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Forth from the dust and din,
The crush, the heat, the many-spotted glare,
The odour and sense of life and lust aflare,
The wrangle and jangle of unrests,
Let us take horse, Dear Heart, take horse and win--
As from swart August to the green lap of May--
To quietness and the fresh and fragrant *******
Of the still, delicious night, not yet aware
In any of her innumerable nests
Of that first sudden plash of dawn,
Clear, sapphirine, luminous, large,
Which tells that soon the flowing springs of day
In deep and ever deeper eddies drawn
Forward and up, in wider and wider way,
Shall float the sands, and brim the shores,
On this our lith of the World, as round it roars
And spins into the outlook of the Sun
(The Lord's first gift, the Lord's especial charge),
With light, with living light, from marge to marge
Until the course He set and staked be run.

Through street and square, through square and street,
Each with his home-grown quality of dark
And violated silence, loud and fleet,
Waylaid by a merry ghost at every lamp,
The hansom wheels and plunges.  Hark, O, hark,
Sweet, how the old mare's bit and chain
Ring back a rough refrain
Upon the marked and cheerful *****
Of her four shoes!  Here is the Park,
And O, the languid midsummer wafts adust,
The tired midsummer blooms!
O, the mysterious distances, the glooms
Romantic, the august
And solemn shapes!  At night this City of Trees
Turns to a tryst of vague and strange
And monstrous Majesties,
Let loose from some dim underworld to range
These terrene vistas till their twilight sets:
When, dispossessed of wonderfulness, they stand
Beggared and common, plain to all the land
For stooks of leaves!  And lo! the Wizard Hour,
His silent, shining sorcery winged with power!
Still, still the streets, between their carcanets
Of linking gold, are avenues of sleep.
But see how gable ends and parapets
In gradual beauty and significance
Emerge!  And did you hear
That little twitter-and-cheep,
Breaking inordinately loud and clear
On this still, spectral, exquisite atmosphere?
'Tis a first nest at matins!  And behold
A rakehell cat--how furtive and acold!
A spent witch homing from some infamous dance--
Obscene, quick-trotting, see her tip and fade
Through shadowy railings into a pit of shade!
And now! a little wind and shy,
The smell of ships (that earnest of romance),
A sense of space and water, and thereby
A lamplit bridge ouching the troubled sky,
And look, O, look! a tangle of silver gleams
And dusky lights, our River and all his dreams,
His dreams that never save in our deaths can die.

What miracle is happening in the air,
Charging the very texture of the gray
With something luminous and rare?
The night goes out like an ill-parcelled fire,
And, as one lights a candle, it is day.
The extinguisher, that perks it like a spire
On the little formal church, is not yet green
Across the water:  but the house-tops nigher,
The corner-lines, the chimneys--look how clean,
How new, how naked!  See the batch of boats,
Here at the stairs, washed in the fresh-sprung beam!
And those are barges that were goblin floats,
Black, hag-steered, fraught with devilry and dream!
And in the piles the water frolics clear,
The ripples into loose rings wander and flee,
And we--we can behold that could but hear
The ancient River singing as he goes,
New-mailed in morning, to the ancient Sea.
The gas burns lank and jaded in its glass:
The old Ruffian soon shall yawn himself awake,
And light his pipe, and shoulder his tools, and take
His hobnailed way to work!

Let us too pass--
Pass ere the sun leaps and your shadow shows--
Through these long, blindfold rows
Of casements staring blind to right and left,
Each with his gaze turned inward on some piece
Of life in death's own likeness--Life bereft
Of living looks as by the Great Release--
Pass to an exquisite night's more exquisite close!

Reach upon reach of burial--so they feel,
These colonies of dreams!  And as we steal
Homeward together, but for the buxom breeze,
Fitfully frolicking to heel
With news of dawn-drenched woods and tumbling seas,
We might--thus awed, thus lonely that we are--
Be wandering some dispeopled star,
Some world of memories and unbroken graves,
So broods the abounding Silence near and far:
Till even your footfall craves
Forgiveness of the majesty it braves.

The cello
mother of music
sings peacefully
from the eye of the storm

A peace purchased
at the price of certitude

Piano provides counterpoint
restrained
elegant
its curtains of sound
dream their own dreams

and a longing violin
makes love to
the air itself

We march deliberately
to this tempo
stepping in time
to the sweet
and terrifying strains
of our own mortality

The composer
died
at thirty one years.
Why - how
have I lived so long?

Perhaps
to hear this music as if for
the first time
and so share it
with the sky.

Burn bright Braveheart
my spirit guides you.
Whispers
They warrant warning Signs
And guide my wayward path.
Tracking to find me
my Demons Die.
Rebirth rides strong in the wind beside me.

My heart is a burning city
Held up by pillars of salt
No one's sure how it started
A cigarette astray?
Catherine O'Leary's heartbreak?

Job lives in a house on the hill
On the teetering outskirt of town
He visits twice a week
And carries a purple umbrella for the ashes

Can pity turn into love?
Can saying it make it real?
Are we doomed to dream of a lucid skyline stained orange?
Slaving over carting wheelbarrows full of gristle
Of the burning tower I used to be

My silhouette on the horizon
Is the hunchback of New England

Qui su l'arida schiena
Del formidabil monte
Sterminator Vesevo,
La qual null'altro allegra arbor né fiore,
Tuoi cespi solitari intorno spargi,
Odorata ginestra,
Contenta dei deserti. Anco ti vidi
Dè tuoi steli abbellir l'erme contrade
Che cingon la cittade
La qual fu donna dè mortali un tempo,
E del perduto impero
Par che col grave e taciturno aspetto
Faccian fede e ricordo al passeggero.
Or ti riveggo in questo suol, di tristi
Lochi e dal mondo abbandonati amante,
E d'afflitte fortune ognor compagna.
Questi campi cosparsi
Di ceneri infeconde, e ricoperti
Dell'impietrata lava,
Che sotto i passi al peregrin risona;
Dove s'annida e si contorce al sole
La serpe, e dove al noto
Cavernoso covil torna il coniglio;
Fur liete ville e colti,
E biondeggiàr di spiche, e risonaro
Di muggito d'armenti;
Fur giardini e palagi,
Agli ozi dè potenti
Gradito ospizio; e fur città famose
Che coi torrenti suoi l'altero monte
Dall'ignea bocca fulminando oppresse
Con gli abitanti insieme. Or tutto intorno
Una ruina involve,
Dove tu siedi, o fior gentile, e quasi
I danni altrui commiserando, al cielo
Di dolcissimo odor mandi un profumo,
Che il deserto consola. A queste piagge
Venga colui che d'esaltar con lode
Il nostro stato ha in uso, e vegga quanto
È il gener nostro in cura
All'amante natura. E la possanza
Qui con giusta misura
Anco estimar potrà dell'uman seme,
Cui la dura nutrice, ov'ei men teme,
Con lieve moto in un momento annulla
In parte, e può con moti
Poco men lievi ancor subitamente
Annichilare in tutto.
Dipinte in queste rive
Son dell'umana gente
Le magnifiche sorti e progressive .
Qui mira e qui ti specchia,
Secol superbo e sciocco,
Che il calle insino allora
Dal risorto pensier segnato innanti
Abbandonasti, e volti addietro i passi,
Del ritornar ti vanti,
E procedere il chiami.
Al tuo pargoleggiar gl'ingegni tutti,
Di cui lor sorte rea padre ti fece,
Vanno adulando, ancora
Ch'a ludibrio talora
T'abbian fra sé. Non io
Con tal vergogna scenderò sotterra;
Ma il disprezzo piuttosto che si serra
Di te nel petto mio,
Mostrato avrò quanto si possa aperto:
Ben ch'io sappia che obblio
Preme chi troppo all'età propria increbbe.
Di questo mal, che teco
Mi fia comune, assai finor mi rido.
Libertà vai sognando, e servo a un tempo
Vuoi di novo il pensiero,
Sol per cui risorgemmo
Della barbarie in parte, e per cui solo
Si cresce in civiltà, che sola in meglio
Guida i pubblici fati.
Così ti spiacque il vero
Dell'aspra sorte e del depresso loco
Che natura ci diè. Per questo il tergo
Vigliaccamente rivolgesti al lume
Che il fè palese: e, fuggitivo, appelli
Vil chi lui segue, e solo
Magnanimo colui
Che sé schernendo o gli altri, astuto o folle,
Fin sopra gli astri il mortal grado estolle.
Uom di povero stato e membra inferme
Che sia dell'alma generoso ed alto,
Non chiama sé né stima
Ricco d'or né gagliardo,
E di splendida vita o di valente
Persona infra la gente
Non fa risibil mostra;
Ma sé di forza e di tesor mendico
Lascia parer senza vergogna, e noma
Parlando, apertamente, e di sue cose
Fa stima al vero uguale.
Magnanimo animale
Non credo io già, ma stolto,
Quel che nato a perir, nutrito in pene,
Dice, a goder son fatto,
E di fetido orgoglio
Empie le carte, eccelsi fati e nove
Felicità, quali il ciel tutto ignora,
Non pur quest'orbe, promettendo in terra
A popoli che un'onda
Di mar commosso, un fiato
D'aura maligna, un sotterraneo crollo
Distrugge sì, che avanza
A gran pena di lor la rimembranza.
Nobil natura è quella
Che a sollevar s'ardisce
Gli occhi mortali incontra
Al comun fato, e che con franca lingua,
Nulla al ver detraendo,
Confessa il mal che ci fu dato in sorte,
E il basso stato e frale;
Quella che grande e forte
Mostra sé nel soffrir, né gli odii e l'ire
Fraterne, ancor più gravi
D'ogni altro danno, accresce
Alle miserie sue, l'uomo incolpando
Del suo dolor, ma dà la colpa a quella
Che veramente è rea, che dè mortali
Madre è di parto e di voler matrigna.
Costei chiama inimica; e incontro a questa
Congiunta esser pensando,
Siccome è il vero, ed ordinata in pria
L'umana compagnia,
Tutti fra sé confederati estima
Gli uomini, e tutti abbraccia
Con vero amor, porgendo
Valida e pronta ed aspettando aita
Negli alterni perigli e nelle angosce
Della guerra comune. Ed alle offese
Dell'uomo armar la destra, e laccio porre
Al vicino ed inciampo,
Stolto crede così qual fora in campo
Cinto d'oste contraria, in sul più vivo
Incalzar degli assalti,
Gl'inimici obbliando, acerbe gare
Imprender con gli amici,
E sparger fuga e fulminar col brando
Infra i propri guerrieri.
Così fatti pensieri
Quando fien, come fur, palesi al volgo,
E quell'orror che primo
Contra l'empia natura
Strinse i mortali in social catena,
Fia ricondotto in parte
Da verace saper, l'onesto e il retto
Conversar cittadino,
E giustizia e pietade, altra radice
Avranno allor che non superbe fole,
Ove fondata probità del volgo
Così star suole in piede
Quale star può quel ch'ha in error la sede.
Sovente in queste rive,
Che, desolate, a bruno
Veste il flutto indurato, e par che ondeggi,
Seggo la notte; e su la mesta landa
In purissimo azzurro
Veggo dall'alto fiammeggiar le stelle,
Cui di lontan fa specchio
Il mare, e tutto di scintille in giro
Per lo vòto seren brillare il mondo.
E poi che gli occhi a quelle luci appunto,
Ch'a lor sembrano un punto,
E sono immense, in guisa
Che un punto a petto a lor son terra e mare
Veracemente; a cui
L'uomo non pur, ma questo
Globo ove l'uomo è nulla,
Sconosciuto è del tutto; e quando miro
Quegli ancor più senz'alcun fin remoti
Nodi quasi di stelle,
Ch'a noi paion qual nebbia, a cui non l'uomo
E non la terra sol, ma tutte in uno,
Del numero infinite e della mole,
Con l'aureo sole insiem, le nostre stelle
O sono ignote, o così paion come
Essi alla terra, un punto
Di luce nebulosa; al pensier mio
Che sembri allora, o prole
Dell'uomo? E rimembrando
Il tuo stato quaggiù, di cui fa segno
Il suol ch'io premo; e poi dall'altra parte,
Che te signora e fine
Credi tu data al Tutto, e quante volte
Favoleggiar ti piacque, in questo oscuro
Granel di sabbia, il qual di terra ha nome,
Per tua cagion, dell'universe cose
Scender gli autori, e conversar sovente
Cò tuoi piacevolmente, e che i derisi
Sogni rinnovellando, ai saggi insulta
Fin la presente età, che in conoscenza
Ed in civil costume
Sembra tutte avanzar; qual moto allora,
Mortal prole infelice, o qual pensiero
Verso te finalmente il cor m'assale?
Non so se il riso o la pietà prevale.
Come d'arbor cadendo un picciol pomo,
Cui là nel tardo autunno
Maturità senz'altra forza atterra,
D'un popol di formiche i dolci alberghi,
Cavati in molle gleba
Con gran lavoro, e l'opre
E le ricchezze che adunate a prova
Con lungo affaticar l'assidua gente
Avea provvidamente al tempo estivo,
Schiaccia, diserta e copre
In un punto; così d'alto piombando,
Dall'utero tonante
Scagliata al ciel profondo,
Di ceneri e di pomici e di sassi
Notte e ruina, infusa
Di bollenti ruscelli
O pel montano fianco
Furiosa tra l'erba
Di liquefatti massi
E di metalli e d'infocata arena
Scendendo immensa piena,
Le cittadi che il mar là su l'estremo
Lido aspergea, confuse
E infranse e ricoperse
In pochi istanti: onde su quelle or pasce
La capra, e città nove
Sorgon dall'altra banda, a cui sgabello
Son le sepolte, e le prostrate mura
L'arduo monte al suo piè quasi calpesta.
Non ha natura al seme
Dell'uom più stima o cura
Che alla formica: e se più rara in quello
Che nell'altra è la strage,
Non avvien ciò d'altronde
Fuor che l'uom sue prosapie ha men feconde.
Ben mille ed ottocento
Anni varcàr poi che spariro, oppressi
Dall'ignea forza, i popolati seggi,
E il villanello intento
Ai vigneti, che a stento in questi campi
Nutre la morta zolla e incenerita,
Ancor leva lo sguardo
Sospettoso alla vetta
Fatal, che nulla mai fatta più mite
Ancor siede tremenda, ancor minaccia
A lui strage ed ai figli ed agli averi
Lor poverelli. E spesso
Il meschino in sul tetto
Dell'ostel villereccio, alla vagante
Aura giacendo tutta notte insonne,
E balzando più volte, esplora il corso
Del temuto bollor, che si riversa
Dall'inesausto grembo
Su l'arenoso dorso, a cui riluce
Di Capri la marina
E di Napoli il porto e Mergellina.
E se appressar lo vede, o se nel cupo
Del domestico pozzo ode mai l'acqua
Fervendo gorgogliar, desta i figliuoli,
Desta la moglie in fretta, e via, con quanto
Di lor cose rapir posson, fuggendo,
Vede lontan l'usato
Suo nido, e il picciol campo,
Che gli fu dalla fame unico schermo,
Preda al flutto rovente,
Che crepitando giunge, e inesorato
Durabilmente sovra quei si spiega.
Torna al celeste raggio
Dopo l'antica obblivion l'estinta
Pompei, come sepolto
Scheletro, cui di terra
Avarizia o pietà rende all'aperto;
E dal deserto foro
Diritto infra le file
Dei mozzi colonnati il peregrino
Lunge contempla il bipartito giogo
E la cresta fumante,
Che alla sparsa ruina ancor minaccia.
E nell'orror della secreta notte
Per li vacui teatri,
Per li templi deformi e per le rotte
Case, ove i parti il pipistrello asconde,
Come sinistra face
Che per vòti palagi atra s'aggiri,
Corre il baglior della funerea lava,
Che di lontan per l'ombre
Rosseggia e i lochi intorno intorno tinge.
Così, dell'uomo ignara e dell'etadi
Ch'ei chiama antiche, e del seguir che fanno
Dopo gli avi i nepoti,
Sta natura ognor verde, anzi procede
Per sì lungo cammino
Che sembra star. Caggiono i regni intanto,
Passan genti e linguaggi: ella nol vede:
E l'uom d'eternità s'arroga il vanto.
E tu, lenta ginestra,
Che di selve odorate
Queste campagne dispogliate adorni,
Anche tu presto alla crudel possanza
Soccomberai del sotterraneo foco,
Che ritornando al loco
Già noto, stenderà l'avaro lembo
Su tue molli foreste. E piegherai
Sotto il fascio mortal non renitente
Il tuo capo innocente:
Ma non piegato insino allora indarno
Codardamente supplicando innanzi
Al futuro oppressor; ma non eretto
Con forsennato orgoglio inver le stelle,
Né sul deserto, dove
E la sede e i natali
Non per voler ma per fortuna avesti;
Ma più saggia, ma tanto
Meno inferma dell'uom, quanto le frali
Tue stirpi non credesti
O dal fato o da te fatte immortali.

