Sleepless nights
when I've
laid in
the thick darkness
listening to the
sirens scream
throughout
the city.

Drawn out sleepless
nights ,
nights that I spent
conjuring up
images of better
times.

Sleep deprived
lonely nights,
nights  I spent
counting
someone else's
legless sheep.

Nights I spent
wasting hours
by thinking of
nothing but
the past.

He sat in a wheeled chair, waiting for dark,
And shivered in his ghastly suit of grey,
Legless, sewn short at elbow. Through the park
Voices of boys rang saddening like a hymn,
Voices of play and pleasure after day,
Till gathering sleep had mothered them from him.

About this time Town used to swing so gay
When glow-lamps budded in the light blue trees,
And girls glanced lovelier as the air grew dim, -
In the old times, before he threw away his knees.
Now he will never feel again how slim
Girls' waists are, or how warm their subtle hands;
All of them touch him like some queer disease.

There was an artist silly for his face,
For it was younger than his youth, last year.
Now, he is old; his back will never brace;
He's lost his colour very far from here,
Poured it down shell-holes till the veins ran dry,
And half his lifetime lapsed in the hot race
And leap of purple spurted from his thigh.

One time he liked a blood-smear down his leg,
After the matches, carried shoulder-high.
It was after football, when he'd drunk a peg,
He thought he'd better join. - He wonders why.
Someone had said he'd look a god in kilts,
That's why; and may be, too, to please his Meg;
Aye, that was it, to please the giddy jilts
He asked to join. He didn't have to beg;
Smiling they wrote his lie; aged nineteen years.
Germans he scarcely thought of; all their guilt,
And Austria's, did not move him. And no fears
Of Fear came yet. He thought of jewelled hilts
For daggers in plaid socks; of smart salutes;
And care of arms; and leave; and pay arrears;
Esprit de corps; and hints for young recruits.
And soon, he was drafted out with drums and cheers.

Some cheered him home, but not as crowds cheer Goal.
Only a solemn man who brought him fruits
Thanked him; and then inquired about his soul.

Now, he will spend a few sick years in institutes,
And do what things the rules consider wise,
And take whatever pity they may dole.
To-night he noticed how the women's eyes
Passed from him to the strong men that were whole.
How cold and late it is! Why don't they come
And put him into bed? Why don't they come?

you haven't lived
until you've been in a
flophouse
with nothing but one
light bulb
and 56 men
squeezed together
on cots
with everybody
snoring
at once
and some of those
snores
so
deep and
gross and
unbelievable-
dark
snotty
gross
subhuman
wheezings
from hell
itself.
your mind
almost breaks
under those
death-like
sounds
and the
intermingling
odors:
hard
unwashed socks
****** and
*******
underwear
and over it all
slowly circulating
air
much like that
emanating from
uncovered
garbage
cans.
and those
bodies
in the dark
fat and
thin
and
bent
some
legless
armless
some
mindless
and worst of
all:
the total
absence of
hope
it shrouds
them
covers them
totally.
it's not
bearable.
you get
up
go out
walk the
streets
up and
down
sidewalks
past buildings
around the
corner
and back
up
the same
street
thinking
those men
were all
children
once
what has happened
to
them?
and what has
happened
to
me?
it's dark
and cold
out
here.

the front door open.
the dogs not barking,
slapping some wet skinned faces in front of everyone,
wishing i was a broken bottle
or something.
there's want of a forest in my yard
-the whole world softing out:
action dust; to the girl that screams:
there's no such thing as sinners, there's no such thing as love, there's just people and what people do,
whole forests of paper feel your words.
           sincerely,
                            we're all just crazy.
sweet dharma dewdrops fell off the tongue of the clean-cut kid.
he had soapy teeth and no shame to speak of
and when he spoke to us, his fingers glowed
because.
did you think that words could do more than arms-
and that anything else alone could do more for you than a full bodied embrace.
and
i looked at the rose you had buttoned on your blouse and i tore it off and dashed it upon the ground
because of
the mist
and the yellow billboard
lit up softly like a wheatfield
and frost was setting onto the long blades of crisply dying vegetation.
and there is the matter of those ghosts in the parkinglot
unaware of the cars that skid by full of people, all with capacities to know and be known-
sometimes i wish i could tell them
that it's okay to reach out with soft red fingers, wet from running water, warm from hot running water rinsed
over our hands to bleed out the chill that leaches into our too-thin fingers on cold nights such as this.
meanwhile-whole forests of bright white paper
i think that if i ever found you,
it would be walking on a road next to blueberry blossoms-and close, dry
thicket branches that crunch swiftly sometimes-and slowly, others- behind our heels
and hands shaped like mantras gesturing towards us from trees- telling us to go this way, and that,
welcoming us with their imperfect notions of morality and telling us that everything was going to be.
light a match on the bathroom window,
take one step closer to breathe in the bad-handwriting of the graceless morning. put one foot forward on the floor-
one hand on your temple.
only time will tell
if this is hell or just a special hell for me and you
choke me in the white-noise drone
of the shower.
push against the vitalities of my neck-
offer your hands around my faltering voice.
tell me about the pharaoh.
and the legless learners of passion.
tell me that you need to fall forward onto your face just to remind yourself that you're alive.
drum against my chest imperfectly with your
fingertips.
the unskillfully applied paint on your nails already chipping off- (you do this thing with your thumb and
forefinger as a nervous habit and always ruin them.)

the sun come

i trace over my neck with cartridge-blade razors
-rip away the stubble like peeling off snakeskin shadows.
snow falls
dusting my eyes with the harpsichord sounds of porcelain.

there is no longer bitterness nor sorrow.

we're gonna die at some point
and all that we're gonna leave behind us is a bunch of
bad reviews and 2 star ratings
for restaurants that didn't treat us right,
for uber drivers that were too quiet or too loud,
and airline companies that were responsible for 16 long hours
in an airport with too much light and no air.

