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"moto" poems
There's blood on the floor And gristle on his cleaver \ Masks in the box at the corner of the small apartment flat / Hidden behind a moto-helm Driving by fun, of the socio-style \ Richard, Phil, Charlie, the gang Over the head, face remains changed / Travel through the Phonehom Slashing through the fleshy barriers \ Coming on a grisly scene Awaiting something new to see / Quick rap-tapping Keyboard strokes \ Pushing through the double doors This is it folks For the US, for the US! The Ruski's will fall But these two, At the moment, don't know it At all
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Jul 6, 2013
Jul 6, 2013 at 1:56 AM UTC
Hotline Miami
Movement no.1 Andante con moto Farewell. I am leaving you with the sweetness and the sadness of every creature on this earth draped over my shoulders as a shroud We rest now before the final struggle looking down upon our lives from a precipice The wind calls up a faint sound a song of healing as resignation So bring forth the dirge let dogs and oboes cue the horns as we embark upon a tender struggle We are whipped back and forth between grief and glory in this life an indifferent life lush with raw power But thankfully at the end of every day there is sleep. Movement no. 2 Im tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb. Dance returns and goes mad Who could lift a leg that high?   Not I. The music careens off the walls in a dissonant minuet of the hours The clenched teeth of each and every minute grind here as if time itself took heel and made a sparkling trace across the pines of this exalted floor of dance. Movement no. 3 Rondo Burleske: allegro assai. Sehr trotzig. A music major's delight. Fugues against fugues. Dense contrapuntal figures and sarcastic counterpoint shouting out from the back of the class. And then just love confused perhaps but real love indeed. Movement no. 4 Sehr langsam und noch zurüclhaltend The violin noblest of instruments takes its place In bitter sorrow life soon lost the fruit of the tree is extinguished the promise of green days burned by drought All is withheld. There is peace at the end but no joy the abyss is only silence and a taut string connecting us to eternity.
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Jul 14, 2016
Jul 14, 2016 at 10:47 PM UTC
Mahler's Ninth Symphony
Movement no.1 Andante con moto Farewell. I am leaving you with the sweetness and the sadness of every creature on this earth draped over my shoulders as a shroud We rest now before the final struggle looking down upon our lives from a precipice The wind calls up a faint sound a song of healing as resignation So bring forth the dirge let dogs and oboes cue the horns as we embark upon a tender struggle We are whipped back and forth between grief and glory in this life an indifferent life lush with raw power But thankfully at the end of every day there is sleep. Movement no. 2 Im tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb. Dance returns and goes mad Who could lift a leg that high?   Not I. The music careens off the walls in a dissonant minuet of the hours The clenched teeth of each and every minute grind here as if time itself took heel and made a sparkling trace across the pines of this exalted floor of dance. Movement no. 3 Rondo Burleske: allegro assai. Sehr trotzig. A music major's delight. Fugues against fugues. Dense contrapuntal figures and sarcastic counterpoint shouting out from the back of the class. And then just love confused perhaps but real love indeed. Movement no. 4 Sehr langsam und noch zurüclhaltend The violin noblest of instruments takes its place In bitter sorrow life soon lost the fruit of the tree is extinguished the promise of green days burned by drought All is withheld. There is peace at the end but no joy the abyss is only silence and a taut string connecting us to eternity.
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81
The cello mother of music sings peacefully from the eye of the storm A peace purchased at the price of certitude Piano provides counterpoint restrained elegant its curtains of sound dream their own dreams and a longing violin makes love to the air itself We march deliberately to this tempo stepping in time to the sweet and terrifying strains of our own mortality The composer died at thirty one years. Why - how have I lived so long? Perhaps to hear this music as if for the first time and so share it with the sky.
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May 18, 2016
May 18, 2016 at 8:34 PM UTC
Andante con moto
Dicono che la mia sia una poesia d'inappartenenza. Ma s'era tua era di qualcuno: di te che non sei più forma, ma essenza. Dicono che la poesia al suo culmine magnifica il Tutto in fuga, negano che la testuggine sia più veloce del fulmine. Tu sola sapevi che il moto non è diverso dalla stasi, che il vuoto è il pieno e il sereno è la più diffusa delle nubi. Così meglio intendo il tuo lungo viaggio imprigionata tra le bende e i gessi. Eppure non mi dà riposo sapere che in uno o in due noi siamo una sola cosa.