La mattutina pioggia, allor che l'ale
Battendo esulta nella chiusa stanza
La gallinella, ed al balcon s'affaccia
L'abitator dè campi, e il Sol che nasce
I suoi tremuli rai fra le cadenti
Stille saetta, alla capanna mia
Dolcemente picchiando, mi risveglia;
E sorgo, e i lievi nugoletti, e il primo
Degli augelli susurro, e l'aura fresca,
E le ridenti piagge benedico:
Poiché voi, cittadine infauste mura,
Vidi e conobbi assai, là dove segue
Odio al dolor compagno; e doloroso
Io vivo, e tal morrò, deh tosto! Alcuna
Benché scarsa pietà pur mi dimostra
Natura in questi lochi, un giorno oh quanto
Verso me più cortese! E tu pur volgi
Dai miseri lo sguardo; e tu, sdegnando
Le sciagure e gli affanni, alla reina
Felicità servi, o natura. In cielo,
In terra amico agl'infelici alcuno
E rifugio non resta altro che il ferro.
Talor m'assido in solitaria parte,
Sovra un rialto, al margine d'un lago
Di taciturne piante incoronato.
Ivi, quando il meriggio in ciel si volve,
La sua tranquilla imago il Sol dipinge,
Ed erba o foglia non si crolla al vento,
E non onda incresparsi, e non cicala
Strider, né batter penna augello in ramo,
Né farfalla ronzar, né voce o moto
Da presso né da lunge odi né vedi.
Tien quelle rive altissima quiete;
Ond'io quasi me stesso e il mondo obblio
Sedendo immoto; e già mi par che sciolte
Giaccian le membra mie, né spirto o senso
Più le commova, e lor quiete antica
Cò silenzi del loco si confonda.
Amore, amore, assai lungi volasti
Dal petto mio, che fu sì caldo un giorno,
Anzi rovente. Con sua fredda mano
Lo strinse la sciaura, e in ghiaccio è volto
Nel fior degli anni. Mi sovvien del tempo
Che mi scendesti in seno. Era quel dolce
E irrevocabil tempo, allor che s'apre
Al guardo giovanil questa infelice
Scena del mondo, e gli sorride in vista
Di paradiso. Al garzoncello il core
Di vergine speranza e di desio
Balza nel petto; e già s'accinge all'opra
Di questa vita come a danza o gioco
Il misero mortal. Ma non sì tosto,
Amor, di te m'accorsi, e il viver mio
Fortuna avea già rotto, ed a questi occhi
Non altro convenia che il pianger sempre.
Pur se talvolta per le piagge apriche,
Su la tacita aurora o quando al sole
Brillano i tetti e i poggi e le campagne,
Scontro di vaga donzelletta il viso;
O qualor nella placida quiete
D'estiva notte, il vagabondo passo
Di rincontro alle ville soffermando,
L'erma terra contemplo, e di fanciulla
Che all'opre di sua man la notte aggiunge
Odo sonar nelle romite stanze
L'arguto canto; a palpitar si move
Questo mio cor di sasso: ahi, ma ritorna
Tosto al ferreo sopor; ch'è fatto estrano
Ogni moto soave al petto mio.
O cara luna, al cui tranquillo raggio
Danzan le lepri nelle selve; e duolsi
Alla mattina il cacciator, che trova
L'orme intricate e false, e dai covili
Error vario lo svia; salve, o benigna
Delle notti reina. Infesto scende
Il raggio tuo fra macchie e balze o dentro
A deserti edifici, in su l'acciaro
Del pallido ladron ch'a teso orecchio
Il fragor delle rote e dè cavalli
Da lungi osserva o il calpestio dè piedi
Su la tacita via; poscia improvviso
Col suon dell'armi e con la rauca voce
E col funereo ceffo il core agghiaccia
Al passegger, cui semivivo e nudo
Lascia in breve trà sassi. Infesto occorre
Per le contrade cittadine il bianco
Tuo lume al drudo vil, che degli alberghi
Va radendo le mura e la secreta
Ombra seguendo, e resta, e si spaura
Delle ardenti lucerne e degli aperti
Balconi. Infesto alle malvage menti,
A me sempre benigno il tuo cospetto
Sarà per queste piagge, ove non altro
Che lieti colli e spaziosi campi
M'apri alla vista. Ed ancor io soleva,
Bench'innocente io fossi, il tuo vezzoso
Raggio accusar negli abitati lochi,
Quand'ei m'offriva al guardo umano, e quando
Scopriva umani aspetti al guardo mio.
Or sempre loderollo, o ch'io ti miri
Veleggiar tra le nubi, o che serena
Dominatrice dell'etereo campo,
Questa flebil riguardi umana sede.
Me spesso rivedrai solingo e muto
Errar pè boschi e per le verdi rive,
O seder sovra l'erbe, assai contento
Se core e lena a sospirar m'avanza.

what is hard
           is knowledge
                       of you;

but it's an absence
                           feeling like you're going crazy
That the ideas could burst your head   open

that's ignorance of you

There's blood on the floor
And gristle on his cleaver
\
  Masks in the box at the corner
  of the small apartment flat
/
Hidden behind a moto-helm
Driving by fun, of the socio-style
\
  Richard, Phil, Charlie, the gang
  Over the head, face remains changed
/
Travel through the Phonehom
Slashing through the fleshy barriers
\
  Coming on a grisly scene
  Awaiting something new to see
/
Quick rap-tapping
Keyboard strokes
\
  Pushing through the double doors
  This is it folks

For the US, for the US!
The *****'s will fall
  But these two,
  At the moment, don't know it
  At all

