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"shu" poems
we got a goldfish, for my little boy. a tank, some coloured grit, three plants not two, must practise goldfish fung shu. all the water testing guff and of course a filter. a sunken ship and a treasure chest . we paid the pirate... and took our ***** home. so we set Bruce. ( for that was the name chosen). up in pride of place on sidboard. the list, above, was positioned after meetings of commision. water tested to the highest degree, filter fizzing, wizzing,whirring. Bruce swam in his bag in the tank, for a time as instructed. then released to a slightly larger freedom. he swam and swam, golden scales a flickerin. we, (that being, mr just about three and his dad) fed him, watched him poo, and eventually, read Bruce, a bedtime tale or two. one fish, two fish by Dr Suess went down a treat. the little man then, was bundled off to bed. thoughts of Bruce left our heads. the evening lengthened. we retired to sleep the sleep, of ignorance it conspired. for in our planning we forgot one thing. a devon rex cat, who has a bath weekly, a penchant for tuna, no top to the tank. so we thank the lord for Bruce. however, brief was his reign. now we introduce to you.... Murtle the turtle who has a glass pane, sitting above her head. just in case...... the cat likes, turtle soup.
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Apr 7, 2014
Apr 7, 2014 at 12:07 AM UTC
gotta goldfish
Well there is 'shine' coming down from the Carolines, Brothers I haven't seen in quite some time. Each year we gather here , rain or shine, it's the gathering, the Meeting time. We all will stare into the flames, pass that jug, time and again. Talk , spit , joke and smoke, just alot of catching up. Then the business will be discussed at hand. What needs to be doing and help where we can. Dues will be paid and treasure report. Pass the jug for another snort. Food will be prepared on that old trusty grill. Fire will be a blazing to bust down the chill. Know old Shu is going to bring that guitar out. Sitting with my Brothers is what it's all about. Come morning we will all fire up our sleds, remembering the plans and what had been said. By noon all that will be left of what happened at all, is the burning embers and empty jars.
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Jan 9, 2011
Jan 9, 2011 at 11:50 AM UTC
The Meeting
I remember the day when you said to me the beauty of this world is under lock and key. The ugliness and hatred is all you can see and once a bird is caged, it'll never again be free. But all your life you never did try to spread your wings and learn to fly. Nor did you look past the grief of war to see all the peace we've been fighting for. I remember writing a poem about an orange though we all know nothing rhymes with orange and after that I didn't write for a long time since you said a poem's not a poem if it doesn't rhyme. But all your life you never had a clue of how to go above and beyond what's expected of you. You weren't one of a kind, instead one of few who settled for average and stuck to what you knew. I remember sitting down for dinner with you with my sushi rolls and pork moo-shu and you said eating ethnic things will not make me interesting. But all your life you sat on floors watching TV when you could be outdoors. Eating pepperoni pizza and chicken wings, never trying any new things. I remember that time when you yelled at me 'cause I failed my first test on geometry. Your face turned red as you grabbed hold of my head and said "if you stopped your **** writing you might've passed math instead!" But all your life you focused too much on solving equations and numbers and such. Your math mark went up but your english mark fell, now you've forgotten how to solve for x and still can't even spell. I remember when your words used to put me down and I wore a bag over my head when it should have been a crown. I thought I was nothing but I was wrong, I guess I had just been listening to your lies for far too long. See, all your life you felt insecure because of the disappointment you felt when you looked in the mirror. You spent too much time existing that you forgot how to live, you've been drained of all happiness like flour in a sieve. I have realized now that I need not feel bad and no longer will I let your words make me sad. You're the most ordinary person I ever knew, and for that I pity you, I really do.