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1.4k
Xenia (da satura)
Mtu mweusi mweusi, katika mwezi mkali wa moto, ameketi katika kivuli cha mti wa Baobab. Majani yaliyomo mara moja walikuwa kavu na ukame, waathirika wa upepo wa mabadiliko. "Wazee, wananiita zamani." Alidhani, "Majira ya joto ya sabini yanigeuka kijivu, lakini mti huu wa Baobab ulikua mrefu na wenye nguvu Wakati majeshi ya Kirumi yalipitia njia hii. " Mzee huyo alitafuta matunda ya baobab na akaingia kwenye hali kama hali. Alikuwa katika hali ya akili; Sio usingizi, sio macho kabisa. Aliposikia sauti: "Nina kiu." Ilisema, Ingawa alikuwa na uhakika alikuwa peke yake. Ilionekana si sauti ya binadamu: monotone kavu ya ubongo. "Kwa vizazi, wanaume kama wewe Walitaka makazi yangu kutoka kwenye jua, Lakini sasa imekamilika; nchi imeharibika Na mimi nina kufa, mdogo. " Mtu mzee alilia kusikia maneno haya Kwa maana miti hizi zinapokufa, kama lazima, Wao huanguka juu ya ardhi yenye ubongo Hivyo haraka kurudi kwenye Vumbi. "Dunia imebadilika kwa wewe na mimi, Upepo ni kavu chini ya jua. Ninasamehe ulimwengu wa wanadamu Kwa maana hawajui waliyofanya. " Mtu mzee aliamka na mwanzo na akainua na miwa yake. Alilia kwa kufikiri mti huu utafa lakini machozi hawezi kuchukua nafasi ya mvua.
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Jun 21, 2018
Jun 21, 2018 at 7:50 AM UTC
Mti wa Uzima
Burn bright Braveheart my spirit guides you. Whispers They warrant warning Signs And guide my wayward path. Tracking to find me my Demons Die. Rebirth rides strong in the wind beside me.
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Feb 3, 2015
Feb 3, 2015 at 2:23 AM UTC
Moto
My heart is a burning city Held up by pillars of salt No one's sure how it started A cigarette astray? Catherine O'Leary's heartbreak? Job lives in a house on the hill On the teetering outskirt of town He visits twice a week And carries a purple umbrella for the ashes Can pity turn into love? Can saying it make it real? Are we doomed to dream of a lucid skyline stained orange? Slaving over carting wheelbarrows full of gristle Of the burning tower I used to be My silhouette on the horizon Is the hunchback of New England
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Dec 10, 2011
Dec 10, 2011 at 1:30 AM UTC
Quasi-Moto
Ci vediamo in proiezione, ed ecco la città, in una sua povera ora nuda, terrificante come ogni nudità. Terra incendiata il cui incendio spento stasera o da millenni, è una cerchia infinita di ruderi rosa, carboni e ossa biancheggianti, impalcature dilavate dall'acqua e poi bruciate da nuovo sole. La radiosa Appia che formicola di migliaia di insetti - gli uomini d'oggi - i neorealistici ossessi delle Cronache in volgare. Poi compare Testaccio, in quella luce di miele proiettata sulla terra dall'oltretomba. Forse è scoppiata, la Bomba, fuori dalla mia coscienza. Anzi, è così certamente. E la fine del Mondo è già accaduta: una cosa muta, calata nel controluce del crepuscolo. Ombra, chi opera in questa èra. Ah, sacro Novecento, regione dell'anima in cui l'Apocalisse è un vecchio evento! Il Pontormo con un operatore meticoloso, ha disposto cantoni di case giallastre, a tagliare questa luce friabile e molle, che dal cielo giallo si fa marrone impolverato d'oro sul mondo cittadino... e come piante senza radice, case e uomini, creano solo muti monumenti di luce e d'ombra, in movimento: perché la loro morte è nel loro moto. Vanno, come senza alcuna colonna sonora, automobili e camion, sotto gli archi, sull 'asfalto, contro il gasometro, nell'ora, d'oro, di Hiroshima, dopo vent'anni, sempre più dentro in quella loro morte gesticolante: e io ritardatario sulla morte, in anticipo sulla vita vera, bevo l'incubo della luce come un vino smagliante. Nazione senza speranze! L'Apocalisse esploso fuori dalle coscienze nella malinconia dell'Italia dei Manieristi, ha ucciso tutti: guardateli - ombre grondanti d'oro nell'oro dell'agonia.
