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Robert C Howard May 2016
Sinbad’s sea-battered ship was
poised on the edge of annihilation,
The Sultan's brow furrowed with curiosity,
then without warning
Scheherazade stilled her narrative
and lived to see the morning sun.

When the moon and stars next owned the sky,
Sinbad was snatched from the jaws of death
then the saga of Prince Kalandar
seized the king's soul with wonder
but Scheherazade left the tale unfinished
and sang with the birds at dawn.

Rimsky-Korsakoff  turned the pages at his desk -
consumed by Scheherazade’s charms
then etched his pen across the waiting staves:
The violin must weave her spell once more
and bassoon and oboe take the prince’s part.

Trombone and trumpet led the martial call
and all the rest enlisted for the cause.
Russian bravura fused with the seductive allure
of exotic tunes born of the dust on the silken road.

A sonic whirlwind filled Saint Paul Church,
as winds and tremolos grew to cyclonic force.
A wall of brass completed Kalandar’s tale.
capped by an exuberant clash of cymbal plates.

The silence yielded to tender violins
chanting a hymn to the princess in all her grace.
Tambourine and winds wove a tapestry
of her debonaire and most virtuous prince.

As the final pizzicato chord faded, the Sultan
turned to Scheherazade with tear-filled eyes
and beheld his immortal princess
and she her valiant and eternal prince
and so it would be as long as night preceded dawn.

She kissed away his tears of joy and whispered in his ear,
“My beloved husband, I will tell you stories forever.
Tomorrow you shall learn of the Feast at Baghdad.”
Another site I have posted on, Poetfreak.com is shutting down so I am moving some the poems here. More refugees will follow.
Graff1980 Jan 2015
Scheherazade always stopped
In the middle of her stories
Not just because she wanted to live
In spite of the Pharaoh’s nature
But because stories never really end
They just transition to a new beginning
One to another
Stories begin from some other stories end
Cody Edwards Mar 2010
The lady in violet waits
by Arab candle light for the sounding
of twenty-one silver bells.

Seven white divisions led
by four black stars.

Her stories feed the drowsy
like a stoppered angel
in the axe-man's hands.
© Cody Edwards 2010
belbere Nov 2016
you said i was exotic,
and i said ooo
what do you mean?
exotic like a fruit?, like
i don’t know what tropics
you think i came from, was
imported from, but you read
my skin like the label
on a flavour of coca-cola
you had never been
offered before and i
was refreshing, and
different. and you liked
the way my coke-bottle
curves felt beneath your
fingertips, said you’d never
tasted caramel
like me before,
you said i was exotic.
like i was a work
of west african art,
even though my mother’s
from the east, like
i was from a storybook like
1001 african nights, like,
you saw my cover and you were
hooked, never did think to
look beneath the jacket,
just wanted stories like the
ones scheherazade sold,
i was your sheba
and you my solomon.
we rode lions across
the sands, your kiss
was salt on my lips,
i needed to quench
my thirst and you offered
me the brand new flavour
of coca-cola.

you said i was exotic,
like a pretty foreign thing,
some mail-order thing,
special delivery
just for you,
a flavour of coca-cola that you
had never tasted before.
it's not a compliment
Essen Dossev Oct 2017
Scheherazade
sneaks into your bed at night
gives you the shake down
for stories
then slips quietly
into the cover of darkness

you wake
without dreams
Mateuš Conrad Jun 2016
i was directed to this place by Marty Feldman, and he said i should say this password to gain entry: float like a chapati, sting like a vindaloo.