Hi I'm just a normal guy and I.. I think that should be enough for an introduction but as it turns out it isn't. It's always, hello my name is xyz ( yeah, I'm from CBSE ) anyhow, my name is xyz, I am xyz, I do this xyz, xyz,xyz, ..abc...bla..bla..blablabla. I mean I want to have an understanding where hello, I'm just a normal guy is enough. But today I want to speak about religion. Yes. Religion. A very interesting.. thing. Sort of. I mean we are all affected by it. Even the atheist, even though I was an atheist but drugs ****** my mind. You know, it's actually funny because I think drugs actually makes you much more religious. Anyone who has ever done drugs can vouch for that, right ? There's nothing more divine in this world than drugs ( of course apart from God). It's the closest you can get to heaven. It's very obvious. If ******* was legal. I'm sorry, I'm a little weak on my drugs. So that's like my go to drug when I'm talking about drugs somehow. Who knew even drugs had marketing ?. Anyhow, if it was legal. Man, things would have been very different. Everyone would have been a devotee, lazy or just dead or dying.. I don't know, you get the picture.. you're smart enough. Now as I was saying, religion affects everyone. I was an atheist... Once. But you know I was thinking something the other day and I got really deep. What if gods were real you know, like hypothetically or realistically ( depends on the side you think you're on ), I was thinking and I realised, I liked the Hindu gods the best. My parents are Hindu. That's very biased I know, but that's the point. Everyone is affected. But I'll sell you my idea. See, I think it would **** to have just one or a couple of gods. I'm sorry, but that's boring. And 'God' is 'God', the best thing ever. PERIOD. ( Kalpnic or otherwise) we should have more of those. More Gods. Tens and thousands. Millions. Billions. Ever counting. Why not ?. The bad joke aside, Hindu gods are cool in my opinion, take 'Shivji' or aka 'Bholenath'. What's not to love ?  Eight pack abs, smoking ****, wearing a rock-n-roll aesthetic. I want my god to be like that. I want him to be cool. I want there to be battles and stories and crazy things. Not just a man wandering and doing good things, I mean I am alright if that's true. I'm all in. I'm just saying my version is cooler. That's all. No offence. I'm not racist ( for religion ? ), I don't care. I think do good, be good and shut up. I swear, that's my moto. But that's not saying that someone else might have a different opinion but that's okay, I would love to hear them if I could. Usually when I pray ( which I admit I don't ) I usually pray to as many gods as I can recall, I guess most of us do. That's just human. God has always been about acceptance more than anything else. Acceptance into the community, build a community and make a living according to that culture, at that place, at that time. It wasn't so forced. It was a way of life. It was different. Now it's something else. Much more commercial and obviously much more dangerous. Religion was made by man for man. God is too huge for our knowledge and I think if you believe in God you will be the first person to agree with me that yes, God is too huge for human knowledge. Let it be. Religion is such a huge economic factor in the world. It's impact on the world governments to an average citizen is phenomenal. It's bound to be corrupted. Follow your God instead. Whatever it may be, don't give it a name. Make it your friend. Make it your strength. Whatever makes you do good is 'God'...... And my 'God' is cooler than yours. And Of course there are Greek gods ( for the hipsters ( yeah!)), but they ****** their siblings, 'Yeahuck'.

Presumably the next big thing will be soles — socks with holes. Or maybe zits — pants with zips.

It’s made me wonder what else is ahead for us this season, so I headed to the mall to find out.

Topshop proclaims the return of triple denim (noooo!), the corset and coats worn as dresses. The latter should be worn undone to the waist and half falling off in order to “create a cold-shoulder silhouette”. Doesn’t make such sense during a Melbourne winter, I must say.

Topshop also has a very worrying item called a “monochrome gingham flute tie sleeve top”, which looks to me very much like a chequered table napkin worn backwards with ribbons at the elbows keeping the sleeves on. I’ll pass on that one.

Over at H&M;, winter’s “new mood” is all about “sustainable style” containing recycled materials. That means a simple flannel top is reborn as “conscious fashion” and a blue worker-style singlet becomes a “lyocell vest top”.

What would they call hi-vis? Apparently, the fash pack call it “haute reflecture”. Yes, really.

Most concerning is a shirt with “trumpet sleeves” so wide they’d need a separate seat at a restaurant. Even then they would end up dipping into the dinner of the person sitting at the next table. It may help you work out what to order, but it’s not likely to win you any friends.

At Zara it’s all about a “limited edition ballet dress” that will look perfect under a “moto jacket” Did they forget the r? Or are they too cool for correct spelling?

There is also something very strange called “over-the-knee high-heel sock boots”, which are $100. Give them to someone you loathe this Easter.

Zara also wants us to wear “Mum-fit jeans with side stripes”, which will no doubt just draw more unwelcome attention to the dreaded maternal hips. Who needs that?

They also have a velvet sack-style dress with a drawstring at the mid-thigh. It’s the style that doesn’t discriminate — it’s guaranteed to look unflattering on everyone.

So what other trends should we be running away from this season? Fashion insiders tell me “street-chic utilitarianism” is all the rage. That seems to involve wearing a flak jacket 10 sizes too big in a rotting-flesh colour paired with floral leggings with built-in shoes.

There’s also “new shirting”, which looks to me like the same thing as “old shirting” but has the added disadvantage of being just about to fall off your shoulders at the most inopportune time.

Trust me, you don’t need that and you don’t need an ironic-slogan T-shirt that tells the world “This was not a gift” or “This is a white T-shirt”.

I am also quite interested to know that “bra out” is apparently a trend and I wonder if that means I should stop tucking my daggy mum-bra straps into my tops.

Now, as someone who spent most of Wednesday this week at work with a large shop store label hanging out of the back of my skirt, I’m obviously not a huge fashionista.

But even I can see that never before has there been such a gap between clothes the fashion-conscious labels are promoting and everyday pieces we actually want to wear. You know, clothes that are well priced, well made, last more than a few seasons and aren’t made by five-year-old Bangladeshi orphans.

THERE’S no doubt something very weird is going on when there’s a waiting list for Yves Saint Laurent’s $10,000 jewelled boots and jewellery made of real succulents is being tipped as the next big thing. But really, who wants to have to remember to water their earrings?

Wandering around Zara this week (from where I bought the $89 skirt I forgot to take the label off), I was interested to see sale racks packed with off-the-shoulder tops, summer denim and lots of body suits. When are they going to learn women don’t want press studs up their privates?

I know that in fashion everything new is old anyway and that’s what really concerns me.

I’ve been around long enough to remember all the best worst fashion disasters such as pooh-catcher pants, velour tracksuits, trucker hats and platform sneakers.

Frankly, there are some items that don’t deserve to be wheeled out again. They include leg warmers — because your ankles don’t get cold when you work out, do they? And let’s not revisit male crop tops, because a hairy muffin top is something we don’t need to see.

Back to jindows. Just because Topshop tells us they’re “globally trending in the denim space”, it doesn’t mean you need a pair.

Remember. You didn’t need jeggings, coatigans, skorts or flatforms. And you sure as hell don’t need jindows.Read more at:http://www.marieaustralia.com/cocktail-dresses | www.marieaustralia.com/bridesmaid-dresses

Jammin' in Jamaica
Driving my DeSoto
Being pursued by
My foe Quasimodo
Lying on the dash is
The missing person photo
When my phone rings
I hear "Hello Moto!"

(Chorus)
I don't have to work
When I'm in my pajamas
Acting like a ****
When I'm in the Bahamas
Really go berserk
When I'm feeding my llamas
We all go to pieces
When we’re talkin' to our mommas

Jammin' in Jamaicaaaa...
Jammin' in Jamaicaaaa...
Jammin' in Jamaicaaaa...
Jammin' in Jamaicaaaa...

Rush hour traffic
So I park my DeSoto
Nowhere in sight
Is my foe Quasimodo
See a man who looks like
The missing person photo
Then his phone rings
Shouting "Hello Moto!"

(Chorus)
I don't have to work
When I'm in my pajamas
Acting like a ****
When I'm in the Bahamas
Really go berserk
When I'm feeding my llamas
We all go to pieces
When we’re talkin' to our mommas

Jammin' in Jamaicaaa...
Jammin' in Jamaicaaa...
Jammin' in Jamaicaaa...
Jammin' in Jamaicaaa...

Jammin' in Jamaica
With the man in the photo
Who's not really missing
Just roving incognito
Suddenly appears
My foe Quasimodo
Truce as we pose
For a group selfie photo

(Chorus)
I don't have to work
When I'm in my pajamas
Acting like a ****
When I'm in the Bahamas
Really go berserk
When I'm feeding my llamas
We all go to pieces
When we’re talkin' to our mommas


(Repeat chorus and fade, with "Jammin' in Jamaicaaa" playing in the background with lines 1, 3, 5, and 7 of the chorus.)

© 2020 by Mark Toney. All rights reserved.

Movement no.1
Andante con moto

Farewell.

I am leaving you
with the sweetness
and the sadness
of every creature on this earth
draped over my shoulders
as a shroud

We rest now
before the final struggle
looking down upon our lives
from a precipice

The wind calls up
a faint sound

a song
of healing
as resignation

So bring forth the dirge
let dogs and oboes
cue the horns
as we embark
upon a tender struggle

We are whipped back
and forth
between grief and glory
in this life

an indifferent life
lush with raw power

But thankfully
at the end of every day
there is sleep.

Movement no. 2
Im tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb.

Dance returns
and goes mad

Who could lift a leg
that high?  

Not I.

The music careens
off the walls
in a dissonant minuet
of the hours

The clenched teeth
of each and every minute
grind here
as if time itself
took heel
and made a sparkling trace
across the pines
of this exalted floor of dance.

Movement no. 3
Rondo Burleske: allegro assai. Sehr trotzig.

A music major's delight.
Fugues against fugues.
Dense contrapuntal figures
and sarcastic counterpoint
shouting out
from the back of the class.

And then

just love

confused perhaps
but real love indeed.

Movement no. 4
Sehr langsam und noch zurüclhaltend

The violin
noblest of instruments
takes its place

In bitter sorrow
life soon lost
the fruit of the tree
is extinguished
the promise of green days
burned by drought

All is withheld.

There is peace at the end
but no joy
the abyss is only silence

and a taut string
connecting us
to eternity.

More I look around better I feel about my life. People of my age seems so stuck, so unhappy while I decided to follow my dreams and make it my way.

I passed each challenges that life brings me while they choose the easy way.

I always keep smiling,  my head up and my heart open just to make sure I won't regret anything. And so far I am doing pretty well.

As long as i beleive that destiny as a great life to offer why should i not follow the signs?

For me the signs are "Feel free, be wild, don't worry everything will be alright, let's go on an adventure"

I just have to be a little careful because the days i get off track,  i feel bad until i get back on track and that can take some time...