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May 14, 2013
May 14, 2013 at 5:41 PM UTC
Life is for the living
I remember the day when you said to me the beauty of this world is under lock and key. The ugliness and hatred is all you can see and once a bird is caged, it'll never again be free. But all your life you never did try to spread your wings and learn to fly. Nor did you look past the grief of war to see all the peace we've been fighting for. I remember writing a poem about an orange though we all know nothing rhymes with orange and after that I didn't write for a long time since you said a poem's not a poem if it doesn't rhyme. But all your life you never had a clue of how to go above and beyond what's expected of you. You weren't one of a kind, instead one of few who settled for average and stuck to what you knew. I remember sitting down for dinner with you with my sushi rolls and pork moo-shu and you said eating ethnic things will not make me interesting. But all your life you sat on floors watching TV when you could be outdoors. Eating pepperoni pizza and chicken wings, never trying any new things. I remember that time when you yelled at me 'cause I failed my first test on geometry. Your face turned red as you grabbed hold of my head and said "if you stopped your **** writing you might've passed math instead!" But all your life you focused too much on solving equations and numbers and such. Your math mark went up but your english mark fell, now you've forgotten how to solve for x and still can't even spell. I remember when your words used to put me down and I wore a bag over my head when it should have been a crown. I thought I was nothing but I was wrong, I guess I had just been listening to your lies for far too long. See, all your life you felt insecure because of the disappointment you felt when you looked in the mirror. You spent too much time existing that you forgot how to live, you've been drained of all happiness like flour in a sieve. I have realized now that I need not feel bad and no longer will I let your words make me sad. You're the most ordinary person I ever knew, and for that I pity you, I really do.
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44
Er legt die Nadel auf die Ader und bittet die Musik herein zwischen Hals und Unterarm die Melodie fährt leise ins Gebein Los! Los! Los! Bop bop shu bop Er hat die Augen zugemacht in seinem Blut tobt eine Schlacht ein Heer marschiert durch seinen Darm die Eingeweide werden langsam warm Los! Los! Los! Bop bop shu bop Nichts ist für dich nichts war für dich nichts bleibt für dich für immer Er nimmt die Nadel von der Ader die Melodie fährt aus der Haut Geigen brennen mit Gekreisch Harfen schneiden sich ins Fleisch er hat die Augen aufgemacht doch er ist nicht aufgewacht Nichts ist für dich nichts war für dich nichts bleibt für dich für immer - He lays the needle in the vein and he asks the music to come inside between his throat and forearm the melody travels softly in the bones Go! Go! Go! Bop bop shu bop He has closed his eyes a battle rages in his blood an army marches through his bowel the intestines become warm slowly Go! Go! Go! Bop bop shu bop Nothing is for you nothing was for you nothing remains for you forever He takes the needle from the vein the melody travels out of the skin violins burn with shrieking harps cut the flesh he has opened his eyes but he is not awake Nothing is for you nothing was for you nothing remains for you forever
0
Jun 30, 2013
Jun 30, 2013 at 6:32 AM UTC
Adios - Rammstein
i. Michar, Oer'len- Lavokri, proment; ii. Pravickle gla shoviet Shoviet crunce du; zeftar mun acopolli, vas dae ba-la shu. iii. Marantash sodetti Grasvantas, blinta Yeshatari klevo's. ©Brandon Nagley ©Lonesome poet's poetry ©Earl jane sardua Nagley ( àgapi mou) dedicated You must read bottom while reading poem for words meanings. Thanks Brandon. And to all my readers thank you dearly for your support! I thank all of you for your support and kindness and love. Your fellow poet Brandon Cory Nagley.....
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May 27, 2016
May 27, 2016 at 9:00 PM UTC
Michar Oer'len ( Undefiled reward of God)
birth life death rebirth a rim tone’s soft cry (wah-wah) emerging above a drum-like basso profundo chaotic cadence harmony in vibrato a singing bowl’s sustain dying to be born again and again the universe without and within inhaled into the mind’s eye traversing core’s essence expelled through nostrils meditation in slow motion posture strung from rafters a twisting waist yin and yang separate but equal beautiful lady wrists synchronized to calm, deep breaths a diffused gaze focusing on quiet power inside you chi strong enough to stop time as you move within a cylinder of silence thinking about nothing each movement with a memory of its own a life time in yang long form closing down to wu shu the universe within and without and in each breath birth life death rebirth
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Oct 9, 2012
Oct 9, 2012 at 3:09 PM UTC
SANSĀRA