i' not good at making passes at someone's death,
just yesterday i was thinking
while a quiz show took place with haiku clues
regarding famous people, so i wondered
aloud: would it still be the correct answer if
you said: cassius clay? what a cool name,
colossus of clay - what the hell does Muhammad
and Ali have to do with african rooting
when you hardly speak Swahili? a bit pointless,
but a name like cassius clay... unstoppable -
already mythological, rather than a family
feud between Ali and the Caliphs after Muhammad's
death - maybe he should have confirmed his
baptism as Muhammad Ali with a confirmation
akin to catholic practice and added a surname, like
Khadijah, well... if Mozart is turning in his coffin
for his music being turned into a muzak
or a Porcupine Tree tree song, then the first wife of
Muhammad is turning in hers... a wise women
of sound economic acumen could be compared
by secular standards to Gabriel's voice, women tell lies,
just today i saw plain Jane turn into a stunner,
she was gagging to go on a date with a guy of her dreams,
by media standards a subsequent loser in Morocco,
at a photo shoot of practising flirtation a half-and-half
love affair between the Gothic island of the Caribbean
that's England and the Bahamas flirted with olive skin,
blue eyes and pecks, and an ego shaped like a woodpecker...
or an u.z.i., poor guy, got to make a show,
but the ***** is out! she noticed her eyes!
what further shahada of scheherazade?
just one more night, just one more night, one more, night.
demigods and men, traces of narcissus in man resides
in his eyes, nowhere else, man and woman fall in love
with their eyes, rather than narcissus and the complete
visage, but as i once said: imagine narcissus looking
into the sea - he might as well have fallen in love with
the stillness of the lake rather than the image represented
by it - across the seven seas he roamed, across the seven
zeniths, until he came across the Lake of Echo,
and heard the echo of footsteps beside him, to have seen
the natural mirror by moonlight, and settled to lie,
disguising himself as a flower worth recycling:
each god in polytheism his own individual, reigning ideal
in the pantheon of gods: solipsism - with man's intervention
a notably study of, himself.
although i'd love to chat thoroughly about this,
i'm not so sure i want to - hear the words:
you're a good man... you're a good man in a brothel?
you think a ******* would forget saying that
and continue? *persona incognito grata
-
a golden crown on her tooth that i peered into with her
Ukrainian accent speaking polish, i lost my virginity
to a French girl without any connection - proceeding
from the way she decided a child learning a new language
aged 8 could not be considered a native speaker
for a psychology experiment - i gave her a silent lesson
in history concerning Napoleon and the last heroic act
of warfare, after that, civilians were utilised like bombs
or rifles, the many guilts after all the killing seized.
anyway, today i decided to cook two knock-outs...
the first was intended as a kolhapuri chicken curry,
the latter was chicken do'h pyaaza, with the later
the title, indeed the fenugreek incident, fenugreek
being a concentrated version of kasoori methi,
if the Turks invented hot & sour with a pickled chilli,
the blue Indians invented a whole palette of sour and hot
with this dish, and the crucial ingredient that's
fenugreek - although the crystalline form of this spice
is more potent - the recipe asked for one tablespoon
of the raw products, the leaves (kasoori methi) -
i added a teaspoon of the concentrated stuff -
what a disaster! i asked for two tasters to tell me that i
wasn't tasting bitterness in the gravy as if i added some
English ale revenge against continental beers...
because the excess of the component of intended sourness
of the fenugreek turned into an ale-like bitterness -
hence the notion that sour isn't an antonym of sweet,
but bitter is - hence sweet & sour rather than
sweet & bitter - you can have a turkish pickled chilli
and still have a compliment on the palette of hot & sour,
but imagine tasting bitterness - excess of concentrated
kasoori methi does the trick - and since Faust doesn't
have an Igor like Dr. Frankenstein, he turned himself
into a hunchback, and started picking out most of the
fenugreek crystals from the gravy, one by one, ony by one,
hunched over the sauces - until the bitterness disappeared
and the intended sourness came through -
it took a while, but Faust as his own assistant kept on
saying: stop lying, stop lying! i want to eat this sauce too!
that's the thing with chemistry and cooking,
i received a present not too long ago, an arsenal
of spices, which means i can punch-bag you a Peshwari
naan with raisin and almond stuffing (a bit of sugar too),
and i can add the raw ingredients - i'm richer with
spices than with drugs or gold: turmeric is also known
as saffron - although saffron is more potent,
turmeric does the same job... coriander powder, cumin
power (also seeds), mint the prime garnish for
do'h pyazza curry... garam masala made from scratch,
meaning i have: cardamom pods, cloves, black cardamom,
mace... and i can make you a kohlapur masala...
honestly... in this great culinary babylon of english society,
from pizzas to chinese to Kentucky to New York
street vendors... i'd give up the cuisine i was born in
and convert to India's palette... i don't need to convert
anything else... religion can remain with those who
barely read, or who read and cite only one book...
let them have it... i don't care...
i already converted to a non-religious fascination with
mystical Judaism (sorry Allah, couldn't do anything
with your name, it didn't fit the Latin revision of thinking
about it), and as such, converted to a dreamy everyday
of India's culinary prowess - Kama Sutra is nothing
compared to the recipes from Kashmir or anywhere
where the blue bloods fascinated the merchants rather than
scalped them in berserker rage among the puritan
envoys.
Regal Pinion Dec 2013
Feel the entropy heating up your gears
With meshing poetic rhetoric flowing through your ears