Anyway, good thoughts : keep it easy.  Follow happy thoughts, happy people, love and share

my everlasting eyes,
shine, at the sight,
of you, and your eyes,
deep as the sea,

mi everlasting soul,
bares a curse, heavy
and strong, the shine of
those eyes, in a time,
give the broken heart hope,

the chance was given, and
not accepted, now is all over,
almost lose my freedom, the pedofile's
cousin, and your corrupted and
lying **** up world, disgust me.

the backwards world,
and the loss of freedom,
was the end, of it, you lose
me, now you know, what
you want.

finding, what you lost,
is a chance, but find it in
someones elses eyes.

my everlasting heart, can't died,
but, suffers like a human heart,
the zen monk in me, is out
of your lying world, out of my life,

never a friend, or a lover, just
a lying world sended,
trying to con me, not interested
in a crying game,
je sui templer, mon chere.

truth is part of me,
she is my faith, mine,
and the world's renaissance,

the sacred ancestor,
of some of my family,
your world,
the transginger world,
girls on ties,
playing dodgeball,

burning templars
like if i could be burn,
or destroyed,
i shot my head after 22 years,
of pain and deceit,
not even i, could **** myself,
you putts

and maybe in some way ,
i could love you.
and still miss you,
but not a gay boy mate,

so keep the gay boys,
and carrie on, find some truth,
in your life, truth is more,
than the ****, is a state of mind.

is the sacred moto, on the heart of a lion.
keep the chu chu train, the give and take crap,
and be free, and out of my life.
after all, i'm too sweet for a tv girl.

my soul is everything,
don't know if you even have it,
or lost it, for being there, but c'est fini
mon cheri, c'est fini, je sui templer,
even science is templar, under the new
brake truths.

so, all is forgiven,
even the pato yañez, even the lies,
i can see you love me ,i know,
but sometimes, we lost what
we don't know we want.

cause, after all the lies,
after all those gay boys,
still you want, a man in your life
all is over, and keep the faith
relax and be free, away from me.

no favors, from this,
old everlasting soul, maybe i
could find some love, know what you want
alive and kicking, and ready, for it all.

nothing to say, if you have something to say,
say it to my face, and vaya con dios,
away this everlasting ship, has sail.

from the other side of the world,
i say, keep those friend's of you,
and stay, the **** away from me.

and make it count,
i can see your end mate,
alone and wrinkled,
and bitter to the bone,
like the wife of the creep,
the male dog on a wig.

my everlasting heart, is ready
for some truth, after all the lies, of
your creepy, world of WANKERS,
NEVER MIND THE *******,
SOME OLD FRIEND SAY,

my heart is  healthy,
and operative,
this everlasting heart, and this
everlasting soul, is gone,
from your beautiful, but deceiving eyes,

maybe some sweet sweet barbie ,
with a mind and soul, and a heart,
or some bellissima, or even
that **** and sweet clown.

farewell,mi bitter sweetness,
keep the one, who think is me,
that crazy transginger, whose
fatal attraction,made a titanic,
of the droit ship,

they are out of my life,
and with them are you,
out of me.

you lose me, at pato yañez.
you and all your gay boys.
this heart is deep and black,
and ready for use.

can't help, but not look at you anymore
listen avientame, by cafe tacuba,
the urban myth wrote that,
but he's not writing no more,
no calls and no favors, for the one
trying to save a creep, ask paula ***** for help,
or the little ****, no wait, they are inside me,

after the rapes and the harassment,
trying to save, what they destroy,
but keep on rapping, that is out
of my life.
and you are proud of defending a child molester

vaya con dios.

Qui su l'arida schiena
Del formidabil monte
Sterminator Vesevo,
La qual null'altro allegra arbor né fiore,
Tuoi cespi solitari intorno spargi,
Odorata ginestra,
Contenta dei deserti. Anco ti vidi
Dè tuoi steli abbellir l'erme contrade
Che cingon la cittade
La qual fu donna dè mortali un tempo,
E del perduto impero
Par che col grave e taciturno aspetto
Faccian fede e ricordo al passeggero.
Or ti riveggo in questo suol, di tristi
Lochi e dal mondo abbandonati amante,
E d'afflitte fortune ognor compagna.
Questi campi cosparsi
Di ceneri infeconde, e ricoperti
Dell'impietrata lava,
Che sotto i passi al peregrin risona;
Dove s'annida e si contorce al sole
La serpe, e dove al noto
Cavernoso covil torna il coniglio;
Fur liete ville e colti,
E biondeggiàr di spiche, e risonaro
Di muggito d'armenti;
Fur giardini e palagi,
Agli ozi dè potenti
Gradito ospizio; e fur città famose
Che coi torrenti suoi l'altero monte
Dall'ignea bocca fulminando oppresse
Con gli abitanti insieme. Or tutto intorno
Una ruina involve,
Dove tu siedi, o fior gentile, e quasi
I danni altrui commiserando, al cielo
Di dolcissimo odor mandi un profumo,
Che il deserto consola. A queste piagge
Venga colui che d'esaltar con lode
Il nostro stato ha in uso, e vegga quanto
È il gener nostro in cura
All'amante natura. E la possanza
Qui con giusta misura
Anco estimar potrà dell'uman seme,
Cui la dura nutrice, ov'ei men teme,
Con lieve moto in un momento annulla
In parte, e può con moti
Poco men lievi ancor subitamente
Annichilare in tutto.
Dipinte in queste rive
Son dell'umana gente
Le magnifiche sorti e progressive .
Qui mira e qui ti specchia,
Secol superbo e sciocco,
Che il calle insino allora
Dal risorto pensier segnato innanti
Abbandonasti, e volti addietro i passi,
Del ritornar ti vanti,
E procedere il chiami.
Al tuo pargoleggiar gl'ingegni tutti,
Di cui lor sorte rea padre ti fece,
Vanno adulando, ancora
Ch'a ludibrio talora
T'abbian fra sé. Non io
Con tal vergogna scenderò sotterra;
Ma il disprezzo piuttosto che si serra
Di te nel petto mio,
Mostrato avrò quanto si possa aperto:
Ben ch'io sappia che obblio
Preme chi troppo all'età propria increbbe.
Di questo mal, che teco
Mi fia comune, assai finor mi rido.
Libertà vai sognando, e servo a un tempo
Vuoi di novo il pensiero,
Sol per cui risorgemmo
Della barbarie in parte, e per cui solo
Si cresce in civiltà, che sola in meglio
Guida i pubblici fati.
Così ti spiacque il vero
Dell'aspra sorte e del depresso loco
Che natura ci diè. Per questo il tergo
Vigliaccamente rivolgesti al lume
Che il fè palese: e, fuggitivo, appelli
Vil chi lui segue, e solo
Magnanimo colui
Che sé schernendo o gli altri, astuto o folle,
Fin sopra gli astri il mortal grado estolle.
Uom di povero stato e membra inferme
Che sia dell'alma generoso ed alto,
Non chiama sé né stima
Ricco d'or né gagliardo,
E di splendida vita o di valente
Persona infra la gente
Non fa risibil mostra;
Ma sé di forza e di tesor mendico
Lascia parer senza vergogna, e noma
Parlando, apertamente, e di sue cose
Fa stima al vero uguale.
Magnanimo animale
Non credo io già, ma stolto,
Quel che nato a perir, nutrito in pene,
Dice, a goder son fatto,
E di fetido orgoglio
Empie le carte, eccelsi fati e nove
Felicità, quali il ciel tutto ignora,
Non pur quest'orbe, promettendo in terra
A popoli che un'onda
Di mar commosso, un fiato
D'aura maligna, un sotterraneo crollo
Distrugge sì, che avanza
A gran pena di lor la rimembranza.
Nobil natura è quella
Che a sollevar s'ardisce
Gli occhi mortali incontra
Al comun fato, e che con franca lingua,
Nulla al ver detraendo,
Confessa il mal che ci fu dato in sorte,
E il basso stato e frale;
Quella che grande e forte
Mostra sé nel soffrir, né gli odii e l'ire
Fraterne, ancor più gravi
D'ogni altro danno, accresce
Alle miserie sue, l'uomo incolpando
Del suo dolor, ma dà la colpa a quella
Che veramente è rea, che dè mortali
Madre è di parto e di voler matrigna.
Costei chiama inimica; e incontro a questa
Congiunta esser pensando,
Siccome è il vero, ed ordinata in pria
L'umana compagnia,
Tutti fra sé confederati estima
Gli uomini, e tutti abbraccia
Con vero amor, porgendo
Valida e pronta ed aspettando aita
Negli alterni perigli e nelle angosce
Della guerra comune. Ed alle offese
Dell'uomo armar la destra, e laccio porre
Al vicino ed inciampo,
Stolto crede così qual fora in campo
Cinto d'oste contraria, in sul più vivo
Incalzar degli assalti,
Gl'inimici obbliando, acerbe gare
Imprender con gli amici,
E sparger fuga e fulminar col brando
Infra i propri guerrieri.
Così fatti pensieri
Quando fien, come fur, palesi al volgo,
E quell'orror che primo
Contra l'empia natura
Strinse i mortali in social catena,
Fia ricondotto in parte
Da verace saper, l'onesto e il retto
Conversar cittadino,
E giustizia e pietade, altra radice
Avranno allor che non superbe fole,
Ove fondata probità del volgo
Così star suole in piede
Quale star può quel ch'ha in error la sede.
Sovente in queste rive,
Che, desolate, a bruno
Veste il flutto indurato, e par che ondeggi,
Seggo la notte; e su la mesta landa
In purissimo azzurro
Veggo dall'alto fiammeggiar le stelle,
Cui di lontan fa specchio
Il mare, e tutto di scintille in giro
Per lo vòto seren brillare il mondo.
E poi che gli occhi a quelle luci appunto,
Ch'a lor sembrano un punto,
E sono immense, in guisa
Che un punto a petto a lor son terra e mare
Veracemente; a cui
L'uomo non pur, ma questo
Globo ove l'uomo è nulla,
Sconosciuto è del tutto; e quando miro
Quegli ancor più senz'alcun fin remoti
Nodi quasi di stelle,
Ch'a noi paion qual nebbia, a cui non l'uomo
E non la terra sol, ma tutte in uno,
Del numero infinite e della mole,
Con l'aureo sole insiem, le nostre stelle
O sono ignote, o così paion come
Essi alla terra, un punto
Di luce nebulosa; al pensier mio
Che sembri allora, o prole
Dell'uomo? E rimembrando
Il tuo stato quaggiù, di cui fa segno
Il suol ch'io premo; e poi dall'altra parte,
Che te signora e fine
Credi tu data al Tutto, e quante volte
Favoleggiar ti piacque, in questo oscuro
Granel di sabbia, il qual di terra ha nome,
Per tua cagion, dell'universe cose
Scender gli autori, e conversar sovente
Cò tuoi piacevolmente, e che i derisi
Sogni rinnovellando, ai saggi insulta
Fin la presente età, che in conoscenza
Ed in civil costume
Sembra tutte avanzar; qual moto allora,
Mortal prole infelice, o qual pensiero
Verso te finalmente il cor m'assale?
Non so se il riso o la pietà prevale.
Come d'arbor cadendo un picciol pomo,
Cui là nel tardo autunno
Maturità senz'altra forza atterra,
D'un popol di formiche i dolci alberghi,
Cavati in molle gleba
Con gran lavoro, e l'opre
E le ricchezze che adunate a prova
Con lungo affaticar l'assidua gente
Avea provvidamente al tempo estivo,
Schiaccia, diserta e copre
In un punto; così d'alto piombando,
Dall'utero tonante
Scagliata al ciel profondo,
Di ceneri e di pomici e di sassi
Notte e ruina, infusa
Di bollenti ruscelli
O pel montano fianco
Furiosa tra l'erba
Di liquefatti massi
E di metalli e d'infocata arena
Scendendo immensa piena,
Le cittadi che il mar là su l'estremo
Lido aspergea, confuse
E infranse e ricoperse
In pochi istanti: onde su quelle or pasce
La capra, e città nove
Sorgon dall'altra banda, a cui sgabello
Son le sepolte, e le prostrate mura
L'arduo monte al suo piè quasi calpesta.
Non ha natura al seme
Dell'uom più stima o cura
Che alla formica: e se più rara in quello
Che nell'altra è la strage,
Non avvien ciò d'altronde
Fuor che l'uom sue prosapie ha men feconde.
Ben mille ed ottocento
Anni varcàr poi che spariro, oppressi
Dall'ignea forza, i popolati seggi,
E il villanello intento
Ai vigneti, che a stento in questi campi
Nutre la morta zolla e incenerita,
Ancor leva lo sguardo
Sospettoso alla vetta
Fatal, che nulla mai fatta più mite
Ancor siede tremenda, ancor minaccia
A lui strage ed ai figli ed agli averi
Lor poverelli. E spesso
Il meschino in sul tetto
Dell'ostel villereccio, alla vagante
Aura giacendo tutta notte insonne,
E balzando più volte, esplora il corso
Del temuto bollor, che si riversa
Dall'inesausto grembo
Su l'arenoso dorso, a cui riluce
Di Capri la marina
E di Napoli il porto e Mergellina.
E se appressar lo vede, o se nel cupo
Del domestico pozzo ode mai l'acqua
Fervendo gorgogliar, desta i figliuoli,
Desta la moglie in fretta, e via, con quanto
Di lor cose rapir posson, fuggendo,
Vede lontan l'usato
Suo nido, e il picciol campo,
Che gli fu dalla fame unico schermo,
Preda al flutto rovente,
Che crepitando giunge, e inesorato
Durabilmente sovra quei si spiega.
Torna al celeste raggio
Dopo l'antica obblivion l'estinta
Pompei, come sepolto
Scheletro, cui di terra
Avarizia o pietà rende all'aperto;
E dal deserto foro
Diritto infra le file
Dei mozzi colonnati il peregrino
Lunge contempla il bipartito giogo
E la cresta fumante,
Che alla sparsa ruina ancor minaccia.
E nell'orror della secreta notte
Per li vacui teatri,
Per li templi deformi e per le rotte
Case, ove i parti il pipistrello asconde,
Come sinistra face
Che per vòti palagi atra s'aggiri,
Corre il baglior della funerea lava,
Che di lontan per l'ombre
Rosseggia e i lochi intorno intorno tinge.
Così, dell'uomo ignara e dell'etadi
Ch'ei chiama antiche, e del seguir che fanno
Dopo gli avi i nepoti,
Sta natura ognor verde, anzi procede
Per sì lungo cammino
Che sembra star. Caggiono i regni intanto,
Passan genti e linguaggi: ella nol vede:
E l'uom d'eternità s'arroga il vanto.
E tu, lenta ginestra,
Che di selve odorate
Queste campagne dispogliate adorni,
Anche tu presto alla crudel possanza
Soccomberai del sotterraneo foco,
Che ritornando al loco
Già noto, stenderà l'avaro lembo
Su tue molli foreste. E piegherai
Sotto il fascio mortal non renitente
Il tuo capo innocente:
Ma non piegato insino allora indarno
Codardamente supplicando innanzi
Al futuro oppressor; ma non eretto
Con forsennato orgoglio inver le stelle,
Né sul deserto, dove
E la sede e i natali
Non per voler ma per fortuna avesti;
Ma più saggia, ma tanto
Meno inferma dell'uom, quanto le frali
Tue stirpi non credesti
O dal fato o da te fatte immortali.