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Poesie mondane
Ci vediamo in proiezione, ed ecco la città, in una sua povera ora nuda, terrificante come ogni nudità. Terra incendiata il cui incendio spento stasera o da millenni, è una cerchia infinita di ruderi rosa, carboni e ossa biancheggianti, impalcature dilavate dall'acqua e poi bruciate da nuovo sole. La radiosa Appia che formicola di migliaia di insetti - gli uomini d'oggi - i neorealistici ossessi delle Cronache in volgare. Poi compare Testaccio, in quella luce di miele proiettata sulla terra dall'oltretomba. Forse è scoppiata, la Bomba, fuori dalla mia coscienza. Anzi, è così certamente. E la fine del Mondo è già accaduta: una cosa muta, calata nel controluce del crepuscolo. Ombra, chi opera in questa èra. Ah, sacro Novecento, regione dell'anima in cui l'Apocalisse è un vecchio evento! Il Pontormo con un operatore meticoloso, ha disposto cantoni di case giallastre, a tagliare questa luce friabile e molle, che dal cielo giallo si fa marrone impolverato d'oro sul mondo cittadino... e come piante senza radice, case e uomini, creano solo muti monumenti di luce e d'ombra, in movimento: perché la loro morte è nel loro moto. Vanno, come senza alcuna colonna sonora, automobili e camion, sotto gli archi, sull 'asfalto, contro il gasometro, nell'ora, d'oro, di Hiroshima, dopo vent'anni, sempre più dentro in quella loro morte gesticolante: e io ritardatario sulla morte, in anticipo sulla vita vera, bevo l'incubo della luce come un vino smagliante. Nazione senza speranze! L'Apocalisse esploso fuori dalle coscienze nella malinconia dell'Italia dei Manieristi, ha ucciso tutti: guardateli - ombre grondanti d'oro nell'oro dell'agonia.
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Mais um dia cansativo Com a tarde inteira para dormir Um pouco de descanso seria o remédio Numa fusão de tudo da-se o tédio Daí algo fica estranho Você sabe que não está normal Uma movimentação, um chororô Uma energia ruim cobre o meu ciclo E então, alguns baques na minha janela Algo de ruim teria acontecido Não sabia que com ela Então levanto de um cochilo pela tarde E alguns amigos me avisam Que a pessoa mais amada corria perigo Numa aventura jovem O perigo vem Não olha para quem, mas bate com força Numa aventura jovem Um sonho se vai E sem olhar para trás Se transforma numa forca Cada erro uma consequência Mas a esperança não acaba Positivo deve-se pensar Com  um acerto forma-se a palavra Uma moto, uma estrada, um acidente E tudo vira de ponta a cabeça E agora? O que será? Só o tempo pode nos responder Se depender da minha torcida Ela irá viver.
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Nov 9, 2015
Nov 9, 2015 at 9:20 PM UTC
Sobre o que será
Mia vita, a te non chiedo lineamenti fissi, volti plausibili o possessi. Nel tuo giro inquieto ormai lo stesso sapore han miele e assenzio. Il cuore che ogni moto tiene a vile raro è squassato da trasalimenti. Così suona talvolta nel silenzio della campagna un colpo di fucile.
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891
Mia vita
E nella notte nera come il nulla, a un tratto, col fragor d'arduo dirupo che frana, il tuono rimbombò di schianto: rimbombò, rimbalzò, rotolò cupo, e tacque, e poi rimareggiò rinfranto, e poi vanì. Soave allora un anto s'udì di madre, e il moto di una culla.
