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032116

Sumayad ang takong ng apat na kandidato
Hindi para mangalakal at maghain
ng kani-kaniyang plataporma.
Alay ang boses para sa nagkakalansingang masa,
Habang magbabanyera ng laway ng pananalita.
Tagisan, ika nga
Tahasang pagbubukambibig ng motibo sa bayang
May kinabukasan pa.

BINAYubay nga ba ang Pilipinas naming mahal?
Sa FOI na minsang itinapo'y ano ang tugon?
Hampas-lupa ba ang mga Pilipino
Para magbulag-bulagan
Sa binulsang kaban ng bayan?
Yang pambobola nyong haing 5Ps
Saan nga ba ang liderato ng ngiting may bungisngis?
At sa pagbaba ng tax, maibabalik nyo ba
Ang nasa bangko ninyong
May iba't ibang ngalan?
Sagot ba ang waivers at ilang kasulatan?
Kamusta naman ang assets nyo at liquidations?
Sana'y hindi maging makati ang mga kamay,
Gawin **** mala-Makati, wag lang ulitin ang pangangati.

Mala-Talk Back and You're Dead,
Yan ang peg ng kamandag ni Duterte.
Palabiro raw sya't matalas ang dila,
Bagkus ang masa'y panay ang tugon sa kamao niya.
Kamay na bakal, iyo bang ibabalik?
Sabik nga ba sa Death Penalty ang kinauukulan?
Sa posibleng anim na buwan ng iyong pag-upo,
Sana'y malinis ang minsang Tuwid raw na Daan.
Posible bang dahas ang kasagutan
Sa bayang talamak ang bayaran at tulakan?

Tila saulado mo ang bawat numero,
Ang galang mo Poe, nagmula nga ba sa pusong Pilipino?
Paano nga kung nagising kang
May alarma sa Bayan,
Babangon ka ba talaga't di kami tatalikuran?
Wag sanang gaya ng pagtapon mo
Sa Amerikang minsang naging bayan mo rin.
Paano mo babalansehin ang tulong
Ng malalaking korporasyon sayo?
Boto ba nila'y hindi mo binili?
Wala bang kapalit ang oo
Ng mga batikan at mayayamang negosyante?

MARami ka nang satsat sa Daang Matuwid na yan,
Talamak na rin ang paghuhugas-kamay
Para sa patapos nang administrasyon.
Ba't nga ba panay ang pag-eendorso mo
Sa sarili't tila baga sayo nanggaling ang pondo noong Yolanda.
Naroon ka nga't ika'y ligaw at wala raw tugon,
Ano itong alarma mo raw
Pag nandyan lamang ang kamera.
Wala bang tiwala sayo si PNoy?
At tinago pa sayo ang nauukol sa mamasapano?
Kamusta po ang pag-endorso ng Pangulo sayo?
Sana'y inasikaso niya na lang
Ang nahuhuling termino.

Marami na po kayong mga pangako,
Naawa nga kami sa Translator
Pagkat gulung-gulo rin siya
Sa pag-aagawan ng oras at mikropono.

Magandang ideya ang naganap na mga Debate,
Pagkat nauntog ang Bayan,
Nagigising aming diwa't magigisa ang tamang boto.
Ang boto ng bawat Juan,
Para yan sa Bayan.
Sana'y matiyak po nating
Wala nga tayong kinikilangan
Maliban sa malinis na eleksyon.

Tayo ang simula, kapwa ko mga Juan!
Maging wais tayo!
Makialam para sa Bayan!
Gising Pilipinas!

"Alab ng puso,
Sa dibdib ko'y buhay!"
- Lupang Hinirang
M e l l o Jul 2019
Simpleng aya lang pero alam ko na kung ano ang naglalaro sa isip mo.

Ano na? Sasama ka ba?
Wag kang mag-alala hindi ako magtatanong kung
"open minded ka ba?"

Kung matagal na tayong magkakilala
alam na alam mo na kung ano ang aking sadya.

Umpisahan natin sa simpleng kamustahan,
madalas pag ako nag-aya malamang matagal tayong hindi nagkita
Saan ba tayo magkakape?
Ayos lang ba sayo
kung d'yan lang sa tabi tabi?
Pero alam kong mas maganda
ang usapan natin sa loob ng magandang café
pero pag wala tayong budget
baka naman pwede na iyong nescafé?
Ano ba mayroon sa pagkakape?
At bakit tila ba napakaimportante?
Ang tanong ano ba ang iyong forté?
Oh natawa ka mali pala ang aking sinabi
Ang ibig sabihin ko ay ano ba
ang gusto mo sa kape?
Malamig o maiinit?
Latté ba o yung frappe ang gusto mo
okay na ko sa brewed o americano
sorry medyo lactose intolerant ako
kaya bahala ka na mamili ng gusto mo
may kwento ako habang ika'y namimili
kwentohan kita tungkol sa mga taong
minsan ko nang inaya o di kaya'y nag-aya sakin na magkape
at sana mabasa niyo din ito
alam niyo na kung sino kayo dito,
wag kayong kabahan sa pagkat
ang inyong mga pangalan ay hindi ko
ipaglalandakan masyado akong concern sa pagkakaibigan natin
baka ako ay inyong biglang iwanan wag naman.


Simulan natin ang kwento sa kaibigan kong mga lalaki,
special 'tong dalawa kasi kakaiba
yung isa ang lakas ng loob niyang ayain ako
nang makapasok kami sa café
akala ko magkakape kami
akala ko lang pala yun
aba'y pagkapasok umorder agad ako ng kape
pero siya'y umorder ng tsokolate
loko 'to na scam ako
habang yung isa well,
ako yung nag-aya medyo matagal na din kaming hindi nagkita
kaya naman ako'y nabigla bagong buhay na daw siya
at umiiwas magkape sabi niya
gusto pa daw niyang matulog
nang mahimbing mamayang gabi
kaya ayun tsokalate din ang pinili
Ano?
Alam mo na yan kung sino ka d'yan.

Kinakabahan ka na ba?
Ikaw na kasunod nito.

May dalawa pa akong kaibigan
na lalaki,
pareho silang pag nag-aaya magkape
kailangan ko pang bumyahe
yung isa mailap at andyan lang
sa makati
at yung isa kailangan ko pang mag mrt kasi nakatira siya sa quezon city
sobrang weird lang ng isa kasi
yung bagong flavor sa menu nang café
tinatry niya parati
banggitin ko yung nasubukan niyang
flavor sa teavana series ng SB
Hibiscus tea with pomegranate
nasabi mo lasang gumamela
at yung matcha & espresso fusion
na nagmadali kang umuwi pagkatapos **** uminom
Hulaan mo kung sino ka rito?