Dicono che la mia
sia una poesia d'inappartenenza.
Ma s'era tua era di qualcuno:
di te che non sei più forma, ma essenza.
Dicono che la poesia al suo culmine
magnifica il Tutto in fuga,
negano che la testuggine
sia più veloce del fulmine.
Tu sola sapevi che il moto
non è diverso dalla stasi,
che il vuoto è il pieno e il sereno
è la più diffusa delle nubi.
Così meglio intendo il tuo lungo viaggio
imprigionata tra le bende e i gessi.
Eppure non mi dà riposo
sapere che in uno o in due noi siamo una sola cosa.

Mais um dia cansativo
Com a tarde inteira para dormir
Um pouco de descanso seria o remédio
Numa fusão de tudo da-se o tédio

Daí algo fica estranho
Você sabe que não está normal
Uma movimentação, um chororô
Uma energia ruim cobre o meu ciclo

E então, alguns baques na minha janela
Algo de ruim teria acontecido
Não sabia que com ela
Então levanto de um cochilo pela tarde
E alguns amigos me avisam
Que a pessoa mais amada corria perigo

Numa aventura jovem
O perigo vem
Não olha para quem, mas bate com força
Numa aventura jovem
Um sonho se vai
E sem olhar para trás
Se transforma numa forca

Cada erro uma consequência
Mas a esperança não acaba
Positivo deve-se pensar
Com  um acerto forma-se a palavra

Uma moto, uma estrada, um acidente
E tudo vira de ponta a cabeça
E agora? O que será?
Só o tempo pode nos responder
Se depender da minha torcida
Ela irá viver.

Where might one stand with themself?
I am not confused.
I just am not sure how to navigate.
Many might say I am anilitical and cold
But to be so should help me now and forever.
Yet I am still trying to evaluate.

I've made one discovery so far:
My life moto: "If I've contemplated something for so long, I may as well commit the contemplated action," is not a good life moto.
This encouranges a fault:
I commit actions I know won't have clean consequences because I've contemplated the actions for a while, yet have not contemplated their results.

Now, I must start fresh and withold from actions and think more.
Yet, I have more fun when life is messy.
Life is generally stress free for me,
Except when I have to live with the consequences of messy actions.
But acting without overthinking makes people LIKE you.
It makes you seem less anilitical and cold
More casual and fun
And acting without overthinking makes people DISLIKE you.
Makes you do and say stupid actions and words
Make you seem too accesible
People want what they can't have,
Not what bombards them with weird thoughts all day long.

So my plan is to start by honing common sense and self control.

Mia vita, a te non chiedo lineamenti
fissi, volti plausibili o possessi.
Nel tuo giro inquieto ormai lo stesso
sapore han miele e assenzio.

Il cuore che ogni moto tiene a vile
raro è squassato da trasalimenti.
Così suona talvolta nel silenzio
della campagna un colpo di fucile.

E nella notte nera come il nulla,
a un tratto, col fragor d'arduo dirupo
che frana, il tuono rimbombò di schianto:
rimbombò, rimbalzò, rotolò cupo,
e tacque, e poi rimareggiò rinfranto,
e poi vanì. Soave allora un anto
s'udì di madre, e il moto di una culla.

Something was a bit different this time
We moved her out of a place she lost everything on
A place of disastrous memories, left cuddled in every corner
No "moto" to grow
Born autonomous and only to remain that way
Just living, breathing, nothing but courageous...Just...Just...

Now, I think of all she's lost.  I stare at the floor, once cleaned of filth.
The walls hold the pale of pictures hung--Only yellow surrounds them, as
a respect of nicotine that scars the surface

Now, she exists where her predecessor once lived.  Almost an exact replica! She withholding her pity and junk!

It was nearing the end of the rainy season. Steady downpours muted all other sounds of the village, the time when everyone slept soundly through the night. The rain had not stopped for weeks, until today. Khadisa woke up before sunrise again, to the smell of cool fresh air, no humid chaleur. She remembered the dream, a girl standing behind a waterfall. She said she could hear her voice, but not make out the words. And the water turned into doves, their flapping wings like beating drums. She started dancing to their music, and blood trickled down her arms and legs in the moonlight.
She uncocooned herself from the medley of blankets, warm tangled sheets still playing hushed reruns of her dreams like seashells reciting ocean lullabies long after the tide. She untucked the mosquito net from under her mattress and silently pulled on her sandals and coat as to not wake her roommate. Mariama was still asleep. Khadisa looked over her shoulder to see her friend nestled into the warm pool of the missing body under covers from where she laid, burrowing unconsciously into her ghost. The amber light of the hallway spilled into the dark room like cream rendering black coffee lucid as the sunrise still hours away. She preferred nights like these, when her husband was away.

“Come back and sleep?” inquired a small voice from a pillowy soft, dream-like haze.
“I’ll be back. En bimbi, Mariama.”

Mariama’s birthmark was just visible from under the covers on her petite frame, an angel on her shoulder flying towards the heavens, to her curly bronze sun-kissed hair and constellation freckles. A memento mori of Icarus before the fall. She was not her blood, but she treated Mariama as a sister, a missing half of herself that had been long forgotten.

XXXXX

I wake as if underwater, neon light and sound blurry like I’m underneath a murky lake. My head throbs. Long tendrils of seaweed bodies sway in foggy currents of flashing, turning, strident beams of light. I’m ascending, body buoyant without weight, as I try to move my numb limbs. What did I take? I look at my hands, the smears of fluorescent orange paint and powder. I just wanted to be free, to fly. Feel the wind, soaring down the mountain path on the back of Mariama’s moto. I stretch my arms out, close my eyes and become the air itself: drifting, unattached.
XXXXX

Guided by light of the full moon and Venus rising, Khadi eased the door shut behind her into the latch with a gentle gratifying “click”. I’m never in the same or different places, but I am good company regardless. I depart as air, a constellation rising. She paused and listened to the morning. Epiphanic night colors divulged to her the secrets of sleep-singing crickets, dream-dancing of cassava leaves, crystal-painting of morning grass. She recited the symphonic canticle with her footfalls on the uneven gravel path to the well, the delicate sway of cotton as she walked in the occasional whistling paths of mosquitos. Soaked in tepid moonlight overflowing from the frame of the mountain Chien Qui Fume, she turned off the path into a grove of trees towards the river, and felt like she was disappearing back into the dark.

xxxxx

“another nuit blanche, huh… or should I say matin? The two must be the same at this point for you now. Just a perpetual, non-stop existence.” Mariam added skeptically, eying Khadi over a steaming cup of ginger tea. The wood from the fire crackled, as if in agreement.

“At least you have hot water for breakfast. Anyway, I am used to waking before sunup to prepare food for the family before the hospital shift.” Khadisah added, “I’ll be fine, habibti. No worries.”

“I know your dreams are getting bad again. Hunde kala e saa’i mun. Everything in its own time. Take care of yourself first, for once.”

She struck a match without reply, lit the candles, and poured herself a second cup of tea. Mango flowers unfolded outside the kitchen window, drinking in the early morning warmth with dusty yellow hands opening to heaven. She held the matchstick and watched the flame approach her fingers, remembering the countless needles she has sterilized to perform surgeries even the male doctors were too uneasy to attempt.

“So, what grand prophecies did I miss in the stars this morning?” Mariama put on her glasses and slid them up over the bridge of her nose with her index finger.

“The usual 3am omens, no bad spirits.”

Mari hummed a little hymn to herself and half-smiled as her green eyes flicked downward to her open book and wordlessly melted away any tension as if she were the effortless break of dawn dissipating a mere cloud of morning fog.