... ||| ... It matters not, if we're young or old fair-skinned, or colored rich or poor...smiling or pouting our lives...our days are never easy we either worsen, or lessen our load each time we make up our minds, through the choices we make   ::: in the midst of our daily grind fashion statements take a big part with nuances that define our style, ease and comfort are emphasized choices range from loud or vibrant to subdued, or not too obvious  colors... ::: that morning, we did tiptoes...and diagonal stretches leaps.....kicks....slower wu shu, and other  movements....we hopped with a turn...and then back on the ground, the world didn't reel...not at all dizzy no aches from lower extremities arches  were just fine feet were still feeling light... ::: i am cool, i am hip i walk with dapper steps in pants, skirt or dress i move with ease very comfortable with low cut ::: most of all, i have no qualms if i would be standing up to my last step or, if i would be led to an early fall i feel confident when wearing my yellow converse sneakers. ::: it could be a pair of converse or ordinary sneakers a size larger, or just right as long as we feel a calm content no pricking on the mind and chest because, we hurt no one we do what is right for the good of all in making choices in life, shoes, or otherwise let's do what won't make us reel, or fall down let there be balance...in heart and mind let us be steadfast as we stand on the ground. Sally © Rosalia Rosario A. Bayan September 4, 2017
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Jul 13, 2018
Jul 13, 2018 at 8:59 PM UTC
Grounded
... ||| ... It matters not, if we're young or old fair-skinned, or colored rich or poor...smiling or pouting our lives...our days are never easy we either worsen, or lessen our load each time we make up our minds, through the choices we make   ::: in the midst of our daily grind fashion statements take a big part with nuances that define our style, ease and comfort are emphasized choices range from loud or vibrant to subdued, or not too obvious  colors... ::: that morning, we did tiptoes...and diagonal stretches leaps.....kicks....slower wu shu, and other  movements....we hopped with a turn...and then back on the ground, the world didn't reel...not at all dizzy no aches from lower extremities arches  were just fine feet were still feeling light... ::: i am cool, i am hip i walk with dapper steps in pants, skirt or dress i move with ease very comfortable with low cut ::: most of all, i have no qualms if i would be standing up to my last step or, if i would be led to an early fall i feel confident when wearing my yellow converse sneakers. ::: it could be a pair of converse or ordinary sneakers a size larger, or just right as long as we feel a calm content no pricking on the mind and chest because, we hurt no one we do what is right for the good of all in making choices in life, shoes, or otherwise let's do what won't make us reel, or fall down let there be balance...in heart and mind let us be steadfast as we stand on the ground. Sally © Rosalia Rosario A. Bayan September 4, 2017
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61
Sumer, the people of ancient Mesopotamia. Known to us as nascent humanity; Spreading across the world quickly, Like news of a calamity. They existed thousands of years ago, A civilisation truly gifted, Knowledge of whom many of us forgo. They were but one shade in a kaleidoscope of human presence. Kings of the Fertile Crescent – Establishing empires or mastering commerce, Starting fires or learning to converse. Mankind in its infancy, A bloom of activity and artistry. In our attempts at deciphering our history, We turn to the relics of their poetry, Discoveries that are a historian’s ultimate victory. ‘The love song of Shu-Sin’ – The world’s oldest, known reference to love. Written thousands of years ago, Possibly older than we do know. It is a rite of marriage, a recital; In it lies a passage, one that needs a revival. It is about a vow that we have now twisted, An exquisite message that leaves one’s spirit lifted. The bride promises the following to the groom; To act as a refuge when all that seems to loom is doom and gloom. To caress, love, and soothe. To savour beauty and intimacy, To be like honey, sweet and smooth. The king - a man who was thought divine, A man whose life was valued more than yours or mine, A man who could eternally wine and dine – That man was still no sultan to love. His heart was still in the palms of his beloved, Their naked frames intertwining, arched and cusped. His hold on her is not one of force, Nor a promise of power, But rather earned in due course, Like the development of a beautiful flower. I grieve beyond words when I think Of how love, nowadays, is on the brink. The glue that holds life itself together, Discarded by many, like an ex’s letter. I look at the eyes of people I’d love to be with, And in their expression, I discover a graveyard of sad memories. Scars that feel indelible, past histories - Souls that look like war-torn territories. I look at my own eyes in the mirror, And see a starving spirit, growing thinner. I see a window for restoration, becoming slimmer. Sometimes I hopefully wonder – is there a glimmer? Is there another hungry apparition, On a desperate search for heavenly admission? I seem to have forgotten how to love, And do not know how to rid myself of this condition.