the day will come and none of us will be ready,
even though some might lie about it, with a cold smile on their face.
there will be no bargaining then,
all the money in the world will be as useless as a pair of flip-flops to a legless person.
for sure, we'll regret using the expression "no regrets!" too often,
instead of accepting our vulnerabilities and our imperfections.

we're gonna die seeing our mother's smile
and hearing our father laughter,
from the day we were born.
just like then, we won't know for sure whether
this is the beginning or the end
whether we are leaving a world or coming into another.

we're gonna hope to use our last breath for something memorable,
something that won't make us not get a good death's sleep,
keeping us awake in a homemade YouTube video.
we're gonna wish that someone finds all of our passwords
and breaks into our emails and social media accounts to realize that
we were geniuses, or something like that and we're gonna look forward
to not being successful and
not seeing anyone cry over something that we said while we were drunk or, worse..

there's nothing more annoying than a come-back to an argument
that comes too late,
the one great idea that could shut down anyone if it would appear in the middle of a fight,
and not afterwards. always afterwards.
when the quarrel initiators are already tucked up in bed, covered in wet dreams and solitude.
nothing for you to do. no hour is decent enough for you to call them in the middle of the night,
shouting your retort, then hanging up the phone and laughing like a crazy person.
that's how after-death must feel like.
a smart answer that comes too late and that no one gets to hear.

our bodies start dying from the day we are born,
little by little,
small chunks of tissue getting rid of our existence,
making us less appealing, less ripe.
our bodies become dumber and dumber every day and start
throwing emotional **** everywhere, hoping to make others mad,
and not care as much about us, near the end.
in a way, it's a form of protection.

we're gonna live through other people's deaths,
we're gonna be "survivors" and "carriers of their memory"
we're gonna try and appear strong for their closest ones,
even though we will forever be broken on the inside after they
become cool, underground.

as we grow older, we believe that death is more about us than the one leaving.
It's possible that we didn't even get to meet him personally,
but he "left a great impression on us", from his real friends' stories.
it's possible that we randomly cross paths with a funeral cortege of some unlucky stranger
and we would still believe that it's about us.
every time we stumble upon it from an observer's point of view, we cannot stop
thinking that it could have been us in that box,
forceless, incapable of protesting against the tie
or the flowers that we are/were so allergic to.
we get lost in our mind, near the coffin and our eyes start to glow
and lose liquid.
every time someone dies, it's always about us. at least, for a couple of seconds or days.

when we die, or are about to die, we find out that death is not at all about us.
it's about those that are left behind, the above mentioned "survivors".
we begin to worry about them,
to fear that there's no fresh milk in the fridge, no gas in the car tank,
that no one took out the garbage, nor fed the cat,
we are about to leave life under the impression that we forgot the fire on.
every time we die, it's never about us. at least, up until the last seconds.

there's no chance in hell that heaven's gonna accept this kind of language!
maybe the subtitle won't work for this part and I'll get off the hook.
I was thinking that one of the greatest penalties
God could give to a feeble-minded person like me
would be the possibility to choose between the infernal region and paradise.
I would end up in a very familiar situation, experiencing the purgatory of my afterlife,
in the same way I did in my entire earthly existence, not being able to pick a side,
make a decision, take a left or a right.. without overthinking it too much.

we're gonna die crying.
we're gonna die hoping that we closed the door.
we're gonna die tasting coffee.

we're gonna die when we least expect it.
we're gonna die in 3, 2..

we're gonna die trying to live.


[https://www.youtube.com/watch?v=CVemwwIDC7c]

I took my ****** sister Marigold to the cinema,
she had asked specifically and eventually
(she doesn't speak a lot on account of her awful stammer
and amazing cleft palate which has won prizes)
so I knew that this was something she really wanted,
and I teased for her bad taste
when she told me that she wanted to see
"Ch-Ch-Ch-Ch-Ch-Ch-Ch-Ch-Ch-Charlie
and the Ch-Ch-Ch-Ch-Ch-Chocolate Factory".

It was a Saturday evening and the local picture house
was showing a re-run of the classic starring Gene Wilder
as the enigmatically stylish ***** Wonka,
and not that steaming great pictorial **** served up by Tim Burton
and I knew that town would be busy with oiks
so as a treat I dressed her up better than usual,
and even gave her a hosedown to get rid of the poopy pong.

She had stopped crying by the time the feature started
and I think the Ooompa Loompa costume grew on her
but that maybe the orange paint was a bit of a bad idea
as people had stared as it was Day-Glo and she stood out
like a bulldog's *******, but I stand by my decision
to dye her hair green, it had taken thought and planning;
it was meant to add to her excitement of the day,
so I meant well, even if I was ineffectual in the end.

I sat her on my lap in the picture house
but still paid for two seats but I do get one ticket half price
though because of her disabilities, so it wasn'€™t all bad,
every cloud and all that, you know what I mean?
She tends to get a little down every now and then
but a £1 cinema ticket partly makes up for being born legless.
I knew from past experience that the cinema staff
prefer me to carry my stunted sis rather than wheeling her in
(I do recall that the time I taped her to her skateboard
proved somewhat a disaster - but really, the fat usher
had a torch and should have watched her step
or otherwise she wouldn't have bust her neck).

The Ooompa Loompa costume allowed Marigold
to amuse herself during the screening
(as there were no leggings to the costume).
She barely noticed when the fat little hero
got blown up on screen except to dribble "chocolate"
from her own little chocolate factory.
It was, all in all, quite an eventful outing
and one I might consider repeating but
probably in a different cinema next time,
mainly because we got banned for life
when the manager saw the condition of the seat.

you will thrive in your own cocoon—
legless arthropod wriggling out
of its leaved shell, crunching
on the stem of a marigold’s shrivel.
you crawl up the leaves like they’re
the steps of a winding staircase,
circling and circling to one day
step out of your cocoon.

you are your own skin—
a wing ripped in figure
eights of formative tearing.
at the bottom of a
wind-leaned green tower,
you are torn down as if starting all
over again, away from the pace of
a hundred other caterpillar’d creatures.

you are not quite a monarch butterfly,
not yet the zebra-patterned black and white,
but you bloom in the form of a familiar marigold, a daisy’d curve—
thriving as a flower, swaying and alive.
you must visit the filial leaves and trace
their veins gently.

soon you will thrive in your own cocoon;
as those plant’d seeds will
soon leave legless arthropods wriggling—
for how would a caterpillar’s cocoon wither
without your leaves crinkling beneath it?