Xxxxx

A songbird starts singing a clear soaring cadence. And I am falling back below inundated shallows. I feel her soft blonde hair on my face, her colors warm and sunny. My name over and over and over. She’s shaking me, but I can’t speak. Her voice is perfect, it is all I hear anymore. Mariama with ivory skin, pastel hair. A ghost? No, a child. No more muted ringing in my ears. I melt into her as everything goes black.
My father was kind, unlike most from where we’re from. The kind do not live long enough. Walking in tall grass before a storm, the wind would whip at us in riotous orchestral gusts; I spread my wings and let the weight of air lift me away into the music. I closed my eyes, face upturned to the swelling rainclouds with pregnant bellies. “My Khadisah’s a little bird! Keep spreading your wings, and you’ll fly across the sea to America one day,” he said in French, the language for educated men.
xxxxx

Prep is the hardest stage for projects. Mariama starts in the cold shop, mapping out the light and colors, the size and shape she’ll be sculpting with. When it comes to the glory holes, something else takes over. She was a fote, of mixed blood. From a family who supported her education, her liberty. She thought of Khadisah’s upbringing, pushed the thought from her head as she focused on the heat of the furnace, the twist on the yoke, and the heavy grounding of the pipe. The sound of the port outside the open studio window grounded her, Conakry’s canoes readying their nets, bobbing in the sunrise stained glassy waters. Khadisah is sea glass, she thought. She heals others as she cannot heal herself, a polished stone ever-changing, and strong to the core. Shaped by something bigger, without choice. Although, the fact that there is no true place for us is shattering. But we’ve learned to live with jagged edges, smoothed them in buckets of the rains we’ve carried for miles on miles. Words can be shrapnel, written of the body, in perpetual ancient gestures. Looking down at the glass on her worktable, thin frames of women curved in dance like limbs of a tree in a whirlwind. ****** hieroglyphics speak of the writhing societal inconsistencies, the murky waters from which we fill our cups. The scars in their hearts built by the privileged, defiling bodies and souls without consent.

They are the ones who do the slaughtering.

xxxxx

“I have always loved mythology,” remarked Mari after perusing a chapter or two of her novel. It was a miracle alone that she knew how to read. “Shame that we lost so many of our stories, women.” Khadi had lost track of time, meditating on her morning rituals. She glanced at the positioning of the rising sun on the burning horizon through gaps of light through red kaleidoscopic trees.
“Next time bring me with you,” Mariama suggested, tapping her temple and pointing to me. “To your walking dreams, I mean. Wherever the night spirits guide you when all other men are sleeping, and the world is entirely ours for the taking.”

Khadisah’s gaze fixed fiercely on her friend’s once more, and the whole room erupted with the veracity of fracturing, interconnected, rampant red color. I try to keep my visions to myself, thinking about what used to become of them.

Glass is an extension; it exists in a constant state of change when molten. People change every second, in a constant half-light of who they are and who they will become. Like the lake between dreaming and reality, or a painting in constant interpretation. A word without formal translation, a feeling. Making stained glass, revelations of shape-cut fragments are painted with glass powder and fired in Mariama’s homemade kiln, fusing mirages of paint to the surface. Soldering joints with lead for stability, there is something meditative of puzzling together their memories. When glassblowing, she breathes life into her art, a revitalized self of otherwise secluded rights. Unveiling colored lenses of filtered light, she distills her life, betrays time. Creating is second to nothing, as concrete as petrified lightning in sand, and the fern-shaped kisses of lightning flowers on skin of raging energy.

xxxxx

It was dead winter, dead night. No shoes, no coat. I stopped answering Mariama’s calls. Too many glass cuts and bruises, empty nights. Walking up the snow-covered sidewalk to the chapel, Khadisah felt like she was buried in the new seamless blankets of fallen snow, fallen angels. Sometimes she forgot who she was. Because she cannot save everyone. A wandering ghost, an oracle without omens. Streetlight glowed through polychromatic windows, complex renderings of tall white figures preaching of salvation. Vivid crowns of gold, marbled robes, and flecked wings outstretching and draped by flickering light on the walls. It all reflected on her skin, histories of stories in light. Candles softened the hallway with the smell of incense and old books. Khadisah sighed and exited, reentered the snowy dreamscape outside, and looked up at the universe. The absence of light was beautiful, empty, and full at the same time. The window from a miniscule existence, what oddly calms and keeps us up at night. It was quiet, no wind, no moon. She laid down, a kite without a string. She started making snow angles and let herself cry about them. All of them. The pain when her husband visited, her daughter’s inevitable path like hers. The imprint of her body congealed to glass by the time the sun rose again, and she spoke colors to the stars. The seasons changed; the stars realigned. And more snow fell into her ghost.

“so, who’s gonna take you home, huh?”

I wake underneath Japanese maple, red leaves outlined in dark umber flaming against the clear blue sky. After a deep breath and regaining my surroundings, I evaluate where I am. The underdeveloped path from the reservation meanders back to site. I don’t remember what time or day it is, but I stand and jump across a trickling iron-red stream, I land on the other side a bit older, a bit wiser. Outlined in sweet grass and sage, I gather the herbs. Mint, sumac, elderberry, and yarrow. Sunlight guides me, and I thank the earth. Wah-doh, I say to the four Winds. Peace.
The mint leaves burn, and their ashes float towards heaven.
-----

Like tuning into the radio station from deep in the forest, she heard fuzzy, fragmented sounds. She felt light against her closed eyelids, but only saw a shoreline. She knew it was a dream. The trees aren’t right – the leaves were replaced by flowers, lending their neon petals to the dense sunset air. Standing in tall sweet grass, but there’s no gravity. She looked up, and saw the Japanese maple, the embers of leaves. And saw a reflection laying in the sun looking down—or up?—at herself. She wanted to fight the setting sun, become pristine like them. But she couldn’t hold her breath under the waters for too long. Spilling from the vase of an inviolate soul, sewing the stars like her scars. When the day is burned, we vanish in moonlight.

_

Working in the hospital, the color red. Panic attacks disassociate Khadisah from reality. She can still see, but can’t move, and only watches the violence as she crumbles under the skin. There were more angel marks, more places, less friendly. Stitches from infancy to womanhood, pedophilic ****** rights. A mother at 13, she cried for days and... feels the words rush back like water flooding all around her, rising around her body. This isn’t flying, this is drowning. So this is permanence, imprisonment from identity. A body collaged up and down, cut and fragmented on city and rural streets like vines salvaging mutilated walls and shattered windows. Being so stuck she was free. She saw a lost childhood in Mariama’s glass, and she was light as a feather in her father’s arms again.

The men say the seizures are from the Diable, but it was worse than that.

Even glaciers sculpt land and cut mountains over time with oceans of frozen glass. But earth was flooding once again.

And there was no blood on her hands.

Mtu mweusi mweusi, katika mwezi mkali wa moto,
ameketi katika kivuli cha mti wa Baobab.
Majani yaliyomo mara moja
walikuwa kavu na ukame,
waathirika wa upepo wa mabadiliko.

"Wazee, wananiita zamani." Alidhani,
"Majira ya joto ya sabini yanigeuka kijivu,
lakini mti huu wa Baobab ulikua mrefu na wenye nguvu
Wakati majeshi ya Kirumi yalipitia njia hii. "

Mzee huyo alitafuta matunda ya baobab
na akaingia kwenye hali kama hali.
Alikuwa katika hali ya akili;
Sio usingizi, sio macho kabisa.

Aliposikia sauti: "Nina kiu." Ilisema,
Ingawa alikuwa na uhakika alikuwa peke yake.
Ilionekana si sauti ya binadamu:
monotone kavu ya ubongo.

"Kwa vizazi, wanaume kama wewe
Walitaka makazi yangu kutoka kwenye jua,
Lakini sasa imekamilika; nchi imeharibika
Na mimi nina kufa, mdogo. "

Mtu mzee alilia kusikia maneno haya
Kwa maana miti hizi zinapokufa, kama lazima,
Wao huanguka juu ya ardhi yenye ubongo
Hivyo haraka kurudi kwenye Vumbi.

"Dunia imebadilika kwa wewe na mimi,
Upepo ni kavu chini ya jua.
Ninasamehe ulimwengu wa wanadamu
Kwa maana hawajui waliyofanya. "

Mtu mzee aliamka na mwanzo
na akainua na miwa yake.
Alilia kwa kufikiri mti huu utafa

lakini machozi hawezi kuchukua nafasi ya mvua.

À Manoel de Barros

PSAUME I

Tapi dans la mangrove, bondissant...sautant-matant

Le ciel aux trois-quarts nu

De giraumon, de pissat et de sang...

Assis sur le trottoir, le ciel tousse

Kein-hein kein-hein

Ivre de parfums rouges errants,

De brocarts et de confettis à ses trousses.

Assis à marée basse, électrique...

Insensible aux chevaux des dieux

Qui tournoient

Au-dessus des tambours

Qui chavirent

Insensibles

Aux orgues charnelles

Des moites guérisseuses...

Le ciel caracole,

Glisse, contorsionniste,

Mascarade immobile

Démêlant le cours des amours burlesques

Entre les atolls obscurs

De pistaches et de bonbons,

D’anges et de démons...

Cabriole, tiède et poisseux,

Cisaille à contre-jour

L’orpailleur en transe

Aboyant dans le sérail de mes âmes

Sevrées, esseulées...

L’aube culbute

Dans les lambeaux du gouffre

Dans les calypsos du soleil

D’où sourdent, dégénérées,

Les jambes et les larmes

Qui fraient encore, exotiques

Sur les pilotis

Du carnaval nocturne

D’où va saillir le jour.

PSAUME II

Il pleut sur le kiosque des songes

Des encres mornes

Comme des brindilles

Enfantées de l’œuf tiède

Où s’aimante

Délicieusement noire

La mygale

Fleuve des nuages

Qui emballe

De son ouate ludique

Le rayon nain

Dérobé

Au serpent arc-en-ciel

Enfin rassasié

PSAUME III

Tellurique, dame Terre esquive les amarres

Effervescentes. Le ciel, hameçon entre les îles,

Rayonne, entonne l’odyssée perpétuelle,

Pion libre dans l’espace

Sempiternellement baigné par les baumes

Incendiaires du soleil obèse, son jumeau

Complice des moissons violées, œcuménique,

Humble, jadis et toujours, Terre :

Oasis, océan, oxygène, oeil

Revêtu d’or, jardin où les ombres basses

Exultent, balbutiant des airs amnésiques..."

PSAUME IV

Rebelle lascive

Telle la lune blette

Suçant les corps subtils

Des mangues sauvages

Enroulées dans la pluie d’obsidienne...

Courtisane de toutes les brousses

Avaleuse de poisson vivant

Pour mieux apprendre à nager

Dans les moues du fleuve douillet...

Les lacets se cabrent, dans un baiser de peaux, de tôles et de croix

Les laves du dernier décan affleurent,

Saupoudrent l’écloserie de marbre humide

Et la pellicule humide de feu cru

Enfouit les dieux écartelés

Aux moues du fleuve endiablé..."

PSAUME V

Soudain pagayer dans le vent et découdre l’odeur légère de la forêt

Chasser les désirs cueillis dans la poudre des oiseaux rares

Et repriser dans les entrailles des pétales juteux...

Puis amarrer à la lumière verticale des matins

Un éclair avec le mot “boum”.

PSAUME VI

"Nomades, où sont les nuits ?"

Grince l’arc débandé du soleil

Embrassé à la portée de cristal

Des nuages en menstrues...

Peut-être que la nuit décante
Blottie dans le nid du large

Faite une enfant, se vautre

Sous les flottilles de jasmin

Dévastant les marées,

Traquant le ressac du temps...

Peut-être que la nuit accouche
Bien après les chaleurs

Faite une gueuse, brise

De son cœur de soprano

Les rames de glace de la lune qui s’épand

Dans un banc d’aquarelles...