Pistons pinions piercing pulsing
Calculating creates cruelty convulsing
Which confuses itself as a new form of dance
But it’s actually mating while still wearing pants

There’s mercury around your hat’s brim
As you look up to your cherubim
They’re not good MCs you’re suffering from delirium
We’re not an ocean we’re a city: Pandæmonium
Whether stage, stereo, or behind a podium
My flow so addictive you need rehab to quit this *****

Undercutting uppercuts straight to the jaw
Dangling there mangled but you’ll never lose the awe
I can talk sunlight into becoming my shade
Stand up to me? Step down before you fade

I am the Clockwork Seraph
Each word must be cherished
Because words hold more power than any man
So I’ll trick the legless to take a stand

We’ll walk miles for this vile style
Bloodied grin? Show us your smile
All is well? Or all is in denial?
Who cares? Let it rest for a while

Throat grabbing metaphors
Chokes gabbing sell-out ******
Garrote grappling violent scores
Rogues glancing harlot stores

Cut to the point or cut to source
Cue the anointment meant for the Force
Wrong religion but ***** it any myth will do
My words are Set to Isis like Osiris rose for you

Scheherazade’s in her padded cell full of fright
Shouting frantic nonsense for 1,001 Asylum Nights

Love is a chemical that seems too harsh
It comes from the brain, we call it the heart
Anger is an arrangement that can tear you apart
Here’s an outlet try again end at the start

Pause
Think
Take a breather now
While sixty feet under water
As you drown

Yesterday’s miracle is today’s explained fact
Truthful anomalies become outliers for the mass

If a beat drops does it plummet to its death?
Was it suicidal it could be anybody’s guess?
It tried to forget so it kept all repressed
Tongue play twisted by the embittered press

Oh yes! Says the ******* moaning ghost
Raise your glass take a sip prepare for the toast
Overdosed on rufilin for the life/death duality
The party forgot to plan this half-hearted tragedy

Fires burn like thunders boast
Of the speed the hot flash was provoked

I don’t do battle raps I just humiliate my foes
There reputation lying in graves row by row
Blank stares earned as they feel the throes
More white towels thrown in as their hope corrodes

My left hand spits for the pages thrones
My tongue tests it to see how it flows

Shoot for the moon and if you miss
You’ll be surrounded by infinite emptiness
Obviously I’m different so I won’t waste your time
Every rapper claims their special somewhere down the line

Are you lost? here’s a map: blank canvas
Crumble it up to see it form a crevice
A Knight of Bedlam here for your service
Rising with the lunar crescent for their hubris

Blood stained White Knight
A hero’s antithesis done right
Funeral garbs for this sable raft
Beating hearts for disabled craft

Buried in deep and now I’ll rise
To the occasion to claim this prize
The only thing we all have in common
Is the differences in our perception

I am the Bayssic scion
Hold on tight if you plan on riding
On my dark white lyrics
Beautiful insanity with spirit

Each and every person you meet
Is as real as you imagined them to be
From my mind un-vaulted in hopes it’ll last
Join us now, through the looking glass
Donall Dempsey Aug 2017
SO: SCHEHERAZADE ME!