Late spring. Early morning.
Horseflies in my dream,
dissonant church bells, legless pigeons

I wake to the light’s sharp angle
that cuts this day open.
A breeze stretches its wrap

Lying here, dawn is brief
like a banner slowly raised
then dropped abruptly

Rising from bed
I slump
a prisoner waiting for a beating
The chilled air, a sword
stuck into my skin

Through the blinds
a snap of sun
my eyes rollback
colors pop

I stand barefoot
and become the sum
of a legless pigeon
a horsefly’s faint buzz
dissonant bells

I think of my dream
how it called me
inward
closer to the core
a caravan of pine coffins
lined up in the streets
a future template

Suddenly, church bells,

a fly dead on the sill,

a mournful pigeon’s coo.

--------------------------------------------

from my sixth book-length manuscript

©dah / dahlusion 2015
all rights reserved

"Horseflies Pigeons Coffins"
was first published in  'Secrets and Dreams Anthology'
(Kind Of A Hurricane Press)

Shall I get drunk or cut myself a piece of cake,
a pasty Syrian with a few words of English
or the Turk who says she is a princess--she dances
apparently by levitation?  Or Marcelle, Parisienne
always preoccupied with her dull dead lover:
she has all the photographs and his letters
tied in a bundle and stamped Decede in mauve ink.
All this takes place in a stink of jasmin.

But there are the streets dedicated to sleep
stenches and the sour smells, the sour cries
do not disturb their application to slumber
all day, scattered on the pavement like rags
afflicted with fatalism and hashish.  The women
offering their children brown-paper *******
dry and twisted, elongated like the skull,
Holbein's signature.  But his stained white town
is something in accordance with mundane conventions-
Marcelle drops her Gallic airs and tragedy
suddenly shrieks in Arabic about the fare
with the cabman, links herself so
with the somnambulists and legless beggars:
it is all one, all as you have heard.

But by a day's travelling you reach a new world
the vegetation is of iron
dead tanks, gun barrels split like celery
the metal brambles have no flowers or berries
and there are all sorts of manure, you can imagine
the dead themselves, their boots, clothes and possessions
clinging to the ground, a man with no head
has a packet of chocolate and a souvenir of Tripoli.

I woke up *****
And went to the shop,
I got corn, peas, chopped gherkins,
All canned,
I raided the reduced section like mad,
Got some cheese
And some ham
That I won't allow to go bad,
cause I'll make a ton of salad
Out of this myriad,
For breakfast, munch and evening feast,
It'll last a fortnight at the very least,
I can top it up with this
Foul smelling liquor I brought from the east,
Among the other mementos in my cellarette,
I could have a party in my ******
In my kitchenette,
My flat is so hot I could sign post it
'sauna to let',
But the swingers here don't speak a word of
English,
One time they took their ya-yas out
And called ME a delinquent,
As if I've got a funny kind of pigment
They can't live with,
I've tried to put my finger on it
But I don't want it to get stinky,
I think they simply haven't got an inkling
As to what and why they're thinking,
But never mind those pinkies,
Let us go back to my shopping
Just as it was getting *****:
Before my skimpy trolley glided to the checkout,
I got a ticket for my pfand,
Which measured fairly to my pleasure
Of having my alcoholism,
Which is confess is merely leisured,
Redeemed into a form of solid ******* treasure.
Throughout the years my drinking
Let me celebrate the fear
Of lack of meaning,
It made friends out of strangers,
Lovers out of friends,
Ex lovers out of lovers,
Clowns out of boring people,
It made a clown out of me too,
My drinking took my money
And gave me a suspicious act
To cling to,
It made me a legless athlete
In a race against the future,
It excited me with waterfalls of chaos
Bursting through cracked normality,
It pretended to bring Arcadia
Into the ruling technology,
It invaded Scandinavia  
With lawless Somalia,
It put peaks and crannies
Into the dull landscape of
Nord Rhein Westphalia,
I have a whole worthless encyclopaedia
Of what my drinking did to me,
Page after page of random numbers
Makes for a baffling read,
I don't know if I should frame it,
Burn it,
Or get some ****,
My drinking always gave me an excuse to smoke,
I puffed my hours into nothingness,
Laughter & loneliness,
A condition of no ambition
Made life itself seem like a superstition,
But I don't want the repetition anymore,
Boredom is but a bed sheet of a sore old *****,
A stifling breath of a handicapped mind;
But
Being now so temporarily poor
I find it easy to smile
As the cashier counts my pennies
Making the citizens in line
In their Jack Wolfskins and denims
Very uneasy,
Men & women of the Rhein get seriously queasy
When they see a foreigner like me
Simply taking it easy,
You know I had to break my piggybank just to get here,
I crossed a red light when it was all clear,
I have no bike lights - I just disappear,
Who knows what is it that I do inside the night?..
Could be something good,
Might be something bright..
Anyway,
I got my receipt,
Said my 'schön Tag' alright,
I should have said 'schön Abend'
But I guess I'm not polite,
Then I rode in the street,
My bags dangling left & right,
Balancing my act
Under the waning Eurodollar moon,
Some react badly
when they're given **** to spoon,
But my lack of money
In fact makes me feel immune
To superficial cravings like
iPhones, clothes, perfume,
shavings, shoes, tattoos;
I'd rather spend a fortnight
In the arms of David Hume,
Than stopping by at Rügen
On my way to Cameroon,
On a beastly ocean liner,
With pommes and Pauliner
Supplied ad infinitum!
I don't know my own mind,
I's time to take a trip down the ol' cerebrum,
While tickets are at a minimum
And the season is at a premium,
I'll tame my tantrums without ******,
I'll let my maelstroms guide me to a podium
Of perfect equilibrium,
I'll get a glimpse of wisdom
By watching my own delirium,
I'm serious about this.
I don't reminisce about the years
I dismissed by watching television series,
Dumbing down with the Big Bang Theory.
I feel so blessed to be weary
And out of breath
From the long hand of entertainment
That wants to tickle everyone to death,
It's an epidemic worse than crystal ****,
But it's not hard to shake the fever.
Only a ****** was born to be a ******,
Man was cursed to be a dubious believer.
So kiss my feet
Or chop me with a cleaver,
Nothing will stop me from becoming an achiever,
Nothing but the habit pattern of my own demeanour.