Ou peut-être, la nuit, peut-être

La nuit, lisse et lasse,

Allaite les étoiles prises

Aux moustiquaires de cendre

Où le ciel foudroyé

Bat en retraite la chamade.

Peut-être qu’elle arraisonne
Les frêles écailles de l’orgasme total

Pour que nul ne sache

Qu’elle est née sans nombril,

Pour que nul ne sache

Qu’elle est grosse d’un jour

Au goût de sel...

PSAUME VII

"Abysses en vue !" vocifère l’huile en larmes

Faisant voler dans l’onguent vagabond

Les feux follets sortis de leur miroir,

Condors de phosphore, cyclones désemparés

Où se bousculent, palefrenières distraites,

Les couleurs qui rient en allant au supplice...

En chapelets, la lumière débouche, foule, broute,

S’autodévore sous la caresse des truelles,

Moud les étincelles, les taches, les brèches

En route vers le seuil du sacrifice,

Et dans l’embellie de l’œil

Éclot le prétendant buriné

Dans l’apothéose du matin soigneusement peint...

PSAUME VIII

Noyée dans la saumure en flammes

Du soir délicieusement grand ouvert, l’indicible lueur

Cloîtrée dans son écrin liquide

Jalonné de boues, moustiques et palétuviers,

Harponne la braise moribonde de charbon rose

Innombrable qui serpente dans le cirque de sable

A force de nager, à force de nager

Éternellement à joncher les grèves de l’arc-en-ciel.

PSAUME IX

Dans la baie, un sein vert flambe

Campant dans un bain de coton...

L’écho, hypnotique, tourne, tourne, prolifique...

Ô îles, les îles

Notes en menottes, ailes balafrées,

Miels de sel, fiels de ciel...

Ô îles, les îles

Filaments de mangue, eaux assoiffées

Larmes chaudes de tambours incoagulables...

Ô îles, les îles

D’où venez-vous, miettes de sang ?

Comment vous êtes-vous posés, papillons,

Au milieu de la grande termitière d’or bleu ?

PSAUME X

Kaki, dans le jour rectiligne,

Le soleil, bibelot tiède et omniprésent,

Affalé dans les sortilèges

De la pluie ensorceleuse..

.
Incrustée dans son terrier maternel,

Luciole équilibriste,

A demi ivre souffre l’espérance,

Soufflant des goélettes de papier...

Les lunes se rétractent lestes et faibles,

La visibilité est bonne

De chenaux en détroits, vont, naufragées,

En débandade, les voluptés,

Roues flamboyantes

Dilacérant les haillons allumés

Des orbites sismiques..

PSAUME XI

Zéro heure, la chauve cascade

Où le délire se découd

Dans les courbes de l’ennui...

Zéro heure, l’édentée

Déchirant les échos

Des obsèques de minuit...

Zéro heure, poupée

Aptère, assoupie

A l’ombre des rêves...

Cartomancienne hérétique

Châtrant les éruptions chagrines,

Châtrant, multipliant les yeux

Vers les plages pourpres...

Zéro heure, nymphe sourde

Défunte à la canne bossue,

Hissant le grand pavois

De la couleur polyphonique,

L’accord,

La peau du poète,

Éclipse magique

De tous les déluges...

PSAUME XII

Songes dans l’extrême sud

Monochromatique

Ancres tapissées,

Couples éteints, inflorescences...

Chevaux cardiaques

Occultés dans un nid lunaire...

Passager de la nef du fou

Fouetté par le roi si bémol

Qui monte à l’échafaud...

Battements rupestres,

Sentiers crevant les lieues

Au rythme des ailes de nuages...

La pluie soudain s’est tue

La liesse s’est tue soudain

Dilapidée dans ce jour rongé...

PSAUME XIII

Éteint dans la lumière, le portraitiste

Brûle l’absence mate,

La suie insolite...

La haute mer se dilue..

L’arche hiberne aussi **** que porte la vie

Dans son sanctuaire de sève

Où la terre saigne ses eaux bouclées

Qui écument des épaves de pierre

Aussi **** que porte la vie.

PSAUME XIV

Les îles du matin m’embrassent

Après une nuit de lune rase

Le ronflement du rayon

Macule en naissant le chœur torride

De l’alcôve qui s’écaille émaillée.

Entre traits, tracés et rayures

Flottent des oranges polymorphes

A portée des mains...

Sous la ménagerie de ses eaux poissonneuses

La gomme méthylique du soleil

Frotte dans le bassin d’étincelles

L’orchestre infime de ce lointain carnaval renié

Qui crépite, savonné...

Entre gravillons et bulles

Flottent des oranges polymorphes

A portée des mains...

Devant l’horloge en rut

Se signent les orangers...

Le soleil consent à la lune

La mare de feu

Greffée dans le pouls vivace de l’ombre ivre...

Entre ruines et volutes

Flottent des oranges polymorphes

Scandaleusement

A portée des mains...

PSAUME XV

Le matin nage, innombrable

Salamandre aux cent venins de verre

Qui se distillent dans une encre de cendres

Offertes au soleil insatiable...

Dans le calice débordant

Des récoltes que la nuit

Ne grignote qu’à moitié,

Les sargasses du désir plongent,

Cinglant le silence des incohérences...

Hilare, la lune

Se réveille et butine

Le nectar indigo

Qui s’attarde

Comme une musique rétinienne

Aux confins du jour...

Ainsi emmurés vifs

Dans le flux impénétrable des reflets,

Vont à l’aveuglette

Dans le palais des singes volants

L’amour et ses tribus aborigènes

Veillant sur la toison rouge du ciel...

PSAUME XVI

Mon deuil échoue à l’aube

Les yeux ouverts sur les laves

De ce volcan éteint

Où s’apaisent les étoiles...

La flèche de l’archer s’évanouit, fauchée...

Le licol de mousseline de l’archipel précieux

Vacille, se dissout,

Orphelin mélancolique

Murmurant des baisers d’aniline

Aux marges du rêve...

Insomnuit d’été

Si seulement je pouvais rêver !

PSAUME XVII

Sur l’échiquier, la nuit chancelle, vénéneuse...

Un vaisseau de pierre au galop s’envole

Au chevet de la mer noyée

Suant la résine...

Sifflotant, le saltimbanque

Éconduit les horizons pétales

Pris du soleil gemme étanche

Dans les écumes du ciel d’étain...

Bientôt, les lunes oscillent

Ondulent, se dérobent frivoles,

L’étalon noir se dissipe

Décochant des flèches en forme de cœur...

Quelque chose se brise dans le noir :

Était-ce un masque ou un miroir ?

Quand luit la dernière tranche d’ombre

Déboussolées, dans la dune de verre, les étoiles

Bégaient...

Les coquilles se détellent de la terre réfractaire...

Le soleil dévastateur s’abreuve de ciel

Cachant les antres de brai...

Tâtant les décadences nacrées

Ointes de sueurs salines

L’amazone enfin répudiée

Chantonne aux aguets

Dans la baie couleur sépia...

PSAUME XVIII

Clic
Hennissement aveugle, l’île

Se déhanche

Toute soie et serpent

Contre l’épi de maïs vert...

Clac
“Marée basse”, dit la reine-mère...

Aucune abeille ne rame,

Ne laboure les pollens de la mer...

Clic
**** des brise-lames

Lisses et bouillonnants

Des crinières sans fin et du goémon,

L’iguane sous la villa jaune...

Le long des bougies

Coule le gouvernail du silence...

Clic
Sous les fleurs délabrées de l’éclair

Dans leur hamac vert

Les vagues veuves, les vagues nues

Courent après les lunes

Et lentement chantent les araignées...

Clic
Parfums de lumière

Qui jouent, jouent, jouent

Se décomposent

Dans une brise d’alcools...

Clic
Chimères de la mer, coup de sifflet final

Rongeant les sables glauques

Les tranchées dans le ciel ouvert

Tapis du soleil et son essaim de sujets...

Clic
La nuit, la mer fructifie

Au ralenti...

PSAUME XIX

"Au feu, au feu !

Feu à la dérive !"

Scandent deux coléoptères...

Le feu fuit !

Le magicien s’est brûlé

A faire sa magie.

Le pôle s’évapore,

Le puits fait l’aumône,

L’enfant aboie,

La moto boite,

La forêt détale,

Le lion se vêt de singe

Noir et doré

Et petit à petit

Va planer

Au-dessus de l’autel fugace

Où gît

Hululant, pullulant, virulent,

Le vol agile craché

Du saxophone ténor...

L’hiver fouette le ciel,

La terre meurt prématurée,

Liane après liane,

Sécrétant comme vestiges

Le tapis de talc

D’une aile de sirène

Et le vertige nuptial

De deux notes jaunes inachevées

Au sein des similitudes.

PSAUME **

Prunelle de gris jaune
Prunelle nuit et mer
Bleu coursier d’argile
Tigresse à la crinière couleur de brume.
Dans le rare verger qu’est l’amour
Audacieuse, elle va, incendiaire
Empaillée dans un paquebot hystérique
Vers le hasard des quais identiques
Les yeux pleins de chaux.

Dans ce chant veuf, dans cette capitale pyromane
La voilà, légère,
Aspirant les équinoxes dans cet air enchaîné
En selle pour un bain d’herbes monastique
Geôlière verte
D’émeraude pure...

PSAUME XXI

L’accordéoniste des abysses
Peint dans l’œil de l’obscur :
Un nuage en zigzaguant
Ancre aux eaux du vide.

Et le gong sue...timide.
Et comme en un tango antique
S’écoule le cri acide

Des teintes atteintes par les balles,
Hoquet du temps incarné
A l’aube d’une pluie sèche de chaleurs vertes.
Et le gong sue...tumide.

Et comme en un tango marin
Caracole la pirogue étoilée du tigre intime
Renversant de son parapluie
Les certitudes les plus ensevelies de la peur.

Et le gong sue...tumide.
Et les papillons enfantent
Des flammes dans les sables mouvants,
Des harpes éoliennes
Comme des gymnastes hués par le soleil en ruines
A la recherche des marées sèches.

Et le gong sue... tumide.
Et comme en un tango de funambules
Les œillères des brebis galeuses
Traversent la toile, vieillissent, exhument le salpêtre
D’un bandonéon dont la sueur incendie les cernes
De la nuit qui jazze...

PSAUME XXII

Tendrement
Le messager lit
Les lignes du vent,
Prend le pouls
Du ventre jaspé
De la basilique d’encre de chine :

-Là-bas, sous les monts de Vénus
Rode le messager,
Troubadour englouti
Par une lave obscure,

Passager invisible
Des failles muettes
Qu’il restaure encore...

Tendrement
Le messager
Harponne
Les coquilles du temps...
A la pointe de l’hameçon,

Un morceau de vitrail
Où à peine filtre
La lueur des entrailles,
On devine soudain
La forme d’un cheval marron
Qui hennit.

PSAUME XXIII

Bleu roi
De ces couleurs pièges.
Bleu de ces teintes imprévisibles.
Issu du venin tribal
Des roses du désert
Le bleu tombe,
Comme un nuage de coton doux,
Sur la brousse atlantique des lèvres
Enflées de secrets,
Où, hystérique, il donne le jour
Sous le kiosque sympathique des pluies cyanes
A une larme de sang,
Daltonienne.

