate Visigoths
sacking the city.

The cacophony
of sloven gluttony,
the ***** songs of
unrequited privilege
and the unencumbered
clatter of radical
entitlement echoes
off the city’s cold
crumbling stones.

The unctuous
bellows of the
victorious pillagers
profanely feasting
pierces the
hanging chill
of the nations
black night.

Their hoots
deride the train
transporting
the defeated
ghosts of
Lincoln’s last
doomed regiments
dispatched in vain
to preserve a
peoples republic
in a futile last stand.

The rebels have
finally turned the tide,
T Boone Pickett’s
Charge succeeds,
sending the ravaged
Grand Army of the
Republic sliding
back to the Capitol,
in savage servility,
gliding on squeaky
ungreased wheels
ferrying the
Union’s dead
vanquished
defenders to
unmarked graves
on Potters Field.

The Rebels
joyous yell
bounces off
the inert granite
stones of the
soulless city.

The spittle
of salivating
vandals drips
over the
spoils of war
as they initiate the
disassemblage,
the leveling and
reapportionment
of the grand prize.

The clever
oligarchs
have laid claim
to a righteous
reparation
of the peoples
assets for
pennies on the
dollar.

Their wholly
bought politicos
move to transfer
distressed assets
into their just
stewardship
through the
holy justice
of privatization
and the sound
rationale of
free market
solutions.

In the land of the
pursuit of property,
nimble wolf PACs
of swift 527, LLCs
have fully
metastasized
into personhood;
ascending to
the top of the
food chain in
America’s
voracious
political culture;
bestriding
the nation to
compel the
national will
to genuflect
to the cool facility
of corporate
dominion.

As the
inertial ******
of the plaintive
locomotive
fades into
another old
morning of
recalcitrant
Reaganism,
it lugs its
ambivalent
middle class
baggage toward
it’s fast expiring
future.

I follow
the dirge
down to
the street
as the ebbing
sound fades
into the gloom
of the
burgeoning
morning,
slowly
replacing the
purple twilight
with a breaking
day of cold gray
clouds framing
silhouettes of
cranes busily
constructing
a new city.

The personhood of
corporations need
homes in our new
republic; carving
out new
neighborhoods
suitable for the
monied citizens
of our nation.

First amongst
equals, the best
corporate governance
charters form
the foundation of
the republic’s
new constitution.
Civil rights
are secondary
to the freedom
of markets; the
Bill of Rights
are economically
replaced by the
cool manifests
of Bills of Lading.

The agents of
laissez faire
capitalism
nibble away
at the city’s
neighborhoods
one block at a time;
while steady winds
blows dust off
the National Mall.

Layers of the
peoples plaza are
plained away with
each rising gust.  

History repeats
itself as the Joad’s
are routed from their
land once again.

A clever
mixed use
plan of
condos and
strip malls
is proposed
to finally help the
National Mall
unlock its true
profit potential.

As America’s
affection for
federalism fades
the water in
the reflection pool
is gracefully drained.

We the people
can no longer
see ourselves.

The profit
potential of
industry is
preferred over
the specious
metaphysical
benefits
of reflection.

The grand image,
the rich pastiche,
the quixotic aroma
of the national
melting ***
is reduced to the
sameness of the
black tar that lines
the pool and the
swirling eddies of
brown dust circling
the cracked indenture.

From his not so
distant vantage point,
Abe ponders the
empty pool wondering
if the cost of lives
paid was a worthy
endeavor of preserving
the ****** union?  
Has the dear prize
won perished from
this earth?

Was the illusive
article of liberty  
worth its weight in
the blood expended?

Did the people ever
fully realize the value
of government
by the people,
for the people?

Did citizens of
the republic
assume the
responsibilities to
protect and honor
the rights and privileges
of a representative
government?

Now our idea
and practice of
civil rights is measured
and promoted as far as
it can be justified by
a corporate ROI, a
shareholder dividend,
an earmark or a political
donation to a senators
unconnected PAC.

The divine celestial
ledgers balancing
the rights and
privilege of free people
drips with red ink.  

Liberty, equality
fraternity are bankrupt
secular notions
condemned as
expensive
liberal seditions;
hatched by
UnHoly Jacobins,
the atheist skeptics
during the dark times
of the Age of Enlightenment.

Abe ponders
the restoration
of Washington’s
obelisk, to
repair the cracks
suffered  from
last summer’s
freak earthquake.

I believe I detect
a tear in Abe’s
granite eye
saddened by the
corporate temblors
shaking the
foundations
of the city.

2.

The WWII Memorial
is America’s Parthenon
for a country's love
affair with the valor
and sacrifice of warfare.

WWII forms the
cornerstone of
understanding the
pathos of the
American Century.

During WWII
our greatest generation
rose as a nation to
defeat the menace of
global fascism and
indelibly mark the
power and virtue of
American democracy.

As Lincoln’s Army
saved federalism, FDR’s
Army kept the world safe
for democracy.

Both armies served
a nation that shared
the sacrifice and
burden of war to
preserve the grace of
a republican democracy.

Today federalism
crumbles as our
democracy withers.

The burden
of war is reserved
for a precious few
individuals while
its benefits
remain confined to
the corporate elite.

Our monuments
to war have become
commercial backdrops
for the hollow patriotism
of war profiteers.

We have mortgaged
our future to pay
for two criminal wars.

The spoils of
war flow into the
pockets of
corporate
shareholders
deeply invested
in the continuation
of pointless,
destructive
hostilities.

Our service
members who
selflessly served
their country come
home to a less free,
fear struck nation;
where economic
security and political
liberty erodes
each day while the
monied interests
continue to bless
the abundance
of freedom and riches
purchased with the
blood and sweat
of others.

America desperately
needs a new narrative.

The spirit of the
Greatest Generation
who sacrificed and met
the challenge of the 20th
Century must become
this generations spiritual
forebears.

The war on terror
neatly fits the
the corporate
pathos of
militarism,
surveillance
and the sacrifice
of civil liberties
to purchase
a daily measure
of fear and
economic
enslavement.

It must be rejected
by a people committed
to building secular
temples to pursue
peace, democracy,
economic empowerment,
civil liberties and tolerance
for all.

Yet this old city
and the democratic
temples it built
exulting a free people
anointed with the
grace of liberty
is being consumed
in a morass of
commercial
polyglot.

3.

During the
War of 1812
the British Army
burned the
Capitol Building
and the White House
to the ground.

Thank goodness
Dolly Madison saved
what she could.

The new marauders
are not subject to the
pull of nostalgia.  

They value nothing
save their
self enrichment.

They will spare nothing.

Our besieged Capitol
requires Lincoln’s troops
to be stationed along the
National Mall to defend
the republic.

The greatest peril
to our nation
is being directed
by well placed
Fifth Columnists.

From the safety
of underground bunkers,
in secure undisclosed
locations within the city’s
parameters, a well financed
confederacy employing  
K Street shenanigans
are busy selling off
the American Dream
one ear mark
at a time, one
huge corporate
welfare allotment
at a time.

The biggest prize
is looting the real
property of the people;
selling Utah,
auctioning off
the public schools,
water systems, post offices
and mineral rights
on the cheap
at an Uncle Sam
garage sale.  

The capitol is
indeed burning
again.

Looters are
running riot.

The flailing arms
of a dying empire
fire off cruise
missiles and drone
strikes; hitting the
target of habeas
corpus as it
shakes in its
final death rattle.
I make a pilgrimage
to the MLK Jr.
Monument.

Our cultural identity
is outsourced to
foreign contractors
paid to reinterpret
the American Dream
through the eyes
of a lowest bidder.

MLK has lost
his humanity.

He has been
reduced to a
a Chinese
superhuman
Mao like anime
busting loose from
a granite mountain while
geopolitical irony
compels him to watch
Tommy Jefferson
**** Sally Hemings
from across the tidal
basin for all eternity.  

MLK’s eyes fixed in
stern fascination,
forever enthralled
by the contradictions
of liberty and its
democratic excesses
of love in the willows
on golden pond.

Circling back to
Father Abraham’s
Monument,  I huddle
with a group of global
citizens listening
to an NPS Ranger
spinning four score
tales with the last full
measure of her devotion.

I look up into Abe’s
stone eyes as he
surveys platoons
of gray suited
Chinese Communist
envoys engaged
in Long Marches
through the National Mall;
dutifully encircling cabinet
buildings and recruiting
Tea Party congressmen
into their open party cells.

This confederacy
is ready to torch
the White House
again.

Congressmen and
the perfect patriots
from K Street slavishly
pull their paymasters
in gilded rickshaws to
golf outings at the Pentagon
and park at the preferred
spots reserved for
the luxury box holders
at Redskin Games.

They vow not to rest
until the house of the people
is fully mortgaged to the
People’s Republic of China’s
Sovereign Wealth Fund.

4.

A great
Son of Liberty like
Alan Greenspan
roundly rings
the bells of
free markets
as he inches
T Bill rates
forward a few
basis points
at a time; while
his dead mentor
Ayn Rand
lifts Paul Ryan
to her
Fountainhead teet.
He takes a long
draw as she
coos songs
from her primer
of Atlas Shrugged
Mother Goose tales
into his silky ears.

The construction
cranes swing
to the music
building new private
sector space with
the largess of
US taxpayers
money; or
more rightly
future generations
taxpayer debt.

Libertarians,
Tea Baggers, Blue Dogs
and GOP waterboys
eagerly light a
match to the
the crucifixes
bearing federal
social safety
net programs
to the delight
of NASDAQ
listed capitalists
on the come,
licking their chops
to land contracts
to administer
these programs
at a negotiated
cost plus
profit margin.

Citizens
dependent
on programs
are leery
shareholders
are ecstatic.

To be sure
our free
market rebels
don disguises
of red, white
and blue robes
but their objectives
fail to distinguish
their motives and
methods with
some of the finest
Klansman this
country has
ever produced.

5.

DC is a city
of joggers
and choppers.

Corporate
helicopters
wizz by the
Washington
Monument,
popping erections
for the erectors
inspecting the progress
of the cranes
commanding the
city skyline.

USMC drill team
out for a morning
run circles the Mall.

The commanding
cadence of the
DI keeps us
mindful of the
deepening
militarization of
our society.

A crowd  
rushes
to position
themselves,
genuflecting
to photograph
a platoon on
the move.

I try to consider
the defining
characteristics of
Washington DC.

DC is all surface.

It is full of walls
and mirrors.

Its primary hue
is obfuscation.

Open
communication
scripted from well
considered talking points
informs all dialog.

The city is thoroughly
enraptured in narcissism.

Thankfully, one can
always capture the
reflection of oneself in
the ubiquitous presence of
mirrors.  