0
Aug 22, 2018
Aug 22, 2018 at 7:11 AM UTC
I forgot how to love
Sumer, the people of ancient Mesopotamia. Known to us as nascent humanity; Spreading across the world quickly, Like news of a calamity. They existed thousands of years ago, A civilisation truly gifted, Knowledge of whom many of us forgo. They were but one shade in a kaleidoscope of human presence. Kings of the Fertile Crescent – Establishing empires or mastering commerce, Starting fires or learning to converse. Mankind in its infancy, A bloom of activity and artistry. In our attempts at deciphering our history, We turn to the relics of their poetry, Discoveries that are a historian’s ultimate victory. ‘The love song of Shu-Sin’ – The world’s oldest, known reference to love. Written thousands of years ago, Possibly older than we do know. It is a rite of marriage, a recital; In it lies a passage, one that needs a revival. It is about a vow that we have now twisted, An exquisite message that leaves one’s spirit lifted. The bride promises the following to the groom; To act as a refuge when all that seems to loom is doom and gloom. To caress, love, and soothe. To savour beauty and intimacy, To be like honey, sweet and smooth. The king - a man who was thought divine, A man whose life was valued more than yours or mine, A man who could eternally wine and dine – That man was still no sultan to love. His heart was still in the palms of his beloved, Their naked frames intertwining, arched and cusped. His hold on her is not one of force, Nor a promise of power, But rather earned in due course, Like the development of a beautiful flower. I grieve beyond words when I think Of how love, nowadays, is on the brink. The glue that holds life itself together, Discarded by many, like an ex’s letter. I look at the eyes of people I’d love to be with, And in their expression, I discover a graveyard of sad memories. Scars that feel indelible, past histories - Souls that look like war-torn territories. I look at my own eyes in the mirror, And see a starving spirit, growing thinner. I see a window for restoration, becoming slimmer. Sometimes I hopefully wonder – is there a glimmer? Is there another hungry apparition, On a desperate search for heavenly admission? I seem to have forgotten how to love, And do not know how to rid myself of this condition.
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55
Khalka kayi tanz che pukhto ke shaeeri na kowlay shu mung musafiran dighaina ilawa sa kowlay shu Khalko ta owaya che dagha khabara na da Shaeeri khpl yuba wayi che dee na baghair sa na kowlay shu ----------------------------------- People believe us not of acquiring Pashto poetry ability We travellers inherit no other talent or capability Tell the people tis not what it seems, it's nothing Expresses the poetry itself, without us it's nothing
0
Sep 19, 2017
Sep 19, 2017 at 6:56 AM UTC
'Sa wayi pa Pakhto ke/ What do you say in Pashto'
Best enjoyed listening to the B-side of Tom Wait’s Heart Attack and Vine The needle pierces the old dusty vinyl; cue anticipation. An amalgamation of artificial nostalgia and the feeling like someone carved a six-inch valley in the middle of your skull. A Gravelgarglingchainsmokeingdevil (God when he’s drunk) spilling guts at thirty-three revolutions per minute. And with each screaming note there is not violence, but the sensational. Tell me about jersey girls and china white. All I want to do is ride upfront. Light cigarette off of cigarette and fail in attempts to pronounce the place names (shu•be•na• cadie, Ko•uchi•bou•guac (when I was a kid I though it was Capital A)). Maybe real music is found within silhouettes of silence. Standing on the marsh flats gazing up at the abyss. The stars reign down over the tide that is coming in the bay and the ice, cracks and echoes with a natural reverb. I think I am creature driven and derided by vanity. Or maybe its just time to flip the record.
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Feb 24, 2013
Feb 24, 2013 at 12:57 PM UTC
Cap-Pelé
Kinuha ako sandali upang malaman ang magagandang salita palakihin ang ulan sa aking bintana at seksing ngayon ay nasa tub ako na pinipigilan ang on-sale na Bordeaux na nagkukunwaring upang maiayos nang maayos ako ay nasa totoong iyon jazz **** minsan tumatakbo ako sa mga kalye minsan pinapatakbo nila ako ako ang katawan ng reyna ng aking hood napunan may masamang alak masamang gamot mu shu baboy sakit beats ano pa ang masasabi ko sa iyo Binubuksan ko ang aking mga naka-istilong binti Nakukuha ko ang aking swagger pabalik hayaan ang mga lalaking may gintong ngipin na yumuko sa aking mga suso at ang mga paltos sa aking mga paa ay nagiging kuryente ako Ako ay isang patch ng damo ang mga mahigpit na ugat tumawag ka sa bahay o kapatid kung nais mo Maaari kong guluhin ang iyong mga mata na gumawa ng hip-hop na mamatay muli Nasa babaeng babaeng **** ako bago ako mag-break ang leeg ng bote ay ibinuhos ko ng kaunti: Nabagsak ako
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Dec 1, 2020
Dec 1, 2020 at 1:59 PM UTC
paghawak ng negosyo ko
Fender Mo Shu?  Fender Mo Shu! Scraps pelting me from above- this conversation could take 20 to 30 minutes. Do you have that kind of time available? ... and I just met Larry Cherry @ the local carnival stand. His old frame stands at half tilt and his feeble bones creak as he swings the 10lb hammer down to connect up to the chime prize. Ding! zip zap sounds resonate as his eyes wide shut contemplate his success, and then it was over.