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860
Il tuono
Jammin' in Jamaica Driving my DeSoto Being pursued by My foe Quasimodo Lying on the dash is The missing person photo When my phone rings I hear "Hello Moto!" (Chorus) I don't have to work When I'm in my pajamas Acting like a **** When I'm in the Bahamas Really go berserk When I'm feeding my llamas We all go to pieces When we’re talkin' to our mommas Jammin' in Jamaicaaaa... Jammin' in Jamaicaaaa... Jammin' in Jamaicaaaa... Jammin' in Jamaicaaaa... Rush hour traffic So I park my DeSoto Nowhere in sight Is my foe Quasimodo See a man who looks like The missing person photo Then his phone rings Shouting "Hello Moto!" (Chorus) I don't have to work When I'm in my pajamas Acting like a **** When I'm in the Bahamas Really go berserk When I'm feeding my llamas We all go to pieces When we’re talkin' to our mommas Jammin' in Jamaicaaa... Jammin' in Jamaicaaa... Jammin' in Jamaicaaa... Jammin' in Jamaicaaa... Jammin' in Jamaica With the man in the photo Who's not really missing Just roving incognito Suddenly appears My foe Quasimodo Truce as we pose For a group selfie photo (Chorus) I don't have to work When I'm in my pajamas Acting like a **** When I'm in the Bahamas Really go berserk When I'm feeding my llamas We all go to pieces When we’re talkin' to our mommas (Repeat chorus and fade, with "Jammin' in Jamaicaaa" playing in the background with lines 1, 3, 5, and 7 of the chorus.) © 2020 by Mark Toney. All rights reserved.
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Mar 12, 2020
Mar 12, 2020 at 12:06 AM UTC
Jamaica Jam
Il vento è un'aspra voce che ammonisce per noi stuolo che a volte trova pace e asilo sopra questi rami secchi. E la schiera ripiglia il triste volo, migra nel cuore dei monti, viola scavato nel viola inesauribile, miniera senza fondo dello spazio. Il volo è lento, penetra a fatica nell'azzurro che s'apre oltre l'azzurro, nel tempo ch'è di là dal tempo; alcuni mandano grida acute che precipitano e nessuna parete ripercuote. Che ci somiglia è il moto delle cime nell'ora - quasi non si può pensare né dire - quando su steli invisibili tutt'intorno una primavera strana fiorisce in nuvole rade che il vento pasce in un cielo o umido o bruciato e la sorte della giornata è varia, la grandine, la pioggia, la schiarita.
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813
Uccelli
Something was a bit different this time We moved her out of a place she lost everything on A place of disastrous memories, left cuddled in every corner No "moto" to grow Born autonomous and only to remain that way Just living, breathing, nothing but courageous...Just...Just... Now, I think of all she's lost. I stare at the floor, once cleaned of filth. The walls hold the pale of pictures hung--Only yellow surrounds them, as a respect of nicotine that scars the surface Now, she exists where her predecessor once lived. Almost an exact replica! She withholding her pity and junk!
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Mar 30, 2014
Mar 30, 2014 at 10:37 AM UTC
MoThEr
i want you but you want her
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Mar 8, 2019
Mar 8, 2019 at 7:35 PM UTC
constant life moto:
I am lost inside a small center Exhaust fumes full off smoke Sounds everywhere Generators Moto mobiles Crying children Talks and music Fully confused... I start counting... One Two Three Four...and so on I tell you,less than four tycoons Millionaires amidst hustlers I know of them, Humble backhrounds great achievement Then how many are within here, Thoughts alike? Perhaps all of these people Or alone I think of this !!!! Society mixed up
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Jan 5, 2015
Jan 5, 2015 at 10:49 AM UTC
do i say
No matter how strong you are one cannot simply out-muscle or out-shine a mad man who has great taste in fashion. A.M.G. Is the ultimate hooligan it doesn't have to take charge to prove it's tenacity because it's a presidential sedan that puts you in charge. No need for a spooky entrance because sometimes demons want to dwell were there is brute force. I miss the 6.2 litre engine, it is the intrinsic Moto of Mercedes," A big engine for the perfect gentlemen". Cruising luxuriously has no peak when it comes to un-doubtable comfort and well established elegance. With a classic loud noise one can't but wonder if the barbarian needs marketing. An angry gentlemen with a smile on his face that never lacks in pace doesn't need frenetic footwork, the gentlemen goes straight to the point and why wobble on about a winding route when Mercedes automatically includes you in elite circles. Quality that exceeds all levels of maturity, Mercedes keeps getting younger and wiser! The phrase "numbers don't lie" insinuates that alphabets do lie. Really? How? When their associated with such class...A-class, B-class, C-class, E-class, G-class, S-class and so on. I think the numbers cliche is a turn-off. Pleasure always mixes with business when it comes to a Benz.