Vanity imprisons
the city inhabitants.

Young joggers circle the
Mall and gerrymander
down every pathway
of the city.  

They are the clerks,
interns and staffers of
the judicial, executive
and legislative branches.

They are the children
of privilege.

They will never
alter their path.

You must cede the walk
to their entitlement
of a swift comportment
or risk injury of a
violent collision.

These young ones
portray a countenance  
of benevolent rulers.  

They seem to be learning
their trade craft well from
the senators and judges
whom they serve.

They appear confident
they know what's best
for the country and after
their one term of tireless
service to the republic
they look forward to
positions in the private
sector where they will
assist corporations
to extend their reach
into the pant pockets
worn by the body politic.

6.

Our nations mythic story
lies hidden deep in the
closed rooms of the
museums lining the
Mall.

I pause to consider
what a great nation
and its great people
once aspired to.

I spy the a
suspended
Space Shuttle
hanging in dry dock
at the air and
space museum.

Today America’s
astronauts hitch
rides on Russian
rockets.

America rents a
timeshare from
the European
space agency to
lift communication
satellites into orbit.

Across the Mall
I photograph
John Smithson’s
ashes in its columbarium.  

I fear it has become a
metaphor for America’s
future commitment
to scientific inquiry
and rational secular
thinking.

I am relieved to
discover a Smithsonian
exhibit that asks
“what does it mean
to be human?”

The Origins of Humans
exhibit carries a disclaimer
to satisfy creationists.

The exhibit timidly states
that science can coexist
with religious beliefs and
that the point of the exhibit is
not to inflame inflame religious
passions but to shed light on
scientific inquiry.

I imagine these exhibits
will inflame the passion of
the fundamentalist
American Taliban and
provide yet another
reason to dismantle
the Moloch of Federalism.

The pursuit of science
remains safe at the
Smithsonian for now.

7.

Near K Street at
McPherson Park
a posse of
well dressed
lobbyists, the
self anointed
uber patriots
doing the work
of the people
stroll through
the park
boasting a
healthy population
of bedraggled
homeless.

The homeless
occupy the benches
that have been
transformed into
pup tents.

Perhaps some of
the residents of this
mean estate were
made homeless by a
foreclosed mortgage.  

The K Street warriors
can be proud that their
work on behalf of the
banking industry has
forestalled financial market
reform.  

Through it exacerbates
the homeless problem it has
allowed these K Street titans to
profit from the distress of others.

Earlier in the day
I photographed
a homeless man
planted in front of
the Washington
Monument.

I wonder
if my political
voyeurism is
an exploitation of
this man’s condition?

I have more in common
then I probably wish to
admit with my K Street
antagonists.  

In another section
of the park the
remnants of a
distressed OWS
bivouac remain.

The legions of sunshine
patriots have melted away
as the interest of the
blogosphere has waned.

As the weather
improves Moveon.org
and democratic
party operatives
pitch tents in an
effort to resuscitate
the moribund
movement.

They hope
to coop any
remaining energy
to support their
stale deception,
a neoliberal vision
based solely on the
total capitulation
to the bankrupt
corporatocracy.

I heard someone say
a campaign lasts a
season; while a
movement for social
change takes decades.

If that metric proves
correct, and if the
powers don’t succeed
in compromising the
people’s movement
I’ll be three quarters
of a century old
before I see
justice flowing like
a river once again.

8.

I circle back to
the L’Enfant and
find myself
tramping amidst
the lost platoon
of Korean War
soldiers.

My feet drag
in the quagmire
of grass covering
the feet of this
ghostly troop.

My namesake
uncle was a
decorated
veteran of this
conflict and Im
sure I detect
his likeness
in one of the
statues.

The bleak call
of a distant train
sounds a revelry
and I imagine this
patrol springing
to life to answer
the call of their
beloved country
once again.

Yet they remain
inert.  

Stuck in a
place that the
nation finds
impossible to
leave.

The eyes of the
men stare into
an incomprehensible
fate.  

They see the swarms
of Red Army infantrymen
crossing the Yellow River
streaming toward
them in massive
human waves,
the tips of
sparkling bayonets
threatening to slash
the outmanned
contingent fighting
to bits.

They are the
first detachment
to bravely confront
the rising power
of China many
thousands of
miles away
from their homes.

America like
this lone company
is overwhelmed
and lost in the
confusion
that confronts
them.

Looking up
I perceive the
bewilderment
of my muddled image
reflected on the
marble walls
surrounding
the memorial.

I am a comrade-in-arms,
a fellow wanderer sojourning
with th
Like a psychotic docent in the wilderness,
I will not speak in perfect Ciceronian cadences.
I draw my voice from a much deeper cistern,
Preferring the jittery synaptic archive,
So sublimely unfiltered, random and profane.
And though I am sequestered now,
Confined within the walls of a gated, golf-coursed,
Over-55 lunatic asylum (for Active Seniors I am told),
I remain oddly puerile,
Remarkably refreshed and unfettered.  
My institutionalization self-imposed,
Purposed for my own serenity, and also the safety of others.
Yet I abide, surprisingly emancipated and frisky.
I may not have found the peace I seek,
But the quiet has mercifully come at last.

The nexus of inner and outer space is context for my story.
I was born either in Brooklyn, New York or Shungopavi, Arizona,
More of intervention divine than census data.
Shungopavi: a designated place for tribal statistical purposes.
Shungopavi: an ovine abbatoir and shaman’s cloister.
The Hopi: my mother’s people, a state of mind and grace,
Deftly landlocked, so cunningly circumscribed,
By both interior and outer Navajo boundaries.
The Navajo: a coyote trickster people; a nation of sheep thieves,
Hornswoggled and landlocked themselves,
Subsumed within three of the so-called Four Corners:
A 3/4ths compromise and covenant,
Pickled in firewater, swaddled in fine print,
A veritable swindle concocted back when the USA
Had Manifest Destiny & mayhem on its mind.

The United States: once a pubescent synthesis of blood and thunder,
A bold caboodle of trooper spit and polish, unwashed brawlers, Scouts and      
Pathfinders, mountain men, numb-nut ne'er-do-wells,
Buffalo Bills & big-balled individualists, infected, insane with greed.
According to the Gospel of His Holiness Saint Zinn,
A People’s’ History of the United States: essentially state-sponsored terrorism,
A LAND RUSH grabocracy, orchestrated, blessed and anointed,
By a succession of Potomac sharks, Great White Fascist Fathers,
Far-Away-on-the Bay, the Bay we call The Chesapeake.
All demented national patriarchs craving lebensraum for God and country.
The USA: a 50-state Leviathan today, a nation jury-rigged,
Out of railroad ties, steel rails and baling wire,
Forged by a litany of lies, rapaciousness and ******,
And jaw-torn chunks of terra firma,
Bites both large and small out of our well-****** Native American ***.

Or culo, as in va’a fare in culo (literally "go do it in the ***")
Which Italian Americans pronounce as fongool.
The language center of my brain,
My sub-cortical Broca’s region,
So fraught with such semantic misfires,
And autonomic linguistic seizures,
Compel acknowledgement of a father’s contribution,
To both the gene pool and the genocide.
Columbus Day:  a conspicuously absent holiday out here in Indian Country.
No festivals or Fifth Avenue parades.
No excuse for ethnic hoopla. No guinea feast. No cannoli. No tarantella.
No excuse to not get drunk and not **** your sister-in-law.
Emphatically a day for prayer and contemplation,
A day of infamy like Pearl Harbor and 9/11,
October 12, 1492: not a discovery; an invasion.

Growing up in Brooklyn, things were always different for me,
Different in some sort of redskin/****/****--
Choose Your Favorite Ethnic Slur-sort of way.
The American Way: dehumanization for fun and profit.
Melting *** anonymity and denial of complicity with evil.
But this is no time to bring up America’s sordid past,
Or, a personal pet peeve: Indian Sovereignty.
For Uncle Sam and his minions, an ever-widening, conveniently flexible concept,
Not a commandment or law,
Not really a treaty or a compact,
Or even a business deal.  Let’s get real:
It was not even much in the way of a guideline.
Just some kind of an advisory, a bulletin or newsletter,
Could it merely have been a free-floating suggestion?
Yes, that’s it exactly: a suggestion.

Over and under halcyon American skies,
Over and around those majestic purple mountain peaks,
Those trapped in poetic amber waves of wheat and oats,
Corn and barley, wheat shredded and puffed,
Corn flaked and milled, Wheat Chex and Wheaties, oats that are little Os;
Kix and Trix, Fiber One, and Kashi-Go-Lean, Lucky Charms and matso *****,
Kreplach and kishka,
Polenta and risotto.
Our cantaloupe and squash patch,
Our fruited prairie plain, our delicate ecological Eden,
In balance and harmony with nature, as Chief Joseph of the Nez Perce instructs:
“These white devils are not going to,
Stop ****** and killing, cheating and eating us,
Until they have the whole ******* enchilada.
I’m talking about ‘from sea to shining sea.’”

“I fight no more forever,” Babaloo.
So I must steer this clunky keelboat of discovery,
Back to the main channel of my sad and starry demented river.
My warpath is personal but not historical.
It is my brain’s own convoluted cognitive process I cannot saavy.
Whatever biochemical or—as I suspect more each day—
Whatever bio-mechanical protocols govern my identity,
My weltanschauung: my world-view, as sprechen by proto-Nazis;
Putz philosophers of the 17th, 18th & 19th century.
The German intelligentsia: what a cavalcade of maniacal *******!
Why is this Jew unsurprised these Zarathustra-fueled Übermenschen . . .
Be it the Kaiser--Caesar in Deutsch--Bismarck, ******, or,
Even that Euro-*****,  Angela Merkel . . . Why am I not surprised these Huns,
Get global grab-*** on the sauerbraten cabeza every few generations?
To be, or not to be the ***** bullgoose loony: GOTT.

Biomechanical protocols govern my identity and are implanted while I sleep.
My brain--my weak and weary CPU--is replenished, my discs defragmented.
A suite of magnetic and optical white rooms, cleansed free of contaminants,
Gun mounts & lifeboat stations manned and ready,
Standing at attention and saluting British snap-style,
Snap-to and heel click, ramrod straight and cheerful: “Ready for duty, Sir.”
My mind is ravenous, lusting for something, anything to process.
Any memory or image, lyric or construct,
Be they short-term dailies or deeply imprinted.
Fixations archived one and all in deep storage time and space.
Memories, some subconscious, most vaporous;
Others--the scary ones—eidetic: frighteningly detailed and extraordinarily vivid.
Precise cognitive transcripts; recollected so richly rife and fresh.
Visual, auditory, tactile, gustatory, and olfactory reloads:
Queued up and increasingly re-experienced.