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Aug 19, 2015
Aug 19, 2015 at 12:41 PM UTC
Highway Darts
how beautiful is my life? when my friends are here? .........HAN SHU!
0
Jun 17, 2010
Jun 17, 2010 at 4:46 PM UTC
demian says
birth life death rebirth a rim tone’s soft cry (wah-wah) emerging above a drum-like basso profundo chaotic cadence harmony in vibrato a singing bowl’s sustain dying to be born again and again the universe without and within inhaled into the mind’s eye traversing core’s essence expelled through nostrils meditation in slow motion posture strung from rafters a twisting waist yin and yang separate but equal beautiful lady wrists synchronized to calm, deep breaths a diffused gaze focusing on quiet power inside you chi strong enough to stop time as you move within a cylinder of silence thinking about nothing each movement with a memory of its own a life time in yang long form closing down to wu shu the universe within and without and in each breath birth life death rebirth
0
Oct 9, 2012
Oct 9, 2012 at 3:09 PM UTC
SANSĀRA
It’s twelve past midnight My eyes still won’t shu My head still wander around I can feel the emptiness of the space around me My cup of coffee sits in front of me telling Why won’t you rest? My folks are sleeping tightly with their beds Still here at the dining room laying down thoughts. The ticking of the clock fills the air and the lound engine that hovers over our heads. My eyes hurt but still it know no shutting Now my head is on a stranded isle of strangers star gazing It looks above above a blanket of stars with lady moon With a man below with his fiddle playing tunes and croons. Cold air chills my bones I seek comfort from my warm coffee and the taste bittersweet yet flowery in the soul. Through the twisted sheets of words and it’s intricate weaves I found comfort in me. I feel like sinking into oblivion and felt that no one will look for me. But the more I paddled to float I sunk into deep nothingness Is someone out there who wants to join me? My head filled with thoughts I wish I could put it into brine so someday I could eat it up and remember it. Thoughts fill my lungs and breathe out words so silent even my ears can’t hear. A gentle tune from my clarinet croons my dazed head And felt my shoulder hang low My weary heart started to beat slow My body felt a stand still and my eyes gently clasped shut.
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Apr 17, 2017
Apr 17, 2017 at 6:23 PM UTC
Midnight Coffee
I am like all other fools; Nothing broke my heart. My spine of brittle woven sticks Cracked under nothing. My lungs gave out under Years of whistling "Shu-Shu, Xu-Xu, Xu-ni-de." They had breathed in too many daydreams And real air calcified them with the shock Of finding it all had been delusion. A life of smiling at babies and dogs and buttercups Left me unprepared for their destruction And my own ruin. It was my own fault that I was abandoned In the face of a tsunami of stormclouds Barreling out of the Western sky: The last sigh of a sun that goes there Each day To die.
0
Jul 1, 2016
Jul 1, 2016 at 7:13 AM UTC
Untitled
Live right in front of You shu du ku Like a 747 lifting the air beneath your body volume an ***** with one key that sounds like 88 though you didn't know anything about the count itself It was the sense that everything was there And you cried as if everyone you shu du ku knew had died you started pointing at each echo there did you see it? you exclaimed exclaimed to no one except those you wanted to join you they would know they saw it Like Youshuduku That wasn't your name when you arrived They found you anyway You didn't know they were looking it was an arrangement of your feelings They weren't afraid of the new pattern what did they have to lose? It's not as if they considered losing at all but what if they had? you see it doesn't really matter does it? it's your party now anyway whether you steal the ***** or the feeling in the air or stick a brush into a goo of the red stickiness do it then trace the path all the way back on your face don't bother to leave the doors have no knobs there is no need for a lock you haven't decided to leave anyway because your body is a new kind of a a new kind of a kind of a of a a rhythm
0
Dec 13, 2015
Dec 13, 2015 at 11:28 PM UTC
Rhythm Pills
Plum rain halts, river's still, sails fall Isle's near, smoke's clear, wild **** soughs By the dock, fishermen sing an old tune I am home, far from Land of Shu A dream, a song, two scores fly by In a monk's thatched hut, I hear the rain impinges upon the earth
0
May 11, 2020
May 11, 2020 at 10:05 PM UTC
To Chang'an