Lipat tayo sa mga kaibigan
kong mga babae
pero bago ko simulan ang kwento,
madami akong kaibigang babae na sobrang mahilig din magkape
pero pasintabi sa mga lalaki
may gusto lamang akong ipabatid
pag kaming mga babae
ang magkakasamang magkape
pag ikaw ang nobyo ng isa dito'y
malamang lovelife ninyo ang topic
wag mabahala kapatid kasi
madami dami din naman kaming
napag-uusapan maliban sa lovelife niyong medyo kinulang
minsan may nangyayari pang retohan
pero lahat yun biro lang baka mapagalitan
pag ang topic na yan ang hantungan
kung ikaw ay nasa tabing mesa lang
malamang mapapailing ka na lang
sa mga topic namin na
punong puno ng kabaliwan
minsan pinaguusapan pa namin
kung sino yung couple
na naghiwalayan kamakailan, inaamin ko
songsong couple kasama sa usapan.

Dalawang grupo 'tong kasunod.

Eto yung mga kaibigan ko na kung kami'y magkape puro deep talks ang nangyayari,
mga bagay sa mundo na hindi mo akalain nakakagulo sa taong akala mo hindi pasan ang mundo.
Mabibigat na usapan na may kasamang konti lang naman na iyakan
sama ng loob, pagkabigo at sobrang pagka stressed sa trabaho.
Ilang mura ang maririnig mo
pag sensitive ka at hindi nagmumura
hindi ka kasama dito.
Eto yung deep talks na walang tulogan
alam mo na yan part ka dito
mga usapan na kung iyong pakikinggan ay
masasabi mo sobrang weird naman
ang mga topic ay everything
under the sun yun nga lang dudugo tenga mo sa technical terms at englishan.

Eto yung grupo ng deep talks yung topic ay puro pangarap, eto yung deep talks na masasabi kong very inspirational at educational. Hindi tulad ng naunang grupo
sa ganitong usapan madami kang malalaman.
Dito lalabas ang mga katagang
"Wag mo kasing masyadong galingan"
at yung "baka hindi mo ginalingan"
Sasakit ang tiyan mo kakatawa at sasakit mata mo sa kakapigil ng iyong luha eto yung genres ng deep talks na may humor, drama, slice of life, at shoujo.
Mga usapang trabaho katulad nang parang naging monotonous at routinary na ang buhay:
Need mo lang ng new environment?
Mag bakasyon ka?
Career growth?
Feeling stagnant?
At
Mga usapang gigil sa ganitong mga tirada:
Ilang taon ka na?
Kelan ka mag-aasawa?
May boyfriend ka na ba?
Nagpapayaman ka ba?
Bakit si ano may ganito na ikaw kelan?
Naka move on ka na ba?

Ano asan kayo d'yan?
Wala ba?

May grupo din na sila laging nag-aayang magkape, mga kaibigan ko na ang usapan lagi ay magkita
sa ganitong oras ay palaging
hindi sumasakto ang dating
Pag eto yung kasama ko puro usapan namin ay mga memories noong elementary
minsan lang magkakasama pero ang samahan solid naman ang lalakas mag kulitan o ano kelan ulit tayo pupunta ng mambukal?
Sino na ang ikakasal?


Sa sobrang dami kong nabanggit
muntik ko nang makalimutan ang dalawang babae na 'to
pag kami nagkikita bakit puro ako yung napupurohan sa asaran
ang layo namin ngayon pero sana
pag-uwi ay magkakape ulit tayong tatlo
sobrang dami ko nang baong kwento malamang yung isa dyan isang maleta ang hila niyan
sagot ko na ang kape pero pakiusap
hayaan niyo muna akong makaganti.


Ang dami ko nang naikwento pero hindi mo ba naitanong
kung saan nanggaling ang pagkahilig
ko sa kape? Walk through kita sa buhay ko, mahilig magkape ang papa ko, mas naunang nakatikim ng kape ang kapatid ko, yung isa hindi mo mapipilit magkape at madalas magsimsim ang mama ko sa kape ko.

May mga tao din akong nakasama magkape, may mga sobrang ganda ng topic. Dali na kwento mo na. May mga taong tatanungin ka din kong ano ba ang hilig mo pati pagsusulat ko kinakamusta ako.
Hindi lahat alam na nagsusulat ako yung iba na may alam, kabahan kana alam **** andito ka.

Salamat sa pagbabasa, ngayon lang ako lumabas para isama ka sa obra na 'to.
Asahan mo na marami pang kasunod na iba,
nakatago lang sa kahon kung saan memoryado ko pa.


Lahat nang naikwento kong tao mahalaga sa buhay ko, yung iba nakilala ko lang nang husto dahil sa simpleng salita na "kape tayo"
Alam mo na kung bakit importante sakin ang pagkakape?
Alam mo na ang aking sadya?
Kung hindi pa baka hindi mo pa ako kilala. Handa akong magpakilala sayo, makinig sa kwento mo. Nag-aalala ka na baka isulat ko?
Sasabihan kita ng diretso kung oo.
Hindi mo pa ba ako nakasama magkape?
Ngayon pa lang inaanyayahan kita, taos puso kitang iniimbitahan.

"Kape tayo"

Sana sumama ka.
Poetry appreciation piece for my family, friends & coffee buddies
Nat Lipstadt Nov 2013
Road Trip: Thinking it's about time (find yourself within II)

This particular poem was born as a one line response to a message.  But in many other forms, half written, it exists still, un, unfinished, waiting for the next burst energy, the next holiday time, to reach a new finish line.

This is a different but similar to a poem posted on June 2nd, "Poetry Round (find your self within)"

Any error of omission is unintentional, but know that this took many hours, until fatigue won. If you never told or revealed to me your location, know that you will be called out, to and unto me, in another poem, called "your banner is my flag."


Fact about me:  You design me.
-------------------------------------------------------

th­inking it's about time for a road trip.

create an excuse
(reasons, I got a plenty)
to stop by,
to show you another side of me,
for a drink, a meal,
and some kind
of exchange, of
form and fluids,
manner to be determined.

to come to Minneapolis,
watch you create a heated sensuality,
verbally, from melted snowdrifts,
a hot time to be had
by all the poets
of the mini-apple,
I want to meet
and celebrate ann victory.

travel to Thiruvananthapuram,
tour the treasures
of gold and diamonds,
from whence come
the bejeweled poems,
that have earned visits from
thousands upon thousands,
pilgrims, devotees, followers,
to partake at that, his,
special temple.