The bio-data of six decades: it’s all there.
People, countless, places and things cataloged.
Every event, joy and trauma enveloped from within or,
Accessed externally from biomechanical storage devices.
The random access memory of a lifetime,
Read and recollected from cerebral repositories and vaults,
All the while the entire greedy process overseen,
Over-driven by that all-subservient British bat-man,
Rummaging through the data in batches small and large,
Internal and external drives working in seamless syncopation,
Self-referential, at times paradoxical or infinitely looped.
“Cogito ergo sum."
Descartes stripped it down to the basics but there’s more to the story:
Thinking about thinking.
A curse and minefield for the cerebral:  metacognition.

No, it is not the fact that thought exists,
Or even the thoughts themselves.
But the information technology of thought that baffles me,
As adaptive and profound as any evolution posited by Darwin,
Beyond the wetware in my skull, an entirely new operating system.
My mental and cultural landscape are becoming one.
Machines are connecting the two.
It’s what I am and what I am becoming.
Once more for emphasis:
It is the information technology of who I am.
It is the operating system of my mental and cultural landscape.
It is the machinery connecting the two.
This is the central point of this narrative:
Metacognition--your superego’s yenta Cassandra,
Screaming, screaming in your psychic ear, your good ear:

“LISTEN:  The machines are taking over, taking you over.
Your identity and train of thought are repeatedly hijacked,
Switched off the main line onto spurs and tangents,
Only marginally connected or not at all.
(Incoming TEXT from my editor: “Lighten Up, Giuseppi!”)
Reminding me again that most in my audience,
Rarely get past the comic page. All righty then: think Calvin & Hobbes.
John Calvin, a precocious and adventurous six-year old boy,
Subject to flights of 16th Century French theological fancy.
Thomas Hobbes, a sardonic anthropomorphic tiger from 17th Century England,
Mumbling about life being “solitary, poor, nasty, brutish and short.”
Taken together--their antics and shenanigans--their relationship to each other,
Remind us of our dual nature; explore for us broad issues like public education;
The economy, environmentalism & the Global ****** Thermometer;
Not to mention the numerous flaws of opinion polls.



And again my editor TEXTS me, reminds me again: “LIGHTEN UP!”
Consoling me:  “Even Shakespeare had to play to the groundlings.”
The groundlings, AKA: The Rabble.
Yes. Even the ******* Bard, even Willie the Shake,
Had to contend with a decidedly lowbrow copse of carrion.
Oh yes, the groundlings, a carrion herd, a flying flock of carrion seagulls,
Carrion crow, carrion-feeders one and all,
And let’s throw Sheryl Crow into the mix while we’re at it:
“Hit it! This ain't no disco. And it ain't no country club either, this is L.A.”  

                  Send "All I Wanna Do" Ringtone to your Cell              

Once more, I digress.
The Rabble:  an amorphous, gelatinous Jabba the Hutt of commonality.
The Rabble: drunk, debauched & lawless.
Too *****-delicious to stop Bill & Hilary from thinking about tomorrow;
Too Paul McCartney My Love Does it Good to think twice.

The Roman Saturnalia: a weeklong **** fest.
The Saturnalia: originally a pagan kink-fest in honor of the deity Saturn.
Dovetailing nicely with the advent of the Christian era,
With a project started by Il Capo di Tutti Capi,
One of the early popes, co-opting the Roman calendar between 17 and 25 December,
Putting the finishing touches on the Jesus myth.
For Brooklyn Hopi-***-Jew baby boomers like me,
Saturnalia manifested itself as Disco Fever,
Unpleasant years of electrolysis, scrunched ***** in tight polyester
For Roman plebeians, for the great unwashed citizenry of Rome,
Saturnalia was just a great big Italian wedding:
A true family blowout and once-in-a-lifetime ego-trip for Dad,
The father of the bride, Vito Corleone, Don for A Day:
“Some think the world is made for fun and frolic,
And so do I! Funicula, Funiculi!”

America: love it or leave it; my country right or wrong.
Sure, we were citizens of Rome,
But any Joe Josephus spending the night under a Tiber bridge,
Or sleeping off a three day drunk some afternoon,
Up in the Coliseum bleachers, the cheap seats, out beyond the monuments,
The original three monuments in the old stadium,
Standing out in fair territory out in center field,
Those three stone slabs honoring Gehrig, Huggins, and Babe.
Yes, in the house that Ruth built--Home of the Bronx Bombers--***?
Any Joe Josephus knows:  Roman citizenship doesn’t do too much for you,
Except get you paxed, taxed & drafted into the Legion.
For us the Roman lifestyle was HIND-*** humble.
We plebeians drew our grandeur by association with Empire.
Very few Romans and certainly only those of the patrician class lived high,
High on the hog, enjoying a worldly extravaganza, like—whom do we both know?

Okay, let’s say Laurence Olivier as Crassus in Spartacus.
Come on, you saw Spartacus fifteen ******* times.
Remember Crassus?
Crassus: that ***** twisted **** trying to get his freak on with,
Tony Curtis in a sunken marble tub?
We plebes led lives of quiet *****-scratching desperation,
A bunch of would-be legionnaires, diseased half the time,
Paid in salt tablets or baccala, salted codfish soaked yellow in olive oil.
Stiffs we used to call them on New Year’s Eve in Brooklyn.
Let’s face it: we were hyenas eating someone else’s ****,
Stage-door jackals, Juvenal-come-late-lies, a mob of moronic mook boneheads
Bought off with bread & circuses and Reality TV.
Each night, dished up a wide variety of lowbrow Elizabethan-era entertainments.  
We contemplate an evening on the town, downtown—
(cue Petula Clark/Send "Downtown" Ringtone to your Cell)

On any given London night, to wit:  mummers, jugglers, bear & bull baiters.
How about dog & **** fighters, quoits & skittles, alehouses & brothels?
In short, somewhere, anywhere else,
Anywhere other than down along the Thames,
At Bankside in Southwark, down in the Globe Theater mosh pit,
Slugging it out with the groundlings whose only interest,
In the performance is the choreography of swordplay and stale ****** puns.
Meanwhile, Hugh Fennyman--probably a fellow Jew,
An English Renaissance Bugsy Siegel or Mickey Cohen—
Meanwhile Fennyman, the local mob boss is getting his ya-yas,
Roasting the feet of my text-messaging editor, Philip Henslowe.
Poor and pathetic Henslowe, works on commission, always scrounging,
But a true patron of my craft, a gentleman of infinite jest and patience,
Spiritual subsistence, and every now and then a good meal at some,
Sawdust joint with oyster shells, and a Prufrockian silk purse of T.S. Eliot gold.

Poor, pathetic Henslowe, trussed up by Fennyman,
His editorial feet in what looks like a Japanese hibachi.
Henslowe’s feet to the fire--feet to the fire—get it?
A catchy phrase whose derivation conjures up,
A grotesque yet vivid image of torture,
An exquisite insight into how such phrases ingress the idiom,
Not to mention a scene once witnessed at a secret Romanian CIA prison,
I’d been ordered to Bucharest not long after 9/11,
Handling the rendition and torture of Habib Ghazzawy,

An entirely innocent falafel maker from Steinway Street, Astoria, Queens.
Shock the Monkey: it’s what we do. GOTO:
Peter Gabriel - Shock the Monkey/
(HQ music video) - YouTube//
www.youtube.com/
Poor, pathetic, ******-on Henslowe.


Fennyman :  (his avarice is whet by something Philly screams out about a new script)  "A play takes time. Find actors; Rehearsals. Let's say open in three weeks. That's--what--five hundred groundlings at tuppence each, in addition four hundred groundlings tuppence each, in addition four hundred backsides at three pence--a penny extra for a cushion, call it two hundred cushions, say two performances for safety how much is that Mr. Frees?"
Jacobean Tweet, John (1580-1684) Webster:  “I saw him kissing her bubbies.”

It’s Geoffrey Rush, channeling Henslowe again,
My editor, a singed smoking madman now,
Feet in an ice bucket, instructing me once more:
“Lighten things up, you know . . .
Comedy, love and a bit with a dog.”
I digress again and return to Hopi Land, back to my shaman-monastic abattoir,
That Zen Center in downtown Shungopavi.
At the Tribal Enrolment Office I make my case for a Certificate of Indian Blood,
Called a CIB by the Natives and the U.S. Bureau of Indian Affairs.
The BIA:  representing gold & uranium miners, cattle and sheep ranchers,
Sodbusters & homesteaders; railroaders and dam builders since 1824.
Just in time for Andrew Jackson, another false friend of Native America,
Just before Old Hickory, one of many Democratic Party hypocrites and scoundrels,
Gives the FONGOOL, up the CULO go ahead.
Hey Andy, I’ve got your Jacksonian democracy: Hanging!
The Bureau of Indian Affairs (BIA) mission is to:   "… enhance the quality of life, to promote economic opportunity, and to carry out the responsibility to protect and improve the trust assets of American Indians, Indian tribes, and Alaska Natives. What’s that in the fine print?  Uncle Sammy holds “the trust assets of American Indians.”

Here’s a ******* tip, Geronimo: if he trusted you,
It would ALL belong to you.
To you and The People.
But it’s all fork-tongued white *******.
If true, Indian sovereignty would cease to be a sick one-liner,
Cease to be a blunt force punch line, more of,
King Leopold’s 19th Century stand-up comedy schtick,
Leo Presents: The **** of the Congo.
La Belgique mission civilisatrice—
That’s what French speakers called Uncle Leo’s imperial public policy,
Bringing the gift of civilization to central Africa.
Like Manifest Destiny in America, it had a nice colonial ring to it.
“Our manifest destiny [is] to overspread the continent,
Allotted by Providence for the free development,
Of our yearly multiplying millions.”  John L. O'Sullivan, 1845

Our civilizing mission or manifest destiny:
Either/or, a catchy turn of phrase;
Not unlike another ironic euphemism and semantic subterfuge:
The Pacification of the West; Pacification?
Hardly: decidedly not too peaceful for Cochise & Tonto.
Meanwhile, Madonna is cash rich but disrespected Evita poor,
To wit: A ****** on the Rocks (throwing in a byte or 2 of Da Vinci Code).
Meanwhile, Miss Ciccone denied her golden totem *****.
They snubbed that little guinea ****, didn’t they?
Snubbed her, robbed her rotten.
Evita, her magnum opus, right up there with . . .
Her SNL Wayne’s World skit:
“Get a load of the unit on that guy.”
Or, that infamous MTV Music Video Awards stunt,
That classic ***** Lip-Lock with Britney Spears.