Between the din of dusk and dawn
Runs Sleepy Pillow Lane,
Where gators guard the Gates of Thorn
And cryptid creatures reign.

They glide across the midnight sky
Like grime in sanguine sewers;
White canines long and talons drawn
Spike rodents on a skewer.

Gray giants glare from full-moon eyes,
A ghastly ghoulish spell;
Sweet sleepers swell the wells of Nile
While centaurs swing the bell.

Horned vipers writhe into your fears
Like scythes through strangled weeds;
And severed heads of angel hair
From shouldered stumps relieved.

A putrid pile of newly-deads
Awaits the devil's scorn;
And legless maggots gorge in beds
From which the fly is born.

Hungry hyenas howl in packs
While circling carrions crow;
And chunks of flesh are torn from backs
Cracking bones bare below.

Scavengers feast on man and beast,
No rotting limb is spared;
From hanging tongues to napping feet
Blood splatters everywhere.

Brimstone and thunder fill the air
With hail presaging doom;
Ten toothless witches shriek and cheer
As zombies creep from tombs.

Masked mummies stalk with stakes and stones
In search of sleeping heads;
They crave the skulls and living bones
Of bodies slumped in bed.

Through R.E.M. you toss and turn
And roll on restless wheels;
Alas Red Rooster blows his horn
To end your grim ordeal....

~ P
(January, 2013)

Feel the entropy heating up your gears
With meshing poetic rhetoric flowing through your ears

Pistons pinions piercing pulsing
Calculating creates cruelty convulsing
Which confuses itself as a new form of dance
But it’s actually mating while still wearing pants

There’s mercury around your hat’s brim
As you look up to your cherubim
They’re not good MCs you’re suffering from delirium
We’re not an ocean we’re a city: Pandæmonium
Whether stage, stereo, or behind a podium
My flow so addictive you need rehab to quit this *****

Undercutting uppercuts straight to the jaw
Dangling there mangled but you’ll never lose the awe
I can talk sunlight into becoming my shade
Stand up to me? Step down before you fade

I am the Clockwork Seraph
Each word must be cherished
Because words hold more power than any man
So I’ll trick the legless to take a stand

We’ll walk miles for this vile style
Bloodied grin? Show us your smile
All is well? Or all is in denial?
Who cares? Let it rest for a while

Throat grabbing metaphors
Chokes gabbing sell-out ******
Garrote grappling violent scores
Rogues glancing harlot stores

Cut to the point or cut to source
Cue the anointment meant for the Force
Wrong religion but ***** it any myth will do
My words are Set to Isis like Osiris rose for you

Scheherazade’s in her padded cell full of fright
Shouting frantic nonsense for 1,001 Asylum Nights

Love is a chemical that seems too harsh
It comes from the brain, we call it the heart
Anger is an arrangement that can tear you apart
Here’s an outlet try again end at the start

Pause
Think
Take a breather now
While sixty feet under water
As you drown

Yesterday’s miracle is today’s explained fact
Truthful anomalies become outliers for the mass

If a beat drops does it plummet to its death?
Was it suicidal it could be anybody’s guess?
It tried to forget so it kept all repressed
Tongue play twisted by the embittered press

Oh yes! Says the ******* moaning ghost
Raise your glass take a sip prepare for the toast
Overdosed on rufilin for the life/death duality
The party forgot to plan this half-hearted tragedy

Fires burn like thunders boast
Of the speed the hot flash was provoked

I don’t do battle raps I just humiliate my foes
There reputation lying in graves row by row
Blank stares earned as they feel the throes
More white towels thrown in as their hope corrodes

My left hand spits for the pages thrones
My tongue tests it to see how it flows

Shoot for the moon and if you miss
You’ll be surrounded by infinite emptiness
Obviously I’m different so I won’t waste your time
Every rapper claims their special somewhere down the line

Are you lost? here’s a map: blank canvas
Crumble it up to see it form a crevice
A Knight of Bedlam here for your service
Rising with the lunar crescent for their hubris

Blood stained White Knight
A hero’s antithesis done right
Funeral garbs for this sable raft
Beating hearts for disabled craft

Buried in deep and now I’ll rise
To the occasion to claim this prize
The only thing we all have in common
Is the differences in our perception

I am the Bayssic scion
Hold on tight if you plan on riding
On my dark white lyrics
Beautiful insanity with spirit

Each and every person you meet
Is as real as you imagined them to be
From my mind un-vaulted in hopes it’ll last
Join us now, through the looking glass

The rabbit haunts from a distance, patrolling fields for one to bear witness.
Gracefully the tenderfoot stalks, keeping a watchful eye out for Mr.Fox.
The creature walks with a slight limp, other animals often call him a gimp.
This way, that way, it all seems wrong, keeping time with a lost robin's song.

His home constructed as a single story wonder, located within a large tree laying asunder.
Family life wasn't right, as fleeting an image as a wayward kite.
A field mouse, left without spouse,
Stumbled upon the home in a tree, accompanied by a group of songbirds filled with glee.