Gomer, Gomer,  & MJJ,
I am in your Florida,
no, sorry, not in Ocala,
near to your homer,
and I feel you springer
ten times in the
November sun rays,
that have me locked
in a full Nelson,
your productivity,
endless,
a sea of orange sunburnt words,

Tennessee,
The Carolinas,
Georgia,
The South,

I rise with it,
now, again,
that I will need a slow
sunny all lazy summer long to
learn y'alls ways,
see the wolves,
in your forests,
helm the riverboats,
navigate the quaint tides
of Charleston,
the special places
where they heal, le ville,
where the ashes of
burnt children,
retuned to be whole.

learn y'alls ways,
walk in your boots,
of seeing poems
using your special
southern saber words.

missed the original
Thrilla-in-Manila,
but rest easy, assured,
that hotbed of creativity,
where I check the
PH of the mc waters
to comprehend its
wisdom and now, it's sadness,
will be an illustrious destination
on my itinerant itinerary,
stopping by Makati City,
after all,
it is writ in the good book,
this island,
the PhilippineS,
is the birthplace
of the letter S,
Samples: samson, sally,
and So many others?

in Nevada City,
which is of course in
krazy California,
wager philosophy, romance,
be available for
succinctly seeing
works in progress,
from which I
will imbibe,
so **** deeply,
may have to
stay awhile for...

while I am there,
will need to do
a search and
Hug Mission,
to find a special man,
his unkempt prose,
his mortal rhymes
disguise not his holy worth,
even to the grassy
cal-stratosphere,
to the mesosphere,
will I high fly,
to find his sweetest spot,
then and thereafter
going looking
further on to
Humboldt County.

in Leeds, in West Yorkshire,
(Hamphshirians, Northamptontonians,
patience please)
built foundries and factories
over the magical forest of Loidis,
near to the river Aire,
yet still hides a
magical sorceress of words,
casting spells over
men and beast.
no one has seen full
her half-turned away face,
but when she summons,
do I have a choix
other than obey?
even if I get lost,
my sorceress,
you know,
I am on way too.

to get there,
will fly I must,
to Heathrow hell,
will do it,
just for you,
faithful friend,
a man da gotta do, what
a man gotta do...for you,
but first a stop off at the
London School of Economics,
Hampstead as well,
for a tutorial about sonnets,
or sams in wells,
even if I come
in my bare feet.

even in New York Upstate,
a man da gotta do,
what he mulls over in his heart,
be not surprised at a knock upon
your door, to make comparative notes,
about each other's tattoos.

in the South African veld,
hid in the highland grasses,
crouches the poetesses and tigresses,
waiting to ambush you
with words that must be seen
to be heard, to be well understood.
perhaps I'll come at ester time,
under blue indigo skies over,
a golden landscape,
seizing all the gems
that can be seen
only at 3:00am

leeward,
north to Canada,
must I, transgress,
country of my momma's birth,
fly from Montreal to Toronto, Calgary
then over to Vancouver.
Canada,
a dangerous place for me,
cause there are beautiful
souls up there,
and maybe even a
warrant to
repossess mine,
they want their
poets back.

double down by ferry,
me to Seattle,
to see a man about river,
in the Pacific Northwest,
where I have happily
drowned so many times,
that The Lord is complaining,
am hogging all the baptismal waters,
but when reminded that
nothing lasts forever,
here tomorrow,
gone today, walk on,
I add my tears
to that river,
before hitting the road.

on that river,
gonna drive me a kayak,
down Daytonway,
on the Yamill River,
see a gyreene marine,
watching me do a beach landing,
in Willamette Wine Park.
he will teach me to salute,
I will teach him how to
shake hands,
and learn from him,
it's ok,
to stand down.

man o' man
there are a lots of poets,
in these here parts,
this grand
Pacific North West,
looking for one in particular,
who will be quite easy to spot,
as he is my very own
soul brother.

will be easy to find,
though we have never met,
he will be on his kayak,
I on mine,
tho when he paddles,
somehow he manages
to hold
never letting go
of, his lovely bride,
his best half's hands.

this will a problem,
for I must teach him how to
shake two handed souls,
while hugging and paddling,
even bailing,
with an old dented pail
simultaneous.
but you can teach old dogs
new tricks, even the ones,
that can't spell
rhymers.

have mercie on me Ohio,
like a mother has to her daughter,
done a three year sentence in Cleveland,
but no jail can hold an NYC boy,
but if requested, yes I will return
to set fire to the *
Cuyahoga,
again! he he he...
but do not s mock me!
(now you know why the FBI loves
my poetry, my biggest institutional fan).

souls in torment,
where you be,
where you hide,
matters not where
you physical reside,
for we have found
each other
in each other words.

You, who live in
your very own
personal hell,
I think we met there,
because
yours was
mine too,
tho not found
on any map.

maybe I will meet the
Empress Josephine Maria,
rowing on the canals of
the Netherlands,
no longer will she be
alone.

but then again, some
very special things,
like
the purest of love
are on no map,
they are everywhere.

while in India,
will seek the many musings of many lips
of aged rhyme men
and complicated charmers
so I may kiss them
with spiced humors
to pour and pour,
more and more,
upon this western soul,
mysteries of the east,
to Kashmir, Bangalore,
wherever I must,
even take a praDip in the Ganges,
I will go, find you,
un-hide you,
among the
teeming millions,
millions of
jokes and rhymes,
that make the
world spin brighter.

in Germany,
all the university students
speak English,
in Wiesbaden, they know
poetic beauty is not in the format,
some in Bamberg,
with a peculiar
Missouri accent,
which is nicht gut Englisch,
so study hard the real way,
speak the language
the new yorka way,
which will require
study abroad,
which is quite funny,
now that I think about it.

but in Mo.,
the native drums roll,
long and slow,
making words
I know
better, different,
in a way never saw before,
leaves me asking for,
mo', mo', please?

to get there, to Allemagne,
land of my forefathers,
a ship I will take,
from Southampton
across the Kiel Canal,
before I depart,
will have my hair cut,
my words reworked,
by her Ladyship,
whose keen eyes and
maternal instincts,
see the joy of life in every
Livvi little thing.

Watt am I going to do if
I need to find a Tecumseh,
taker of my naked poems,
and enlarger of them,
so truth by her,
all revealed,
we are all naked
at least,
twice a day?

In Nepal I will purr at the words
gleaned from the markets and
train stations where
voyages from Lalitpur to Katmandu,
start and end,
where there is a miracle almost
sixteen years young,
where they call their schools
future stars and little angels,
so why should poetic miracles not be
as common as its subtropical clime?

though I despise the
Dallas Cowboys,
not my  America's team,
nonetheless there is a young woman,
a true rose of Texas,
who waits and writes
so lovingly of her airman,
in Afghanistan, I have placed
their names first,
in my nighttime prayers,
hoping to be there,
schedule my visit,
to witness his safe return
and their
joyous reunification.

there are no Mayans in Maine,
but poets of similar name,
kould be, mae be,
Julia's in Jersey, new,
in Auckland,
there are poets
who don't know it,
and Down Under, too,
where getting high is easy,
getting high at
and on words
well marshaled ,
but **** sure I will be
peering and prring,
all the way.