How could I not see that Oscar snubola as prime evidence?
It was just another stunning case of American anti-Italian racial animus.
Anyone familiar with Noam Chomsky would see it,
Must view it in the same context as the Sacco & Vanzetti case,
Or, that arbitrary lynching of 9 Italian-Americans in New Orleans in 1891,
To cite just two instances of anti-Italian judicial reach & mob violence,
Much like what happened to my cousin Dominic,
Gang-***** by the Harlem Globetrotters, in their locker room during halftime,
While he working for Abe Saperstein back in 1952.
Dom was doing advance for Abe, supporting creation of The Washington Generals:
A permanent stable of hoop dream patsies and foils,
Named for the ever freewheeling, glad-handing, backslapping,
Supreme Commander Allied Expeditionary Force (SCAEF), himself,
Namely General Dwight D. Eisenhower, the man they liked,
And called IKE: quite possibly a crypto Jew from Abilene.

Of course, Harry Truman was my first Great White Fascist Father,
Back in 1946, when I first opened my eyes, hung up there,
High above, looking down from the adobe wall.
Surveying the entire circular kiva,
I had the best seat in the house.
Don’t let it be said my Spider Grandmother or Hopi Corn Mother,
Did not want me looking around at things,
Discovering what made me special.
Didn’t divine intervention play a significant part of my creation?
Knowing Mamma Mia and Nonna were Deities,
Gave me an edge later on the streets of Brooklyn.
The Cradleboard: was there ever a more divinely inspired gift to human curiosity? The Cradleboard: a perfect vantage point, an infant’s early grasp,
Of life harmonious, suspended between Mother Earth and Father Sky.
Simply put: the Hopi should be running our ******* public schools.

But it was IKE with whom I first associated,
Associated with the concept 1600 Pennsylvania Avenue.
I liked IKE. Who didn’t?
What was not to like?
He won the ******* war, didn’t he?
And he wasn’t one of those crazy **** John Birchers,
Way out there, on the far right lunatic Republican fringe,
Was he? (It seems odd and nearly impossible to believe in 2013,
That there was once a time in our Boomer lives,
When the extreme right wing of the Republican Party
Was viewed by the FBI as an actual threat to American democracy.)
Understand: it was at a time when The FBI,
Had little ideological baggage,
But a great appetite for secrets,
The insuppressible Jay Edgar doing his thang.

IKE: of whom we grew so, oh-so Fifties fond.
Good old reliable, Nathan Shaking IKE:
He’d been fixed, hadn’t he? Had had the psychic snip.
Snipped as a West Point cadet & parade ground martinet.
Which made IKE a good man to have in a pinch,
Especially when crucial policy direction was way above his pay grade.
Cousin Dom was Saperstein’s bagman, bribing out the opposition,
Which came mainly from religious and patriotic organizations,
Viewing the bogus white sports franchise as obscene.
The Washington Generals, Saperstein’s new team would have but one opponent,
And one sole mission: to serve as the **** of endless jokes and sight gags for—
Negroes.  To play the chronic fools of--
Negroes.  To be chronically humiliated and insulted by—
Negroes.  To run up and down the boards all night, being outran by—
Negroes.  Not to mention having to wear baggy silk shorts.



Meadowlark Lemon:  “Yeah, Charlie, we ***** that grease-ball Dominic; we shagged his guinea mouth and culo rotten.”  

(interviewed in his Scottsdale, AZ winter residence in 2003 by former ESPN commentator Charlie Steiner, Malverne High School, Class of ’67.)
                                                        
  ­                                                                 ­                 
IKE, briefed on the issue by higher-ups, quickly got behind the idea.
The Harlem Globetrotters were to exist, and continue to exist,
Are sustained financially by Illuminati sponsors,
For one reason and one reason only:
To serve elite interests that the ***** be kept down and subservient,
That the minstrel show be perpetuated,
A policy surviving the elaborate window dressing of the civil rights movement, Affirmative action, and our first Uncle Tom president.
Case in point:  Charles Barkley, Dennis Rodman & Metta World Peace Artest.
Cha-cha-cha changing again:  I am Robert Allen Zimmermann,
A whiny, skinny Jew, ****** and rolling in from Minnesota,
Arrested, obviously a vagrant, caught strolling around his tony Jersey enclave,
Having moved on up the list, the A-list, a special invitation-only,
Yom Kippur Passover Seder:  Next Year in Jerusalem, Babaloo!

I take ownership of all my autonomic and conditioned reflexes;
Each personal neural arc and pathway,
All shenanigans & shellackings,
Or blunt force cognitive traumas.
It’s all percolating nicely now, thank you,
In kitchen counter earthen crockery:
Random access memory: a slow-cook crockpot,
Bubbling through my psychic sieve.
My memories seem only remotely familiar,
Distant and vague, at times unreal:
An alien hybrid databank accessed accidently on purpose;
Flaky science sustains and monitors my nervous system.
And leads us to an overwhelming question:
Is it true that John Dillinger’s ******* is in the Smithsonian Museum?
Enquiring minds want to know, Kemosabe!

“Any last words, *******?” TWEETS Adam Smith.
Postmortem cyber-graffiti, an epitaph carved in space;
Last words, so singular and simple,
Across the universal great divide,
Frisbee-d, like a Pleistocene Kubrick bone,
Tossed randomly into space,
Morphing into a gyroscopic space station.
Mr. Smith, a calypso capitalist, and me,
Me, the Poet Laureate of the United States and Adam;
Who, I didn’t know from Adam.
But we tripped the light fantastic,
We boogied the Protestant Work Ethic,
To the tune of that old Scotch-Presbyterian favorite,
Variations of a 5-point Calvinist theme: Total Depravity; Election; Particular Redemption; Irresistible Grace; & Perseverance of the Saints.

Mr. Smith, the author of An Inquiry into the Nature
& Causes of the Wealth of Nations (1776),
One of the best-known, intellectual rationales for:
Free trade, capitalism, and libertarianism,
The latter term a euphemism for Social Darwinism.
Prior to 1764, Calvinists in France were called Huguenots,
A persecuted religious majority . . . is that possible?
A persecuted majority of Edict of Nantes repute.
Adam Smith, likely of French Huguenot Jewish ancestry himself,
Reminds me that it is my principal plus interest giving me my daily gluten.
And don’t think the irony escapes me now,
A realization that it has taken me nearly all my life to see again,
What I once saw so vividly as a child, way back when.
Before I put away childish things, including the following sentiment:
“All I need is the air that I breathe.”

  Send "The Air That I Breathe" Ringtone to your Cell  

The Hippies were right, of course.
The Hollies had it all figured out.
With the answer, as usual, right there in the lyrics.
But you were lucky if you were listening.
There was a time before I embraced,
The other “legendary” economists:
The inexorable Marx,
The savage society of Veblen,
The heresies we know so well of Keynes.
I was a child.
And when I was a child, I spake as a child—
Grazie mille, King James—
I understood as a child; I thought as a child.
But when I became a man I jumped on the bus with the band,
Hopped on the irresistible bandwagon of Adam Smith.

Smith:  “Any last words, *******?”
Okay, you were right: man is rationally self-interested.
Grazie tanto, Scotch Enlightenment,
An intellectual movement driven by,
An alliance of Calvinists and Illuminati,
Freemasons and Johnny Walker Black.
Talk about an irresistible bandwagon:
Smith, the gloomy Malthus, and David Ricardo,
Another Jew boy born in London, England,
Third of 17 children of a Sephardic family of Portuguese origin,
Who had recently relocated from the Dutch Republic.
******* Jews!
Like everything shrewd, sane and practical in this world,
WE also invented the concept:  FOLLOW THE MONEY.

The lyrics: if you were really listening, you’d get it:
Respiration keeps one sufficiently busy,
Just breathing free can be a full-time job,
Especially when--borrowing a phrase from British cricketers—,
One contemplates the sorry state of the wicket.
Now that I am gainfully superannuated,
Pensioned off the employment radar screen.
Oft I go there into the wild ebon yonder,
Wandering the brain cloud at will.
My journey indulges curiosity, creativity and deceit.
I free range the sticky wicket,
I have no particular place to go.
Snagging some random fact or factoid,
A stop & go rural postal route,
Jumping on and off the brain cloud.

Just sampling really,
But every now and then, gorging myself,
At some information super smorgasbord,
At a Good Samaritan Rest Stop,
I ponder my own frazzled neurology,
When I was a child—
Before I learned the grim economic facts of life and Judaism,
Before I learned Hebrew,
Before my laissez-faire Bar Mitzvah lessons,
Under the rabbinical tutelage of Rebbe Kahane--
I knew what every clever child knows about life:
The surfing itself is the destination.
Accessing RAM--random access memory—
On a strictly need to know basis.
RAM:  a pretty good name for consciousness these days.

If I were an Asimov or Sir Arthur (Sri Lankabhimanya) Clarke,
I’d get freaky now, riffing on Terminators, Time Travel and Cyborgs.
But this is truth not science fiction.
Nevertheless, someone had better,
Come up with another name for cyborg.
Some other name for a critter,
Composed of both biological and artificial parts?
Parts-is-parts--be they electronic, mechanical or robotic.
But after a lifetime of science fiction media,
After a steady media diet, rife with dystopian technology nightmares,
Is anyone likely to admit to being a cyborg?
Since I always give credit where credit is due,
I acknowledge that cyborg was a term coined in 1960,
By Manfred Clynes & Nathan S. Kline and,
Used to identify a self-regulating human-machine system in outer space.

Five years later D. S. Halacy's: Cyborg: Evolution of the Superman,
Featured an introduction, which spoke of:  “… a new frontier, that was not,
Merely space, but more profoundly, the relationship between inner space,
And outer space; a bridge, i.e., between mind and matter.”
So, by definition, a cyborg defined is an organism with,
Technology-enhanced abilities: an antenna array,
Replacing what was once sentient and human.
My glands, once in control of metabolism and emotions,
Have been replaced by several servomechanisms.
I am biomechanical and gluttonous.
Soaking up and breathing out the atmosphere,
My Baby Boom experience of six decades,
Homogenized and homespun, feedback looped,
Endlessly networked through predigested mass media,
Culture as demographically targeted content.

This must have something to do with my own metamorphosis.
I think of Gregor Samsa, a Kafkaesque character if there ever was one.
And though we share common traits,
My evolutionary progress surpasses and transcends his.
Samsa--Phylum and Class--was, after all, an insect.
Nonetheless, I remain a changeling.
Have I not seen many stages of growth?
Each a painful metamorphic cycle,
From exquisite first egg,
Through caterpillar’s appetite & squirm.
To phlegmatic bliss and pupa quietude,
I unfold my wings in a rush of Van Gogh palette,
Color, texture, movement and grace, lift off, flapping in flight.
My eyes have witnessed wondrous transformations,
My experience, nouveau riche and distinctly self-referential;
For the most part unspecific & longitudinally pedestrian.