The field mouse was asked to go, the creature in response, simply said no.
A man stumbled up, as mad as a hatter, his portly girth made it hard to imagine being any fatter.
He spoke of intrinsic right, boundless visions beyond sight.
Told the rabbit he had a duty to the mouse, saying it immoral to deprive him of a house.

The rabbit, reluctant to accept , found out from the man of the true evils in neglect.
He was told that he didn't own the home, it had simply been gifted as a goodwill loan.
That meant it was as his as much as the rabbits, regardless of any perspective habits.
With that the moused moved in, and brought with him his prized snakeskin.

Over a meal the mouse spoke of danger, coming in the form of a wandering stranger.
He told the rabbit, this creature travelled light, but usually shrouded in the cover of night.
Said the creature was not large in size, though his methods of thievery seemed quite wise.
The rabbit recoiled in his chair, as the field mouse offered up a demonic glare.

The field mouse grinned from ear to ear, sensing this rabbit's new grasp on fear.
Pulling the snakeskin from his sack, the dried shell was quick to crack.
The mouse spoke of a brave duel, between him and this monster, which had downed a mule.
He used every ounce of his cunning, and sent the legless beat running.

It wasn't good enough for the mouse, who was certainly no louse.
He tracked the snake for six long hours, through a field of partially bloomed flowers.
In the end he killed the snake, then took its skin so listeners knew the tale wasn't fake.
He held the skin, I mean the mouse, and said he'd hang the shell within the house.

Mr. Rabbit was found dead two days after, his body lay desecrated next to the snakes, hanging from a rafter.

stripes of dawn sift through the grey departing night,
and in my home, behind those rays of dust,
furniture warms.
the freedom i love will soon be claimed by an incessant morning phone.
my heart numbs, longs for the kindness, constant kindness of the night

the music of my pulse already starts to fade,
a weight sets in, invisible grimace of so many trailing thoughts unraveled now,
to bear until the darkness-swilling reach of soul can span again...

would i fly at brightened glass in fractured urges,
bolstered yet adrift in any day's torrential memes?
rage at seeming machination's constant interruption of my highest rarity of living well?
or smile at the herdlike expectation's threat to condescend,
and at least scour remnants of the search undone... throughout the day
insufferable choice of final future origins
the mail arrives,
my forehead stops to wonder at the door,
and at that pang of hunger

running, overrun, the mind churns night in such sweet shadow shifts!
to fall, legless and dissolve into the rising light..
as if a Noh play were being heckled through to end by gaudy ads
to jolt us bridgeless from that subtle world
and wander long on lethe banks of noisome blare.
at times i stroll this nowhere stranding here, pretend, and gaze from hiding,
between a wincing coffee swill
imagined easeful face of signs,
"easy as a gentle summer wind..."
tolerant to all, to blow a "selfless" stillness into me
to wave, and smile --breathe a blanket on acuter truths
with which i meet the day enwrapped.

but quietly  i wait... for Time to die:
an hourglass to shatter in the instant of eternity!
and birthe anew each 3 am, create anew--
those  kisses,  frozen  birds  of  static  bliss  become
a moulded wax to shape the plenum love as roaming peace,
darkness-rest to calm a pointless labor,
abate the drift into an unwalled corner's only inward exit--
as whisper hands can cradle nescience
such, that grains become a world,
in which invented seas are sweeter than the toxic real
whose bitterness a cherishing of death unveils awry,
or right as winter dust.
i yearn in flight and add to fullness,
find fullness once again
to hover equipoised at love's encrusted center,
where pain gives way to peace i cannot have.
if i would have this other 'purest' love,
and for instance find the meaning once again in wartime's bated negligence--
as in a perfect silence wind can brush the lips with all of life's aroma--
and as a gentle fire smouldered long,
at Spring, ignites within the splay of tender leaves--
so archetypal solitude of being beings manifolded one, i may fulfillment find...

i may go find myself alone now,
or swagger to an ancient drinking song,
or fall into those evening arms,
to find abated also, idols of the heart in each
for what the greater heart amends...
all for yearning better worlds
the pain has sent me reeling prone--
curling at complacent murmurs,
coos of love to torment all without
wherein i wallow, fallen from all heights,
absurd escape, removed---surrounded still
by so-called metalove, abject phantasmal swoon
i grit my teeth against,
as heaving sand would send the shore to sea and drown nostalgia evermore,
as only total extrication serves to quell an everpresence such as this,
ringing in the twilit dew,
or starlight whirl--
or inverse in a heedless curse--
horizons cease in this expanse
surging at the birth and death of things

A stampede of elephants
Running through the rooms of my mind
As their legless bodies ask
"How?"

A toucan flies to rest on a thought
With two million and two branches reaching towards my heart.
"How many cans can a toucan can if a toucan could can cans?"

Now this monkey must be joking
Those are my feelings he's holding.
And he continues to toss them about.
He peels off the skin and throws it over his shoulder
And takes one big bite out of the happiest one.

And this little duck waddles,
Left foot, right foot.
The left side is fine, but his right
Sends a nerve that clenches a fist to a glass window.

"Quack, quack."

Snip snap,

And there goes the vertebrae in my spine.

Zoe was a clever girl, and I wasn't surprised when she wanted to try a haiku-style piece, but it was even cleverer than I had expected, with a correct syllable count and a delightful punch-line.

Slow-worm in the grass
looks at me with beady eyes
and puts its tongue out.

(Note: the slow-worm is a legless lizard that looks like a small snake, locally quite common in England.)
I love the suggestion that the creature is being cheeky by putting its tongue out, while we all know - don't we? - that lizards do this to smell the air around them.