Oregon,
don't be gone,
those wide eyes shut,
when I come by,
who knows when I
will pass this way again...
on my way to Phoenix,
where sunrayes bend to the
desires of dessert breezes.

Kentucky to Korea,
one long road to travel,
but middle son,
if you can do it,
so can I, and,
I will follow.

in a beautiful city,
unsurprisingly called
Belleville,
the leader of the band,
still leads us in belle 'noise'
and when he finishes
fall leafing us in song, he still,
rises up in the mid of dark,
prayerful haikus to write.

off to Rogers, Arkansas
to meet an Italian from Mexico
who specializes in skinny poems,
something one day I will be too.

maybe I will go to
places it snows,
there are so many,
but your photo,
and tattoo trail,
clues, will follow,
no matter how hard
you make it a mystery.

you, who live in just
the world,
don't even think,
that crazy dotted lines,
unstraight,
or huge plains,
are sufficient,
to hide your
moody dust trail
from me!

somewhere in the USA,
roses grow in ground
that needs the
watering of tears,
though this place
is hard to find,
ha, turn around,
that is me,
tapping you,
on the shoulder!

will find you,
as I am searching for
a lovely pair
of stockinged ankles,
each with a heart tattoo,
but I sure could use
a clue,
before this hobbit searches
all the shire,
derby hatted,
to find your
heart real, and the real you...

my mode of time travel?
why I am just
a dude on a rocket ship.

Wisconsin,
look for my ruby message
in the snow,
in the dust,
in the sand, the skies, the sea,
but will you answer me?

Pittsburgh,
patient, you've been,
you thought I forgot
all about you,
chimera  at the intersection
of three rivers,
all you need wonder,
upon which one
will my ship arrive
and why you still disbelieve
you are not a poetess!

ME oh my,
you too, a hidey hole got,
but, we are strange, we humans,
we would gladly bleed to please,
If we could but find
a combination of
new words that
would your heart gladden,
your eyes tear,
your lips wear,
a smile of pleasure
at our offerings poetic!
but still I know not,
the where!

Lagos,
where
I shall climb the tallest skyscraper,
calling out in Yoruba,
where is my Temitope?
where is mine,
worthy of thanksgiving
so I may carry my Popoola,
my pole of her of
written wealth?


Mombasa, Singapore,
Maryland, Rhode Island, Kentucky,
Huddersfield, Connecticut Joe, Ireland,
South Dakota,

where the merry elders
well ken somethings
about a moon and tattered clouds,
something about children and dogs,
and something about letting
tomorrow's wait.

Milwaukee, Atlanta,
chuck, in *PA.,
friend to all,
to all those scattered across these
United States of America.

can we dare not mention
"The Shaq" of Malaysia,
South Sudan, Pakistan,

of course not!

Suburbia,
beautiful, black San Diego, Detroit;

The BBB's -

British Columbia, Brazil, Breendonk, and
B'kara!
the goodness of *
Boston,
flipping out in Flipadelphia,

did you think I would forget ya?

those of you hiding among 64 stars,
the groves of L.A',
on the lanes,
the special land of I-sia-Bella,
fellow citizens of Neverland,
those of you 'at home,'
in the land of nightmares,
concrete boxes,
those who post without a doubt,
and in the box,
this who think your birth year
is an identifying mark, not,
you never fooled me,
will visit each and everyone.


even and especially,
the grays of crosstown
NYC,
the red writers of my hood,
the tylers too.

I am exhausted,
forgive me well,
if thy locale,
I did not explicate,
for the hour is very late.

yet thru subtle fissures
in the clouds,
look for a tired old man
on the wings of a
chariot drawn by angels,
bringing you a dictionary
full of new words,
a present for you,
but truly,
a present to himself
for from it,
your future poems
will come.

*but the sun has come up,
so now I sleep.
1.  What makes this poem special, if anything, is the trust and confidences we share with each other, that allowed me to perhaps catch just little bit something special of each of you, where I could.

2. Can anyone explain to me why the site labels this poem explicit?
Jandel Uy Mar 2017
Ikaw na babaeng sumasayaw sa dilim,
   Ikaw na nakakapit sa patalim:

Di ba nasusugat ang porselanang palad
    Na kasing lambot ng puwit ng sanggol?

Sa matalim na kutsilyong kinakapitan
      Ano mang oras hahatulan ng lipunan?

At sa higpit ng piring mo sa mata,
     Pasasaan pa't mabubulag ka na

Ikaw na babaeng gumigiling-giling,
   Iba't ibang laway ang pinanghihilamos gabi-gabi

Ang sugatan **** puso'y walang gamot
    Ngunit ang kandungan mo'y sagot

Sa mga problema ng mga lalakeng–
      Naghahanap ng panandaliang saya.

Ikaw ba, babaeng hubad,
   Naranasan mo na ba ang lumigaya?

Kumusta na ba ang anak mo sa una **** nobyo?
     Balita ko'y di ka na niya kilala.

Hindi ba't may tatlo ka pa sa probinsiya
   Na pinagkakasiya ang padala **** barya?

Naalala mo ba ang bilin sa 'yo
     Ni Karla na siyang una **** bugaw?

"Huwag **** bigyan ng puwang sa utak mo
      Ang sasabihin ng Inay mo.

Sasampalin ka niya, di ng palad niya,
     Kun'di sakit na dama ng isang Ina.

At iyon ang pinakamasakit
    Sa lahat ng puwedeng sumakit."

Ilang ulit mo na bang tinanong ang sarili
   Kung saan ka nagkamali?

Kung ilang liko ang ginawa
     Para mapunta sa hawlang 'sing dilim ng kuweba

Na pinamamahayan ng mga paniking
     Takot sa liwanag na magpapakita ng mga galos

Na bunga ng mga gabing kinukurot ang sarili,
     Tinatanong, hinihiling na sana'y bangungot lamang

Ang buhay nila sa dilim,
    Pasasaan pa't nasanay na rin.

Ikaw na isang mabahong lihim
   Ng mga mister na may misis na bungangera

Ha'mo na't sa iyo naman sila panatag
     Sa mga suso **** malusog, pinili nilang humimbing.