Yes, something has happened to me along the way.
I am no longer certain of my identity as a human being.
Time and technology has altered my basic wiring diagram.
I suspect the sophisticated gadgets and tools,
I’ve been using to shape & make sense of my environment,
Have reared up and turned around on me.
My tools have reshaped my brain & central nervous system.
Remaking me as something simultaneously more and less human.
The electronic toys and tools I once so lovingly embraced,
Have turned unpredictable and rabid,
Their bite penetrating my skin and septic now, a cluster of implanted sensors,
Content: currency made increasingly more valuable as time passes,
Served up by and serving the interests of a pervasively predatory 1%.
And the rest of us: the so-called 99%?
No longer human; simply put by both Howards--Beale & Zinn--

Humanoid.
Connor Thomas Aug 2013
psychic infantile bopping
play silent drum kits in ear canals.
screeching like whales
in caverns of sea and stalagmites.

servantile shrapnel leaking into abyss:
feeding on skin and bones,
parasitically.
eating through biting cries,
viciously.

gumdrops streaking sidewalk
in musical rhythm stain glass windows
and blurry red eyed sun high in the sky
shines down crystalline tear drops
over your singularly secular shadow.
Nat Lipstadt May 2013
Why Men Like to Load the Dishwasher

We are the artists of shape and configuration,
puzzle masters solving riddles of physics,
worshipers at the altar of labor saving devices,
this is a love poem of sorts, a Bazinga salutation,
to men and their undying love
for **** machines.

were it in my power
all cups would be handle-less,
the dishwasher time-space continuum
would be non-interrupted by black holes
where handles pointlessly protrude,
requiring endless rearrangement,
a soul destroying exercise.

bowls of any sort should have bottoms that retract.
indeed, the capacity increase, a visible fact,
is so enviro-friendly, eminently sensible,
that the loading for mechanical scrubbing
is deserved of a wing in the Smithsonian.

perhaps the budgeteers of Congress
should be tutored in this artistry,
how to make any limited resource,
better used.

the rub, as the bard would have writ,
is that this roaring tempest-tost,
our love for hard labor lost,
secret sacrificed behind a locked door,
of a Sanctum *******,
is entirely due, all glory to,
the secret society of fairies who
hide-reside inside,
freeing us to write more poetry.

in so many ways that I cannot reveal,
less the other gender members squeal,
men live to love to load the dishwasher,
for the ingenuity challenge, and of course,
the side benefit of the excusing coverup,
"I helped clean up," a relationship saver,
proof positively that the dishwasher inventor,
was surely a brilliant woman
Michael R Burch Apr 2020
Limericks VII - Naughty, *****, Risque, Absurd

There continue to be modern sequels of the famous "Nantucket" limericks, including this ***** one of mine:

There was a lewd ***** from Nantucket
who intended to *** in a bucket;
but being a man
she missed the **** can
and her rattled john fled, crying: "**** it!"
—Variation on a classic limerick by Michael R. Burch

Here's another take on a golden oldie:

There was an old man from Peru
who dreamed he was eating his shoe.
He awoke one dark night
from a terrible fright
to discover his dream had come true!
—Variation on a classic limerick by Michael R. Burch

Here are some lewd, crude originals:

There once was a multi-pierced Bull,
who found playing hoops far too dull,
so he dated Madonna
but observed, “I don’t wanna
get married . . . the things she might pull!”
—Michael R. Burch

There once was a forward named Rodman
who said to his best man—“No problem!
When I marry Electra,
if the ring costs extra,
just yank a loop right off my ****, man!”
—Michael R. Burch

A formidable pugilist, Mike,
in a fit of pique called his mom “****.”
She frowned ear to ear,
then said, “You listen here,
I can still whip your ****, you dumb tyke!”
—Michael R. Burch

A cross-dressing dancer, “Dee Lite,”
wore gowns luciferously bright
till he washed them one day
the old-fashioned way ...
in bleach. Now he’s “Sister Off-White.”
—Michael R. Burch

There once was a bubbly bartender,
a transvestite who went on a ******.
“So I cut myself off,”
she cried with a sob,
“There’s the evidence, there in the blender!”
—Michael R. Burch

Our president’s *** life—atrocious.
Asian markets are all hocus-pocus.
Politics—a shell game.
My brief moment of fame—
flashed by before Oprah could notice.
—Michael R. Burch

Bill Clinton's a man we admire;
his opinion polls soar ever higher.
He gets much more flack
for a Big Mac attack
than for his ****** high-wire.
—Michael R. Burch

There is a new term, “Clintonian,”
which means, “Stop your naggin’ and moanin’.
He’s only a man
doing all that he can
to put kneepads in the Smithsonian.!”
—Michael R. Burch

Low-T Hell
by Michael R. Burch

I’m living in low-T hell ...
My get-up has gone: Farewell!
I need to write checks
if I want to have ***,
and my love life depends on a gel!

Grave Offense I

Is Ogden Nash gnashing his teeth,
upside-down in his grave, full of grief
that the term “limerick”
has been plagiarized? Quick—
dial 9-1-1; get the police!
—Michael R. Burch

Grave Offense II

Is Ogden Nash gnashing his teeth,
upside-down in his grave, full of grief
that his wit and his art
share this name I impart
to my “limerick?” Am I a thief?
—Michael R. Burch

Ghostbusters!

Is Ogden Nash gnashing his teeth?
Is his ghost rolling ’round in wild grief
that the Post would make crimes
of his “imperfect” rhymes?
Call Ripley’s—it stretches belief!
—Michael R. Burch

NOTE: The Washington Post in all its great wisdom would ban Ogden Nash’s imperfect rhymes from its limerick contests!

Keywords/Tags: limerick, nonsense, light, humor, humorous, ***, naughty, risque, lewd, *****, ******
Bella Dec 2019
(Meant to be read in the voice of a child)
Grandma says, that she grew up in the water
She says that she lived on the edge of a place called Myrtle Beach
That she could drive 15 minutes and then jump into the sea

She says- that the smell of sea salt and seagrass is the smell of home
And that she can still hear the sounds of crashing waves on an empty beach
She says that the best feeling was sinking under a wave and watching the crisp clear current pull the water over her--

I told her that I went to a beach too!
Momma took me back to where she used to live
To get to the beach we had to cross two bigggg rivers
Grandma said that one of those was a creek when she was my age.
That men dug the other-- by hand a long time ago 90 feet across
But they are much bigger now!

I told Grandma that when I got to the beach, there were a bunch of buildings, right there in the water
I said it was silly of people to leave buildings in the water like that.

I asked-- if we tried to keep those buildings out of the water
And she said no...

I asked-- if we knew they were gonna get so wet
Grandma said-- that we knew since the 1950’s
She told me about a scientist named Edward Teller
Who gave a big speech to the important people
He predicted the future in 1959
And told them the ice was going to melt.

I asked why we let it melt...
and then grandma got real quiet...


...I’ve-- seen pictures of the ice in school.
--We learned about polar bears and penguins
We even went to visit them in the zoo
My teacher said they only live in zoos now.

We-learned-about-coral-too!
We learned-- that they are animals that look
kind-of like rocks
-Or like plants!
-Or like jellyfish!
We learned that fish like to live there-
Fish like the ones in NEMO!
My teacher said there’s not much coral left...

I asked--
why the coral at the aquarium
didn’t look all bright and colorful like the movies
I asked-- why there were no Nemo’s in the aquarium
I asked-- what that big ocean current was called
I asked-- if sea turtles still ride in the E..ast Austra...lian current

She said that the Clown fish died when the coral was bleached
-And there aren’t many sea turtles
-And there is no more current
-Because the waters are too warm

I asked how the water got so warm,
I asked-- Who Did It!
She said Everyone
And I didn’t understand that

I asked grandma if she did it!
She said yes-I said How

She said every time she drove her car
And every time she flew on an airplane
And every time she used a plastic cup
She released carbon into the environment

I asked how all those things made carbon
She said that carbon comes from burning things
She said that we burn things to make energy

I asked if we could make good energy
She said that we can
We can use water, wind, and sunlight to make
~Clean~ energy

I asked if we made clean energy
Grandma said that only 15% of our energy was clean

I asked how carbon made the water hot
Grandma told me that when carbon goes into the air
It traps heat near the earth
Kind-of like a blanket
And it makes the air warmer

She said that the ocean
and the ocean animals
try really hard to absorb the carbon,
But too much carbon is bad for them

I asked why it was so bad
She said that carbon was an acid
~like lemons~
And when the ocean absorbs the carbon,
The ocean becomes more aaa-cidic
And most fish can’t live in a-cidic water


I remember learning that plankton
can’t live in acidic water either
My teacher said that plankton are very important
They make oxygen
And they feed the fishes
I even heard they used to make the water green

I told grandma
about the field trip my class took to the Smithsonian
There was a new shellfish exhibit
The teacher said
that everything in the room was extinct or endangered
There were *****- and oysters- and corals

The sign said that-
“these shells can’t form in acidic water”
I asked the teacher if ***** and oysters and things were important
She said that they were an ess...ential-
Source of food for coastal communities

I asked if they were so ess...ential--
than why didn’t we protect them…

She told me that some people tried to help
She said people talked about it
and bought less plastic
And supported sus...tan...iable companies
She said that there weren’t enough of those people

I asked-- what could have protected them
She said-- that poli...ticians and CEOs could have protected them
She said-- that if there were laws
restricting or banning fossil fuels
Or carbon emissions
We could have kept the ***** alive

I asked why the poli...ticians didn’t make those laws
She said that the poli...ticians were good friends
With the oil companies
She said that if they made those laws
Their friends would lose money

But that doesn’t make sense because-
Grandma told me
We ended up spending more money
Reacting to climate change
Than it would have taken
To prevent climate change.

I just don’t understand so much--
It doesn’t make sense...