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Jul 2, 2019
Jul 2, 2019 at 8:47 AM UTC
merc
give applause to the blind judge, hats off to the deaf law nobody remembers right from wrong oops brain glitch, not permanent or is it has it all become a conspiracy or should i go back and study psychology i used respect as money, earned some bad habits and honey, Got time and some std's Dont forget it,yeah i dont regret it thats why i said it lost control,sold my soul, for what ? popularity, clarity,insanity? SO THEY SAY I like to call it Love Is this a spell or, is Love just a butterfly floating beautifully in hell Brother and mother,wife and children, strenghts and weakness' we all fulfill them Head up here's a moto quitters never win and winners never quit wait why am i sparying this nobody is listening lol
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May 29, 2014
May 29, 2014 at 9:30 PM UTC
Luck
J'ai toujours sous la main Une ou deux molécules de ma muse effervescente, Sa poudrière et sa houppe pour le teint. Et quand vient le boléro de la migraine Et que l'hallali explose dans ma tête en pleine chasse à courre Et que c'est la curée chaude Je rappelle la meute des mots chiens et taureaux Et je transforme en plein couvent les kilomètres de petit-lait entier en fa dièse mineur De ma Decatur ecclésiastique En AOP. AOP, C'est Aspirine et Antimoine, Les deux vocalises de ma muse, Deux sœurs siamoises, Deux divas effervescentes de Cadix Que nul bistouri ne peut disjoindre Quand en duo, aveugles, elles dansent leur boléro dans un bain d'encre Allegretto con moto Au son des cors de chasse Au lieu des castagnettes. Ces deux divas sont une lettre d'indulgence, Un passeport incunable pour le paradis, Dont je suis l'enlumineur, le rubricateur, l'imprimeur, le relieur Et l'auteur. J'imprime à grand tirage leur psautier poisseux sur deux colonnes Et quarante deux lignes
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Oct 26, 2019
Oct 26, 2019 at 9:00 AM UTC
Molécule de Muse
Lasciando adesso che le vene crescano in intrichi di rami melodiosi inneggianti al destino che trascelse te fra gli eletti a cingermi di luce. In libertà di spazio ogni volume di tensione repressa si modella nel fervore del moto e mi dissanguo di canto "vero" adesso che trascino la mia squallida spoglia dentro l'orgia dell'abbandono. O, senza tregua più, dannata d'universo, o la perfetta nudità della vita, o implacabili ardori riplasmanti la già morta materia: in te mi accolgo risospinta dagli echi all'infinito.
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Lasciando adesso che le vene crescano
Would any person shed one tear If my sad and breaking heart Stopped from all of the beatings and silence.. Would you say a eulogy when I'm gone? Sneer..Sneer.. I bleed red Just as any one bleeds An artistic soul discarded due to a mirror and a shallow glance Do you forsake the original and cherished writers and artists? They have no perfection to their works and appearance.. They were out casts just as I When I try and Join a crowd... Find my sweetheart.. Work my talents. Alas I'm scorn and reminded of my dark imperfections That only can be perfect as a shallow mind places a celebrity as a mannequin sitting within a photo of a fairytale story.... Living in a tabloid A destructive "wishing star: "Fairy tale shoot" I am the "Hunch Back Of Notre Dame." Quizi Moto and his brilliant mind. Hiding in his dark and lonely quarters due to his "monster defined appearance" Never wishing to be anything but a part of a social gathering which cherished and needed his writings and paintings. After the Hunchback failed to ding the time with the church bells.. He was found, motionless. Cold. Neglected. Tears shed of guilt. By those who tortured his soul and had him cast in hiding.... Due to nothing more than ugly chants and appearance comparisons that should be cast in crumpled ***** down wishing wells.