(AP) Chicago vicinity hit hard yesterday by fierce bracing winds approximating unmanned chainsaws violently cutting across streets sidewalks heavy lakefront blizzard icy snow resembling slivers of broken glass slashing stinging skin news alert of return of dreaded snow worms attacking women and children technically known as Kinorhynchan Oligochaetes Nemertines these deadly transparent parasitic creatures slither slightly ticklish creep inside boots preferring hairless legs of children slimy vipers dig between toes devouring traces of toe jam then gnawing toenails until they reach foot bed where they fester in bitter dark brown green milky juices crippling little boys and girls in shaven women the elongated legless carnivorous ice worms disguised as mere icicle drippings climb up calf knee thigh ****** ****** ovaries feasting on female eggs their favorite food many northern women choose not to shave during winter season so as not to fall victim to the snow worms

The death-filled battlefield lay foul and grey,
Its noisome stillness broken grimly by the groans
Of wounded, broken, bleeding, dying men.
But, cheer up folks, there's some good news:
Gently, slowly, through that desolate scene
Came an Angel all dresséd in nurses' kit;
She wandered, lovely as a cloud, starched in white,
Giving eager head unto the maimed and crippled.
"Me, me" a legless soldier wanly called,
More in hope than in serious expectation
Of a caring gobble before he croaked.
And then he passed on to the great ******* in the sky,
Another useless sacrifice to nothing what-so-*******-ever.

“You must be Donny?”

asks a tall, thin man with olive-green skin.  He must be Italian, but then again, I’m not exactly sure. For Heaven’s sake - judging by his handshake, Justin Timberlake could break him into two. Distracted by the shiny pennies in his brown penny loafers, I don’t want to come across as rude, but I suddenly don’t care to know this dude. Then he says to me,  

“Tell me about yourself.”

“Well, my name is Donny. I’m bored, so I would like to give my self a lobotomy, but first I have to feed the monster that’s inside of me, so I must pick out the green mold in my expired salami.

“Instead of doing important things, I enjoy jumping up and down on my mattress that is made of squeaky springs while flapping my arms, pretending I have wings.

“Sometimes I get fidgety when this alcoholic, legless ****** stands too close to me, but then I feel guilty cause he’s blind and homeless and reeks likes ***, so I tell him he can lean on me.

“When I go to the dollar store I like to be a **** and drive the clerk berserk by asking him to do a price check on every item I’ve dropped on the floor. The manager grabs my collar and throws me out the door.

“I still ask my mother if I can please wear her skis when I climb trees only using my knees. She says, ‘Grow up! You’re 33, quit bothering me.’  I did!!! I’m 5’10… now what am I suppose to do then??

“I like to play the air fiddle and stand in the middle of the street in my bare feet with a mouth full of skittles, trying not to dribble, telling lots of riddles.
  
“Sometimes when I’m drinking I like to wear a black top-hat like Abe Lincoln then I get to thinking, while squawking like a chicken, how long I can keep my eyes open without blinking.
  
“‘Four score and seven years ago’ seems to be a mathematical equation that can be breaking down to zero. Oh, oh, oh! Did I ever tell you who my hero is??”

“donny”---“dooonny” “Doooonny” “DONNY!!
It’s time to leave and return to your room.”

“Room? What room?”

“Your room - there’s someone there to see you.”

“Who?”

“Your hero.”

I feel a gentle hand rest on my back and guide me to an unfamiliar door.  I enter into this mysterious room and hear the door shut and quickly lock behind me.  

Where is he?  “WHERE IS HE?!”   I hear my voice echo down the hallway.  I know they can hear me.  “TED NUGENT!!  MY HERO!  SWEATY UNCLE TEDDY!  WHERE IS MY HERRROOOOOO?!?!?!”

A large, olive-green plant stands proudly in the corner by the window.  How did my psychiatrist sneak in here?  

“You must be Donny?”

Swirling colors
paint the market square,
shrimp lie heaped
next to the
bananas & chilis,
there's lemonade,
tires with rubber patches,
a sense of community
hangs in the air.
Deals are made
in hard currency
or in trade.
A natural flow exists,
as if everyone
is on autopilot.
And behind the scenes,
just under the surface,
one feels the depression,
pain is palpable.
You can see it in
the eyes of the dogs,
rib-poking-skinny,
hairless, manged & skittish.
They hang with the limbless ones,
half-humans,
legless & starved,
dragging themselves
on cobbled streets
through ***** matter & *****,
wallowing in the mire,
begging for peanuts & money.
It ain't funny.

And the Band Played Waltzing Matilda**

When I was a young man I carried my pack
And I lived the free life of a rover
From the Murrays green basin to the dusty outback
I waltzed my Matilda all over
Then in nineteen fifteen my country said Son
It's time to stop rambling 'cause there's work to be done
So they gave me a tin hat and they gave me a gun
And they sent me away to the war
And the band played Waltzing Matilda
As we sailed away from the quay
And amidst all the tears and the shouts and the cheers
We sailed off to Gallipoli

How well I remember that terrible day
How the blood stained the sand and the water
And how in that hell that they called Suvla Bay
We were butchered like lambs at the slaughter
Johnny Turk he was ready, he primed himself well
He chased us with bullets, he rained us with shells
And in five minutes flat he'd blown us all to hell
Nearly blew us right back to Australia
But the band played Waltzing Matilda
As we stopped to bury our slain
We buried ours and the Turks buried theirs
Then we started all over again

Now those that were left, well we tried to survive
In a mad world of blood, death and fire
And for ten weary weeks I kept myself alive
But around me the corpses piled higher
Then a big Turkish shell knocked me **** over ***
And when I woke up in my hospital bed
And saw what it had done, I wished I was dead
Never knew there were worse things than dying
For no more I'll go waltzing Matilda
All around the green bush far and near
For to **** tent and pegs, a man needs two legs
No more waltzing Matilda for me

So they collected the cripples, the wounded, the maimed
And they shipped us back home to Australia
The armless, the legless, the blind, the insane
Those proud wounded heroes of Suvla
And as our ship pulled into Circular Quay
I looked at the place where my legs used to be
And thank Christ there was nobody waiting for me
To grieve and to mourn and to pity
And the band played Waltzing Matilda
As they carried us down the gangway
But nobody cheered, they just stood and stared
Then turned all their faces away

And now every April I sit on my porch
And I watch the parade pass before me
And I watch my old comrades, how proudly they march
Reliving old dreams of past glory
And the old men march slowly, all bent, stiff and sore
The forgotten heroes from a forgotten war
And the young people ask, "What are they marching for?"
And I ask myself the same question
And the band plays Waltzing Matilda
And the old men answer to the call
But year after year their numbers get fewer
Some day no one will march there at all

Waltzing Matilda, Waltzing Matilda
Who'll come a-waltzing Matilda with me
And their ghosts may be heard as you pass the Billabong
Who'll come-a-waltzing Matilda with me?