Ikaw na pantasiya ng karamihan,
   Ano ba ang pakiramdam ng pinagsasalsalan

Ng mga nagbibinatang hindi pa tuli,
      Ng mga lalakeng di kaya ang presiyo mo,

O ng matandang libog na libog sa mabango **** kepyas
      Ngunit nanghihiram ng lakas at tigas sa ******?

Saan ka na ba nakapuwesto ngayon?
    Sa Malate, Morayta, Quiapo, o Aurora?

Ilan na ba ang napuntahan mo?
  Ilan pa ba ang bibiyayaan mo ng iyong alindog?

Sa Makati Ave, Pasay, o sa Parañaque?
      Ha'mo na't langit pa rin naman ang dala mo

Kahit na alam ninyo ng Diyos
    Na nakaukit na ang pangalan mo sa impyerno.

Ikaw na babaeng walang pangalan,
   Ano ba ang itatawag ko sa 'yo?

Ilan na ba ang nahiram mo sa tabloid
  O sa mga artistang iniidolo mo?

Kathryn, Julia, Nadine, Meg, Yen, Anne
    Yna, Katya, Ara, Cristine, Kristine, Maui

Daria, Pepsi, RC, Susan, Gloria, Lorna, Aida, Fe
    Vilma, Sharon, Nora, Maricel, Dina

Ikaw na babaeng 'sing nipis ng balat ng sibuyas ang saplot
   Di ka ba nilalamig sa pag-iisa mo?

Ikaw na babaeng marumi,
  Sadsad na sa lupa ang lipad, saan ka pupunta?

Wala ka nang kawala sa dilim,
     Pasasaan pa't malalagutan ka rin ng hininga
        at  magpapasalamat sa biyaya.

Ikaw na babaeng bukod tangi,
   Ginawa **** lahat pero hindi naging patas ang mundo.

Lunukin mo na lang ang mga hibla ng pagsisisi
    Ipagdadasal kong huwag nang magdilim sa hawla mo.
Ten Mercado Mar 2021
sayaw, Eriko

isayaw mo lahat ng
sinabi niyang “mahal kita”
na pakiramdam mo’y totoo
nung mga panahong
umaalis kayo ng
isang araw kada-linggo
kasi dinadayo ka pa niya
sa Maynila

sayaw, Eriko

iindak mo at
isigaw mo sa mikropono
ang pabulong niya pa
noong unang sinabi,
“ako na lang,
iingatan naman kita”
sa maulan na gabi na ‘yun
noong iniiyakan mo
pa ang mga pangyayari
na kinagigitnaan mo

isayaw mo, Eriko

itawa mo lang ang sinayaw
niya sa sala mo
noong gabi na ‘yun
mashed-potato lang kuno
‘di ba?

halakhak, napamahal
ka sa mukha niyang
parang pinigang tuwalya noon
hindi naman siya guwapo
gaya ng lagi niyang sinasabi

umaray ka, Eriko

nasipa ka ng katabi mo,
pero naalala mo lamang
ang mga oras na nagsisipa
ka ng bato sa Makati
habang naglalakad kayo,
at kinukwento niya
ang pamumuhay niya noon
sa malayong lugar,
pawis na pawis kayo
pero ngiti niyo’y abot langit

talon, Eriko
palakpak

ilang buwan na rin ang lumipas
noong huli kayo nagkausap
binati mo siya ng
maligayang kaarawan,
kahit ang araw mo nun ay
malayong-malayo sa maligaya,
kapos sa saya,
kapayapaa’y nahahanap
mo lamang pag nandiyan ang
barkada

kalma,
inom ng tubig,
Eriko, kawayan ang bote ng alak,
pero huwag kang lalaklak

hinga,

ipanalangin mo na lang na siya’y
maging masaya,
dahil alam mo naman na
iyon ang tama.
10/8/18
Karl Gerald Saul Aug 2011
Magrasang damit ng batang madungis
tyang gutom at katawa'y malangis
palaboy-laboy sa eskinita
pagala-gala sa kalsada
uupo sa sulok may katabing lata
limos na inaabot ang lata
sa mga tao nagmamakaawa
para makakuha kahit kaka-unting barya

Paglipas ng hapon at pagsapit ng gabi
walang paligo at katawa'y makati
ang naipon nyang pera
kulang kulang sampu ang halaga
di na matiis ang gutom nagkalkal ng basura
sa tagal walang makita
nainip,
nakatulog,
nahiga,
ang naipong barya
idadagdag nalang bukas sa lata
I can write of Manila at night like the greats do of Paris. Not Manila in the morning, for it matters then, but Manila at night where it doesn't matter if it is new or old or if you are rich or poor, because it all blends into the moonlit darkness and that is when Manila becomes like a love letter. It may be Cebu that I love, but it is Manila that captivates me.

To the farmer, who left Manila for America to escape the war, and returned to see only a burned down church. To the young boy, a hundred years later, who does not see the church, but sees the romance of a concrete city. And to the ill man sitting on the corner of a street in Ermita, who has seen more of life and Manila than any of us ever will or ever can or ever want to. To the jazz bars tucked deep in Quezon where the music is sweetest, and to the congregation of poets who meet at their secret place in Makati on sacred nights to talk of the country they write for. Manila does not end.

But Manila is no moveable feast- it is a grand mystery that is far too heavy to take with you. Paris was loved because it was easy to love. The same way Florence was loved because it was easy to. Manila is far too rough to make for easy loving, but the beauty is there for everyone but the blind to see, and even then it is there for the blind to feel. One just has to try hard enough. It is what Manila represents, for it represents not the American dream, but the Filipino ambition to create their own. It does not become a question of how can you. It never will. It is a question of how can you not be romantic of Manila?
Here's to a city of extremes, and smog, and **** beauty
"my boy's got me tongue tied in two different languages
he's calling me baby on mondays and sinta 'til sundays
he's got me looking for him in between eskinitas
and cathedrals from quezon avenue to intramuros
all i see are his eyes
and 7,107 islands in the palms of his hands
and i never knew love could be so hard
when your words ran faster than your heart
makata is what they call you
a master of poetry and performance
you called me your greatest work
and you are a master of fiction
manileño is what you are
my boy's got manila's grime and glory
pulsing through his makata veins
he's got makati's lights burning through his irises
he's got the danger of manila beating in his chest
he's got the cries of san juan lodged in his throat
he's got the rhythm of the city in every step
my boy's still a boy
hijo is what you think you aren't
he's got three stars on his back
and he thinks he's the sun
he thinks he can change the world
himagsikan is what he wants
a revolution beginning with him
but tell me makata, manileño, hijo,
my boy
how are you going to save me?
how are you going to love this country?
my boy's tongue tied in two different faiths
my boy forgot to save himself"
Sofia Aug 2016
my boy's got me tongue tied in two different languages
he's calling me baby on mondays and sinta 'til sundays
he's got me looking for him in between eskinitas
and cathedrals from quezon avenue to intramuros
all i see are his eyes
and 7,107 islands in the palms of his hands
and i never knew love could be so hard
when your words ran faster than your heart
makata is what they call you
a master of poetry and performance
you called me your greatest work
and you are a master of fiction
manileño is what you are
my boy's got manila's grime and glory
pulsing through his makata veins
he's got makati's lights burning through his irises
he's got the danger of manila beating in his chest
he's got the cries of san juan lodged in his throat
he's got the rhythm of the city in every step
my boy's still a boy
hijo is what you think you aren't
he's got three stars on his back
and he thinks he's the sun
he thinks he can change the world
himagsikan is what he wants
a revolution beginning with him
but tell me makata, manileño, hijo,
my boy
how are you going to save me?
how are you going to love this country?
my boy's tongue tied in two different faiths
my boy forgot to save himself
sinta - darling
eskinita - alley
intramuros - oldest district & historic core of manila
manileño - someone who lives in manila
makata - poet
makati - highly urbanized city in manila
san juan - smallest city in the philippines, site of the first battle of the katipunan; the organization that led the philippine revolution against the spanish
hijo - son/young boy
himagsikan - revolution
afternoon's glint on the mirror-pond,
  a whirling specimen of fire,
   ocher-speckled, Sun's insignia
     vessels deep into the clammy water;