Grandma--
I wanna know why there’s more plastic in the ocean than fish
I wanna know why we wear air masks when we go outside
I wanna know why there are so many hurricanes
And fires
And droughts
And floods
I wanna know why your old house is underwater
I wanna know what waves looked like without trash in them
I wanna know why lady liberty is drowning
I wanna know what hawaii was
I wanna know why california is on fire
And why Charleston doesn’t exist
I wanna know why there’s no coral
Or fish
Or pandas
Or tigers
Or butterflies
I wanna know why there are so many wars over food
I wanna know why we’re out of water
I wanna know why there are walls in the ocean
I wanna know why you didn’t listen to the scientists---

I wanna know why you didn’t do anything to fix it!
I thought this was a compelling way to discuss climate change because of the emotional tie. I hopped writing this poem from the voice of a child (and more specifically the future grandchild of mine or of the reader’s) would make the reader think about how their climate impact will affect their own children and children's children. Hopefully this could cause readers who wouldn’t normally be concerned with climate change to empathize with the writing. Using the voice of a child also helped me to tie in so many different topics (because children are so scatterbrained). I hope this is able to reach a larger demographic than the typical climate change essay or journal. (ps. I based this off of 50 years in the future just for reference to accuracy).
Pedro Tejada Apr 2010
If I listened to every advertisement
hollering through the static
of my cable-hooked television,
I'd have a mammoth bottle
of Hidden Valley Ranch
sitting with the ego-quenching sheen
of recommendation in my fridge,
a Weight Watchers membership
(it told me to join as soon as possible
with the speed of a steroid-devouring treadmill),
Children's Tylenol
(despite being situationally barren),
and a Bowflex-shaped elephant,
ivory tusks slumping uselessly in the corner.

My living room would be the fraternal twin
of the American Smithsonian,
a faux-genuine quilt
of our Founding Fathers'
present day descendants
draping over my popcorn ceiling.

I return to the latest
sacred cow in the flea store
cartel of Lifetime Movie heroines;
it's "Vengeful Vixens Sunday"
and Elizabeth Berkley shooting men
and stabbing women in the back
all while eating buckets of Ben and Jerry
and getting addicted to crystal ****.

The dialogue is as freshly
packaged and slovenly edible
as the Minute Ready Late Night Dinner
with a cartoon grandma plastered on the logo,
all to remind you of down home,
or in the case of this Lifetime screenplay,
a time when the brain wasn't fully developed.
Same difference.

We all hide our guilty pleasures
as if our tolerance for the
secondhand existence of these favorites
were deemed malignant
by a cardboard kingdom
of young adult sophistication,
but I ask you:
who hasn't slipped into the comfort
of a mind turned to mush?
Rob Sandman Jul 2017
Don't ever let my calm demeanor fool you,
you opened your mouth now its time to School you,
in the deadliest art, I tear you apart,
you're done from the start-get back in your Kart
and go blow your Horn,

while my Sonic Boom engraves my Chi into the Matterhorn
If I let rip they're zippin' up your rap crimes as evidence,
cause many moons ago I first set the Precedent-
Presidential rhymer but I'm no Twitter Twit,

When I bring the pain I like it to be intimate,
I'm Sado your Maso can't admit you're into it,
try to stop your toe tapping no control of it,
first strike Staccato, then smoooth like a Stiletto,
sliding into Silk Skin you let go
...

Chorus

Cause I'm your Sensei, show respect to your Teacher,
Bow Loooow cause I've a long way to reach ya,
won't breach your Confidence-just your Defense,
batter clatter shattered Armour-Helm full of dents


As I let go, ooh kid look what you done did,
Saw a Tigers tail twitchin' and then ya pulled it!,
shoulda mulled it over, now I pulled ya over,
now you're clickin your heels squeakin' no place like home huh?
      
                                *****
Your weak wordplay VS my Lyrical Swordplay
could put you down like child's play - *Behold your Sensei

Join the ranks? - no easy way, just the EC way...
don't like it? there's the door for the greasy strays...
      
                           ++++++++++++++++++  

but if you stay?--- you'll learn from the best,
lyrical onslaughts Dim Mak sounds stop hearts in chests,
or open  minds to other possibilities...

Stick with us kid, find the Sea of tranquility-
become a Warrior Poet heart full of Nobility,
use words as weapons to expose Fragility,
then some day you too can be a Sensei...

When you're a Sensei you discover lifes the Teacher,
Open up your Third eye, let the whole world reach ya,
I greet you - as a worthy Proponent,
always ready for the next opponent...


Some just can't and won't learn the lesson,
even when I break it down to the essence,
essentially your Sensei sees...
at least four **** moves ahead o' ye,

That's why i'm so relaxed while I'm battlin'
your nerves are fraught your nails bit-teeth chatterin',
face scrunched up in fear of the batterin'
you go from Rambo to Lamb as I unleash a Cataclysm


                        
******

A Thesaurus Tesseract powerin' a Juggernaut,
Bipolar Jaeger Driver Plasma weapon o' thought,
my life is a War zone my weapons are words,
Paleface Shamefaced attacker reveals a hidden sword

but I've met ya before defeated with metaphor,
Meta-Physical giant like fallin' through Smithsonian floor,
Deception meets Conception like Inception,
then my Dai Katana rips through your mid section...cause


I'm a Sensei-world class instructor rhymin',
you lost the beat and now you're off timin',
a wounded Gazelle limpin' cross the plains,
I take aim - release you from your Pain*

Cause I'm a Sensei use my art for my Zanshin,
reflexively inflexively effortlessly Dancin'
across the page across the stage across your lives...
Cause a true Sensei knows the real teacher...is LIFE


Love you all, stay strong, stay positive Act- don't React
Mr Sandman 11/07/17 (4:47!)
Staccato like Tic Tac Toe, then Smoooooth but still deadly like a Tiger on a Silk bed...
another one that just fell out of me, expect a link to this Rhyme set to music,
watch this Space!
ABadPenname Apr 2016
I like  you.

I like  you  a lot.

I want to be bored with you.

I want to hold weekly board meetings over the topic of you.

I could impress the shareholders. What do you think?

     I think you enjoy honesty, and despise flattery.
Believe me, I know the difference. I hope you do too.
I am no wily flatterer
I would never say something like, “I’ll sail to the MOON for you,”
something impossible and irrelevant. With the consistency of soupy puke.
I should just as soon say,
“I WILL jump recklessly from the top of a very tall tower, and land—perfectly intact and unharmed
for you.”
I hope I am not the only one who sees a problem with this sort of logic.
So instead I’ll say:

Let the madness of what this fixation has turned me into, fuel my fears and my ambitions and drive me therefore, to construct a missile, with enough space inside to harness only myself, enough kick in the engine to erase my past—and all the laws of life as we know it.
I will have those memorized by then, and plan to have my hands on new laws unforeseen by any of the other
mainstream earthlings;
maybe using my new third eye to grasp at something up there that was previously air —
& I will beg this nonconsensual devotion you’ve evoked in me please grant me the derision to press the button, and launch myself into that forgetful lazy river that contains all the planets, asteroids, black holes, spaceships, a lonely-wandering U.S. radio transmitter, spilt-paint nebulas, one of Tiger Woods’ golf *****, a drunken astronaut, some of the crew from that Malaysian airplane (you know, the one that went missing), and also there are suns (often called stars), and moons, and there has gotta be a little love floating around somewhere with the celestial ants
and supernovas
and EVERYTHING.
and dissimilarly nothing you can grasp.

to the Moon?
sure,
why not babe,
if moon-rocks could somehow make you fall in love with me,
I would plan to rob the Smithsonian (or probably a similar museum of history but one with less security),
and if that ended up a no-go,
thenyeah.


     Mad. Zoom.


straight to the ******* moon for you.
Sa Sa Ra Nov 2012
Starry Starry high moon nearly half of waxing
trailing the son running the show in Great Barrington
Western Mass., the Berkshires always so dreamlike as if like on
account of such frostings; and we prepare details in so many ways
for so many days dark or light no difference this way this it's all him first
of there and last to leave likely then I'll be still again the usually there but otherwise
he'll cover my door and I'm my own creative spectator and scout when more involved I'm a holy rout';
also I am fully prepared for out a sleep under stars in the small town I love Smithsonian said as small ones be you may consider it numeral one to be; be it or not your cup of tea or time for such; I may seek the church by morn with to be and by the story with the song and story within Alice's Restaurant would seem soup kitchen on turkey day might be an ordinary thing to lend the love with arms hearts and hands if not Kripalu best yoga center about and food there be a walk in just a simple fee and best of company so kids are so well growing up and slowly I'm waking from my own harrowed cup; and I never stop loving with all hate or betray all betrayals or feel more need of forgiveness be I've done enough and so much more and in perfect abandonment and all betrayal all the more seven billion family be and this beautiful universe that rings and rings and rings sings singing all love all beauty be and all is willing and shares all that too; rocks and trees coming greater still, waters woods wilds calling routing for us all ever closer the Great of opportunity ever ripening within about to fall upon us all....
<3 <3 Pump Pump jump start it up!!!!
Alice’s Restaurant isn’t around anymore. But, as the song says, “Alice didn't live in a restaurant. She lived in the church nearby the restaurant…” And the old Trinity Church, where Alice once lived and where the saga began has become home to The Guthrie Center and The Guthrie Foundation.
https://guthriecenter.org/about/

Kripalu; Our Mission
To empower people and communities to realize their full potential through the trans-formative wisdom and practice of yoga.
http://www.kripalu.org/

Shalom Retreats™ were developed in 1969 as a process for exploring the trans-formative power of loving community. Shalom Sacred Mountain Retreat Center was founded as a hope structure, calling people to live passionately and with compassion in the world.
The Shalom process is based on the principles of intentional loving. We are a place of empowerment, investing each person to trust the process of his or her own life. We honor all spiritual paths.
We believe in life as journey. Each person must claim his or her own power to be and to act. We seek no disciples and encourage individuals to become dedicated disciples of their own life, to do the psychological and spiritual work necessary to live fully into the soul’s journey — the path that ultimately returns one to God.
http://shalommountain.com/wp/

The Principles and Skills of Loving
At Shalom we learn and practice the Principles and Skills of Loving that echo what the masters have taught us about love.

Principles of Loving

More than anything else, we want to love and be loved.
Love is a gift.
Love is not time bound.
Love is good will in action.
Love is a response to need.