All the ones I
Love the most have

Someone they love
More than me.

The truth of it is
Beautiful;

That lonely knowing
Sets me free.

The legless fly,
The voiceless sing.

There's love in every
Living thing.

And in that love
I bask and laugh,

Composing my own
Epitaph:

All gods are real, and
Therefore none, and

Hell hath merely
Room for one.

All the ones I love
The most

May barely know a
Man from ghost.

I love their rains, their
Suns and soils,

Their loving others form
The spoils that go

To me right where I
Stand to see:

I need not even
Me.

“He sat in a wheeled chair, waiting for dark,
And shivered in his ghastly suit of grey,
Legless, sewn short at elbow. Through the park
Voices of boys rang saddening like a hymn,
Voices of play and pleasure after day,
Till gathering sleep had mothered them from him.

About this time Town used to swing so gay
When glow-lamps budded in the light-blue trees
And girls glanced lovelier as the air grew dim,
—In the old times, before he threw away his knees.
Now he will never feel again how slim
Girls' waists are, or how warm their subtle hands,
All of them touch him like some queer disease.”

I called her once, then I called again
And I called throughout the night,
There wasn’t a message from Olwen’s pen
Nor the answering ‘ching’ of delight,
I’d begged forever her not to go
But she must have gone and went,
Down to the Fair at Cinders Flo
And into the strongman’s tent.

We’d been together to see the Fair
When the sun was riding high,
And all the rides and the Ferris Wheel
Were reeling up in the sky,
We rolled a ball at the grinning clowns
And we won a Teddy Bear,
The hairy woman and legless man,
All of the freaks were there.

But then we got to the Strongman’s tent
And I saw her eyes go wide,
He picked her up with a single hand
And I’ll swear that Olwen sighed,
I found I couldn’t drag her away,
She paid for a second show,
And after stroking his biceps once
She waved for me to go.

I had to drag her away from there
Or she would have stayed all day,
‘What do you find so interesting?’
I finally had to say.
‘Isn’t he such a mighty man
And his muscles ripple so,
He makes me feel like I want to squeal
Like a Tarzan’s Jane, you know.’

I finally went to Cinders Flo
In the middle of the night,
Thinking the end of me and Olwen
Seemed to be in sight,
I got to his tent, and there she was,
A-stare, a look aghast,
For what she had woken up was slim,
She saw the truth at last.

For there hanging up within the tent
Was the Strongman’s muscle suit,
With every ripple and every bulge
And a chest that was hirsute,
But he sat up in his lonely bed
And was pale and thin and white,
With a certain wiry toughness, though
He could never cause delight.

I think that it cured my Olwen though
She’s never been so still,
She spends her mornings and afternoons
Hung over the window-sill,
I try to get her to walk with me
But she can’t, she says, she hates,
She’s staring down at the guy next door
As he’s working out, with weights.

David Lewis Paget

Holiday: a man backstrokes
oh so gently in the hotel pool.
It’s breakfast time. Bean juice
coagulates on my plate.

I watch the man’s languid, enchanting
backstroke and, for some reason,
it inflates my heart with sentimental joy.
This semi-corpulent middle-aged man,
is, right now,
The Most Beautiful Thing On Earth:

His arcing limbs do not slap or thrash,
but plop into the drink like skipping stones.
He is a babbling brook. A water feature.
The splish-splosh trickle-truckle of a spa waiting room.

And what’s more, this forty-something baldy
gliding through the water
fills me with love for all humanity,
because he seems blithely rapt
in absolute peace
(despite the room rates at this place).

But then, I realise, all of this might be
free association of the mind
linking this moment to a scene in
the Oscar winning motion picture:
Forrest Gump;
when a legless Lieutenant Dan
makes peace with God (for taking his legs),
and backstrokes with the same carefree beauty
into a pink and orange sunrise

(funny how the mind does that).

And suddenly the bubble of beauty is burst.
The portly swimmer becomes just that
(FYI: legs intact),
and my wife returns from the buffet
with a plate of vibrant fruit segments; Cheshire melon
and the greenest kiwi I’ve ever seen.
Lo! Only now have I tasted true kiwi.
And I remember: I’m on honeymoon!
And my wife, in this moment, and forever more,
shall be the only human to be known as:
The Most Beautiful Thing On Earth.

Similar to the way Forrest felt about Jenny,
in the Oscar winning motion picture:
Forrest Gump.

Father, I have sinned.
Ive compelled myself a mate and painted my body gold, pure and metallic and let him hang me around his lacey neck like a chained noose.

Father, i have sinned.
Ive disappointed my appointments and made allies with my enemies. Ive lied to get to where i am and i stand legless because of it.

Father, i have sinned.
Ive cut open skin and got drunk from the blood, letting it trickle down my breast, wearing it like a jacket, using it tirelessly to keep me warm during my winter

Father, i have sinned.
I scripted cursively with my left hand and pointed accusingly with my right. Ive fought like a thinker and forfeit my heart.
Father i have sinned,
I loved without thought.
I have slept in my ***** sheets and bathed in my discretions, Father, this bed is not big enough for our overexhausted lessons.