It appeared as if
the very air were

asleep.

Even the dark was
asleep.

An harmonica stained
the night with itself.

An ache that stole
into the soul.

Snowflakes fell
in slow slow-motion

as if they were
sleep walking.

Time seemed to so-
lid-if-y

congeal about
the moment

frozen like a rabbit
in the headlights of life.

"Why me!"
the moment seemed to say
"Why me?"

"Awww shut up!"
I told it.

It shut up.

An obese moon
like a stray dog

tried to follow me
home but home

was the other side
of an ocean.

Still, it dogged
my every step.

The blind man kept on playing
as if

he were the soundtrack
to the film I

had become.

NYC was nothing like
its movies.

Only the cold
was real.

I dropped change
into the blind man's tin cup.

It made a music
all of its own.

He looked at me
with both his ears.

He smiled with
all of his self.

TALES OF THE KALENDER PRINCE
got lost

in the ensuing silence.

He mumbled a thanks
in an unknown tongue

maybe
Klingon.

The moment kept on
trying to find meaning

like an unsure actor
asking what's its motivation.

There was none
to be found.

My footsteps walked away
almost leaving me

behind.

TALES OF THE KALENDER PRINCE
started up again

as if the night had
pressed PLAY.

"Well....I'll be
Rimsky Korsakov'd!"

I attempted a smile.

It hurt.

The harmonica's voice
eclipsed by the police

siren.
Donall Dempsey Aug 2015
It appeared as if
the very air were

asleep.

Even the dark was
asleep.

An harmonica stained
the night with itself.

An ache that stole
into the soul.

Snowflakes fell
in slow slow-motion

as if they were
sleep walking.

Time seemed to so-
lid-if-y

congeal about
the moment

frozen like a rabbit
in the headlights of life.

"Why me!"
the moment seemed to say
"Why me?"

"Awww shut up!"
I told it.

It shut up.

An obese moon
like a stray dog

tried to follow me
home but home

was the other side
of an ocean.

Still, it dogged
my every step.

The blind man kept on playing
as if

he were the soundtrack
to the film I

had become.

NYC was nothing like
its movies.

Only the cold
was real.

I dropped change
into the blind man's tin cup.

It made a music
all of its own.

He looked at me
with both his ears.

He smiled with
all of his self.

TALES OF THE KALENDER PRINCE
got lost

in the ensuing silence.

He mumbled a thanks
in an unknown tongue

maybe
Klingon.

The moment kept on
trying to find meaning

like an unsure actor
asking what's its motivation.

There was none
to be found.

My footsteps walked away
almost leaving me

behind.

TALES OF THE KALENDER PRINCE
started up again

as if the night had
pressed PLAY.

"Well....I'll be
Rimsky Korsakov'd!"

I attempted a smile.

It hurt.

The harmonica's voice
eclipsed by the police

siren.
In the city
it constantly feels as if there are rabid dogs snapping at my heels,
I snapped back anyway to come apart which is just how it was when Scheherazade broke into my heart as we walked to the prom, when she told me a tale of the nights she had seen in the budget hotels marking milestones of dreams.

Somehow though it's different now, this pain behind these windows eases off and slowly goes.

The dogs remain and growl but they've thrown in the towel.
The Scheherazade I knew then is just a story for old men,
In time to change for a change of my luck where the nights still smile sweetly but who gives a ****?

Not the dancer who makes points with the tip of his knife or the ramblings of a senile old man where his wife waits on tables,
not the leopard who once changed his spots for a date or the tigers aware of their new life as rugs.

Shrugs in the background where Cohen and Simone moan a tune into tune and
soon  it's my go to go and to go is always the option.