Skills of Loving

Seeing:
I do not look over or through you, I see you in your uniqueness.
Hearing:
I listen to what you are saying.
Honoring of Feelings and Ideas:
I recognize your right to think and feel as you do.
Having Good Will:
I will you good and not evil.  I care about you.
Responding to Need:
If you let me know what your needs are, within the limits of my value system,
I will not run away.  I will be there for you.

http://shalommountain.com/wp/about-2/the-principles-and-skills-of-loving/
John F McCullagh Jan 2012
The nation's Capitol rattled and shook.
Washington's monument cracked.
The Nation's Cathedral is minus a spire.
The people cried out for Barrack.
A previously unknown fault line had shifted
causing a crack in basalt
The President paused from his golf game to chat
with his geologist, a man named Walt.
After a lengthy Analysis
down in the Smithsonian's vault
The commander in chief is relieved to report
that this too was Bush's Fault
Narelle Carter Mar 2016
s u m m e r t i m e . b o y
.
he fell to earth before Bowie became a star, landed on the Smithsonian current and washed ashore with webbed feet.
the south swell rider scans the horizon searching for bombora  breaks akaw, making a gnarly entry over those same rocks.
timing is crucial or the wet will smack you hard against it!
he pushes out through the foam and finds his fins ripping the green room, grinning and yewing hell bent till the salt crusts over and muscles burn.
preservationman Apr 2017
Tomorrow from yesterday
The past reminding for the future
The journey shall be until
The place, Smithsonian National Afro American Museum of History and Culture in Washington, DC
The date was April 22, 2017, Saturday
Heritage coming in many accomplishments and shouting voices
Legacies of choice
A time of discrimination
Places where rebellion rang high
Questions still remain as of why?
Historians who were determined to break racial barriers
Race being under one accord
Yet all guided by our Heavenly Lord
Wars fighting the many struggles
Freedom being only a word in distance of when
I am Black with a mind to think
Being a Slave they were told to obey
The whole idea of being a slave it was simply a resource being ok
But Black Scholars spoke out
Yet Race was about interacting with other Races and moving about
A time for justice being about time
We will use whatever resources combined
Fight we will, and win we shall
It didn’t matter Bloodshed or Death
Justice was coming no matter what
Marches all throughout the South
Town after Town with names called out beyond their own
Segregation being a term that was considered ok
But this America is about being free, and this was decreed from thee
The Freedom Riders with determined to fight and Greyhound Bus Lines was the one that opened the light
Marches and voices
Chanting Freedom, “We shall Overcome”
Air waves were spread into big waves being shore to shore
Afro-Americans were told they must stay in their place
The thought being from the opposition
But Afro-Americans knew they must position
Education was the number one tool
Having knowledge doesn’t make you a fool
It just makes opposition drool
Freedom did come, and Race was a combination in coming together
Smithsonian NMAMHC being a way of helping all Americans to see Freedom as a right
Smithsonian shed some light
Cause with effect
A purpose not being an elect
I am a Black who seen and conquered
Wonder no more
Just continue to educate and explore.
John F McCullagh Dec 2011
The nation's Capitol rattled and shook.
Washington's monument cracked.
The Nation's Cathedral is minus a spire.
The people Cried out for Barrack.
A previously unknown fault line had shifted
causing a crack in basalt
The President paused from his golf game to chat
with his geologist, a man named Walt.
After a lengthy Analysis
down in the Smithsonian's vault
The commander in chief is relieved to report
that this too was Bush's Fault.
Politics intrudes into the workings of the earth;s crust down near Washington D.C.- this is about the earthquake on the east coast of the U.S. in Summer 2011
Mike Hauser Mar 2013
I've got this awesome idea
To write the greatest of poems
It'll start out nice and easy
Then with a BANG make some noise

It will be widely read
In every coffeehouse in town
Soon to catch on like a wildfire
Then #1 with a bullet nation bound

Writing so amazing
It'll astound everyone
Why it might even get hired killers
To turn in their guns

It'll make the strong want to weep
And the weak to stand strong
There will be waves of applause
This poem will have it all going on

They'll beg me to let them use it
In a Presidential speech
Afterwards they'll fly it straight to the conflict
Where it'll bring peace to the Middle East

Finally coming to rest at the Smithsonian
Taking up it's rightful place
They may have to move that old Space Shuttle
To give my poem plenty of space

But before any of this can happen
Before it rings true, buckaroo
I suppose I should think up something special
And jot down a line, maybe two...
Lawrence Hall Feb 2017
Paleo-Yuppies at Work and Play

Fading slowly from the existential struggle,
Waving their MePhones about in protest,
They swarm to Starbuck’s for adjective coffees,
Uniformed in knee-pants and bulbous sneaks
And Chinese soccer tops with little checkmarks,
Their graduate degrees at parade rest,
And in confusion, suddenly-stalled careers
Raging against the thirty-something machine.
Not trusting anyone under forty,
They rustle their foam cups and resumes’
Instead of suspicious Democrats,
And demand promotions and Perrier.
They mourn pinstripes and leather briefcases,
And the old floppy disc of yesteryear,
And fumble their PowerPoint Presentations
Tho’ once they illuminated the world
With colored markers on glossy whiteboard.
They no longer play games on a Commodore
Or rock to neo-Carib fusion jazz;
Their Rush is Right baseball caps are now filed
In trays of antique curiosities
Beside the moldering hippie stuff shelved
In an adjunct of the Smithsonian
Where curricula vitae go to be eaten
By a computer virus named Vlad.
Now, as the sun sets on Ferris Bueller’s day
They count and verify their MeBook friends -
They did not change the world, not at all, but
The world changed anyway, and without them,
And in the end they love neither Jesus
Nor The Force; like Eve, they bow to an Apple.
preservationman May 2017
North and South at war
The breakup of Slavery being the score
Movement having a maneuver
The plan being a strategy
Ammunition creating destruction
It was a cause having effect
The act of slavery needing an end
A time for Freedom to begin
The names of Andrew Jackson Abraham Lincoln
The thought of Freedom in blockage from one’s means
Yet Slavery being a cause to reject
A constitution of Freedom
Years of divine wisdom
Ashes being the years far too long being a slave
The separation became the hour of change
The North was going to rearrange
A Civil War having a battle
Darkness of war no more
Road to Freedom became a life of explore
A slave being no slave thereafter for one to ignore
The ashes are only what it took to change slavery
But it was all handled so bravely.
rebecca suzanne May 2015
The puppet strings were
always pulled so tight.
They restricted my movement
and my breathing.
Then you cut them off
With no
Warning.
We dance in the car
We hold hands
We do not take instructions
From cues prewritten
In teenage romance novels.
You don't listen
To indie pop.
You don't even like poetry.
But you like me
Even when you pretend
Otherwise.
The night you kissed me,
You spent thirty minutes
Talking about cars in the cold.
I didn't understand a word,
But I loved every minute.
We aren't delicate China,
We are a red sports car
On our way to the Smithsonian.
We aren't baby steps and blushing.
We are red sharpie,
Rewriting Rules For Happiness.
We are *******,
Pushing buttons until they jam.
We are awful singers.
We are louder than the radio.
We are just a moment
But it's a moment to look back on.
A Jim-Davies-esque poster cartoon of my guts
on display at the Smithsonian as though
I could pretend to be any other poet
with my insides outstretched because
I cannot feel without cohesion or medication or
either, or—
it's lost upon synchronization.

I hear some wormy **** gobbling
(insanely might I add)
about Marx or Engels or one or both twice over.
I'm too busy trying to impress myself with this
Jenga block tower of carefully balanced fibs to notice
why you cry when the sun sleeps.
I don't exactly care so much as it intrigues me.
Another feeling stimulating what's lost.
I imagine sunshine & weep.
RW Dennen Sep 2014
Have you forgotten
your pristine ways enhanced with giggles?
And you stood by the roadside,
your hair was tossed by winds
that caressed you

You sang yourself a love ballad,
a soliloquy bestowed
by gentleness

Calmness never circumvented
your kind curiosity

Cotton candy was the imagined
clouds that melted
on your palate
as the world sang

Your hurt was
always kissed away
by kind compassionate lips
And strong nurturing arms
that held you tight against worldly stings

You couldn't spell the word  "spaghetti"
but would say, "passketti"

You dreamt dreams of Popeye,
Spiderman and sometimes monsters

You also dreamt no dreams
made of pure restful darkness

You skipped, danced, and screamed
with excitement at the slightest
silly whimsical gesture

Things that were everyday
primitive and mundane
belonged in the "Smithsonian Institute"

And friends were abundant
And baseball cards were abundant
Adult space was never
emotionally measured
because emotional bridges in friendliness
always bridged gaps

You became the hero or ******
after every Saturday matinee
The moon followed you
The sun shone forever
on summer days
Michael R Burch Apr 2020
Limericks V - Politics

Baked Alaskan
by Michael R. Burch

There is a strange yokel so flirty
she makes ****** seem icons of purity.
With all her winkin’ and blinkin’
Palin seems to be thinkin’—
"Ah culd save th’ free world ’cause ah’m purty!"

Copyright 2012 by Michael R. Burch
from Signs of the Apocalypse
all Rights and Violent Shudderings Reserved

###

Going Rogue in Rouge
by Michael R. Burch

It'll be hard to polish that apple
enough to make her seem palatable.
Though she's sweeter than Snapple
how can my mind grapple
with stupidity so nearly infallible?

Copyright 2012 by Michael R. Burch
from Signs of the Apocalypse
all Rights and Violent Shudderings Reserved



White as a Sheet
by Michael R. Burch

Donald Trump had a real Twitter Scare
then rushed off to fret, vent and share:
“How dare Bernie quote
what I just said and wrote?
Like Megyn he’s mean, cruel, unfair!”



“Clintonian” or “Billistic?”
by Michael R. Burch

There is a new term, “Clintonian,”
which means, “Stop your *******’ and moanin’.
He’s only a man
doing all that he can
to put kneepads in the Smithsonian.”



Any Woozy ****** Will Do
by Michael R. Burch

Once Kennedy, as we all know,
bedded a goddess, Monroe;
but a man of less mettle,
Bill Clinton will settle
for Lewinsky and a quick blow.



A Tale of Two Stiffies
by Michael R. Burch

There was an ex-candidate, Gore,
who amazed with his talent to bore.
“He was incredibly stiff,”
interns said, with a sniff,
“though not like his predecessor!”



Four Limericks plus one Lead-In Poem



Updated Advice to Amorous Bachelors
by Michael R. Burch

At six-thirty,
feeling flirty,
I put on the hurdy-gurdy ...

But Ms. Purdy,
all alert-y,
kicked me where I’m sore and hurty.

The moral of my story?
To avoid a fate as gory,
flirt with gals a bit more *****-y!



Mating Calls
by Michael R. Burch

1.
Nine-thirty? Feeling flirty (and, indeed, a bit *****),
I decided to ring prudish Eleanor Purdy ...
When I rang her to bang her,
it seems my words stang her!
She hung up the phone, so I banged off, alone.

2.
Still dreaming to hold something skirty,
once again I rang up our reclusive Miss Purdy.
She sounded unhappy,
called me “daffy” and “sappy,”
and that was before the gal heard me!

3.
It was early A.M., ’bout two-thirty,
when I, once again, rang the regal Miss Purdy.
With a voice full of hate,
she thundered, “It’s LATE!”
Was I, perhaps, over-wordy?

4.
It was probably close to four-thirty
the last time I called the miserly Purdy.
Although I’m her boarder,
the restraining order
has frozen all assets of that virginity hoarder!


Keywords/Tags: limerick, nonsense, light verse, humor, humorous, American politics, government, Republican, Democratic
S R Mats Apr 2015
"I am still listening" (not really, I only cued in on that phrase,
"Are you listening?")