furiously swaying like a pinned down
    beast reluctant to be held—
  Makati traffic jostles the silent grieving
    of the asphalt. simultaneous burst of
      chrome on the metal bodies,
      oh, the coming and going,

  children laughing vibrantly without
    memory of scathing pasts and
      boorish origins— tossing coins
      beckoning the heaven in pursed lips
    and clenched fists tender with years
      dwindling along with the turning of
    the calendar's page, the sudden leap
      of figure lamenting the absence
         of language;

    i walk the street festooned with dried
      leaves and forlorn seasons,
    hurling no amaranth to the entire
       Makati cityscape.
judy smith Jan 2017
Followers of Sfera would be glad to know that the Spanish fashion brand recently launched its Fall-Winter 2016 collection at its flagship store in SM Makati.

The event, held in partnership with the Spanish Chamber of Commerce in the Philippines (La Camara Manila), had the local Spanish community and members of the diplomatic corps among the guests.

They were treated to a fabulous showcase of the collection, along with cocktails and an exciting shopping experience.

In attendance were Maria Jose Carrasco, wife of Spanish Ambassador Luis Antonio Calvo, Pedro Pascual of the Commercial Office of the Embassy of Spain, Alfredo Roca, vice president external of La Camara Manila.

Sfera, part of Madrid’s renowned El Corte Ingles Group of Companies, opened its first store in Asia in the Philippines in 2014, on the second floor of The SM Store Makati. In 2015, it opened more branches—on the second level of Building B in SM Megamall, and on the upper ground floor of SM Seaside City Cebu.

September 2016 saw its first department store corner at The SM Store in Aura Premier.

This premium fast-fashion brand offers men’s and women’s wear, and is known for its ability to stay on-trend every season while maintaining good-quality clothing and affordability.

From SM, heading to the opposite side of town, we were treated to a gastronomic symphony at one of our favorite restaurants, Salvatore Cuomo.

The six-course dinner, prepared by chef Salvatore Cuomo himself, served as a sneak peek of his new dishes on the menu.

The Italian culinary titan has narrowed the boundaries between innovation and fine taste. The meal was a roller-coaster of dynamic flavors and textures—an array of small bites paired with light aperitif for starters, washed down with Italian and French medium-bodied red and white wines.

In true Salvatore Cuomo fashion, the ingredients used in the entire dinner were thoughtfully selected and sourced from the best producers in Europe and Asia.Read more at:http://www.marieaustralia.com/formal-dresses-sydney | www.marieaustralia.com/red-carpet-celebrity-dresses
BG Ibañez Jul 2014
I miss some memories of people, 8pms next to a ceiling of November stars and random yo momma jokes.
I miss pepperoni pizzas and orange sodas of a meeting the night before an Algebra exam.
I miss some people who move to the United States, back to Mindanao, away to Makati.
I miss not knowing of a graduation until we sing that batch song one last time.
I miss her under a Langka tree with a chuckle next to the height of my left shoulder. She was measuring my happiness in the little talks and ringing laughter.
I miss wiping her tears as I helped roll her bag across the rocky road to a bus.
I miss being under the wings of God when I first met him through lion puppets and singing prophets.
I miss biting through those chocolate chip cookies after successfully reciting John 3:16.
I miss eating until the tummy says “keep going” and the candy bar bag was always open.
I miss crying when my yaya leaves me everytime I go to kindergarten. This was every single time I get down the school bus.
I miss smiling for a family portrait next to the Christmas tree.
I miss riding across a river with my little brother in paper hats and a floormat boat
I miss walking across a field of santol buds. Ruby to my eyes and to others who pick them.
I miss my panda bear. I could always sew the eyes back on.
I miss being young
But I can’t miss growing up and moving on.
or In One of the Bars in the City*

You remind me about the brightest
spots here in the city. The spots that used to be your
memory, lavishing into the thought of the moon,
how it chiseled itself for the night to claim
it as its smile. So, this night, perhaps,

is a freckled smiling face. Your face
to be exact. How the stars scatter
correctly to form your freckles because
of your genes. Beautiful, sparkling
on the clean sheet of your skin.

Yes, this is how you remind me
about the city that seen and told

our story. How each wall of each skyscraper is
a page to tell a chapter. The flashing headlights
of each vehicle, how they became our crayons.
We are merely children playing, drawing pictograms
on counter doors. I mentioned skyscrapers. I was wrong;

there were no skyscrapers in Manila. Only in Makati.