To stay are the dreams that we own.
Heir
Tiana Oct 2020
Oh Desert Prince!

Your existance is like the wandering golden sand of your fascinating desert;

Light enought to flow through every chambers of my heart,

Gorgeous enough to be the life of the caravan's artistic mirage;

Your love embrace me with sheer darkness and chills of starry nights,

But warm enough to captivate me to stay within your sight;

You are the desert Prince,
You flow like poetry,
Amaze like magic
Priceless unlike jewelries,
And your love seems like a beautiful tragic,
Awakening my deepest desires that I didn't know even exist;

Loving you is like enjoying a never ending magic carpet ride,

That keeps me on edge whenever passed by a strong tide;

Oh desert prince!
You keep me mesmerized how Scheherazade did to Shahryar with every story she brew,

Not Arabian nights though but there's always an unfulfilled thrill in every word you sew;

Oh wondrous prince!

Now when you have played the most melodious echo with my heartstrings
that'd shy away the Qanun,

I'll never let go of you,

Though I don't know if I'll ever have your heart as a miraculous boon;
Randoms
L A Lamb Sep 2014
Six oh six a.m.
Saturday the thirteenth.
Today came in through twilight
When last year it came through dusk
Through a different man’s musk

A different moon’s scent
And I prevent myself in wavering for favoring others
Because how can you decide
if you can’t compare another brother?

Don’t call me Jezebel, *******
I’m Scheherazade on these snitches
Hippolyta—A lover and a fighter
Ariel--a  forest nymph, bound
Sappho and Joan of Arc—United
Call me the Queen on the ******
But I own that ****
As I am.
S Apr 2015
AD
Her face was eye catching,
A round face smiling at him.
Her lips curved beautifully,
Like arched bows aimed to release,
But he couldn't  help but wonder where he'd seen her before.

For he knew that smile,
He did,
He knew he'd seen her before,
Somewhere,
Somehow.

It was Elena

The love of his life,
His soulmate.
His Pretty Woman, Sabrina and Allie.
A woman who surpassed both Athena and Scheherazade in wit and beauty.

He flashed a smile.



Her face was eye catching,
A round face smiling at him.
Her lips curved beautifully,
Like arched bows aimed to release,
But he couldn't help but wonder where he'd seen her before.


He just couldn't remember.
I'm working with Alzheimer's disease and it's heartbreaking to see people in love not connect. It's frustrating for both sides of people and it's absolutely heartwrenching.
Evan Stephens Apr 2019
The
Dublin
strand
is papered
in wind,
my old
book
renewed
into
romance.
I love her.

Pen
scratches
the
whole
page
black,
& variant
sprawls
of my
name
repeat
until I
own a
house.

Sister
& I
in dad's
old car
head
up to
Petworth,
& walk
back
under
a sky
that
rolls
& folds,
a bolt
of cloth.

Break
new trees
on the
prison
island,
handcuffs
of ivy,
jump
the fence
& escape
to the
highway.

In
Georgetown,
lush reeds
wave from
the canal
bottom,
easting
in the
chartreuse.

Then cross
to Dupont,
thronged
with
day-enders
and students
shifting
from
coffee to
*****
as the
hour rises.

Scheherazade
cancels,
but I make
the best
of it,
writing at
the bar
next to
the girl
in leatherette.

The day
ends
with me
fighting
the pharmacy
of my
sleepy
blood
while I
break
the bed
I always
hated
and
throw it
into the
orange.