Father, please forgive me
for i have sinned in spite of the sun. Ive predicted light for the losing side and because of that,
i've won a temporary victory.
Ending with, not surprisingly, my mother clawing me senseless,
her knuckles blistering my jabbing jaw.
She said, "I never thought id see a side to you much darker than i ever saw."
Now she looks to me much older, decrepit and disgusted, and i look to her a doppelganger of the man that left her faithless.

Father, i have sinned and unwittingly beg for your conviction. But your faith is what left my mother living breathlessly without a face. A face hauntingly well known. but if i keep on keeping on this sinning, a face just like yours ill own.

Today I didn't think I'd let go
of something truly dear to me.

My favorite umbrella. The first umbrella I didn't lose or break.
I bought it with a special someone. Held onto it even when he left.
I felt like it was me.

It was overturned and threatened by strong winds and falls,
graciously protecting it's Master under the strong heat of the Son,
and from the batting of the Reyn.

It served me well. I also, did well.
We survived two years
of wandering
actually running three next month,

but Umbra just had to go unexpectedly
found a diversion
when we saw a legless old woman
whose old wheelchair is slowly being pushed under the heat of December.
Her old man wearing a cap,
and she, wearing a small towel on her head.
Traversing the highway perhaps coz of the fare they can't afford.

Slowly nearing us. Umbra came out of my bag. Jumped out quickly but gripped me
to bid me a final goodbye.
My hands thinking between taking a last picture of my umbra and feeling her last grip.

Then the old woman smiled.
Umbra shook her hand.
And let me go.

I bowed to both Umbra and the grateful lady.

My eyes followed their acquaintance.
the sight of the lady's delight while opening Umbra
seeing Umbra at her most beautiful-
like a butterfly sprouting her wings

regretting that I didn't wash her as planned
had I known we'd part unplanned

Surely I will miss my Umbra
but I am utmost proud
that finally
she has found a purpose
full of purpose

after the body has decomposed and decayed and is done being with being a body, the insects feast on the flesh, desperate for nourishment.

           1.  after: the close of
               decompose: to separate into parts
                decay: to decompose; to separate into parts; to rot
                 done: to be finished
                 feast: any abundant meal
                  flesh: the sweet, outer coating of a body
                   desperate: having an urgent need for nourishment: something that is necessary for life

First came the blowflies, then the maggots. They attacked you while you were breathing. They thought you were done: to be finished. They crawled in and out of your nostrils, through your gaping mouth, down your throat. Your body took the phrase "being eaten alive" too far.
          
             2. maggots: legless larvae of flies
                     attack: to set upon in a hostile or violent way
                        nostrils: holes in a face that helps a body: the physical structure of a material substance breathe
                        down: on or to the ground
                          throat: the part where insects run through and burrow and live in the not living

You're imprinted into the ground now, your ribs a perch for vultures to peck upon your carcass. Your skull is laced with sand and other sedimentary rock as a nice garnish. Bodies are strewn here, peppered with dynasties of dust, ancestry of asphalt.

           3. ribs: curved bones shaped like armor to protect the heart and other vital organs
                carcass: a human devoid of being
                   skull: the bony framework of a head
                      laced: the lightly draping of a thing
                       garnish: the supply with; to decorate; to lace: lightly drape a thing
                            ancestry: generations and generations of sediment forming into people forming into lives forming into experience forming into decay: to separate into parts


**~~a.s.f.

You may record me in your over-edited, excerpts.
What men claim as their story.
Salty, bitter history, versus jaystory.
Throw my revolution in the sand.
But still, like the dust on your mantle,
I am lifted.
Even deceased I can stand.

Does my challenge anger you?
Are you overwhelmed with a match?
My words can open cans of worms
Your little politician promising can't patch
Up, or be swept under that with a broom
I will haunt you with my revolutions
Like I'm zeus in his own living room.

Like the endless universe to our moon.
To the fall of capitalism soon
To the 24 frames a second on networks of cartoons
Or those stuck in the trip of two caps of a shroom
Stay in tune
Like your high school's marching band
However I have to
I'll find ways to stand

I know someone would rather see me broken, crippled, legless, without feet.
A head hung low and eyes even lower so
Shoulders challenging one one another to how much closer to the ground one can go.

Does my attitude offend you?
Don't take my strength too too hard
I'll laugh like I've got El Dorado
Underneath my back yard.

You may shoot me with your thoughts
Your words, throwing heat from steamed pots
But me with your eyes, thinking it may do a lot
You may **** me with your hateful energy, maybe you can
But whatever state the world leaves me in
I will continue to stand.

Does my appeal make you angry?
It frequently comes as a surprise
I dance as if 50 carat diamonds lie between my two thighs

My history might have shame, lost in brutal command
But that's then, this is now, so regardless I stand
I'm an endless waterfall, unmeasurable in feet
The fact I can't hear myself is also funny to me.
Since water is a sound that my ears cannot reach.
But at least by my wonder to some I can teach.
That there is nothing you cannot withstand.
So with my my revolutionaries
Together. We stand.
I stand. To dawn and then back.
I stand. Regardless of your wrath.
I stand. I am the dream, and in hopes, the hope of the change.
I stand and I'll stand.
Till a new story's engraved.
I stand.
To when history is just a story.
Not belonging to a man.

vi.**.xii

I wonder if the music
is too loud
or if I
am just too soft.

Cut my lip
bleddin' blues into can
RED, WHITE, BLUE
My sunglasses
are $ store commodity
& clothes thrifty.
Got my all-cotton
white shirts
runnin' roun Tejas
Gallopin' legless
into
this can
& that can
SUPER IMPOSSIBLE is
Bone dead ol' wives tale.
A little trickery
Here, there, everywhere
Justa make
ma shoes fit.

Cuz no matter where ya walk there are bagpipes in the rain.

Don't forget
bout the ol'
Beer cans in the road
And numb legs
dangling
in Amsterdam Canals.
Oh buddy, & I'm
drinkin' another.
An just like that:
The blood had run
And my
can
was DONE.