Mama wants me to lodge something in my brain,
that much is clear.  But for the life of me, where would I put it?

If she only knew the vast Smithsonian within my head!
I always was a precocious child.
Jonathan Moya Sep 2019
I collect the death masks
of everyone I see,
many ready with their
mouths turned to  the earth,
eyes closed tight in hellish denial.

Except for L’Inconnue de la Siene
pulled from the river in utter peace,
lovely as Ophelia floating in the reeds,
the resuci Anne of two centuries
of death and resurrected respirations.

Her I grant the heaven she envisioned,
rescue her from the sterile pummel
of kisses and mechanical resurrections
for the body forever remembers its debt
to the devil’s dance of an aspiring life.

I am an exiled poet like Dante
finishing the Paradisio and Inferno
before the malarial last vision
and stone cold gasp reveals
the world and God as just a trick.

I witness the world pleading mercy
to the executioner before the beheading.
“No, no Madam you must die.  You must die”,
is the death mask maker’s answer before
the axe man takes his three swings.

I wonder, like Keats, before the wax
embalms his consumptive face
“How long is this posthumous
existence of mine to go on?”
The answer coming one year later.

I know the world will die, like John Dillinger
in a hale of bullets under a movie marquee,
its death mask ceremoniously displayed
next to its ***** pickled member
and the Sheep Child bleating for love.




Notes:
L’Inconnue de la Siene is a famous death mask created from a Parisian suicide.  Her death mask was a popular morbid collectible found in many French households of the late 1800’s and early 1900s. The Death Mask was also used as the face of a  popular CPR teaching mannequin known as resuci Anne.

The Sheep Child is a reference to the James Dickey poem about a creature that was the off spring of *******.

John Dillingers pickled ***** is rumored to be a part of the Smithsonian museum’s  hidden collection of oddities.
L’Inconnue de la Siene is a famous death mask created from a Parisian suicide.  Her death mask was a popular morbid collectible found in many French households of the late 1800’s and early 1900s. The Death Mask was also used as the face of a  popular CPR teaching mannequin known as resuci Anne.

The Sheep Child is a reference to the Janes Dickey poem about a creature that was the off spring of *******.

John Dillingers pickled ***** is rumored to be a part of the Smithsonian museum’s  hidden collection of oddities.
Lawrence Hall Dec 2016
Paleo-Yuppies at Work and Play

Fading slowly from the existential struggle,
Waving their MePhones about in protest,
They swarm to Starbuck’s for adjective coffees,
Uniformed in knee-pants and bulbous sneaks
And Chinese soccer tops with little checkmarks,
Their graduate degrees at parade rest,
And in confusion, suddenly-stalled careers
Raging against the thirty-something machine.
Not trusting anyone under forty,
They rustle their foam cups and resumes’
Instead of suspicious Democrats,
And demand promotions and Perrier.
They mourn pinstripes and leather briefcases,
And the old floppy disc of yesteryear,
And fumble their PowerPoint Presentations
Tho’ once they illuminated the world
With colored markers on glossy whiteboard.
They no longer play games on a Commodore
Or rock to neo-Carib fusion jazz;
Their Rush is Right baseball caps are now filed
In trays of antique curiosities
Beside the moldering hippie stuff shelved
In an adjunct of the Smithsonian
Where curricula vitae go to be eaten
By a computer virus named Vlad.
Now, as the sun sets on Ferris Bueller’s day
They count and verify their MeBook friends -
They did not change the world, not at all, but
The world changed anyway, and without them,
And in the end they love neither Jesus
Nor The Force; like Eve, they bow to an Apple.
Where are those cemeteries filled with centurions?
where are the legions we lost?

Only in America?

If we found them today
CSI would be all over it
they'd spirit them away
and put them on display
at the Smithsonian

Good luck is what I say
from the Egyptian rooms
at the
British Museum

Then they'll charge all the people
a dollar and a half just to see 'em
or was that for a big yellow taxi ride?

If you know you know and if you don't
know you're none the wiser
Lawrence Hall Dec 2016
Paleo-Hippies at Work and Play

Having withdrawn from the existential struggle,
Surrendering their arms and protest signs,
They muster in Denny’s for the Senior Special
Uniformed in knee-pants and baseball caps
And Chinese tees that read “World’s Greatest Grandpa,”
Hearing aids and trifocs at parade rest,
And quadrupedal aluminum sticks
Raging against the oxygen machine.
Not trusting anyone over ninety,
They rattle their coffee cups and dentures
Instead of suspicious Nixonians,
And demand pensions, not revolution.
They mourn classmates dead, not The Grateful Dead.
They do not burn their Medicare cards
Tho’ once they illuminated the world
With their flaming conscription notices.
They no longer read McKuen or Tolkien
Or groove to the Mamas and the Papas;
Their beads and flowers are forever filed
In books of antique curiosities
Beside a butterfly collection shelved
In an adjunct of the Smithsonian
Where manifestos go to be eaten
By busy mice and slow-pulsing fungi.
As darkness falls they make the Wheel, not peace -
They did not change the world, not at all, but
The world changed anyway, and without them,
And in the end they love neither Jesus
Nor Siddhartha, but only cable t.v.
Jonathan Moya Mar 2020
by the third floor
the weight of history
had become too much
that you wanted to
release it to the sky

by the fourth
my sister still hadn’t
enough of rolling
in its ashes
hearing the moans

by the fifth there
was nothing to see
but the blue cinder terror

so we all took the elevator
to the basement to reset
eat lunch among the relics
and walk the street casually
to the next next door Holocaust
preservationman Aug 2017
I had famous legacies from education and experience which some these achievers can be found in history books
But let’s take a closer look
For starters, it was my time attending CUNY MEDGAR EVERS COLLEGE, my library Supervisor was Leola Maddox, Wife of Alton Maddox, the famous Lawyer in the Tawana Brawley Case in 1987
Also at CUNY MEDGAR EVERS COLLEGE, I had the honor and pleasure to have Professor Dr. Betty Shabazz, Widow of Malcolm X and she taught a Health and Wellness class
But I had Dr. Shabazz in the fall term that went fast
Now at the Greyhound Corporation, I had 3 Mentors, but one that was significant and his name was Joe Black, Vice President, but who also was the pitcher for the Brooklyn Dodgers and who played with Jackie Robinson
I still have the books that Mr. Black gave me in Achieving Worth Receiving
Now back to CUNY MEDGAR EVERS COLLEGE, June 8, 2017 of the 46th COMMENCEMENT, I had the opportunity to see Medgar Evers Widow, Dr. Myrlie Evers, Daughter and Grandson. I witnessed former Secretary Of State, Hillary Clinton being the keynote speaker
Ken Webb, Formerly of KISS-FM Radio Host lectured at CUNY MEDGAR EVERS COLLEGE as a Professor along with my Professor Dr. Mary Umolu in Radio Station Operations Production Programming
We move from the College to the Old New York Coliseum that was in Columbus Circle in New York City, and it was the New York Auto Show and this is where I met Jesse Owens, won numerous gold medals in the 1936 Summer Olympics. We talked briefly one on one
At Rockefeller Center, I bumped into Mr. David Rockefeller and we talked for 10 minutes one on one
I also met Ted Turner at CNN CENTER, Atlanta, and he gave us a talk in my tour group
I also shook hands with Cardinal Terrence Cooke on the steps of St. Patrick’s Cathedral as they were celebrating the Church’s Centennial
Met Movie Star David Hasselhoff of the Knight-Rider TV Series Fame as we talked directly at Universal Studios, Hollywood, California and also had conversation with KIT, the knight-Rider Car
Miracle on 34th Street I actually lived during the R.H. Macy & Co., Inc. and Gimbels era, but also extends into the TITANIC
I spoke to Arnold Schwarzzenger during his Bodybuilding Competing Days and Superstar Billy Graham of Wrestling
Dr. Hazel Duke of the NAACP New York Chapter preached at my Church
Eubie Blake, Famous Jazz Pianist/Composer is my Great Uncle and who is also in the Smithsonian ***** Museum in Washington, DC
There are a host more, but I leave it right there
Each star personality with qualities beyond compare
Reflection fitting any occasion
History being part of me
I shared because I wanted all to see.
Lawrence Hall Feb 2017
Paleo-Hippies at Work and Play

Having withdrawn from the existential struggle,
Surrendering their arms and protest signs,
They muster in Denny’s for the Senior Special
Uniformed in knee-pants and baseball caps
And Chinese tees that read “World’s Greatest Grandpa,”
Hearing aids and trifocs at parade rest,
And quadrupedal aluminum sticks
Raging against the oxygen machine.
Not trusting anyone over ninety,
They rattle their coffee cups and dentures
Instead of suspicious Nixonians,
And demand pensions, not revolution.
They mourn classmates dead, not The Grateful Dead.
They do not burn their Medicare cards
Tho’ once they illuminated the world
With their flaming conscription notices.
They no longer read McKuen or Tolkien
Or groove to the Mamas and the Papas;
Their beads and flowers are forever filed
In books of antique curiosities
Beside a butterfly collection shelved
In an adjunct of the Smithsonian
Where manifestos go to be eaten
By busy mice and slow-pulsing fungi.
As darkness falls they make the Wheel, not peace -
They did not change the world, not at all, but
The world changed anyway, and without them,
And in the end they love neither Jesus
Nor Siddhartha, but only cable t.v.
preservationman Feb 2020
The man, Eubie Blake
Jazz Pianist and Composer filling the slate
Music having its own blend
Gifted talent because my Uncle Eubie can
Eubie Blake being my Great Uncle
Have listened to him play those ivory cords
Oh my Lord
Uncle Eubie played Jazz with direction in mine
The direction was rhythm in Jazz emotion
It didn’t matter if it was waters deep like an ocean
The Charleston blend being a thought in a notion
Step up but step back
My Uncle Eubie could play with the golden fingers
Every note being a creation
The rhythm is the formation
My Great Uncle is in the Smithsonian African Museum and Culture in Washington, DC
He was once a student at New York University
My Great Uncle’s Parent were once slaves and perished over the years
But Uncle Eubie was inspired in his own right to preserver
He was from Baltimore, Maryland
It’s music note after note as my Great Uncle made that music simply float
Uncle Eubie’s dignity met honor
The ivory keys of the piano that I will never forget
In fact, the piano keys and I have met
I was taught professionally on the Piano by two musicians, a Female Opera Singer and a Male Concert Pianist
But before that, I was concentrating on the *****
My Uncle Eubie was the influence and inspiration
It doesn’t matter what music as it is about culture and appreciation
Play that again Uncle Eubie
Legacy being the remembrance all the way

— The End —