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May 17, 2021
May 17, 2021 at 9:03 PM UTC
A Cast Out Hunchback
Looking out into the night, I see nothing sitting here on the ledge of my studio window. Or rather I see what other's might over look and view as nothing- nothing speacial. A deck that seperates twin apartment buildings, an old tree, the street to my right and the remains of a broken building and weathered fence to my left. This is the first place I have ever called my own- neighbor's that embrace with love and friendship become a second family in their simple way. I am sad to leave. I have been alone so long that Im not sure how to be around people, let alone let someone stay a while. I like my simple close friends- support its taken me what seems like a life time to earn and find. I like who I am and the woman I am becoming. Its uncomplicated, and yet still tangled in this flesh is every story- every person who has ever touched it. I hold their memories, trying to always learn from what each one left behind. Laughter, love, a voice of my own, forgiveness, bridges burnt, bridges rebuilt- responsibility for my actions and the every day learning struggle of not letting people project their feelings on to me and trying my hardest to not project my own feelings on to them... I guess, I just hope the people in my life that do stick around- the ones that took another look, the ones who truely cared to get to know me- know that even though I **** at showing them at times - that I simply love them, in the simplest way possible. "love the ones that treat you right- and forget the ones that dont" Thats kind of been my moto since my birthday this year. I am not one to judge- I know I have ****** up- we all do... and for me forgiveness is the one gift that can be recieved, or given- in a world where people seem to know only how to walk away- that makes all the difference. I thought thats how I wanted to be... the one that leaves first so they never feel the bite of sadness but thats not my way, it never has been. So I say " first love yourself, staying true to your own heart, then love the ones that treat you right and the ones that treat you wrong- learn to forgive- learn to speak less and do more. Love is an action, we can say it all day... but if we do not learn to show each other, then it means little."-me
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Aug 25, 2011
Aug 25, 2011 at 5:07 PM UTC
Change
Looking out into the night, I see nothing sitting here on the ledge of my studio window. Or rather I see what other's might over look and view as nothing- nothing speacial. A deck that seperates twin apartment buildings, an old tree, the street to my right and the remains of a broken building and weathered fence to my left. This is the first place I have ever called my own- neighbor's that embrace with love and friendship become a second family in their simple way. I am sad to leave. I have been alone so long that Im not sure how to be around people, let alone let someone stay a while. I like my simple close friends- support its taken me what seems like a life time to earn and find. I like who I am and the woman I am becoming. Its uncomplicated, and yet still tangled in this flesh is every story- every person who has ever touched it. I hold their memories, trying to always learn from what each one left behind. Laughter, love, a voice of my own, forgiveness, bridges burnt, bridges rebuilt- responsibility for my actions and the every day learning struggle of not letting people project their feelings on to me and trying my hardest to not project my own feelings on to them... I guess, I just hope the people in my life that do stick around- the ones that took another look, the ones who truely cared to get to know me- know that even though I **** at showing them at times - that I simply love them, in the simplest way possible. "love the ones that treat you right- and forget the ones that dont" Thats kind of been my moto since my birthday this year. I am not one to judge- I know I have ****** up- we all do... and for me forgiveness is the one gift that can be recieved, or given- in a world where people seem to know only how to walk away- that makes all the difference. I thought thats how I wanted to be... the one that leaves first so they never feel the bite of sadness but thats not my way, it never has been. So I say " first love yourself, staying true to your own heart, then love the ones that treat you right and the ones that treat you wrong- learn to forgive- learn to speak less and do more. Love is an action, we can say it all day... but if we do not learn to show each other, then it means little."-me
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9
Epitaph i He loved He tried He lived He cried He fought His head He rests He's dead Epitaph ii Here lies Haschi-moto His eyes are clouded over His blood is thick as pudding So let him feed the clover Epitaph iii When life is at its end You'll end up here, my friend Beneath the earthen quilt A dearth of fear and guilt Epitaph iv Life was very hard But now I have some rest Asleep here in this lovely yard With no drum beating in my chest So peaceful is this time In bed, beneath the ground I'll rest-up with no cares 'Til Christ returns with trumpet sound Epitaph v Here lies the tired vessel Drained entirely of its hustle Here's hoping he won't wrestle With fire, sulphur, shredded muscle He praised his silent God above For all that He did give For teaching him to cope and love And the blessed life he got to live
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Jun 20, 2017
Jun 20, 2017 at 7:04 PM UTC
Epitaph Ideation
I wish life was like a book full of crazy adventures and forever love. I wish life was like a book action packed and never boring. Even at the sake of great sacrifice. I wish life was like a book. I want to be a heroine who saves the boy she loves and the world with my demon swords and cunning wit. Never boring. kids genetically engineered to have bird wings teens thrown in an arena to entertain by fighting for their lives a chosen one who learns magic and saves the world delinquents breaking the dystopian government for individuality children of a gods that must fight monsters to survive supernaturals that use runes and weapons to take back everything That could be me! and what have I done? Nothing and what is my life? Trite I wish my life was like a book because this mundane existence is exhausting me. Why am I even here?
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Aug 9, 2018
Aug 9, 2018 at 3:09 PM UTC
My Moto