Day's done.
Another
year to
come.
Thinking
of her -
sleep.
irinia Sep 2023
don't ask how I am
I might confess with riven words
I am trying out dances for
one thousand and one nights
like a Scheherazade of unforseen
whispers
Sharon Talbot Dec 2019
Another day and things are the same.
The sun shines through lace,
Obscuring my view to the chaos outside.
In here, it’s serene,  no pressure
To perform or produce,
Although I do.
No expectations of talk
During the day.
Everything I need is around me:
Books and notes and discs
With the record of my thoughts
And flash drives with feelings.
I have filled my rooms with
Things that fascinate and inspire,
Even after many years.
A red chair with printed pillows,
A prayer rug from Iran
On the wall above Buddha,
Brought a century ago by a lady
On her Grand Tour of the world.
My little, golden friend
Laughs at this excess.
Her photos of Florence and Venice
Cause feelings of nostalgia,
As if I was there in 1910,
When duster-clad ladies bought them
In Saint Mark's square,
Hand-colored by poor artists.
And on the other wall,
My young father gazes at me,
From the distance of sixty-seven years.
There are other houses from the past
And streets in my town
That almost look like now.
There are dark-finished tables,
Gracing the space between
The walls and the world and me.
Brass lamps glint out
Like beacons in the shadows
That trail the creeping evening,
For I am a mental traveler,
As Karen Blixen said.
She told her tales to Finch-Hatton
And Berkeley Cole,
On fire-lit evenings,
Like Scheherazade on her carpet.
I have no adventurers as my guests,
But instead, send my stories to a virtual world,
Hoping someone will listen and be inspired.
But even if the words remain unread, unseen,
I am content to write, to spin my tales
For my own ears and the future.
The history—you and me—
it's carved in sandstone
               
                   I've taken to asking
                            Scheherazade myself


As though capital-T time cones
into a chisel of wind with which
to strike its flattest face

                  There was a time I thought
                            you had taken to the idea
                   of leaving me and there
                            is naught to blame for
                   that but myself


There is little evidence to believe
in history on loop until you've again
been consumed by blindness and
fear and utterly sick of yourself

                    The one person you're with
                             every waking second


Just thinking can—at ***** times—
be an act of self-negation

You told me you loved me and
I felt it in your breath
Sara Skora Oct 2011
late at night
the sun has gone
the moon a sliver
I lie awake
I've stared
at the ceiling
so many times before
where's Scheherazade?
to whisk my over-fraught mind
into the life of another
into restful sleep
too many years
with no sleep
only the spot
on my ceiling
I know it well
familiar
yet I do not
love it
insomnia
River Reed Mar 2019
Stories are to Scheherazade—protection from a looming King, as love is to all beneath the deepest sorrows of life.
SO: SCHEHERAZADE ME!

it appeared as if
the very air were
asleep

even
the dark was
asleep

an harmonica stained
the night
with itself

an ache
that stole
into the soul

snowflakes fell
in slow slow-motion
as if they were

sleep walking
Time seemed to so-lid-if-y
congeal about the moment

frozen
like a rabbit
in the headlights of life

"Why me!"
the moment seemed to say
"Why me?"

"Awww shut up!"
I told it
it shut up

an obese moon
like a stray dog
tried to follow me

home but home
was the other side
of an ocean

still
it dogged
my every step

the blind man
kept on playing
as if

he were the soundtrack
to the film I
had become

NYC was nothing like
its movies
only the cold was real

I dropped change
into the blind man's tin cup
made a music all of its own

he looked at me
with both his ears
he smiled with all of his self

TALES OF THE KALENDER PRINCE
got lost
in the ensuing silence

he mumbled a thanks
in an unknown tongue
maybe Klingon

the moment
kept on
trying to find meaning

like an unsure actor
asking what's its motivation
there was none to be found

my footsteps
walked away
almost leaving me
behind

TALES OF THE KALENDER PRINCE
started up again
as if the night had pressed PLAY

"Well....I'll be
Rimsky Korsakov'd!"
I attempted a smile

it hurt
the harmonica's voice
eclipsed by the police siren.

*

One of my earliest memories is being bathed by my sister Junie in a tin bath with a roaring fire as this emanated from a radio. Homeless in NYC I didn't think I would encounter it again in the way I did! The blind man even on a battered old harmonica was still able to give it it's "Rimsky-ness."
David W Clare Dec 2016
By: David W. Clare

I drove her home, to her secret couchet
Across the mountains to the valley of splendor...