But that never changes the fact
of this city, an open book for all of those

muggy nights when you religiously
places your lips against mine and eventually
against my skin; when you first made friction
talk. And it spoke every language I knew so fluently

that even our moans are words fit
for a poem. Ridiculous, jaded, fading,

but still, this mug of beer sparkle against the spotlights
of this bar. And yes, you are

sparkling like a city so alive
at the dead of night.
billboard's calligraph --
past the haze of Manila infested
by car sprawls and belching machines.

magnanimous treatise of tarpaulins,
people chin-up asking God
with askance

something like this
"o god make this bearable
like a mound of fresh fruits
from ****** labour."

maniacal sensurround:
earth-shattering frequency
of footsteps trampling the mouth
of monolith shadows - the peak
of this quake is our complete silence.

rain's catharsis in effect
sousing us in the blood of unreal light.
this diastolic shrinkage
jamming the beat of constricting vessels.
the adrenaline surges
within the dermis of this pretension.

a collective of tired beings heeding
the recherché of voice metamorphosing
into form, a dagger-butterfly
paring us skin to bone, cranial
to visceral, soul to nothing -

catapult of a trajectory spit
plummeting in eased-up pace
from Taft Avenue flyover
to a subjugated wagon of scraps
and empty wine bottles.

today's paper reads:

"Palace hits hiring
   of **** dancers"

fancying to fall right in the
spanked curved of this
insatiate melodrama - something
  prayer could not save from
this land's mutinous ignominy.

   we resume to fulfill our madness,
hundreds of tack-headed people
  rolling down the streets of Makati,
drenched with rain's trilling aftermath.

squinting to look at
  no sun, only the grieving of skyscrape,
thumbing down unidentified objects
  in the depth of loose pockets,
    desperate for home.
**** the Philippine government.
Eugene Jul 2018
"Ang pagmamahal ko sa iyo ay kasing init ng bawat pagsikat ng araw. Ngunit kapag ako ay iyong sinaktan, asahan **** hindi mo na masisilayan ang paglubog ng araw."
Sa isang sikat na resort sa Laiya, Batangas napagkasunduan ng magkakaibigang sina Adlaw, Bulan, Amihan, Machete, at Tawa-Tawa upang alalahanin at damhin ang buhay probinsiya. Halos limang taon na rin ang nakalipas nang huli silang nakauwi sa kani-kanilang probinsiya.
At dahil sa iisang kompanya lamang sila nagtatrabaho sa Makati ay sa isang lugar na lang din nila napagdesisyunang magliwaliw. Iyon nga lang ay isang araw lang ang common day off na mayroon sila, kaya lulubusin din nila ang isang araw upang magtampisaw sa karagatan.
Nasa iisang kompanya lang sila nagtatrabaho na kung tawagin ay Cliffhanger Outsourcing Center, pero magkakaiba ang araw ng kanilang day off. Sina Adlaw at Bulan ay mag-ka-teammate na kung saan ay miyerkules at huwebes ang araw na wala silang pasok habang ang tatlo na sina Amihan, Machete at Tawa-Tawa ay Huwebes at Biyernes naman ang araw na walang pasok.
Sakay ng isang van na ang may-ari ay si Machete, dere-deretso na silang bumiyahe. Madaling araw pa lang ay agad na silang umalis. Kapag maluwag ang daloy ng trapiko ay aabot lamang ng isang oras at kalahati ang biyahe patungong Laiya, Batangas.
this flourishing silence feels more of
a trite hack-job than it is a writing stint.
     my fingers (frenzied, brazen) continue to tap
and my mind starts to spill like a spigot
   left open. I have taken to smoking and laughing
away

       in an obscured day for myself in the parking lot
and sometimes I can do without company; only the snarl
of the well-oiled tractor in front of me.

    the days are full of yellow and the Sun is a dog
on a leash. the roses smell of brine and their slender
stems bones of the young.

    I can see cheeks flushed with red and skirts
neatly trimmed just above knobby knees
   and I know somewhere in that tender flesh,
a man sifts without knowing what it feels to eat
    bone before flesh, flesh after bone. my silently augured
procurement of today’s induced comatose is but
    a Freudian slip – the world with its burly physique
is a chauvinistic man
           drinking whisky in the red light district of hazy Makati.

                 each slapdash word in penitent reprisal
is the moment’s clearest reprieve. I am glad that this room
is darker than the eyes of the love I have lost
     staring back with a mound of the abysmal or the yearnings
      of a chagrined mother startled back to her home;
  it must be dreamy, the dogs outside pant in heat
        and the obnoxious *** of vehicles outside bears the cadence
  of two people   starting to fall in love:  all chaotic and unmoving,
             fastened to the Earth, aware of the passing minutes,
                                         wishing to be somewhere else but there.
Oh Father God, let me win millions of pesos in Philippine Lotto lottery
Let’s see how the world will treat me
If I already have lots of money
For sure even my fans in FB
Will increase surprisingly
Hear me, oh hear me, my Father God Almighty!!!...

Hearken to the Plea of the Offspring of Makati!
By Your will, the world shall see
A great enterprise rising from this country!
An enterprise that shall uplift the many
And magnify Thy mercy & glory!
An enterprise that shall rescue me
From their lynching & lingchi literally and/or figuratively
An enterprise that shall show to the many
Your glorious miracle not yet in history!
Be our hope & foundation of prosperity
Make me an instrument of a new dawn for humanity!

-06/11/2015
(Dumarao)
*My Prayer Poems for Ultimate Victory Collection
My Poem No. 368
Ihinabi ko sa bukana ng payong ang ulan.

This is to believe that sheltering may not always be, or simply perhaps an undertaking of weakness. A radical strangeness aspires to be bold. I may not be able to transcend its nakedness.

.

This is to deny the common verity that in the communal of water, shade fails a transliteration. We cannot be forever in hiding. Our smallness reveals our flowers. Our unmentioned stirrings. (A spire of technicolor through the lens of apertures. It starts to rain in *Pasay
.)

.

I see children swift-bodied in the streets. I hear the sublime song of a defunct tractor. Once in its vitality, Earth was its derelict. How did it come to be that when I peer into the openness, light slouches into form, conjuring an image: your face, hiding amongst the crowd?

.

This is to recognize the potential of dwindles. Its vertigo that it tries to protect. Its height that it tries to conquer. Its fall that it tries to eschew. What if bones are just homes to tiny little currents and that the way our body assumes the stance of jackknife, simply a foreboding?

.

Itinabi ko sa sukal ng araw ang payong.

This is to perceive that all light lifts away from the dark, my heart always falling into its hands. Morning opens your face like delicate streets, pulverizing fog into chamomile. Silence is endemic. *Makati *buoys overseer reconnaissance of obvious beatings. Revealing a long line of ligatures -- umbilicus of wires. Serenades of futility. Our useless meanderings.

.