Bleu roi
De ces couleurs mutantes :
Seul le baiser de cobalt réchauffe
Les escales mélancoliques
De ces ailes closes,
Révèle les jeux d’artifice,
Et murmurant des flammes,
Fait évanouir
Le deuil magnétique
Des rênes d’ivoire...

La flèche de l’archer pénètre,
Débridée,
Le voile de mousseline de l’archipel précieux
Qui vacille, se dissout,
Orphelin en suspens, spectre d’aniline
Aux gants d’émeraude
Et aux chaussons d’améthyste...

PSAUME XXIV

Dormir, virgule,
Souffler doucement
Des cases jumelles,
Ramper à nouveau, gigoter,
Jusqu’à ce que tout ne soit plus
Qu’une seule immensité...

Au lieu de l’abîme
La clairière dans la caféière.
Dormir, virgule,
Ça et là,
Lune bleue
Embuée
Sous la baguette du silence...

Le rêve entre et sort

Et jusqu’aux nuages
Craignent la chute
Vers le sommeil...

PSAUME XXV

Les îles et une nuits
Me font chavirer,
Je fuis,
Naufragée inlassable,
Hors du clan tentaculaire
Vers la clarté volatile
Des voiles incendiaires...

Mes nerfs à la fleur du large
Bifurquent,
S’évaporent en filigranes
Plus **** encore...

Bleu nuit devient la mer
Aux portes de son repaire
Ancré à la rive gauche du cœur.

La crique n’est plus ce qu’elle était :
La neige reptile teint les dauphins de rose...
Éden ?
De temps à autre

Passe un trapèze
Balayant le silence.

PSAUME XXVI

Ô Reine, Notre Duc
Sous tes ongles laqués
J’imagine un ciel rouge
Aux parfums de lait de cobra...
Le soleil fait pleuvoir des sceptres sur le fleuve
Et des piranhas aux dents d’eau
Larguent des cerfs-volants sans fin...

“Chantez les très riches heures de l’En-Dehors !”
Crie à la face du levant
Un caméléon qui lisse les ailes du hasard
Planté dans le dédale de ta langue baccarat.

PSAUME XXVII

Près de la passerelle d’ivoire :
“Odyssées,
Métamorphoses,
Mues,
Je vous aime !” "

I am lost inside a small center
Exhaust fumes full off smoke
Sounds everywhere
Generators
Moto mobiles
Crying children
Talks and music
Fully confused...
I start counting...
One
Two
Three
Four...and so on
I tell you,less than four tycoons
Millionaires amidst hustlers
I know of them,
Humble backhrounds great achievement
Then how many are within here,
Thoughts alike?
Perhaps all of these people
Or alone I think of this !!!!
Society mixed up

give applause to the blind judge, hats off to the deaf law
nobody remembers right from wrong
oops brain glitch, not permanent
or is it
has it all become a conspiracy or should i go back and study psychology
i used respect as money, earned some bad habits and honey,
Got time and some std's
Dont forget it,yeah i dont regret it thats why i said it
lost control,sold my soul, for what ?
popularity, clarity,insanity? SO THEY SAY
I like to call it Love
Is this a spell or, is Love just a butterfly floating beautifully in hell
Brother and mother,wife and children, strenghts and weakness' we all fulfill them
Head up here's a moto
quitters never win and winners never quit
wait why am i sparying this nobody is listening lol

Improvviso il mille novecento
cinquanta due passa sull'Italia:
solo il popolo ne ha un sentimento
vero: mai tolto al tempo, non l'abbaglia
la modernità, benché sempre il più
moderno sia esso, il popolo, spanto
in borghi, in rioni, con gioventù
sempre nuove - nuove al vecchio canto -
a ripetere ingenuo quello che fu.

Scotta il primo sole dolce dell'anno
sopra i portici delle cittadine
di provincia, sui paesi che sanno
ancora di nevi, sulle appenniniche
greggi: nelle vetrine dei capoluoghi
i nuovi colori delle tele, i nuovi
vestiti come in limpidi roghi
dicono quanto oggi si rinnovi
il mondo, che diverse gioie sfoghi...

Ah, noi che viviamo in una sola
generazione ogni generazione
vissuta qui, in queste terre ora
umiliate, non abbiamo nozione
vera di chi è partecipe alla storia
solo per orale, magica esperienza;
e vive puro, non oltre la memoria
della generazione in cui presenza
della vita è la sua vita perentoria.

Nella vita che è vita perché assunta
nella nostra ragione e costruita
per il nostro passaggio - e ora giunta
a essere altra, oltre il nostro accanito
difenderla - aspetta - cantando supino,
accampato nei nostri quartieri
a lui sconosciuti, e pronto fino
dalle più fresche e inanimate ère -
il popolo: muta in lui l'uomo il destino.

E se ci rivolgiamo a quel passato
ch'è nostro privilegio, altre fiumane
di popolo ecco cantare: recuperato
è il nostro moto fin dalle cristiane
origini, ma resta indietro, immobile,
quel canto. Si ripete uguale.
Nelle sere non più torce ma globi
di luce, e la periferia non pare
altra, non altri i ragazzi nuovi...

Tra gli orti cupi, al pigro solicello
Adalbertos komis kurtis!, i ragazzini
d'Ivrea gridano, e pei valloncelli
di Toscana, con strilli di rondinini:
Hor atorno fratt Helya! La santa
violenza sui rozzi cuori il clero
calca, rozzo, e li asserva a un'infanzia
feroce nel feudo provinciale l'Impero
da Iddio imposto: e il popolo canta.

Un grande concerto di scalpelli
sul Campidoglio, sul nuovo Appennino,
sui Comuni sbiancati dalle Alpi,
suona, giganteggiando il travertino
nel nuovo spazio in cui s'affranca
l'Uomo: e il manovale Dov'andastà
jersera... ripete con l'anima spanta
nel suo gotico mondo. Il mondo schiavitù
resta nel popolo. E il popolo canta.

Apprende il borghese nascente lo Ça ira,
e trepidi nel vento napoleonico,
all'Inno dell'Albero della Libertà,
tremano i nuovi colori delle nazioni.
Ma, cane affamato, difende il bracciante
i suoi padroni, ne canta la ferocia,
Guagliune 'e mala vita! In branchi
feroci. La libertà non ha voce
per il popolo cane. E il popolo canta.

Ragazzo del popolo che canti,
qui a Rebibbia sulla misera riva
dell'Aniene la nuova canzonetta, vanti
è vero, cantando, l'antica, la festiva
leggerezza dei semplici. Ma quale
dura certezza tu sollevi insieme
d'imminente riscossa, in mezzo a ignari
tuguri e grattacieli, allegro seme
in cuore al triste mondo popolare.

Nella tua incoscienza è la coscienza
che in te la storia vuole, questa storia
il cui Uomo non ha più che la violenza
delle memorie, non la libera memoria...
E ormai, forse, altra scelta non ha
che dare alla sua ansia di giustizia
la forza della tua felicità,
e alla luce di un tempo che inizia
la luce di chi è ciò che non sa.

Looking out into the night, I see nothing sitting here on the ledge of my studio window. Or rather I see what other's might over look and view as nothing- nothing speacial. A deck that seperates twin apartment buildings, an old tree, the street to my right and the remains of a broken building and weathered fence to my left.

This is the first place I have ever called my own- neighbor's that embrace with love and friendship become a second family in their simple way. I am sad to leave.

I have been alone so long that Im not sure how to be around people, let alone let someone stay a while.

I like my simple close friends- support its taken me what seems like a life time to earn and find. I like who I am and the woman I am becoming. Its uncomplicated, and yet still tangled in this flesh is every story- every person who has ever touched it. I hold their memories, trying to always learn from what each one left behind.

Laughter, love, a voice of my own, forgiveness, bridges burnt, bridges rebuilt- responsibility for my actions and the every day learning struggle of not letting people project their feelings on to me and trying my hardest to not project my own feelings on to them...

I guess, I just hope the people in my life that do stick around- the ones that took another look, the ones who truely cared to get to know me- know that even though I **** at showing them at times - that I simply love them, in the simplest way possible.

"love the ones that treat you right- and forget the ones that dont"

Thats kind of been my moto since my birthday this year. I am not one to judge- I know I have ****** up- we all do... and for me forgiveness is the one gift that can be recieved, or given- in a world where people seem to know only how to walk away- that makes all the difference. I thought thats how I wanted to be... the one that leaves first so they never feel the bite of sadness but thats not my way, it never has been.

So I say " first love yourself, staying true to your own heart, then love the ones that treat you right and the ones that treat you wrong- learn to forgive- learn to speak less and do more. Love is an action, we can say it all day... but if we do not learn to show each other, then it means little."-me

Il vento è un'aspra voce che ammonisce
per noi stuolo che a volte trova pace
e asilo sopra questi rami secchi.
E la schiera ripiglia il triste volo,
migra nel cuore dei monti, viola
scavato nel viola inesauribile,
miniera senza fondo dello spazio.
Il volo è lento, penetra a fatica
nell'azzurro che s'apre oltre l'azzurro,
nel tempo ch'è di là dal tempo; alcuni
mandano grida acute che precipitano
e nessuna parete ripercuote.
Che ci somiglia è il moto delle cime
nell'ora - quasi non si può pensare
né dire - quando su steli invisibili
tutt'intorno una primavera strana
fiorisce in nuvole rade che il vento
pasce in un cielo o umido o bruciato
e la sorte della giornata è varia,
la grandine, la pioggia, la schiarita.

Epitaph i

He loved
He tried
He lived
He cried
He fought
His head
He rests
He's dead


Epitaph ii

Here lies Haschi-moto
His eyes are clouded over
His blood is thick as pudding
So let him feed the clover


Epitaph iii

When life is at its end
You'll end up here, my friend

Beneath the earthen quilt
A dearth of fear and guilt


Epitaph iv

Life was very hard
But now I have some rest
Asleep here in this lovely yard
With no drum beating in my chest

So peaceful is this time
In bed, beneath the ground
I'll rest-up with no cares
'Til Christ returns with trumpet sound


Epitaph v

Here lies the tired vessel
Drained entirely of its hustle
Here's hoping he won't wrestle
With fire, sulphur,
shredded muscle

He praised his silent God above
For all that He did give
For teaching him to cope and love
And the blessed life he got to live

No matter how strong you are one cannot simply out-muscle or out-shine a mad man who has great taste in fashion.  
A.M.G. Is the ultimate hooligan it doesn't have to take charge to prove it's tenacity because it's a presidential sedan that puts you in charge.
No need for a spooky entrance because sometimes demons want to dwell were there is brute force.
I miss the 6.2 litre engine, it is the intrinsic Moto of Mercedes," A big engine for the perfect gentlemen".
Cruising luxuriously has no peak when it comes to un-doubtable comfort and well established elegance.  With a classic loud noise one can't but wonder if the barbarian needs marketing.
An angry gentlemen with a smile on his face that never lacks in pace doesn't need frenetic footwork, the gentlemen goes straight to the point  and why wobble on about a winding route when Mercedes automatically includes you in elite circles. Quality that exceeds all levels of maturity, Mercedes keeps getting younger and wiser!
The phrase "numbers don't lie" insinuates that alphabets do lie. Really? How? When their associated with such class...A-class, B-class, C-class, E-class, G-class, S-class and so on. I think the numbers cliche is a turn-off.
Pleasure always mixes with business when it comes to a Benz.