Adventure was in store!

Late night lonely struck
I noticed her in the crowd
Deafening Silence ensued
I pursued her slowly...

She appeared to be the Scheherazade
I must applaud her now!

I asked her name she told me..
Brandy
Telepathy played sexually
We walked away...
...to her love nest to play!

We arrived at dusk...
We both knew we must explore in lust!

I was thirsty for some Brandy...

(C) In perpetuity all rights reserved
(P) FilmNoirWorks
She was dark complected exotic I was age 24 new to Hollywood, what an ****** night!
Jamison Bell Jul 2016
She said "dear, inspire me", when the truth is that I can't.
It's not that I don't want to, but all I do is rant.

Some ******* here, a comment there, as if I feel I must.
I'm throwing around cynicism like its ****** fairy dust.

The fact is dear, there's nothing inspiring about me.
I'm mediocre when at my best, no reason to ever doubt me.

Oh sure I can tell you all about the mysterious Devils Kettle.
Or talk at length if you will about the Spinxs favorite riddle.

I know the Raven to and fro, but no one wants to hear it.
I can tell you if you crock that roast, it'll be better if you sear it.

I cannot grow you flowers or always make you laugh.
I can't even say you'll be impressed at my version of a staff.

I'm sorry dear I truly am, for my game is truly lacking.
My talents few and far between, I'm not even good at stacking.

I can keep you up for nights on end with what I know of Russia.
Or spit for you a thousand tales just one shy of Scheherazade.

See what I mean? That last verse barely makes any sense.
Kind of like that inferno opera The Pirates of Penzance.

I will tell you if I may, it's not entirely my fault you see.
For once you take up nihilism you may cease to even be.

I will tell you my good friend, that you are indeed my friend.
Someone there to read this **** and maybe smile at the end.
Iskra Aug 2019
A click of a lock at curfew cut off the chaos of the day,
The last pulse in the longest piece we’d had to play,
Stillness and silence until tomorrow’s dawn.

Until a string broke in the room,
A final sigh before the creak of drying wood,
The trio rocked and murmured ‘til my tears subsided.

The Sultan would spare the enchantress,
But I still wept, because I knew
That ten doors down, in her own prison,
Scheherazade was weeping too.
Sharon Talbot Oct 2018
Some days hang in the sky like gems
Or encase me inside, quite still.
Above, the light is crystalline
And on the horizon, filtered soft
I sit, like Scheherazade and gaze
At the oscillating leaves
And wandering clouds,
Letting them create a hum inside me.
Senses turn to water and slide down
Beneath my skull, draining tension
And even careful thought,
Until all that’s left is the mind,
The vibrating Paradis,
The enclosed garden of antiquity,
Yet boundless tending of awareness
That is unaware,
And the long, slow drift of Life.

I could stop there
But near-****** sensations
Through all my nerves and skin
Lead me on,
As if sinking down into a pool,
Inside a liquid chalice of energy.
Eyelids half-closed,
Viscera descending
As the being relaxes.
Limbs flex and let energy flow
Until there is no barrier
Between myself and the earth.
Like Prufrock, I come to rest,
Not ragged claws but a thoughtless droplet
Or ancient sea lily that waves
And, we have seen, walks daintily
On tip-toes across the sea floor!
In the currents I send out tendrils
Of light and vague curiosity,
The only human thing left,
As it once was, before consciousness
Trespassed, before anything was named,
Before judgment was passed.
It is mind without thought:
The brilliant void that changes not
From sunrise to sunset.
I could remain like this forever,
Simply being;
All is a luxury of torpor,
Serenity and certainty.
And if one psyche plaintively asked,
If this is all,
I should reply that for these
Several moments,
“This is just what I mean,
this is all.”
I was challenged to write a poem about laziness, but then I kept coming back to its real feat: conquering boredom. This then leads to a Zen-like state, a sort of hypnosis--my favorite drug.
Wade Redfearn Mar 2018
Asleep on your belly, or, alternately,
on your side, on me; the first night -
the first full night - with the promise of coffee
in the morning and not only allusions to it.