The depth of Sunlight finally turns primeval stone. That is our defeat -- all our darkness put to trial. I am tense with the finality: she will become parasol and I, the weather past moonlight waxing.
mi alma is made of pineapple fabric,
bartered in the palengkes of San José,
nothing like the silk of Manileño prep-school boys,
in their country clubs and villages with gates,
classmates whom I envied for their patrician ways,
whose diphthongs I eventually learned to emulate
as I dyed my pineapple-fabric soul with neon desires,
neon as bright as New York City lights,
and put on an invisible muzzle on my face.
but what was harder to wash away from my soul of piña
was the stench of garlicky stews we ate in San José,
so foul that even aswangs kept their distance,
'stead of ******* me out of my mother’s womb and taking me away,
throw me up deformed somewhere in the UK,
deformed like the glorified mongrels that are my cousins,
those UCL-educated mestizos, or was it LSE?
oh, maybe my life wouldn’t have been so ******* mierda,
in a corporate attire with a three-thousand pound pay!
but unfortunately, I wear my alma of pineapple fabric
masticated by the teeth of unsolicited advice,
fragrant with cathedral incense, heavy with the guilt
of having been cummed on by ersatz lovers, ‘straight’ best-friends
whom I’ve cut out of my life like overgrown fingernails,
for tripping over loose threads and undoing my soul,
oh, yes, I get lonely without my BFFs, but at least
I still have mi alma de piña, my greatest source of pride,
fragile pride as fragile fabric must be dry-cleaned monthly
at Au Beau Blanc, Gallardo Street, Makati City,
elegant but indeed makati (which is Tagalog for really really itchy)
remember: don’t you ever dare to wash me in the Machine!
or as I like to call it the Lacanian Other clothed in moreno skin,
castrative, repressive, myopic Manilense society, nope!
I will not go to spinning class with synthetic souls ever again
cannot chismis anymore about Manila scandals over brunch,
because my soul is made of pineapple fabric
and pineapple easily tears apart at the seams,
shedding its fibers behind in faraway places,
foster cities and countries with their irrevocable stains,
like those of chimichurri and malbec in Buenos Aires,
Debería haber nacido en Buenos Aires, I always like to say
‘cause it would be more chic to drown myself in Rio de Plata
than the ****** waters of ******* Manila Bay.
Pues, thank God, I didn’t, because now estoy en Spain
and of vermut ***** con aceitunas I am always inebria—
ted, waxing nostalgic for a time when these white men
would’ve scoffed to see an Indies dress,
would’ve asked my pineapple fabric soul to untuck,
scared to be stabbed by some concealed, mystical kris,
but no! don’t get me wrong! I love Mother Spain!
but I don’t think I belong here either,
nor in Buenos Aires or the United States,
nor will I belong again in any one of those seven thousand isles,
which my fingers fidget with like the rosaries I pray
to call out to the god of overseas workers,
the patron saint of the unmoored, the new cosmopolitan
oh, please help me conquer, for the sake of mi alma en pena
hecha de piña
, now ruined, stinky, sullied, stained,
help me find a street, an enclave, a hamlet, or a shore
just somewhere—a corner to feel not so out of place.
Ysabelle Vilo Jun 2017
Cannabis

Ang hirap mag mahal ng lalaking may girlfriend pang isa oo si Mary Jane.
Si Mary Jane na lagi niyang tinitira.
Si Mary Jane na kahati mo lagi sa oras niya.
Akala mo ikaw ang dahilan ng kanyang saya pero si Mary Jane pala.
Si Mary Jane na takbuhan niya tuwing may problema siya.
Si Mary Jane na sandalan niya sa lahat ng bagay na hindi niya kaya.
Si Mary Jane na nag bibigay ng lakas ng loob sa damdamin niyang napaka hina.
Si Mary Jane din ang unti-unting sumisira sa buhay niya. Hindi niya alam pero sirang sira na siya.
Oo nga pala si Mary Jane ang una niyang nakilala hindi ako na pumapangalawa lang sa puso niya.

PUTANGINA NAMAN MARY JANE MAG PARAYA KA NAMANG AHAS KA LAHAT NA LANG SYOTA KA BUKOD SA DAHON KA MAKATI KA PA!!
nick armbrister Feb 2018
no talk
i was with my mate going to work
when i saw the couple on the bus
they were young and in their 20s
he had mousey hair and she was blond
they were taking time out

and travelling in the philippines
she was finishing her teacher training
and he was a soldier between deployments
while i was commuting to work

in the city to my bpo job
we talked in my head
not in the real world

they were innocent and untouched
she wasn't abused by her students
he hadn't seen his mates blown up

all that was to come
should i of warned them?
be vigilant and strong
but no no no

they had to learn for themselves
the london couple on the makati bus
they reminded me of my old mates
when i lived in essex and london
years ago...

...3 were soldiers
where are they now?
timid grows fuller and fuller by the minute
    when silence flounders into something where a smoke ceases
and a breath of the first utterance begins.

             the waiter strides with a bottle in each hand,
takes credit for where it is not due as a disservice to an errant beast
      hiding behind the drone and the machine.

why does it feel like this behavior is a love for turmoil?
   you fill this room, as in all rooms where I have been in
with you, with a multitude of disappearances

put in heavy scrutiny by my place kept in a similar stock
  of presence.

say, when you jolt out of the couch and leave to excuse yourself
    to catch a phone call or secretly take photographs of everything,
I watch your impression on the weighed down cushion
   and witness it rise as if getting rid of your frame.

the ticking of the clock is as guttural as any tongued word
  of defeat. a slow demise of minutes could be a thread
  to haul out an immense hour. These things do not grant anything.

       the waiter comes back again with a smile dangling on his
mouth as if trying to tell me something, a question or an assurance, was it?
    is it? I hurl a word and hope someone will catch it,

and that when someone has the lost and tender word, I wish the figure
   to be true                     unlike any metaphor

        of how the moon grazes the concrete and somewhere in the vastness
a star falls to the nearest fire hydrant, or a shaded tree, or near a motel room
   where two people are *******, where another soul meets a soul,
      where underneath the peculiar awning of a towering building
           you    almost said the world was yours and as you return to
         the place that has you completed,

you are altered by it just as much as it has already changed you,
    beginning with the swiftest sense of you, yesterday, and who you would be,
today, perhaps much more beautiful than the last time I left and found you in the sheer contestation of the abandon

         like a line I wrote at the back of a calendar that I was supposed to give
to you with a couple of post-its
    so you can keep track of yourself and your vivid undulations
  
                 and never the possibility of afternoons where we could both
dissolve in pale sunlight, drink as though we have been thirsty for months,
                    laugh through the overcast and umbrage of delicate trees,

                                                    willi­ng to be silenced by the squalor of old desire
    in exchange for a new life but not so much promise in there, as there is still
               compromise in a sullen exchange of entrails where in one afternoon
of a  newfangled life, I may stumble upon you
        again in the crisscross streets of Makati, or while slurring in speech in Cubao Expo,
         to all the places you have filled with your tiny disappearances;

                        to God or machine who/that, keeps you here, stilled into this
  wondrous life, where absences shuffle and you
                        are the only one unharmed.

— The End —