Your full weight on my thigh,
which I’d never tolerate in any night past,
but kept awake by the two scant hours
of partial sleep I had and admiration
of your neckline, the province of your back,
golden boughs embroidered under
thin hair
  part umber, part gold itself, cast on the pillow
your left hand
and its short fingers partially unearthed, nested
in a hillock of brown coverlet and blue curlicues,
opening and closing.

Hushed, I sip a drink and read a poem
as you murmur in sleep “yes”
to whatever invitation the one in dreams extends.

The one in dreams; he may be me. Gold from a summer
that has not happened yet, surer with a barbecue,
ready to paint a white thigh emerging from a sheet,
a better rendering than mine
  of the one spot you missed shaving.

He may be the husband of Scheherazade, prodding
one more story, one more night at a time.
You’ve a cobra in a willow basket.
It’s not a murmur. It isn’t “yes”.
It’s a gourd flute the land of dream gave you,
and I am not
the servant of the realm, or gold at all,
or worth my silk curtains. One thousand or
one thousand one; I can’t change,
not overnight.

I won’t know, nor ask, but
the snake isn’t transfixed.
It’s only waiting.

One day, I’ll appear in print.
The small merchant in Barataria
with whom Sancho Panza speaks.
You’ll describe those sheets
or some such other linens I have for sale -
an intimate detail of my home, returning the favor
of having appeared here. It will win a prize
you never knew you were competing for and
a dozen men in memory will whistle down “yes”.
Scheherazade swims in streams
Of unending disappointment
Her narrative slips from her hands
Like water through a broken bucket
Punctured promises release their longing
I am but an old story waiting to be told
But in the end there is a rhythm
That every child born of a mother
Already knows too well
dramatically expanding spouse,
when adorning buttons
pop off undersized blouse
which spurs yours truly to grouse,
and ruffle mine tail feathers
while listening to Scheherazade.

Eats her weigh out of home and house
unsolicited feedback courtesy
quite doubtful, she could pose
for ******* and/or penthouse
returning explicit volley
of trailing appellations lobbed

expletive laced epithets
directed at her husband the louse
in lame retaliation deftly
sparring as he doth rouse
himself out of his vittle catatonic state
thus muenster ring cheeses crust
squeaks (me) meek Mickey Mouse.

When I did pledge troth
after courtship she would not abate
aboot two plus dozen years ago
(spoiler alert) wheezing
heterosexually straight
half heartedly accepting her

asthma wife sne...
snee...sneezing mate
even then, she exhibited
appetite for consumption
defying four foot eleven
petite size then, a score
plus quarter years ago lightweight
possessed cute figure.

Now, she eats
non stop while rocking round the clock
stationing, lumbering, burgeoning
girth casting dock
shadows analogous to
edge of night
donning humongous frock
to allow growing room
for extra buttock

vacuuming any/all
comestibles in sight
downing, emptying, gulping
refrigerator contents chock a block
nearly suctioning him,
who doth tongue in cheek mock
think apple pie, yet for
grace of dog ad hoc
anchoring spindleshanks laughingstock
skinny chicken legs (mine)

with knees that knock
worse than concentration camp victim,
(this gentile Jewish atheist gently pock
king fun without intent to rock
the casbah, nor ethnically clash
mainly innocent poetic schlock),
nonetheless chicken legs
repurposed to anchor lock
stock and barrel Matthew Scott
madly flapping wings imitating flock

of seagulls to no avail
this shabby not so chic flabby baby boomer
body, mum mama
(deceased eighteen plus years)
followed dietary strictures touted by
the late Doctor Benjamin McLane Spock,
no matter, I got hoovered
into maw of tee misses,
who instantaneously
spit out awful poppycock.

— The End —